NOAG Interiors + Jewelry & Accessories | January 29-30, 2021

NOAG i n t e r i o r s

+Jewelry & accessories

NOAG i n t e r i o r s

+Jewelry & accessories

January 29-30, 2021

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | 504-566-1849 LA Auction License AB-363, Steinkamp #1265, Eichenwald #1922 | 25% Buyer’s Premium

''If a little girl from Alabama whose father was a minister can appear in public wearing beautiful jewels and gowns, it should be a symbol to everyone that they can do it too.''

Bonnie Swearingen

The New York Times, January 22, 1981

part ii THE ESTATE OF

Bonnie Bolding Swearingen birmingham, alabama Bonnie Bolding Swearingen, former Alabama beauty queen, actress, stockbroker and a flamboyant staple of society pages for decades, unapologetically lived her life to the beat of her own drum. From hunting at the LBJ ranch with close friends Lady Bird and Lyndon B. Johnson, to jetting off on a whim with Imelda Marcos to dine with King Hassan II of Morocco and the Shah of Iran, Bonnie’s life reads like that of an American princess. Bonnie and her husband, John Swearingen, were fixtures on seemingly every major guest list for decades, including Ronald Reagan’s inauguration (she affectionately called him “Ronnie”) and a legendary Palm Desert dinner party in 1975 hosted by Walter Annenberg in honor of Richard Nixon (his first appearance since leaving office).

Anyone that’s met Bonnie, or was even in the same room as her, remembers her uniquely magnetic presence and imitable charm. She was never afraid to speak her mind—a quality that was admired by those close to her and frequently landed her name in newspapers and magazines, including People, Town & Country, The New York Times and Chicago Tribune.

Bonnie’s outspokenness fit perfectly with her husband John’s often-times provocative commentary during the oil crisis in the 1970s. While at the helm of Standard Oil, John Swearingen was one of the highest-profile and most powerful business leaders in America. Amidst the crisis, Swearingen also served as Chair of both the national Petroleum Council (1974-75) and American Petroleum Institute (1978-79), positioning him as the face of “Big Oil”. Swearingen was fiercely defensive of the oil industry and highly critical of Washington, especially President Carter.

In 1980, following years of her husband’s public defense of the oil industry and months before Carter’s defeat, Bonnie was interviewed by People Magazine at their Chicago residence and wittily remarked: “I just love oil. If it could be made into a perfume, I’d wear it.” The following year, Reagan eliminated price controls on oil and natural gas and production soared.

From an early age, Bonnie was destined for a life much bigger than her Joppa, Alabama home town. She entered the Miss Alabama contest four times, eventually achieving first runnerup. While her dream was to be Miss Alabama, she recognized that some things were just not meant to be. In her own words: “I learned then that it is not what you do that are successes, it’s the failures that make you what you are.”

The competition afforded her the opportunity to attend Birmingham’s Samford University (Howard College at the time) through a scholarship awarded to her as a contestant in the Miss Alabama competition. Her time at Samford nurtured her love for the spotlight through her participation in the school’s drama and cheerleading programs. She was also instrumental in fundraising for the school’s new campus during her time there, a skill that she carried with her for the rest of her life. The importance of her time at Samford was never lost on Bonnie; she generously donated to both the athletic program and the Samford University Arts Center, which was renamed Bonnie Bolding Swearingen Hall in 2007 in her honor. The fine arts facility includes Bolding Studio, an intimate performance and events space also named for her the year prior, as well as offices, rehearsal facilities and an art gallery. (continued on next page)

one another though, John divorced his wife of 26 years and remarried Bonnie just three months later in May of 1969. She moved to Chicago to begin yet another new and exciting chapter in her life.

John Swearingen took the reigns as Chairman and CEO of Standard Oil of Indiana in 1960, a position he held for 23 years. Swearingen transformed a “second-rate” oil conglomerate with low reserves into one of the most successful oil companies of all time through aggressive exploration and lucrative offshore drilling ventures. His business savvy and hard work paid off; by 1980, Standard Oil’s stock was exceeded by only five other corporations. As one of the highest-paid and most respected executives in the country at the time, Swearingen was extremely influential in both business and politics.

His status and wealth afforded John and Bonnie an incredible life travelling the world together and rubbing shoulders with the upper echelons of international society.

However, Bonnie’s entry into the Chicago social scene was far from easy. Her wit and charm ultimately prevailed, and she became a beloved local celebrity and a favorite of Chicago’s social elite. Bonnie was an effective fundraiser for a myriad of causes in Chicago and throughout the country.

Bonnie & John Swearingen attending a dinner in honor of Lyndon B. Johnson at Arthur Krim Ranch, Stonewall, Texas

After graduating in 1955, she pursued another scholarship opportunity, this time at the Pasadena Playhouse in California, a prominent Los Angeles-area theatre frequented by scouts from all the major film studios. This launched a brief, but relatively successful acting career in the late 1950s that included an appearance with Charles Boyer in an Alcoa Hour drama on NBC-TV and roles in the TV series “Cheyenne” and “Have Gun-Will Travel.”

Bonnie was also known for her incredible jewelry collection and was frequently photographed wearing the finest pieces.

A memoriam in The Chicago Sun-Times noted that Bonnie was always “suntanned, smiling and sparkling with jewels.”

New Orleans Auction Galleries is pleased to offer Part II from the Estate of Bonnie Bolding Swearingen, including jewelry, silver, Asian arts, sculpture, furniture and more.

In 1958, she married her first husband, John David Manley III of Corpus Christi. Only three years later, she had divorced Manley and remarried prominent Texas oilman Oscar Wyatt, Jr., but their marriage lasted only six weeks. While married to Manley and Wyatt, Bonnie learned about the oil industry and ended up with a portfolio of oil stocks. Twice-divorced and in her late 20s, Bonnie decided to “reinvent” herself by moving to New York to work as a stockbroker at Shearson, Hammill & Co. She considered buying a seat on the New York Stock Exchange, but once she discovered she would not be the first woman on the Exchange, she began to lose interest.

Bonnie met John Swearingen in 1968 at a stockbrokers’ meeting on Wall Street. Like so many others, John was enamored by this charismatic and intelligent young woman, but he was married at the time and Bonnie happened to be dating one of his good friends. Within a year of meeting

Bonnie Swearingen & President Lyndon B. Johnson

Exhibition:

January 18-28, 2021

(By Appointment Only) Monday - Friday, 9:00 a.m. - 5:00 p.m.

Saturday, January 23, 10:00 a.m. - 3:00 p.m.

Lot Schedule:

Please note that times are approximate Session I: Jewelry & Accessories (Lots 1 - 216): Friday, January 29, 2021 1:00 p.m. CT 1 - 75

1:00 - 2:00

76 - 150

2:00 - 3:00

151 - 216

3:00 - 4:16

Session II: Interiors (Lots 217 - 725): Saturday, January 30, 2021 10:00 a.m. CT 10:00 - 11:00

217 - 316

11:00 - 12:00

317 - 416

12:00 - 1:00

417 - 516

1:00 - 2:00

517 - 616

2:00 - 3:00

617 - 722

Bidding: Telephone

Absentee

Live Online

Bidding is available by telephone, absentee and live online with LiveAuctioneers and Invaluable

SESSION I

Jewelry & Accessories FRIDAY, JANUARY 29, 2021 1:00 P.M. CT LOTS 1-216

1 Jay Strongwater “Patricia” Picture Frame antique-finished cast pewter set with over 1,000 Swarovski crystals in topaz, purple, red and green, stamped and copyright-marked at back, with presentation box; together with an Edgar Berebi Limited Edition “Dover” frame, olive enamel and topaz crystals, marked “4217-1” and “7343” at front and with label at back.

4-1/2” x 3-1/4”, overall 6-1/4” x 4-1/2” and 4-3/4” x 3-1/2”, overall 5-3/4” x 4-1/2”, respectively Notes: Named after Strongwater’s mother, the “Patricia” is the first picture frame the designer created. $700-$1,000 1

2 Five Jay Strongwater Picture Frames including four miniature frames: “Leland Pave Corner”, pink to cream with clear Swarovski crystals; “Leland Pave Corner”, shades of green with clear Swarovski crystals; “Agatha”, 2007, light to dark green striped with topaz and green Swarovski crystals, signed and dated at back; “Dragonfly”, green enamel with green and mulberry Swarovski crystals; and a JAY Collection burgundy enamel and sterling silver-finished cast zinc example. two 2” x 2”, overall 2-3/4” x 2-3/4”, 2” x 2”, dia. 3”; 1-1/2” x 1-1/2”, overall 2-3/4” x 2-3/4”; and 3” x 3”, overall 4” x 4”, respectively $500-$800 3 Two Jay Strongwater Picture Frames including “Floral Vine with Bee” in cream, teal and tan enamel with topaz and blue Swarovski crystals, and “Alex Argyle” in cream enamel with clear Swarovski crystals, both stamped and copyright-marked at back, the first example with presentation box.

5-3/4” x 3-3/4”, overall 6-1/2” x 4-1/2” and 4” x 5-1/2”, overall 4-1/2” x 5-3/4”, respectively

3

$700-$1,000

2

2

4

4 Two Vintage Louis Vuitton Epi Leather Bags

5 Two Vintage Louis Vuitton Damier Ebene Handbags

including a “Noe” green bucket bag with a green suede interior and brass hardware, 1999, France, date code: SP0999, h.

13”, w. 10-1/2”, d. 8”, handle drop: 11-1/2”; and a hunter green “Kendall” travel bag with a green suede interior, brass hardware, luggage tag and loop, and a removable, adjustable strap, 1995, France, date code: SP1905, h. 14”, w. 21-1/2”, d.

9”, handle drop: 4”, adjustable strap 16”.

including a coated canvas “Olav PM” handbag with a brown fabric-lined interior and brass hardware, 2009, France, date code: MI4099, h. 8”, w. 8”, d. 3”, handle drop: 16”; and a coated canvas “Saleya PM” handbag with a red suede interior and brass hardware, 2008, France, date code: VI0098, h.

9-1/2”, w. 14”, d. 6”, handle drop: 6”. $1,800-$2,500

$1,400-$1,800

5

3

6 Two Vintage Monogram Louis Vuitton Handbags including a “Bellevue PM” bag in violette vernis patent leather with a fabric interior, Vachetta leather trim and brass hardware, 2008, France, date code: VI2028, h. 9”, w. 15”, d. 7”, handle drop: 4-1/2”; and a “Mat Shelton” beige glace leather bag with a fabric interior and brushed silver hardware, 2004, France, date code: TH0054, h. 6-1/2”, w. 11-1/2”, d. 4”, handle drop: 5”. $1,200-$1,800

6

7 Vintage Louis Vuitton Damier Ebene Handbag and Agenda Cover the coated canvas “Marais” handbag with a red suede interior and brass hardware, 2000, France, date code: SP0010, h. 9-1/2”, w. 9”, d.

6-1/4”, handle drop: 8”, and the coated canvas agenda cover with brass hardware, 2006, Spain, date code: CA0046, w. 5-5/8”, d. 4”. $800-$1,200

7

8 Two Vintage Louis Vuitton Handbags including a coated canvas damier azur cream “Hampstead PM” shoulder bag with a microfiber interior, Vachetta trim and brass hardware, 2007, France, Date Code: MI4087, h. 9-1/2”, w. 11”, d.

6-3/4”, handle drop 7”, and a cream jacquard cotton monogrammed “Sabbia Besace” shoulder bag with a fabric interior, ivory leather trim, brass hardware, and lock with no key, 2010, Italy, Date Code: FO4170, h. 13-1/4”, w. 11-3/4”, d. 5-1/2”, adjustable strap drop 13” to 18”. $1,800-$2,500

8

4

9 Two Vintage Monogram Louis Vuitton Handbags including a coated canvas “Bosphore” messenger bag with a fabric-lined interior, Vachetta leather trim and brass hardware, 2008, France, date code: DU4048, h. 9”, w.

10”, d. 3-1/4”, adjustable strap 16” to 30”; and a coated canvas “Deauville” bag with a coated canvas interior, Vachetta leather trim and brass hardware, and including a lock, key and dust bag, 2004, France, date code: MB0074, h.

10-1/2”, w. 14”, d. 5-1/2”, handle drop: 4-1/2”. $1,500-$2,500

9

10 Louis Vuitton Limited Edition Jeff Koons “Speedy” Handbag 2017, France, the blue leather bag with Paul Gauguin’s “Delightful Land”, accented by brass hardware and with a Koon’s hanging tag charm, the interior with a description of the artist and the artwork on one side and a description of Jeff Koon’s on the other, the pockets with the Jeff Koon’s logo and an image of the Paul Gauguin.

Date code: DU3127 h. 8”, w. 12”, d. 6”; handle drop: 3-1/2” $2,500-$4,000

10

11 Louis Vuitton Monogram “Musette GM” Messenger Bag and Toiletry Pouch the coated canvas messenger bag with a Vachetta leather strap, microfiber interior and brass hardware, 2001, France, Date Code: SD0011, h. 14”, w. 13-1/4”, d. 3”, adjustable strap drop 15-1/4” to 20”, and the coated canvas toiletry pouch with a cream leather interior and brass hardware, 1982, Date Code: 822, h. 6-1/2”, w. 11”, d. 3”. $1,000-$1,500

11

5

12 Saint Laurent Tobacco Leather and Springbok “Bellechasse” Bag brass hardware, with springbok hide flap, engraved label side-push closure and removable buckled strap, the matching sueded interior with a forward pocket, the primary section with a slip pocket patch-labeled “Saint Laurent/Paris/Made in Italy”, includes the care leaflet, certificate of authenticity and labeled dust bag. h. 6”, w. 9-3/4”, d. 2-1/4”; strap drop: 20-1/2” $600-$900

12

13 Yves Saint Laurent Rive Gauche Chocolate Brown Leather “Easy” Bag brass hardware, the body with a large “Y” comprised of brass nail heads front and back, dual rolled handles, zippered closure and side studs allowing for an adjustable shape, the matching fabric-lined interior with a small slip pocket opposite a zippered pocket patch-labeled “Yves Saint Laurent/Rive Gauche”, resting on five domed feet. h. 11-1/2”, w. 16”, d. 6” $600-$900

13

14 Dior Black Grained Calfskin Mini “Saddle Backpack” 2019, silver hardware, with a small zippered pocket beneath the lower saddle flap, the tab secured in a leather loop, the top flap secured with a silver-labeled industrial-style buckle, with cut-out handle, leather back straps and detachable leather strap, the black fabric-lined interior with one slip pocket. h. 9-1/2”, w. 7-1/2”, d. 4”; handle drop: 1-3/4”; adjustable strap drop: 10-1/2” to 18” $1,800-$2,500

14

6

15

15 Martin van Schaak Lizard Handbag the black lizard bag with brass hardware, the exterior with one pocket and the interior with a variety of pockets, the zipper with a fold-up locking mechanism on the side of the bag, the inside of the bag marked “Martin van Schaak New York”, h. 7”, w. 9-1/2”, d. 5-1/2”, handle drop 5”; together with a similar red lizard bag, possibly Martin van Schaak, with brass hardware and an exterior pocket, the interior with a variety of pockets, the zipper with a fold-up locking mechanism on the side of the bag, the inside of the bag marked “Hand Made”, h. 7”, w.

9-1/2”, d. 5-1/2”, handle drop 6”, and another similar brown lizard bag, possibly Martin van Schaak, with brass hardware and an exterior pocket, the interior with a variety of pockets, the zipper with a fold-up locking mechanism on the side of the bag, h. 8”, w. 9-1/2”, d. 6”, handle drop 5-1/2”. $400-$700 16 Celine Red Calfskin “Edge” Bag 2013, gold hardware, zippered/snap closure and contoured flat strap, stamped “Celine/Paris” below the zipper, the reverse with a snap patch pocket, the black leather-lined interior with two slip pocket opposite a zippered pocket, resting on four in-set conical feet, includes a labeled dustbag. h. 10-1/4”, w. 14-3/4”, d. 7”; handle drop: 6-1/2” $500-$800

16

7

17 18 20

21

19

22

88

17 Seven Stick Pins 14k/18k yellow gold, the sticks pins mounted with various stones, including garnet, star ruby, pearl, diamond, spinel and emerald. l. 2” to 2-1/2”, total weight 10.6 grams $400-$700 18 Two Victorian Bracelets gold-filled, the adjustable sliding bracelets with buckles set with seed pearls and oval-cut garnets weighing approximately 1.00 carat in total. inside circumference 8-1/4”, total weight 50.5 grams $300-$500 19 Amethyst and Diamond Ring 14k rose gold, the ring mounted with a cushion-cut amethyst weighing approximately 15.96 carats, accented by round brilliant-cut diamonds weighing approximately 0.96 carats in total. size 7-1/4, total weight 11.8 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $900-$1,200

20 Amethyst and Diamond Pendant with Chain 14k rose gold, the pendant mounted with an oval-cut amethyst weighing approximately 3.90 carats, accented by round brilliant-cut diamonds weighing approximately 0.50 carats in total, l. 7/8”, suspended from a 17” rose gold chain. total weight 4.6 grams $700-$1,000 21 Pair of Amethyst and Diamond Earrings 14k rose gold, the earrings mounted with oval-cut amethysts weighing approximately 6.80 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.74 carats in total. l. 5/8”, total weight 5.0 grams $700-$1,000 22 Two Amethyst and Pearl Necklaces 14k yellow gold, the necklaces mounted with round faceted 14.5 mm amethyst beads accented by 7.4 mm cream-colored cultured pearls with a good luster. l. 34” and 36”, total weight 309.6 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $400-$700

9

23 Amethyst and Diamond Ring 10k white gold, the ring mounted with an emerald-cut amethyst weighing approximately 26.14 carats, accented by round brilliant-cut diamonds weighing approximately 0.14 carats in total. size 5-1/2, total weight 16.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $700-$1,000 24 Amethyst and Diamond Pendant 18k white/yellow gold, the pendant mounted with a pear-cut amethyst weighing approximately 44.24 carats, accented by round brilliant-cut and single-cut diamonds weighing approximately 0.84 carats in total. l. 2-1/4”, total weight 17.9 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $600-$900 25 Amethyst Ring 14k rose gold, the ring mounted with an emerald-cut amethyst weighing approximately 20.25 carats. size 8-3/4, total weight 15.9 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

26 Amethyst and Diamond Pendant with Chain 14k rose gold, the pendant mounted with an oval-cut amethyst weighing approximately 5.34 carats, accented by round brilliant-cut diamonds weighing approximately 0.81 carats in total, l. 1-1/8”, suspended from a 17” rose gold chain. total weight 5.3 grams $700-$1,000 27 Elizabeth Gage Amethyst and Enamel Ring 18k yellow gold, the ring mounted with a central cabochon-cut amethyst weighing approximately 17.88 carats, accented on the sides by cabochon-cut amethysts weighing approximately 9.00 carats in total, the whole accented with green enamel, stamped “GAGE” and “ER”. size 5-3/4, total weight 25.1 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,400-$1,800 28 Pair of Ruby, Tourmaline and Diamond Earrings 18k yellow gold, the earrings mounted with teardrop-shaped green glass pendants, suspended from mountings set with round brilliant-cut diamonds weighing approximately 0.38 carats in total, round-cut tourmalines weighing approximately 3.00 carats in total, and cabochon-cut and triangle-cut treated rubies weighing approximately 0.52 carats in total. l. 2-1/4”, total weight 47.2 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$250-$400 $700-$1,000

10

23

26

28

24

25

27

11

30

35

34

29

32

31

33

12

29 Emerald, Diamond and Faux Diamond Brooch 18k yellow gold, the brooch mounted with a teardrop emerald weighing approximately 25.30 carats, suspended from a mounting in the form of an Ionic capital, mounted with round brilliant-cut small diamonds throughout weighing approximately 2.28 carats in total, accented by larger roundcut faux diamonds. l. 2-3/4”, total weight 35.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800 30 Emerald and Diamond Bracelet 14k yellow gold, the bracelet mounted with emerald-cut treated emeralds weighing approximately 10.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.53 carats in total. l. 7”, total weight 11.7 grams $1,800-$2,500 31 Emerald and Diamond Brooch 14k yellow gold, the brooch mounted with oval-, marquiseand round-cut treated emeralds weighing approximately 4.84 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.64 carats in total. l. 1-3/4”, total weight 11.0 grams Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $700-$1,000

32 Emerald Bracelet gold vermeil, the hinged bracelet mounted with round-cut treated emeralds weighing approximately 15.10 carats in total. w. 7/8”, inside circumference 7-1/8”, total weight 52.1 grams $400-$700 33 Three-Piece Malachite Jewelry Suite including two 18k yellow gold pendants (a figa and a cross), l. 1-1/2” and 2”, and a 14k yellow gold ring, size 7-1/4. total weight 24.9 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $150-$300 34 Diamond and Emerald Necklace 18k yellow gold, the bolero necklace mounted with singlecut diamonds weighing approximately 0.08 carats in total and pear-cut treated emeralds weighing approximately 0.33 carats in total. necklace l. 28”, tassel drop 2-1/4”, total weight 15.8 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $200-$400 35 Emerald and Diamond Ring 18k yellow gold, the ring mounted with an oval-cut treated emerald weighing approximately 0.90 carats, surrounded by round brilliant-cut diamonds weighing approximately 1.00 carat in total. size 6, total weight 4.7 grams $400-$700

13

36 Pair of Emerald and Diamond Earrings 14k yellow gold, the earrings mounted with oval-cut treated emeralds weighing approximately 2.68 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.38 carats in total. l. 1/2”, total weight 3.2 grams

39 Pair of Diamond and Emerald Earrings 18k white gold, the earrings mounted with emerald-cut treated emeralds weighing approximately 4.60 carats in total and round brilliant-cut diamonds weighing approximately 0.76 carats in total. l. 1-3/8”, total weight 5.8 grams $2,500-$4,000

$900-$1,200 37 Emerald and Diamond Ring 14k yellow gold, the ring mounted with an oval-cut treated emerald weighing approximately 2.45 carats, accented by round brilliant-cut diamonds weighing approximately 0.38 carats in total. size 7, total weight 3.8 grams

40 Emerald and Diamond Tennis Bracelet 14k white gold, the bracelet mounted with round-cut treated emeralds weighing approximately 5.30 carats in total and round brilliant-cut diamonds weighing approximately 2.00 carats in total. l. 7”, total weight 7.4 grams $2,500-$4,000

$1,500-$2,500 38 Pair of Emerald and Diamond Earrings 18k yellow gold, the earrings mounted with pear-cut treated emeralds weighing approximately 7.53 carats in total and round brilliant-cut diamonds weighing approximately 0.27 carats in total. dia. 3/4”, total weight 3.9 grams

41 Sapphire, Emerald and Diamond Between-the-Finger Ring 18k white gold, the ring mounted with a cushion-cut treated emerald weighing approximately 0.55 carats and a cushion-cut treated sapphire weighing approximately 1.02 carats, accented by round brilliant-cut diamonds weighing approximately 0.47 carats in total. size 6-1/2, total weight 3.0 grams

$1,200-$1,800 $1,500-$2,500

14

37

38

40

36

41

39

15

43

42

44 49

47

48

45

46

16

42 Diamond and Sapphire Bracelet 18k white gold, the bracelet mounted with oval-cut treated sapphires weighing approximately 4.20 carats in total, accented by round brilliant-cut diamonds weighing approximately 2.30 carats in total. l. 7”, total weight 13.7 grams

46 Diamond and Sapphire Bracelet 14k white gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 0.85 carats in total, accented by round-cut treated sapphires weighing approximately 0.30 carats in total. inside circumference 6-3/4”, total weight 6.5 grams

$3,500-$5,000

$1,400-$1,800

43 Diamond and Sapphire Ring 14k white gold, the ring mounted with round brilliant-cut diamonds weighing approximately 0.70 carats in total, accented by square- and round-cut treated sapphires weighing approximately 0.75 carats in total. size 7, total weight 8.3 grams

47 Sapphire and Diamond Ring 10k white gold, the ring mounted with an oval-cut treated sapphire weighing approximately 0.50 carats, accented by round brilliant-cut diamonds weighing approximately 0.38 carats in total. size 7-3/4, total weight 3.0 grams $350-$500

$1,400-$1,800 44 Diamond and Sapphire Bracelet 14k white gold, the bracelet mounted with round-cut treated sapphires weighing approximately 0.70 carats in total and round brilliant-cut diamonds weighing approximately 0.80 carats in total. l. 7”, total weight 2.9 grams

48 Pair of Sapphire and Diamond Earrings 14k white gold, the earrings mounted with square-cut and round-cut treated sapphires weighing approximately 1.10 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.04 carats in total. l. 3/4”, total weight 5.7 grams

$1,200-$1,800

$600-$900

45 Pair of Diamond and Sapphire Earrings 14k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.10 carats in total and round-cut treated sapphires weighing approximately 2.40 carats in total. l. 1-1/4”, total weight 5.5 grams

49 Sapphire and Diamond Ring 14k white gold, the ring mounted with a round-cut treated sapphire weighing approximately 0.40 carats, accented by round brilliant-cut diamonds weighing approximately 0.48 carats in total. size 6, total weight 4.5 grams

$1,500-$2,500

$500-$800

17

50 Pair of Pink Sapphire and Diamond Earrings 18k white gold, the earrings mounted with oval- and squarecut treated pink sapphires weighing approximately 3.43 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.91 carats in total. l. 5/8”, total weight 10.0 grams $600-$900 51 Diamond and Ruby Ring 14k white gold, the ring mounted with a central round brilliant-cut diamond weighing approximately 0.61 carats, approximate color H and clarity VS1, surrounded by a halo of round-cut treated rubies weighing approximately 1.40 carats in total. size 8-1/4, total weight 4.0 grams $500-$800 52 Diamond and Ruby Ring and Pendant with Chain the 18k white gold ring and pendant mounted with round-cut treated rubies weighing approximately 0.59 carats in total, and baguette-cut and round brilliant-cut diamonds weighing approximately 0.56 carats in total, the pendant suspended from a 14k white gold chain. ring size 6-1/2, pendant l. 1/2”, chain l. 16”, total weight 4.9 grams $1,500-$2,500 53 Diamond and Ruby Ring 18k white gold, the ring mounted with a central round brilliantcut diamond weighing approximately 0.46 carats and surrounded by sixteen round brilliant-cut diamonds weighing approximately 1.44 carats in total, approximate color H-I and clarity VS2-SI2, accented with sixteen round-cut rubies weighing approximately 1.21 carats in total. size 8-1/2, total weight 6.0 grams $400-$700

18

54 Pair of Diamond, Emerald, Sapphire and Ruby Earrings sterling silver, the earrings mounted with oval cabochon-cut treated emeralds weighing approximately 1.80 carats in total, oval cabochon-cut treated sapphires weighing approximately 0.30 carats in total, and oval-cut treated rubies weighing approximately 0.16 carats in total, accented throughout with round brilliant-cut diamonds weighing approximately 1.35 carats in total. l. 2-1/4”, total weight 8.8 grams $700-$1,000 55 Pair of Tourmaline and Diamond Earrings sterling silver, the earrings mounted with oval-cut and pearcut multi-colored tourmalines weighing approximately 12.10 carats in total, accented by round-cut diamonds weighing approximately 2.94 carats in total. l. 2-3/8”, total weight 17.9 grams $300-$500 56 Pair of Tourmaline and Sapphire Earrings sterling silver, the earrings mounted with round-cut white sapphires weighing approximately 1.20 carats in total, accented throughout with multi-colored oval-, pear- and round-cut tourmalines weighing approximately 13.50 carats in total. l. 2-7/8”, total weight 19.3 grams $500-$800

52

56

53

50

54

51

55

19

61

57

58

59

60

62

20

57 Diamond Ring 18k white gold, the ring mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total. size 6-1/2, total weight 8.7 grams

60 Diamond Eternity Ring 14k white gold, the ring mounted in the round with round brilliant-cut diamonds weighing approximately 2.20 carats in total. size 6-1/4, total weight 2.5 grams

$1,000-$1,500

$1,400-$1,800

58 Pair of Diamond Earrings 14k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.10 carats in total. total weight .58 grams

61 Diamond Bracelet 14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.60 carats in total. inside circumference 6-5/8�, total weight 6.3 grams

$1,500-$2,500

$1,000-$1,500

59 Diamond Eternity Ring 14k white gold, the ring mounted in the round with round brilliant-cut diamonds weighing approximately 2.20 carats in total. size 6-1/4, total weight 2.5 grams

62 Pair of Diamond Earrings 18k white gold, the dangle earrings mounted with round brilliant-cut diamonds weighing approximately 1.43 carats in total. l. 1-1/2�, total weight 5.2 grams

$1,400-$1,800

$2,000-$4,000

21

63 Diamond Band 14k white gold, the band mounted with five rows of round brilliant-cut diamonds weighing approximately 0.80 carats in total. size 8, total weight 5.3 grams $900-$1,200 64 Diamond Pendant with Chain 18k white gold, the pendant mounted with round brilliantcut diamonds weighing approximately 1.84 carats in total, l.

