Modern & Contemporary Art Online | May 1, 2020 - 11:00 a.m. CT

New Orleans Auction galleries

Modern & Contemporary Art Online Auction

Online Auction: May 1, 2020

LOT 263

Modern & Contemporary Art Online Auction May 1, 2020 Begins at 11 a.m.

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | 504-566-1849 FRONT COVER: LOT 154 | BACK COVER: LOT 83 LA Auction License AB-363, Steinkamp #1265, Eichenwald #1922 | 25% Buyer’s Premium

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LEFT: LOT 1

1 Tom Paar (American, 1921-1991) “Pieta”, 1989 woodblock print on paper pencil-signed, titled and dated in images.

Glazed and framed.

35” x 24-1/2”, framed 39” x 28” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200

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2 Louise Guidry (American/Louisiana, b. 1930) “Vanishing Glacier” acrylic and mixed media on gallery-wrapped canvas signed lower right.

40” x 30” $800-$1,200 3 Italian Blown Glass Tall Vase probably Murano, blue-striped on clear, illegible incised signature at bottom. h. 14-5/8”, w. 7”, d. 3-7/8” $100-$200

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4 Emery Clark (American/New Orleans, b. 1950) “Study - Afternoon Waves”, 1987 “Study - Moon Glow Light”, 1993 two mixed medias on paper each signed lower right, each with an “Arthur Roger Gallery, New Orleans” label en verso.

Each matted, glazed and framed. sights 9” x 13-1/2” and 9-1/4” x 14”, framed 26-1/4” x 30” and 25” x 29” $500-$800

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5 Caroline Vatcher, Duchess of Leeds (British, 1931-2005) “Boats Docked” watercolor on paper signed “Leeds” lower left.

Matted, glazed and framed. sight 11” x 14-1/2”, framed 18” x 22” 11” x 14-1/2”, framed 18” x 22”.

Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $200-$400 5

6 Ginny Ruffner (American/Seattle, b. 1952) “Flowering Tornado”, 2003 metal and blown glass signed and dated on one hanging element. h. 9-3/4”, w. 13”, d. 10” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $800-$1,200

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7 Ginny Ruffner (American/Seattle, b. 1952) “Flowering Tornado”, 2003 metal and blown glass signed and dated on one hanging element. h. 9-3/4”, w. 13”, d. 10” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $800-$1,200

8 Max Papart (French, 1911-1994) “Facing West” and “Renaissance” two colored aquatints each pencil-signed and numbered, the first “H.C. II/V”; the second “H.C. 9/10”.

Each matted, glazed and framed; the first float-mounted. sights 22-1/2” x 29” and 28-1/2” x 25-1/2”, respectively; framed 32-1/4” x 39-1/2” and 40-1/2” x 36”, respectively

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$300-$500

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9 Theo Tobiasse (Israeli/French, 1927-2012) “Un Peuple d’ Assis dans L’Usure des Pierres” “On the Shores of the Circus”, 1975 two color lithographs each titled in print, and pencil-signed and numbered lower margin 108/200 and 190/200, respectively.

The first glazed in a float-mount frame; the second matted, glazed and framed. sights 21-1/4” x 29” and 20-1/2” x 26”, framed 37” x 45” and 32” x 37-1/2” $300-$500

10 John Chiles (American/Vermont, b. 1962) “Green Vase with Blue Vine Stopper” glass incised signature at bottom. h. 15-1/2”, dia. 4-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200

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11 Lundberg Studios, California “Nest with Eggs”, 1992, blown glass, bowl of cobalt blue with white stars, with six clear glass eggs; together with seventeen unmarked swirled glass spheres/ovoids. bowl dia. 4” $100-$200

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12 Remo Bianchedi (Argentinian, b. 1950) “Funkciones Son Acciones”, 2005 acrylic and collage on canvas titled upper center.

Unframed.

41” x 46” Provenance: Private collection, Houston, Texas. $700-$1,000 13 Group of Four Millefiori Glass Paperweights including a Marlen Stone, Vitra 95 example, incised and marked at bottom; a Perthshire Paperweights, Crieff, Scotland example dated “82”, with labels at bottom; and two unmarked examples. h. 1-1/2”, dia. 2-1/4” to h. 3-1/2”, dia. 4”

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$75-$125 14 Tony Rush (American/Alabama, Contemporary) “Bud Vase” blown and hand-formed glass with acid etching aubergine and teal, from the “Botanical” series, artist stamp at bottom. h. 9”, w. 4-1/4”, d. 3-3/4” $50-$80

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15 Malou Flato (American, b. 1953) “China Bench” watercolor on paper signed lower right, titled lower left.

Glazed, float-mounted and framed.

8-1/2” x 36-3/4”, framed 16-1/2” x 45-1/2” Provenance: Arthur Roger Gallery, New Orleans, Louisiana. $300-$500 16 Giovanni Molteni (Italian, 1898-1990)

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“Wooded Landscape”, 1961 oil on canvas signed and dated lower right, a handwritten label with artist en verso frame.

Framed.

20” x 26”, framed 25-3/4” x 31-1/2” $300-$500 17 DKH Studio “Fish Vase” 1997, blown and applied glass, incised marking, dated and copyright-marked at bottom, body ombre navy to green. h. 17-1/8”, dia. 5-5/8” $200-$400

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18 Joan Miro (Spanish, 1893-1983) “Untitled” offset lithograph Matted, glazed and framed. sight 27-1/4” x 21-1/4”, framed 36” x 29-3/4” Provenance: Purchased Birmingham, Alabama, 2004; Private collection. $200-$400

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20 Louise Guidry (American/Louisiana, b. 1930) “Reflecting Back” acrylic on masonite signed lower left.

Unframed.

36” x 36” $800-$1,200

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19 Group of Five Caithness Glass, Scotland, Paperweights including “Orange Butterfly”, titled, marked and numbered “4/50” at bottom; “Paint Box”, titled, marked and numbered “210/750” at bottom; “Discovery”, titled, marked and numbered “644/750” at bottom; “Reflections”, titled and marked at bottom; “Hydrofoil”, titled, marked and numbered “230/750” at bottom. h. 2”, dia. 2-1/2” to h. 3”, dia. 3” $100-$125 19

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21 Luke Fontana (American/Louisiana, Contemporary) “Clementine Hunter” a silver gelatin print and an oil-enhanced print on gallerywrapped canvas former signed lower right, signed, titled and copyright-marked along bottom edge of mat, latter signed and copyright-marked lower right, inscription upper left. former sight 13” x 8-3/4”, framed 19-1/2” x 14-1/4”, latter 36” x 24” $600-$900

22 Louise Guidry (American/Louisiana, b. 1930) “Cold One, Yellow” mixed media on gallery-wrapped canvas signed lower right.

20” x 20” $600-$900

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23 Molly Stone (American, b. 1950) “Reflecting Bowl”, 1995 blown glass Cohn-Stone Studios, California, body of blue-green with orbs of cobalt and peacock, interior of 24kt. gold foil, incised signature and date at bottom. h. 5-1/8”, dia. 8-3/4” $600-$900

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24 David Levi (American/Missouri, b. 1959)

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“Covered Footed Jar with Artichoke Finial”, 1999 blown glass opaque blue body and finial, handles, feet and lid opaque navy, incised signature and dated at bottom. h. 18-1/2”, w. 12”, d. 9-1/2” $600-$900 25 Peter Lik (Australian/American, b. 1959) “Golden Gate Bridge, California” archival print signed lower left Matted, glazed and framed.

8” x 10”, framed 21” x 17” sight 7-1/2” x 9-1/2”, framed 21” x 17” $200-$400 26 Juan Sanchez-Juarez (Mexican, b. 1946) “Untitled” oil on canvas signed lower right, a “Circle Fine Art” label en verso.

In a thin, unfinished gallery frame.

31-1/2” x 19-5/8”, framed 32-5/8” x 21” Provenance: Circle Fine Art, New York, New York; Private collection, New Orleans, Louisiana. $700-$1,000

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27 Yaacov Agam (Israeli, b. 1928) “Vertical Orchestration Blue” lithograph in colors pencil-signed lower right, numbered “45/54” lower left, published by Circle Fine Art Corporation.

Matted, glazed and framed. sight 26” x 7”, framed 34-1/2” x 16-1/2” $300-$500 28 Louise Guidry (American/Louisiana, b. 1930) “My Spa III, Orange” mixed media on gallery-wrapped canvas signed lower right.

20” x 20” $600-$900

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29 David Lasher (American, Contemporary) “Untitled”, 1990 oil on canvas signed and dated lower right.

Unframed.

61” x 38-5/8” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $400-$700 29

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30 Thomas Buechner (American, 1926-2010) “Heechee Probe”, 1999 blown glass clear spine with striated pink helix, incised signature and dated along bottom edge. h. 18”, w. 7-1/2”, d. 7-1/2” $200-$400 31 Luke Fontana (American/Louisiana, Contemporary) “Minnie Williams”, 2019 oil-enhanced print on gallery-wrapped canvas signed, titled, dated and copyright-marked lower right, descriptive inscription en verso.

36” x 24-1/8” 30

$600-$900

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32 Luke Fontana (American/Louisiana, Contemporary) “Louis Cottrell, Jr. (1911-1978) of Heritage Hall Jazz Band” silver gelatin print and oil-enhanced print on gallery-wrapped canvas former signed lower right, titled lower left, latter signed lower right and en verso.

Photo matted, glazed and framed. former sight 13-3/4” x 9-5/8”, framed 19-1/4” x 15”, latter 14” x 9-1/4” $600-$900

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33 Barbara Wolcott (American, 20th Century) “Perplexity’s Path”, 1994 monoprint pencil-signed and dated lower right, titled and numbered “1/1” lower left.

Matted, glazed and framed. sight 18-1/2” x 22-1/4”, framed 26” x 30” $200-$400 34 Gregory Zeorlin (American/Texas, Contemporary) “Untitled”, 1995

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mixed media on clay signed and dated en verso.

