NOAG Interiors | February 26, 2019 by New Orleans Auction Galleries

NOAG INTERIORS

FEBRUARY 26, 2019 5:00 P.M. CT

ONLINE-ONLY AUCTION

NOAG Interiors is an online-only auction offering fine and decorative art, furniture, carpets, lighting, mirrors and more. Leave advance bids or bid live during the sale on our partner bidding sites, liveauctioneers and invaluable. Absentee bidding is available on our website prior to the auction.

REQUESTS Condition reports are posted daily as requested on our website and on our partner bidding sites, LiveAuctioneers and Invaluable. If you would like to request extra photos or a detailed report be emailed to you directly, you can contact us at info@neworleansauction.com, or click “INQUIRY” on the lot detail page, fill out the necessary fields and click “SEND INQUIRY”. We will respond to requests on a first come, first served basis.

BIDDING Visit www.neworleansauction.com to create an account. Make sure that you are logged in and your registration has been approved. From the homepage, click “View Catalogue” to browse the current sale. You can also browse or search the catalogue from the “Auctions” tab under “Auction Schedule” or “Catalogue Search”. Scroll through the catalogue. When you see an item that you would like to bid on, click “BID & TRACK”. Absentee Bidding: If you would like to submit an absentee bid, click “BID & TRACK” on the desired lot. Fill in the amount in the “Enter Your Bid” field. Please note that any special symbols or characters will not be accepted. Click “I agree to the Terms & Conditions. Place my bid” to submit your bid. You will receive a confirmation email once we process your bid(s). Click “Back” to continue bidding. Note that telephone bidding is not available for this sale. Bid Live Online: Live online bidding is available via LiveAuctioneers and Invaluable.

New Orleans Auction galleries

504-566-1849 | info@neworleansauction.com | www.neworleansauction.com 333 Saint Joseph Street, New Orleans, Louisiana 70130 LA Auction License AB-363 | 25% Buyer’s Premium

1 Octavia Gayden Tullis (American/New Orleans, 1881-1970) “Magnolia Blossoms” watercolor signed lower right. Glazed, matted and framed. sight 11-1/2” x 17-3/4”, framed 28” x 36” $300-$500

2 Louisiana School (Mid- to Late 20th Century) “Portrait of a Woman with Red Hair” oil on masonite unsigned, a “331 Gallery, Chartres St., New Orleans” label en verso. Framed. 16-1/4” x 11, framed 17-3/4” x 12-1/4” $200-$400

3 American/Southern School (Mid-19th Century) “Portrait of a Handsome Gentleman” oil on canvas unsigned, “Edward Dechaux, New York” canvas stamp en verso. In a period frame. 27” x 22”, framed 36” x 31” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. 3

$500-$800

5 Herbert Ryman (American, 1910-1989) “The Fire Escape” oil on canvas signed lower right. Framed. 16-1/8” x 20-1/8”, framed 25-1/2” x 29-1/4” $700-$1,000

4 Louisiana School (Second Quarter 19th Century) “The Widow: Portrait of a Woman in Black Wearing Jewelry” oil on canvas unsigned, “The Royal Co. Antiques/Keil’s Antiques, Royal St., New Orleans” tags en verso. Framed. 32” x 25-1/2”, framed 32-3/4” x 26-1/4” $300-$500 5

6 Continental School (20th Century) “Alpine Village Scene” oil on board signed “M. Gasser” lower right. Framed. 22” x 26-1/2” $150-$300

7 Randolph LaSalle Coats (American, 1891-1957) “Still-Life: the Russian Samovar”, 1928 oil on canvas signed lower left, dated and titled on old label en verso canvas. Framed. 30” x 30”, framed 34-1/2” x 34-3/4” $800-$1,200 8 Pair of Randahl Shop Sterling Silver Compotes mid-20th century, Chicago, Illinois, of small size, each with a petal-lobed bowl above a figural dolphin standard and acanthus-crested domed circular foot h. 4-1/8”, dia. 5-1/4”; 11.72 total t. oz. Provenance: By descent in the Kilp Family, Germany; to Antonio (1885-1959) and Carola (1895-1967) Kilp, Wiesbaden, Germany; to their daughter Carmelita Kilp Blackburn (1923-2017), Sugar Land, Texas.

$500-$800

9 Gaetano Capone (American, 1845-1920) “Wooded Landscape” 9

oil on canvas signed lower left. Framed. 24” x 34”, framed 29-1/2” x 39-3/4” $1,000-$2,000 10 American School (First Quarter 20th Century) “Lake View, Probably near the Catskills or Adirondack Mountains” oil on academy board unsigned, “Smith and Hollister Artist Materials, Rochester” suppliers label en verso. Period Gilt Framed. 18-1/4” x 24-1/2”, framed 25” x 31”

$300-$500

11 Unusual Gilt-Metal Chandelier 20th century, the nine-light, leaf-molded chandelier hung with smoked drops. h. 35-1/2”, dia. 28” $500-$800

12 Maitland-Smith Tessellated Marble, Brass and Wrought Iron Console Table the rectilinear top on shaped legs with brass decor, on a base of like marble. h. 32-3/4”, w. 60”, d. 19-1/4” $300-$500

13 L. Betts (American, 20th Century) “Tea Party: Young Girl and Her Dog” oil on panel signed lower right. Framed. 8-1/4” x 10”, framed 15-1/2” x 17” $400-$700 13

14 Pair of Amber Flashed Cut-to-Clear Oil Lamps fourth quarter 19th century, the molded fonts engraved with flowers, and supported on brass standards set into marble and brass bases, mounted with period optic dot amber glass shades, now electrified. h. 26-1/2”, dia. 9” $500-$800 15 American Classical Revival Mahogany Work Table 20th century, the top flanked by drop leaves, over a bank of three molded drawers, raised on a foliate-carved vasiform pedestal, above a concave base with carved paw feet. h. 27-1/2”, w. 16-1/4”, d. 16-3/4”, ext. l. 38-1/2” $300-$500 16 Four Mid-Century Brass and Crystal Sconces 20th century, Canadian, the sconces decorated with pairs of opposing etched glass panels, mounted with contemporary polished brass mounts. h. 16-1/2”, w. 11”, d. 5”

$500-$800

19 David Hagerbaumer (American/California, 1921-2014) “Canadian Geese”, 1968 watercolor signed lower right, a “Bendann Art Galleries, Baltimore, MD” label with artist, title and date and printed artist’s biography en verso. Matted, glazed and framed. sight 21” x 29”, framed 30” x 38” $900-$1,200 20 Maurice Lebel (Canadian, 1898-1963) 17

“Winter Landscape with Creek”, 1943 oil on artist board signed and dated lower right. Framed. 14” x 18”, framed 20” x 24”

17 James Topping (British/Illinois, 1879-1948) “Cabins in the Mountains” oil on canvas board signed lower left. Framed. 14” x 16”, framed 17-3/4” x 19-3/4”

$500-$800

$200-$400 18 American “Fern” Pattern Cast Iron Garden Chair fourth quarter 19th century, with a strapwork seat, the back with molded lozenges. h. 33”, w. 23-3/4”, d. 20-3/4” $300-$500

20 18

21 Philip Kran Paval (American/California, 1899-1971) “Torry [sic] Pines, Carmel, California” oil on canvas signed and titled en verso. Framed. 27-1/2” x 31-1/2”, framed 29-1/2” x 35-3/8” $500-$800

22 Dixie Hampson Durham (American, 1913-2010) “A Fork Under the Pillow to Cure Night Sweats”, 1977

oil on canvas signed and dated lower right, titled en verso. Framed. 24” x 20”, framed 31-1/4” x 27-1/4” $500-$800

23 Leonard W. Howard (American, b. 1974) “Young Girl and Her Dog” oil on canvas signed lower right, printed information on the artist en verso. Framed. 23-1/2” x 31-1/2”, framed 29-1/4” x 37-1/4” $1,200-$1,800

25 William Jennys (American, 1774-1859) “Portrait of a Gentleman” oil on canvas signed en verso, typewritten label identifying artist. Framed and with artist plaque. 27-1/2” x 18-1/2”, framed 32” x 23” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $2,000-$4,000

24 Lenard Kester (American/California, 1917-1997) “Clown Holding Balloons” oil on canvas signed lower right. Framed. 20” x 16-1/4”, framed 27” x 23” $500-$800

26 American Federal Walnut and Line-Strung Chest ca. 1800, in the Hepplewhite taste, each of the four graduated drawers with inlaid line-stringing and a shieldform escutcheon, the perimeter edges beaded, over a scalloped apron and flare feet. h. 41”, w. 40-1/2”, d. 19-1/4” $800-$1,200

27 American Classical Mahogany Chest ca. 1825, New England, the top with a recessed band of three drawers, the case with a projecting drawer over a pair of paneled doors, the apron trimmed with brass molding, raised on turned legs with brass ball feet. h. 48”, w. 43”, d. 22” $300-$500

28 American School (Late 18th/Early 19th Century)

“Pendant Portrait of Husband and Wife” pair of pastels on paper on canvas unsigned. In matching antique frames. each 23” x 19”, framed 27” x 23” Provenance: Mississippi; Morton M. Goldberg Auction Galleries, Inc., Louisiana Purchase Auction, October 27, 1990, lot 277; Estate of Dr. Carroll Ball, Jackson, Mississippi. $500-$800

29 American Classical Mahogany Game Table ca. 1825, the highly figured fold-over top over a molded apron, raised on a pair of tapering columns on a trestleform base, the scroll legs with foliate carving on three sides. h. 29”, w. 36”, d. 17-7/8”, ext. l. 35-3/4” $400-$700

30 American Classical Mahogany Brearfast Table ca. 1825, the top with drop leaves, the molded frieze fitted with a drawer on one end, raised on a leaf-carved vasiform pedestal joined to legs with like carving and terminating in hairy-paw feet. h. 29”, w. 22-3/8”, d. 38”, ext. w. 43-5/8” $400-$700 31 Circle of Thomas Sully (British/American, 1783-1872) “Portrait of Samuel Ladd Howell (1787-1835)” oil on canvas unsigned, an old handwritten note with artist attribution, sitter’s name, and a Georgetown address en verso canvas. In an oval-aperture frame. 8-3/4” x 7-3/8”, framed 11-7/8” x 10-1/2”

Provenance: Descended in the family of sitter, eventually to Harrison Howell Dodge, his daughter Anna, and thence by further descent; Sloans and Kenyon, June 21, 2006 auction, lot 1170A; Collection of James Harris, PhD, Oklahoma City, Oklahoma. A very similar portrait of Samuel Ladd Howell’s younger brother Paschall Howell is reproduced between pages 368 and 369 in Francis Howell’s 1897 family history. Samuel appears to be aged around 12-14 in the work offered here and his brother appears to be aged 10-12 in his portrait. It is likely that the two are by the same, unfortunately unidentified, artistic hand. $1,000-$1,500 32 Two Early American Fold-Over Games Tables one mahogany in the Chippendale taste, late 18th century, with a serpentine top above a single long drawer with a dentillated molding below and raised on Marlborough legs, h. 29”, w. 34-1/2”, d. 17” (closed), and the other cherrywood in the Federal taste, ca. 1800, also with a serpentine top over a small drawer outlined with a stringinlaid border, scalloped skirt and raised on tapered legs, h. 29”, w. 35-1/2”, d. 17-1/2” (closed).

$400-$700

35 Baldwin Locomotive Works Illustrated Catalogue Baird, Matthew, et al, Philadelphia: J.B. Lippincott and Co., n. d. (ca. 1872), this volume for George Pandeley (1829-1894), Superintendant of Morgan’s Louisiana and Texas Railroad, brown pebbled cloth boards with gilt lettering 11” x 8” $600-$900

33 American Neo-Grec Rosewood Armchair ca. 1865-1870, school of Jelliff/Schrenkeisen, of small proportions, with a carved crest over an upholstered back, joined to closed arms, seat rail and distinctive trumpet legs, now upholstered after the period fashion in crimson brocade. h. 34”

The present chair is part of a group of Renaissance Revival seating furniture generally attributed to either John Jelliff, Newark, New Jersey, or M. H. Schrenkeisen in the “Little Germany” of nearby New York City. $300-$500

34 American School (First Half 19th Century) “Still Life of Peaches, Grapes, Roses, Melon and a Cricket” oil on wood panel unsigned. Antique gilt frame. 19” x 16-1/4”, framed 27” x 23-3/4” $400-$700

36 American Seven-Piece Neo-Grec Silverplate Tea Set ca. 1875, by the Wilcox Silverplate Co., Meriden, Connecticut, in a medallion and ivy pattern, including a hot water urn, h. 15”, two teapots, h. 10”, a cream jug, h. 6-3/4”, a covered sugar bowl, h. 8-1/2”, a waste bowl, h. 5-1/2”, and a tray, 29-1/4” x 18”, the ovoid bodies decorated with flat-chased ivy and applied medallions, with four lion’s paw feet, all inscribed “Maggie”; together with a Rogers, Smith & Co. matte-finish waste bowl with wheat stalk decoration, h. 5-1/4”. 8 pieces total $250-$400 37

37 Hudson River School (19th Century) “Expansive River Landscape with a Sailboat” oil on canvas unsigned. Framed. 18” x 24”, framed 24-1/2” x 30-1/2” $500-$800

38 Figured Mahogany Mirror in the Chippendale Style early 19th century, probably American, with a classicalstyle stenciled surround and a brass candle arm attached to the lower edge. h. 48”, w. 23-1/4” $400-$700

39 John Neagle (American/Philadelphia, 1796-1865, active New Orleans early 1820s) “Portrait of Mrs. Negus (1789-1879) with Her Granddaughter Sarah Negus (1840-1915)”, 1851 oil on fine linen signed, dated, localized and sitters identified en verso, old handwritten note attached to stretcher, Philadelphia supplier stamp en verso canvas. Framed. 23-1/2” x 20-1/4”, framed 52-1/4” x 44-3/4” Provenance: J. Engle Negus, Esq., Philadelphia, Pennsylvania; by descent in family; Estate of Dr. Carroll Ball, Jackson, Mississippi. The sitters, both named Susan Engle Negus, are the mother and daughter of James Engle Negus (1809-1884) of Philadelphia and Somerset, New Jersey. His mother was born Susan Engle in Philadelphia on June 18, 1789, the daughter of patriot, lawyer and later Speaker of the Pennsylvania House James Engle (1757-1821) and his wife Margaret Adam (1760-1821). She married tavern keeper John Negus (1784-1823) in 1808, and their son James was born in Philadelphia on June 2, 1809. He became a prosperous merchant and chief weigh-clerk at the U.S. Mint in Philadelphia, and married Isabella Van Syckel (1814-1892) of Mercer County New Jersey in 1835. Their first daughter Susan Engle Negus, named after her grandmother, was born on November 3, 1840 in Philadelphia and baptized there on April 7, 1841 at the Tenth Presbyterian Church. (At the time of this portrait in 1851, grandmother Susan E. Negus would have been 62 and granddaughter Susan 11.) In June of 1854, James Engle Negus was exposed with uncharacteristic and inexplicable short-weighting at the Mint and, when confronted, confessed to the depredation of $14,000 in gold. He made full and immediate restitution and moved with his family to Bound Brook, Somerset County New Jersey, where he eventually became a rehabilitated and respected country gentleman. His mother died there on February 22, 1879, and he on August 17, 1884. Susan Engle Negus the younger never married but traveled extensively and was active in both the Daughters of the American Revolution and the Mayflower Society. She died on July 16, 1915 in Atlantic City. She, her father, and her grandmother are all buried in Woodlands Cemetery in Philadelphia.