1-1/4�, suspended from an 18k white gold chain, l. 18�. total weight 5.3 grams $1,200-$1,800 65 Diamond Ring 14k yellow gold, the ring mounted with a central round brilliantcut diamond weighing approximately 0.50 carats, accented by round brilliant-cut diamonds weighing approximately 0.45 carats in total. size 7, total weight 3.9 grams $900-$1,200

22

66 Pair of Diamond Earrings 14k white gold, the elongated open-back hoop earrings mounted with round brilliant-cut diamonds weighing approximately 0.28 carats in total. l. 1�, total weight 2.6 grams $500-$800 67 Diamond Ring 18k white gold, the ring mounted with rose-cut and round brilliant-cut diamonds weighing approximately 0.40 carats in total. size 7, total weight 2.8 grams $600-$900

63

64

65

67

66

23

73

70

68

74

69

72 71

24

68 Pair of South Sea Pearl and Diamond Ear Clips 18k white gold, the ear clips mounted with white South Sea pearls with a very good luster, accented by pear-cut and marquise-cut diamonds weighing approximately 0.81 carats in total. l. 3/4”, total weight 14.9 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 69 Pearl and Diamond Ring platinum, the ring mounted with a white South Sea pearl with a high luster, measuring approximately 14.50 mm, accented by baguette- and round brilliant-cut diamonds weighing approximately 1.41 carats in total. size 5-3/4, total weight 15.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $700-$1,000 70 South Sea Pearl and Diamond Pendant 18k white gold, the pendant mounted with an elongated white South Sea pearl measuring approximately 15.2 mm x 22.0 mm, accented on the top with round brilliant-cut diamonds weighing approximately 0.90 carats in total. l. 1-1/2”, total weight 11.7 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $250-$400 71 Tahitian Pearl and Diamond Ring platinum, the ring mounted with a 14.5 mm Tahitian pearl with a good luster, accented by baguette-cut and round brilliant-cut diamonds weighing approximately 0.81 carats in total. size 6-1/2, total weight 14.1 grams

72 Two-Strand Pearl, Ruby, Diamond and Faux Star Sapphire Necklace 18k yellow gold, the necklace composed of two strands of gray freshwater pearls measuring 9.50 mm with a fair luster, finished with a pendant mounted with a central faux sapphire, accented by cabochon-cut treated rubies weighing approximately 6.50 carats in total and round brilliant-cut diamonds weighing approximately 1.87 carats in total. l.

21-1/2”, total weight 23.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $900-$1,200 73 Pearl Brooch and Ear Clips 14k yellow gold, the brooch and ear clips mounted with a cluster of gray-colored cultured pearls with a good luster, ranging in size from 4.8 mm to 10.0 mm. brooch dia. 1-3/4”, ear clip l. 3/4”, total weight 35.7 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $200-$400 74 Pair of Diamond and Pearl Cufflinks 14k white gold, the cufflinks mounted with a 7.2 mm round white cultured pearl with a good luster, accented by round brilliant-cut diamonds weighing approximately 0.86 carats in total. l. 1/2”, total weight 11.2 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $300-$500

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

25

75 Tissot Pocket Watch with Chain 18k yellow gold, the manual wind pocket watch with a seventeen-jewel movement, l. 2”, together with a 20” 18k yellow gold chain. total weight 56.4 grams

79 Diamond Bracelet 14k yellow gold, the hinged bracelet mounted with round brilliant-cut diamonds weighing approximately 1.16 carats in total. inside circumference 6-1/4”, total weight 43.0 grams

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$600-$900

$900-$1,200

76 Beautiful Yellow and White Diamond Ring 18k yellow gold, the ring mounted with round brilliant-cut yellow and white diamonds weighing approximately 1.23 carats in total. size 7-3/4, total weight 7.3 grams

80 Diamond Ring 14k yellow gold, the open band ring mounted with round-cut diamonds weighing approximately 1.40 carats in total. size 8, total weight 4.3 grams

$1,200-$1,800

$700-$1,000

77 Yellow Diamond Ring 18k white gold, the ring mounted with round brilliant-cut yellow diamonds weighing approximately 0.54 carats in total. size 6, total weight 3.9 grams

81 Diamond Cross Pendant 18k yellow/white gold, the pendant mounted with round brilliant-cut diamonds weighing approximately 0.72 carats in total. l. 1-1/4”, total weight 6.0 grams

$600-$900

$450-$700

78 Pair of Diamond Earrings 18k yellow gold, the earrings mounted with round brilliantcut diamonds weighing approximately 2.38 carats in total. l.

2-1/2”, total weight 11.5 grams

82 Diamond Cross Pendant 14k yellow gold, the filigree pendant mounted with round brilliant-cut diamonds weighing approximately 0.53 carats in total. l. 1-1/2”, total weight 4.0 grams

$1,800-$2,500

$450-$700

26

76

75

81

78

77

82

79 80

27

88

90

83 85

84

91

87 89

86

28

83 Diamond Necklace 18k yellow gold, the necklace mounted with round brilliantcut diamonds weighing approximately 5.60 carats in total. l.

16-1/4”, total weight 12.9 grams

88 Pair of Diamond Earrings 18k yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 2.10 carats in total. l. 5/8”, total weight 3.0 grams

$3,500-$5,000

$2,000-$4,000

84 Diamond Bracelet 14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 1.05 carats in total. inside circumference 6-1/2”, total weight 7.9 grams

89 Diamond Coil Bracelet 18k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 3.80 carats in total. inside circumference 6-1/2”, total weight 27.2 grams

$1,500-$2,500

$3,500-$5,000

85 Diamond Eternity Ring 14k yellow gold, the ring mounted in the round with round brilliant-cut diamonds weighing approximately 2.20 carats in total. size 6-1/4, total weight 2.5 grams

90 Diamond Ring 14k yellow gold, the ring mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 0.56 carats in total. size 6, total weight 3.5 grams

$1,400-$1,800

$1,000-$1,500

86 Diamond Eternity Ring 14k yellow gold, the ring mounted in the round with round brilliant-cut diamonds weighing approximately 2.20 carats in total. size 6-1/4, total weight 2.5 grams

91 Diamond “Flower” Brooch 18k yellow gold, the brooch in the form of a rose, mounted with round brilliant-cut diamonds weighing approximately 0.55 carats in total, stamped “Fabbrini”. l. 2-1/2”, total weight 16.8 grams

$1,400-$1,800 87 Diamond Bracelet 14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.90 carats in total. inside circumference 6-3/4”, total weight 7.4 grams

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $400-$700

$1,500-$2,500

29

92 Coral, Pearl and Diamond Brooch 18k yellow gold, the brooch mounted with a central mabe pearl measuring approximately 16.2 mm in diameter, accented by carved coral inserts and round brilliant-cut diamonds weighing approximately 3.40 carats in total. size 2-3/4” x 2-1/8”, total weight 66.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800

95 Opal and Diamond Earrings and Brooch 14k yellow gold, the earrings mounted with marquise-cut opals weighing approximately 1.64 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.10 carats in total, l. 3/4”, and the brooch mounted with marquisecut opals weighing approximately 4.81 carats in total, and round brilliant-cut diamonds weighing approximately 0.26 carats in total, l. 1-1/2”. total weight 40.0 grams

93 Coral Necklace 14k yellow gold, the twenty-strand coral necklace finished with two shell-carved coral clasps. l. 18”, total weight 190.8 grams

Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

96 Opal and Diamond Ring sterling silver, the ring in the form of a flower and mounted with an oval cabochon-cut opal weighing approximately 0.82 carats, accented by single-cut diamonds weighing approximately 2.97 carats in total. size 7-3/4, total weight 12.3 grams

$300-$500 94 Coral and Diamond Ring 14k yellow gold, the ring mounted with an oval-cut coral cabochon measuring approximately 22.5 mm x 13.3 mm, accented by round brilliant-cut diamonds weighing approximately 0.02 carats in total. size 6, total weight 10.4 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $200-$400

30

$700-$1,000

$700-$1,000

92 93

96

94

95

31

97 Chanel Pale Yellow Caviar Leather Logo Tote 2004-2005, gold hardware, with appliqued CCs, dual rolled handles and dual magnetic closures, the white logo fabriclined interior with two gusseted pockets and opposing zippered pocket patch-labeled “Chanel/Made in France”, resting on four domed feet, includes care leaflets in French and English and a labeled dustbag. h. 8-3/4”, w. 13-1/4”, d. 3-1/4”; handle drop: 6” $1,000-$1,500

97

98 Vintage Chanel Mocha Lambskin Classic Double Flap Bag ca. 1990, gold hardware, with rear slip pocket and “CC” turn lock closure stamped “Chanel/Paris” on the reverse plate, with convertible leather-threaded chain, the cover flap with a long zippered pocket above a deep pocket, the interior flap with trapunto “CC” above gilt-stamped “Chanel” and two halfgusseted pockets with a forward slip pocket, snap closure, includes the authenticity card and dustbag. h. 6”, w. 10-1/4”, d. 2-3/4”; strap drop: 9-1/2” and 16-1/2” $3,500-$5,000

98

32

99 Chanel Almond-Beige Kidskin Surpique Hobo 2002-2003, gold hardware, with tapered flat shoulder strap, the zippered top closure with a matching leather “CC” tab, the logo fabric-lined interior with opposing large zippered pockets, one patch-labeled “Chanel/Made in Italy”, resting on four domed feet. h. 11”, w. 15”, d. 4”; strap drop: 6-1/2” $1,200-$1,800

99

100 Vintage Chanel Black Aged Kidskin Shoulder Tote 2009-2010, ruthenium hardware, with leather-threaded chain and magnetic closure, a quilted “CC”-labeled band around the top, both lower sides with a large open pocket centered with an inverted pleat, resting on four domed feet, the black twill-lined interior with a long zippered pocket patch-labeled in silver “Chanel/Made in France” opposite two slip pockets, retains a small leather strap with lobster claw clasp at one side, includes a labeled dust bag. h. 10”, w. 13”, d. 7”; adjustable strap drop: 9-1/2” to 18” $1,400-$1,800 100

33

102

101 stainless steel, the watch with a white/silver dial and date, and a deployant clasp, together with the original box and booklets. inside circumference 7”, total weight 76.3 grams $1,000-$1,500 101

102 Three Hermes Bracelets including a wide enamel bangle, 18k yellow gold plated, marked “Hermes Paris Made in Austria”, w. 3/4”, inside circumference 8-1/8”; a narrow enamel bangle, silver, marked “Hermes Paris Made in Austria”, w. 1/2”, inside circumference 7-1/2”; and a Jumbo Double Tour bracelet with an 18k yellow gold plated clasp marked “Hermes”, inside circumference 6-1/4”. $1,000-$1,500

103 Hermes Orange Togo Leather “Dogon” Wallet

103

2006, palladium hardware, with slip tab closure, flap cover and removable zippered and slotted pouch, the matching calfskinlined interior with various pockets and slots, presented in a Hermes box. h. 5”, w. 7-3/4” $600-$900

104 Vintage Hermes Burgundy Box Calf “Constance” Shoulder Bag 1978, enameled gold hardware, flap ending within an enameled “H”, the reverse with a slip pocket, the “H” crossbar with magnetic closure and fitted with an acrylic interior layer, marked “Hermes” along the lower gold edge, gilt-stamped “Hermes/Paris/Made in France” under the flap at the upper front edge, with a flat slide-through strap, the matching lambskin-lined interior with a half-gusseted zippered pocket opposite a slip pocket, one front corner stamped a circled “M”, includes a labeled dustbag. h. 7”, w. 9”, d. 2”; strap drop: 8” doubled, 14” extended $6,000-$9,000

34

104

105 Ankle-Length Brown Sable Coat size 4, with a small shawl collar, one hook closure, on-seam pockets and a chocolate brown silk-lined interior. l. 46” $800-$1,200 106 Ankle-Length Black Mink Coat size 4, with a small shawl collar, three hook closure and on-seam pockets, the black silk-lined interior labeled “Black Diamond Mink Brand”. l. 44” $500-$800 107 Vintage Ankle-Length Mink Coat 1980s, size 6-8, with small shawl collar, three hook closure, on-seam pockets and inset puffed full sleeves with self-banded cuffs, the back with a martingale-style loose self belt, the chocolate brown silk-lined interior with a forward glove pocket and labeled “Alfonso Telese/Fur Creations”. l. 47-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

105

107

106

35

108 109

108 Vintage Gold Fox Jacket 1970s, size 38, with bold notched collar, inset full sleeves, three hook closure and on-seam pockets, the taupe acetate-lined interior with a forward glove pocket and brick suede banding. l. 27-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

110 Two Designer Belts including a Kieselstein-Cord black suede belt with a frog belt buckle, stamped “B. Kieselstein”, l. 38” to 42-1/2”, together with a Chanel example composed of a black patchwork fabric belt and a filigree gold-tone belt buckle, the end stamped “Made in France” and “Chanel”, l. 30” to 35”.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

$700-$1,000

109 Vintage Silver Fox Jacket 1980s, size 6, with broad shawl collar, one hook closure, inset bracelet-length flared sleeves and on-seam pockets, the silver fabric-lined interior labeled “Standard Fur Co, Inc,/Master Furriers/200 Decatur St./New Orleans, La.”. l. 24” $300-$500

36

110

111

111 Three Oscar de la Renta Dresses including a full-length black taffeta dress, size 12, a kneelength black nylon crinoline dress, size 10, and a high-low black nylon crinoline dress, size 10.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

37

112

118

116

115

117

114

119

38

113

112 Diamond and Leather Choker sterling silver, the choker composed of a leather strap finished with a clasp mounted with rose-cut diamonds weighing approximately 1.10 carats in total. l. 13”, total weight 8.4 grams

116 Two Pairs of Silver Ear Clips sterling silver, each of the large earrings with a clip back. l.

2-1/4” and 1-3/4”, total weight 84.4 grams Provenance: Estate of Sylvia Pugh Sullivan, Houston, Texas. $40-$70

$250-$400 113 Diamond “Feather” Bracelet sterling silver, the bracelet mounted with rose-cut diamonds weighing approximately 7.80 carats in total. l. 7”, total weight 31.3 grams

117 Diamond Cuff Bracelet sterling silver, the wavy bracelet with gold accents and mounted with slice-cut diamonds weighing approximately 0.90 carats in total. w. 1-1/4”, inside circumference 7”, total weight 34.7 grams

$700-$1,000

$900-$1,200

114 Black Diamond Necklace sterling silver, the necklace mounted with slice-cut black diamonds weighing approximately 6.60 carats in total. l. 16”, total weight 27.6 grams

118 Diamond “Snake” Necklace sterling silver, the necklace mounted with round-cut diamonds weighing approximately 5.60 carats in total. l. 20”, total weight 147.2 grams

$600-$900

$1,000-$1,500

115 Black Diamond Bracelet sterling silver, the bracelet mounted with slice-cut black diamonds weighing approximately 1.10 carats in total. l. 7” to 7-3/4”, total weight 14.3 grams

119 Pair of Turquoise and Diamond Earrings sterling silver, the earrings mounted with round-cut turquoises weighing approximately 1.52 carats in total and rose-cut diamonds weighing approximately 2.76 carats in total. l.

2-3/4”, total weight 19.8 grams

$400-$700 $300-$500

39

120 Turquoise and Diamond Ring and Earring Drops 14k yellow gold, the ring mounted with a large cabochon-cut turquoise measuring approximately 32.0 mm x 25.0 mm, and the drops with a loop at the top, designed to be hung from the bottom of an earring, each mounted with a teardrop-shaped cabochon-cut turquoise measuring approximately 30.0 mm x 18.0 mm, each accented with single-cut diamonds weighing approximately 1.14 carats in total. ring size 5-3/4, earring drop l. 1-3/4”, total weight 55.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800 121 Lalique Ear Clips gold tone, the ear clips mounted with carved blue glass drops, suspended from a gold-tone clip earring, stamped “LALIQUE, France”, together with the original box. l. 2-1/4”, total weight 45.2 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $150-$300 122 Blue Topaz Ring and Aquamarine Earrings 14k yellow gold, the ring mounted with an oval-cut blue topaz weighing approximately 11.31 carats, accented by round brilliant-cut diamonds weighing approximately 0.12 carats in total, size 6-1/2, and the earrings mounted with oval-cut aquamarines weighing approximately 2.84 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.20 carats in total, l. 3/4”. total weight 12.0 grams Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $500-$800 123 Pair of Diamond and Aquamarine Hoop Earrings 18k yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 0.80 carats in total and baguette-cut aquamarines weighing approximately 1.10 carats in total. l. 3/4”, total weight 9.4 grams

125 Pair of Aquamarine and Diamond Earrings 18k white/yellow gold, the earrings mounted with emeraldcut aquamarines weighing approximately 10.02 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.40 carats in total. l. 7/8”, total weight 15.2 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $600-$900 126 Blue Topaz and Diamond Brooch 18k yellow/white gold, the brooch mounted with a cushion-cut blue topaz weighing approximately 68.63 carats, accented by round brilliant-cut diamonds weighing approximately 4.80 carats in total. size 1-1/4” x 1-1/2”, total weight 38.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800 127 Blue Topaz and Diamond Ring 14k white gold, the ring mounted with a cushion-cut blue topaz weighing approximately 7.00 carats, accented by round brilliant-cut diamonds weighing approximately 0.15 carats in total. size 7-1/2, total weight 6.0 grams $500-$800 128 Blue Topaz, Diamond, Tourmaline and Onyx Pendant 14k yellow gold, the pendant mounted with an oval-cut blue topaz weighing approximately 32.64 carats, accented by an oval cabochon-cut tourmaline weighing approximately 0.50 carats and round brilliant-cut diamonds weighing approximately 0.81 carats in total, accented with carved black onyx inserts. l. 2”, total weight 29.9 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

$1,000-$1,500 124 Aquamarine Necklace 18k yellow gold, the necklace composed of nine strands of polished oval- and roundel-shaped beads, finished with a gold clasp in the form of a serpent. l. 25”, total weight 267.6 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $600-$900

128

40

121

127

124

125

120 123

126

122

41

130

129

132

131

42

133

134

129 Tanzanite and Diamond Ring 14k white gold, the ring mounted with a cushion-cut tanzanite weighing approximately 1.50 carats, accented by round brilliant-cut diamonds weighing approximately 0.52 carats in total. size 8, total weight 4.2 grams

132 Sapphire and Diamond Ring 18k yellow gold, the ring mounted with a natural oval-cut sapphire weighing approximately 1.95 carats, surrounded by round brilliant-cut diamonds weighing approximately 0.30 carats in total. size 6-1/2, total weight 7.0 grams

$900-$1,200

Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein.

130 Tanzanite Jewelry Suite 14k yellow gold/sterling silver, the suite including a sterling silver necklace finished with a 14k yellow gold clasp, l. 17-1/2”, a sterling silver bracelet finished with a 14k yellow gold clasp, l. 7-1/2”, a sterling silver ring, size 7, and a pair of sterling silver earrings, l. 1/4”, all mounted with trilliant-cut tanzanites, with an approximate total weight of 55.90 carats. total weight 19.4 grams

$1,000-$1,500 133 Sapphire and Diamond Bracelet 14k yellow gold, the bracelet mounted with round-cut treated sapphires weighing approximately 0.40 carats in total and round brilliant-cut diamonds weighing approximately 1.30 carats in total. inside circumference 6-3/4”, total weight 7.9 grams

$800-$1,200 $1,500-$2,500 131 Sapphire and Diamond Ring 14k white gold, the ring designed as a bow tie and mounted with an oval-cut treated sapphire weighing approximately 0.50 carats, and two round brilliant-cut diamonds weighing approximately 0.05 carats in total. size 5-1/2, total weight 5.1 grams

134 Diamond and Sapphire Ring 14k yellow gold, the ring set with single-cut diamonds weighing approximately 0.07 carats in total and navette-cut treated sapphires weighing approximately 1.00 carat in total. size 8-1/2, total weight 9.5 grams

$250-$400

$200-$400

43

135 Emerald and Ruby Ring 18k yellow gold, the crossover ring mounted with an oval cabochon-cut treated ruby weighing approximately 1.50 carats and an oval cabochon-cut treated emerald weighing approximately 1.50 carats. size 5-3/4, total weight 14.8 grams

138 Ruby and Diamond Pendant with Chain 14k yellow gold, the pendant mounted with round-cut treated rubies weighing approximately 0.48 carats in total and a round brilliant-cut diamond weighing approximately 0.42 carats, l.

1”, suspended from a 16” gold chain. total weight 4.6 grams

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$400-$700

$700-$1,000 136 Ruby, Sapphire, Aventurine, Pearl and Diamond Jewelry Suite 18k yellow gold, the suite including a three-strand necklace, a removable tassel pendant and a pair of ear clips, all composed of faceted ruby, sapphire, aventurine beads and cultured pearls, the necklace finished with a diamond-accented clasp and the removable pendant finished with a diamond-accented cap. necklace shortest l. 16”, longest l. 20”, pendant l. 5-1/2”, earring l. 2”, total weight 328.2 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

139 Diamond and Ruby Bracelet 14k yellow gold, the bracelet mounted with oval-cut treated rubies weighing approximately 4.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.26 carats in total. l. 7”, total weight 14.0 grams $1,800-$2,500 140 Ruby Aztec Bird Pin 14k yellow gold, the pin in the form of a bird in the Aztec style, accented on the eye with a round-cut treated ruby weighing approximately 0.02 carats. l. 1”, total weight 7.1 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$700-$1,000 $75-$125 137 Diamond, Ruby, Emerald and Sapphire Bracelet and Ear Clips 18k yellow gold, the hinged ear clips and bracelet mounted with round brilliant-cut diamonds weighing approximately 10.70 carats in total, accented by round-cut treated rubies, emeralds and sapphires weighing approximately 9.27 carats in total. ear clip l. 7/8”, bracelet inside circumference 6”, total weight 84.3 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,800-$2,500

44

141 Five Francs Ruby Pendant 14k yellow gold, the removable pendant mounted with a 5 Francs coin, accented by a round and oval cabochon-cut treated ruby weighing approximately 2.25 carats in total. l.

3-1/2”, total weight 58.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $700-$1,000

139

138

140

137

141

135

136

45

144

146

143

142

145

46

142 Ruby Ring 14k yellow gold, the ring mounted with an oval-cut treated ruby weighing approximately 1.90 carats. size 6, total weight 2.4 grams $150-$300

144 Morganite and Diamond Ring 18k yellow gold, the ring mounted with an emerald-cut morganite weighing approximately 12.56 carats, accented by round brilliant-cut diamonds weighing approximately 1.20 carats in total. size 7, total weight 10.2 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

143 Kunzite and Diamond Earrings and Pendant the 14k yellow gold pendant mounted with a calf’s-head-cut kunzite weighing approximately 4.76 carats, accented by round brilliant-cut diamonds weighing approximately 0.83 carats in total, l. 1-1/2”, and the 18k yellow gold ear clips mounted with moon-cut kunzites weighing approximately 9.52 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.92 carats in total, l. 3/4”. total weight 28.0 grams

$1,200-$1,800

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

146 Pair of Diamond and Topaz “Butterfly” Earrings sterling silver, the opposing earrings mounted with round brilliant-cut diamonds weighing approximately 1.88 carats in total, the body accented with multi-colored round-cut topazes weighing approximately 0.26 carats in total. l. 1”, total weight 7.6 grams

$1,200-$1,800

145 Ruby and Diamond Necklace sterling silver, the necklace mounted with table-cut diamonds weighing approximately 6.90 carats in total and oval-cut treated rubies weighing approximately 15.50 carats in total. l.

15-1/2”, total weight 187.9 grams $1,200-$1,800

$300-$500

47

147 Brown and White Diamond Ring and Earrings 14k white gold, the ring mounted with round brilliant-cut white and brown diamonds, size 8, and the earrings mounted with round brilliant-cut white and brown diamonds and white princess-cut diamonds, l. 1-1/4”, with a total diamond weight of 2.13 carats for both. total weight 8.8 grams $900-$1,200 148 Pair of Diamond Heart Earrings 14k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total. l. 7/8”, total weight 9.6 grams $800-$1,200 149 Diamond Necklace 18k white gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 1.35 carats in total. l. 16” to 18”, total weight 7.4 grams $1,500-$2,500

150 Pair of Convertible Diamond Earrings 14k white gold, the earrings mounted with round brilliantcut diamonds weighing approximately 0.60 carats in total, designed to be worn as diamond hoops or with the diamond dangle. l. 1”, total weight 1.9 grams $1,000-$1,500 151 Blue and White Diamond Engagement Ring with Band 18k white gold, the floral-designed mounting set with a round brilliant-cut treated blue diamond weighing approximately .70 carats in total, the “petals” and the ring shank pave-set with round brilliant-cut diamonds weighing approximately 1.25 carats in total. size 7-1/2, total weight 4.7 grams $200-$400 152 Diamond Bracelet 14k white gold, the bracelet mounted with a round brilliantcut diamond weighing approximately 0.54 carats. l. 6-1/2” to 7-1/2”, total weight 1.3 grams $900-$1,200 153 Pair of Diamond Earrings 14k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.25 carats in total. l. 7/8”, total weight 3.9 grams $800-$1,200

48

147

149

148

150

151

153

152

49

155

154

156

159

160 157

50

158

154 Diamond Ring platinum, the ring mounted with a central European-cut diamond weighing approximately 0.75 carats, accented by single-cut diamonds weighing approximately 0.14 carats in total. size 6-1/4, total weight 3.0 grams

157 Pair of Diamond Earrings 18k white gold, the earrings mounted with round brilliantcut diamonds weighing approximately 1.80 carats in total, approximate color H and clarity SI1. l. 1/2”, total weight 2.9 grams $2,500-$4,000

$600-$900 155 Diamond Bracelet 14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 5.60 carats in total. inside circumference 6-1/2”, total weight 18.5 grams

158 Diamond Tennis Bracelet 14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 2.70 carats in total. l. 7”, total weight 5.4 grams $2,500-$4,000

$3,500-$5,000 156 Adjustable Diamond Necklace 18k white gold, the necklace mounted with graduated round brilliant-cut diamonds weighing approximately 8.65 carats in total, approximate color H-I-J and clarity SI1-SI3, finished with an adjustable gold bead slide, allowing the necklace to be worn as a choker, a 23” long necklace or any length in between. l. 15” to 23”, total weight 22.3 grams $9,000-$12,000

159 Diamond Ring 18k white gold, the ring mounted with baguette- and round brilliant-cut diamonds weighing approximately 0.41 carats in total. size 7-1/4, total weight 3.1 grams $800-$1,200 160 Diamond Ring 14k white gold, the ring mounted with princess-, baguette- and round brilliant-cut diamonds weighing approximately 2.50 carats in total. size 6-3/4, total weight 9.7 grams $1,500-$2,500

51

161 Pair of Diamond Dangle Earrings 14k yellow gold/sterling silver, the earrings with three drops that hang independently from the top, each mounted with roseand single-cut diamonds weighing approximately 3.29 carats in total. l. 2-3/4”, total weight 18.0 grams $1,400-$1,800 162 Diamond Bracelet gold vermeil, the hinged bracelet mounted with rose-cut diamonds weighing approximately 3.60 carats in total. inside circumference 6-1/4”, total weight 25.6 grams $450-$700 163 Philippe Charriol Watch stainless steel/gold plate, the “Christopher Columbus” model watch with a cable-link band. inside circumference 6-3/4”, total weight 80.4 grams $1,200-$1,800 164 Diamond Bangle Bracelet gold vermeil, the hinged bracelet mounted with round-cut diamonds weighing approximately 0.25 carats in total. inside circumference 7-1/4”, total weight 22.9 grams $300-$500

165 Diamond Ring 14k white/yellow gold, the customized ring set with a round brilliant-cut diamond weighing approximately 1.00 carat, approximate color H and clarity I3, accented with round brilliant-cut diamonds weighing approximately 0.50 carats in total. size 7-1/2, total weight 10.8 grams $300-$500 166 Diamond Bracelet 14k yellow gold, the bracelet composed of “X’s”, one mounted with round brilliant-cut diamonds weighing approximately 0.11 carats in total. l. 7-1/4”, total weight 26.7 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $400-$700 167 Pair of Diamond Ear Clips 14k yellow gold, the earrings mounted with baguette-cut diamonds weighing approximately 1.00 carat in total. l. 3/4”, total weight 5.1 grams $200-$400 168 Diamond Bracelet 18k yellow gold, the bracelet mounted with single-cut diamonds weighing approximately 0.50 carats in total. l. 7”, total weight 27.3 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $600-$900

52

162

164

163

165

161

166

168

167

53

169

175

174

171

172

173

54

170

169 Diamond Ring 18k yellow gold, the ring mounted with round brilliant-cut diamonds weighing approximately 0.35 carats in total. size 6-3/4, total weight 5.8 grams $500-$800 170 Reversible Diamond Bracelet 14k yellow gold, one side of the bracelet mounted with a section of round brilliant-cut diamonds weighing approximately 0.70 carats in total, and the other side with polished gold links. l. 7”, total weight 12.0 grams $2,000-$4,000 171 Wide Diamond Bangle Bracelet gold vermeil, the bracelet mounted with rose-cut and slice-cut diamonds weighing approximately 4.50 carats in total. w. 2”, inside circumference 7”, total weight 90.3 grams $700-$1,000 172 Three-Stone Diamond Ring 18k yellow gold, the ring mounted with rose-cut diamonds weighing approximately 0.35 carats in total. size 6, total weight 2.1 grams

173 Diamond Bracelet gold vermeil, the hinged bracelet mounted with rose-cut and slice-cut diamonds weighing approximately 2.56 carats in total. w. 1/2”, inside circumference 7-1/4”, total weight 34.9 grams $400-$700 174 Diamond “Dog Tag” Pendant on Chain 14k yellow gold, the removable pendant mounted with round brilliant-cut diamonds weighing approximately 1.64 carats in total, l. 1-1/2”, suspended from a chain-link 14k yellow gold necklace, l. 18”. total weight 9.4 grams $1,200-$1,800 175 Diamond Tennis Bracelet 14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 3.20 carats in total. l. 7”, total weight 18.1 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

$600-$900

55

179 Diamond Necklace gold vermeil, the necklace mounted with slice-cut diamonds weighing approximately 7.20 carats in total. l. 18” to 20”, total weight 9.3 grams

176 Pair of Diamond Earrings 14k yellow gold, the delicate earrings mounted with round brilliant-cut diamonds weighing approximately 0.26 carats in total. l. 5/16”, total weight 1.1 grams

$600-$900 180 Pair of Diamond Earrings 14k white/yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.60 carats in total. l. 1-7/8”, total weight 9.7 grams

$450-$700 177 Diamond Bracelet gold vermeil, the bracelet mounted with slice-cut diamonds weighing approximately 3.20 carats in total. l. 6-1/2” to 8”, total weight 4.1 grams

$1,500-$2,500 181 Two Pieces of Steuben Jewelry including a pair of glass ear clips, 14k yellow gold, l. 7/8”, and an “Acorn” necklace, the glass acorn pendants with 18k yellow gold tops, l. 3”, suspended from a 14k yellow gold wire choker, inside circumference 15-1/4”. total weight 87.5 grams

$400-$700 178 Pair of Diamond Earrings gold vermeil, the earrings mounted with slice-cut diamonds weighing approximately 2.10 carats in total. l. 1-1/2”, total weight 2.4 grams

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$300-$500

$600-$900

177

56

176

178 181

180

179

57

183

185 187

184

186

58

182

182 Long Strand of Freshwater Pearls the long strand composed of 7.00 mm cream-colored freshwater pearls with a fair luster. l. 100” $400-$700 183 Baroque Pearl Earrings and Necklace 18k/14k yellow gold, the long dangle earrings mounted with a white baroque pearl with a very good luster, suspended from an 18k yellow gold chain, l. 3-1/4”, together with a matching pendant, suspended from a 14k yellow gold chain, pendant l.