14-1/2” x 17-7/8” $300-$500 35 David Garcia (American, Contemporary) “Tureen”, 1995 blown glass black exterior, hot pink interior, iridescent clear to gold handles and foot, incised signature and date at bottom h. 7”, w. 14”, d. 9-1/2” $200-$400

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36 Shimon Okshteyn (Ukrainian, b. 1951) “Legs”, 1983 lithograph in colors pencil-signed lower right and with a “Claude Jobin/Paris” blindstamp, numbered “37/150” lower left.

Matted, glazed and framed. sight 29” x 19-1/2”, framed 39” x 29-1/2” $700-$1,000 36

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37 American School (20th Century) “Three Angels Diptych” two acrylics on canvas one illegibly signed lower right, both illegibly signed, titled and dated en verso backing paper.

Both framed. each 29-5/8” x 29-5/8”, framed 31” x 31” $200-$400 38 Leon Applebaum (American/Ohio, b. 1945)

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“Textured Vessel” blown and formed glass swirls of red, green and blue within a clear body, incised signature at bottom. h. 7-1/2”, widest dia. 7-1/2” $500-$800 39 Paulette Tokar Whiteman (American/Louisiana, b. 1950) “My Show Mt.”, 1991 acrylic collage on paper signed and dated lower right and titled lower left, a “Sylvia Schmidt Gallery, Julia St., New Orleans, Louisiana” label with artist, title and date en verso.

Matted, glazed and framed. sight 22” x 21-1/2”, framed 33” x 32-1/2” Provenance: Sylvia Schmidt Gallery, New Orleans, Louisiana. $400-$700 39

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40 Paulette Tokar Whiteman (American/Louisiana, b. 1950)

41 Paulette Tokar Whiteman (American/Louisiana, b. 1950)

“Again”, 1991

“Grass is Greener”, 1991

acrylic collage on paper signed and dated lower right and titled lower left, a “Sylvia Schmidt Gallery, Julia St., New Orleans, Louisiana” label with artist, title and date en verso.

Matted, glazed and framed. sight 22” x 20”, framed 33-1/2” x 31”

acrylic collage on paper signed and dated lower right and titled lower left, a “Sylvia Schmidt Gallery, Julia St., New Orleans, Louisiana” label with artist, title and date en verso.

Matted, glazed and framed. sight 22” x 22”, framed 33-1/4” x 32-3/4”

Provenance: Sylvia Schmidt Gallery, New Orleans, Louisiana.

Provenance: Sylvia Schmidt Gallery, New Orleans, Louisiana.

$400-$700

$400-$700

42 Brian Taylor (American, Contemporary) “Window Heart - First Love”, 1988 mixed media sculpture signed, dated, titled, and copyright-marked en verso h. 38”, w. 40”, d. 10” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $800-$1,200

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43 Patrick Renner (American/Texas, Contemporary) “Untitled”, 2017 painted reclaimed wood assemblage signed and dated en verso.

27” x 21” x 2” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $600-$900

44 Pat Juneau (American/Louisiana, b. 1965) “Fais-do-do”, 2005 “Row of Flowers”, 2004 pair of painted metal sculptures former signed and dated at upper left and en verso, latter signed and dated en verso.

13” x 48” and 12” x 48”, respectively

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$100-$200

45 Michael Richardson (American/Texas, Contemporary) “Wing Series II, #3” acrylic and sawdust on masonite mounted on wooden planks a “Watson/de Nagy & Co./Houston, Texas” label en verso with title, artist and medium.

10” x 45” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $500-$800

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46 Michael Richardson (American/Texas, Contemporary)

47 Clyde Connell (American/Louisiana, 1901-1998)

“Untiled”

“Lake Bisteneau”

acrylic and sawdust on masonite double-sided “boomerang” sculpture, with hardware for hanging 34” x 93”

group of four items including; “Yellow Rift No 3” amd “Blue Rift No 2”, both mixed media on a wood block, each signed, titled and localized en verso; “Scroll No 1”, ink on parchment, signed and titled at upper back edge; and a stone from the depths of the lake. first two 3-3/4” x 3-1/2”, scroll 6” x 28”

Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $400-$700

Provenance: Estate of David V. Middleton, Jr., Shreveport, Louisiana. $400-$700

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48 Maximiliano Pruneda (American/New Mexico, b. 1948) “Moon Pool” acrylic, gold leaf and mixed media on masonite three-part construction, each within an integral wood support, signed, titled and with display instructions en verso. approximately 135” x 143”

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Provenance: Estate of Sylvia Pugh Sullivan, Houston, Texas. $400-$700 49 Ann T. Cooper (American/Louisiana, 1935-2005) “The Bayou” watercolor and ink on paper signed on the mat board lower right.

Matted and framed. sheet 18” x 12”, framed 24” x 18” $200-$400 50 Colette Pope Heldner (American/New Orleans, 1902-1990) “Little Green Shutter Inn, French Quarter, New Orleans” oil on canvas signed and titled en verso Framed.

34” x 30”, framed 39-1/2” x 33-1/2” $600-$900

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51 William Lester Stevens, N.A., A.W.S. (American, 1888-1969) “Landscape” double-sided watercolor on paper each side signed lower left.

Unframed. sheet 21-3/4” x 29-3/4” $400-$700

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52 William Lester Stevens, N.A., A.W.S. (American, 1888-1969) “Flowers” watercolor on paper signed lower right.

Unframed. sheet 28” x 22-1/2” $400-$700

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53 Jamie Harris (American/New York, Contemporary) “Untitled” blown and carved glass incised signature at bottom, opaque stripes of blue, green and frosted clear. h. 12”, w. 13”, d. 7” $700-$1,000

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54 Malou Flato (American, b. 1953) “China Bench” watercolor on paper signed lower right, titled lower left.

Glazed, float-mounted and framed.

8-1/2” x 36-3/4”, framed 16-1/2” x 45-1/2” $300-$500 55

55 Group of Six Paperweights including four Caithness, Scotland examples: “Humbug”, titled, marked and numbered “23/750” at bottom; “Seadance”, titled, marked and numbered “G5932” at bottom; “Weathervane”, titled, marked and numbered “NO178” at bottom; “Indigo”, titled, marked and numbered “201/650” at bottom; in addition to a St. Mary Bay Glass example, 1993, dated, marked and numbered “TEYT005” at bottom; and one illegibly signed and dated 1990 at bottom. h. 2-7/8”, dia. 2-3/4” to h. 3-5/8”, dia. 4” $100-$125 56 Bruce Onobrakpeya (Nigerian, b. 1932) “Ekpaen Mueli Rame - Blue”, 1971 etching on paper signed, dated and localized “Lagos” lower right, titled lower left, edition of 15.

Unframed.

24-1/8” x 17-5/8” $700-$1,000

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57 Bruce Onobrakpeya (Nigerian, b. 1932) “The Songs of Life” etching on paper signed, dated and localized “Lagos” lower right, titled and numbered “5/30” lower left.

Unframed.

24” x 17-5/8” $700-$1,000 58 George Campbell “Cam” Langley (American/Alabama, 1948-2013) “Floral Arrangement - Cahaba Lilies”, 2003 blown glass signed and dated at bottom of vase, consisting of five green stems, two blooms, and a vase. tallest h. 17”, largest dia. 6” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700

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59 Liz Lacey (South African, Contemporary) “Untitled”, 2007 blown glass blue/lime/yellow body, incised signature, dated and marked “Red Hat Glass” at bottom. h. 13”, dia. 13-1/2” $400-$700

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60 Michael J. Griffin “Michaels” (American, b. 1941) “River Landscape” oil on canvas signed lower left.

Framed.

12” x 16”, framed 17” x 21-1/4” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $300-$500

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62 Ann T. Cooper (American/Louisiana, 1935-2005) “Evening Walk” watercolor on paper signed lower right and titled en verso.

Glazed, matted and framed.

14” x 11”, framed 21-1/4” x 17-3/4” $200-$400

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61 Jose-Maria Cundin (Spanish/Louisiana, b. 1938) “Church”, 1961 oil on wood panel signed and dated lower left and illegibly titled lower right.

Framed.

9-1/2” x 12”, framed 16-3/4” x 18-1/2” $500-$800

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63 Hildegard Rath (German/New York, 1909-1994) “Weeping Willow in Bloom” oil on canvas signed lower right.

Framed.

50” x 60”, framed 51-5/8” x 61-3/4” $800-$1,200

64 Daum France Pate de Verre Glass Orchid Vase 20th century, ombre from leaf green to lime, incised marking at bottom. $100-$200

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65 Salvador Dali (Spanish, 1904-1989) “L’Incantation” color etching with drypoint pencil-signed lower right and numbered “XLIX/@” lower left.

Glazed in a float-mount frame. sheet 14-7/8” x 11-1/8”, framed 27-1/4” x 23-1/8” $800-$1,200 66 Salvador Dali (Spanish, 1904-1989) “On Geryon’s Back, Dante’s Inferno, Canto 17” “Reclining Nude” woodcut in colors and lithograph on paper former signed in plate, float-mounted, matted, glazed and framed, latter numbered “s 120/200” lower left, pencil-signed lower lower right , matted, glazed and framed former 13” x 10-1/2”, framed 27-7/8” x 25-1/4” and latter 18-1/2” x 11-1/2”, framed 30-1/4” x 22-1/4” 65

$400-$700

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67 Elizabeth Chandler (American, b. 1941) “Maya: Blue and Gray”, 1994 mixed media on canvas now backed with a wood panel support, signed and dated lower right, a “Gremillion/Houston, Texas” gallery label with title en verso.

Framed.

36” x 72”, framed 38” x 74” Provenance: Gremillion & Co. Fine Art, Inc./Houston, Texas; Private collection. $500-$800

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68 Paul Willsea (American, 20th Century) and Carol O’Brien (American, 20th Century) of Willsea Glass Studio “Pyramid Bowl”, blown glass, squared foot of clear glass with gold foil inclusions, body of opalescent white, incised signature at bottom. h. 8-1/2”, dia. 17-1/2” $400-$700 69 Robert Willson (American/Texas, 1912-2000) “Amorphous” blown glass clear glass amorphous shape with bubbles and silver and gold foil interior elements, incised signature at bottom. h. 9”, w. 6”, d. 6” $600-$900

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70 Robert Gordy (American/Louisiana, 1933-1986) “Seven Figure Oval (Raspberry)”, 1980 silkscreen on paper signed and numbered “14/40” lower center, a “Galerie Simonne Stern, Royal St., New Orleans” label with artist, title and date en verso.