$2,000-$4,000

40 American Late Classical Mahogany Server/Sideboard mid-19th century, the projecting fold-out drawer with molded panels, opening to create a flat serving surface, over a pair of paneled doors flanked by scroll columns, raised on stack feet. h. 46-1/2”, w. 49”, d. 26” $300-$500

43 American Late Classical Mahogany Side Table 41

41 American Late Classical Mahogany Bookcase/ Cabinet

second quarter 19th century, the square top with an ogee-molded apron and mounted to a square standard and molded base with four outstretched legs. h. 28”, w. 34”, d. 34” $300-$500

mid-19th century, in two parts, the upper section with an arched cornice, concealing a hidden compartment at its top, over a pair of glazed doors, the base with a molded frieze drawer raised on paneled scroll columns, with a concave low shelf and scroll feet. h. 72-3/4”, w. 44-1/4”, d. 27” $500-$800 42 American School (Mid-19th Century) “Portrait of a Young Woman” oil on canvas handwritten label en verso with an attribution to W. B. Wright (American/Geneva, N.Y., act. 1841) and identifying the sitter as a member of the John Hampden Randolph Family of Nottoway Plantation, White Castle, Louisiana. In a period frame. 33” x 27-3/4”, framed 42” x 36-1/4” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $600-$900

44 American Late Classical Mahogany Game Table second quarter 19th century, the fold-over top over a figural frieze, raised on a square column with a flaring base, above a concave platform with scroll feet. h. 29”, w. 38”, d. 19-3/4”, ext. l. 39-1/2” $300-$500

45 44

46 Two American Late Classical Figured Mahogany Game Tables

45 American School (Mid-19th Century)

oil on canvas unsigned. Framed. 28” x 22”, framed 31-1/2” x 25-3/4”

second quarter 19th century, one with a serpentine fold-over top on a conforming frame, on scrolled supports, mounted to a complex molded base and raised on bracket feet, h. 29”, w. 36”, d. 18”, and the other with a rectangular top on an ogee-form apron, scrolled supports and mounted to a molded base with four outstretched legs, h. 29-1/2”, w. 35-1/2”, d. 17-1/2”.

$300-$500

“Portrait of a Handsome Young Man”

49 American Late Classical Mahogany Chest second quarter 19th century, New England, the top with a pair of recessed beaded drawers with a scroll backboard, the case with a projecting drawer over a bank of three drawers, flanked by tapering columns and supported by turned legs. h. 48-1/2”, w. 43-1/2”, d. 20-1/4” $300-$500

47 Two American Late Classical Mahogany Game Tables the first table second quarter 19th century, with a fold-over top over a cyma-molded frieze, raised on scroll supports joined to a figural and molded base on scrolling bracket feet, h. 29-7/8”, w. 37-1/2”, d. 18-1/2”, ext. l. 37”, the second table ca. 1900, with a serpentine top and apron, scroll supports and serpentine platform base, h. 28”, w. 32”, d. 17”, ext. l. 34”. $300-$500 48 Ernest Finkernagel (American/German, Mid-19th Century) “Figures in an Italian Landscape”, 1855 oil on canvas signed and dated lower right. Framed. 28” x 41-3/4”, framed 31-1/4” x 44-3/4”

$600-$900

50 American Late Classical Mahogany Sideboard second quarter 19th century, the top with a tripartite backboard centered by a foliate-carved rosette in a carved diamond-shaped panel and flanked on each end by a carved urn, the case with a pair of drawers over a pair of recessed bowed doors ending in panels, creating a demilune-form when closed, flanked by turned pilasters with Ionic capitals, raised on carved paw feet. h. 54-1/4”, w. 54”, d. 26” $300-$500 51 Collection of Four American Brass, Marble and Crystal “Squirrel” Pattern Girandoles mid-19th century, Philadelphia or New York, the collection comprised of a five-light girandole, h. 20”, w. 14-1/2”, d. 4-1/2”, a pair of single-light girandoles, h. 15”, w. 5”, d. 3-1/2”, and a two-light girandole, h. 15-1/4”, w. 13-3/4”, d. 4-1/2”. 50

$300-$500 52 American Late Classical Mahogany and Marble-Top Pier Table second quarter 19th century, the rectilinear marble top over a cyma-molded frieze, supported by a lyre-form scroll pedestal fitted with a looking glass, the molded platform base raised on scroll feet. h. 37-3/4”, w. 34-1/4”, d. 17-1/4” $500-$800 53 American Late Classical Mahogany Pier Table second quarter 19th century, the wooden top with a molded edge, above a figured cyma-molded frieze and a lyreform pedestal fitted with a looking glass, the ogee-molded platform base on scroll feet. h. 36-1/4”, w. 37”, d. 17-1/2”

$300-$500

54 Collection of Three American Brass, Marble and Glass Girandoles mid-19th century, including a rare three-light example possibly depicting a Middle Eastern warrior, on a white marble base, h. 27”, w. 13”, d. 5”, electrified, and a pair of “Romeo and Juliet” examples, Boston, on Portoro marble bases, h. 15-1/4”, w. 5-1/4”, d. 3-3/4”.

56 American Late Classical Mahogany Recamier Boston, second quarter 19th century, the molded and figural top rail with scroll end, the arms of upright scroll form with fan-carved panels, above a molded seat rail and scroll legs, now upholstered in burgundy velvet. h. 33-1/2”, w. 72-1/2”, d. 23”

$300-$500 55 19th-Century Tuscan “Fiddle Shell” Silver Flatware Set

$400-$700

second quarter 19th century, by Onorato Pini, Livorno and Florence, probably .800 silver, including eighteen table forks, l. 8-1/4”, twelve tablespoons, l. 8-1/2”, eleven place spoons, l. 7”, and seventeen teaspoons, l. 5-5-/8”, no monograms. 58 pieces 90.89 total t. oz. $1,000-$1,500

56A

56A American Renaissance Revival Walnut Mirror third quarter 19th century, the cove-molded frame decorated with faux burl walnut. h. 40-3/4”, w. 35” $400-$700

57 American Rococo Revival Walnut Cabinet-Base Etagere

58 American Rococo Revival Rosewood and Faux Rosewood Two-Piece Parlor Suite

third quarter 19th century, in two parts, the upper section with a broken-arch crest centered by a finial, over a pair of shelves backed by mirrors and supported by scroll-sawn brackets, the base with a mirrored glazed door with an oval band adorned with floral and foliate carving, the canted corners with oval panels. h. 78”, w. 45-3/4”, d. 18-1/2”

comprised of an armchair, h. 46-1/2”, and a settee, h. 38”, w. 64”, d. 28”, each with a shaped back, closed arms and cabriole legs, now upholstered in tufted beige and burgundy brocade. $300-$500

$400-$700

59 Two-Piece Rococo Revival Parlor Group comprised of a fine American rosewood barrel-back chair with a deep floral- and cartouche-carved crest, closed arms, bowed seat rail and cabriole legs, h. 37-1/4”, together with a Victorian recamier with a high curved back on one end, serpentine seat rail and cabriole legs, h. 34-1/2”, w. 64”, d. 27”, both upholstered in matching blue and ivory brocade with tufted backs. $300-$500

60 Pair of Giltwood Window Cornices fourth quarter 19th century, each having an arched center set with a pierced bowknot crest, and an aesthetic medallion finial on each end. h. 11-1/2”, w. 66”, d. 8-1/2” $600-$900 61 Antebellum New Orleans Market Rosewood TripleSection Armoire third quarter 19th century, attributed to the New Orleans warerooms of William and James McCracken, in the transitional Late Classical into Rococo Revival style, the arched projecting cornice with characteristic beading, over a central section with a pair of arched and paneled doors, over a pair of drawers, flanked by paneled side doors, the scalloped apron on distinctive cabochoncarved feet. h. 104”, w. 78”, d. 27” $800-$1,200

62 Collection of Five Portrait Silhouette Busts including four hollow-cut ones over black card of two men and two ladies, and a bust of a gentleman, cut-out on white card heightened with white gouache . Each glazed and framed. sights 3-1/2” x 2-3/4” to 4-3/4” x 3-3/8”, framed 5-1/8” x 4-3/8” to 9-1/4” x 7-3/8” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500-$800

63 British School (Second/Third Quarter 19th Century) “Pair of Portrait Silhouettes of a Man and a Woman” cut-outs on card heightened with gold and watercolor wash foreground each unsigned. Glazed in near matching period bird’s-eye maple frames. each sight 11-1/4” x 9-1/4”, framed 14-3/8” x 12-1/4” and 14-1/8” x 12-1/8” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500-$800

64 Auguste Edouart (French, active U.K., U.S., 1789-1861) “Two Portrait Silhouettes of the Perg Brothers”, 1835 paper cut-outs on paper accompanied with a handwritten letter from the artist to the sitters, dated and localized “Cork”. Matted, glazed and frame together. sight 19” x 11-1/8”, framed 22” x 14-1/4” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500-$800

65 Auguste Edouart (French, active U.K., U.S., 1789-1861) “Wedding Portrait Silhouette of Mr. and Mrs. James Ker, Esq. Exchanging Rings”, Edinburgh, June 24, 1829 cut-out on card sitters identified in cut-outs en recto and in “keyhole” cuts en verso with “Mrs. F. Nevill Jackson” stamp; together with portrait silhouettes of “Miss Harriet Gorter”, Birmingham, 1838, and “Amadee Armand”, ca. 1851, each cut-out on card, sitters identified in cut-outs en recto. Each glazed and framed. sights 11-1/2” x 9-1/4” and 11” x 8-1/2”, respectively; framed 14-1/2” x 12-1/2” and 14-1/4” x 11-1/2”, respectively Provenance: The wedding portrait, Collection of Mrs. F. Nevill Jackson (1861-1947), London, U.K. Both, Estate of Dr. Carroll Ball, Jackson, Mississippi. Literature: The Kers listed in Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, p. 145. $400-$700

66 Auguste Edouart (French, active U.K., U.S., 1789-1861) Three Portrait Silhouettes of a British Captain, a Colonel and a Lady paper cut-outs on card including “Captain Maule”, Edinburgh, Jan. 27, 1830; “Colonel Peter Ludwick”, Cheltenham, 1829; “Miss Rebecca Liuden”, Birmingham/Leamingham, Nov. 28, 1837. Each sitter identified, dated and localized in “keyhole” cut en verso and stamped “Mrs. F. Nevill Jackson”. Each glazed and presented in matching period bird’s-eye maple frames. sight 9-1/2” x 6” to 9-5/8” x 8-1/8”, framed 11-1/8” x 10-5/8” to 13-1/4” x 9-1/2” Provenance: Silhouettes of the Captain and the Colonel, Doyle, New York, New York, May 1, 2007, lot 3172. All three, Collection of Mrs. F. Nevill Jackson (1861-1947), London, U.K.; Estate of Dr. Carroll Ball, Jackson, Mississippi. $500-$800 67 Auguste Edouart (French, active U.K., U.S., 1789-1861) Two British Portrait Silhouettes of a Father and Children at Play

paper cut-outs on card including “Man, His Son and Dog”, 1829, signed, dated lower left, localized “Oxford” and further inscribed lower right; “Miss Elizabeth Rebecca Henderson Watson with Her Doll”, Edinburgh, 1831, sitter, date and locale identified in “keyhole” cut en verso; together with an F. Frith (British, act. ca. 18371854), “Little Boy with His Riding Whip”, 1841, signed and dated en verso. Each glazed and framed. sights 10-3/4” x 10-1/2”, 8-1/4” x 5-3/8” and 7” x 5-1/2”, respectively; framed 13-1/2” x 13”, 10-3/4” x 8-3/4” and 9-1/2” x 8-1/4”, respectively Provenance: The silhouette of Miss Watson, Collection of Mrs. F. Nevill Jackson (1861-1947), London, U.K. All three silhouettes, Estate of Dr. Carroll Ball, Jackson, Mississippi.