1”, chain l. 16”. total weight 22.2 grams $300-$500 184 Convertible Pearl and Faux Pearl Brooch the top of the brooch in the shape of a bar, 18k yellow gold, finished on either end with a white cultured pearl, and with a loop at the bottom for suspending pendants, the removable pendant, 14k yellow gold, with a hammered finish and a faux pearl. l. 2-3/4”, total weight 34.2 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $700-$1,000

185 Pearl Necklace 14k yellow gold, the ten-strand necklace composed of 4.3 mm cream-colored pearls with a good luster, finished with a “flower” clasp mounted with a cluster of pearls. l. 19”, total weight 123.6 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $300-$500 186 Pearl, Emerald and Diamond Bracelet 14k yellow/white gold, the sixteen-strand bracelet composed of 3.2 mm cream-colored cultured pearls with a good luster, finished on the clasp with round-cut treated emeralds weighing approximately 1.68 carats in total and single-cut diamonds weighing approximately 0.64 carats in total. l. 8”, total weight 62.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $450-$700 187 South Sea Pearl and Enamel Ring 18k yellow gold, the ring mounted with a white 17.5 mm South Sea pearl with a fair luster, accented on the ring shank with black enamel. size 6-3/4, total weight 27.7 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $300-$500

59

188 Strand of Freshwater Pearls 18k yellow gold, the necklace composed of 10.0 mm to 12.0 mm white freshwater pearls with a high luster, finished with a gold clasp. l. 48”, total weight 217.0 grams $300-$500 189 Pair of South Sea Pearl and Faux Diamond Ear Clips 18k yellow gold, the ear clips mounted with South Sea pearls with a good luster, measuring approximately 15.5 mm and 16.4 mm, accented with faux diamonds. l. 1-3/4”, total weight 28.9 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $150-$300 190 Pearl and Diamond Ring 18k yellow gold, the ring mounted with a white 12.0 mm South Sea pearl with a high luster, accented by round brilliant-cut diamonds weighing approximately 1.50 carats in total. size 6-1/2, total weight 10.0 grams Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $700-$1,000

191 Five-Strand Pearl Necklace 14k yellow gold, the necklace composed of five strands of knotted 7.3 mm cream-colored cultured pearls with an excellent luster, finished with a yellow gold clasp. shortest l.

21-1/2”, longest l. 26”, total weight 203.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $300-$500 192 Pearl and Garnet Removable Cross Pendant 18k yellow gold, the cross composed of 12.4 mm white pearls with a good luster, accented on four ends with a cabochon-cut garnet weighing approximately 1.24 carats in total. l. 2-1/4”, total weight 23.4 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $400-$700 193 Pair of Pearl, Topaz and Diamond Earrings 14k yellow gold, the dangle earrings mounted with white cultured pearls ranging in size from 6.2 mm to 8.2 mm, accented by round-cut orange, yellow and pink treated topazes weighing approximately 0.88 carats in total and round brilliant-cut diamonds weighing approximately 0.14 carats in total. l. 2”, total weight 10.0 grams $700-$1,000

60

188

193

192

189

191

190

61

194

195

197

196

198

199

200 201

62

194 Gold Chain Band 14k yellow gold, the band composed of a mesh link. size 12, total weight 7.2 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

198 Unusual Gold Band 18k yellow gold, the band with a recessed lock, the ring sliding open into two halves, each with an inscription, one side reading “love entered with a touch, a kiss” and the other side reading “with joy and bliss love stayed”. size 6-1/4, total weight 25.6 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$75-$125 $500-$800 195 Gold Bangle Bracelet 14k yellow gold, the double row bracelet finished with a hook and eye clasp. inside circumference 6-3/4”, total weight 13.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $200-$400 196 Cartier Dinh Van Ring 18k yellow gold, the ring in a free-form design, stamped “Cartier” and “Dinh Van 18k”. size 5-3/4, total weight 6.8 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $200-$400 197 Whistle Pendant 14k yellow gold, the polished whistle pendant stamped “14k”. l. 1-1/2”, total weight 19.7 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

199 Gold Bangle Bracelet 14k yellow gold, the polished gold bracelet inscribed on the inside, “Mrs. John Swearingen Presbyterian St. Luke’s Fashion Show, September 26, 1973”. inside circumference 7-3/4”, total weight 12.4 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $200-$400 200 Gold Ingot Pendant 24k yellow gold, one side of the pendant designed with a flower in raised relief and the other side stamped “Technical Ingots 10g Fine Gold 999.9”. l. 1-1/8”, total weight 10.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $200-$400 201 Two Bangle Bracelets 14k yellow gold, the hinged bracelets with a ridged design and a polished finish. inside circumference 6-3/4”, total weight 40.6 grams

$200-$400 Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

63

202 Gold Ring 18k rose/yellow/white gold, the ring with a wavy design. size 5-3/4, total weight 3.5 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $100-$200 203 Gold Bracelet 18k yellow gold, the polished bracelet with a “honeycomb” design. w. 7/8”, l. 7-1/4”, total weight 62.1 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500 204 Diamond “Letter” Pendant with Chain the 18k yellow gold pendant mounted with round brilliant-cut diamonds weighing approximately 0.30 carats in total, and with a slide-out letter engraved with a message, “Mon cherie ‘Bonnie’ Tu es le solil de mon jour Et les etoiles de ma nuit Je taime ‘D’ Dec 2000”, l. 1-1/2”, suspended from a 14k yellow gold chain, l. 27”, the pendant fixed to the back of the chain so that the pendant hangs at the back of the neck. total weight 67.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800 205 Tudor Watch 18k yellow gold, the watch face marked “Tudor” and “Swiss Made”, with a gold link band. l. 7”, total weight 23.4 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

64

206 22 Karat Gold University of Basel Quincentennial Medal 1960, Basel, Switzerland, the obverse with the Basel basilisk holding a scepter, “1460-1960” and surrounded by the legend “Funfhundertjahrfeier der Universitat Basel”, the reverse with the hand of God holding an open book, surrounded by concentric circles bearing elemental notation. dia. 33 mm, total weight 26.7 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,200-$1,800 207 Chanel “Coin” Bracelet gold tone, the individually suspended coins stamped “Coco Chanel Paris France” and “Paris Chanel 31 Rue Cambon”. inside circumference 6-1/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $250-$400 208 Christian Dior “Shell” Pin/Pendant and Ear Clips gold tone, the ear clips with a safety hook and chain, l. 2-1/8”, together with a matching pin/pendant, size 4” x 2”, each marked “Christian Dior Parfums”.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $100-$200

202 203

206

207

208

205 204

65

211

209

210

212

66

213

209 Vintage Valentino “Starfish” Brooch the gold-tone brooch mounted with faux pearls and rhinestones, stamped “V” on the back. size 3-3/4” x 4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $150-$300 210 Faux Diamond and Pearl “Dragonfly” Brooch 14k white gold, the large brooch mounted with faux diamonds and a body composed of white cultured pearls measuring approximately 10.7 mm to 11.5 mm in diameter. size 4” x 5-1/4”, total weight 58.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $150-$300 211 Faux Diamond Ring and Bracelet gold tone, the ring mounted with a radiant-cut faux diamond flanked by triangle-cut faux diamonds, size 6, and the bracelet mounted with round-cut faux diamonds, l. 7-1/2”.

212 Faux Yellow and White Diamond Necklace and Ear Clips gold plated, the suite including a necklace with a fixed pendant and a pair of ear clips. necklace l. 15-3/4”, pendant drop 1-1/2”, earring l. 1-3/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $150-$300 213 Faux Yellow and White Diamond Jewelry Suite silver, the suite including a pair of clip earrings, l. 7/8”, a ring, size 6, and a bracelet, l. 6-1/2”, all mounted with faux white and yellow diamonds.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $150-$300

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $150-$300

67

214 Faux Diamond Necklace with Removable Pendant and Two Drops silver, the necklace mounted with a removable pear-shaped pendant, suspended from a retractable bail, together with two pear-shaped faux diamond drops, designed to hang from the bottom of a pair of earrings. necklace l. 16”, pendant l. 3/4”, earring drop l. 3/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $150-$300

215 Two Faux Diamond and Faux Sapphire Bracelets silver tone, the bracelets mounted with oval-cut faux sapphires and marquise-cut faux diamonds. l. 6-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $150-$300 216 Faux Emerald and Diamond Bracelet silver, the bracelet mounted with a row of faux emeralds flanked on either side by a row of faux diamonds. l. 6-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $100-$200

68

216

214

215

69

SESSION II

Interiors

SATURDAY, JANUARY 30, 2021

10:00 A.M. CT LOTS 217-723

217 American School (21st Century) “Mother and Daughter by the Seaside” oil on canvas signed “Dora Tracy” lower right.

Framed.

36” x 24”, framed 46-1/2” x 35” $500-$800

217

218 American School (21st Century) “Mother and Sons at the Beach” oil on canvas signed “Scherone” lower right.

Framed.

40” x 30”, framed 50” x 40” $500-$800

218

72

219 Continental School (21st Century) “Sunny Day at the Beach” oil on canvas illegibly signed lower right.

Framed.

20” x 24”, framed 30” x 34” $400-$700

220 George Vuillard (French, b. 1956) “The Lily Pond” oil on canvas panel signed lower right.

Framed.

20” x 28”, framed 26” x 34” 219

$1,000-$1,500

220

73

221 Henry Forain (French, b. 1947) “Afternoon Stroll” oil on wood panel signed lower left.

Framed.

19-1/2” x 15-1/2”, framed 25-3/4” x 21-1/2” $500-$800

222 Continental School (21st Century) “Contemplation” oil on canvas illegibly signed lower right.

Framed.

24” x 36”, framed 29” x 41” $600-$900 221

222

74

223

224

223 Pair of Continental Brass Candlesticks 19th century, in the Flemish or Spanish Baroque taste, now mounted as lamps, with drip pans over baluster turnings and bell-form bases, fitted with shades. h. 24”, dia. 14” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $400-$700 224 Two Pairs of Large Continental Brass Altar Sticks second half 19th century, the taller pair with drip pans over baluster-turned stems on tripartite bases, h. 37”, dia. 10”, and the shorter pair with baluster-turned stems on scalloped bases, h. 23”, dia. 7”.

Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $500-$800 225 Pair of Continental Tall Brass Candlesticks second half 19th century, with turned bases and side-mounted push-ups. h. 20”, dia. 5-3/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $400-$700

225

75

226

226 Ferenc Paczka (Hungarian, 1856-1925) “Woman and Children Resting in a Park” oil on canvas signed lower left.

Framed.

41” x 44-1/2”, framed 45-5/8” x 54-1/4” $500-$800

227 Italian School (20th Century) “Village Market Scene” oil on canvas signed “G. Valardi” lower right.

Framed.

23-3/4” x 31-5/8”, framed 27-1/2” x 35-1/2” $500-$800 227

76

228 Georgette Meunier (Belgian, 1859-1951) “Floral Still Life” pastel on paper on canvas faintly signed upper right.

Framed.

25-1/2” x 33”, framed 29-1/4” x 37” $600-$900

228

229 Willem Heytman (Dutch, b. 1950) “Les Terrasses aux Champs Elysees, Paris” oil on canvas signed lower right, titled en verso.

Framed.

19-5/8” x 27-5/8”, framed 26” x 34” $1,000-$1,500

229

77

230 Continental School (Fourth Quarter 19th/First Quarter 20th Century) “Paris Street Scene” oil on canvas indistinctly signed “PP. Vied” lower right, and indistinctly signed “Proprip. Vied”, dated and titled in German en verso.

Framed.

23” x 31”, framed 26” x 34” $300-$500 231 Continental School (20th Century) “Market Scene” and “Picnic” pair of watercolors on paper each signed “Lazetzky” lower right, each with a “Carel Gallery/Miami Beach, Fl.” stamp.

Attractively matted, glazed and framed. sight 9-1/4” x 13-3/4”, framed 17-1/2” x 22”

230

$300-$500 232 Jay Strongwater Large “Twig and Acorn” Table Frame gilt metal, edged with enameled and Swarovski “jewel”-set twigs, acorns and floral vines, the removable back enameled with a hinged reticulated stand, fitted to display an 8” x 10” image, labeled “Jay Strongwater”. h. 10-3/4”, w. 8-1/2” Provenance: Private collection, Mobile, Alabama. $500-$800

231

231

788

232

233 Three Fringed Pillows in Antique French Fabric including a large example in passementerie, depicting a vase of flowers and scrollwork on a ruched silk ground, size 18” x 18”, and a smaller pair covered in Aubusson-style needlepoint depicting flowers, size 8-1/2” x 10”. $700-$1,000 234 Carved Hardwood Figural Pedestal 20th century, the tapered standard carved with a female bust over panels of carved vines and scrolled feet. h. 55-1/4”, w. 19”, d. 19” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $150-$300

233

235 Continental Neoclassical Mahogany Side Table early 19th century, the banded and quarter-veneered rectangular top above a conforming frieze fitted with a single shallow drawer over a pendant panel flanked by scrolls, raised on a paneled baluster-form standard to three splayed legs ending in scrolled toes. h. 30-1/2”, w. 30-1/2”, d. 22-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

235

234

79

236

236 Continental School (First Quarter 20th Century) “Composer’s Study” 237

oil on canvas signed “A. Duval” lower left.

Framed.

24” x 36”, framed 31” x 43”

238 Collection of Three Continental Bronze Dore et Patine Objets d’Art

$150-$300

second half 19th century, including a pair of French Neo-Grec candlesticks set with bronze busts of a satyr and nymph, respectively, the sockets molded with anthemia, h. 8”, dia. 4”; and a German Belle Epoque encrier decorated with cupids and lovebirds, marked “Geschutzt” and “B.H.S.” with a German eagle, h. 7”, w. 8-1/2”, d. 6”.

237 Unusual Baroque-Style Parcel-Gilt Hanging Vessel 19th century, probably Italian, now mounted with lights on the interior, the conical-shaped vessel with beaded edge and carved flowerheads and acanthus leaves on a green-painted ground, hung with a pendant tassel. h. 31”, dia. 13”

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

$300-$500

80

238

239 Continental Oak Bombe Commode 19th century, the serpentine top with a molded edge, the case with three drawers over a scalloped apron, raised on distinctive carved paw feet. h. 31-1/2”, w. 35”, d. 20” $1,000-$1,500

239

240 American/Continental School (Mid-20th Century) “Study of a Reclining Female Nude” Conte crayon on paper monogrammed “BD” lower left”.

Matted, glazed and framed, with London shipper’s label on backing.

8-1/2” x 13-3/4”, framed 21-1/4” x 25-3/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $300-$500

240

81

241

241 French Walnut, Glass and Tapestry Three-Panel Folding Screen

242 Louis XV-Style Fruitwood Canape ca. 1900, of double chair-back form with floral-carved crests, raised on cabriole legs. h. 40”, w. 68”, d. 29”

first quarter 20th century, with carved rosette finials on each corner and a twisted ribbon surround, each panel set with four beveled mirror plates over tapestry panels. h. 52-1/2”, w. 58-1/2”

$300-$500

$400-$700

82

242

243 Louis-Philippe Mahogany Stool mid-19th century, the padded rectangular top set within a pulvinated frame and raised on a curule-form base joined by a turned stretcher and ending in casters. h. 18”, w. 18”, d. 16-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $200-$400

243

244 Jacob Petit Paris Porcelain Dejeuner Set second quarter 19th century, decorated with panels of melon-ground scrollwork alternating with flowers and richly gilded trim, with anthemion-molded knops, the set including a teapot, h. 6-1/2”, w. 8”, d. 5-1/4”, a sugar bowl, h. 5”, w. 5-1/4”, a cream jug, h. 3-1/2”, w. 6”, a pair of cups and saucers, h. 2-1/2”, dia. 5-3/4”, and a tray, w. 13-1/2”, d. 12”, each signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 244

245 Louis XV-Style Kingwood, Burlwood and Marble-Top Commode 20th century, the shaped marble top above a conforming bombe case fitted with two drawers, each inset with a burled panel, the sides en suite, raised on splayed legs ending in sabots. h. 28-1/2”, w. 33-1/4”, d. 17-1/4” $600-$900

245

83

246 Louis-Philippe Walnut and Marble-Top Pier Table mid-19th century, the rectangular marble top with projecting paneled corners, above a conforming frieze fitted with a single paneled drawer, joined by a mirrored back and scrolling supports to a shaped stretcher shelf, raised on splayed paw feet. h. 35”, w. 42”, d. 20-1/2” $600-$900

246

247 Louis XV-Style Kingwood Vitrine early 20th century, the molded rounded rectangular top above a conforming case fitted with a single glazed door and glazed sides, the interior with glass shelves and a tufted fabric back, raised on cabriole legs ending in sabots. h. 63-1/2”, w. 20-1/2”, d. 16-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $600-$900

247

84

248 Louis XV-Style Kingwood Vitrine early 20th century, the molded rounded rectangular top above a conforming case fitted with a single glazed door and glazed sides, the interior with glass shelves and a tufted fabric back, raised on cabriole legs ending in sabots. h. 63-1/2”, w. 20-1/2”, d. 16-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $600-$900

249 Suite of Six Louis XVI-Style Parcel-Gilt and Silver-Leaf Side Chairs second quarter 20th century, each with a molded and carved frame, padded seat and back, and raised on fluted tapering square legs, of mortised and pegged construction. h. 35-1/2” Provenance: Private collection, Houston, Texas. $500-$800

248

249

85

250 Provincial Louis XIII-Style Walnut Table ca. 1900, the inset tooled leather top over a carved and shaped apron, each long side fitted with a frieze drawer, raised on pegged and turned legs joined by an H-form stretcher. h. 28”, w. 31”, d. 24-1/2” $600-$900 251 Jacob Petit Paris Porcelain Figural Clock second quarter 19th century, the enameled biscuit figure depicting the muse of poetry, reclining on a pink-ground clock, hand-painted with figures of Eros and flowers, the dial and silk-string suspension Vincenti movement signed “Jacob Petit a Paris”. h. 13-3/4”, w. 15”, d. 4-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

250

$600-$900

252 Six Rare Jacob Petit Paris Porcelain Miniature Figures mid-19th century, including one example depicting Rebecca at the well with a male figure, labeled “Rebecca” on its platform, figures of Robinson Crusoe and Friday, a Meissen-inspired harlequin figure, a “hunter” spill vase, and a gentleman in 18th-century costume, each signed “J.P.” in underglaze blue. h. 2” to 2-3/4”, w. 1” to 1-3/4”, d. 1” to 1-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

251

252

86

253 Three Jacob Petit Paris Porcelain Figures second quarter 19th century, including a large example with a pair of Renaissance musicians playing the lute and singing, h.

10-1/2”, w. 7-3/4”, d. 4-1/2”, and a pair of spill vases depicting peasants, h. 8-1/2”, w. 4” to 4-1/4”, d. 3” to 3-1/4”, each signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

254 Rare Three-Piece Collection of Jacob Petit Paris Porcelain Figures

253

second quarter 19th century, including a lidded caricature jug of a woman dressed in farthingale, h. 9-1/2”, w. 7”, a figure of a woman drowsing, h. 6-1/2”, w. 4-1/2”, both with a “J.P.” mark in underglaze blue and a Bristol-style mark, together with a scent bottle in the form of a woman in Renaissance costume, a bird perched on her finger, h. 9-1/2”, w. 5-3/4”, signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 254

255 Three-Piece Collection of Jacob Petit Paris Porcelain Figures second quarter 19th century, including a pair of scent bottles in the form of children selling flowers, each holding a basket of encrusted blooms, and a spill vase depicting a woman selling pottery, a barrel to one side, all on molded and pierced bases, signed “J.P.” in underglaze blue. h. 8” to 8-1/4”, w. 4-1/2”, d. 4-1/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 255

256 Two Pairs of Jacob Petit Paris Porcelain Vases second quarter 19th century, each pair depicting a girl and boy, respectively, with a market basket, the girls with aprons laden with flowers, all polychrome-decorated on rocaillemolded and pierced bases, each signed “J.P.” in underglaze blue. h. 8-1/2” to 9”, w. 5-1/2”, d. 4-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 256

87

257

257 Five-Piece Collection of Jacob Petit Paris Porcelain Rarities second quarter 19th century, including a baby in a cabbageform night light, h. 3-1/2”, dia. 4-1/4”, a Coalbrookdaleinspired card tray decorated with fruit, h. 4”, w. 8-1/2”, a Derby-inspired “satyr-head” cream jug, h. 4”, w. 2-1/2”, a pineapple-form scent bottle decorated with encrusted flowers, h. 8”, w. 4-1/2”, and a Venetian-inspired blackamoor supporting a double trumpet vase, h. 6-1/2”, w. 4”, each signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 258 Four Pieces of Jacob Petit Paris Porcelain Objects mid-19th century, the collection including a female figure sweetmeat dish, h. 8”, w. 8”, d. 6”, a Zouave-molded candelabrum standard, h. 11-1/4”, w. 4-3/4”, d. 4-1/2”, a “boy” figural two-light candelabrum, h. 7-3/4”, w. 5”, d. 3-3/4”, and an oval card tray on a scrolled base, h. 4”, w. 5”, d. 4”, the sweetmeat dish and “boy” candelabrum signed “J.P.” in underglaze blue.

258

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 259 Pair of Jacob Petit Paris Porcelain Figural Flasks second quarter 19th century, modeled as a seated couple in 18th-century costume, a female and male, respectively, the tops set with flower-molded stoppers, each signed “J.P.” in underglaze blue. h. 10-1/2”, w. 3-1/2”, d. 5-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

Literature: A closely related pair of standing figures is illustrated in Porcelain of Paris by Plinval de Guillebon, p. 237. $500-$800 259

88

260

260 Louis XV-Style Fruitwood Center Table

261 Provincial Louis XV Fruitwood Settee

early 20th century, the banded, shaped square top with projecting corners, above a conforming frieze, raised on large cabriole legs ending in sabots. h. 32”, w. 51-1/2”, d. 51-1/2”

late 18th century, the shaped and caned back surmounted by a floral crest, joined by molded outstretched arms to the shaped cushioned and caned seat, raised above a floralcarved frieze on cabriole legs ending in foliate toes. h. 40”, w. 75”, d. 26”

$300-$500

$800-$1,200

261

89

262

262 Pair of Provincial Louis XV-Style Fruitwood Side Tables early 20th century, each with a shaped and banded top with rounded corners, above a conforming frieze fitted with a single drawer, raised on cabriole legs ending in pad feet. h. 32”, w. 46”, d. 22” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $700-$1,000 263 Louis XV-Style Kingwood Occasional Table 19th century, the banded and shaped rectangular top quarterveneered and with projecting corners, above a frieze fitted with a single drawer, raised on slender cabriole legs headed by ormolu mounts and ending in sabots. h. 28-3/4”, w. 16”, d. 12-1/2” $700-$1,000

263

264 Pair of Louis XV-Style Giltwood Side Chairs late 19th/early 20th century, each with a balloon back with a shell- and leaf-carved crest over a shaped caned panel, with serpentine cane seat over a foliate-carved apron, raised on cabriole legs. h. 34-1/4” $500-$800

90

264

265

265 Louis XVI-Style Polychrome Window Seat 20th century, the long cushioned seat flanked to either end by padded outscrolled armrests, raised above a paneled frieze on tapering circular legs, the outer two spiral-fluted, with three removable back cushions. h. 25”, w. 105”, d. 29” $600-$900 266 Continental Neoclassical Bas-Relief Stone Sculpture 20th century, modeled as a pair of putti playfully wrestling with a bowknot, against a draped background. h. 23-1/2”, w. 31-1/2”, d. 8” $75-$125

266

267 Six Hand-Tinted Engravings of Beauties from the Court of Napoleon 1857, from The Court of Napoleon, or Society Under the First Empire by Frank B. Goodrich (American, 1826-1894), plates after Jules Champagne (French, active 1852-1870).