Glazed and framed. sight 22” x 29-3/4”, framed 22-1/2” x 30-1/4” $600-$900

71 Janeth Murray McKendrick (American, Contemporary)

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“Nightscape” mixed media on canvas and wood panel unsigned.

Unframed.

52-3/4” x 50-3/4” Provenance: Arthur Roger Gallery, New Orleans, Louisiana. $400-$700

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72 Andres and Chapman Footed Vase blown glass, body of marbleized green/gray/blue, interior of cobalt, incised signature at bottom. h. 13”, dia. 11” $200-$400 72

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73 Continental School (20th Century)

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“Alpine Village Scene” oil on board signed “M. Gasser” lower right.

Framed.

22” x 26-1/2”, framed 28” x 32-1/2”

75 Philip Koch (American, b. 1948)

$100-$200

“August Morning, Red Barn”

74 American School (First Quarter 20th Century)

oil on canvas signed lower right.

Framed.

40” x 60”, framed 46” x 66”

“Domestic Interior”

Provenance: Estate of Hurley Wayne Gray, Houston, Texas.

oil on canvas unsigned.

Framed.

24-1/4” x 22-1/4”, framed 30-1/4” x 27-3/4”

$600-$900

$400-$700

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76 Garth Swanson (American/Louisiana, Contemporary) “Harmony & Chestnut”, 2009 oil on canvas signed, titled and dated en verso.

Framed.

16” x 16”, framed 17-1/2” x 17-1/2” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $500-$800

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77 Charles Boisset (American, 20th Century) “Fontaine Carpeaux, Jardin du Luxembourg, Paris” oil on canvas board signed lower left, two titled labels en verso.

Framed.

18” x 24”, framed 25-1/2” x 31-1/2” $300-$500

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78 Three American Art Glass Perfume Bottles and a Bud Vase all blown glass, including a Roger Roland (American, b. 1914) bottle of yellow iridescent crackle with gold stopper, incised signature and marked “11811-00”; a Peet Ellet Robison (American, 1948-2012) vase of iridescent pink to teal with a delicate tree branch motif; and an illegibly marked bottle of teal blue with gold-flecked sides and stopper. h. 7-1/2”, w. 2-5/8”, d. 2”; h. 3-1/4”, dia. 2”; and h. 3”, w. 2-3/4”, d. 2”, respectively $200-$400

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79 William Thomas “Tom” Young (American/Louisiana, 1923-2014) “Zarahemla”, 1959 oil and wax on canvas board signed lower right, and signed, titled and dated en verso.

Framed.

12” x 15”, framed 13-1/2” x 16-1/2” $500-$800 80 Mitchell Gaudet (American/Louisiana, b. 1962) Pair of Palmette Tiles 79

cast glass one in blue and one in green, unmarked. each h. 8-1/2”, w. 12” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $300-$500 81 Victor Vasarely (French/Hungarian, 1906-1997) “Rene Descartes, Le Discours de la Methode”, 1969 silk screen on paper pencil-signed lower right, a “Multiples, Inc., N.Y.C.” label with artist, title and date en verso.

Plexiglass-framed.

18” x 15-3/4”, framed 18-1/4” x 16” $400-$700

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82 Mitchell Gaudet (American/Louisiana, b. 1962) “Fleur-de-Lis Face” “Swag”, 1999 two cast glass pieces former unmarked, latter with incised signature and date at back, with hardware for hanging. h. 10”, w. 6”, d. 4” and h. 11”, w. 6”, d. 2”, respectively Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $200-$400

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83 Archimede Seguso (Italian/Murano, 1909-1999) “Untitled” blown glass blue body with radiating circular motif in clear, green and red, incised signature at bottom. h. 8-1/4”, w. 13-1/8”, d. 7-5/8” $400-$700

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85 Wesley Anderegg (American, Contemporary) “Empty-Headed Vessel”, 2001 painted porcelain interior glazed, signed and dated at bottom. h. 6-5/8”, w. 3”, d. 2-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

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84 American School (Contemporary) “Untitled Portrait” oil on canvas unsigned.

Framed.

30” x 24”, framed 37-1/2” x 31-1/2” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $400-$700

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86 Peter Secrest (American/New York, b. 1951) “Untitled”, 1995 blown glass body of bright yellow with blue and black striated elements and red accents, incised signature and dated at bottom. h. 11-5/8”, w. 8-1/2”, d. 3-1/2” $200-$400 87 Kit Karbler (American, Contemporary) Michael David (American, Contemporary) “Inverted Arch” blown and cold cut glass, with Blake Street Glass Studio, Denver, Colorado, incised signature, marked and numbered “2926B”. h. 8-1/2”, w. 8-3/4”, d. 4-1/2”

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$500-$800 88 Leon Applebaum (American/Ohio, b. 1945) “Bowl” blown glass clear with swirls of green and purple, incised signature at bottom. h. 6-1/2”, dia. 9” $300-$500 89 Whimsical Blown Glass Ray Gun unsigned. h. 6”, w. 1-1/2”, l. 9-1/2”

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$100-$200

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90 Peregrine Honig (American, b. 1976) “Spotted Elephant”, 2000 watercolor and ink on paper signed and dated lower right.

Matted, glazed and framed.

11” x 10”, framed 20-1/4” x 19-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

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92 Barton Lidice Benes (American, 1942-2012) “Book - Wrapped” “Untitled”, 1971 mixed media book construction and pen and ink on paper former signed lower left, latter pencil-signed, dated and with inscription lower center.

6-1/2” x 9-1/4”; sheet 30” x 22” $700-$1,000 91

91 William Wegman (American, b. 1943) “Weenie-Time”, 1994 mixed media with collage and engraving pencil-signed and dated lower right, numbered “A.P. 2/10” lower left.

Float-mounted, glazed and framed.

16-1/4” x 14”, framed 25-1/8” x 23-1/8” 92

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $800-$1,200

32

92 detail

93 William Wegman (American, b. 1943) “Alphabet - Green”, 1993 “Alphabet - Blue”, 1993 silkscreen on custom colored wallpaper published by A/D Editions, New York, numbered “44/1500” and “30/1500”, respectively. each 13-1/2” x 360” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

93

95 Maurice Roche (French, 1924-1997) and Nissan Engel (Israeli, b. 1931) Cristal, Paris: Robert et Lydie Dutrou, 1989, volume V of the “Terres Nouvelles” series, six etchings in color, each pencilsigned by Engel, this volume numbered 83 of an edition of 105, signed on colophon page.

10-1/2” x 8-1/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $150-$300 94

94 Ke Francis (American/Tennessee, b. 1945) Dixie Compass Tupelo, Mississippi: Hoopsnake Press, 1994, octagonal letterpress book with woodcuts and five photographic prints, this numbered 2 of a limited edition of 50, binding designed

by Larry Cooper and done by Gardyloo Handmade Books, Orlando, Florida, signed on colophon page.

19-3/4” x 19-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800

95

33

96 Andrew Brott (American/Louisiana, Contemporary) “Vase”, 1995 blown glass cobalt body with yellow spirals, incised signature and dated at bottom. h. 22-7/8”, w. 6”, d. 5” $300-$500 97 Blown Glass “Fish Bag” 20th century, clear glass with a blue/yellow and a red/yellow fish, on a presentation base wired for electricity. bag h. 14", w. 9”, d. 5”, base h. 5” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $600-$900 98 American School (20th/21st Century) “Yellow-Hatted Man”, 1987

96

painted steel sculpture marked “RW87” at base. h. 70-3/4”, w. 30”, d. 24-1/2” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $700-$1,000

97

34

98

99 Two Southern Regional Portraits including “Miss Rosa” by Charlie “Tin Man” Lucas (American/ Alabama, b. 1951), acrylic on board, initialed lower right, and “Portrait of a Woman in Green”, 1995, by Reverend Anderson Johnson (American, 1915-1998), acrylic on canvas, signed and dated lower right, unframed.

23” x 16”, framed 28-1/4” x 21” and 12” x 9”, unframed, respectively Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400 100 American School (20th/21st Century) “Homage to Toulouse-Lautrec” oil on canvas signed lower left “A. J. Benjys”.

Framed.

17” x 16”, framed 19-1/2” x 19-1/2” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $300-$500 101 Juan Sanchez-Juarez (Mexican, b. 1946) “Rain Forest #70”, 2003 collage, acrylic, airbrush and silkscreen signed lower left.

Float-mounted, glazed and framed. sheet 30” x 22”, framed 37-3/4” x 29-1/2” Provenance: Gift of the artist; Private collection, New Orleans, Louisiana.

99

$800-$1,200

100

101

35

102

102 Carved and Polychromed Wood Borneo Bird the brightly colored figure in three parts. h. 39-1/2”, w. 71”, d. 7” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $700-$1,000

103 Luis Cogley (American/New Mexico, Contemporary) “Untitled”, 2000 cut and painted metal and found objects sculpture whimsical gathering of figures attached via colorful wire, signed and dated at lower back.

58” x 54” Provenance: Luis Cogley Gallery, Santa Fe, New Mexico; Estate of Hurley Wayne Gray, Houston, Texas. $700-$1,000

103

36

104 Luis Cogley (American/New Mexico, Contemporary) “Song of the Siren” cut and painted metal and found objects sculpture figures attached via colorful wire, signed at lower back. h. 72”, w. 31”, d. 26” Provenance: Luis Cogley Gallery, Santa Fe, New Mexico;Estate of Hurley Wayne Gray, Houston, Texas. $600-$900 105 Tom Marioni (American, b. 1937) “3rd Street”, 1995 photogravure with color aquatint on paper pencil-signed, dated and numbered “27/45” lower margin.

Glazed and framed.

16” x 20”, framed 20” x 24” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

104

105

106 Rony Plesl (Czech, b. 1965) “Untitled” blown glass olive green to blue exterior with red meandering designs, interior of cobalt, incised “Design R. Plesl” at bottom. h. 8-5/8”, dia. 11-1/2” $300-$500 106

37

107 Guus Kemp (American/Texas, 1960-2015) “Purple Motions”, 2010 acrylic on canvas signed, titled and dated en verso.

Unframed.