$500-$800

68 Auguste Edouart (French, active U.K., U.S., 1789-1861) Two English Portrait Silhouettes each cut-out on lithograph background including “Mrs. Malloch with a Book in Her Parlor”, 1832, sitter identified en verso; and “Gentleman Holding a Document in a Library”, 1836, each signed and dated lower left. Each glazed and framed. sights 10-1/4” x 6-3/8” and 9” x 6-5/8”, respectively; framed 12-7/8” x 9-1/4” and 15” x 10-1/2”, respectively Provenance: Portrait of the lady, Peggy McClard American and Folk Art, Houston, Texas. Both, Estate of Dr. Carroll Ball, Jackson, Mississippi. $500-$800 69 Auguste Edouart (French, active U.K., U.S., 1789-1861)

Two Portrait Silhouettes each cut-out on lithograph background the first, “Darby O’Grady, Esq., 1836 (d. 1857), sitter’s name and peerage inscribed in pencil on frame backing; together with an “English Gentleman with a Cane”, 1830, label en verso. Each signed and dated lower left. Each glazed and framed. sights 10-1/4” x 6-3/4” and 10-1/2” x 6-7/8”, respectively; framed 13-3/8” x 9-3/4” and 13-7/8” x 10”, respectively Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500-$800 One of the historic noble families of Ireland, the O’Gradys of Kilballyowen, County Limerick, are one of the few to retain an acknowledged “Chief of the Name”. The subject of this fine, full-length silhouette, Darby O’Grady, was the eldest son of the Sheriff of County Limerick. He wed Ellen George of County Cork, with whom he had ten children. His youngest sibling, Standish, served as Attorney General, was named Lord Chief Baron of the Exchequer (Ireland), and was made 1st Viscount Guillamere and 1st Baron O’Grady, in 1831; the title ceased in 1955, upon the death of the 9th Viscount without issue.

70 Auguste Edouart (French, active U.K., U.S., 1789-1861) Two Portrait Silhouettes of English Gentlemen each cut-out on pencil and sepia ink wash background including a “Young Scholar Standing in Front of the Chapel at King’s College, Cambridge in the Background”, 1829, signed and dated lower left, and a “Young Man/Attorney Standing in a Library”, 1839. Each glazed and framed. sights 10-5/8” x 6-3/4” and 10-3/4” x 7-3/4”, respectively; framed 15-1/4” x 11-1/2” and 14-3/4” x 11-3/4”, respectively Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500-$800

71 Auguste Edouart (French, active U.K., U.S., 1789-1861) “Portrait Silhouette of Mr. John D. Wolfe, his Wife, and Her Sister Miss Mary Lorrilard of Saratoga Springs, New York”, August 25,1840 cut-outs on paper sitters identified localized and dated in keyhole cut-outs en recto and en verso. Glazed in a bird’s-eye maple frame. sight 11-3/4” x 12”, framed 15-7/8” x 16-1/2” Provenance: Collection of Mrs. F. Nevill Jackson (1861-1947), London, U.K.; Arthur S. Vernay (1877-1960), New York, New York; Peggy McClard American and Folk Art, Houston, Texas; Estate of Dr. Carroll Ball, Jackson, Mississippi. Literature: Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, p. 231. 71

$500-$800

72 Trevor Haddon (American/British, 1864-1941) “Feeding the Pigeons, Venice” oil on canvas signed lower right. Framed. 16” x 26-1/4”, framed 23” x 33” $800-$1,200

73 Richard H. Hilder (British, 1813-1852) “The Hay Wain” oil on canvas signed lower right, a “C. R. Fenton & Co., Ltd.” inventory label en verso stretcher, a “Charles Roberson/London” supplier’s stamp en verso canvas. Framed. 24-1/2” x 20”, framed 29” x 25” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $800-$1,200

74 William Langley (British, 1852-1922) “Feeding Geese by the Mill, Capel Curig, Wales” oil on canvas signed lower right, a London canvas supplier stamp and pencil inscription en verso. Framed. 16” x 24”, framed 22” x 30” $600-$900

75 Suite of Three British Engravings of Biblical Scenes fourth quarter 18th century, including “Abraham and Isaac”, “David and Abigail”, and “Jacob Wrestling with God”, two engraved by William Tringham (1749-ca. 1794), one by Bell, probably Andrew Bell (1726-1809) Glazed and framed alike. each sight 13-1/2” x 19-1/2”, framed 14-1/4” x 10-1/4” $400-$700

75 suite of three

76 Four Prints of the Coronation of King George IV, July 19, 1821 colored etchings and aquatints after Charles Wild and J. P. Stephanoff, including “The King in His Royal Robes, Wearing a Cap of Estate”, “Procession of the Dean and Prebendaries of Westminster with the Regalia”, “Lord Gwydyr, Deputy Lord Great Chamberlain and Lord Howard of Effingham, Deputy Earl Marshal of England”, and “The Royal Banquet, The Bringing up of the Second Course”. In matching frames and glazed. sights 14-1/2” x 18-1/2” to 12-1/2” x 19-1/2”, framed 18-1/2” x 22-1/2” to 15” x 22-1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $800-$1,200

76 one of four

77 Four Hand-Colored Engravings of “The Coronation of His Most Sacred Majesty King George the Fourth” solemnized in the Collegiate Church of Saint Peter Westminster upon the 19th Day of July 1821, including “The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition”, “The King: Seated in St. Edward’s Chair, Crowned by the Archbishop of Canterbury”, “The Ceremony of the Homage”, and “A Duke in the Coronation in Dress and Robes of the Estate”, artists J. Stephanoff and Augustus Pugin, published in London by Sir George Nayler Garter or R. Bowyer. All attractively matted, glazed and framed alike. sights 15-1/2” x 20-1/4” to 16” x 12”, framed 18-1/2” x 23” and 22-1/2” x 18-1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma.

77 one of four

$800-$1,200

78 Georgian Oak Corner Cabinet possibly Welsh, 18th century, the molded cornice over a pair of arched raised panel doors, the doors with crossbanded perimeters and on H-form hinges, and opening to reveal a pair of shaped shelves over two tiers of drawers. h. 48”, w. 41”, d. 24” $400-$700

79 Georgian Mirror 18th century, with a walnut veneer, a giltwood swan’sneck crest with a cabochon finial and set with period beveled glass. h. 46-1/2”, w. 23-1/2” $800-$1,200 78

80 Edward Baines (1774-1848), History of the Wars of the French Revolution London: Longman, Hurst, Rees, Orme and Brown, 1817; first edition, in two volumes (Volume I. fronts, title, preface 1-3, directions to binder, introduction 5-22, 23-539; Volume 2. frontis, title, 1-568, index 569-595), with 31 copperplate engravings (some lacking and some duplications); in full mottled brown calf, the flat spine with gilt Greek-key rule, lettering and decoration, the edges cut and speckled, with marbled endpapers. page 26.4 cm x 21.2 cm; overall 27.4 cm x 22.4 cm Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $200-$400

82 Manner of John Hoppner (British, 1758-1810) “Portrait of a Lady in a White Lace Cap”, fourth quarter 18th century oil on canvas unsigned, a “J. Fieldhouse/Re-Gilding Works/Birmingham” label, a 1906 handwritten restorer’s note, and a “Bush Antiques/New Orleans” tag en verso frame. Handsome, antique gesso and giltwood frame. 30” x 25”, framed 43” x 36” Provenance: Bush Antiques, New Orleans, Louisiana; Estate of Dr. Carroll Ball, Jackson, Mississippi. $1,000-$1,500 J. Fieldhouse is listed as a “provincial” art dealer in the 1890s editions of The Year’s Art compilation published in London yearly by the J. S. Virtue Company.

81 Eight-Piece Collection of English Coalport Topographical Porcelain ca. 1891-1920, all with hand-painted, identified scenes on a cobalt ground richly decorated with giltwork, including four cabinet plates with T. Goode & Co., London retailer’s marks, dia. 8”, a three-handled goblet, h. 9”, d. 5-3/4”, a covered urn with ram’s-head handles, h. 10-1/4”, w. 5-1/4”, d. 4”, a similar smaller urn, h. 7-1/4”, w. 4”, d. 3”, and an urn with lion’s-head handles, h. 7”, w. 4-1/4”, d. 3”. $600-$900 82

84 British School (Late 18th Century) “Portrait of a Lady” oil on canvas unsigned, a “Michael Davis/Surrey” label en verso frame. Framed. 29” x 24”, framed 34” x 29-1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500-$800

83 “His Grace William-Spencer Cavendish, Duke of Devonshire, Knight of the Most Noble Order of the Garter, &c. &c. &c., Carrying the Orb” embossed and colored etching; together with “Maria Elisabetha Fuggerin, Marci Filia”, colored engraving, after Mathias Reger, engraved by Wolfgang Kilian, a “W. King Ambler, Old Prints and Maps” label en verso. Both matted, glazed and framed. sights 25” x 11-1/2” and 13-1/2” x 9-1/2”, framed 31” x 17” and 23-1/2” x 19” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $400-$700

85 William-and-Mary Style Oak Chest 18th century, the rectangular top above a case fitted with four graduated long drawers, all with geometriccarved fronts, raised on bun feet h. 35-3/4”, w. 35-3/4”, d. 22” $600-$900

86 British School (18th Century) “Portrait of a Child with Pet Terrier, Against a Verdant Landscape” oil on canvas unsigned Framed. 42” x 32”, framed 48-1/2” x 39” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $1,000-$1,500

87 English Mahogany Triple-Section Armoire ca. 1825, the arched pediment flanked by a pair of taller sections, each with a molded cornice over a door, the central section with a bank of six drawers, the piece incorporating carefully selected figured “plum pudding” veneers, the back bearing a paper label, “From Taylor’s Upholstery and Cabinet Warerooms, No. 12, High Ousegate, York.” h. 72”, w. 82”, d. 23”

$400-$700

88 British School (Fourth Quarter 18th Century) “Portrait of an Unidentified Member of the Spencer Family, Althorp House, Northamptonshire” oil on canvas unsigned. Presented in an elaborate antique gesso and carved giltwood frame. 30” x 25”, framed 43-1/4” x 38-5/8” Provenance: Althorp House, Northamptonshire, England; The Althorp Attic Sale, Christie’s, London, July 7, 2010, lot 459; Private dealer, London, England; Collection of James Harris, PhD, Oklahoma City, Oklahoma. $1,500-$2,500 According to the catalogue entry from the Christie’s sale, this is a copy of a portrait conserved in the Billiard Room at Althorp House.

90 Interesting Collection of King George III of England Memorabilia 18th and 19th century, including an eglomise portrait, signed Richard Purcell lower right; an ink on paper armorial; a signature with small color lithograph; and a handwritten letter dated 1795 and signed George with a small etching. All matted, glazed and framed. overall 16-3/4” x 12-3/4”, 12” x 10”, 23” x 16” and 17-1/4” x 14”, respectively Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $600-$900

89 British School (Fourth Quarter 18th Century) “Portrait of a Lady in a Red Silk Dress” oil on canvas unsigned. Framed. 30” x 25”, framed 35-3/4” x 30-1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $1,000-$1,500

90 suite of four

91 John Wells Smith (British, fl. 1870-1875) “The Fisherman’s Tale”, 1882 oil on canvas signed and dated lower left. Framed and with artist plaque. 28” x 36”, framed 35” x 43” $900-$1,200 92 Late Victorian Polychromed and Parcel-Gilt Composition Floor Lamp ca. 1900, of large scale, the custom-made silk shade mounted to the tapered and fluted standard, the base with garland swags and large overlapping acanthus leaves, electrified. h. 72”, dia. 27” $500-$800

93 Four English Wedgwood Fairyland Lustre Bowls ca. 1915-1930, including an octagonal punch bowl with a hummingbird pattern on a blue ground and a flame orange interior, marked with the Portland Vase mark, “Wedgwood, Made in England”, and the pattern number “Z5294”, h. 4-1/2”, dia. 9-3/4”, a round bowl with a fruit pattern on a blue ground, and the same Wedgwood marks and pattern number “Z5457”, a ruffled flower-form bowl with a flame interior, decorated with butterflies, marked with the Wedgwood vase mark and “England”, h. 2-1/2”, dia. 8”, and a small bowl with a dragon pattern, with the Portland Vase mark and the pattern number “Z4829”, h. 2-1/8”, dia. 4”. $500-$800

94 British School (19th Century)

96 Pair of George III-Style Mahogany Corner Cabinets each with a molded canted cornice above a dropfinial-applied frieze, over a single astragal-glazed door and a paneled cupboard door, raised on plinth bases. h. 74-1/2”, w. 35-1/2”, d. 21” $400-$700

“Portrait of a Young Man” oil on canvas unsigned. Framed. 24-1/8” x 19-1/2”, framed 33” x 29-1/4” Provenance: By repute, Mint Museum, Charlotte, North Carolina; Private collection, North Carolina; Collection of James Harris, PhD, Oklahoma City, Oklahoma. $600-$900

95 Pair of Hand-Painted Porcelain Vases ca. 1900, probably English, painted with peacocks and set with rococo-molded handles, the cobalt grounds decorated with carefully detailed gilt insects, birds and snakes, drilled for lamps, unmarked. h. 11”, w. 8-1/2”, d. 4-3/4” $400-$700

97 Victorian Mahogany Tripod Table early 19th century and later, the tilting floriform top with a raised edge and central molding with inlaid brass and bone accents, and raised on a turned columnar standard to three splayed cabriole legs headed by acanthine brass inlay and ending in like-inlaid pad feet. h. 30”, dia. 35” $500-$800 99

98 British School (Third Quarter 19th Century) “The Golfer” lithograph and oil on paper laid on canvas signed “Tulley” lower right, a “Geo. Rowney & Co., London” label en verso. Framed. 10” x 8”, framed 17-1/2” x 15-1/2” $200-$400

99 Basil Nightingale (British, 1864-1940) “The Race Horse Nancy”, 1909 oil on canvas signed and dated lower right, titled lower center. Framed. 20” x 26”, framed 23-1/2” x 29-1/2” $700-$1,000

100 Victorian Mahogany Triple-Section Bookcase third quarter 19th century, the molded cornice over three glazed doors, each with a cartouche and leaf carving at its top, the ends with fluted and carved pilasters. h. 81-3/4”, w. 74”, d. 18” $300-$500

101 Victorian Ebonized and Parcel-Gilt Papier-Mache Tilt-Top Table mid-19th century, the scalloped top mounted to a vasiform standard and shaped base with three scrolled feet. h. 23”, dia. 25” $300-$500

101

100

102 British School (Second Quarter 19th Century) “Portrait of a Lady Wearing a Ferronniere” oil on canvas unsigned. Framed. 30-1/4” x 25”, framed 35” x 29-1/2” $300-$500