Five matted, glazed and framed together; one framed individually. framed 18” x 16” and 29” x 30” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

267

91

268

268 Group of Six French Lithographs of Nudes 19th century, including two after Auguste Leroux (French, 1871-1954).

Each attractively matted, glazed and framed. framed 20” x 17” (2) and 24” x 20” (4) Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $300-$500

269 Louis-Philippe Rosewood, Burl Wood and Marble-Top Commode mid-19th century, the inset rounded rectangular marble top above a conforming case fitted with a bi-paneled drop-front secretary drawer, opening to an inset leather writing surface and four small drawers, over two paneled cupboard doors, raised above a shaped apron on scrolled feet. h. 39-1/2”, w. 51”, d. 21-1/2” $300-$500 269

92

269A Pair of Louis-Philippe Pierced Giltwood Brackets mid-19th century, of large scale, each with a serpentine shelf, the bracket decorated with pierced scrollwork framing flowers, the lower portion with a cabochon. h. 26-1/4”, w. 20-1/4”, d. 13” $500-$800

270 Louis XV-Style Kingwood and Marble-Top Commode

269A

19th century, the shaped marble top above a conforming bombe case fitted with two short drawers over two long drawers, all banded and quarter-veneered, the sides veneered en suite, raised on splayed legs ending in sabots. h. 33-1/2”, w. 46”, d. 19-1/2” $300-$500

271 Louis XV-Style Fruitwood Sofa mid-20th century, the arched and molded crest rail centered by floral carving, continuing to closed arms and a serpentine seat rail, raised on cabriole legs, fitted with a down seat cushion. h. 37”, w. 75”, d. 28-1/2” $300-$500

270

271

93

272

272 Suite of Four French Polychrome Side Chairs

273 Provincial-Style Polychromed Settee

late 19th century, in the Louis XV taste, each with a shaped and carved back crest rail and shell-carved aprons, raised on cabriole legs joined by a swirling X-form stretcher. h. 37”, w. 20”, d. 18”

of triple chair-back-form with scalloped slats, open arms on shaped supports, bowed seat rails and cabriole legs joined by stretchers. h. 39”, w. 72-1/4”, d. 20-1/2”

$500-$800

$500-$800

273

94

274 Provincial Polychromed Commode 19th century and later, the rectangular top with a molded edge, above a conforming case fitted with three long, deep drawers, raised on ball feet. h. 39”, w. 52”, d. 26-1/2” $700-$1,000

274

275 Transitional Louis XV/XVI-Style Creme-Peinte and MarbleTop Chest the rectangular marble top with canted corners, above a conforming case fitted with five drawers, raised on cabriole legs. h. 48”, w. 31-1/2”, d. 16” $200-$400 276 Pair of Neoclassical-Style Paint-Decorated Chests each with a bank of three drawers flanked by projecting pilasters, the drawer faces painted to depict urns and arabesques, the top and sides with trompe-l’oeil panels. h. 34-1/4”, w. 40”, d. 20” $700-$1,000 275

276

95

277 Louis XV-Style Giltwood Trumeau Mirror fourth quarter 19th century, the upper tapestry panel depicting a shepherd and shepherdess with their sheep and dog, the mirror trimmed with giltwood, scroll and rocaille work. h. 110”, w. 42” $400-$700

277

278 Monumental Louis XV-Style Polychrome and Parcel-Gilt Trumeau Mirror

278

first half 20th century, the arched crest over a frame inset with a painting of figures in a garden, in the manner of Jean-Antoine Watteau (French, 1684-1721), above a shaped mirror plate surmounted by a shell-carving. h. 88”, w. 50” $800-$1,200

96

280 Empire-Style Gilt-Bronze and Mirrored Plateau 20th century, with an engine-turned rim and molded ball feet, labeled by Loyd-Paxton, Dallas, Texas. h. 1-1/2”, dia. 10-3/4” Provenance: Loyd-Paxton, Dallas, Texas. $300-$500

280

279

279 Giltwood Mirror in the Louis XVI Taste 20th century, the rectangular mirror plate lined with lotus leaves on the outside and beading on the inside, the top with a carved urn of roses supporting a swag of laurel leaves against carved scrollwork. h. 43-1/2”, w. 26-1/2” $700-$1,000

281

281 French Gilt-Bronze Encrier ca. 1900, in the Renaissance taste, the base raised on paw feet and set with two inkpots with hinged covers, the pierced backplate set with a pen holder beneath a satyr masque, the sides molded with dragons. h. 8”, w. 15-3/4”, d. 6-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800 282 Louis XIV-Style Gilt-Bronze and Tortoiseshell Bracket Clock ca. 1900, the case frame veneered with tortoiseshell and decorated with gilt-bronze scrollwork and flowerheads, the brass dial set with an enamel chapter ring, the works signed by an unknown maker, “OC, France”, along with “Sonerie Progres, B & c S.G D.D”. h. 27”, w. 13-3/4”, d. 5-3/4” 282

$1,000-$1,500

97

283 Pair of Jacob Petit Paris Porcelain Scent Bottles second quarter 19th century, each with a pierced gallery near the top and molded dolphin feet, the sides decorated with hand-painted polychrome floral panels, set with matching molded stoppers, each signed “J.P.” in underglaze blue. h. 9”, w. 4-1/2”, d. 4-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

283

284 Pair of Unusual Jacob Petit Paris Porcelain Vases mid-19th century, in the Renaissance taste, the biscuit bodies decorated with scrollwork and masques, and set with vinemolded handles with gilt grapes, the upper portions with like decoration, framing biscuit-molded masques, signed “J.P.” in underglaze blue. h. 11”, w. 6-1/2”, d. 4-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

284

285 Three Pieces of Jacob Petit Paris Porcelain second quarter 19th century, including a rare hydra jug, based on ancient classical wine and water jugs, h. 9-1/4”, w. 7-1/2”, d. 6-1/4”, a “Drunken Silenus” jug, based on Minton jugs, h. 5-1/2”, w. 5-1/2”, d. 3-1/4”, and an unusual covered cup with a figural handle, h. 5”, w. 5-1/2”, d. 5”, each signed “J.P.” in underglaze blue; together with an unsigned Elizabethan Revival vase, h. 17-1/2”, dia. 4-1/2” (four total pieces).

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 285

98

286

287

286 Seven-Piece Collection of Jacob Petit Paris Porcelain Figures mid-19th century, including a pair of flasks in the form of seated Tyroleans, a pair of chinoiserie figures with spill vases, a pair of scent bottles depicting a standing Tyrolean couple, and a Staffordshire-style spill vase in the form of a peasant girl standing adjacent to a tree trunk, each piece marked “J.P.” in underglaze blue. h. 8” to 10-1/4”, w. 2-1/4”, to 15”, d. 2-1/4” to 4-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

288 Jacob Petit Paris Porcelain Garniture Set mid-19th century, in the Rococo Revival taste, comprised of three pierced trumpet vases, each with three side vases, decorated with encrusted flowers, on scrolled bases, signed “J.P.” in underglaze blue. h. 8-3/4” to 13-1/4”, w. 5-1/4” to 8-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

$500-$800 287 Six-Piece Collection of Miniature Jacob Petit Paris Porcelain Objects second quarter 19th century, including two similar pairs of rhyton vases with encrusted flower swagging, h. 4-1/2”, w. 4”, d. 2-1/4”, a cattail-molded vase, h. 5”, dia. 2-3/4”, and a basket molded by Jacob Petit and decorated by Feuillet (pre-1836), h. 3-3/4”, w. 3-1/2”, d. 2-3/4”, each piece signed “J.P.” in underglaze blue, the basket marked “Feuillet” in gilt.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 288

99

289 Three Pieces of Jacob Petit Paris Porcelain mid-19th century, in the Rococo Revival taste, including an encrier decorated with figures of children playing with a bird, flanked by an ink pot and pounce pot, h. 9”, w. 9-1/2”, d. 6-3/4”, a bulb pot decorated with flowers and gilt rocaille work, h. 8”, dia. 6”, and an “English” teapot in the Rockingham style, h. 7-1/4”, w. 11”, d.

6-1/2”, each piece signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 289

290

290 Six-Piece Collection of Jacob Petit Paris Porcelain mid-19th century, including a ewer and bottle vase decorated with grapes and flowers, a flower-decorated vase, a chamberstick and a pair of small perfume bottles, one with a stopper, each piece signed “J.P.” in underglaze blue. h. 3-1/2” to 9-1/2”, w. 2-3/4” to 6”, d. 2-3/4” to 5” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 291 Three-Piece Collection of Jacob Petit Paris Porcelain second quarter 19th century, including a pair of bulb pots with pierced terracotta borders, decorated with hand-painted flowers, h. 7-3/4”, w. 4-1/2”, and an unusual lavender-ground vase decorated with a hand-painted scene of a boy reading to his dog on one side and a man and woman on the other, h.

6-3/4”, w. 4-3/4”, each piece signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

100

291

292

292 Six-Piece Collection of Jacob Petit Paris Porcelain second quarter 19th century, including a pair of rare spill vases with nautical scenes, one signed “J.P.” in underglaze blue, h. 5-1/2”, w. 4-3/4”, d. 2-1/2”, a rare covered trembleuse with flowers and decorated with raised gilt, the saucer with an “A.P.” monogram, signed “J.P.” in underglaze blue, h.

6-1/4”, dia. 7-1/2”, and a pair of miniature “jeweled” campanaform vases, attributed to Jacob Petit, unmarked, h. 8”, dia.

4”; together with a well-painted Paris portrait cup depicting a Renaissance noblewoman, h. 4-1/2”, dia. 3-1/2”, each signed”J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

293

293 Pair of French Hand-Painted Porcelain Fan Vases mid-19th century, Paris or Limoges, decorated with jeune filles holding flowers, with cobalt ground trim. h. 13-1/2”, w. 11”, d. 5-1/2” $100-$200

294 Pair of Continental Bronze-Mounted Porcelain Urns second quarter 19th century, the obverses decorated with women holding prayer beads, and the reverses decorated with baskets of flowers, with leaf-molded bronze handles terminating in heads of Psyche, with bronze flared necks and leaf-molded bases. h. 21”, w. 14-1/2”, d. 8-1/4” $400-$700 294

101

295 Pair of Raised Gilt Porcelain Urns in the Neoclassical Taste 20th century, each decorated with 18th century-costumed figures in a garden, on a blue ground, mounted with ram’shead handles grasping wreaths, the molded and gilt bases with spurious crossed swords marks. h. 24-1/2”, w. 11”, d. 6” $400-$700 296 Rare Jacob Petit Paris Porcelain Petit-Dejeuner Set a la Grecque mid-19th century, decorated with Attic-inspired figures and Greek-key borders, executed in various shades of terracotta and black, the set including a coffeepot, h. 3-1/4”, w. 5-3/4”, d. 4-1/2”, a cup and saucer, h. 3-1/4”, dia. 5-1/4”, a cream jug, h. 2”, w. 4-1/2”, d. 3-3/4”, a sugar bowl, h. 3”, w. 4-1/2”, d. 4”, and a tray, w. 11-1/2”, d. 11-1/2”, the cream jug and sugar bowl signed “J.P.” in underglaze blue.

295

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 297 French Empire Tole Cachepot first quarter 19th century, the body decorated to imitate Chinese lacquer on a cinnabar ground, on gilt-metal winged paw feet, with a later brass liner. h. 8-1/2”, w. 11”, d. 6-1/2” $400-$700

296

297

298 Continental Neoclassical Mahogany Demi-lune Games Table late 19th century, the fold-over top with a brass gallery and supported by an extending center leg, raised on fluted tapering square legs. h. 31-1/4”, w. 31”, d. 15-1/2”, ext. d. 31” $500-$800 298

102

299 Napoleon III Mahogany Gentleman’s Wardrobe ca. 1900, of breakfront form, the ormolu-mounted cornice above two central paneled doors opening to a mirrored interior, further opening to a hanging space, flanked to either side by a single door, each inset with a paned and glazed panel with ormolu mullions, the whole raised on fluted and acanthine-modeled giltwood feet, the back branded “Ve Jose Ribas, Muebles-Decoracion, Barcelona”. h. 79”, w. 90”, d. 24-3/4” $800-$1,200 300 Pair of Restauration-Style Mahogany Fauteuils ca. 1900, each with a carved concave top rail joined to beaded open arms terminating in leaf-carved scrolls, a bowed seat rail and scroll-carved legs. h. 37-1/2” $1,000-$1,500 300

299

103

301 Attributed to Henri Fantin-Latour (French, 1836-1904) “Venus et l’Amour” sanguine chalk on laid paper monogrammed lower right, frame backing with “Grundy & Smith, Manchester” picture dealer’s label (1868-1912).

Matted, glazed and framed.

10-1/2” x 12-1/2”, framed 24-1/4” x 29-1/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $600-$900 302 Louis XV-Style Ormolu-Mounted Kingwood and Mahogany Vitrine second half 20th century, the upper case with an arched front crest with string inlay and a central cast brass cartouche, the corners with pineapple finials above a pair of glazed doors, the interior with a mirrored back, the base with two conforming curved drawers, raised on cabriole legs with brass mounts. h. 72”, w. 36”, d. 20” $600-$900

302

303 Set of Four Louis XIV-Style Patinated Bronze and Crystal Sconces second quarter 20th century, the backplates set with spearpoint crystal finials, flanked by scrolled candle arms, draped with swags of crystal beads and aubergine, colorless and smoke-colored drops. h. 29”, w. 9”, d. 5” $800-$1,200 301

104

303

304

304 Pair of Louis XV-Style Gilt- and Patinated Bronze Figural Chenets fourth quarter 19th century, one with a girl holding a bird, the other with a boy holding a paddle, set into molded and pierced gilt-bronze scrollwork decorated with stippling, set with cast iron billet bars. h. 10-1/2”, w. 12”, d. 20-3/4” $700-$1,000 305 Louis-Philippe Burl Elm and Marble-Top Bedside Cupboard ca. 1840, the top with an inset black and gray marble top over a single drawer and drop-down door, opening to a void cavity above four additional drawers, including a secret drawer concealed in the baseboard. h. 35”, w. 17”, d. 17-1/2” $300-$500 306 Five French Blown Glass Fly-Catchers second half 19th century, the collection including a rare emerald green example, retaining its stopper, and four clear examples, three with stoppers. h. 6-1/4” to 9”, dia. 4-1/4” to 5-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

305

$400-$700

306

105

307 French School (21st Century) “Entering the Cathedral” oil on beveled wood panel unsigned.

Framed.

12” x 15-5/8”, framed 18-1/2” x 21-1/2” $100-$150 308 Louis XIV-Style Fruitwood Settee early 20th century, the padded triple-domed back joined by padded downswept arms to the cushioned seat, raised above a shaped shell-carved apron on cabriole legs ending in scrolled toes. h. 37”, w. 78-1/2”, d. 34” $700-$1,000

307

309 Provincial Louis XV-Style Walnut Commode 19th century, the rectangular top with rounded corners, over a conforming case fitted with three foliate-carved drawers, above a like-carved apron, raised on tapering cabriole legs. h. 32”, w. 32”, d. 16” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $600-$900

309

308

106

310

310 Suite of Eleven Neoclassical-Style Mahogany Dining Chairs each having a back with a top rail with an ormolu mount centered by a bust of Mercury, a shaped splat, a bowed and caned seat rail, and raised on tapering turned legs. h. 38” $500-$800 311 Louis XVI-Style Bronze-Mounted Fruitwood Three-Tier Dessertoir early 20th century, with three lozenge trays edged with bronze cross-tied ribbon trim, and supported by trestle-form ends with brass medallion mounts. h. 29-1/2”, w. 20”, shelf d. 8”, leg d. 12” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen.

311

$300-$500 312 Provincial Louis-Philippe Fruitwood Writing Table second quarter 19th century, the projecting top over a covemolded frieze with a single drawer, raised on cabriole legs with shell and foliate carving above the knees and foliate carving at the feet. h. 27-1/2”, w. 34”, d. 22-1/2” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $600-$900

312

107

313

313 Suite of Ten Provincial Louis XVI-Style Beechwood Dining Chairs

314 Louis XV-Style Stained Beechwood Sofa 20th century, the back with a pair of loose cushions and joined to closed arms on molded supports, above a serpentine seat rail and four front cabriole legs, the seat also with a loose cushion. h. 29-1/2”, w. 80-3/4”, d. 32”

each with a caned back and carved compass-form seat, raised on fluted tapering circular legs. h. 38” $300-$500

Provenance: Henry Stern Antiques, New Orleans, Louisiana. $500-$800

314

108

315 Empire-Style Ormolu-Mounted Mahogany and Marble-Top Pier Table the rectilinear marble top over a conforming frieze with giltlacquered mounts, raised on columns with ormolu capitals and bases, the low shelf backed by a mirror plate. h. 36-1/2”, w. 45-1/2”, d. 21-1/2” $400-$700

315

316 Empire-Style Mahogany and Marble-Top Pier Table 20th century, the rectangular marble top above an ormolumounted frieze, and supported by shaped legs ending in brass paw feet resting on a platform base. h. 34”, w. 47”, d. 14” $400-$700

316

317 Regency-Style Parcel-Ebonized Mahogany Stool with the branded stamp “Edward Garrett XVIII & XIX Century Reproductions”, the suede cushion supported by a curuleform base. h. 19”, w. 18-3/4”, d. 16” $150-$300

317

109

318 French Patinated Metal Sculpture of a Blacksmith after Auguste Moreau (French, 1855-1919), cast signature along edge of self-base, on a conforming marble base. overall h. 21-3/4”, w. 7-3/8”, d. 7-1/4” $300-$500 319 French Art Nouveau Patinated Bronze Bust of an “Elegante” first quarter 20th century, in the manner of Hippolyte Moreau (French, 1832-1927), cast signature along side, on a carved wood fluted columnar plinth. overall h. 20-1/2”, w. 10”, d. 7-1/2” $300-$500 320 Duchoiselle (French, 19th/20th Century) “La Lecon d’Astronomie” patinated bronze cast signature along front edge, now presented under a glass dome and atop a carved wood base. sculpture h. 11”, w. 10-1/2”, d. 5”; base h. 2”, w. 16”; dome h.

14-1/2” $400-$700

318

319

110

320

321 Restauration Mahogany Armoire early 19th century, the molded cornice over a pair of paneled doors with mitered corners framed by a brass molding and flanked by tapering ebonized pilasters with cast figural capitals in the form of an allegorical maiden’s head and brass feet at their base, the interior fitted with four shelves. h. 82”, w. 56”, d. 22-1/2” $400-$700 322 Transitional Louis XV/XVI-Style Inlaid Mahogany and Marble-Top Stand ca. 1900, the figured marble top over a case with a pair of urn-inlaid doors, opening to reveal an interior with four line-inlaid and banded drawers in a parquetry frame, with a frieze drawer and shaped apron below, raised on cabriole legs. h. 22-1/2”, w. 18-1/2”, d. 14-1/2” $200-$400

321

322

323 Pair of Louis XV-Style Polychrome Fauteuils each with a shaped padded back surmounted by a scrolling foliate crest, joined by padded arms to the like seat over a shaped apron, raised on cabriole legs ending in scrolled toes on pegs. h. 44-1/2” $400-$700

323

111

324

324 Restauration Mahogany Settee

325 Suite of Eight Neoclassical-Style Fruitwood Dining Chairs

19th century, the back with a molded top rail, the closed arms with reeded scroll ends on carved supports, with bowed seat rail and shaped feet, fitted with a loose seat cushion. h. 38-1/4”, w. 56-1/2”, d. 25-1/2”

mid-20th century, comprised of two armchairs and six side chairs, each of gondola form, with a curved back and downswept arm supports, and a central pierced and carved splat, raised on sabre legs, the seats newly covered in raw woven silk. armchair h. 37”, w. 23”, d. 24”, side chair h. 37”, w. 21”, d. 24”

$600-$900

$700-$1,000

325

112

326 French Provincial Walnut and Slate-Top Table/Desk mid-19th century, in the Directoire taste, the rectangular framed top with an inset slate work surface, one side fitted with a drawer, concealed in the apron frieze, raised on tapering square legs. h. 30”, w. 47”, d. 33-1/2” $500-$800

326

327 French Belle Epoque Marble and Gilt-Bronze Encrier fourth quarter 19th century, on bold paw feet, mounted with a single inkpot trimmed with engine-turned gilt bronze, flanked with finials, the front with an inset pen tray, the facade with a gilt-bronze mount. h. 8-1/4”, w. 17-1/2”, d. 10-1/2” $400-$700 327

328 Four-Piece Collection of Palais Royal Mother-of-Pearl Vanity Items second half 19th century, French, comprising a large scent casket with gilt-metal banding and shell-topped pushopen mechanism, the interior fitted with three scent bottles, the tripodal feet inset with shells and resting on a circular alabaster base, h. 9-3/4”, dia. 4”, open w. 6-1/4”; another scent casket with a gilt-metal beaded band and push-open mechanism, the interior fitted with two associated scent bottles, all presented on a lobed slate base, h. 6”, w. 3-3/4”, open w. 4-1/4”, d. 2-3/4”; a tap bell topped with a gilt-metal bird in flight and three shell segments within a gilt-metal ring housing a bell, all presented on a circular alabaster base, h. 5”, dia. 3-1/2”; and a small gilt-metal-trimmed shell scent bottle, w. 3-1/8”, d. 1-3/8”. $500-$800

328

113

329 French Neoclassical Giltwood Floor Lamp second quarter 20th century, with double sockets supported on an acanthus leaf-decorated urn, above a fluted standard, the base with beading, reeding and leaf molding, on a tripodal base with Greek fret-carved feet. h. 73-1/2”, dia. 15-1/2” $500-$800 330 French Belle Epoque Bronze and Marble Petite Clock Set fourth quarter 19th century, the clock centered by a putto supporting a ball-form timepiece with a lovebirds crest and serpent hands, the candlesticks depicting cherubs supporting candle sockets, all on rouge marble bases set with gilt-bronze mounts. clock h. 10”, dia. 3”, candlestick h. 6-3/4”, dia. 2” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $700-$1,000

329

330

331 Pair of French Gilt- and Patinated Bronze Chenets fourth quarter 19th century, in the Louis XV style, each autumnthemed chenet having pierced gilt scrollwork with grapes and a patinated putto, one holding grapes and the other threshes of wheat. h. 17”, w. 10”, d. 4” $600-$900 331

114

333

332 Two Pairs of Similar French Restauration Candlesticks second quarter 19th century, including taller brass examples, h.

13”, dia. 4-1/2”, and shorter brass and metal examples, h. 10-3/4”, dia. 3-3/4”, all raised on paw-footed bases. $300-$500 333 Napoleon III Gilt-Bronze Chenets and Integral Adjustable Fender third quarter 19th century, the urn-form chenets decorated with neoclassical masques framed with “rays” and set with tool hooks, the pierced fender with urn finials and decorated with bellflowers on a stippled ground. h. 19-1/2”, w. 53”, d. 5-3/4” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $700-$1,000 334 Large Louis XVI-Style Polychrome and Parcel-Gilt Recamier

332

20th century, the head end with a carved and fluted post, raised on turned and fluted legs. h. 40”, w. 30”, l. 89” $300-$500

334

115

335 Regence-Style Giltwood and Faux Marbre Console Table and Mirror the domed mirror surmounted by an elaborate floral urn crest with pendant foliate patterns, the table with a faux marbre shaped D-end top above a conforming frieze with floral carving and a pendant foliate shield, raised on molded legs headed by bellflower carving, joined by a carved and shaped stretcher and ending in scrolled toes. table h. 34”, w. 66”, d. 20-1/2”, mirror h. 72”, w. 63” $500-$800 336 French Boullework Portfolio third quarter 19th century, decorated with engraved brass scrollwork inlaid onto a tortoiseshell ground, the interior lined with mazarine blue silk and set with blank pages. h. 11-3/4”, w. 9-1/4”, d. 1” $600-$900

335

336

337 French Boullework Writing Case third quarter 19th century, decorated with engraved brass scrollwork inlaid onto a field of tortoiseshell, the flat portion set with an ink pot and pen compartments, the writing slope lined with stamped velvet, the base ebonized. h. 4”, w. 13-1/2”, d. 10-1/2” $600-$900

337

116

338 Napoleon III Brass-Inlaid Ebonized Center Table third quarter 19th century, in the Louis XV taste, the tortoiseform top with inlaid brass marquetry, the conforming apron fitted with a single drawer, raised on cabriole legs with brass stringing and gilt-bronze mounts. h. 29-1/2”, w. 53”, d. 32” $300-$500 339 Ebonized Wooden Cheval Mirror of Neoclassical Inspiration

340 Ebonized Wooden Cheval Mirror of Neoclassical Inspiration set with a beveled mirror plate, the mirror supported by fluted standards set with urn-form finials and raised on saber legs, labeled “Arhaus”. h. 71”, w. 36-1/2”, d. 22” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

set with a beveled mirror plate, the mirror supported by fluted standards set with urn-form finials and raised on saber legs, labeled “Arhaus”. h. 71”, w. 36-1/2”, d. 22” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

338

339

340

117

341 Unusual French Bronze, Tole and Glass Chandelier second quarter 20th century, the eight-light chandelier having a serpentine body with painted tole sides and bronze trim, and set with four molded rococo candle arms and four interior sockets over a frosted glass base, with a bronze rococomolded support. h. 17”, w. 27”, d. 13-1/2” $800-$1,200

341

342 Gilt-Metal and Crystal Chandelier of Neoclassical Inspiration 20th century, the eighteen-light chandelier with scrolled arms and a molded glass-clad standard, decorated with medallions terminating in molded glass drip pans, the upper standard with a spray of prisms and strands of prisms hung from the standard to arms with swags of prisms hung below. h. 33-1/2”, dia. 33-1/2” $600-$900

342

343 French Giltwood Mirror fourth quarter 19th century, the cove-molded surround decorated with aesthetic patterns and beading. h. 48-1/2”, w. 39” $400-$700

343

118

344

344 Empire-Style Mahogany Daybed 19th century, the headboard and footboard each paneled and with a rounded crest, fronted by a freestanding ormolumounted column, joined by shaped rails and raised on turret feet. h. 43”, inside w. 44”, l. 74”, outside w. 50”, l. 77” $800-$1,200 345 Provincial Louis XV-Style Oak Buffet a Deux Corps in two parts, the step-back serpentine upper section with a central door flanked by a pair of sliding doors, and with carved panels, on a base with a pair of drawers centered by a floralcarved basket, the shaped paneled doors with vine leaf and floral carving, with a carved apron and cabriole legs. h. 59-3/4”, w. 55”, d. 21-1/2” $600-$900

345

346 Louis-Philippe Mahogany and Marble-Top Console Table mid-19th century, the black and gray marble top with rounded ends, above a conforming, shallow ogee frieze concealing a long drawer, supported by scrolled brackets and resting on an incurved platform base. h. 33-1/2”, w. 38”, d. 16-1/2” $700-$1,000

346

119

347 Pair of Royal Dux Figures of Male and Female Musicians ca. 1900-1918, Bohemian, the Art Nouveau figures depicting a female with her lute and a male with his guitar, with lushly and carefully executed details, each on a base molded with various leaves and berries, with the triangular biscuit “Royal Dux Bohemia” mark on the bottom. h. 30-1/2”, w. 9”, d. 8-1/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $300-$500

347

348 Three-Piece Collection of Jacob Petit Paris Porcelain mid-19th century, including a dolphin-molded vase, h.

13-1/2”, w. 8”, d. 6”, a lit du jour-form encrier, the cover concealing ink pots, on molded swan feet, h. 4-1/2”, w. 8”, d. 2-3/4”, and a potpourri basket, h. 5-1/2”, w.

5”, d. 2-3/4”, each piece signed “J.P.” in underglaze blue; together with a Dresden-style porcelain basket with spurious Meissen “Marcolini” marks, h. 10-1/2”, w.

13-1/2”, d. 6” (four total pieces).