48” x 24” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $500-$800 108 Felix Martin Furtwangler (German, b. 1954) “Untitled: Man” “Untitled” acrylic on paper and color woodblock former signed lower right, latter pencil-signed and numbered “15/20” lower margin.

Each matted, glazed and framed. former 8-3/4” x 6”, framed 19-1/4” x 15-1/4”, latter sight 7-1/2” x 19”, framed 16” x 27” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700 109 Debra May (American/New Mexico, 20th Century) 107

“Orange Bloom”, 2004 blown glass with sand carving incised signature and dated at bottom, body of orange to green, textural surface of meandering forms. h. 10”, dia. 9” $200-$400

109

38

108

110 Cristina Santander (Argentinian, b. 1942) “Burdeon”, 1996 color etching and collage titled and numbered “14/25” mid-left, signed and dated lower right.

Float-mounted, glazed and framed.

42” x 45”, framed 46” x 51” Provenance: Private collection, Houston, Texas. $500-$800

110

111 Arthur Silverman (American/New Orleans, 1923-2018) “Untitled” acrylic and collage on paper signed lower right.

Matted, glazed and framed. sight 11-3/8” x 5-5/8”, framed 14-1/8” x 11-1/8” $300-$500

111

112 Louise Guidry (American/Louisiana, b. 1930) “Orange with Gold” acrylic on gallery-wrapped canvas signed lower right.

12” x 12” $200-$400

112

39

113 Liz Lacey (South African, Contemporary) “Untitled”, 2011 blown glass swirled design in red, orange and green, incised signature and dated at bottom. h. 13”, dia. 14-3/4” $400-$700 113

114 Sam Rigling (American, 1921-2013) “Oriental Daisy”, 1973 oil on canvas signed and dated lower right, signed, dated and titled en verso.

Framed.

24” x 30”, framed 28” x 33-1/2” $400-$700

114

115 William Thomas “Tom” Young (American/Louisiana, 1923-2014) “Land of Amuton”, 1958 oil and wax on board signed and dated lower right, and signed, titled and dated en verso.

Framed.

30” x 40”, framed 30-1/2” x 40-1/2” $500-$800

115

40

116 Hayley Lever (American, 1876-1958) “Harbor Scene” oil on masonite signed lower right.

Framed.

16” x 22”, framed 21” x 27-1/4” $700-$1,000

116

117 David Bierk (Canadian, 1944-2002) Limited Edition Book, 2002 original oil on copper painting affixed to front cover from an edition of 100, this numbered “60”, dated and signed on title page, published by the Montgomery Museum of Art, Alabama; presented in a custom-made black laminate box frame. book 10-1/4” x 10-1/4”, overall 11-1/4” x 11-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $1,000-$1,500

117

118 David Bierk (Canadian, 1944-2002) Limited Edition Book, 2002 original oil on copper painting affixed to front cover from an edition of 100, this numbered “61”, dated and signed on title page, published by the Montgomery Museum of Art, Alabama; presented in a custom-made steel box frame. book 10-1/4” x 10-1/4”, overall 11-1/4” x 11-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $1,000-$1,500

118

41

119

119 Rick and Valerie Beck (American, 20th Century) “Green Vase with White Flowers”, 1995 glass incised signature and dated along lower edge. h. 12-1/2”, dia. 8” Provenance: Gravers Lane Gallery, Philadelphia, Pennsylvania; Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500 120 Rena Barrow Stevens (American/Louisiana, 1954-2014)

120

“Moonlight over the Ravine” pair of oils on canvas unsigned.

Framed alike.

25” x 9-1/2”, framed 27-1/2” x 12” $200-$400 121 Sonja Blomdahl (American, b. 1952) apple green and orange incalmo glass vase signed and dated “2005” at bottom. h. 5-1/8”, dia. 10” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $800-$1,200

42

121

122 Karen Shapiro (American, b. 1947) “Cream of Wheat” painted and glazed ceramic marked “K” at bottom. h. 15-1/4”, w. 10-1/2”, d. 2-1/2” $100-$150 123 Vik Muniz (Brazilian, b. 1961) “Medusa Marinara”, 1999 printed ceramic plate

by Bernardaud, Limoges, France, numbered “64”, in its original shipping container; together with Jim Hodges (American, b. 1957), “If there had been a pool, it would have reflected us”, 1998, two printed wool blankets, all from The Peter Norton Family Christmas Project. plate dia. 12-1/2”, each blanket 52” x 72” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

122

124 Red Grooms (American, b. 1937) “Moonstruck”, 1994 glazed porcelain with applied porcelain elements, rhinestones and plastic cord edition of 2,500, print signed front and back, numbered in gold ink “1151” and titled at back, produced by VOICE (Venice Oakwood/Inner City Enterprise), Los Angeles, California, in its original slipcased presentation box. dia. 10-3/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

123

124

43

125 Jonathan Lewis (British, b. 1970) “See Candy”, 2000 group of 47 Iris prints edition of 25, each pencil-signed, numbered “6/25” and titled (after a specific brand of candy) en verso, presented in a black box. prints 4” x 6”, case 4-3/4” x 6-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

125

$200-$400 126 Daum France Amber Pate de Verre Glass Sculpture of “After Love” 20th century, designed by Sylvie Mangaud-Lasseigne, incised marking, initialed “SL” and numbered “474/500” along side. h. 5-1/2”, w. 3-1/2”, l. 11-1/2” $600-$900 127 David Horton (American, Contemporary)

126

“Confession in Paris” mixed media on paper signed lower right and titled lower left.

Glazed and framed.

33-1/2” x 32-1/2”, framed 34-1/2” x 34” $700-$1,000

127

128 Aaron Freedman (American, Contemporary) “Fallen Trees”, 2007 oil and acrylic on canvas signed and dated lower right, titled en verso.

Unframed.

30” x 24”

128

44

Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $500-$800

129 Pat Steir (American, b. 1940) “Time Line - In Time” drypoint in colors on paper pencil-signed, titled and ed. 81/102 lower margin.

Matted, glazed and framed.

18-1/2” x 18-1/2”, framed 28-1/2” x 29” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700 130 Rob Snyder (American/Washington, Contemporary) “Twigs”, 2008

129

three cast glass sculptures each mounted and framed, signed and dated en verso backing. framed 8” x 8” $200-$400 131 Rick Beck (American, b. 1960) “Screw - Clear”, 1999 cast glass from the “Tools” series, incised signature and dated at top. h. 3-1/2”, w. 5-1/2”, d. 3-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

131

$300-$500

130

45

132

132 Large Fiberglass “Calico Corn” Cob 20th century, unsigned, with mounts for display. h. 9-1/2”, w. 10”, l. 45” $200-$400

133 Jerry Venditti (American/California, b. 1942) “Indian Blanket”, 1984 oil on canvas signed and dated lower right, verso with multiple “Altermann & Morris Galleries” labels.

Framed.

19” x 26”, framed 24” x 31-1/2” Provenance: Altermann & Morris Galleries, Dallas, Texas; Hancock Whitney Bank Collection; Acquired through American Bank, Houston, Texas.

133

$500-$800

134 Laura Donefer (American, b. 1955) “Amulet Basket” blown and flame-worked glass rich earth tones of browns and tans, unmarked. h. 8”, w. 6-1/2”, d. 4” $500-$800

134

46

135

135 George Whitfield Bucquet (American, b. 1954)

136 Wes Hunting (American, Contemporary)

“Canoe Bowl”, 2005

“Untitled”

cast glass incised signature and dated at bottom. h. 6”, w. 25-1/4”, d. 5-1/2”

blown glass from the “Colorfield” Series, incised signature along bottom side. h. 10-3/4”, w. 9-1/2”, d. 4-1/4”

$200-$400

$200-$400

136

47

137 Pierre Eugene Duteurtre (French, 1911-1989) “Two Girls” oil on canvas signed lower right, a “Frances Aronson Fine Art” label with artist and title en verso.

Framed.

18” x 22”, framed 22-1/4” x 26-1/4” Provenance: Frances Aronson Fine Art, Atlanta, Georgia. $800-$1,200

137

138 French School (20th Century) “Still Life with Apple, Oranges, Bananas and Grapes” oil on canvas unsigned.

Framed.

11” x 14”, framed 20-1/4” x 23-1/4” Provenance: Frances Aronson Fine Art, Atlanta, Georgia. $500-$800

138

139 Alvaro Baragli (Italian, b. 1925) “Mare a Bolgheri” oil on canvas signed lower left, and signed and dated en verso.

Framed.

19-3/4” x 23-3/4”, framed 28-1/2” x 32-1/4” $400-$800

48

139

140 Hoya Contemporary Cut Crystal Vase 20th century, Japanese, with angular cuts, the base etched “HOYA” and signed “Jer. Sossa”. h. 12”, w. 6-1/2”, d. 3-3/4” $200-$400

140

141 Whimsical Art Glass Figure Mid-Cartwheel blown glass, incised signature “Lila Monaco (?) OA” at bottom. h. 12-1/2”, w. 10”, d. 6” $200-$400

141

49

142 Robert Willson (American, 1912-2000) Elio Raffaeli (Italian, b. 1936) “Untitled”, blown glass, incised signatures along bottom. base h. 12-5/8”, w. 5”, d. 5-1/2”, sphere dia. 5-1/2” $700-$1,000

143 Liz Lacey (South African, Contemporary) “Blue Floral”, 2010 “Lime Green to Purple”, 2007 “Red Floral” three blown glass bowls first two with incised signature and dated at bottom, third unsigned. h. 2-1/4”, w. 11-3/4”, d. 8”; h. 2-1/2”, dia. 12”; h. 3/4”, w. 16”, d.

7-1/4”, respectively $300-$500

142

143

50

144 William Thomas “Tom” Young (American/Louisiana, 1923-2014) “Moroni”, 1958 ink and wax on paper signed and dated lower right, an exhibition label from Staten Island, N.Y. with title and brochure on Tom Young, The University Gallery, The University of Mississippi, Oxford, 1961 en verso.