103 Suite of Eight Victorian Mahogany Dining Chairs third quarter 19th century, comprised of a pair of armchairs and six side chairs, each with a concave top rail over a scroll-carved splat, slip seat, molded apron and turned and tapering front legs. h. 35-1/2”

102

$400-$700

104 British School (Mid- to Late 19th Century) “Sailboats on Choppy Seas” oil on board signed “E. Hayes” lower right. Framed and with “E. Hayes” artist plaque. 11-1/2” x 17”, framed 16-1/2” x 22” $400-$700

104

103

105 Handsome English Neoclassical Giltwood Overmantel Mirror second quarter 19th century, English or American, the corners molded with bold floral medallions, the sides with double colonettes with lotus-molded capitals. h. 35”, w. 62-1/2” $300-$500

105

106 William IV Mahogany and Leather-Upholstered Library Armchair second quarter 19th century, of generous proportions, the tufted concave back joined to curved arm rests, on baluster-form supports, raised on cylindrical and ring-turned front legs, may have originally been fitted as a reclining chair. h. 45” $300-$500

106

107 British School (Mid-19th Century) “Playing Fields, Eton College”, 1856 pair of oils on wood panel each initialed “H. S.” and dated lower right or left, pencil-inscription with titles en verso. In matching frames. sight circular 7-1/2” x 7-1/2”, framed 13-1/2” x 13-1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $700-$1,000

107

108 William IV Mahogany Teapoy second quarter 19th century, the box mounted to a turned standard and shaped platform base with four turned and carved feet. h. 29”, w. 17”, d. 12-3/4” $400-$700 109 Pair of English Painted Dummy Boards 19th century, depicting a couple in Jacobean costume, each with a lace collar, the male carrying a rose and the female a spaniel puppy. h. 37” and 39-3/4”, w. 15-1/4” and 22-3/4” $400-$700

108

109

110 Attributed to Charles Bridges (British/Virginia, 1672-1747) “Portrait of a Seated Toddler Wearing a Pudding Cap” oil on canvas unsigned. Framed. 36” x 27-1/2”, framed 41-1/2” x 32-1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $1,500-$2,500

110

111

111 British School (19th Century) “Landscapes near Rivers” pair of oils on panel unsigned. Period matching gilt frames. 5” x 7-1/2”, framed 11-1/2” x 14-1/4” $400-$700

112 Near Pair of Victorian Mahogany Library Chairs and Two Ottomans late 19th century, each chair with a domed, padded and tufted back joined by padded outscrolled arms to the tufted rotating seat, raised on four cabriole legs ending in scrolled toes; together with a pair of conforming ottomans, each with a padded and tufted sloped seat, raised on scrolling end supports joined by a stretcher. chair h. 43”

112

$400-$700

113 Pair of Victorian Cut Glass Candelabra fourth quarter 19th century, on faceted vasiform bases, the two-light arms set with tulip-form candle cups and removable glass whale oil burners, hung with prism rings and prisms. h. 24”, w. 13”, d. 6-1/2” $500-$800

113

114 Attributed to Sydney Percy Kendrick (British, 1874-1955) “Portrait of a Bearded Courtier” oil on canvas board a “Bedford” inventory label en verso. Framed. 7-1/2” x 6”, framed 9-1/4” x 7-3/4” Provenance: Property from the Collection of the Dowager Duchess of Bedford, Sotheby’s, New York, October 20-21, 2003; Collection of Dr. James Harris, Oklahoma City, Oklahoma. $400-$700

114

115

115 British School (Fourth Quarter 19th Century) “Lunch with the Satyr” oil on canvas faintly signed “M...Wyatt” lower right. Framed. 12-1/4” x 15-5/8”, framed 18-3/4” x 21-3/4” $600-$900 116 Queen Anne Mahogany Mirror with a scroll-sawn crest with a pierced and carved giltwood shell. h. 42”, w. 17-1/4” $800-$1,200

116

119 Harold James Youngman (British, 1886-1968) “Dowsing for Water” patinated bronze 20th century, cast signature along edge of self-base, on a marble plinth. overall h. 29-1/4”, w. 11-1/2”, d. 18” $400-$700

117

117 Pair of George II-Style Mahogany Wing Chairs in the Queen Anne taste, with arched backs and columnar arm supports, loose cushions and cabriole legs with pad feet joined by H-form stretchers. h. 45-1/2” $500-$800 118 George II-Style Mahogany Wake Table early 20th century, the top flanked by rounded drop leaves, each supported by a pair of tapering fly legs on pad feet. h. 29-1/2”, w. 84”, l. 15-1/2”, ext. l. 53-1/2”

119

$400-$800

118

120 English Elizabethan Revival Mahogany Canterbury first quarter 20th century, the pierced and carved case with spindled dividers, raised on turned feet ending in casters. h. 21”, w. 26-1/2”, d. 17” $200-$400

122

120

121 George III-Style Mahogany Corner Cabinet 20th century, the molded and dentillated cornice canted and above a conforming case fitted with two bi-paneled doors, the lower section fitted with two paneled doors, raised on shaped bracket feet. h. 86-1/2”, w. 52-1/2”, d. 26-1/2” $500-$800

122 British School (20th Century) “Portrait of a Woman in Elizabethan Clothing” oil on canvas illegibly signed lower right. Framed. 30” x 24”, framed 42” x 35-3/4” $900-$1,200

121

123

123 Labeled Hitchcock Ebonized and Stenciled NinePiece Dining Suite comprised of Sheraton fancy chairs, including seven side chairs and one armchair, each labeled “L. Hitchcock Hitchcocksville Conn. Warranteed”, h. 34”, together with a Queen Anne-style dining table with three leaves and pad feet, h. 29-1/2”, w. 44”, l. 66”, ext. l. 96”. $300-$500 Crafted during the 1950s interest in Colonial Revival and Early American furniture, this suite is accompanied by the manufacturer’s catalogue. The present model is illustrated in “No 233 Turtle Rush Seat”. 123

124 Regency Inlaid Mahogany Wheel Barometer first quarter 20th century, with a pitch pediment top, the throat with a hydrometer and thermometer, inlaid with a pair of conch shells, mounted with a level on the bottom. h. 38”, w. 10-1/4” $400-$700 125 Regence-Style Kingwood and Marble-Top Commode the shaped rectangular marble top above a conforming bombe case fitted with two short drawers over two long drawers, all banded and quarter-veneered, raised on splayed legs ending in sabots. h. 35”, w. 48”, d. 21” $500-$800 126 Caroline Vatcher, Duchess of Leeds (British, 1931-2005) “Boats Docked” watercolor on paper signed “Leeds” lower left. Matted, glazed and framed. sight 11” x 14-1/2”, framed 18” x 22” 11” x 14-1/2”, framed 18” x 22”.

126

127 Joseph Paulman (British, 19th Century) “Windmill Above a Cove with Boats and Figures” oil on canvas signed and dated “1890” lower right. Giltwood frame. 15” x 22”, framed 24” x 30-3/4” $500-$800

Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $500-$700

127

124

125

130 French Hand-Painted Three-Panel Screen 18th century and later, painted with treillage and flowers, the wood frame with a serpentine crest. h. 77-1/2”, w. 93” $400-$700

128

128 Antoine Ponthus-Cinier (French, 1812-1885) “To the Watering Hole” oil on canvas signed lower right. Framed. 14” x 18”, framed 19” x 22-1/2” $400-$700

129 Pair of Directoire-Style Polychrome Bergeres each with a concave top rail, the shaped stiles extending to closed arms on turned supports, raised on turned legs. h. 34” $300-$500 130

129

131 Early French Provincial Carved Oak Armoire late 18th century, with a removable molded cornice above a pair of framed and paneled doors with reliefcarved motifs of birds and flowering trees. h. 87”, w. 57”, d. 25-1/2” $700-$1,000

133

133 Pair of Provincial Louis XV-Style Fruitwood Fauteuils each with a shaped shell- and foliate-carved crest over a caned back, the open arms and serpentine seat rail with like carving, raised on cabriole legs joined by X-form stretchers. h. 37-1/2” $300-$500

131

132 Provincial Louis XV-Style Fruitwood Desk the top with a molded edge, over a central drawer and kneehole opening flanked by pairs of deep drawers, raised on cabriole legs. h. 29-3/4”, w. 60”, d. 27-1/2” $600-$900

132

135 French School (Second Half 18th Century) “Portrait of a Statesman” oil on canvas unsigned. Framed. 28-3/4” x 22-7/8”, framed 36” x 31” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $1,500-$2,500

134

134 John Moreau (French/Irish, 19th Century) “Nature Morte: Still Life of Pears, Peaches, Grapes and a Bottle of Wine” oil on canvas signed and further inscribed lower right. Presented in a giltwood frame affixed with artist plaque. 17-7/8” x 14-5/8”, framed 23-3/4” x 20-3/4” $700-$1,000

135

136 Pair of Paris Porcelain Urns second quarter 19th century, now mounted as lamps, with pierced swan handles, hand-painted with couples in period costume on the obverse and “Italian” scenes on the reverse. h. 22-3/4”, w. 6”, d. 5-1/2” $300-$500

136

137 Louis XV Marquetry-Inlaid and Ormolu-Mounted Kingwood Corner Cabinet 18th century, the broken-arch pediment with a central plinth above a glazed door, the base with a marquetryinlaid door and raised on bronze feet. h. 82”, w. 28”, d. 19” $800-$1,200

138 Three Piece Gilt-Metal and Porcelain Mounted French Clock Garniture, ca. 1900, in the Louis XVI style, the clock with an urn finial and seated putto, the back side of the case stamped “8 PH-MOUREY 71” and “H-T BREVETE”, fitted with a time-and-strike movement, h. 15”, w. 11”, d. 5”

138

139 Louis XV-Style Painted Leather Screen 19th century, composed of four serpentine-top panels, depicting idealized scenes of country life. overall h. 83-1/2”, w. 90”

$700-$1,000

$1,000-$1,500

137

139

141

142 Louis XV Polychrome and Slate-Top Console Table 18th century and later, the black slate top above a conforming frieze fitted with two small drawers over a shell-centered serpentine apron, raised on cabriole legs ending in peg feet. h. 34-1/4”, w. 47”, d. 23-1/2” $700-$1,000

140

140 Louis XV-Style Painted Trumeau Mirror ca. 1900, the oil-on-metal painting depicting a bridge in a landscape, the painting and mirror with carved and scrolled giltwood surrounds. h. 63-1/4”, w. 44-1/4” $600-$900 140A Pair of Rococo-Style Gilt-Bronze Tie-Backs

140A

first quarter 20th century, French, decorated with molded bunches of fruit held with pierced bowknots. w. 11-1/2”, d. 5” $400-$700 141 Louis XV-Style Ebonized and Faux Boulle Bureau Plat the rectangular top with banding and a central panel simulating Boullework, within an ormolu band with corner accents, above a frieze fitted with three drawers, raised on cabriole legs headed by espagnolettes and ending in sabots. h. 31”, w. 59”, d. 32” $500-$800

142

143 Follower of Claude Vignon (French, 1593-1670) “Offerings from the Kingdom to the Queen”, third/fourth quarter 17th century oil on wood panel unsigned. Framed. 27-3/8” x 39-1/4”, framed 34-1/2” x 46-3/4” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $1,000-$1,500

145

143

144 Louis XV-Style Giltwood Occasional Table third quarter 19th century, the circular brescia marble top over a frieze with floral garlands, raised on a foliate-carved baluster-form pedestal joined to carved legs. h. 29-5/8”, dia. 30” $400-$700 145 Louis XV-Style Brass and Prism-Hung Chandelier

144

ca. 1900, the six-light chandelier of basket form, draped with cylindrical beads and faceted drops, electrified. h. 37-1/2”, dia. 31” $400-$700 146 Louis XV-Style Kingwood Work Table early 20th century, the hinged, shaped rectangular top banded and with parquetry veneer, and opening to a mirrored interior and a lift-out compartmented tray, above a shaped ormolu-applied frieze with a pull-out storage well below, raised on cabriole legs ending in sabots, the interior bearing the label “Tahan, Paris”. h. 30”, w. 22-1/2”, d. 16” $500-$800

146

146A Louis XV-Style Giltwood and Marble-Top Pier Mirror Base third quarter 19th century, with a conforming white marble top over a shaped frame with scrolled and foliate motifs, raised on cabriole legs. h. 13-1/2”, w. 40”, d. 14” $300-$500 147 Louis XV-Style Chenets with Integral Fender fourth quarter 19th century, French, the urn-form chenets with flame finials and swags of laurel, the pierced fender with a pierced leaf-molded crest. h. 17-1/2”, w. 64”

146A

$250-$400 148 Louis XV/XVI-Style Kingwood and Marble-Top Commode the shaped rectangular marble top with projecting corners, above a conforming case fitted with three long drawers, all triple paneled and with decorative banding, raised on splayed legs to sabots. h. 34-1/2”, w. 51”, d. 20-1/2” $500-$800

147

149

149 French Patinated Bronze Tazza fourth quarter 19th century, on a sacred bull-form standard, the dish top incised with Egyptian figures around a molded Egyptian portrait roundel. h. 8-1/4”, dia. 12-1/4”

148

$400-$700

150 Louis XVI-Style Mahogany Writing Table 19th century, the rectangular top with a three-quarter pierced brass gallery and an inset leather writing surface, above a frieze fitted with a single drawer, raised on paneled tapering circular legs ending in brass caps. h. 29”, w. 31”, d. 20-1/2”. h. 29”, w. 31”, d. 20-1/2”. $800-$1,200 151 Pair of Louis XVI-Style Parcel-Gilt Ivory-Painted Pedestals

150

each with a square top, supported by a tapering column with applied ribbon and fruit carving. h. 42-3/4”, w. 13-1/2”, d. 13-1/2” $250-$400 151A Louis XVI-Style Mahogany and Marble-Top Commode late 19th century, the marble top within a brass gallery, the case with a pair of drawers and raised on tapering square legs. h. 34”, w. 28-1/4”, d. 11-3/4” $400-$700 152 French School (Second Half 18th Century) “Portrait of a Lady” watercolor miniature unsigned, brass backing on frame faintly inscribed “Mere de la mere/A. Auguste Bouchard/...elle Boucher. Glazed and framed. sight 3” x 2-1/2”, framed 5-1/2” x 5” $200-$400