348

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

349 Three Pieces of Jacob Petit Paris Porcelain mid-19th century, including an encrier with flowers and birds, the top set with a pounce pot flanked by ink pots, all with matching covers, h. 4”, w. 14-3/4”, d. 7-1/2”, and a pair of Rococo Revival candlesticks decorated with raised gilt framing floral panels, h. 10”, dia. 5”, each piece signed “J.P.” in underglaze blue.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 349

120

350 Two Jacob Petit Paris Porcelain Monkey-Molded Objects second quarter 19th century, inspired by Meissen monkey bands, including a pitcher modeled as a monkey in 18th-century costume, and a spill vase modeled as a monkey dressed as a bargeman, a bargeware teapot on one side, a baby monkey on the other, each signed “J.P.” in underglaze blue. h. 7” to 8-1/2”, w. 2-1/2” to 5-1/2”, d. 7” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

350

351 Set of Twelve Michelaud Freres Porcelain Plates ca. 1900, Limoges, France, the center panels decorated with various hand-painted polychrome fruit, the cobalt borders with raised gilt, marked “MF Limoges” on the back. dia. 10-1/2” $700-$1,000

351

352 Pair of French Sevres-Style Plates with Napoleonic Views ca. 1900, hand-painted with views identified on the back, “Leipzig” and “Passage de la Linz”, the cobalt borders decorated with raised gilt “N’s” and laurel wreaths, the backs with spurious “Impressed de Sevres” marks. dia. 9-1/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $400-$700 352

121

353

353 Napoleon III Giltwood Settee 354

third quarter 19th century, in the Louis XV taste, the padded trisected back surmounted by a foliate shield crest, joined by padded scrolling arms to the padded seat, raised on molded cabriole legs ending in scrolled toes. h. 46”, w. 65”, d. 28” $400-$700 354 Fanciful French Bronze, Porcelain and Glass Chandelier fourth quarter 20th century, the four-light chandelier in the form of a bronze flower basket, set with a porcelain parrot sitting amid porcelain flowers on bronze stems and leaves, with four arching arms set with light sockets and beaded crystal shades. h. 54”, dia. 18” $1,800-$2,500 355 Rare Second Empire-Style Wooden and Wire Birdcage ca. 1900, probably Continental, composed of varnished and painted wood, the wave-edge cornice dentilled and bracketed, the roof lined with dormers, the center two set with mirror glass, the others with colorless glass, the interior divided into two rooms with parlor doors and set with perches. h. 30”, w. 38-1/4”, d. 19-3/4” $800-$1,200

122

355

356 French Belle Epoque Bronze and Marble Figural Clock fourth quarter 19th century, in the Louis XVI taste, the clockworks mounted in a bronze column section with an applied bowknot and garlands, and topped by a patinated bronze cherub, poised to shoot the arrow of love, on a bronze-trimmed white marble base. h. 14-3/4”, w. 6”, d. 4-3/4” $500-$800 357 Neoclassical-Style Carved Marble Pedestal 20th century, the circular base supporting three putti around the standard, the upper portion with rope-twist carving alternating with acanthus leaves. h. 48-1/4”, base dia. 14” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $300-$500 358 Neoclassical Fruitwood and Ebonized Secretaire mid-19th century, the rectangular top with ebonized banding, above a single long drawer and a paneled drop front, stenciled with a neoclassical urn and rinceaux, opening to a long concealed drawer over three banks of three drawers, with two paneled cupboard doors below, each stenciled with a volute palmette, raised on block feet, the whole with ebonized accents. h. 49-1/2”, w. 43”, d. 20”

356

357

$300-$500 359 Bronze Figure of a Ballerina, After Edgar Degas (French, 1834-1917) 20th century, in the impressionist taste, poised on one foot. h. 9-1/2”, w. 13”, d. 9” $500-$800

359

358

123

360 Semi-Antique Mashad Carpet 3’ 7” x 5’ 8” $200-$400

361 Persian Nain Runner 2’ 10” x 12’ 1” $600-$900

362 Persian Carpet 8’ 2” x 11’ 5” $500-$800

360

124

361

362

363 Persian Nain Carpet 9’ 1” x 12’ 3” $1,800-$2,500

364 Heriz Carpet 3’ 5” x 5’ 5” Provenance: Bruce McCashin Collection. $100-$200

365 Agra Serapi Carpet 9’ x 11’ 8” $1,400-$1,800

363

365

364

125

366 Agra Carpet

367 Semi-Antique Persian Kashan Carpet

8’ 10” x 12’

10’ 9” x 14’ 7”

$600-$900

$1,800-$2,500

368 Two Uzbek Kazak Carpets 3’ 6” x 5’ 9” and 5’ 1” x 6’ 2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

126

366

368 one of two

367

368 two of two

369 Antique Heriz Carpet 6’ 9” x 10’ 1” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $600-$900

370 Semi-Antique Shiraz Carpet 5’ 4” x 8’ 2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $700-$1,000

371 Aubusson Carpet 8’ x 10’ $600-$900 369

370

371

127

372 Pair of Biedermeier Inlaid Mahogany Mirrors and Consoles 19th century, each with a shaped crest over bisected mirror plates, on bases with brackets centering a floral-inlaid panel, adorned with line stringing throughout, the crest with embossed brass mounts. h. 88-1/2�, w. 24�, d. 12-1/2� $500-$800

372

128

373 Biedermeier Walnut Looking Glass 19th century, the mirror plate set in a frame with a molded arched cornice over a recessed arch, flanked by ebonized pilasters with turned capitals and bases. h. 67-1/2”, w. 38”, d. 4” $600-$900 374 Biedermeier-Style Maple Side Table the circular figured top with inlaid banding along its edge and raised on tapering legs ending in brass caps. h. 28-1/4”, dia. 17” $150-$300

373

374

375 Biedermeier Rosewood and Mahogany Breakfast Table 19th century, possibly Flemish, the circular quarter-veneered top centered by a square banded panel with central star inlay, and raised on a bulbous standard to three shaped legs ending in scrolled toes. h. 31”, dia. 41” Provenance: Dupont Antiques, Palm Beach, Florida; Bruce McCashin Collection. $700-$1,000

375

129

377 376

377

376 German Polished Brass Automaton 20th century, in the form of a caged bird, marked “Ken D” in an impressed lozenge, along with “Germany” and a symbol on the base. h. 12”, dia. 5-1/2”

378 Four-Piece Collection of Austrian Cold-Painted Metal Figures

$300-$500 377 Franz Xavier Wolfle (German, 1887-1972)

first quarter 20th century, including a bronze and marble ashtray depicting a Berber reclining on a carpet, h. 3”, dia. 8”, a bronze bulldog, h. 3-1/4”, w. 2-1/2”, d. 5-1/4”, and two metal figures of Berbers, h. 3-1/2” to 4-1/4”, w. 3-1/2” to 4-1/4”, d.

2-3/4” to 5-1/4”.

“Man in Green Hat Smoking a Pipe” “Man in Brown Hat Smoking a Pipe”

$700-$1,000

pair of oils on board the second example signed upper right, both with “Wally Findlay Galleries” labels en verso.

Both framed alike. each 9” x 7-1/2”, framed 13-1/2” x 12-1/2” $100-$200

378

130

379 Dutch Neoclassical Lacquered Chinoiserie and Mixed Woods inlaid Semainier Chest early 19th century, the top with a raised inlaid gallery above five drawers, each with a chinoiserie-decorated center panel. h. 50-1/2”, w. 25”, d. 16” $400-$700 380 Dutch Inlaid Mahogany Wardrobe second quarter 19th century, the molded cornice above a finger-inlaid frieze, with two doors below, each quarterveneered and centered by an inlaid patera, raised on block legs. h. 71”, w. 46-1/2”, d. 18” $300-$500

379

280

381 Dutch Mahogany and Marquetry Vitrine 20th century, the molded and domed cornice centered by a foliate carving and above two glazed doors and glazed sides, the lower section fitted with two banks of two drawers, raised on scrolling legs joined by a shaped H-form stretcher and ending in bun feet. h. 88”, w. 56”, d. 16-1/2” $500-$800

381

131

382 Continental Burl Elm Occasional Table the circular top double-banded and with a central inlaid circular pattern, above a frieze fitted with a single drawer, raised on a square standard to a circular plinth base. h. 29-1/4”, dia. 11-3/4” $100-$200

382

383 Fred Arends (Dutch, b. 1949) “Ice Skating in Holland” oil on panel signed lower right.

Framed.

19-1/2” x 27-1/2”, framed 26-1/2” x 34-1/2” $1,200-$1,800

383

384 Set of Eleven Omeco Raised Gilt Service Plates second quarter 20th century, Czechoslovakian, with claret and cream borders, decorated with raised gilt scrollwork, marked “Omeco Czechoslovakia” on the back. dia. 10-3/4” $500-$800

384

132

385

385 Set of Eight Royal Vienna-Style Porcelain Cabinet Plates fourth quarter 19th century, German, each decorated with tooled gilt on a bleu de France ground, the neoclassical scenes signed by various artists, with the subject matter identified on the backs, including Musik of Amor, Amor Captive, Reading Autumn, Musik of Shepherd, Lady Sheffield and At the Source, signed with gold and blue “beehive” decorator marks. dia. 10-1/2” $300-$500 386 Two Porcelain Objects 19th/20th century, Continental, including a hand-painted flared basket marked “Royal Danube / #1886”, h. 2-1/2”, dia.

6-1/2”, and a latticework cachepot, with an iron-red mark, h.

5-3/4”, dia. 6”.

Provenance: Bruce McCashin Collection.

386

$50-$100

387 Three-Piece Dresden-Style Clock Set fourth quarter 19th century, German, the set with cobalt trim and decorated with porcelain cupids and encrusted flowers, comprised of a clock, h. 15-1/2”, w. 9-1/2”, d. 4-1/2”, and a pair of candelabra with removable branches, h. 18”, dia. 9-1/4”, marked “Bros.

Voight, Sitzendorf”.

Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

387

133

388 Continental Fruitwood Cabinet late 19th century, the molded and domed crest above a shieldand fruit-carved frieze, above two glazed doors flanked to either side by shaped open shelves, the lower D-form section fitted with a long drawer over two paneled cupboard doors, flanked to either side by imbricate-carved uprights and further flanked by carved panels and uprights, raised on a conforming plinth base. h. 114”, w. 81”, d. 22-1/2” $800-$1,200 389 Chinese Cloisonne Foo Dog first quarter 20th century, modeled recumbent, its head turned to one side. h. 4-1/2”, w. 8-1/4”, d. 4-3/4” $300-$500

388

389

390 Chinese Ebonized and Cloisonne-Mounted Coffee Table 20th century, the top with an incised and paint-decorated border along with a Greek-key-carved edge, inset with three large circular cloisonne discs, with scalloped aprons and cabriole legs, also with incised floral-carved details. h. 18-1/2”, w. 50”, d. 24” $500-$800

390

391 Set of Twelve Chinese Blue and White Porcelain Zodiac Figures 20th century. h. 9” to 10-1/2”, w. 3-1/4”, d. 3” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $600-$900

134

391

392 Pair of Large Chinese Blue and White Porcelain Chargers 20th century, decorated with portraits of Chen Shubao and Shen Wuhua, the borders decorated with cranes, gourds, vases of plum blossoms and various characters, with a Chinese fret-decorated rim, the bottom with character marks. dia. 24-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

392

393 Chinese Elm and Hardwood Altar Table the frieze with a spindle and disc gallery, with shaped brackets, each on carved and molded legs. h. 38-3/4”, w. 77”, d. 16-1/2” $400-$700

393

394 Group of Three Chinese Hardwood Jardiniere Stands second half 19th century and later, each with a marble top and carved and pierced apron. h. 24-1/2”, dia. 15-1/2”, h. 24”, dia. 16” and h.

35-1/2”, dia. 19” $300-$500

394

135

395 Two Chinese Tree Tubs on Stands the first example with various birds, fruits and insects on a peach ground, the second example depicting figures in a landscape, each presented on an ebonized wood stand. peach tub h. 16”, dia. 18”, overall h. 26-1/2”; landscape tub h. 18”, dia. 21-1/2”, overall h. 30” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

396 Pair of Chinese Famille Noir Porcelain Fishbowls with Hardwood Stands

395

20th century, decorated to the exterior with ducks amid blossoming lilies, the interior with fish swimming amid marine plants. h. 30” (including stands), dia. 21” $75-$125

396

397 Pair of Chinese Patinated Bronze Vases first quarter 20th century, now mounted as lamps, the balusterform standards with bas-relief molding and dragon-form handles, fitted with shades. h. 36”, dia. 18” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $600-$900 397

136

398

398 Suite of Six Chinese Ebonized Wood and Marble Panels

399 Chinese Rosewood Altar Table

20th century, the ebonized panels trimmed with Chinese fret gilt incising and set with various shaped marble panels painted with Chinese characters. each h. 39-1/4”, w. 8-1/2”

first half 20th century, the narrow rectangular top set within a conforming frame with a concave floral frieze, over a carved and pierced paneled apron, with scrolling floral supports, the whole raised on four straight, squared legs. h. 44-3/4”, w. 83-7/8”

$800-$1,200

$700-$1,000

399

137

400

400 Chinese Six-Panel Room Divider 20th century, each panel inlaid with cloisonne, hardstones and resins depicting various auspicious objects, with carved gilt panels above and below, the reverse decorated with a garden landscape, between vacant panels. h. 79-1/4”, w. 97-1/2”, d. 1-1/2” $500-$800 401 Chinese Serpentine Carving of a Water Buffalo

401

20th century, modeled in repose, on a fitted hardwood stand. h. 4-3/4”, w. 4-1/2”, d. 10-1/4” $200-$400 402 Chinese Porcelain Vase 20th century, decorated to the exterior with scenes of ladies in a garden setting, the base with an apocryphal Qianlong mark. h. 19-1/4”, dia. 12” $75-$125

138

402

403 Chinese Celadon Foo Dog Vase 20th century, the flower-molded vase resting on a foo dog with a pierced mouth. h. 13-3/4”, w. 8-1/2”, d. 4-1/2” Provenance: JF Chen, San Francisco, California. $200-$400

403

404 Chinese Hanging Scroll 18th/19th century, with blue and green Sung-style landscape, ink and color, signed lower right. image 47” x 16-1/2”, overall 80” x 22” $600-$900

405 Chinese School (Late 20th Century) “Luohans with Mythical Creatures amid Broiling Seas” ink and color on paper with calligraphic inscriptions and seal marks to top left and lower left. image h. 35-1/4”, w. 16-7/8”, overall h. 70-1/2”, w. 22” $200-$400

405 404

139

406 Chinese Scroll Painting 20th century, with geese and autumn grasses, with its original box. image size 32-1/2” x 15”, overall size 62” x 19-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800 407 Chinese Peach Bloom Porcelain Bottle Vase second half 19th century, the bell-form body extending into a narrow neck with slightly flared lip, with all-over peach bloom glaze, incorporating reds and greens, the base with an apocryphal six-character Kangxi mark. h. 6”, dia. 3-1/4” $600-$900

406

407

408 Chinese Gilt-Thread-Embroidered Panel 20th century, embroidered with cranes and blue lotus blossoms on a field of scrollwork, in a gilt bamboo-turned frame. embroidery size 36” x 36”, framed 46-1/2” x 46-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

408

140

409 Chinese Ancestor Portrait first half 20th century, ink and color on paper, depicting a likeless of the Emperor Kangxi in his later years, in full court dress seated on a throne chair covered with tiger skins, on a detailed floral rug with mirrored cranes in the foreground, mounted and framed. sight 51-1/2” x 26”, image 37-3/4” x 22-1/2”, framed 53-1/2” x 28-1/8” $700-$1,000

410

409

410 Chinese-Style Gilt-Metal Figure 20th century, modeled as a scholar with an unfurled scroll, astride a grazing horse. h. 18-1/2”, w. 18”, d. 6-1/2” $500-$800

411 Pair of Large Chinese Bronze Foo Dog Head Ring Pulls ca. 1900, the molded and engraved heads set with rings. h. 10”, w. 10”, d. 1-1/2” 411

$200-$400

141

412 Chinese Export Lacquered Box second quarter 19th century, decorated with gilt Mandarin scenes, raised on carved gilt feet. h. 5-1/4”, w. 7-1/2”, 4-3/4” $300-$500 413 Pair of Provincial Chinese Yew Wood Yoke-Back Side Chairs 19th century, each with a standard curved yoke back above a shaped plain splat and round supports, the squared seat centered with a panel of woven split bamboo above squared legs with rounded outer edges, with a carved frontal apron and stretchers at the front and sides. h. 45”

412

$300-$500 414 Chinese Famille Rose Porcelain Bowl ca. 1800, the pink and white bowl with gilt lotus decoration. h. 5”, dia. 16” $800-$1,200

414

413

415 Pair of English Chinese Export-Style Footed Compotes first half 19th century, decorated with initials and a lion armorial device. h. 4”, dia. 8” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $500-$800 415

142

416 Four Pieces of Eagle-Decorated Porcelain 20th century, in the Chinese export style, including a covered tureen, h. 10-1/2”, w. 11-1/2”, d. 8-1/4”, a tureen stand, h. 2-1/4”, w. 13”, d. 11”, and a pair of plates, dia. 9-1/4”.

Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $500-$800

416

417

417 Collection of Six Pieces of Porcelain

418 Two Pieces of Chinese Export Porcelain with Armorial Decoration

19th century, Chinese and Continental, produced for the American market, with clipper ship decoration, including a navette-form footed dish, h. 2”, w. 10-3/4”, d. 7-3/4”, a pair of sauceboats, h. 3”, w. 9”, d. 7”, a pair of celery dishes, w. 8-1/4”, d. 5-1/4”, and a plate, dia. 9”.

ca. 1800, including a gravy boat with an orange handle and a rim with green and blue scrollwork, h. 4-3/4”, w. 6-1/2”, d.

2-1/2”, and a dish decorated to match, w. 5”, l. 8”.

Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen.

Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen.

$500-$800

$800-$1,200

418

143

419

419 Twenty-Six Pieces of Japanese Imari Porcelain late 19th/early 20th century, including a bowl on a wooden stand, h. 4”, dia. 8-3/4”, a footed bowl with a scalloped rim, h.

4-1/2”, dia. 9”, two small bowls, h. 2-1/2” to 3”, dia. 5-1/2” to 6-1/4”, a lotus-form bowl, h. 2-1/2”, a vase, h. 6”, a pair of small vases, h. 4”, a pair of covered rice bowls with stands, h. 4”, dia.

6-1/2”, two tea bowls with saucers, h. 1-3/4”, dia. 2-1/4”, five matching sake cups, h. 1-3/4”, dia. 1-3/4”, a covered wine pot, h. 7”, w. 3-1/2”, a coffee cup, h. 2-1/4”, dia. 2”, and a pair of vases mounted as lamps on carved wooden bases, h. 18-1/2”, dia. 6”; together with a Chinese K’ang Xi barber bowl, ca.

1700, h. 2-1/2”, dia. 10-3/4”.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

421

$500-$800 420 Chinese Export Supper Set

second quarter 19th century, the nine-part set of porcelain decorated with insects and flowers in the famille rose palette, with blue key pattern borders, and presented in a rosewood case. h. 3-1/4”, w. 11”, d. 11” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $600-$900 421 Pair of Japanese Satsuma Vases 19th century, each of compressed baluster form with flared lip, the neck mounted with floral loop handles, the body decorated with figural panels on a yellow ground. h. 10-3/4”, dia. 6-1/2” Provenance: Bruce McCashin Collection. $100-$200 420

144

422

422 Hiroshi Yoshida (Japanese, 1876-1950) “The Summit of Mt. Fuji”, 1928 woodblock from “Ten Views of Fuji”, pencil-signed lower right, titled lower left, with inscription along left edge and a red seal at lower left.

Matted and unframed. sight 10-1/2” x 15-1/4” $1,200-$1,800 423 Totoya Hokkei (Japanese, 1780-1850) woodblock print on paper depicting figures walking along a road beside a river, with inscription above, later mounted and framed.

5” x 7-1/4”, framed 9-1/8” x 11-1/4” $300-$500

423

424 Six-Piece Collection of Wireless Cloisonne Vases 20th century, Japanese, comprised of three pairs of vases decorated with bamboo, plum branches, wisteria and birds, on a black ground. h. 6” to 12”, dia. 2-1/4” to 4-1/4” $600-$900

424

145

425 Pair of Japanese Imari Porcelain Vases fourth quarter 19th century, decorated with pine trees shading a bride and orange and gilt peonies in the foreground, with cobalt-outlined panels of floral decoration on the top and bottom, signed. h. 15”, dia. 6-3/4” $300-$500 426 Asian Gilt-Metal Figure of Guanyin 20th century, the merciful one seated upon a peacock and holding the sacred vase containing the waters of compassion, all atop a scroll-motif base. h. 13”, w. 8-1/2”, d. 4” $500-$800 427 Two Asian Metal Figures of Guanyin

425

19th/20th century, including a large metal depiction, possibly 19th century, h. 11”, w. 7”, d. 4-3/4”, and a smaller bronze interpretation stamped “Nepal”, h. 7”, w. 3-3/4”, d. 2-3/4”. $500-$800

426 427

428 Pair of Asian Carved and Painted Wooden Monkeys 20th century, probably Burmese, modeled walking on all fours, on wooden plinths. h. 11-1/2”, w. 4-1/2”, l. 20” $600-$900

146

428

429

429 Two Pairs of Asian Embroideries 20th century, one pair with stylized dragons composed of dense French knots rendered in silk and cotton threads on a fabric foundation, outlined in couched thin gold filaments, and the other pair with flora and fauna in silk and cotton threads on a fabric foundation, employing a variety of stitches including satin, chain, French knots and leaf, all four with double applied geometric ribbon borders.

Glazed and framed alike. former sight 17-1/2” x 15-3/4”, framed 18-1/2” x 16-1/2”; latter sight 25-1/2” x 12-3/4”, framed 27” x 13-3/4” $300-$500

430

430 Japanese Lacquer-Framed Enamel Plaque 20th century, the circular dragon-decorated plaque set into a prunus-decorated lacquerware frame. d. 2-3/4”, dia. 20-1/2” $200-$400

431

431 Korean Scroll Painting 20th century, with a tiger and birds, a reproduction of a 19th-century folk painting, with its original box. image size 32-1/2” x 21”, overall size 54” x 25” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

147

432

432

Interesting Indian Rosewood, Bone and Mixed Woods Inlaid Panel first half 20th century, depicting a traditional village scene with animals, farmhands, trees and foliage, formerly a table top. h. 24-1/2”, w. 60” $700-$1,000 433 Collection of Four African Bronze Effigies 20th century, two male and two female, one mounted on a walnut base. h. 10-1/4” to 11”, w. 4” to 4-3/4” $200-$400 434 Brazilian Sterling Silver Balangandan

433

contemporary, signed “Gerson / Bahia”, the handle with perched birds and suspending eleven charms of fruit (pomegranate, orange, pineapple, grapes), a fish, a calabash, a dipper and a rosewood figa. w. 4-1/4”, l. 7-1/2”; 11.04 t. oz. w. 4-1/4”, l. 7-1/2” w. 4-1/4”, l. 7-1/2”; 11.86 t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Notes: The balangandan is a good luck talisman popular in Brazil, particularly in the state of Bahia. It has its origins in the Portuguese colonial plantations and is a melding of European and African cultures. The handle was in the form of a ship (representing those which brought slaves to the New World) with two birds perched at either end (representing the continents of Africa and South America). It was suspended with an assortment of charms unique to the life journey of its owner (pomegranates for wealth, calabash and dipper for fertility, figa for good fortune, etc.), and was usually worn hanging from the belt (its name “balangandan” being an onomatopoetic representation of the sound of the dangling baubles) or, when not worn, hung near the entrance door of the home. $500-$800 434

148

435

435 Pair of Middle Eastern Painted Metal Mirrors 20th century, each rectangular mirror with a balustrade crest topped with onion domes. h. 49-1/2”, w. 22” $500-$800 436 Embroidery of Indigenous Motifs first or second quarter 20th century, cotton/silk and metallic threads on a dark fabric ground, with bands of animals, figures, boats and geometric designs.

Encased in acrylic.

46-1/2” x 44-1/4” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

436

149

437

438

437 Pair of African Iron Currency Blades Lokele and Turumbu Peoples, Lomani and Lualaba Rivers, Democratic Republic of the Congo, on stone bases. h. 62” and 64-1/2”, w. 10-3/4”, d. 8”

439 Contemporary Bench-Made Mahogany Extension Dining Table

$700-$1,000

the square top opening to accommodate one 20” leaf and two additional support legs. h. 30”, w. 70”, l. 70”, ext. l. 90”

438 Pair of African Iron Currency Blades

$800-$1,200

Lokele and Turumbu Peoples, Lomani and Lualaba Rivers, Democratic Republic of the Congo, on stone bases. h. 69” and 69-1/2”, w. 18”, d. 8” $700-$1,000

439

150

440 Interesting Leather and Glass-Top Table with Four Chairs 20th century, the circular plate-glass top over a conforming leather-upholstered frame with four downswept steel legs joined by curved stretchers, h. 29”, dia. 40”, together with four leather-covered armchairs of matching form, h. 34”, w. 20-1/2”, d. 19”. $300-$500 441 Garth Swanson (American/Louisiana, Contemporary) “Harmony & Chestnut”, 2009 oil on canvas signed, titled and dated en verso.

Framed.

16” x 16”, framed 17-1/2” x 17-1/2”

441

Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $150-$300 442 Robert Gordy (American/Louisiana, 1933-1986) Pair of “Standing Male Nudes”, 1958 pastels and charcoal on paper each initialed “R.G.” and dated lower left.

Matted, glazed and framed alike. sight 23-3/4” x 18”, framed 32” x 25-1/2” $400-$700

442

440

151

443 New Orleans Mardi Gras Poster, 1982 “May You Find Peace”, by D’Ann Potts, designed by Ed Rahaim.

Framed.

24” x 18”, framed 25” x 19” $100-$200 444 Paul Georges Klein (French, 1909-1994) “A Street Band” oil on canvas signed lower right.

Framed.

19-1/2” x 24-1/2”, framed 28” x 30” $1,200-$1,800

443

445 Jan Gilbert (American/Louisiana, Contemporary) “Untitled” pleated paper collage h. 31”, w. 77”, d. 5” $300-$500 444

445

152

446 Jan Gilbert (American/Louisiana, Contemporary) “Untitled” pleated paper collage signed lower right. h. 52-1/2”, w. 69”, d. 8-1/4” $300-$500

446

448 Warren Platner-Inspired Steel and Mahogany Circular Table second half 20th century, the solid mahogany top banded edge-segmented and dovetailed together, the underside chamfered and supported by a patinated steel wire base. h. 30-1/4”, dia. 60” Provenance: Sterling Provisions, New Orleans, Louisiana. $600-$900

447

447 John Barnes (American/Louisiana, b. 1971) “Inequity Loft Towers”, 2009 painted wood sculpture h. 27-3/4”, w. 12”, d. 7-3/4” Notes: This sculpture was featured on the cover of the June 2009 edition of ARTVOICES magazine. $300-$500

448

153

449 Knute Heldner (Swedish/Louisiana, 1877-1952) “Shrimp Boats Docked” watercolor on paper signed lower right.

Matted, glazed and framed. sight 10-5/8” x 14-1/2”, framed 18-3/4” x 22-5/8” Provenance: Collection of Jacqueline H. Howell, New Orleans, Louisiana. $700-$1,000 450 Lulu King Saxon (American/Louisiana, 1852-1927) “House Boat on the Mississippi”, 1897 watercolor on paper signed and dated “97” lower right.

Matted, glazed and framed. sight 9-1/4” x 13”, framed 15” x 19”

449

Provenance: Collection of Jacqueline H. Howell, New Orleans, Louisiana. $600-$900 451 Suite of Four Hollywood Regency Gold-Leafed Steel Chairs 20th century, with tubular steel frames, each having an arched back with a central oval latticework panel and a round cushion seat covered in faux leopard velvet fabric. h. 44”, w. 17”, d. 17” $700-$1,000

450

154

451

452

452 Edna Hibel Plotkin (American, 1917-2014) 453 Three Vintage Pressed Botanicals

“Study of Two Young Women” and “Breton Girl”

each pencil-titled and localized (in English) and indistinctly signed lower center.

Each matted, glazed and framed alike. sight 23” x 15”, framed 30” x 22”

two lithographs on paper the first pencil-signed and numbered lower margin “I 24/25, ed. 89”; the second-pencil signed, titled and numbered lower margin “13/140”.

Each matted, glazed and framed, the first in a float-mount frame.

10-3/4” x 14-1/2” and sight 13-3/4” x 10-1/2”, framed 19-3/4” x 23-5/8” and 21-1/2” x 18-5/8”, respectively

Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $300-$500

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $300-$500

453

155

454 Chapman Kelley (American/Texas, b. 1932) “Picking Daisies” oil wash on canvas signed mid-left.

Thin gallery frame.

48” x 72”, framed 49” x 73” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $700-$1,000 455 Chapman Kelley (American/Texas, b. 1932)

454

“In the Field of Flowers” oil wash on canvas signed upper left.

Thin gallery frame.

41” x 40”, framed 42” x 41” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $600-$900 456 Pair of Contemporary Club Armchairs each with closed arms with scroll ends, a loose seat cushion and skirted base, labeled “Mangold & Mangold, San Antonio”. h. 37-1/2” $600-$900

455

456

156

458 Louise Guidry (American/Louisiana, b. 1930) “Mardi Gras 2020” acrylic on gallery-wrapped canvas signed lower right.

43-1/4” x 36-1/4” $1,000-$1,500

457

457 Pair of Modern Lucite Pedestals each of upright rectilinear form, the edges of the top and the supports with canted corners. h. 40”, w. 16”, d. 17-3/4” $1,000-$1,500

458

459 Louise Guidry (American/Louisiana, b. 1930) “Cold One, Yellow” mixed media on gallery-wrapped canvas signed lower right.

20” x 20” $500-$800

459

157

460 Louise Guidry (American/Louisiana, b. 1930) “LHA” acrylic on mixed media on wood panel signed lower right.

18” x 18” $600-$900 461 American School (20th/21st Century) “Untitled” welded steel and wire sculpture in two parts, h. 104”, dia. 16-3/8” $300-$500

460

462 George Valentine Dureau (American/Louisiana, 1930-2014) “Masked Figure” ink on paper monogrammed lower right.

Matted and unframed. sheet 9” x 12” $700-$1,000

461

158

462

463 Jan Gilbert (American/Louisiana, Contemporary) “Untitled”, 1991 photography and mixed media collage signed and dated lower right.

Flout-mounted in a light shadowbox.

57-1/2” x 51-1/4” $300-$500 464 Christian Fossier (French, 1943-2013) “Malaise” etching and aquatint on “Les Editions de la Torture, Paris”-blindstamped paper signed in pencil lower right, titled lower center, numbered “8/15” lower left.

Glazed and framed. sheet 39” x 58”, framed 41” x 60” $800-$1,200 463

465 Twenty-Four-Piece Collection of Contemporary Mercury Glass including seventeen quiver-form fluted candlesticks, some on colorless glass and others on smoke-colored glass, h. 15-3/4” to 28”, dia. 3”, a pair of leaf-engraved vases, h. 10-1/2”, dia. 5”, and five fluted cylindrical vases, two with gilt-color mercury, the other three silver colored, h. 6”, dia. 4-3/4”. $300-$500 464

465

159

466 Large Silvered Brass Figure of a Recumbent Stag 20th century, its head turned to one side, the saddle with geometric floral designs. h. 31”, w. 32”, d. 11” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

466

467

467 Suite of Four Mid-Century Modern Stow Davis Chrome Swivel Armchairs 20th century, with downswept arms and mounted to an adjustable swivel base, covered in a woven houndstooth fabric, each bearing the Stow/Davis metal tag under the seat. h. 33”, w. 29”, d. 20” $600-$900

160

468

468 Suite of Four Mid-Century Modern Stow Davis Chrome Swivel Armchairs 20th century, with downswept arms and mounted to an adjustable swivel base, covered in a woven houndstooth fabric, each bearing the Stow/Davis metal tag under the seat. h. 33”, w. 29”, d. 20” $600-$900 469 Margaret Brassler Kane (American/Connecticut, 1909-2006) “The Swimmers”, 1945 patinated bronze lamp cast signature along side, wired for electricity, mounted with a shade. overall h. 35”, dia. 9” $700-$1,000

469

470 Rene Rambert (French, 1901-1991) “Paris Street Scene” oil on canvas signed lower right.

Framed.