Glazed and framed. sight 14-3/4” x 19-1/4”, framed 15-3/4” x 20-1/4” $500-$800

144

145 American School (20th/21st Century) “Economy” carved and painted wood light sculpture unsigned; wired for lighting. h. 36-1/4”, w. 29”, d. 8” $600-$900

145

51

146 Liz Lacey (South African, Contemporary) “Untitled”, 2009 blown glass orange center bordered by bands of blue/white “cloud” pattern and clear glass, incised signature and dated at bottom. h. 2-5/8”, w. 13-7/8”, d. 8-5/8”

146

$100-$200

147 Rodrigo Aguilera (American/Texas, Contemporary) “Elizabeth Taylor”, 2005 acrylic on canvas signed, titled and dated en verso.

Unframed.

30” x 30” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $600-$900

147

52

148 Mackenzie Thorpe (British, b. 1956) “Lean on Love”, 2005 painted and cast resin stamped, copyright-marked, dated and numbered “87/395” at bottom of skirt, on a carved wood plinth, together with a certificate of authenticity from Hanson King Gallery, New Orleans. overall h. 26-1/2”, w. 7-5/8”, d. 5-7/8” Provenance: Hanson King Gallery, New Orleans, Louisiana, 2006. $400-$700 149 American Art Glass Vase 1996, blown glass, black body with applied red spheres, illegibly incised signature and dated at bottom. h. 22”, w. 6-3/8”, d. 4” $500-$800 150 Jamie Harris (American/New York, Contemporary) “Untitled”, 2003

148

blown and carved glass body of red with black and yellow, incised signature and dated along lower edge. h. 23-1/2”, w. 7”, d. 3-3/8” $500-$800

149 150

53

151

152

153

151 American Art Glass Stoppered Vessel 1995, blown and applied glass, body of bright orange-red with decorative elements in black and yellow, incised illegible signature and dated at bottom. h. 22”, dia. 6” $500-$800 152 David Levi (American, b. 1959) “Amphora”, 1997 blown and applied glass red body with black orbs, bright yellow birds perched atop the black handles, incised signature and dated at bottom. h. 27-1/4”, w. 13”, d. 7” $300-$500

548

153 David Levi (American/Missouri, b. 1959) “Untitled” blown glass olive base with black stripes, body of orange and yellow stripes. h. 30-3/4”, dia. 5-1/2” $200-$400

154 Anna Skibska (Polish/Washington, b. 1959) “Untitled - Black” stretched glass rods h. 6”, w. 6”, d. 6” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $800-$1,200

154

155 Molly Stone (American, b. 1950) “Black and White Shell” blown glass with Cohn-Stone Studios, exterior of swirled black and white, interior of mauve-pink, signed h. 4”, l. 5” $300-$500

155

55

156 Large French Patinated Bronze of a Cougar 20th century, of Japanese inspiration, modeled crouching, preparing to attack its prey. h. 19-3/4”, w. 16-1/2”, l. 47” $400-$700

156

157 Howard Finster (American/Georgia, 1916-2001) “African Zebra”, 1998 painted wood signed at front and back, with lengthy inscription. h. 13-1/2”, w. 13-1/4”, d. 3-5/8” $600-$900

157

56

158 Charlie “Tin Man” Lucas (American/Alabama, b. 1951) “Tin Man” iron and found object sculpture h. 44”, w. 15”, d. 11-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

159 Charlie “Tin Man” Lucas (American/Alabama, b. 1951) “Barracuda” metal and found object sculpture h. 14-1/2”, w. 75”, d. 9” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800 158

159

57

160 Cedric Hartman Brass and Chrome Floor Lamp second half 20th century, with chrome standard, brass tent shade and base, the base stamped “Cedric Hartman” in script and block letters, “Made In USA” and “890016”. h. 36”, w. 11”, d. 13” Provenance: Cedric Hartman, Inc., Omaha, Nebraska; H. Russell Albright, M. D., New Orleans, Louisiana; thence to the consignor.

161 American School (20th/21st Century) “Untitled” welded steel and wire sculpture in two parts, h. 104”, dia. 16-3/8” $700-$1,000

$800-$1,200

160

161 161 detail

58

162 Italian ViBi Torino Glazed Ceramic Vase between 1952-1972 (years of company’s operation), inscribed “ViBi Torino/Italy/H. 761” at bottom. h. 11-1/2”, w. 12”, d. 12” $300-$500 163 Ross Bleckner (American, b. 1949) “Untitled”, 1993 watercolor with wax on paper unsigned, label en verso with artist, medium, and notation that piece was sold for the DIFFA benefit on Fire Island, together with a certificate of authenticity from RoGallery.

Float-mounted, glazed and framed. sheet 6” x 4-1/2”, framed 12” x 10-1/4” Provenance: RoGallery, Long Island, New York, sold for DIFFA benefit.

163

$600-$900 164 Charles Mary Kubricht (American/Texas, b. 1946) “The Floating World #5” oil pastel on paper unsigned, verso with “Harris Gallery, Houston, TX” label.

Matted, glazed and framed. sight 16-1/4” x 11”, framed 24” x 18” Provenance: Harris Gallery, Houston, Texas; Private collection, Houston, Texas. $500-$800

162

164

59

165 Cohn-Stone Studios Blown Glass Pedestal Bowl Richmond, California, the exterior in a tortoiseshell design of mottled brown and black, with black rims, the interior iridescent, unsigned. h. 13-1/4”, dia. 18-3/4” $300-$500 166 Eric Krause (American/Texas, Contemporary) “Traverse”, 2005 carved and stained concrete block signed, dated, titled and copyright-marked en verso. h. 11”, w. 7”, d. 2” $150-$300 167 Jean-Paul Hubbard (American/Louisiana, 1917-1997)

165

“The City” oil on canvas unsigned.

Framed in a thin gallery liner.

36” x 24”, framed 36-1/2” x 24-1/2” Provenance: By descent in the family of the artist. $600-$900

166

60

167

168 Loet Vanderveen (Dutch, 1921-2015) “Elephant and Calf” patinated and polished bronze incised signature, copyright-marked and numbered “16/750” at belly of calf. h. 10-3/8”, w. 16”, d. 12” $600-$900

168

169 Erich Schilling (German, 1885-1945) “Parade”, “Band”, “Choir”, and “Review of Military Regiment” four woodcut prints on paper each pencil-signed lower right.

Matted, glazed and framed alike. sights 13-1/2” x 9”, framed 20” x 14-3/4” $1,000-$1,500

169

61

170 Clyde Connell (American/Louisiana, 1901-1998) “Lift Bearers” woodcut on rice paper pencil-singed lower right, titled and numbered “(2)” lower left Unframed. sheet 19” x 12-5/8” Provenance: Estate of David V. Middleton, Jr., Shreveport, Louisiana. $500-$800

170

171 Baron Avro Manhattan (Italian, 1914-1990) “Mother and Child” lithograph “Baron Avro Manhattan Studio” stamp lower left.

Matted, glazed and framed. sight 13” x 8-1/2”, framed 25” x 19” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $200-$400

171

62

172 Tony Bennett (American, b. 1926) “Wong Storefront” felt tip marker on paper signed “Benedetto” lower left.

Matted, glazed and framed. signed 11-1/2” x 8”, framed 22” x 18-1/2” $300-$500 173 Hans Grohs (German, 1892-1981) Six “German and Norwegian Landscapes” two sepia ink, one sepia and graphite, two sepia and charcoal, and one ink and watercolor on paper each signed, a few dated and localized, the smaller sepia, two sepia and charcoal drawings, and ink and watercolor have embossed blind stamps with the artist’s name.

Five unframed and one matted, glazed and framed. sheet size 7” x 9-7/8” to 9-3/4” x 12-1/4”; framed piece 15-1/2” x 18-1/2” Provenance: The two sepia and charcoal landscape drawings, the Frauken Grohs Collinson Collection, Birmingham, Alabama; Collection of Mark M. Johnson, Montgomery, Alabama.

172

$300-$500

173

63

174 After Pablo Picasso (Spanish/French, 1881-1973) “Self-Portrait with Model”, “Pan Playing for Nymphs” and “Myriad of Personnages” three engravings the first indistinctly numbered in plate upper left; the third dated in plate “1 mai 1966” top center.

Each matted, glazed and framed alike.

5-1/2” to 6” x 7-3/4” to 8-1/4”, framed 11-1/4” x 14-1/4” $100-$200 175 Ulrica Hydman-Vallien (Swedish, 1938-2018) “Caramba” three glass vessels retailed by Kosta Boda, each incised “Kosta Boda” and with illegible inscription at bottom, each signed “Ulrica” within the design. h. 2-1/8”, dia. 2-1/2”; h. 3”, dia. 1-3/4”; and h. 7-3/4”, dia. 3-1/2” $400-$700

175 174

64

176 George Koras (Greek/New York, b. 1925)

176

“Untitled”, 1966 patinated bronze cast signature, dated, and with artist’s mark along one side, on a carved wood plinth. overall h. 17-1/4”, w. 21-1/2”, d. 13-1/2” Notes: A graduate of the Academy of Fine Arts in Athens, the Greek-born Koros arrived in the United States in 1955 to attend the Art Students League, New York City, where he worked as an assistant in the studio of Jacques Lipchitz (Lithuanian, 1891-1973). He was a professor of sculpture at the State University of New York, Stony Brook for over 30 years, and was instrumental in expanding that institution’s Art Department.

Koros has been the recipient of numerous fellowships and study grants which have given him the opportunity to travel and study throughout Spain and Italy. $700-$1,000 177 Terry O. Matthews (American/Kenya, 1931-2008) “Paw Print - African Lion, Kenya”, 1992 patinated bronze cast signature, dated, copyright-marked, and numbered “76/200” at bottom. h. 2-1/2”, w. 7”, d. 8”

177

$500-$800

65

178 Fred Kormis (American, 1897-1986) “Adam and Eve” verdigris-patinated terracotta incised signature at proper left edge of self-base. h. 42-1/4”, w. 27-1/4”, d. 15-3/8” Provenance: Estate of Barbara and Ernest Henley, Houston, Texas. $400-$700 179 Robert Rivers (American/Florida, Contemporary) “Bass Rock” etching on paper pencil-signed lower right, titled and with inscription “For Mark” lower center, and marked “Artist Proof” lower left.