151

151A

152

153 After Emile Louis Picault (French, 1833-1915) “Escholier 14eme Siecle” patinated bronze first quarter 20th century, cast signature along back edge of self-base, title plaque at front edge. overall h. 14-1/4”, w. 5-3/4”, d. 4-1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $800-$1,200

154 Louis XVI-Style Giltwood Settee early 20th century, the back crest with a carved bowknot and laurel leaves, the curved frame with a central oval padded panel in the back, raised on stop-fluted tapering turned legs, completely upholstered in floral needlepoint. h. 39-1/2”, w. 73”, d. 32”

153

$500-$800

155 Louis XVI-Style Giltwood Vitrine early 20th century, the nearly oval top over a conforming case with vine-wrapped columns flanking the bowed glass front door and curved glass sides, raised on turned and reeded legs. h. 60-1/2”, w. 29-1/2”, d. 17-3/4” $300-$500

155

154

158 Louis XVI-Style Mahogany and Marble-Top Cabinet early 20th century, the stepped rectangular marble top within a full pierced brass gallery, above a case fitted with a frieze drawer over a tambour cupboard with two cabinet doors below, each inset with a parquetry panel, raised on spiral-ribbed toupie feet, the back stamped “Cacaut Paris”. h. 59”, w. 28”, d. 14” 156

$500-$800

157

156 After Antoine-Louis Barye (French, 1795-1875) “Panther Tunis” patinated bronze fourth quarter 19th century, cast signature at front of selfbase, inscribed “F. Barbedienne Fondeur” along back edge, on a beveled green marble plinth. overall h. 5”, w. 8-1/2”, d. 3” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $500-$800 157 After Antoine-Louis Barye (French, 1795-1875) “Cheval Turc”, 20th century patinated bronze cast signature h. 7”, w. 7-1/8”, d. 2-3/4” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $500-$800 158

159 French Fruitwood Side Table in the transitional Louis XV into Louis XVI style, late 18th century, the triple-banded rectangular top with a threequarter gallery and shaped front, above a paneled frieze fitted with a single compartmented end drawer, raised on cabriole legs ending in sabots. h. 28”, w. 32-1/2”, d. 19-1/4” $800-$1,200 160 Louis XVI-Style Giltwood Mirror 20th century, with a pierced crest decorated with lovebirds in a wreath, set with a beveled mirror plate, h. 37-1/4”, w. 23”. $600-$900

159

161

161 After Francisque Joseph Duret (French, 1804-1865) “L’Improvisateur” bronze first quarter 20th century, modeled as a young Neapolitan boy in the guise of Bacchus, playing a mandolin, cast signature along edge of self-base, a “Stan Levy Imports” tag at back edge. h. 17”, w. 8”, d. 7” $500-$800 160

163

163 Pair of Louis XVI-Style Gilt-Bronze Four-Light Sconces 20th century, with pierced backplates decorated with laurel leaves and supporting reeded candle arms terminating in cockerel heads, and set with laurel-molded drip pans and hexagonal candle cups. h. 18-1/2”, w. 15-3/4”, d. 10-3/4” $400-$700 164 Gaston Malpigny (French, Late 19th/Early 20th Century) “Les Ramasseuses de Fagots” oil on canvas signed lower left. Framed. 27-1/2” x 35-1/2”, framed 36-1/8” x 44-1/8” $700-$1,000 162

162 Louis XVI-Style Marble-Top Lamp Table early 20th century, the circular marble top with a pierced brass gallery, over a conforming case inset with veneered and inlaid panels, raised on tapering circular legs ending in brass sabots, the lamp standard of tapering form with inlay and a vasiform base. table h. 27”, dia. 19-1/2”, overall h. 57” $200-$400

164

165 Pair of Louis XVI-Style Gilt-Bronze Two-Light Sconces with quiver-form backplates set with urn finials, leaf-molded candle arms and octagonal drip pans. h. 14-1/4”, w. 8-1/2”, d. 5” $400-$700

165

166

167

166 Louis XIV-Style Brass Chandelier

167 Louis-Philippe Mahogany Secretaire a Abattant

the six-arm chandelier with a stem and melon-form bowl supporting shaped arms, electrified. h. 24”, dia. 28”

mid-19th century, the rectangular top above a conforming case fitted with a concealed frieze drawer over a drop front opening to a leather-inset surface and a mirror-backed galleried interior fitted with three small drawers to either side, over three long drawers, raised on ribbed ebonized feet. h. 63”, w. 39”, d. 19-3/4”

$259-$400

$300-$500

168 Louis-Philippe Fruitwood Daybed fourth quarter 19th century, with matching paneled headboard and footboard, each with a blanket-roll top rail and turned rosettes, and terminating in block feet. h. 42-3/4”, inside w. 41-1/4”, l. 78-1/2”, outside w. 44-1/4”, l. 84-1/2” $200-$400 168

169 French Aesthetic Marble and Bronze Clock Set fourth quarter 19th century, decorated with gilt and silver-gilt incising, the clock with an urn-form finial, the works marked by Japy Freres, h. 15-1/2”, w. 11-1/2”, d. 7”, and the matching two-light candelabra with molded candle cups and pierced anthemia finials, h. 17”, w. 8-1/4”, d. 4-1/4”. $500-$800

169

170 French School (First Quarter 20th Century) “Still Life with Seafood and Champagne” oil on canvas signed and dated lower right “E. Lachappelle 1906”, verso canvas with “A. Vittry Paris” stamp. Presented in a handsome oak frame. 31-3/4” x 25-1/2”, framed 39” x 45-3/8” $400-$700

170

171

172

171 French Neo-Grec Bronze Dore et Patine Tazza third quarter 19th century, set with a patinated basrelief roundel of a shepherd guarding his flock, signed “Richard” (Alfred Pierre Richard, French, 1844-1884), with carefully cast handles decorated with anthemia and scrollwork. h. 4-3/4”, w. 16-1/4”, d. 12” $500-$800 172 Rare French Neo-Grec Gilt-Bronze Chamber Stick with Adjustable Screen fourth quarter 19th century, decorated with anthemia, molded scrollwork, fans and acanthus leaves. adjustable h. 7”, w. 5-1/2”, d. 4-1/4” $400-$700

173

173 Pair of French Neo-Grec Gilt-Bronze Candelabra fourth quarter 19th century, each two-light candelabrum with a tapered standard decorated with a bust of Psyche with a butterfly-winged headdress, flanked by scrolled candle arms supporting anthemia-molded candle cups, above a base with molded scrollwork. h. 12”, w. 10-1/2”, d. 5” $300-$500 174 French Marble Mantel Clock second half 19th century, with a gilt-metal child holding flowers. h. 14-1/4”, w. 9-3/4”, d. 5” $400-$800 174

175 French Gilt-Bronze and Verde Antico Marble Clock Set ca. 1900, in the Empire Revival style, the clock suspended between obelisks and having a bronze eagle finial, h. 19-1/2”, w. 12”, d. 4-1/2”, the five-light candelabra en suite, h. 19-3/4”, dia. 7”. $250-$400

175

176 French Empire-Style Mahogany Miniature Chest fourth quarter 19th century, with ebonized bun feet, the molded top over a pair of leaf-carved side brackets, flanking four drawers. h. 19”, w. 17-3/4”, d. 9-1/4” $300-$500 176

177 French Patinated Spelter and Marble Figural Mantel Clock, ca. 1900, the clock with a porcelain dial and flanked by a maiden and winged putto, bearing a plaque “Surprises Par Guillemin” and mounted to a marble base, fitted with a timeand-strike movement h. 16”, w. 20”, d. 7” $600-$900 177

178 French School (First Quarter 19th Century) “Portrait of a Gentleman in a Lace Cravat” oil on canvas unsigned. Framed. 18-3/8” x 15-5/16”, framed 24-3/4” x 21-3/4” Provenance: Dixon & Dixon, New Orleans, Louisiana; Collection of James Harris, PhD, Oklahoma City, Oklahoma. $700-$1,000

178

179 French Cast Metal and Marble Mantel Clock, First quarter 20th Century, the top with a free standing metal figure of a warrior on horseback, the marble clock with incised limework and cast brass mermaid handles h. 20”, w. 15”, d. 5-1/2” $500-$800

179

180 French Bronze Five-Light Chandelier first quarter 20th century, in the Louis XV taste, molded with leaves and scrollwork. h. 34”, dia. 17” $800-$1,200

180

181 Two Similar Exceptionally Carved French Olive Wood Snuff Boxes second quarter 19th century, one carved with a reclining Venus, a bird on her knee, and the other carved with soldiers and a legend pertaining to military victory, each back with minutely carved patterns, both lined with tortoiseshell. h. 3/4”, dia. 3-1/4”

181

$200-$400

182 Pair of Baroque Giltwood Architectural Elements ca. 1700, now mounted as lamps, carved with kneeling angels supporting plinths, with tole drip pans, electrified. overall h. 21-1/2”, w. 7-3/4”, d. 6-3/4” $600-$900

182

183 Baroque-Style Giltwood Mirror 20th century, the crest with scrollwork above a lushly decorated surround with woven garlands of fruit and flowerheads, and a shell on the base, set with a beveled mirror plate. h. 72-1/2”, w. 52” $300-$500

183

185

184

184 Baroque-Style Giltwood Mirror 20th century, the crest with scrollwork above a lushly decorated surround with woven garlands of fruit and flowerheads, and a shell on the base, set with a beveled mirror plate. h. 72-1/2”, w. 52”

186 Pair of Legras Scenic Enameled Art Glass Vases ca. 1900, French, each depicting a tranquil pond or lake scene, signed “Legras” near the bottom, with ground pontil mark and a ground upper edge. h. 14-1/4”, w. 5-3/4”, d. 3-3/4” $600-$900

$300-$500 185 Unusual Bronze and Metal Hall Lantern of Baroque Inspiration second quarter 20th century, French, with an oval-form frame decorated with molded bronze leaves and flower heads, framing an interior leaf-molded platform set with candle sockets, the upper portion with metal scrolls trimmed with bronze leaves. h. 43”, dia. 16” $600-$900 186

187 Pair of French Empire-Style Semi-Circular Sconces second quarter 20th century, the backplates decorated with pierced anthemia, the exterior band with gilt medallions on a patinated ground, set with arrow-form supports, electrified. h. 14-1/2”, w. 6”, d. 7-3/4”

187

$400-$700

188 French Bronze Six-Light Chandelier first quarter 20th century, in the Renaissance taste, the triangular standard decorated with scrollwork and cabochons, and three busts, the paneled arms set with leaf-molded drip pans and sockets, alternating with winged heads on scrolled supports. h. 26”, dia. 20-1/2” $600-$900

188

189 French Four-Light Bronze Chandelier first quarter 20th century, in the Directoire taste, with rope-twist arms and pierced scrolls hung with swags of flowers. h. 19”, dia. 12” $800-$1,200

189

648

190 Jean Lefort (French, b. 1948) “Two Children Playing with a Sailboat” oil on canvas laid down on panel signed lower right. Framed. 19-3/4” x 15-1/4”, framed 27” x 22-1/2” $700-$1,000

190

191 Napoleon III Rosewood Center Table in the Rococo Taste third quarter 19th century, the tortoise-form top over a conforming paneled and floral-carved apron, each side fitted with a drawer, raised on cabriole legs joined by serpentine stretchers with a central finial. h. 31-1/4”, w. 53”, d. 34-1/2” $300-$500 191

192 Napoleon III Parcel-Ebonized, Kingwood and MarbleTop Chest third quarter 19th century, the variegated white and gray marble top with projecting ovolo corners, above a conforming case with a bank of five drawers, each with parquetry-veneered faces, flanked by fluted pilasters, the sides with like veneer. h. 39-1/2”, w. 53”, d. 23-5/8” $400-$700

192

193 Pair of Napoleon III Opaline and Gilt-Bronze Garnitures third quarter 19th century, French, decorated with portrait medallions of French noblewomen, trimmed in gilt on a celeste blue ground, with pierced gilt-bronze fittings. h. 28-1/2”, dia. 9-1/4” $400-$700

194 Napoleon III Gilt-Bronze Mantel Clock, Fourth quarter 19th century, the top with a young maiden seated on a rocky crag, the base with applied scrolled ornaments, fitted on a time-and-strike movemnet, signed “ B & L”. h. 16”, w. 12”, d.4-1/2”

193

$400-$700

194

195 Napoleon III-Style Kingwood and Burl Elm Marble Top Lingerie Chest, mid- 20th century, the shaped rouge marble top over a conforming case fitted with six gently serpentine drawers, dressed with ormolu mounts and bonding. h. 51-1/2, w. 27”, d. 16” $500-$800 195

196

196 Dom Antoine Augustin Calmet, O.S.B. (1672-1757), “Commentary” Commentaire Litteral sur Tous les Livres de l’Ancien et du Nouveau Testament(Paris: Pierre Emery, 1707-1716), first edition, crown octavo, eight volumes (of twenty-three), including Genesis (1707), Exodus & Leviticus (1708), Isaiah (1714), Ezekiel & Daniel (1715), Twelve Minor Prophets (1715), Matthew (1715), Mark & Luke (1715) and the Pauline Epistles (1716), in full brown leather, the flat spines with raised bands and brown panels with gilt lettering and decoration, with marbled endpapers and cut and tinted edges [Kapsner 2253]. leaf 10” x 7-3/8”, overall 10-1/2” x 8” $600-$900

197 Felix Edouard Guerin-Meneville (1799-1874) Atlas to Dictionnaire Pittoresque d’Histoire Naturelle Paris: second quarter 19th century, quarto, in three volumes, 720 natural history plates, most hand-colored, with printed table, in quarter green leather with gilt fillet on green moire cloth, the spines with gilt decoration and lettering, the edges cut and marbled, with yellow moire endpapers and bookplate of Robert and Madeleine Clamens. [Nissen ZBI 4616; Grasse III 171] leaf 29.1 x 19.3 cm; overall 30.0 x 20.6 cm Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. This set is of the colored plates only and does not include the accompanying nine volumes of text. Without additional information, it is not possible to determine if they are from the first edition of 1834-39 or the second edition of 1844-1846. $1,000-$1,500