24” x 31-1/2”, framed 32-3/4” x 40-3/4” $800-$1,200

470

161

471 Paul Renard (French, 1941-1997) “Promenade Au Bord de la Seine, Paris” gouache on paper signed lower left.

Linen-matted, glazed and framed. sight 10-1/2” x 18”, framed 19-1/2” x 26” $800-$1,200

472 Gail Sherman Corbett (American, 1871-1952) “Busy Paris Boulevard” oil on canvas signed lower left.

Framed.

24” x 36”, framed 29-3/4” x 42”

471

$800-$1,200

472

162

473 Contemporary Upholstered Swivel Chair with taupe and cream linen fabric, on a swivel base. h. 42”, w. 31”, d. 36” $400-$700

473

475 Mid-Century Modern Lucite Steamer Trunk second half 20th century, with brass-plated hardware and mounts, the interior fitted with a removable shelf unit. h. 19”, w. 14”, l. 21” $400-$700

474

474 Lithographed Tin “Hercules” Toy Ferris Wheel ca. 1930-1950, New York, now mounted as a lamp, made by the J. Chein Company, the wind-up toy featuring sideshow freaks on the lower side panels, mounted with a shade. h. 15-1/4”, w. 16-1/4”, d. 16-1/4” $100-$200

475

163

476 Giovanni Balderi (Italian, b. 1970) “Untitled”, 2010 graphite and watercolor on Arches paper pencil-signed and dated lower right, signed, dated, dedicated and inscribed en verso.

Unframed. sheet 30-1/2” x 22-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

476

478 Interesting Contemporary Chrome, Plate Glass and TreeBark-Clad Table/Desk the thick rectangular plate glass top over a chrome trestleform base, the ends framed with a tree-bark panel and joined by a large chrome stretcher. h. 29-1/2”, w. 42”, l. 72” $300-$500

477

477 Giovanni Balderi (Italian, b. 1970) “Untitled”, 2010 graphite and watercolor on Arches paper pencil-signed and dated lower right, signed, dated, dedicated and inscribed en verso.

Unframed. sheet 30-1/4” x 22-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

478

164

480

480 French Brass-Mounted Wrought Iron Gueridon 20th century, in the neoclassical taste, the circular top with an inset plate-glass top, supported by three curved legs joined by a circular stretcher. h. 31”, dia. 32” $500-$800 481 Contemporary Iron and Glass Cocktail Table

479

of neoclassical inspiration, the rectilinear beveled glass top with canted corners, on a conforming painted iron base with cast iron rosettes at each corner, raised on shaped legs joined by a stretcher. h. 16-1/2”, w. 48”, d. 26” $100-$200

479 Patinated Steel Looking Glass and Marble-Top Console the mirror with a bisected plate beneath an arched radial crest, the console with a demi-lune marble top and raised on wrought legs with scroll ends. overall h. 114”, w. 35-1/4”, d. 16” Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $300-$500

481

165

483

483 Contemporary Chrome and Acrylic Chandelier the six-light chandelier mounted with a floriform shade. h. 33”, dia. 25-1/2” $300-$500 484 Carved and Painted Mirror in the Rococo Taste 20th century, decorated with carved scrolls and flowerheads. h. 50”, w. 37-3/4” $100-$200

482

482 Art Deco Wrought Iron Hall Tree second quarter 20th century, the hooded shelf over a beveled mirror plate flanked by garment pegs and leaf, vine and berry decor, the lower section with a projecting base. h. 75-1/2”, w. 30-1/4”, d. 6-3/4” $500-$800

484

166

485 Contemporary Argente and Plate Glass Table the circular plate glass top with a molded edge, on a tapering column, each side with four triangular panels joined by a base. h. 29”, w. 21-1/4”, d. 21-1/4”, dia. 51” $100-$200

485

486

486 Pair of Pine Wreathed Columns ca. 1900, each square column with a molded and stepped capital mounted with a finial. h. 48”, w. 17-3/4”, d. 17-3/4” $1,000-$1,500 487 Queen Anne-Style Mahogany Wing Chair 20th century, with rolled armrests, reversible cushion and raised on short Queen Anne-style legs. h. 51”, w. 33”, d. 31” 487

$200-$400

488 Modern Patinated Brass and Glass-Top Coffee Table second half 20th century, possibly by La Barge, the oval glass top on a frame with legs modeled as horse heads and resting on hoof feet, the legs joined by shaped stretchers. h. 17-1/4”, w. 55-1/8”, d. 23” $300-$500

488

167

489 Valery Kosorukov (Russian/American, Louisiana, b. 1937) “After Rain”, 1994 oil on canvas signed and dated lower right, signed, titled and dated en verso.

Framed.

30” x 24”, framed 39” x 32-3/4” $300-$500

490 Colette Pope Heldner (American/New Orleans, 1902-1990) “Swamp Idyl, (Louisiana Bayou Country)”

489

oil on canvasboard signed lower left and signed and titled en verso.

Framed.

20” x 16”, framed 27” x 23” $500-$800

491 Suite of Four Patinated Bronze and Lucite-Mounted PoolSide Chairs 20th century, the backs with schools of fish, joined by curved arms, the seats with inset lucite and the front panels depicting mermaids. h. 36”, w. 24-1/2”, d. 16” $700-$1,000

490

491

168

492 Interesting Patinated Bronze “Rope & Tassel” Circular Occasional Table 20th century, in the form of knotted rope, the fret ending in a tassel, and with an inset plate glass top. h. 24”, dia. 24-1/2” $500-$800 493 Mid-Century Modern Chrome and Plate-Glass Dining Table, Attributed to Romeo Rega with an inverted arched base and long tubular feet, and supports for the plate-glass top. h. 30”, w. 32”, l. 72” $500-$800 494 Pair of Silver-Leaf Plaster Plaques in the Art Deco Style 20th century, each with a stylized bird on a molded geometric ground. h. 19-1/2”, w. 19”

492

$1,000-$1,500

494

493

169

495 David Giese (American, 20th/21st Century) “Trophy for Falconing Attended by Venus”, 2005 concrete, flotage, paint and mixed media from “The Villa Bitricci” series.

66” x 60” x 14” Provenance: OK Harris Gallery, New York, New York; Private collection, New Orleans, Louisiana. $500-$800 496 Pair of Signed Brass and Cast Iron Floor Lamp Standards fourth quarter 19th century, Boston, now mounted as electric lamps, the painted brass-trimmed bases with scrolled feet, the brass extensions signed “R. Hollings & Co., Boston, USA”. h. 56”, w. 16-1/2” $150-$300

495

497

497 Assembled Set of Eight Soviet Causasian Silver Niello Tea Glasses third quarter 20th century, Kubachi, Dagestan (one Baku, Azerbaijan), the .875 silver podstakanniki in the “Flower Crescent” pattern, with openwork scrolls, squared handles and traditional Kubachi decoration in wrigglework and niello, some gilt, one with Cyrillic inscription, all fitted with plain cylindrical glasses. overall h. 6-3/4”, dia. 2-7/8”, l. 4”; 23.02 total t. oz. (weighable silver) $400-$700

496

170

498 Two Carved Labradorite Objects 20th century, including a leaf, w. 10-1/4”, d. 5-1/4”, and a fish, h. 2-3/4”, w. 2-3/4”, l. 10”.

Provenance: Bruce McCashin Collection. $300-$500

498

499 Set of Four French Glass and Nickel-Plated Tie-Backs early 20th century, with molded green glass floriform medallions. dia. 2-3/4”, l. 2-3/4” Provenance: Bruce McCashin Collection.

499

$50-$100

500 Whimsical Collection of Four Small Frog Figurines 20th century, including three crystal examples, each acid-etched Lalique, Steuben or Orrefors at bottom, together with an enameled frog box with hinged lid and metallic closure. h. 1-3/4” to 3-1/2” 500

$100-$200

501 Three Steuben Crystal Bird Figures 20th century, Corning, New York, the collection including a seagull, h. 6-1/4”, w. 11”, a pheasant, h. 7”, w. 10-1/4”, and a duck, h. 8”, w. 6-1/4”, each piece signed “Steuben” in engraved script.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800 501

171

502 Bernard Buffet (French, 1928-1999) “Bouquet” lithograph in colors signed in pencil lower right, numbered “47/50” lower left.

Matted and framed. sight 16-1/2” x 12”, framed 26” x 21” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $600-$900

502

503 After Salvador Dali (Spanish, 1904-1989) “Lincoln in Dalivision” after “Gala Contemplating the Mediterranean Sea”, 1977+ photolithograph in colors unsigned in print, cast signature on brass artist plate, frame backing affixed with certificate of authenticity issued in 1981

by Morales-Galofre, Cadaques, Spain.

Matted, glazed and framed. sight 12-1/8” x 9-1/8”, framed 24-1/2” x 21-5/8” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $300-$500

503

172

504 George Rodrigue (American/Louisiana, 1944-2013) “International Child Art Foundation”, 2003 offset lithograph pencil-signed lower left, numbered “13/500” lower right.

Unframed. sheet 31” x 23” $600-$900

504

505 George Rodrigue (American/Louisiana, 1944-2013) “Midnight Surprise, 2000” 505

silkscreen in colors signed in silver pen lower left, numbered “85/150” lower left.

Unframed.

22” x 17-3/4” $800-$1,200 506 George Rodrigue (American/Louisiana, 1944-2013) “Our Love Blooms” silkscreen signed lower left, marked “Artist Proof” lower right.

Glazed and framed. sight 22-3/4” x 29-3/4”, framed 25” x 32” $2,000-$4,000

506

173

507 George Rodrigue (American/Louisiana, 1944-2013) “George’s Sweet Inspirations, 2000” silkscreen in colors signed in gold pen lower left, numbered “64/150” lower right.

Unframed.

22” x 17-3/4” $800-$1,200

507

508 George Rodrigue (American/Louisiana, 1944-2013) “We Will Rise Again” offset lithograph signed in pencil lower right, printed title lower center.

Glazed and framed. sight 28” x 20”, framed 30-1/2” x 22-1/2” $1,000-$1,500

508

174

511

511 Francisco Zuniga (Mexican, 1912-1998) 509

509 Victor Salmones (Mexican, 1937-1989) “Stilts” patinated bronze cast signature and numbered “7/10” along proper right thigh, on an integral square lucite base. overall h. 29-3/4”, w. 8”, d. 8”

“Four Robed Figures”, 1974 offset lithograph on paper Zuniga 20 Dibujos (A Portfolio of Prints), 1974, published by Galeria de Arte Misrachi, Mexico, signed and dated in plate lower right.

Glazed, float-mounted and framed. sheet 18-3/4” x 24”, framed 31” x 36-1/2” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $500-$800

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $700-$1,000 510 Francisco Zuniga (Mexican, 1912-1998) “Two Women”, 1974 offset lithograph on paper Zuniga 20 Dibujos (A Portfolio of Prints), 1974, published by Galeria de Arte Misrachi, Mexico, signed and dated in plate lower right.

Matted, glazed and framed. sheet 18-1/2” x 24-1/4”, framed 30-1/2” x 36-3/4” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $500-$800

510

175

512 Francisco Zuniga (Mexican, 1912-1998) “Two Women Kneeling”, 1973 offset lithograph on paper Zuniga 20 Dibujos (A Portfolio of Prints), 1974, published by Galeria de Arte Misrachi, Mexico, signed and dated in plate lower right.

Glazed, float-mounted and framed. sheet 18-1/2” x 25”, framed 30-1/2” x 37” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $500-$800 512

513 Francisco Zuniga (Mexican, 1912-1998) “Seated Woman”, 1972 offset lithograph on paper Zuniga 20 Dibujos (A Portfolio of Prints), 1974, published by Galeria de Arte Misrachi, Mexico, signed and dated in plate lower left.

Glazed, float-mounted and framed. sheet 24-1/2” x 18-1/2”, framed 37” x 30-3/4” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $500-$800

513

514 Francisco Zuniga (Mexican, 1912-1998) “Reclining Woman”, 1974 offset lithograph on paper from Zuniga 20 Dibujos (A Portfolio of Prints), 1974, published by Galeria de Arte Misrachi, Mexico, signed and dated in plate lower left.

Matted, glazed and framed. sight 18” x 24”, framed 25-3/4” x 31” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $500-$800 514

176

515 Agustin Maya (Mexican, 1914-1996) “Untitled - Woman in Embroidered Cape” “Untitled - Three Generations” “Untitled - Man with Headdress” photographs on Kodak paper first two with various artist’s stamps; together with a framed print of “Frida Kahlo” after Manuel Alvarez Bravo (Mexican, 1902-2002) on Fujicolor Crystal Archive Paper.

8-1/2” x 9-7/8”, 10” x 8”, 10” x 8” and 8-3/8” x 6”, respectively Provenance: Agustin Maya photos from the artist, 1993; Private collection, Louisiana. $500-$800

516 Jose Luis Cuevas (Mexican, 1934-2017) 515

“Jack the Ripper”, 1968 lithograph on paper from the “Crimes of Cuevas” portfolio, pencil-signed and dated lower right, signed in reverse, titled and dated in plate upper right.

Float-mounted, glazed and framed. sheet 22” x 30”, framed 28” x 36” $300-$500

516

517 Two Large Emilia Castillo Copper Bowls contemporary, Taxco, Mexico, including: A slender, oblong bowl, 31-3/4” x 8-1/2”; and A rounded square shallow bowl, w. 21”; each hand-hammered with rolled rim, the ends or corners pierced and fitted with silverplate rings. $300-$500

517

177

518 Group of Three Mexican and South American Retablos 19th century and later, all oils on metal, including “Madonna”, “Christ”, and “Prayer of Thanks”.

Unframed.

6-1/2” x 5”, 6-3/4” x 4-3/4” and 6-1/2” x 8” $300-$500

519

518

519 Carved and Painted Santos Figure of St. George ca. 1700, Continental. h. 11”, w. 4-1/2”, d. 4” $200-$400

520 Iberian Polychromed Hanging Shelf late 18th century, the square superstructure above a bowed upper shelf and two lower shelves, the whole with shaped pendant designs and side scroll designs. h. 38”, w. 50”, d. 10” $600-$900 520

178

521

521 Two Woven Wool Blankets early 20th century, possibly Native American, one in gray and cream with a central medallion, l. 78”, w. 62”, and the other finely woven in multicolored stripes, l. 93”, w. 84”. $300-$500

522 Peshawar Sultanabad Carpet 8’ 2” x 10’ 4” $700-$1,000

522

179

523 Needlepoint Carpet 9’ 1” x 16’ 3” $700-$1,000 524 Uzbek Kazak Carpet 8’ 11” x 12’ 8” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 525 Shiraz Carpet 5’ x 8’ 5” $300-$500

523

524

180

525

526 Shiraz Carpet 5’ 2” x 7’ 9” $300-$500 527 Semi-Antique Heriz Runner 3’ 3” x 18’ 2” $800-$1,200 528 Tabriz Carpet 6’ x 8’ 9” $800-$1,200

526

527

528

181

529 Tabriz Carpet 6’ 6” x 9’ 7” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $600-$900 530 Tabriz Carpet 8’ 4” x 11’ 10” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $700-$1,000 531 Agra Oushak Carpet 5’ 10” x 8’ 7” $600-$900 529

532 Semi-Antique Bidjar Carpet

530

8’ x 10’ 9” $700-$1,000

531

182

532

533 Heriz Carpet 7’ 6” x 10’ 8” $300-$500 534 Semi-Antique Kerman Carpet 4’ x 6’ $200-$400 535 Turkish Oushak Carpet 8’ 4” x 10’ 4” $700-$1,000 536 Semi-Antique Shirvan Carpet 4’ 6” x 6’ 6” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

534

533

535

536

183

537

537 American School (Mid-19th Century) “Pair of Pendant Portraits of Husband and Wife” oil on canvas unsigned.

In matching period oval gilt frames.

30” x 25” (ovals), framed 38-1/2” x 33-1/2” $300-$500

538 Attributed to Thomas Le Clear (American, 1818-1882) “Portrait of Two Children”, ca. 1860 oil on linen monogrammed “TL” lower left, a “G. Rowney, London...” supplier’s stamp en verso.

Framed.

30” x 25”, framed 35” x 30” $1,000-$1,500

538

184

539 American Late Federal Mahogany FourPost Canopy Bed second quarter 19th century, having turned and spiral-twist posts and a paneled headboard, the footboard with a curved blanket roll. h. 85”, inside w. 54”, l. 74-1/2”, outside w. 58”, outside l. 83” $800-$1,200 540 American Federal Mahogany Cellarette in the Sheraton Taste first quarter 19th century, probably Boston, the face and lift-top with line inlay, the top opening to reveal a divided interior, raised on reeded legs on brass cups, the bottom constructed of white pine. h. 27”, w. 18”, d. 17” $700-$1,000 541 American Walnut Slant-Lid Desk in the Chippendale Taste second half 18th century, the slant lid with a beaded edge, opening to reveal a compartmentalized interior with a central shell-carved door, flanked by columnar document drawers on a case with a graduated bank of four drawers, raised on ogee bracket feet. h. 38-3/4”, w. 36-1/4”, d. 19-1/4”

539

$600-$900

540

541

185

542 New England Pine Mule Chest ca. 1800, the lift-lid with a molded edge and cotter-pin hinges, and opening to a void interior, the front with two faux drawers above two working long drawers, all graduated, raised on bracket feet. h. 45”, w. 37”, d. 18” $700-$1,000

543 American Late Classical Mahogany Sofa mid-19th century, the molded top rail flanked by leaf-carved brackets, the S-curved arm supports with like carving, raised on foliate-carved scroll feet. h. 36-1/2”, w. 77”, d. 25” 542

$300-$500

543

186

544

544 American Late Classical Mahogany Sofa 19th century, the top rail with scroll- and rosette-carved ends over an upholstered cushion, the back joined to bolster-form arms with foliate-carved faces, raised on carved paw feet with cornucopia-carved brackets. h. 33-3/4”, w. 81”, d. 25” $300-$500

545 Kittinger Company Mahogany, Bronze, Wood and Paper Globe second quarter 20th century, Buffalo, New York, the terrestrial globe with a bronze meridian and mounted on a Federal-style mahogany base. h. 39-1/2”, dia. 19-1/2” $400-$700

545

187

546 After John James Audubon (American, 1785-1851) “Canvas Backed Duck” 20th-century chromolithograph Matted, glazed and framed. sight 23-3/4” x 35”, framed 39” x 49” $500-$800

546

547 Near Pair of American Late Classical Mahogany Dining Chairs second quarter 19th century, each with a figured concave top rail over a figured splat, joined to gondola-form stiles to a bowed seat rail, raised on saber legs. h. 31-1/2” and 32-3/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $200-$400

547

548 Two Chippendale-Style Mahogany Stools of George II inspiration, each with an upholstered cushion of rectilinear form and raised on cabriole legs, one with leonine masks at the knees and carved paw feet, h. 17”, w. 24”, d. 21”, and the other with foliate-carved knees and ball-and-claw feet, h.

18-1/2”, w. 26-1/2”, d. 20-1/2”. $1,000-$1,500 548

188

549 Adam-Style Carved Mahogany Demi-lune Console Table ca. 1900, the two-board top above a carved frieze and raised on tall tapering square legs with carved bellflowers and ending in spade feet. h. 35”, w. 54”, d. 29” $400-$700

549

550 Large Brass-Mounted Teakwood Trunk early 19th century, constructed of single plank boards and mounted with engraved brass trim, having dovetailed corners and raised on turned feet. h. 31”, w. 55”, d. 24” $300-$500

550

551 American Chippendale Mahogany Drop-Leaf Table 18th century, mid-Atlantic states, the figured top and leaves supported by molded square legs joined by an X-form stretcher. h. 27”, w. 36”, d. 20”, ext. d. 41” $500-$800

551

189

552 Two American Federal Mahogany Chairs ca. 1790-1800, in the Hepplewhite taste, comprised of a side chair with a circular splat, with beaded edges and carved volutes, on supports extending from an inlaid fan, probably Rhode Island or Connecticut, h. 39-3/4”, and a chair with a splat with carved Prince of Wales feathers, flanked by volutes, h. 39”. $300-$500

552

553 Two American Federal Mahogany Side Chairs in the Hepplewhite taste circa 1790-1800”, each with fancarved backs, probably Rhode Island or Connecticut, h.

36-3/4” and 38-1/2” The last example is similar to a chair associated with the school of George Shipley, New York. $300-$500

553

554 Albion Harris Bicknell (American, 1837-1915) “Sunset Landscape” oil on wood panel signed lower right.

Framed.

15” x 21”, framed 22” x 28-1/4” $500-$800

554

8 190

555

555 Pair of American Enameled Metal Two-Light Sconces second quarter 20th century, in the Baronial taste, each with a shield-form backplate set with a crown finial and a pair of scrolled arms with molded drip pans. h. 11-1/2”, w. 11”, d. 5” $400-$700

556 George III-Style Giltwood Mirror 20th century, by Friedman Brothers, New York, in the style of Robert Adam (1728-1792), the segmented, beveled mirror plate framed with beaded giltwood, the pierced crest decorated with a reeded urn set with a sheaf-of-wheat finial, flanked by scrollwork with honeysuckle trailing down each side. h. 66”, w. 40-1/2”

556

$600-$900

557 Three-Piece American Brass, Marble and Glass Girandole Set mid-19th century, probably Cornelius & Sons, Philadelphia, including a large three-light “Meg Merrilies” girandole, titled at lower center, h. 17-1/2”, w. 17-1/2”, d. 4”, and a pair of smaller, single-light “Rip Van Winkle” examples, h. 14-3/4”, w. 6”, d. 3-1/4”. $200-$400 557

191

558

558 American Neoclassical Giltwood and Eglomise Overmantel Mirror second quarter 19th century, probably Philadelphia, the giltwood surround with a projecting cornice decorated with spherules, the sides mounted with spiral-reeded columns, and the eglomise landscape tablet over a period beveled mirror plate set into a reeded surround. h. 25-3/4”, w. 58” $700-$1,000

559 American School (20th Century) “Embrace” oil on canvas signed lower left “E. Hartman”.

Framed.

40” x 30”, framed 54” x 44” $300-$500 559

192

562

561

560 Leonard W. Howard (American, b. 1974) “Young Girl and Her Dog” oil on canvas signed lower right.

Framed.

23” x 31-1/2”, framed 29” x 37”

560

$1,200-$1,800 561 E. J. (Jose Fernandez) Cygne (American, b. 1929)

562 Workshop of Henry Hensche (American/Louisiana/Massachusetts, 1899-1992)

“City Street with Horse and Carriage”

“Autumn Landscape with a Cottage”

oil on canvas signed lower right.

Framed.

12-1/2” x 9”, framed 20” x 16-3/4”

oil on masonite inscribed upper right.

Framed.

16” x 20”, framed 26” x 30”

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein.

$500-$800

$800-$1,200

193

563 Carved and Painted Cigar Store Indian Princess 20th century, composed of pine and supported on a box-form plinth. h. 72”, w. 22”, d. 15-3/4” $1,000-$1,500

564 Five-Piece Cast Aluminum Garden Suite of neoclassical inspiration, comprised of a circular table and four chairs, all now painted deep green. table h. 26”, dia. 28-1/2”, chairs h. 32-1/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

563

564

194

566

565 detail

565

565 Set of Gorham “Chantilly” Sterling Silver Flatware

567 Reed & Barton “Greenwich” Sterling Silver Demitasse Set

the pattern designed in 1895 by William Christmas Codman (1839-1923), Providence, Rhode Island, including eight fourpiece place settings, no monograms.

32 pieces 33.35 total t. oz.

1928-1929, Taunton, Massachusetts, including: a coffeepot, h. 9”, l. 8-3/4”; an open sugar bowl, h. 3-1/2”, w. 6”; a cream jug, h. 4-3/4”, l. 4”; and a tray, 14-1/2” x 10”; each monogrammed “S”.

59.99 total t. oz.

Detailed list of pieces available on request. $600-$900

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $900-$1,200

566 Pair of Gorham Sterling Silver Fruit Bowls first quarter 20th century, Providence, Rhode Island, each of navette form with openwork rococo scroll rim with grape cluster motifs and openwork handles, raised on four feet en suite. h. 3-1/2”, l. 9-1/4”, w. 6-3/4”; 25.16 total t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

567

195

568 Two American Sterling Silver Bowls first quarter 20th century, including: A center bowl by Graff, Washbourne & Dunn, New York, New York, for the Frank Herschede Co., Cincinnati, Ohio, with serpentine-lobed sides and edge, with milled and applied rim and engraved with laurel bands and floral cartouches, h.

2-1/4”, dia. 11”; and A compote by Simpson, Hall & Miller division of International Silver Co., Meriden, Connecticut, the bowl with egg-and-dart rim and decorated with flat-chased shells and scrolls, raised on a pedestal foot en suite, h. 5-1/4”, dia. 10”.

29.91 total t. oz.

568

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

569 Silver Minaudiere and Two Sterling Silver Bowls including: An unmarked silver minaudiere of oval section, decorated with narrow spiral gadroons and with lapis-inset pushbutton latch, l. 6-3/4”, w. 2-1/2”; A Whiting Mfg. Co. sterling silver fruit bowl, 1914, with large openwork arched lattice rim, monogrammed “S” in a laurel cartouche, l. 10-1/4”, w. 8-1/4”; and A Graff, Washbourne & Dunn sterling silver coquille dish with two spherical feet, l. 4-3/4”, w. 5”.

21.24 total t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

569

$500-$800

570 American Sterling Silver and Glass Tea Screen first quarter 20th century, by Lebkuecher & Co., Newark, New Jersey, retailed by Udall & Ballou of New York, New York, Newport, Rhode Island, and Palm Beach, Florida, the semicircular frame with central astragal and stirrup handle, fitted with a pair of conforming beveled glass panes. h. 6-1/4”, w. 11-1/2”, d. 5” Provenance: Greenleaf & Crosby, Palm Beach, Florida; Bruce McCashin Collection. $50-$100

570

196

571 Poole Sterling Silver “Chippendale” Charger third quarter 20th century, Taunton, Massachusetts. dia. 11-3/4”; 23.57 t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

572 Anglo-American Silverplate Tea Set mid-20th century, made in Sheffield for the Prill Silver Co., New York, New York, rounded rectangular section with gadrooned lower half and black plastic handles, including: a hot water kettle-on-stand, h. 12-1/2”, l. 9”, a coffeepot, h. 9”, l. 10-1/4”, a teapot, h. 5-1/2”, l. 11-5/8”, an open sugar bowl, h. 4”, l. 7-3/8”, a cream jug, h. 3-1/2”, l. 5-1/2”, a waste bowl, h. 3-1/2”, l. 5-1/4”, and a serpentine-oval galleried tray with acanthus scroll decoration and feet, 22-1/4” x 15-3/4”.

571

$200-$400

572

197

573 George III-Style Mahogany Pole Screen 19th century, the adjustable, rectangular screen inset with a needlepoint and petit point pastoral scene, raised on three splayed cabriole legs ending in pad feet. h. 60”, w. 20-1/4” $500-$800

573

574 British School (19th Century) “Portrait of a Girl with a Bunny” oil on canvas unsigned.

Framed.

24” x 20”, framed 31” x 27” $1,000-$1,500

574

198

575

575 Pair of George III-Style Mahogany Gainsborough Chairs each with an upholstered back joined to open arms on shaped supports, and raised on square legs with molded and chamfered outer edges, joined by H-form stretchers, now upholstered in light brown and tan fleur-de-lis brocade. h. 38-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,000-$1,500 576 George III-Style Fruitwood Stool the padded rectangular top raised on cabriole legs ending in padded feet. h. 18-1/2”, w. 22”, d. 17-1/2”

576

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $400-$700 577 Two Small Stools late 19th century, in like upholstery, one of truncated sarcophagus form on bun feet executed in mahogany, and the other of octagonal form with canted corners and melon feet, the frame adorned with marquetry inlay and burled walnut sides. h. 6”, w. 12”, d. 12” and h. 5-1/2”, w. 12-1/2”, d. 10” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

577

$400-$700

199

578 Attributed to John Opie (British, 1761-1807) “Portrait of a Lady, by Repute Mrs. John White” oil on canvas with “Arnold Wiggins & Sons/London” and “Scott & Fowler/ New York” labels and a handwritten expository note en verso.