Unframed.

22-1/4” x 29-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $70-$100 180 Jack Charney (American/New Mexico, Contemporary

178

“Tang Horse” crackle-glazed stoneware h. 36”, w. 20”, d. 9” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $700-$1,000

180

179

66

181 Les Lawrence (American/Texas, b. 1940) “New Vision - Mona Lisa” silkscreen and mixed media on clay from the sculptural “Teapot” series, impressed signature along front edge. h. 8-3/8”, w. 11”, d. 4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

181

182 Cliff Lee (Austrian/Taiwan, b. 1951) “Melon Vase” kaolin clay of globular form, having delicate, vertical ridges constricting to a narrow neck, with all-over celadon glaze, signed and dated “95” to the base. h. 7-1/4”, dia. 7” $400-$700

182

67

183 Phillip Sage (American/Louisiana, 20th Century) “Morning Hitchup”, 1974, “Camellia Grill”, 1977, “Claiborne Ice Company”, 1976 and “Marketplace”, 1973 four etchings on paper each pencil-signed, titled, dated and numbered in lower margin.

Each matted, glazed and framed. sights 19” x 24-1/2”, 13” x 17”, 13” x 15” and 16” x 18-1/2”, framed 29” x 35”, 22” x 26”, 21-1/2” x 24” and 24-1/2” x 27-1/2” $400-$700 184 Michael Von Meyer (Russian/American, 1894-1984) “Seated Baboon”, 1935 patinated bronze cast signature, dated and marked “SF” at back edge of selfbase. h. 17”, w. 6”, d. 8” Provenance: Estate of Louis Tenenbaum, Houston, Texas. $400-$700

184 183

68

185

185 Derek Boshier (British/American, b. 1937)

186 Libbie J. Masterson (American/Texas, b. 1969)

“Cemetery Stones”

“Big Bend, Arizona Mountain”, 2009

photographic black and white print mounted on board unsigned.

Framed.

24” x 30”, framed 25” x 31”

black and white photograph signed and dated lower right, titled and numbered “4/10” lower left.

Matted, glazed and framed.

5” x 12”, framed 11” x 18”

Provenance: Private collection, Houston, Texas.

Provenance: Private collection, Houston, Texas. $500-$800 $300-$500

186

69

187 Andy Brott for New Orleans School of Glass Works Blown Glass Sculpture of blue and yellow spheres on a black and white woven ground, unmarked. h. 5”, w. 13”, d. 9” $300-$500

187

188 Jamie Harris (American/New York, Contemporary) “Untitled”, 2000

188

blown and carved glass lime green body with yellow/white/purple rimmed openings, incised signature and date at bottom. h. 5”, w. 12”, d. 6-1/2” $300-$500

189 Elisabeth Decobert (French, Contemporary) “Fantasy Figure”, 2007 blown glass incised signature on foot. h. 9-1/8”, w. 10-1/2”, d. 8” $200-$400

189

70

190 Fernando M. Agostinho (Portuguese, b. 1959) “Untitled” blown glass perfume bottle from the “Car” series, incised inscription “F. M. Agostinho/01” at bottom. h. 13”, w. 11” $200-$400 191 Carlos Musso (Uruguayan, b. 1955) “Abstract Nude”, 2004 oil on board unsigned.

Framed.

24” x 32”, framed 29” x 37” Provenance: Private collection, Houston, Texas.

190

$700-$1,000

191

71

192 George Rodrigue (American/Louisiana, 1944-2013) “I Wanna be a Texas Ranger” offset lithograph signed on matting board.

Glazed and framed.

10” x 6-1/2”, framed 17-1/2” x 14-1/2” Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $1,000-$1,500

192

193 George Rodrigue (American/Louisiana, 1944-2013) “Louis Armstrong” lithograph in colors pencil-signed lower left, marked artist proof lower right, with Louis Armstrong signature, blue dog sketch and paw print bottom center Matted, glazed and framed. sight 38” x 21-1/2”, framed 53-1/2” x 37 $2,000-$4,000

193

72

194

194 Mr. B’s Bistro, New Orleans, Fundraiser Apron 1996, signed and with a drawing by George Rodrigue (American/Louisiana, 1944-2013) along lower edge.

Unframed.

25” x 19-1/2” $500-$800 195 Dale Chihuly (American, b. 1941) “Artist’s Shoes” mixed media paint-spattered shoes in a lucite presentation box, incised signature on one side of box. overall h. 3-3/4”, w. 4”, d. 4” $100-$200

195

73

196

196 Elsa Baker (American/Louisiana, Contemporary)

197 Elsa Baker (American/Louisiana, Contemporary)

“Foodscape Series No. 5” “Foodscape Series No. 7”

“Foodscape Series No. 3” “Foodscape Series No. 4”

pair of oil crayons on paper each signed lower right.

Both matted, glazed and framed. each 13-3/4” x 10-3/4”, framed 21-3/8” x 18”

pair of oil crayons on paper each signed lower right.

Both matted, glazed and framed. former 10-3/4” x 13-3/4”, framed 18-1/2” x 21”; latter 14” x 10-3/4”, framed 21-3/8” x 18”

$300-$500 $300-$500

197

74

198

198 Elsa Baker (American/Louisiana, Contemporary) “Foodscape Series No. 2” “Foodscape Series No. 6”

pair of oil crayons on paper each signed lower right.

Both matted, glazed and framed. former sight 10-5/8” x 13-7/8”, framed 18-1/2” x 21”; latter sight 13-3/4” x 10-3/4”, framed 21-3/8” x 18” $300-$500 199 Garcia Art Glass, San Antonio, Texas, Swirl Platter blown glass, designed by Gini Garcia, in shades of orange and yellow, incised signature and a studio label at bottom, on a lucite presentation stand. h. 2-1/2”, widest dia. 25-3/8” $200-$400 199

75

200 Tommie Rush (American/Alabama, Contemporary) “Iris Vase” blown and hand-formed glass with acid etching from the “Botanical” series, marked at bottom, body of orange to red with green stems and bright yellow buds. h. 14”, w. 7”, d. 4-1/2” $500-$800

200

201 Nicolai Cikovsky (Polish/Washington, D.C., 1894-1984) “Two Dancers” color lithograph on paper pencil-signed and numbered “5/100” lower margin.

Matted, glazed and framed. sight 23-1/2” x 17-1/2”, framed 30-3/4” x 25” $200-$400

201

76

202 Italian School (20th Century) “Floral Still Life” oil on canvas illegibly signed lower right.

Framed.

36” x 24”, framed 37” x 25” $400-$700

202

203 Molly Stone (American, b. 1950) “Untitled”, 1995 blown glass Cohn-Stone Studios, California, body of red with iridescent golden bars, interior of 24kt. gold foil, incised signature and dated at bottom. h. 5-1/2”, dia. 8-3/4” $600-$900

203

77

204 Continental School (Mid- to Late 20th Century) “Musical Composition” oil on canvas signed “T. Piter” lower right.

Framed.

24” x 20”, framed 32-1/2” x 28-1/2” $50-$80 205 American Art Glass Vase blown glass, body of orange-red with amorphous blue to gray shapes and silver and gold flecks, unmarked. h. 11-1/4”, dia. 8-1/4” $200-$400 206 Robert Bidner (American, 1930-1983) “Trompe L’oeil” acrylic on canvas board signed lower center.

Framed.

26” x 21”, framed 29-1/2” x 24-3/8” 204

Provenance: RoGallery, Queens, New York; Private collection, New Orleans, Louisiana. $700-$1,000

205

206

78

207

207 Belgian Art Glass “Toadstool House” blown glass, in three parts, the whimsical houses of ombre dark to light orange-brown, with textured charcoal roofs, unmarked. overall h. 10-1/2”, w. 13-1/2” $500-$700

208 Joseph Henry Lonas (American/Virginia, 1925-2011) “Untitled: Abstraction”, 1988 acrylic on paper signed and dated lower left.

Matted, glazed and framed.

4” x 6”, framed 9-1/4” x 11-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

208

79

209 Knute Heldner (Swedish/Louisiana, 1877-1952) “Red Cabin” oil on canvas with inscription en verso stretcher: “From Knute Heldner Collection of Mr. Lloyd Cobb, bought directly from his studio”.

Framed.

9” x 10”, framed 13” x 15” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $500-$800

209

210 Walter Moorcroft “Pomegranate”-Pattern Pottery Vase second quarter 20th century, English, impressed “Moorcroft” at the base along with Moorcroft’s signature in green. h. 5-1/4”, dia. 6-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $150-$200

211

211 Daniel Anton Buechner (American/Louisiana, 1856-1937) “Purple Grapes”, 1874 oil on cardboard signed upper right, and titled, signed and dated en verso.

Framed.

9” x 12”, framed 11” x 14” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein.

210

80

$500-$800

212 Probably Philip Shelby (American, Contemporary) “Untitled”, 1995 blown glass exterior of marbleized design in pink/yellow/gray with metallic silver lip, interior of deep cobalt, incised signature and dated at bottom. h. 14”, dia. 8-3/4” $200-$400

213 Philip Koch (American, b. 1948) “Twin Bridges” oil on board signed lower right, signed and titled en verso, verso with “Meredith Long & Company, Houston, Texas” label.

Thin gallery frame.

21” x 29”, framed 22” x 30” 212

Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $400-$700

213

81

214 Dana Ripley Pond (American, 1881-1962) “Sailboats on a Lake” oil on canvas unsigned.

Framed.