197

198 Continental School (19th Century) “The Work Horse” oil on wood panel unsigned. Framed. 16-1/4” x 21-1/2”, framed 22-1/8” x 27-1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $500-$800

198

199 Continental School (19th Century) “Turkish Horsemen and Their Dogs” oil on board unsigned. Period frame. 12” x 14-1/2”, framed 19-3/4” x 21-1/2” $300-$500

199

200 Harry Kluge (Danish, 1879-1963) “The Bent Branch” oil on canvas signed and dated lower right. Framed. 14-1/2” x 16-3/4”, framed 18” x 20-1/4” $500-$800

200

201 Hans Dall (Danish, 1862-1920) “Autumn Landscape” oil on canvas signed lower right. Framed. 10-1/2” x 15-1/2”, framed 14-1/4” x 19-1/2” $500-$800

201

202 Richly Decorated Giltwood Mirror fourth quarter 19th century, American or Continental, decorated with ribbon-bound fruit and reeding, beading and egg-and-dart molding. h. 33”, w. 38-1/2” $400-$700

202

203 Continental School (Late 18th/Early 19th Century) “The Herder with Cattle, Goats and Sheep” oil on canvas unsigned. Framed. 17-3/4” x 29-1/4”, framed 24” x 36” $1,000-$1,500

203

204 Two Continental Mahogany and PaintDecorated Trunks on Stands 19th century, each with a faceted and domed top, dovetailed corners and mounted to a cabriole leg stand, the front of each trunk with painted flowers and initials. h. 45”, w. 35”, d. 19” and h. 40”, w. 34”, d. 18-1/2” $300-$500

204

205A Continental Metal and Glass Electrolier first quarter 20th century, with three upturned arms, and three downturned arms, the standard and “gas” sockets decorated with molded leaves and hung with prisms, the arms and upper standard with wide turned elements, originally gas. h. 43”, dia. 17” 205

205 Continental Silver Claret Jug and Charger first quarter 20th century, the jug unmarked, with spiralgadrooned glass body and silver handle, with rococo-style silver foot, collar and hinged lid, h. 11-3/4”, the charger by P. Bruckmann & Sohne, Heilbronn, .835 silver, lobed with embossed fruit and floral rim and beaded edge, dia. 15-1/4”. 29.58 t. oz. (charger only) Provenance: By descent in the Kilp Family, Germany; to Antonio (1885-1959) and Carola (1895-1967) Kilp, Wiesbaden, Germany; to their daughter Carmelita Kilp Blackburn (1923-2017), Sugar Land, Texas.

$800-$1,200

206 Continental School (20th Century) “Shepherd and His Flock of Sheep in the Mountain Valley” oil on canvas unsigned. Framed. 37-3/4” x 52”, framed 51” x 64” $300-$500

$600-$900

205A

206

207 Continental Neoclassical Mahogany Secretaire a Abattant mid-19th century, the rectangular top above a conforming case fitted with a long drawer over a drop front, centered by an inlaid classical figural medallion and opening to a variety of drawers and cubbyholes, over two cupboard doors, each with a central urn inlay, raised on tapering square legs. h. 57-1/2”, w. 37”, d. 16” $500-$800

207

208 Anton Nicolaas Marie Karssen (Dutch, b. 1945) “On the Scent: Hunting Dogs in the Snow” oil on canvas signed lower left. Framed.

208

15-3/4” x 23-3/4”, framed 20-1/2” x 28-1/4” $1,800-$2,500

209 Anton Nicolaas Marie Karssen (Dutch, b. 1945) “Setters Resting in the Grass” oil on canvas signed lower right. Framed. 20” x 27-1/2”, framed 26-3/4” x 34-1/2” $1,200-$1,800 209

210 Continental Neoclassical-Style Parcel-Gilt Trumeau Mirror ca. 1900, the upper tablet with a basket of flowers supported by a bowknot, and flowers and garden implements, on a green ground. h. 73-1/2”, w. 30-1/4” $500-$800 211 Brass and Enamel-Inlaid Mantel Clock second half 19th century, with spiral-reeded columns. h. 21”, w. 10”, d. 5-1/4”. $400-$800 212 Ansonia Crystal Regulator Mantel Clock second half 19th century, with a gilt-bronze case set with beveled crystal. h. 11-1/2”, w. 7-1/2”, d. 5-3/4” $400-$800

210

211

212

213 Continental School (Fourth Quarter 19th Century) “Putti Riding Goats” oil on canvas signed “Del Buono” lower right. Framed. 9-1/4” x 13”, framed 10-1/4” x 14-1/8” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $500-$800 213

214 Italian School (19th Century) “Pompeii - La Corsa [sic]” pair of watercolors and gouaches on paper each signed “M. Crillo” lower right and localized lower left. Matted, glazed and framed alike. each sight 4-1/4” x 6”, framed 11-3/4” x 14-1/2” and 9-1/2” x 11-1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $500-$800

214

215 Continental Renaissance-Style Oak Round Extension Dining Table fourth quarter 19th century, the top with a molded and carved edge, the apron with applied grape and leaf carving, the base with spiral-turned supports and applied grape- and leaf-carved details, accompanied by six 12” leaves. h. 30”, dia. 54”, ext. l. 126” $500-$800 215

216 Continental School (19th Century) “Still Life of Flowers in a Vase” oil on wood panel unsigned. Framed. 22” x 16-1/4”, framed 26-1/4” x 20-3/4” $1,000-$1,500

216

217 Robert Boudry (Belgian, 1878-1965) “Still Life of Flowers and Apples”, 1942 oil on wood panel signed lower right, signed, dated and localized “Antw.” for Antwep en verso. Framed. 25-1/2” x 30”, framed 29-1/2” x 33-1/2” $700-$1,000 217

217A Continental Polychrome Coffee Table in the provincial style, the plank top with breadboard ends and supported by large bulbous-turned standards mounted to a platform base. h. 19”, w. 48-1/2”, d. 24” $500-$800 217A

218 Prince Leopold von Hohenzollern (German, 1835-1905) “Sunflowers” oil on canvas unsigned, handwritten inventory label en verso frame. Framed. 39-3/4” x 28-1/2”, framed 46” x 34-3/4” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $500-$800

“Still Life with Fruit, Seafood and a Butterfly” oil on canvas unsigned. Period giltwood frame. 21-1/2” x 18-1/8”, framed 33-3/8” x 29-7/8” $500-$800

218

219 Continental School (Fourth Quarter 19th Century)

219

220

220 Renaissance Revival Mantel Clock

221

second half 19th century, with a peacock above the dial, set with an enameled chapter ring, the works signed “Marti”. h. 18”, w. 10-1/4”, d. 5” h. 18”, w. 10-1/4”, d. 5” $400-$800

221 Small Silvered Bronze Chandelier in the Neo-Gothic Taste ca. 1900, the molded Gothic standard with conforming piercework and three three classical figures, over rose-form lights set with frosted shades. h. 24”, dia. 13” $400-$700

222 Continental School (Mid-20th Century) “Clown Playing the Flute” oil on canvas signed “Loveto” lower right. Framed. 19-1/2” x 13-3/4”, framed 24” x 18-1/4” $500-$800 222

223 Christoffer Jennert (Danish, 1890-1949) “The Bustling Crowd”, 1929 oil on canvas signed and dated lower right. Framed. 27-1/2” x 30-3/4”, framed 31-3/4” x 34-1/2” $500-$800

223

224 Empire-Style Mahogany Easel the adjustable tray adorned with laurel-carved swags, on a foliate- and bellflower-carved cheval base, the legs joined to the frame with dolphin-carved brackets. h. 82-1/2”, w. 25”, d. 23” $400-$700 225 Empire-Style Carved Mahogany Armchair and Footstool 20th century, the chair of captain’s form with a curved back and scrolled arms, raised on down-curved legs, h. 30”, and the small stool upholstered in the same fabric, h. 5-1/2”, w. 12”, d. 12”. $400-$700

224 225

226 Vilhelm Victor Bille (Danish, 1864-1908) “Ship at Sea” oil on canvas signed lower right. Framed. 16” x 21-1/2”, framed 21-3/4” x 27-3/4” $400-$700

226

227 Renaissance-Style Oak Kneehole Desk fourth quarter 19th century, with a rectangular top above a row of three drawers and a cabinet on each side of the kneehole opening, the rear side panels opening to hidden storage compartments. h. 30”, w. 56”, d. 31” $500-$800

227

228 Johannes Cornelis van der Heijden (Dutch, 1911-1992) “Nieuwkoop, Holland”, 1934 oil on canvas pencil-signed, titled and dated en verso. Framed. 19-1/2” x 31-1/2”, framed 24” x 36” $600-$900 228

229

229 Suite of Eight Rococo-Inspired Mahogany Dining Chairs comprised of a pair of armchairs and six sidechairs, each with a shell-carved medallion back, serpentine seat with conforming apron, and cabriole legs ending in carved paw feet, upholstered in floral brocade on a claret ground, h. 42-1/4”. $300-$500 230 Frederick Arends (Dutch, b. 1949) “Ice Skating: Holland in Winter” oil on panel signed lower right. Framed. 19-1/2” x 27-1/2”, framed 26-1/2” x 34-1/2” $1,200-$1,800

230

231 Frederick Arends (Dutch, b. 1949) “Repairing a Sail Boat, Katwijk Beach, Netherlands” oil on panel signed lower right. Framed. 14-1/2” x 19-1/2”, framed 21-1/2” x 26-1/2” $1,000-$1,500

231

233

232

235

234

232 J. De Graaf (Dutch, 20th Century)

234 Willem Romeyn (Dutch, 1624-1694)

“Winter Logging”

“A Peasant, Goats and Cattle at a Ford”

oil on canvas signed and dated “19-7” lower right. Framed. 38-1/4” x 50-3/4”, framed 45-1/2” x 57-3/4”

oil on canvas unsigned, printed label with artist and title en verso. Framed. 15-1/2” x 21”, framed 22-1/4” x 27-1/2”

$700-$1,000

$1,800-$2,500

233 Louis van der Pol (Dutch, 1896-1982)

235 Cornelis Verschuur (Dutch, 1888-1966)

“The Village Market”

“The Hay Cart”

oil on board signed lower left. Framed. 25-1/4” x 32-1/2”, framed 33” x 40-1/4”

oil on canvas signed lower right. Framed. 16” x 27-3/4”, framed 21-5/8” x 35-1/2”

$600-$900

$900-$1,200

236 Italian Renaissance-Style Carved Walnut Armchair late 19th century, the back with a central sunburst flanked by winged griffins, the acanthus-carved arms supported by lioncarved legs ending in paw feet. h. 37” $300-$500 237 Giovanni Varlese (Italian/Neapolitan, active 1888-1922) “Narcissus” patinated bronze fourth quarter 19th century, incised signature, localized “Napoli”, and dated “1896” at base. h. 24”, w. 9-3/4”, d. 9-3/4” $600-$900 238 J. M. Leitzmann (German, 19th Century)

236

“On Their Way to Evening Church Service”, 1847 oil on canvas signed and dated lower right. Framed. 18” x 15-1/2”, framed 25” x 23” $400-$700

237

238

239 Continental School (19th Century) “Mary, Jesus and Mary Magdalene” oil on canvas unsigned. Unframed. 26-1/2” x 37-3/4” $400-$700

239

240 Continental/Italian School (Second Half 19th Century) “Immaculate Conception of Mary” oil on canvas unsigned, probably a copy after an Italian 17th-century painting. Framed. 20-1/4” x 16-1/4”, framed 24” x 20-1/4” $700-$1,000

240

240A Pair of Chinoiserie-Style Mirror Glass and Gilt Bronze Two-Light Candelabra second quarter 20th century, the standards with pagoda finials over mirrors etched with phoenixes, issuing arms with prism hung bobeches, on gadrooned rectangular stem feet h. 14-3/4”, w. 11”, d. 2-1/4” $400-$700 240A

241 Italian Giltwood and Faux Marbre Side Table 18th century, the D-form faux marbre top above a conforming pierced frieze centered by a carved masque, raised on fluted and foliate-carved circular legs ending in ball feet. h. 31”, w. 39-1/2”, d. 22” $500-$800

241

242 Italian-Flemish School (Second Half 17th/First Quarter 18th Century) “St. Anthony of Padua’s Sermon to the Fish with St. Francis of Assisi” fresco on stone unsigned. Framed. 6-3/8” x 10-7/8”, framed 11-3/8” x 15-3/4” $600-$900

242

243 Italian Shield-Form Mirror fourth quarter 19th century, framed with deeply carved scrollwork, h. 15”, w. 13”. $600-$900

243

245

246 Ludvig Carl Gustav Jacobsen (Danish, 1890-1957) 244

“The Maternity Visitation, Scene from Ludvig Holberg’s (16841754) Comedy ‘Barselstuen’”

244 Niek van der Plas (Dutch, b. 1954)

oil on canvas signed lower right, titled “Barselstuen” and with “A. Matritzen, Forgylder” label en verso. Antique frame. 20” x 31-1/4”, framed 28-3/4” x 39-1/2”

“Umbrellas on the Beach”, 2013 oil on wood panel signed lower right, signed and dated en verso. Framed. 7” x 9-1/4”, framed 13-1/4” x 15”

A cartoonist at the Danish newspaper Dags Pressen, Ludvig Jacobsen also worked as a book and newspaper illustrator. Jacobsen enjoyed the theater and became well-known for his paintings of scenes from plays by Moliere and Holberg.

$1,000-$1,500

A classic comedy by Holberg, “Barselstuen” centers on Corfitz who is close to 70 years old and his young bride, who is bedridden since giving birth. Corfitz suspects his young bride to be unfaithful to him and that he is not the father of the baby. The comedy makes fun of the time when maternity visitations were commonplace, and the young mother must endure visits by the gossipy local women. Corfitz hides by the bed hoping to overhear gossip about his bride’s possible infidelity.