Framed.

29-1/2” x 24-1/2”, framed 37-5/8” x 32-1/2” Provenance: Mr. George White, Esq., Ashley House, Epsom, Surrey, UK; Arnold Wiggins & Sons Ltd., London, UK; Scott & Fowler, New York, New York; Knoedler Galleries, New York, New York, ca. 1923; Bruce McCashin Collection. $1,200-$1,800

578

579 British School (Fourth Quarter 19th Century) “Portrait of a Scottish Woman with a Fur Stole” oil on canvas unsigned.

Framed.

31” x 25”, framed 36” x 30-1/2” $300-$500

579

200

580

580 Two George III Mahogany Tripod Tables 19th century, the first with a circular dished top raised on a columnar standard to three splayed legs ending in pad feet, h. 27”, dia. 22”, and the second with a circular top raised on a turned baluster-form standard to three splayed legs, h. 28”, dia. 19”.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $600-$900 581

581 George III Mahogany Linen Press early 19th century, the molded cornice above a case fitted with two doors, each inset with a banded oval panel and opening to an interior fitted with a hanging rod, the lower section fitted with two short drawers over two graduated long drawers, raised on splayed feet. h. 81-1/2”, w. 48”, d. 22” $500-$800 582 Regency Mahogany Writing Table 19th century, the rectangular top with an inset leather writing surface above a frieze fitted with two drawers, raised on ring-turned tapering circular legs ending in brass caps and casters. h. 28-3/4”, w. 43”, d. 29-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

582

$600-$900

201

583 George III Mahogany Secretary fourth quarter 19th century, the rectangular top above a banded slant front opening to an inset leather surface and a variety of drawers and cubbyholes surrounding a central patera-centered and banded cupboard, over two short drawers and three graduated long drawers, raised on ogeemolded bracket feet. h. 42-1/4”, w. 42”, d. 21” $400-$700 584 George III Banded and Line-Strung Mahogany Commode ca. 1800 and later, in the Hepplewhite taste, the case with a pair of doors, each with figured circular veneer panels, over a deep drawer, raised on flare feet. h. 28-3/4”, w. 22-1/4”, d. 19-1/4” $300-$500 585 Suite of Four British Hand-Colored Engravings of “A Trip to Gretna Green”

583

19th century, published by J. L. Marks, London.

Glazed and framed. sight 9” x 13-1/2”, framed 10-1/2” x 14-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $700-$1,000

584 585

202

587 586

586 George III Mahogany Bedside Commode 588 George III-Style Mahogany Console/Desk

ca. 1800, the carved and pierced galleried top over a case fitted with a pair of oval string-inlaid doors, above a like-inlaid drawer, raised on tapering square legs ending in brass casters. h. 35-1/2”, w. 19”, d. 18”

in the Chippendale taste, the tripartite top with an inset tooled leather writing surface over a bank of three drawers, on a double pedestal base, each with a pair of drawers, on carved bracket feet, finished on all four sides. h. 30”, w. 78-3/4”, d. 20-3/4”

$700-$1,000 587 Rare George III Inlaid Mahogany Kneehole Desk

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

late 18th century, the top with a banded edge, the front with a pull-out interior supported by the front legs, with a top row of faux drawer fronts, with a partitioned interior behind, the legs with bellflower and mariner’s compass inlays. h. 34-1/2”, w. 48”, d. 30”

$500-$800

$600-$900

588

203

589

591

589 English Tortoiseshell Jewel Case

591 Victorian Tortoiseshell Cribbage Board

second quarter 19th century, with rounded sides and cover and a satin-lined interior, raised on turned feet. h. 2”, w. 7-1/2”, d. 6-1/2”

fourth quarter 19th century, with inset panels and mother-ofpearl trim, raised on bun feet. h. 3/4”, w. 9-1/4”, d. 2-1/4”

$600-$900

$500-$800

590 Collection of Four Tortoiseshell Objets de Vertu

592 Pair of Victorian Staffordshire Pottery Lions

19th/20th century, including a desk letter case, probably English, h. 7”, w. 7”, d. 3”, a Chinese oval box carved with dragons, h. 1-1/4”, w. 3-1/2”, d. 2-1/2”, an eyeglass case with silverplated fittings and a hinged cover, l. 5”, w. 2”, d. 1”, and a jewelry box with silverplated fittings and cabriole legs, h. 2”, w.

4”, d. 2-1/2”.

fourth quarter 19th century, the recumbent lions with polychrome decoration and set with glass eyes. h. 9-3/4”, w. 12”, d. 4-3/4” $300-$500

$600-$900

592

590

204

593

593 Pair of Victorian Mahogany Hall Chairs with Painted Crests

594 Edwardian-Style Mahogany-Inlaid and Paint-Decorated Bowfront Sideboard

third quarter 19th century, one back with the polychromed crest of the Baronets Walker of Sand Hutton, Yorkshire, and the other of Allen, Blades, Griffin et. al., each chair with a shaped back with perimeter reeding and a central painted panel, a wooden seat and saber-form front legs, and each with a loose down or feather seat cushion. h. 33-3/4”

the banded top with ribbon mahogany veneers, above a central bank of four drawers and flanked by a single drawer over a curved cabinet on each side. h. 36”, w. 58-1/2”, d. 23-1/2” $400-$700

$400-$700

594

205

596

595

595 Suite of Four 19th-Century Stipple Engravings of “The Seasons”

597 British School (Fourth Quarter 19th/First Quarter 20th Century)

after William Hamilton (British, 1751-1801), published by Louis Wolff & Co., Ltd., London, all matted, glazed and framed alike. sight dia. 11”, framed dia. 19-1/2”

“Landscape with Rolling Hills and Pond”

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

watercolor unsigned, frame backing notated “bought in Wales, 2005”.

Matted, glazed and framed.

10-7/8” x 22-1/4”, framed 19-3/4” x 31”

$700-$1,000

Provenance: Bruce McCashin Collection. $100-$200

596 After James Ward, R.A. (British, 1769-1859) “Poultry Market” 19th-century mezzotint in colors engraved by James Ward, R.A., artist and title printed lower margin.

Matted, glazed and framed. sight 17-1/2” x 21-1/2”, framed 26-1/2” x 32-1/2” Provenance: Bruce McCashin Collection. $50-$100

597

206

598

598 Miniature Regency-Style Mahogany Kidney-Shaped Desk 20th century, with a satinwood crossbanded top over flanking banks of drawers, finished in the round. h. 8-1/4”, w. 16”, d. 7-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

599 Late Regency Rosewood Desk second quarter 19th century, the inset tooled leather top over a central drawer flanked by a bank of two drawers, raised on turned and reeded legs. h. 28-3/4”, w. 42-3/4”, d. 21-1/4” $300-$500

600

600 Regency Mahogany Cheval Mirror second quarter 19th century, supported on reeded standards and raised on sabre legs terminating in brass paw foot casters, set with an antique mirror plate. h. 53-3/4”, w. 32-1/2”, d. 25-1/2” $500-$800

599

207

603

603 Pair of English Mahogany and Beadwork Stools 601

601 Late Regency Rosewood Center Table

ca. 1900, each with a circular frame topped by a slightly domical cushion in floral leaf and dragonfly decor, and raised on bun feet. h. 5-1/2”, dia. 10-1/2”

second quarter 19th century, the circular tilting top raised on a foliate-carved columnar standard to a concave tripartite base to scrolling feet on casters. h. 29”, dia. 48”

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

$600-$900

604 Pair of Edwardian Polychromed Armchairs

602 Early Victorian Rosewood Center Table

$200-$400

mid-19th century, the highly figured circular top with a ribbed edge and raised on a large foliate-carved columnar standard to a concave tripartite base on large paw feet on casters. h. 29”, dia. 53”

ca. 1900, in the Sheraton taste, each with a shaped, carved crest featuring three polychromed panels above three like-decorated vertical splats, joined to the caned seat by downswept arms and raised on tapering square legs with bellflower accents. h. 36”

$1,000-$1,500

$300-$500

602

208

604

605 Eight-Piece Collection of Wedgwood Black and White Jasperware 20th century, English, including two punch bowls, h. 3-3/4” to 4”, dia. 7-3/4” to 10”, a footed bowl, h. 5”, dia. 5-3/4”, a pair of candlesticks, h. 4-3/4”, two trumpetform vases, h. 3-1/4” to 6-1/4”, all marked “Wedgwood, Made in England”, and a mug, h.

4-1/4”, dia. 4-1/2”, unmarked but with a “Buten Museum of Wedgwood” sticker.

605

$1,000-$1,500

606 Ten-Piece Collection of Wedgwood Basalt Stoneware 20th century, English, including two punch bowls, h. 4” to 4-1/4”, dia. 10” to 10-1/4”, a portrait medallion of Chief Blackhawk, in a giltwood frame, dia. 10”, a square Egyptian plaque with gilded relief, h. 8-1/2”, w. 8”, a round dish of “The Infant Academy”, after Sir Joshua Reynolds, dia. 10”, an ashtray of Napoleon, dia. 7”, a dish of Sir Winston Churchill, dia.

6-1/2”, and three profile plaques of the Duke of Windsor, Queen Elizabeth II and Prince Philip, respectively, h. 4”, w. 3-1/2”, each marked “Wedgwood, Made in England”.

606

$500-$800

607 Ten-Piece Collection of Basalt Stoneware including a hedgehog flower holder and saucer, h. 7”, w. 11-1/4”, d. 7”, a pair of dolphin candlesticks, h. 9”, w. 6”, d. 3-1/2”, a pair of dolphin ewers, h. 8-1/4”, w. 4”, d.

3”, and a pair of chess pieces, h. 5-1/2”, dia. 2”, each marked “Wedgwood, Made in England”, together with a sculpture of a mother and child, h. 10-1/2”, w. 7”, d.

3-1/2”, and a man with a goat figure, h.

10”, w. 7-1/4”, d. 6-1/2”, both artist signed, “Boliary”. $500-$800 607

209

609

608

608 Collection of Five Cut Glass Candlesticks 19th century, English and French, including a pair of William IV candle holders, h. 12-1/2”, dia. 4-1/4”, and a three-piece French set with a two-light candelabrum with a central posy holder, h. 23”, w.

11-1/2”, d. 6-1/2”, and a pair of matching candlesticks, h. 10”, dia.

4-1/2”.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 609 Three-Piece Classical Revival Brass and Crystal Argand Lamp Set ca. 1900, English, including a rare three-light center lamp, h.

17-3/4”, w. 11-1/4”, d. 5-1/4”, and a pair of single-arm lamps, h.

18-1/2”, w. 11-1/4”, d. 5-1/4”, with column-form standards molded with lotus leaves, supporting sprays of cut glass prisms hung from anthemion-molded rings and molded tanks, set with cut and frosted glass shades.

610

$800-$1,200 610 Pair of Regency Gilt- and Patinated Bronze Candlesticks second quarter 19th century, now mounted as lamps, with urn and ball-form standards over tripartite paw feet mounted with anthemion, set with roses issuing crystal drops and prisms, electrified. h. 21”, dia. 4” $300-$500 611 Rare Regency Miniature Parcel-Gilt Sinumbra Lamp second quarter 19th century, the patinated bronze stop-fluted standard with gilt-bronze trim, set with a cut and frosted glass shade, unelectrified. h. 22”, dia. 6-3/4” $600-$900

210

611

612

614

612 William IV Inlaid Figured Mahogany Tablet Mirror second quarter 19th century, the tablet outlined with inlay and trimmed with rosewood crossbanding, the corner blocks with inlay-outlined rosewood panels, the mirror plate flanked by spiral-twisted pilasters. h. 42-1/4”, w. 24-1/2”

613

Provenance: Bruce McCashin Collection. $100-$200 613 Painted Rococo-Style Trumeau Mirror 20th century, the surround decorated with grapes, the upper tablet with a Victorian-style depiction of dogs, set with a beveled mirror plate. h. 66-1/2”, w. 17-1/4”

614 Early Victorian Mahogany Firescreen

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

third quarter 19th century, the shield-form screen surmounted by a pierced acanthine crest, featuring a needle and beadwork scene of Hermes holding a caduceus, within a lattice pattern, raised on a turned and bulbous standard to three splayed legs ending in scrolled toes. h. 56”

$700-$1,000

$600-$900

211

615 Pair of Fanciful Painted Wooden Bird Cages 20th century, of Regency inspiration, each with a turned stand on cabriole legs, the domed top set with wirework. h. 74”, w. 15-1/2”, d. 24” $700-$1,000

616 ISCO Ceramics Salad Bowl 20th century, in the 18th-century English style, decorated with orange and gilt urns and flower sprigs, the underside marked “ISCO handpainted” below a gilt anchor. h. 4-1/4”, dia. 9-1/2” Provenance: Bruce McCashin Collection. $50-$100

617 Collection of Herend “Chinese Bouquet Blue” Porcelain Items comprising a pair of footed vases, h. 8”, dia. 4-3/4”, a footed covered jar, h. 6-1/2”, w. 4-1/2”, d. 4-1/4”, a two-arm candelabrum, h. 9”, dia. 5-1/2”, a rectangular covered box, h. 3-1/4”, w. 5-3/4”, d. 4-1/8”, and two cachepots, the first example h. 3-3/4”, dia. 3”, the second h. 5-1/8”, dia. 4”.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $400-$700 615

616 617

212

618

618 Italian Porcelain Bull-Form Soup Tureen

619 Collection of Herend “Blue Garland” Porcelain Items

mid-20th century, decorated with a wreath of sculpted flowers, the cover with a flower knop and matching label, signed “372/25, Italy”. h. 9-3/4”, w. 19-1/2”, d. 9”

comprising two large circular covered vegetable tureens, h. 7”, overall w. 11-1/2”, a circular reticulated basket with handles, h. 4”, w. 8-1/8”, d. 7-1/2”, an oval open weave basket, h. 2-1/4”, w. 8-1/4”, d. 6-1/4”, a toast rack, h. 2”, w. 6”, d. 3”, a pitcher, h. 5”, w. 6-1/4”, d. 3-3/4”, a small coffeepot with lid, h.

6-1/4”, w. 5-1/2”, d. 3-3/4”, a sugar caster, h. 5”, dia. 2-1/4”, a mini covered tureen, h. 3-3/4”, w. 5-1/4”, d. 3-5/8”, a leaf dish, h. 1-3/8”, w. 5-3/4”, d. 4-1/2”, a small covered honey pot, h.

2-1/4”, dia. 2-1/2”, and a salt and pepper set, h. 2-3/8”, dia.

1-3/8”.

Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $500-$800

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

619

213

620

620 Collection of Herend “Rothschild Bird” Porcelain Items comprising a circular tray, w. 12-5/8”, d. 11-1/8”, a small coffeepot with lid, h. 6-3/4”, w. 5-3/4”, d. 3-1/4”, a covered sugar bowl, h. 3-7/8”, dia. 3-5/8”, a mini creamer, h. 2”, w.

4-1/4”, d. 2-5/8”, two demitasse cups, h. 2”, w. 3-1/2”, d. 2-3/4”, and two matching saucers, dia. 4-1/2”, an oblong sandwich tray, w. 14-1/4”, d. 6”, a pair of mini bud vases, h. 1-7/8”, dia.

1-3/8”, two small oblong trays, w. 5”, d. 3-1/4”, a small leaf dish, h. 1-1/4”, w. 5-7/8”, d. 3-1/4”, a covered table box, h.

2-1/4”, w. 5-1/4”, d. 3-3/4”, a leaf dish with handle, h. 2-1/2”, w.

9-1/4”, d. 7-3/4”, a covered jar with dolphin finial, h. 6-1/4”, dia.

4-1/2”, a dolphin stand, h. 3-1/2”, dia. 5-3/4”, a small octagonal footed bowl, h. 3-1/2”, dia. 6”, a small cachepot, h. 3-3/4”, w.

6”, d. 5”, and an associated “Queen Victoria” footed oval vase, h. 4-3/4”, w. 4-1/2”, d. 2-3/4”.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

621 Collection of Herend “Chinese Bouquet Raspberry” Porcelain Items comprising a mini creamer, h. 2”, w. 3-1/2”, two demitasse cups, h. 1-7/8”, w. 3-3/8”, and two saucers, dia. 4-1/2”, a mini coffeepot with cover, h. 6-1/4”, w. 5”, all presented on an oval tray, w. 15-3/4”, d. 11”, a candlestick with an aperture for electrification, h. 6”, dia. 5-3/8”, a covered leaf-form box with lid, h. 5”, w. 5-1/4”, d. 4-5/8”, a large pitcher, model 7682, h.

14-1/2”, a covered ginger jar, h. 6”, dia. 6-1/4”, an oblong nut dish, h. 1-1/2”, w. 7-1/4”, d. 5-3/8”, eight small ashtrays, w.

3-3/4”, d. 2”, an oval footed cigarette urn, h. 3-1/2”, w. 3”, d.

1-1/2”, a serving spoon, l. 7-7/8”, five leaf dishes, h. 1-1/4”, w.

5-7/8”, d. 3-1/4”, five small oval baskets with handles, h. 1-1/4”, w. 3-1/8”, d. 2-1/4”, four small oval trays, w. 4-5/8”, d. 3-1/2”, and a footed vase, h. 9”, dia. 4”.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $600-$900

$500-$800

621

214

622

622 Victorian Oak Tilt-Top Table in the Renaissance Taste

623

second half 19th century, the octagonal top banded and inlaid with various oak veneers, including pollard oak panels, and raised on a pedestal base with carved figural panels. h. 28”, w. 54”, d. 54”, raised h. 58-1/2”

624 Pair of George III-Style Mahogany Armchairs

$600-$900

ca. 1900, each with an acanthine-carved crest over a pierced splat, joined to the padded seat by scrolling open arms, raised on square legs joined by an H-form stretcher. h. 36”, w. 24-1/2”, d. 20”

623 Victorian Walnut “Cock-Fighting” or Gaming Chair third quarter 19th century, in the Renaissance Revival taste, the carved back capped by an upholstered rest with a hinged top opening to reveal a storage well, the shaped seat in needlepoint upholstery, raised on trumpet legs. h. 32”

$700-$1,000

$600-$900

624

215

625

626 Fine English Regency Mahogany Extension Dining Table early 19th century, with a fold-over top that converts from a console table to a dining table and featuring a rare accordion expansion system to accommodate two 22” leaves and one 19” leaf. console h. 29-1/2”, w. 48-1/2”, d. 22”; table h. 28-1/2”, w.

48-1/2”, l. 44”, ext. l. 107”

625 George III Mahogany Dining Table 19th century, the D-end top raised on three pedestals, each with a turned columnar standard to three splayed cabriole legs ending in reeded feet on casters, with two 12” leaves. h. 29”, w. 44”, l. 74”, extended l. 98”

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

$300-$500

$1,200-$1,800

626

216

628

627 Chippendale Mahogany Looking Glass 18th century, American or English, with a scroll-cut crest and tail. h. 51”, w. 27” $200-$400

627

628 English Cased Brass Theodolite fourth quarter 19th century, the compass dial engraved “W. Watson & Son, 313 High Holborn, London”, retaining its custom mahogany dovetailed case, fitted with brass bail handles. case h. 8-1/2”, w. 13-1/2”, d. 13” $700-$1,000

629 Edwardian Brass and Iron Umbrella Stand early 20th century, the brass top with slotted compartments and joined to the iron drip pan by tubular supports. h. 25”, w. 12-1/2”, d. 7” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $300-$500 629

217

630 William IV Mahogany Adapted Pole Screen and Now Brass Floor Lamp 20th century, on scrolled and reeded feet, the mahogany standard reeded and rope-turned, with bronze mounts and a fluted brass lamp support, mounted with a shade. h. 67-1/4”, dia. 12-1/2” Provenance: Bruce McCashin Collection. $100-$200

631 Pair of Victorian Metal and Glass Carriage Lamps

631

fourth quarter 19th century, electrified and now mounted on a single board, the lamps set with beveled glass panels. h. 31”, w. 23-1/2”, d. 11” $300-$500

632 Rare Chinoiserie Ebonized and Stenciled Fernery third quarter 19th century, decorated with Asianinspired “figures in a landscape” decor, raised on serpentine trestle legs joined by a turned stretcher and ending in splayed cabriole legs, the whole with giltstenciled scrolling foliage decoration, retaining its zinc liner. h. 34”, w. 27-1/2”, d. 11-1/2” $800-$1,200

630 632

633 Pair of Regency Gilt-Bronze and Marble Figural Candelabra second quarter 19th century, each with a carefully detailed tree mounted with a pair of leaf-molded candle sockets and drip pans, and a horse trampling a serpent wrapped around the tree. h. 12”, w. 11-3/4”, d. 4-1/4” Provenance: Lyon & Turnbull Auctioneers, Edinburgh, Scotland, UK, April 20, 2016, lot 250; Bruce McCashin Collection. $500-$800

218

633

636 634

634 Giltwood and Woven Reed Jardiniere on Stand early 20th century, the ovoid basket with a guilloche-molded lip and mounted with floral swags, raised on tall legs capped by satyr masques. h. 47-1/2”, w. 26”, d. 13-1/2”

636 Unusual Regency-Style Ebonized and Faux Decoupage Lacquered Coffee Table the circular top on a turned pedestal, raised on splayed feet ending in brass-capped casters. h. 19”, dia. 47-1/2”

$800-$1,200

$800-$1,200

635 Anglo-Indian Bamboo and Lacquered Occasional Table

637 Painted Cast Iron Doorstop

late 19th century, the square top with a lacquer panel of a bird among foliage, and joined to a lower embossed paper shelf by bamboo supports. h. 28”, w. 19-3/4”, d. 19-3/4”

early 20th century, in the form of a double-sided royal mail coach. h. 7-1/4”, w. 12”, d. 2-1/4”

$300-$500

Provenance: Bruce McCashin Collection. $150-$300

637 635

219

638 Stylish Brass-Bound and Wooden-Strapped Steamer Trunk of contemporary manufacture, adorned with decals of international destinations and carriers of the early 20th century. h. 18-3/4”, w. 31”, d. 20” $500-$800

638

639 Attributed to Samuel Alken, Sr. (British, 1756-1815) “Getting Away, Hold Hard Tom, let them get steadily at him” and “The Death, woo--hoop” two hand-colored engravings engraved by R. G. Reeve and published by Brall & Sons.

Matted, glazed and framed alike. sight 12-1/2” x 15-3/4”, framed 20-1/4” x 23-1/2” Provenance: Bruce McCashin Collection. $100-$200

639

220

640

640 After Henry Thomas Alken (British, 1785-1851) “The First Steeple-Chase on Record”, plates I-IV four engravings with aquatint engraved by J. Harris and published by Ben Brooks, London, 1839.

Each matted, glazed and framed alike. plate 13-7/8” x 16-3/8”, framed 21-7/8” x 24” Provenance: Bruce McCashin Collection. $600-$900

641 British School (19th Century) “Pair of Steeplechase Scenes” two hand-colored engravings published by J & J Sporting Gallery, London, 1832.

Matted, glazed and framed alike. sight 15-1/8” x 20”, framed 21” x 27” Provenance: Bruce McCashin Collection. $100-$200 641

221

642

642 After John Frederick Herring, Jr. (British, 1815-1907) “Return from the Derby, Clapham Common” colored engraving by J. Harris published by Henry Graves and Co., London, May 1, 1862.

Matted, glazed and framed. sight 23-3/4” x 43-1/2”, framed 34-1/4” x 53-1/4” Provenance: Bruce McCashin Collection. $400-$700

643 British School (First Half 20th Century) “English Coaching Lines” three colored lithographs after prints published by R. Dodson’s Fine Art Gallery, 18811885, engraved after paintings by T N H Walsh.

Matted, glazed and framed alike. sights 16-3/4” to 17-1/4” x 30-3/4”, framed 25” x 38-3/4” Provenance: Bruce McCashin Collection. $1,000-$1,500

643

222

644

644 Five-Piece Suite of Mahogany Nesting Tables of Chippendale inspiration, comprised of a circular table with a burlwood top and carved legs on ball-and-claw feet, together with four shorter wedged tables, in like detail, that nest beneath the circular one. h. 18”, dia. 23” and h. 13-1/2”, w. 15-1/2”, d. 10-3/4”

645

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $600-$900 645 Victorian Burlwood and Mahogany Davenport second half 19th century, the slant-lid lift-top with an inset tooled leather writing surface, raised on turned columns supporting a medial and low shelf, raised on bun feet. h. 32-1/2”, w. 20”, d. 16-3/4” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $300-$500 646 Regency Rosewood Credenza 19th century, the slightly domed superstructure with a paneled back and joined to the top by brass uprights, the lower section with a rectangular top over a tri-paneled frieze inset with pierced brass panels, above two paneled cupboard doors, raised on scrolled feet, the whole accented with inset brass panels and banding. h. 47-1/2”, w. 39-1/2”, d. 13-1/2” Provenance: Patrick Sandberg Antiques, London, UK; The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

646

$1,000-$1,500

223

647

647 Two Mahogany and Upholstered Stools both in matching tufted floral brocade, one in the Queen Anne taste, on cabriole legs with shell-carved knees and pad feet, h.

19-1/2”, w. 22”, d. 17”, and the other in the William IV style with lobed and turned legs on brass cup casters, h. 17”, w. 44”, d.

24-1/2”. $1,000-$1,500 648 Pair of British Carved Giltwood Neoclassical Brackets mid-19th century, with acanthus and lotus leaf carvings on the front and honeysuckle on the sides, the top set with covemolded trim. h. 17”, w. 6”, d. 9-1/2”

649

650 Edward Stott (British, 1855-1918) “Mother and Children” pastel on paper monogrammed lower left.

Matted, glazed and framed. sight 13” x 10”, framed 29-1/2” x 25”

$400-$700

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana.

649 Pair of Empire-Style Gilt-Bronze and Marble Candelabra

$300-$500

ca. 1900, the Siena marble standards set with lotus-molded fittings and supporting scrolled candle branches set with reeded sockets, the centers with flame-molded finials, on matching stepped marble and bronze-mounted bases. h. 17”, dia. 6-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $600-$900

648

224

650

651 Twelve Stuart and Hanoverian English Silver Mote Spoons late 17th- to mid-18th centuries, including two rattail examples, three shell-heel examples, two gilt examples, with four others, l. 5” to 6”; together with a larger spurious example converted from a Georgian tablespoon, l. 9”.

13 pieces total 4.53 total t. oz.

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 652 Ten Georgian Sterling Silver Serving Pieces including London pieces: an “Old English” tablespoon, 1764-1765, by Thomas & William Chawner, later reworked as a berry spoon, l. 8-5/8”; a mechanical serving spade, 1796-1797, by William Eley, with threaded handle and pierced blades, l. 12-1/4”; a serving spade, 1801-1802, by John Shekleton, with pierced blade and bone handle, l. 10-3/4”; a pair of “Fiddle” sauce ladles, 1806-1807, by William Eley & William Fearn, engraved with a crest of a coquille, l. 7”; and a pair of “Fiddle” sauce ladles, 1833-1834, by William Chawner, l. 7-1/4”; with Newcastle pieces by Dorothy Laglands, ca. 1805-1813: Bow-style sugar tongs, bright-cut and with wrigglework, monogrammed “A/I*H”, l. 5-3/4”; and a pair of “Old English” sauce ladles, l. 7”.

26.01 total t. oz. (including serving spade handles)

651

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

652

653 Collection of Victorian and Edwardian Silver Flatware including: Eleven sterling silver “Fiddle Thread and Shell” dinner forks, London, 1894-1907 by Hunt & Roskell, engraved with a crest of an anchor and serpent, l. 8-1/8”; Six sterling silver “King’s” dinner knives, London, 1858-1910, various makers, with later “Blunt”-shaped stainless steel blades, three with various crests, l. 10-3/4”; and An Edwardian close-plate dessert service, Parkin & Marshall, including twelve forks, l. 7-1/8”, and twelve knives, l. 8-1/2”, each with rococo-scroll engraved blades/tines and spatulate mother-of-pearl handles, presented in a fitted fruitwood case with red velveteen lining and lift-out tray, 2” x 11-3/4” x 10-1/4”.