30” x 36”, framed 35” x 41” Provenance: Morton Auctioneers and Appraisers, Houston, Texas, November 29, 2012, lot 134. $400-$700

214

215 Anne Harding (American, Contemporary) “Rain Dance” mixed media on paper signed lower left, titled on plaque.

Matted, glazed and framed. sight 20-3/4” x 20-3/4”, framed 28-1/2” x 28” $300-$500

215

82

216 Jonathan Sharpe (American/New Orleans, act. Late 20th/Early 21st Century)

216

group of four photographs, including “Twilight in the C.B.D.”, “In the Mist of Time, New Orleans, LA”, “Steamboat Creole Belle”, and “The Spires of St. Louis”; together with a poster of “The Spires of St. Louis, Mardi Gras Morning, French Quarter, 1995” four color photographs and one poster each signed and three titled lower margins; the poster pencilsigned, numbered “45/100” and with printed title lower margin.

Each matted, glazed and framed.

10-1/2” x 13-1/2”, 9” x 14”, 8-1/2” x 13”, 19” x 12-1/2” and 20-1/2” x 13-1/2”, framed 16-1/2” x 20-1/2”, 16” x 20”, 13-3/4” x 18-1/4”, 24” x 18-1/2” and 26” x 18-1/2” $500-$800 217 Michael Book (American/Baton Rouge, act. Late 20th/Early 21st Century) “Water Perspiring”, 1997 silver gelatin print pencil-signed, titled and dated en verso.

Matted, glazed and framed.

20” x 16”, framed 30” x 25-1/2” Notes: Upon graduating with an MFA in photography from Ohio University, Michael Book joined the faculty at Louisiana State University in 1980. For thirty years, Book was Professor of Photography in the LSU’s School of Art + Design, specializing in landscapes and still lives.

217

$200-$400

83

218 Manuel Carrillo (Mexican, 1906-1989) “Boy with Basket” “Elderly Woman with Shawl” pair of silver gelatin prints each signed in ink lower right, former pencilnumbered “268” en verso, latter with Carrillo stamp and numbered “1164” in two places.

Both matted and unframed. each 13-5/8” x 10-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $800-$1,200 218

219 Jack Spencer (American, b. 1951) “Bayou Teche” gelatin silver print pencil-signed lower right, numbered “10/10” lower left.

Matted, glazed and framed. sight 26” x 26-1/2”, framed 39-1/4” x 39-1/4” $800-$1,200

219

84

220 Stephen Scott Young (American, b. 1957) “Bandana” etching on paper ink-signed lower right, titled lower center, inscribed “2st” lower left and “2-1st state...Kochi Paper” along bottom.

Unframed. sheet 12-1/2” x 11-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $800-$1,200 221 Stephen Scott Young (American, b. 1957) “Angel” “Angel - Detail” “Pierre”, 1996 three etchings on paper first “Angel” on rice paper, faintly marked “1-5” lower left and center, second “Angel” on rice paper, pencil-signed and marked “2nd proof/1st state” lower center, “Pierre” pencil-signed lower right, titled and dated along lower center.

All unframed.

12-1/8” x 9-7/8”, 7-3/4” x 12-3/4” and 11-1/4” x 11-1/4”, respectively

220

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700

221

85

222 Stephen Scott Young (American, b. 1957) “Eleuthera Girl”, 1995 two etchings on paper (one on rice paper) one pencil-signed lower right, titled lower center, numbered “2” lower left, illegibly inscribed and dated along lower edge, the other pencil-signed lower right and titled lower center.

Both unframed. former sheet 11” x 9-3/4”, latter sheet 9-1/4” x 8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $700-$1,000 222

223 Stephen Scott Young (American, b. 1957) “Long Cay Boy” pair of etchings on paper one pencil-signed lower right, titled lower center, and numbered “AP 5 of 15” lower left, the other pencil-initialed lower right, titled, dated and inscribed in ink “3rd stage 3rd proof/20 Aug 98” along lower center, image with several pencil inscriptions.

Unframed. sheets 10-7/8” x 6-3/8” and 10” x 6-1/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $600-$900

223

86

224 Aerial View of New Orleans photographic print, 20th century.

Glazed and framed.

40” x 39”, framed 40-1/2” x 39-1/2” $300-$500 225 The Art Guys (Michael Galbreth, American/ Texas. b. 1956 and Jack Massing, American/ Texas, b. 1959, Formed in 1983) “B B Gun Game”, 1994 wood, glass, photograph and BB’s, verso with “Art Guys Art: official approval” stamp and a gallery label with artist, title and date. h. 9-1/2”, w. 10-3/4”, d. 3-1/2” Provenance: Private collection, Houston, Texas.

Notes: The first exhibition of these works was at the Barry Whistler Gallery in Dallas, Texas. The exhibition was titled “The Game Show”. $500-$800 226 Robert Levers (American/Texas, 1930-1991) “Soldiers Punchinellos Basking in the Sun”, 1980 watercolor, pen and ink on paper signed and dated lower right, verso with “Watson/ de Nagy & Company, Houston, Texas” gallery label.

Glazed and framed. sight 17-1/2” x 23”, framed 23” x 29”

224

Provenance: Private collection, Houston, Texas. $500-$800

225 226

87

227

227 Five-Piece Collection of American Art Pottery 20th century, some with inscriptions/markings at bottom, in black and earth tones, all glazed, of various sizes.

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200

228 Frank Gallo (American, 1933-2019) “A Strange Girl in My Bath”, 1976 lithograph with embossing pencil-signed and marked “A.P.” lower margin, “Merrill Chase Gallery, Chicago” labels en verso with artist, title and date.

Matted, glazed and framed. sight 33” x 23-1/2”, framed 39-3/4” x 29” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200 228

88

229 Heinrich Danioth (German, 1896-1953) “Abend-Hock” watercolor and ink pencil-signed and titled lower margin.

Matted, glazed and framed. image 9-1/4” x 12-1/4”, framed 20” x 24” $400-$700

229

230 Augustin Roger ( French, last quarter 19th c.)

“Moored Sailboat” oil on canvas signed lower right Framed.

12” x 16”, 17-1/4” x 21-1/4” $400-$700

230

89

231 Dan Bergman (American, Contemporary) “Ruffled Bud Vase” blown glass exterior of cream with thin brown striations, interior of bronze to green iridescence, incised signature and marked “786C” at bottom. h. 16”, w. 16”, d. 16” $200-$400

231

232 Rena Barrow Stevens (American/Louisiana, 1954-2014) “Bee Eater”, 1998 “Caspian Tern”, 1998 “Love Me Do” three oils on gallery-wrapped canvas each titled en verso, “Tern” signed lower right 12” x 8”, 16” x 20”, 12” x 12” $400-$700

232

90

233 Norman F. Goodwin (American/Virginia, act. Late 20th/Early 21st Century) “Adam’s Passion”, 1990 oil on canvas signed lower right, and titled and dated en verso.

Framed.

34” x 24”, framed 34-3/4” x 24-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

233

234 E. Schwendtner (German, 1902-1948) “Russian Gathering at the Church” oil on panel signed lower right, a “Frances Aronson Fine Art” label with artist and title and “Kunsthandlung Schoninger, Munchen” label en verso.

Frame with artist plaque.

18-1/2” x 24-1/2”, framed 27” x 32-1/2” Provenance: Frances Aronson Fine Art, Atlanta, Georgia. $800-$1,200

234

91

235 Stephen Scott Young (American, b. 1957) “Torso” “Madeleine II” two etchings on paper former pencil-signed lower right, titled lower left and marked “state 1 proof 2” along bottom, latter pencilsigned lower right, marked “2nd state/2nd proof” lower left, inscribed “Kochi paper” lower center.

Both unframed. sheets 11-1/8” x 9” and 11” x 8-1/8”, respectively Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $600-$900 235

236 Stephen Scott Young (American, b. 1957) “Alicia” “Hand Lining” “Untitled” “Coquina Stones” four etchings on paper each pencil signed or initialed lower right, “Alicia” on rice paper, marked “AP” lower left and titled lower center, “Hand Lining” numbered “AP 5 of 10” lower left and titled lower center, “Untitled” marked “1st state” lower center and “1 imp.” lower left, “Coquina Stones” titled lower center and numbered “4/25” lower left, inscribed “Coquina Stones, Exuma Bahamas” en verso.

All unframed. sheets 7-7/8” x 5”, 5” x 5”, 5-3/4” x 4-1/8” and 8” x 8-7/8”, respectively Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700

236

92

237 Stephen Scott Young (American, b. 1957) “Exuma Regatta 1999”, 2002 “Rockland Harbor, Maine”, 2006 pair of etchings on paper former pencil-signed lower right, titled lower center, and dated and inscribed “Proof G early state” lower left, latter pencil-initialed lower right, titled lower center and inscribed “3rd imp/1st state” and dated “Aug. 20, 06” along lower edge.

Both unframed. sheet 5-3/4” x 8” and 6-3/4” x 11-1/4”, respectively Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700 237

238 Salvador Dali (Spanish, 1904-1989) “Giants - Inferno 31”, ca. 1960 color woodblock signed in print, from the edition Les Heures Claires, Paris.

Matted, glazed (acrylic) and framed. sight 12-1/2” x 9-1/4”, framed 21-3/4” x 18-3/4” $400-$700

238

93

239 Stephen Scott Young (American, b. 1957) “Ballerina Study”, 2005 graphite, watercolor and gouache on paper pencil-initialed and dated lower left, titled and with illegible inscription lower right, verso with pencil study of a young boy.

Unframed. sheet 13-1/2” x 11” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $1,000-$1,500 239

240 Charles Whitfield Richards (Mississippi/New Orleans, 1906-1992) “Sunday Painter #2” oil on canvas signed lower right, a typewritten title label and an E. L. Borenstein Collection inventory sheet en verso.

Period frame.

24” x 30”, framed 29” x 35” Provenance: Estate of Elizabeth D. Edmundson, New Orleans, Louisiana; Larry Borenstein, French Quarter gallery owner. $300-$500

240

94

241 Charlotte Lewis (American/Louisiana, 1962-2011) “Untitled, Symbols” mixed media on canvas signed lower right.

Unframed.

12” x 24” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $400-$700

241

242 Nell Mabry (American/Louisiana, Contemporary) “Good Times Ahead I” mixed media on canvas signed, titled and further inscribed en verso.

Unframed.

20” x 20” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $500-$800

242

95

243 Robert Gordy (American/Louisiana, 1933-1986) “Untitled #72” acrylic on fiberglass unsigned, titled en verso.

Framed.