245 Gilt-Bronze Recumbent Lion on a Malachite Base 20th century, French or Russian, the well-cast lion resting on the polished figured malachite base. h. 3-3/4”, w. 5”, d. 5” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma.

$500-$1,000

$500-$800

246

247 Carl Hornung-Janson (Danish, 1882-1960) “Portrait of a Girl with Braids”, 1924 oil on canvas signed and dated lower right. Framed. 20-3/4” x 15-3/4”, framed 25-1/4” x 20-1/2” $500-$800

247

248 Christian Molsted (Danish, 1862-1930) “Sailor Blowing His Horn”, 1896 oil on canvas signed and dated lower left. Framed. 23-1/4” x 18-1/4”, framed 30” x 25” $500-$800

248

249 Jose Acevedo (Spanish, 1850-1905) “Matador”, 1881 watercolor signed and dated mid-left, a “Real Academia de Bellas Artes de San Fernando” label with artist and typewritten artist’s biography in Spanish en verso. Glazed and framed. sight 11-1/4” x 9-1/4”, framed 15-1/2” x 13-1/2” $600-$900

249

250

250 Luis Royo (Spanish, b. 1954) “Luces y Sombres” serigraph on clayboard signed lower right, numbered “27/160” lower left. Framed. 23” x 14”, framed 28-3/4” x 19-1/2” $700-$1,000

251

251 Jose Puyet (Spanish, 1922-2004) “In the Salon” oil on canvas signed lower left, printed label with artist and title en verso. Framed. 31-1/2” x 39-1/2”, framed 39” x 46-1/2” $1,800-$2,500

252 Baron Avro Manhattan (Italian, 1914-1990) “Mother and Child” lithograph “Baron Avro Manhattan Studio” stamp lower left. Matted, glazed and framed. sight 13” x 8-1/2”, framed 25” x 19” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $500-$800

252

253 Russian Neoclassical Mahogany and Brass Mirror second quarter 19th century, the mirror surround decorated with brass ogee molding, the pediment with a tinted parian roundel depicting the goddess Flora attended by two putti, the lower portion with gilt fluting. h. 62”, w. 32-1/4” $500-$800 254 Erhard Schon (German, ca. 1491-1542) “Head of Albrecht Durer in Profile to the Left” woodcut date in cartouche upper left and lower right, added later. Matted, glazed and framed. sight 11-3/8” x 9-7/8”, framed 14-7/8” x 13-1/4” $500-$800 255 Pair of German Gilt-Metal, Onyx and Art Glass Banquet Lamps ca. 1900, with onyx bases, the standards modeled as figures of muses supporting fonts, fitted with wick risers marked “W & W”, for Wild & Wessel, Berlin, the art glass fonts and ruffled shades decorated with flowers on a pale green ground. h. 29-1/2”, dia. 5” $500-$800

253

254

255

256

256 Pair of Carolean-Style Polychrome Side Chairs

257 Provincial Continental Refectory Table

19th century, each with a tall caned back surmounted by a foliate urn and dolphin crest, flanked to either side by Corinthian uprights, the caned seat raised on waisted foliatemodeled legs joined by an arched stretcher and ending in scrolled toes. h. 53-1/2”

early 20th century, the rectangular top above a conforming pendant fluted frieze, raised on shaped end supports joined by a long stretcher. h. 29”, w. 34”, l. 71” $500-$800

$300-$500

257

258 After Louis Van Houtte (Belgian, 1810-1876) “ Flore des Serres et des Jardins de l’Europe” two hand-colored botanical lithographs 1845-1880, Both glazed, French-matted and presented in distressed giltwood frames. sight 9-1/4” x 12-1/4” $80-$120

259 After Enzo Sighieri (Italian/French, 1868-?) “Doux Reve” patinated bronze first quarter 20th century, cast signature along edge of selfbase, with a “Bronze Guaranti Authentique/PARIS” foundry stamp at back, on an octagonal marble plinth with artist plaque, together with a wood pedestal h. 14-1/2”, w. 13”, d. 11-1/2”, pedestal h. 39”, w. 15”, d. 12”, overall h. 52” $700-$1,000

259

258 one of two

258 two of two

260 Turkish Agra Carpet 8’ 2” x 10’ 2” $400-$700

261 Peshawar Sultanabad Carpet 8’ 10” x 11’ 2” $300-$500

262 Semi-Antique Silk and Wool Tabriz Carpet 4’ 3” x 6’ $400-$700

260

262

261

263 Semi-Antique Lilihan Runner 3’ 6” x 10’ 9” $500-$800

263

264 Semi-Antique Tabriz Carpet 10’ x 14’ $500-$800

264

265 Semi-Antique Tabriz Carpet 9’ 9” x 12’ 7” $400-$700

265

266 Semi-Antique Tabriz Carpet 9’ 2” x 12’ 10” $400-$700

266

267 Shen Min-Yi (Japanese, late 20th c.) “Docked Wasan Boats,” 1988 color wood block print pencil-signed, dated and numbered “20/150” lower margin artist label en verso. Framed. sight 17-1/4 in. x 24 in., framed 24-1/4 in. x 24-1/4 in. $50-$80 268 Southeast Asian Rosewood Side Table early 20th century, the shaped backpiece with a carved and pierced scrolling foliate design, the shaped top with a foliate edge, over a carved and pierced apron, raised on cabriole legs headed by masque carving, joined by a carved and pierced X-form stretcher and ending in foliate scrolled toes. h. 40”, w. 56”, d. 21-1/2”

267

$400-$700 269 Embroidered Panel in the South East Asian Style second half 20th century, of rectangular form, worked in gold and colored threads on cream floral silk, the design depicting two peacocks and various other birds amid blossoming foliage, three sides mounted within a beaded border with floral trim, framed. h. 82”, w. 24-1/2”, d. 1-1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $400-$700 268

269

270 Group of Three Chinese Sang-de-Boeuf Porcelain Vases first half 20th century, one of baluster form with shallow neck and splayed foot, and two of ovoid form, each with an even deep scarlet “sang-de-boeuf” glaze to the exterior. h. 15-3/4” to 16-1/2”, w. 8-3/4” to 10” Provenance: From the collection of Buford and Veda Nichols, Houston, Texas. $400-$700 271 Wang Mian (Chinese, late 20th c.)

270

“Sampan Boats along the Canal,” 1987 color wood block print pencil-signed, dated and numbered “55/120” lower margin. artist label en verso. Framed. sight 17-1/4 in. x 15-3/4 in., framed 25-1/4 in. x 23-1/4 in. $50-$80 272 Carved Mahogany Extension Table in the Chinese Chippendale Taste 20th century, the rectangular top with a molded edge and blind fretwork apron, and mounted to a base with chamfered blind fretwork legs joined by a molded stretcher, with one additional 24-inch leaf. h. 30”, w. 48”, l. 96” $100-$200

271

272

273 Two Framed Chinese Silk Panels 20th century, the larger example decorated with moths and scrollwork, h. 44”, w. 11-1/2”, and the smaller example with Mandarin figures amongst flowering branches, a pagoda and bridges, h. 27”, w. 10-1/2”. $500-$800

273

274 Chinese Green Glaze Ceramic Ewer possibly Liao period (907-1125), of “chicken crested” form, having compressed sides, centrally pierced at the top, and a single short spout, with all-over green glaze, raised on a circular unglazed foot. h. 9-1/2”, w. 6-1/4” $500-$800

274

276

275 Chinese Lacquered and Parcel-Gilt Yew Wood Storage Cabinet 20th century, the framed and paneled front fitted with two long doors over a recessed panel and scalloped and carved skirt, the back has been cut out for an entertainment center. h. 77-1/2”, w. 54”, d. 25” 275

$500-$800 276 Chinese Handsomely Carved Lapis Lazuli and Gold Pierced Phoenix 20th century, the top with a pierced 14k yellow gold crest, on a carved and pierced mahogany stand, overall h. 4-1/2”, w. 3”. $500-$800 277 Chinese Blue and White Porcelain Brush Pot possibly Yongzheng period (1723-1735), of cylindrical form with slightly flared sides, decorated to the exterior with scenes of figures in a picturesque garden setting by a river, within incised scrolling borders to the rim and foot, the base unmarked and unglazed. h. 8-1/4”, dia. 8” Provenance: With receipt to show purchase from Auctionata, Paddle 8 AG, December 2016.

277

$1,000-$1,500

279

278

280

281

283

284

282

278 Aquamarine and Diamond Necklace 18k white gold, the double-strand necklace composed of tumbled aquamarine stones accented with two bars and a matching clasp mounted with round brilliant-cut diamonds weighing approximately 0.59 carats in total. l. 19â&#x20AC;?, total weight 60.9 grams

282 Diamond Ring

18k white gold, the ring mounted with a marquise-cut lab created blue diamond weighing approximately 0.64 carats, surrounded by baguette-cut diamonds weighing approximately 1.19 carats in total. size 4-1/2, total weight 5.0 grams

$700-$1,000

279 Aquamarine Bracelet

283 Sapphire and Diamond Ring

18k yellow gold, the modern-designed bracelet composed of aquamarine stones in various lengths separated by gold beads. l. 7-1/4â&#x20AC;?, total weight 17.4 grams

14k yellow gold, the ring with a hinged shank and in a swirl design and mounted with round brilliant-cut diamonds weighing approximately 0.92 carats in total, and round-cut treated sapphires weighing approximately 1.00 carat in total. size 4-1/2, total weight 7.4 grams

No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $400-$800 280 Sapphire and Diamond Ring 18k white/yellow gold, the ring mounted with an emeraldcut treated sapphire weighing approximately 3.18 carats, accented by round brilliant-cut diamonds weighing approximately 0.79 carats in total. size 3-3/4, total weight 15.0 grams No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $1,500-$2,500 281 Tanzanite and Diamond Ring 18k white gold, the ring mounted with a square-cut tanzanite weighing approximately 1.60 carats, accented with baguettecut diamonds weighing approximately 0.36 carats in total. size 7, total weight 8.0 grams

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $700-$1,000 284 Sapphire and Diamond Ballerina Ring 14k yellow gold, the ring mounted with an oval-cut treated sapphire weighing approximately 4.74 carats, surrounded by baguette- and round-brilliant-cut diamonds weighing approximately 2.34 carats in total. size 6-1/2, total weight 10.0 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $1,800-$2,500

285 Diamond Eternity Band 18k yellow gold, the band mounted with round brilliant-cut diamonds weighing approximately 3.13 carats in total, approximate color G-L and clarity VS1-VS2. size 6-1/2, total weight 7.0 grams

289 Column-Form Brooch 18k yellow gold, the Corinthian capital column brooch with a frosted surface and polished highlights. size 3/4” x 1-3/8”, total weight 15.2 grams

$1,400-$1,800

$400-$700

286 Diamond Pendant and Emerald Brooch the 14k yellow gold retro pendant mounted with round brilliantcut diamonds weighing approximately 0.33 carats in total, size 1-1/2” x 1-1/2”, and the 18k yellow gold brooch mounted with 2.0mm rounnd emerald cabochons and one oval 5.0mm x 6.0mm emerald cabochon, size 1-1/2” x 1-5/8”. total weight 13.5 grams

290 Gold Nugget Ring

$600-$900 287 Gold Dangle Earrings 18k yellow gold, the earrings composed of a ribbon-form gold twist. l. 3”, total weight 5.70 grams

14k yellow gold, the domed ring cast as nuggets. size 6-1/4, total weight 28.4 grams No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $400-$700 291 Austrian Gold Coin Brooch

$150-$300

14k yellow gold, the brooch mounted with a one ducat 1915 gold coin. dia. 1-3/4”, total weight 7.8 grams

288 Gold Bracelet

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana.

18k yellow gold, the flexible bracelet in the form of a dolphin. inside circumference 6-1/2”, total weight 21.1 grams

100

$400-$700

285 286

289 287

291

288

290

101

295

292

296

293

297

294

102

295 Pearl and Diamond Bracelet and Earrings

292 Gold Leaf Brooch 18k yellow gold, the brooch in the form of a leaf with a textured matte finish. l. 2”, total weight 16.7 grams No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $250-$400 293 Two Gold and Pearl Brooches 18k yellow gold, both in the form of flowers and foliage, one mounted with a natural pearl and the other with a freshwater pearl. l. 2” and 2-7/8”, total weight 16.2 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $400-$700 294 Pearl and Diamond Earrings and Brooch 18k yellow gold, the clip earrings mounted with a 10.5 mm white cultured pearl with a good luster, accented with baguette-, marquise- and round brilliant-cut diamonds weighing approximately 0.87 carats in total, l. 7/8”, and the brooch in the form of a bee, the body mounted with a 10.7 mm white cultured pearl with a good luster, accented on the wings with round brilliant-cut diamonds weighing approximately 0.16 carats in total, l. 1”. total weight 17.9 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $1,000-$1,500

the four-strand bracelet, 14k yellow gold, composed of 6.0-7.0 mm white/rose cultured pearls with a good luster, separated by three bars mounted with round brilliant-cut diamonds weighing approximately 0.36 carats in total, w. 1-1/8”, l. 7”, and the screw-back earrings, 14k white gold, mounted with 3.6 mm and 8.0 mm white/rose cultured pearls with a good luster, accented with round brilliant-cut diamonds weighing approximately 0.24 carats in total, l. 3/4”. total weight 56.1 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $800-$1,200 296 Tahitian Pearl and Diamond Jewelry Suite 14k yellow gold, including a bracelet set with a 13.5 mm Tahitian pearl with a very good luster and round brilliant-cut diamonds weighing approximately 0.15 carats in total, inside circumference 6-3/4”, a free-form ring set with a 13.0 mm pearl, size 6-1/2, and a pair of earrings set with an 11.0 mm Tahitian pearl. total weight 24.6 grams No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $450-$700 297 Three Pearl Brooches the first example, 14k yellow gold, designed as a grape cluster and mounted with 6.3 mm white cultured pearls with a good luster, mounted with a bail to be worn as a brooch or pendant, l. 1-1/2”, the second example, 14k yellow gold, with a leaf and vine design and mounted with 6.0-7.0 mm cultured white pearls with a good luster, l. 2-1/8”, and the last example, 14k white gold, in the form of two calla lilies, one mounted with a 10.8 mm white cultured pearl and the other with a 11.3 mm black cultured pearl, accented with round brilliant-cut diamonds weighing approximately 0.42 carats in total, l. 3-1/8”. total weight 33.5 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $500-$800

103

298 Two Pearl Rings 14k yellow gold, one ring with an open domed mounting set with silver-white-colored baroque pearls ranging from 4.0 mm to 6.0 mm, size 7-1/2, and the other ring with a domed mounting set with silver-colored cultured pearls ranging in size from 5.5 mm to 7.0 mm, size 6-1/4. total weight 25.0 grams

301 Diamond Bracelet sterling silver, the hinged bracelet mounted with rose-cut diamonds weighing approximately 4.19 carats in total. inside circumference 7”, total weight 31.5 grams

$450-$700 302 Diamond Earrings

$400-$700

sterling silver, the earrings mounted with rose-cut diamonds weighing approximately 2.20 carats in total. l. 2-1/2”, total weight 14.7 grams

299 Two-Strand Pearl and Ruby Necklace 14k yellow gold, the necklace composed of two strands of 8.0 mm to 9.0 mm cream/white cultured pearls with a high luster, finished with a gold clasp mounted with round-cut treated rubies weighing approximately 0.20 carats in total. l. 23”, total weight 114.0 grams

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana.