17 pieces + cased set 34.96 total t. oz. (sterling forks only) Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800 643

225

654 George IV Sterling Silver Cruet Frame hallmarked London, 1823-1824, by John, Henry & Charles Lias, of bulbous rounded rectangular form, with gadrooned rim and raised on four acanthus-mantled lion’s paw feet, with a conforming wooden base centered by a silver baluster standard with scalloped dividers and rocaille-crested gadrooned ring handle, fitted with four cut glass stoppered bottles of two sizes, two silver-capped casters and a silvercapped mustard pot; together with an “Old English” mustard spoon hallmarked London, 1810-1811, by Thomas Streetin. h. 9”, l. 8”, w. 5-3/4”; 3.75 total t. oz. (weighable silver) Provenance: Waddington’s, Toronto, June 20, 2016, lot 275; ex-collection Dr. & Mrs. Gordon Macdonald, Edmonton; Bruce McCashin Collection. $400-$700

655 Four Cased Sets of Edwardian Silverplate Napkin Rings

654

late 19th/early 20th century, each set with six napkin rings, including: A set of oval shape with waisted body and beaded and reeded banding, h. 7/8”, w. 1-3/4”, case h. 2-1/4” x 3-3/4” x 4-1/2”; A set of circular shape with reticulated body and beaded edge, h. 1-1/4”, dia. 1-3/4”, case 2-1/2” x 4-3/4” x 4-5/8”; A set of circular shape with chased and bright-cut leaf-anddart banding, h. 1”, dia. 1-5/8”, case 1-1/4” x 3-3/4” x 4” (case lid lacking); and A set of circular shape with reed-and-ribbon edges, h. 1”, dia.

1-3/4”, case 2-1/4” x 8-1/2” x 2-1/4”; no monograms.

655 detail

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

655

226

656

656 Nine Silverplate Wine Coasters and Cooler

657 George V Sterling Silver Butter Dish

20th century, English and American, including: An unmarked tall, reticulated bottle holder with wavy rim, shell handles and fanciful armorial, h. 7-1/4”, dia. 5-5/8”; A Webster/Wilcox Silverplate bottle cooler/wine bucket with gadrooned bands and ringed lion’s-masque handles, with insulated milk glass liner, h. 8-1/2”, dia. 8-3/4”; An Israel Freeman wine coaster with rococo scroll rim and wood base, dia. 7-3/4”; A Corbell & Co. Silverplate wine coaster with “vintage” rim and wood base, dia. 7-1/4”; An unmarked silverplate wine coaster with bulbous body and wood base, dia. 5-1/4”; An unmarked near pair of silverplate split-size wine coasters with cylindrical body and wood base, dia. 3-3/4”; and An unmarked pair of silverplate wine coasters with bulbous body and gadrooned rim and wood base, dia. 6”.

hallmarked London, 1928-1929, by Crichton Brothers (Lionel Alfred Crichton), in the form of a covered quaich, octagonal with openwork handles, with conforming liner and domed lid. h. 5-1/4”, w. 10-1/4”, d. 6-1/2”; 28.14 t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $600-$900

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

657

227

658 Suite of Seven Continental HandColored Engravings of the Lupine Flower 19th century, six attractively matted, glazed and framed; one unframed. framed from 10-1/2” x 9-1/4” to 17-1/2” x 15” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $500-$800

658

659 Suite of Four Continental HandColored Engravings of Monkeys 19th century.

Each matted, glazed and framed. sight 15” x 11-1/2”, framed 22-1/2” x 19” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $300-$500

659

228

660 Prideaux John Selby (British, 1788-1867) Suite of six engravings from Illustrations of British Ornithology, 1821-1834/18411846 including “Velvet Scoter, Male & Female”, pl. XVII, “Grebes...”, pl. LXXIV, “Garganey Teal”, pl. LIII, “Bittern”, pl. VIII, “Sabines Snipe...”, pl. XXIV and “Tufted Pochard, Male”, pl. LXV. Each matted, glazed and framed alike. each sight 17-1/4” x 22-1/4”, framed 26-3/4” x 31-1/2” $500-$800 660A Prideaux John Selby (British, 1788-1867) Suite of six engravings from Illustrations of British Ornithology, 1821-1834/18411846 including “Common Wild Swan”, pl. XLVIII, “Crested Cormorant”, pl. LXXXVI, “Cinereous Eagle, Young”, pl.

III, “Grouse, Male & Ptarmigan, Male”, pl. LIX, “Curlew”, pl. XIII and “Scooping Avocet”, pl. XX. Each matted, glazed and framed similarly. sights 21” x 17” to 23-1/2” x 19-1/2”, framed 26-1/2” x 31-1/2” to 33” x 29-1/4” 660

$500-$800

660A

229

661

661 Two Old English Road Maps

by John Ogilby, published London, 1675-1698, the first “The Roads from London, to Wells in Norfolk and St. Edmons Bury in Suffolk...”; pl. 13” x 17-5/8”; the second “The Road From Huntingdon to Ipswich...”, pl. 12-7/8” x 18-1/4”, each handcolored engraved map on laid paper, now laid down on card.

Each glazed and framed alike. framed 14” x 19-3/8” and 14-3/8” x 19-1/8”, respectively Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $200-$400 662 Rare Hand-Colored Mezzotint Engraving of “Hanswurst and Harlequin under the Sorcerer’s Spell”, from the intermezzo pantomime by Florian Reichssiegel, Der Schwatzer der Leichtglaubige.... no. 58, tab. 8, drawn by stage designer Mathias Siller, printed by Johann Philipp Haid, published Augsburg and Vienna, 1764.

Unframed. sheet 13” x 17-1/4”

662

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500 663 Bunny Music Box

by Bunny Lane (American/Mississippi, Contemporary), taxidermied rabbit with lace- and bead-embellished hat and saddle, perched atop a rotating musical pedestal, from the “Cirque de Reincarne” collection. h. 8”, w. 9-1/2”, d. 3-3/4” $200-$400 663

230

664

664 Two “Old West” Bronzes late 20th century, including: “End of the Day”, after James Earle Fraser (American, 1876-1953), on a stone base, overall h. 18-1/4”, w. 17”, d.

6”; and “Bronco Buster”, after Frederic Sackrider Remington (American, 1861-1909), on a stone base with brass name plate, the base marked “copyright Frederic Remington”, overall h. 8”, w. 6-3/4”, d. 4-1/2”.

Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $300-$500

665

666 Jim Reno (American, 1929-2008) “Cow Pony” patinated bronze cast signature and marked “HQF4” at edge of self-base, on a conforming wooden base, now on a black rectangular presentation stand sculpture h. 25”, w. 30-1/2”, d. 15”, stand h. 36”, w. 32”, d. 16”, overall h. 61” $1,500-$2,500

665 After Frederic Sackrider Remington (American, 1861-1909) “Scalp”, late 20th century patinated bronze cast signature on side of self-base, mounted on a composite marble base with a brass artist plaque. h. 24-1/2”, w. 23”, d. 12” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $200-$400

666

231

667 669

667 After Frederic Sackrider Remington (American, 1861-1909)

669 Lee Jamison (American/Texas, b. 1957)

“Rattlesnake”, late 20th century

“N.W. Slopes”, 1989

patinated bronze on a composition marble base with a cast signature, and a plate marked “Rattlesnake by Frederic Remington”. h. 22-3/4”, w. 14”, d. 12”

oil on masonite signed and dated mid-left, titled en verso.

Framed.

47-1/2” x 71-1/2”, framed 58” x 80”

Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa.

Provenance: Hancock Whitney Bank Collection; Acquired through American Bank, Houston, Texas.

$300-$500

668 Lee Jamison (American/Texas, b. 1957)

$500-$800

661

“A Rainy Day”, 1989 oil on masonite signed and dated lower center, titled en verso.

Framed.

40” x 60”, framed 48” x 67-3/4” Provenance: Hancock Whitney Bank Collection; Acquired through American Bank, Houston, Texas. $400-$700

668

232

670 Sherry Sander (American/Montana, b. 1941) “Cat on a Rock”, 1984 patinated bronze cast signature, copyright marked, and dated “85” at back of self-base, on a conforming wooden base. overall h. 15”, w. 18”, d. 12-1/2” $800-$1,200

670

672 Michael Eastman (American, b. 1947)

671 Michael Eastman (American, b. 1947)

“Horse #5”

“Horse #226” chromogenic print on paper pencil-signed lower right, titled lower left and numbered “1/23” lower center.

Matted, glazed and framed. sight 36-1/2” x 28”, framed 48” x 38-1/4”

chromogenic print on paper pencil-signed lower right, titled lower left and numbered “1/14” lower center.

Matted, glazed and framed. sight 48” x 39”, framed 59-1/2” x 50-1/4” $1,000-$1,500

$1,000-$1,500

671

672

233

673 Andrew Melrose (American, 1836-1901)

673

“Cattle Watering in a Wooded Landscape” oil on canvas signed “Melrose” lower left.

Period giltwood frame.

674

12” x 9-1/4”, framed 19-1/4” x 16-1/4” $800-$1,200 674 Edmund de Pratere (Belgian, 1826-1888) “Horse Cart” oil on canvas unsigned.

Framed.

28” x 21-1/2”, framed 36” x 30-1/4” $700-$1,000 675 Andre Cortes (Belgian, b. 1866) “On the Road to the Market” oil on canvas signed lower left.

Framed.

21-1/2” x 25-1/2”, framed 31” x 35” $1,400-$1,800 675

234

676 Amedee Servin (French, 1829-1884) “Farm Scene” oil on canvas signed lower left, a “Deforge & Carpentier” supplier stencil en verso, frame back with handwritten label.

Framed.

16-1/2” x 23-3/4”, framed 23-1/2” x 32” $1,500-$2,500

676

677 Carl Ludwig Scheins (German, 1808-1879) “Goatherds by a Settlement in the Mountains” oil on canvas signed lower left.

Framed.

31-3/4” x 42”, framed 43-1/8” x 53-3/4” $2,000-$4,000

677

235

678

678 After Pierre-Jules Mene (French, 1810-1879)

679 Vincent de Vos (Belgian, 1829-1875)

“Cheval”

“Dogs at Supper” and “Cat Guarding Her Supper”

patinated bronze 20th century, cast signature along edge. h. 7”, w. 9”, d. 4-1/8”

pair of oils on wood panel former signed lower left, latter signed illegibly lower right.

Presented in matching giltwood frames.

7” x 9-1/2”, framed 15” x 17-1/2”

Provenance: Blount Corporate Collection, Montgomery, Alabama.

$1,200-$1,800

$300-$500

679

236

680 Order of Merit of the Italian Republic and Other Insignia

682 Collection of Jack & Charlie’s “21” Club Memorabilia

including insignia of the Order of Merit of the Italian Republic: A framed set including badge with neck ribbon, miniature badge and ribbon, and buttonhole rosette, in an oval giltwood frame and glazed, 11” x 9-1/2”; A framed set including badge with neck ribbon, badge with breast ribbon, two miniatures (one with rosette), and two buttonhole rosettes (one with miniature badge), presented in a plexiglass frame, 15” x 11”; Five loose pieces including two badges with neck ribbon (badge l.

3” excluding bail), a badge with breast ribbon (l. 4-1/2” overall), a miniature (l. 2-3/4” overall) and two miniatures with commander’s crown (one with rosette; l. 2-1/2” overall); Together with Two faux Legion d’Honneur badges, one with crown bail, l. 2-1/2” and 1-3/4”, an enamel pin of the arms of the Austrian state of Salzburg, l. 1-1/2”, and an embroidered French badge, l. 4”, these presented on a red satin sash.

12 plus sash

including: Marilyn Kaytor, “21”: The Life and Times of New York’s Favorite Club (New York: Viking, 1975), autographed on the free endpaper by club operators Pete Kriendler, Sheldon Tannen and Jerry Berns, 10” x 8-1/2”; The Iron Gate of Jack & Charlie’s “21” (New York: Jack Kriendler Memorial Foundation, 1950), a commemorative book with reminisces of Robert Benchley, Marc Connelly, Ben Hecht, John O’Hara, Louella Parsons, Damon Runyon, Adela Rogers St. John, John Steinbeck, Earl Wilson et al., 11-1/8” x 8-1/2”; A gilt-metal and black enamel Maruman butane cigarette lighter with “21” logo, l. 2-1/2”; Two matchboxes with printed “21” logo and jockeys, 2-1/4” x 7-1/8”; A cedar-lined pewter cigarette box with “21” and “iron gates” logo, inscribed “Bonnie and John / May 18, 1969”, 3-1/2” x 4-1/2”; Three canceled checks from Bonnie Bolding to Jack & Charlie’s “21”, all dated 1968, 6” x 2-3/4”; Three Jack & Charlie’s “21” Club silk scarves, patterns XXI, XXV and XXVI in shades of pink, green, blue and yellow, with jockey, iron gates and “21” motifs, 30” x 30”.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $400-$700 681 Four Books on Standard Oil and John D. Rockefeller including: Ida Tarbell, History of the Standard Oil Company (London: William Heineman, 1925), UK edition, autographed and dated April 1925 by the author on the flyleaf of both volumes, in black half leather on blue buckram, 9” x 6-1/4”; Ida Tarbell, History of the Standard Oil Company (New York: Macmillan, 1925), 2nd edition, volume I only, red buckram, 9-1/2” x 6-1/2”; and John K. Winkler, John D.: A Portrait in Oils (New York: Blue Ribbon, 1929), green buckram, 8-3/8” x 5-3/4”.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $400-$700

680

681

682

237

683 683 detail

683 Gorham/Durgin “Fairfax” Sterling Silver Flatware the pattern designed in 1910 by Barton Pickering Jenks (18701941), Concord, New Hampshire and Providence, Rhode Island, including eight each dinner forks and dinner knives, seven iced tea spoons with three additional place pieces and four serving pieces, most monogrammed “S” for Swearingen.

30 pieces total 25.75 total t. oz. (weighable silver)

684 Five Sterling Silver Water Goblets 20th century, by International Silver Co., Meriden, Connecticut, each of inverted bell form and raised on a cavetto-domed pedestal stem, four monogrammed “S”. h. 6-1/2”, dia. 3-1/4”; 26.24 total t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

Detailed list of pieces available on request.

$500-$800

$500-$800

684

238

685 Daniel Sigal “Zebra” Enamel and Sterling Silver Box contemporary, New York, New York, the box by the Schroth House of Silver, Montville, New Jersey, of canted rectangular form, the fitted lid with Limoges-style enamel of a zebra. h. 2-3/4”, l. 6-1/2”, w. 5-1/4”; 23.02 t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800 Daniel Sigal was born in Bucharest, Romania in 1946. After emigrating to the United States, he graduated from the High School of Music and Art in New York City and then attended Tulane University in New Orleans where he received a B.A. in Architecture. He was, however, always more interested in art (his father, Albert Sigal was an accomplished painter, sculptor, engraver and jeweler) and was trained in several disciplines at Tulane, including enameling. His career in architecture lasted less than one day; his career in enameling has flourished and continues today in the Greenwich Village penthouse studio. His enamels are executed in the traditional manner of Limoges: painted vitreous enamel on copper. His subjects include French Quarter scenes, ships and dogs, but equines are his favored subject (having been introduced to the Sport of Kings - horse racing - at New Orleans’ Fair Grounds).

Wolfgang Karl Schroth was born in Frankfurt, Germany in 1928 and was trained in silversmithy at the Academy of Fine Arts in Hanau. He opened his own silver shop in 1950 while studying under August Bock and Emil Woerner, receiving his master’s degree in 1954. He emigrated to the United States the following year, where he was hired by Tiffany & Co., where he specialized in the design of trophies and presentation pieces, including the MacArthur Bowl, the International Show Trophy and the Martini & Rossi Sailing Cup. He joined the Hickock-Mathews Co. in New Jersey in 1961, purchasing the company in 1965. The firm eventually moved to Schroth’s farmhouse in Montville, New Jersey, employing a half-dozen silversmiths to create hand-crafted pieces sold under the name Schroth’s House of Silver as well as supplying HickockMathews-branded pieces to the likes of Cartier and Tiffany.

Schroth retired to Georgia in 2000, where he died in 2011. The firm continues today in the Montville farmhouse as Schroth’s Jewelers.

685

686

686 Five Small Tiffany & Co. Sterling Silver Desk and Other Items including: A pen/pencil caddy in the form of an urn on plinth base, h.

7-3/4”, dia. 4-1/4”; A small duck paperweight, l. 1-3/4”; A heart-shaped box with red velvet interior, monogrammed “BBS & JES” / 1969-1994, l. 4”, w. 3-3/4”; A folding double oval photo frame, h. 3-1/2”, w. 2-1/2” (5” open) with original pouch and box; and A cigarette case monogrammed “JES”, the gilt interior inscribed “John, An enchanted evening, I love you, Bonnie”, l.

5-1/4”, w. 3-3/4”, with the original pouch.

33.18 total t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

686 detail

$600-$900

239

687 Five Tiffany & Co. Small Sterling Silver Coquille Dishes the pattern introduced in 1937, New York, New York, each with two spherical feet and accompanied by the original felt pouch. l. 2-3/4”, w. 2-1/2”; 5.58 total t. oz. $500-$800

688 Tiffany & Co. Sterling Silver Cake Stand fourth quarter 20th century, New York, New York, circular with molded foot-ring and raised on a waisted foot en suite. h. 2-1/4”, dia. 10-3/4”; 27.68 t. oz.

687

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200

689 Six Mexican Sterling Silver Goblets 20th century, maker “VAE”, each with a waisted bowl above a tapering stem and domed foot. h. 5-1/4”, dia. 3-3/4”; 36.72 total t. oz.

688

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $600-$900

690 Cartier Sterling Silver Salver 20th century, New York, New York, circular with molded rim. dia. 12-1/2”; 23.77 t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

689

690

240

691

691 Four Ilias Lalaounis (Greek, 1920-2013) Silver Gilt Toothpick Holders Athens, .900 silver, each with a tumbler-form body raised on three dolphin supports above a circular base, with hammered finish and chased leaf-and-dart and wave-scroll banding, with three of the original ultrasuede covered boxes. h. 3-1/2”, dia. 2”; 11.44 total t. oz.

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800 692 American Sterling Silver Gilt Chalice dated 1943, by Phillip Marcus Kohl (1877-1959), Minneapolis, Minnesota, the bowl above a tapering octagonal standard with conforming knop and base, the latter with engraved laurel band centering a Canterbury cross set with an emeraldcut imitation aquamarine, the underside with presentation inscription “To Rev. Alberic Kullman S.O.Cist. Ordained June 6, 1943, loving remembrance from his father”. h. 7-1/2”, dia. 5-1/4”; 16.20 t. oz. (including interior elements; see Notes) The bowl, standard and base are sterling silver gilt, but the interior joining bolt fixed to the bowl and its retaining nut are gilt base metal. Alberic Carl Kullmann (1905-1973), later known as Carl J. Kullman, was born in New Jersey and studied at the Cistercian Monastery in Okauchee, Wisconsin; he was ordained at the St. John’s Abbey Church in Collegeville, Minnesota. He later served in Mississippi and San Diego, California, where he is buried.

692

693 Four Bonded Porcelain-Filled Sterling Silver Figures of a Rabbit Family contemporary, including a mother and three bunnies, all in different poses. h. 4-3/4” to 1-1/2”, l. 4-1/2” to 1-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800 694 Pair of Christofle Silverplate “Pisces” Vases contemporary, Paris, each in the form of confronting fish with a shared mouth, presented in the original fitted boxes. h. 5-3/4”, w. 4”; box 2-1/4” x 5-3/4” x 8-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $500-$800

$500-$800

693

694

241

695 Italian Walnut and Fruitwood Center Table late 18th century, the banded and rounded rectangular top centered by decorative inlays, above a plain frieze, raised on cabriole legs headed by carved shells and ending in peg feet. h. 28”, w. 27”, d. 20” $600-$900

696 Italian High-Glaze Terracotta Tile Wall 20th century, the roundel centers decorated with images of the constellations and depicting their polychrome zodiac symbols, on a ground of amber, decorated with scattered gilt stars, a compass star in the upper left, one tile reading “TANAGRA, ROMA”, 160 pieces plus additional tiles not pictured. overall h. 72”, w. 120” 695

$1,200-$1,800

696

242

697

697 Italian Neo-Renaissance Mahogany Sideboard first quarter 20th century, the top with a splash and a shelf on carved brackets, the case with a band of three drawers over three doors, raised on paw feet. h. 62”, w. 81”, d. 26” $200-$400 698 Italian Walnut Server on Stand 19th century and later, in the Renaissance taste, the case with a pair of drawers over a pair of paneled doors, raised on shaped bracket legs. h. 46”, w. 54-3/4”, d. 16”

698

$1,000-$1,500 699 Four Pieces of Heavy Hammered Copper Kitchenware 20th century, French and Italian, retailed by “Dean & DeLuca”, the collection including a daubiere with a Dean & DeLuca label, h. 9”, w. 16-3/4”, d. 8”, a covered stew pot marked “Made in Italy”, h. 9-1/2”, dia. 11-1/2”, a paella pan marked “Made in Italy”, h. 4”, dia. 17-1/2”, and a double wine cooler with a removable divider, marked “Made in France”, h. 8”, w.

12-1/2”, d. 7”. $600-$900 699

243

701

700

700 Continental Polychrome Four-Fold Floor Screen the screen with a painted gilt border surrounding a single large floral arrangement in the Dutch 18th-century manner. h. 63”, w. 71” $300-$500 701 Continental School (Second/Third Quarter 20th Century) “Women on a Terrace” oil on wood panel unsigned.

Framed.

15-3/4” x 11-3/4”, framed 26-3/4” x 22-1/2” $75-$125 702 Stone and Giltwood Shadowbox Picture 20th century, assembled with a crushed hardstone center in a giltwood “O”, forming a sunburst of giltwood scrollwork alternating with natural crystals, in a Spanish Baroque-style giltwood frame. h. 39”, w. 33-1/2” $800-$1,200

244

702

703 Unique Italian Polychromed, Parcel-Gilt and Marble-Top Table third quarter 20th century, the circular top with painted scenes depicting the continents in the center and the zodiac symbols around the border, above a carved base with three large classical dolphins resting on a triangular platform, signed by the artist, “G. Cavatorta” and “ROMA”. h. 31”, dia. 50” $1,200-$1,800

704 Large Italian Polychromed, Parcel-Gilt and MarbleTop Table

703

mid-20th century, the circular specimen marble top with segmented wedges, the center with three inset swans and the outer border in a grape-andleaf motif, the base with a circular rim and bronze mounts, separated by four pairs of outside columns mounted to a shaped platform base with a central carved urn and four bracket-form buttresses. h. 30”, dia. 69” $700-$1,000

704

705 Pair of Italian Neoclassical-Style Parcel-Gilt Alabaster Lamps 20th century, on similar gilt composition bases, the figures inspired by Josiah Wedgwood’s “Dancing Hours”. h. 20-1/2”, w. 7” to 8-1/4”, d. 7” to 8-1/4” 705

$100-$200

245

706 Venetian-Style Eglomise Chest 20th century, the top with canted corners, over a conforming case fitted throughout with painted glass panels with a silverleaf ground. h. 31”, w. 31”, d. 14-1/2” $700-$1,000

707 Italian Neoclassical-Style Giltwood and Travertine-Top Table 20th century, the rectangular travertine top over a molded frieze, raised on turned legs joined by an incise-carved and pierced stretcher and ending in toupie feet. h. 33-1/2”, w. 36”, d. 20-1/4”

706

$800-$1,200

708 Four Eighteenth-Century Italian Copperplate Engravings of Scenes from “Orlando Furioso” the epic poem by Ludovico Ariosto (Italian, 1474-1533), including Cantos I, II, X and XL, after Giovanni Battista Cipriani (Italian, 1727-1785) and engraved by Francesco Bartolozzi (Italian, 1727-1815).

Unframed. each sheet 6-3/4” x 4-3/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200 707

708

246

709 Italian Grand Tour Patinated Bronze of the Dancing Faun first quarter 20th century, after the Roman sculpture (itself a copy of a 1st century BCE Greek work) excavated at Pompeii in 1830 at the House of the Faun and now conserved at the Museo Archeologico Nazionale, Naples. h. 15-1/2”, w. 6-1/2”, d. 5-1/4” $200-$400

709

710 Italian School (First Quarter 19th Century) “Study, Three Women and a Baby” pen and ink wash on paper Matted, glazed and framed. sight 6” x 5-1/2”, framed 10-3/4” x 9-3/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $300-$500

710

711 Group of Five Elongated, Bearded Wooden Figures 20th century, Continental, likely inspired by paintings of El Greco, each carved, painted and parcel-gilded in the baroque style. h. 12-1/4”, w. 4-1/2”, d. 3-1/2” $500-$800

711

247

712

712 Three Pairs of Gilt and “Stone” Composition “Borghese” Bookends second quarter 20th century, Gaithersburg, Maryland, including four plumed helmets and a pair of pierced shells, all on faux stone bases, three labeled. h. 7-3/4” to 8”, w. 4” to 5-1/2”, d. 3” to 4-1/4” $500-$800

713 Pair of Parcel-Giltwood Brackets 20th century, in the neoclassical taste, the fluted and leaf-carved supports decorated with contrasting gilt and verdigris. h. 14”, w. 9-3/4”, d. 7-1/2”

713

$500-$800

714 Pair of Italian Grand Tour Portrait Ovals 19th century, each oil on canvas board, including “Giovanni Antonio de Conti, Count of Modigliana”, after Niccolo Fiorentino (Italian, 1430-1514) and “Torquato Tasso”, after an engraving by Raffaello Morghen (Italian, 1758-1833) itself after Stefano Tofanelli (Italian 1752-1812), each with a “Costa & Conti/Florence/Medal of Distinction Italian Exhibition of 1861” label en verso (one partial), each unsigned.

Framed in gold-painted wooden frames with velvet fillets. each 9” x 7”, framed 11-1/2” x 9-1/4” $200-$400 The Florentine firm of Costa and Conti specialized in producing copies of Renaissance, Baroque and Rococo works, mainly for the British and American tourist trade.

248

714

715 Continental School (19th Century) “Madonna and Child” oil on canvas unsigned.

Framed.

29-1/2” x 23-3/4”, framed 34-1/2” x 29-1/8” $400-$700

716 Pair of Italian Grand Tour Temple-Form Garnitures fourth quarter 19th century, the marble bases and caps set with brass columns and bronze busts of the Goddess Diana. h. 9-3/4”, dia. 4-1/2” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $1,000-$1,500

717 Pair of Bronze Busts of Dante Alighieri and Claudius Ptolemy

715

20th century, the Continental busts mounted on stepped ebonized wooden bases. h. 14” to 14-1/2”, w. 6-3/4”, d. 4-1/2” $500-$800

716

717

249

718 Labeled Brass-Inlaid Inkstand ca. 1837, labeled by artisan Lucy Leuchars, London, the inkstand inlaid with brass scrollwork on an ebonized ground, and mounted with a brass carrying handle flanked by ink pot compartments, the center stamp box labeled on the bottom. h. 6”, w. 12-1/2”, d. 10-1/2” Leuchars worked from 1829-1837, her final year being Queen Victoria’s first year on the throne. The label on the bottom advertises her wares and is marked “To Her Majesty and the Royal Family”.

718

$700-$1,000

719 White Metal Chandelier of Baroque Inspiration 20th century, with a bold faceted and turned urn-form standard set with scrolled candle arms. h. 41”, dia. 40-1/2” $500-$800

719

720 Venetian Black Glass Chandelier 21st century, the six-light chandelier with a baluster support and bellflower-form drops. h. 41”, dia. 27” $300-$500

720

250

723 721

721 Pair of Baroque-Style Patinated Bronze Sconces 20th century, modeled as cherubic figures above molded leaves and supporting rope-twist cornucopia-form candle standards set with leaf molded drip pans, electrified. h. 23-1/2”, w. 8”, d. 7-3/4” $800-$1,200 722 Four-Piece Collection of Bronze Figures 20th century, including a bronze and marble figure of Neptune, a figure of Lorenzo de’ Medici, after Michelangelo Buonarroti (Italian, 1475-1564), on a marble base, a figure of Tutankhamun on a marble base, and an Egyptian figure in an “Isis” masque. h. 7” to 9-1/2”, w. 2” to 4-3/4”, d. 3-1/4” to 4-3/4”

723 Five-Piece Collection of Continental Metal Figures 19th/20th century, including a bronze figure of a boy with a rucksack, after Carl Kauba (Austrian, 1865-1922), signed, on a red griotte marble base, two bronze figures of Dionysus, one on a marble base, a classical bronze figure of a youth playing a flute, on a marble base, and a patinated metal Art Nouveau pen tray. h. 2” to 11-1/4”, w. 2-3/4” to 6-3/4”, d. 2-3/4” to 4” $600-$900

$1,000-$1,500

722

251

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below).

These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed

by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.)

All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction.

Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision.

In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required

by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue.

Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted

by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Note that there is no discount for LiveAuctioneers and Invaluable bidders. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Taylor Eichenwald Assistant Director of Auctions

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Director of Fine Jewelry

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Charles C. Cage Silver Specialist & Office Manager

Thomas Halverson American Furniture Specialist

Burke Designer

AUCTIONEERS Tessa Steinkamp, #1265 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Kelly McMahon Client Services & Administrative Assistant

CONSULTANTS

Grace Connors Manager of Online Auctions

ADMINISTRATION

Ellen McKenzie English & Continental Furniture

Denise Haik Office Administration

Christa Ougel Graphic Designer

Ira Savoie Independent Certified Gemologist Appraiser

Gary Michael Gittelson Photographer

Bettina Bausa Graphic Designer

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Theadrow Mark