20” x 20”, framed 21-1/4” x 21-1/4” Provenance: Arthur Roger Gallery, New Orleans, Louisiana. $500-$800

243

244 Robert Gordy (American/Louisiana, 1933-1986) “Untitled #73” acrylic on fiberglass unsigned, titled en verso.

Framed.

20” x 20”, framed 21-1/4” x 21-1/4” Provenance: Arthur Roger Gallery, New Orleans, Louisiana. $500-$800

244

245 Robert Gordy (American/Louisiana, 1933-1986) “Untitled #71” acrylic on fiberglass unsigned, titled en verso.

Framed.

20” x 20”, framed 21-1/4” x 21-1/4” Provenance: Arthur Roger Gallery, New Orleans, Louisiana. $500-$800

96

245

246 Carole Perry (American/Arizona, Contemporary) “Calypso” woven glass canes incised signature and mark at bottom. h. 8-1/2”, dia. 13” $300-$500 246

247 Ethel Easton Paxson (American, 1885-1982) “Country House, Springtime” oil on board signed lower right.

Framed.

8” x 10”, framed 13” x 14-1/2” $200-$400

247

248 Correia Art Glass, California, “Equinox” Vase blown glass, incised signature, marked “BEL764” and numbered “86/500” at bottom, body of transparent deep purple, base of transparent and iridescent purple. h. 12-1/2”, dia. 12-3/4” $200-$400

248

97

250

250 Kit Karbler (American, Contemporary) Michael David (American, Contemporary) 249

“Untitled” blown and cold cut glass, in the shape of a faceted diamond, with Blake Street Studio, Denver, Colorado, incised signature and marked at bottom edge. h. 3-3/4”, w. 5-1/2”, d. 3-1/2”

249 Thomas Buechner (American/New York, 1926-2010)

$400-$700 251 Three Glass Paperweights

“Heechee Vase”, 1995 blown glass purple body with frosted glass spiral, incised signature and dated at bottom. h. 13”, dia. 5-1/2”

including “Trabucco”, 2000, titled and dated at bottom; “Sorceror”, Caithness, Scotland, titled and marked at bottom; and “Double Cross”, Caithness, Scotland, marked and numbered “272/750” at bottom. h. 2-1/2”, dia. 3” to h. 2-3/4”, dia. 2-7/8”

$300-$500

$50-$75

251

98

252 Doug Merritt (American, Contemporary) and Stephen Smart (American, Contemporary) “Perfume Bottle”, with Vandermark Merritt Glass Studios, Florida, incised signatures, studio marked, and numbered “PC04G/#101/250” at bottom. h. 10-1/2”, dia. 3” $150-$300 253 Niek van der Plas (Dutch, b. 1954) “A Day at the Beach” oil on panel signed lower left and incised signature en verso.

Framed.

5-1/2” x 6-1/2”, framed 10-1/4” x 11-1/4” $700-$1,000 254 Liz Lacey (South African, Contemporary)

253

“Vase”, 2009 “Bowl”, 2011 blown glass former of lime green and purple with black filaments at center, latter of radiating design in lime green/teal/cobalt, each with incised signature and dated at bottom; together with an illegibly signed pink/purple swirl bowl and an unmarked footed bowl in purple and lime green. h. 19”, dia. 6”; h. 3-3/4”, w. 15”, d. 9-3/4”; h. 6-1/2”, dia. 22”; and h. 4-3/4”, w.

14-1/4”, d. 11-3/4”, respectively $400-$700

252

254

99

255 After Marc Chagall (Russian/French, 1887-1985) “Vue sur Notre Dame” offset lithograph on paper facsimile signature, pencil-inscribed “Paris” and numbered “108/500” lower margin.

Matted, glazed and framed. sight 18-1/2” x 11-1/2”, framed 28” x 21” $500-$800

255

256 Linley Munson Tonkin (American, 1877-1932) “Still Life of Daisies in a Blue Vase” oil on board signed lower right.

Framed.

17-1/4” x 14-5/8”, framed 21-3/4” x 19-1/2” $300-$500

256

100

257 Wallace Bassford (American, 1900-1998)

257

“Bouquet Rouge”, 1960 “Springtime” oil on canvas board oil on canvas the first signed and dated lower right, also signed, dated and titled en verso and on “Grand Central Art Galleries, New York” exhibition label on stretcher; the second signed lower right, and signed and titled en verso; together with a photo of the artist in his studio, gifted by the artist’s niece in a letter on frame backing.

9” x 6-1/4”, 16” x 12”, and sight 19-1/2” x 19-3/8”, respectively.

The first two framed; the third matted, glazed and framed. framed 15-1/2” x 13-1/4”, 22-1/4” x 16-1/2” and 23-3/8” x 23-3/8” $200-$400 258 Luke Fontana (American/Louisiana, Contemporary) “Buster Holmes (1905-1994), the King of Red Beans and Rice” silver gelatin print and oil-enhanced print on gallery-wrapped canvas former signed, dated ‘69 and copyright-marked lower right, titled and numbered “5/100” lower left, latter signed and copyright-marked lower right, descriptive inscription en verso.

Photo matted, glazed and framed. former sight 11-5/8” x 8-1/8”, framed 18” x 19-1/2”, latter 36” x 24-1/8”

258

$600-$900

101

259 Michael Ledet (American/Louisiana, b. 1941) “Proto Toufanic No. 1” acrylic on canvas signed and dated “’70” mid-right, titled on “The Glade Gallery, New Orleans” label en verso.

Presented in a thin gallery frame.

16” x 16”, framed 17” x 17” Provenance: The Glade Gallery, New Orleans, Louisiana; Private collection, New Orleans, Louisiana. $100-$200

260 Jon Von Letscher (American, Contemporary) “She Lost Her Keys”, 2009 collage on wood panel signed in pencil, titled, dated and with “doodles” en verso.

46” x 96”

259

Provenance: Estate of Hurley Wayne Gray, Houston, Texas. $500-$800

260

102

261

261 Group of Three American Art Glass Perfume Bottles and a Paperweight all blown glass, including a William Glassner Studios, 1995, bottle of clear glass with purple and frosted applied leaf design, incised signature, copyright-marked, dated and marked “MLAP” at bottom; a Youghiogheny Opalescent Glass Co., Pennsylvania, “Obelisk” weight, clear glass with interior of green and iridescent pink, incised marking at bottom; a Free State, 1991, transparent clear to pink bottle, incised signature and dated at bottom; and a Vandermark Merritt Glass Studios, Florida, bottle of frosted to clear with red interior droplet, incised mark and “FPOSR” at bottom. h. 5-1/2”, dia. 2-1/4”; h. 7-1/2”, w. 2-1/4”, d. 2-1/4”; h. 4-1/2”, dia. 2”; and h. 5”, w. 2-5/8”, d. 2-5/8”, respectively $200-$400

262

263 American Art Glass Vase clear glass with pink and white “confetti” and thin black striations, folded rim form, unmarked. h. 8-1/8”, w. 11”, d. 5-3/4” $200-$400 264 Two Contemporary Art Glass Items

262 Cheryl Kelley (American/Texas, b. 1968) “Suspended” oil and mixed media on board unsigned, gallery label with artist and title en verso.

Glazed and framed.

14” x 11”, framed 18-1/2” x 15-1/2”

including a Church and Maple Glass Studio, Vermont, “Ferris Wheel Bowl”, blown glass, incised mark at bottom, and a Parise Vetro “Decanter with Apple Stopper”, blown glass, incised signature “Mayor’s” and label at bottom. dia. 8-7/8” and h. 12-1/4”, dia. 5”, respectively $100-$200

$50-$80

263

264

103

265 American Art Glass Vase blown glass in shades of purple, yellow, and blue with iridescent copper, illegibly incised signature at bottom h. 16”, w. 10”, d. 10” $200-$400

265

266 Mitchell Gaudet (American/Louisiana, b. 1962) “Classical Edifice” cast glass unmarked. h. 19-1/2”, w. 6-1/2”, d. 6-1/4” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $300-$500

266

104

267 Seong Moy (Chinese/New York, 1921-2013) “Homage to Lieou Pei”, 1952 ten-color woodcut signed and dated lower right, numbered “69/200” and titled lower left, clipping en verso with image of painting and commentary by the curator of prints, Museum of Modern Art, New York, en verso.

Matted, glazed and framed. sight 12” x 16-3/8”, framed 21-1/4” x 25” $200-$400

267

268 Johnny Friedlaender (French, 1912-1992) “Abstract Composition” aquatint etching on paper pencil-signed and inscribed “E.A.” lower margin.

Matted, glazed and framed. sight 6-1/2” x 5”, framed 16-1/2” x 14” Provenance: Estate of Elaine Levy Proler, Houston, Texas. $400-$700

268

105

270

269 Tom Bennett (American, b. 1928) “Still Dancin”, 1982 269

bronze signed, dated and marked “94/250” at side of proper right foot, on a round black marble base. overall h. 15-1/2”, w. 5”, d. 5” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 270 Glenna Goodacre (American, b. 1939) “Antiquity Sketch”, 1995 patinated bronze cast signature, dated, copyright-marked, and numbered “16/75” at back. h. 6”, w. 4”, d. 4-3/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500 271 After Claude Le Clerc (French, b. 1930) “La Noblesse”, 1987 painted composition (likely Durastone) sculpture produced by Austin Productions, cast signature, dated, manufacturer and copyright marked at back of figure. h. 27”, w. 9” $100-$200

271

106

272 Ida Calzolari (Italian, b. 1936) “Still Life with Plums, Peaches, Mushrooms and a Snail” oil on canvas signed lower left.

Framed.

12” x 9-1/2”, framed 21-1/2” x 19” Provenance: Private collection, Houston, Texas. $400-$700

272

273 Sam Rigling (American, 1921-2013) “At the Cantina”, 1985 oil on canvas signed lower right, signed, dated and titled en verso.

Framed.

36” x 36”, framed 42-1/4” x 41-3/4” $400-$700

273

107

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below).

These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed

by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.)

All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction.

Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision.

In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required

by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue.

Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted

by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Note that there is no discount for LiveAuctioneers and Invaluable bidders. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com