303 Diamond Pendant with Chain

platinum/14k white gold, the pendant mounted with a pear-cut diamond weighing approximately 1.60 carats, surrounded by an open frame mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total, l. 1”, suspended from a 16” 14k white gold chain. total weight 5.8 grams

$600-$900 300 Cultured Pearl Necklace

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana.

14k white gold, the necklace composed of approximately 11.0 mm gray cultured pearls with green/rose overtones and a good luster, finished with a white gold clasp. l. 27-1/2”, total weight 95.2 grams

$2,500-$4,000

$300-$500

300

104

301

303

298

299

302

105

307

305

308

106

306

304 Turquoise, Ruby and Diamond Between-the-Finger Ring 14k white gold/sterling silver, the ring in a flower design, mounted in the center with a cabochon-cut turquoise weighing approximately 2.48 carats, the “petals” mounted with pear-cut treated rubies weighing approximately 2.94 carats in total, and the whole accented with round single-cut diamonds weighing approximately 0.32 carats in total. size 6-1/2, total weight 10.0 grams No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. 304

$450-$700 305 Sterling Silver Chain, Pendant and Bracelet the bear pendant marked “Irv Paul, Sterling Silver”, size 3” x 3”, suspended from a large 18.0mm rope chain, l. 20”, and the cuff bracelet stamped “sterling”, inside circumference 6-1/4”. total weight 314.0 grams $150-$300 306 Versace Link Necklace

309 Diamond and Ruby Ring platinum, the ring with a hinged shank and mounted with baguette- and round brilliant-cut diamonds weighing approximately 2.00 carats in total, and round-cut treated rubies weighing approximately 1.18 carats in total. size 6, total weight 8.9 grams

the chain link necklace with a smooth matte finish, and an icon Medusa head accent. l. 20”, total weight 97.9 grams

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana.

$500-$800

307 Ruby and Diamond Pendant with Chain gold vermeil/sterling silver, the pendant mounted with roundcut treated rubies weighing approximately 1.10 carats in total and rose-cut and slice-cut diamonds weighing approximately 6.10 carats in total, size 2-1/2” x 2-3/8”, suspended from an 18” oxidized silver chain. total weight 35.6 grams

$700-$1,000

No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $450-$700 308 Ruby and Diamond Bracelet sterling silver, the flexible bracelet mounted with cabochoncut treated rubies weighing approximately 12.00 carats in total, accented by rose-cut diamonds weighing approximately 3.75 carats in total. w. 1/2”, l. 7-5/8”, total weight 39.2 grams No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer.

309

$600-$900

107

312

310

311

310 Amethyst Pendant and Earrings the 14k yellow gold pendant mounted with an emerald-cut amethyst weighing approximately 16.00 carats, accented on each side by round-cut treated rubies weighing approximately 0.20 carats in total, size 3/4” x 1-1/8”, and the 14k rose gold screw-back earrings mounted with oval-cut amethysts weighing approximately 7.00 carats in total, l. 1/2”. total weight 15.8 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $600-$900

108

311 Pair of Amethyst Earrings 14k yellow gold, each earring mounted with a cabochon-cut amethyst weighing approximately 8.80 carats in total, framed with a twisted rope border. dia. 3/4”, total weight 8.7 grams No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $400-$700 312 Gold Neckwire with Pendant on Chain the neckwire, 14k yellow gold, inside circumference 15”, and the long chain, 18k yellow gold, l. 24”, with a cross pendant, l. 3/4”. total weight 15.0 grams $150-$300

313 Dramatic Smoky Quartz Pendant 10k yellow gold, the pendant composed of a stunning rectangular step-cut smoky quartz weighing approximately 275.0 carats, suspended from a twisted cord. pendant size 1-1/2” x 1-3/4”, rope l. 39”, pendant weight 82.8 grams No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $200-$400

313

314 M. Rogers Pearl and Peridot Necklace and Earrings 22k yellow gold/sterling silver, the necklace composed of brown stick pearls with a peacock finish, interspersed with gold beads and quartz roundels, fixed with three gold stations and a clasp, all mounted with round-, square and pear-cut peridots, the suite with earrings to match, with an approximate total peridot weight of 5.00 carats, the earrings and necklace marked “M. Rogers, 2006, 22k, SS”. necklace l. 19-1/2”, earring l. 5/8”, total weight 72.2 grams No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $400-$700

314

109

317

315

318

316

110

319

317 Jade, Rose Quartz, Rock Crystal and Pearl Necklace

315 Multi-Gemstone Necklace sterling silver, the five-strand necklace composed of citrine, amethyst, blue topaz, green and smoky quartz and moonstone faceted roundels and beads. l. 17”, total weight 55.0 grams No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $200-$400

316 Peridot Bracelet gold vermeil, the bracelet mounted with oval-cut peridots weighing approximately 30.0 carats in total. l. 7-3/4”, total weight 16.4 grams No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $300-$500

14k yellow gold, the carved white jade pendant suspended from a necklace composed of 7.0 mm and 8.5 mm cultured pearls, 14.0 mm rose quartz beads, 11.0 mm carved rock crystal beads, and carved jade chain links, the whole accented with reeded 14k yellow gold beads, finished with a 14k yellow gold clasp with a Chinese inscription. l. 18”, total weight 85.7 grams No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $400-$700 318 Enamel Cufflinks 14k yellow gold, one cufflink with a racehorse and jockey and a champagne bottle with two glasses and the other with a posing woman and three playing cards. l. 3/4”, total weight 12.4 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. No credit card payments will be accepted for jewelry purchased by clients that do not have an established buying history with New Orleans Auction Galleries. Payments for jewelry must be made by cash, check or wire transfer. $400-$700 319 Half Ounce Credit Suisse Pendant 24k yellow gold, the pendant stamped “Credit Suisse, Half Ounce, Fine Gold, 999.9, Essayeur, Fondeur, 017825”. l. 1-3/8”, total weight 14.7 grams $200-$400

111

320 Vintage Silver Fox Jacket 1980s, size 6, with broad shawl collar, one hook closure, inset bracelet-length flared sleeves and on-seam pockets, the silver fabric-lined interior labeled “Standard Fur Co, Inc,/Master Furriers/200 Decatur St./New Orleans, La.”. l. 24” $400-$700

320

321 Vintage Beige Mink Stole 1960s, the back in crossed design, with pale taupe rose damask silk lining, labeled “Canada Mink/Majestic Pearl”. w. 9-1/2”-15”, l. 72” $300-$500

321

112

322 Chocolate Brown Fox and Leather Convertible Jacket size 10, with fox body and bold leather-backed fox collar with three hook closure and on-seam pockets, the zip-off leather sleeves with padding detail and elasticized cuffs, the chocolate silky fabric-lined interior labeled: “John Tauben/ Dallas Houston Tulsa”, monogramed. l. 28” $250-$400

322

323 Vintage Chocolate Brown Mink Coat with Shawl Collar size 8-10, chocolate brown satin-lined interior with two satin ties, three hook-and-eye closure, two on-seam pockets, raglan straight sleeves, labeled: “Bifano’s Dallas” and “Black Diamond Mink”, monogrammed. l. 42” $400-$700

323

113

324 Michael Ledet (American/Louisiana, b. 1941) “Proto Toufanic No. 1” acrylic on canvas signed and dated “’70” mid-right, titled on “The Glade Gallery, New Orleans” label en verso Provenance: Private collection, New Orleans, Louisiana; The Glade Gallery, New Orleans, Louisiana. Presented in a thin gallery frame. 16” x 16” $200-$400

324

326 Art Deco Venetian Mirror

325 Edward Whiteman (American/Louisiana, b. 1938) “Silver Things”, 1971 acrylic and mixed media on board initialed and dated lower right, verso with a “Simone Stern” label, title, date, material and artist. Thin gallery frame. 21-3/4” x 28-1/2”, framed 22-1/4” x 29”

second quarter 20th century, Italian, beveled and cut with decoration. h. 46”, w. 32” $300-$500

$800-$1,200

325

114

326

327

327 Mid-Century Modern Birch and Leather-Covered Day Bed attributed to Paul McCobb, with matching headboard and footboard, with tapering lathe-turned spindles and turned crossbar, the cushion covered in cream leather. h. 21-1/2”, w. 42-1/2”, l. 82” Provenance: High Style Deco, New York, New York; Private collection, New York, New York.

328 Suite of Four Upholstered Side Chairs of Turkish Revival inspiration, each with a padded backswept back above a padded seat, with a long fringe skirt, raised on square legs. h. 37” $400-$700

$2,000-$4,000

328

115

329 Emilie Dubois (French, b. 1966) “Un Repas” oil on canvas signed lower left. Framed. 28” x 31”, framed 35-1/2” x 38-1/2” $1,500-$2,500 330 Andre Brasilier (French, b. 1929), “La Ronde des Chevaux de Cirque” color lithograph on paper pencil-signed and inscribed “Epreuve d’artiste” lower margin, “Summa Gallery in Brooklyn Heights” label en verso. Framed. sight 21-1/4” x 26-1/4”, framed 30” x 34-1/2”

329

$400-$700 331 Contemporary Burled Elm, Mahogany and Kingwood Cocktail Table of neoclassical inspiration, the shaped top with highly figured burl veneers, the slightly concave apron fitted with a drawer on each side, raised on paneled legs joined by paired serpentine X-form stretchers. h. 20-1/2”, w. 56”, d. 34” $500-$800

330

331

116

332 After Pablo Picasso (Spanish/French, 1881-1973) “Femme Assise”, 1982 lithograph in colors on Arches paper from the “Marina Picasso Estate Collection”, pencil signed “Collection Marina Picasso” lower right, numbered “475/500” lower left, Picasso Estate blind stamp lower right, printer’s blind stamp lower left, printed inscription from Picasso Estate en verso. Unframed. sheet 29” x 22” $1,000-$1,500

332

333 Danish Chrome and Blonde Rosewood Coffee Table designed by Arne Jacobsen, with a rectangular rosewood top mounted to a chrome frame, unsigned. h. 19”, w. 60”, d. 25-1/2” $400-$700

334 Group of Four Contemporary Decorative Prints including Marc Chagall, Joan Miro, and Abraham Rattner Matted, glazed, and framed alike. sight 13-1/2” x 10”, framed 23-3/8” x 19-3/4” $75-$100

334

333

117

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

333 St. Joseph Street • New Orleans, LA 70130 • (504) 566-1849 • Fax (504) 566-1851 Info@NewOrleansAuction.com • www.NewOrleansAuction.com

Wire Transfer Information Please remember to add the appropriate wire fee to your transfer: $30 domestic / $60 international Whitney Bank 228 St. Charles Avenue New Orleans, Louisiana 70130

ABA Routing Number. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 065400153

Escrow Account Number. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 047034504

International Wire SWIFT Code. . . . . . . . . . . . . . . . . . . . . . . . . WHITUS44 Credit to: Cakebread Art Antiques Collectables Inc. 333 Saint Joseph St. • New Orleans, Louisiana 70130

NEW ORLEANS AUCTION DOES NO SHIPPING OR PACKING Our clients have successfully used the following drayage companies: Company

Telephone

Fax

E-mail

Bayou Movers. . . . . . . . . . . . . . . . 504-228-3827 . . . . 504-324-9116. . . . . . . . . . . bayoumoversla@gmail.com Craters & Freighters . . . . . . . 800-733-0310 . . . . 504-733-3679. . . . . nola@cratersandfreighters.com RB Shipping. . . . . . . . . . . . . . . . . 404-524-9122 . . . . 404-524-9129. . . . . . . . . . . . . . info@rbshippingllc.com The Box. . . . . . . . . . . . . . . . . . . . . 504-568-0281 . . . -----------------. . . . . . . . . . . woodenbox@bellsouth.net N.O. Packaging & Shipping . . 504-885-4544 . . . . 504-885-4457. . . . . . . . . . info@nolapackandship.com Specialty Pack & Ship Co . . . . 504-304-3969 . . . . 504-304-4640. . . . loufou@specialtypackandship.com Vintage Transport Svcs. . . . . 800-333-0056 . . . . 404-733-6220. . . . . . . . . . info@vintagetransport.com Wintersteen Trucking. . . . . . . 800-253-0617 . . . . 785-543-6105. . . . wintersteentrucking@yahoo.com Pakmail. . . . . . . . . . . . . . . . . . . . . 800-230-5229 . . . . 504-393-1232. . . . . . . . . . . . . . . pakmail493@yahoo.com Kid Gloves. . . . . . . . . . . . . . . . . . 504-309-6894 . . . . 504-309-6907. . . . . . . . . . . . . . tanya@lakidgloves.com UPS Store #4134. . . . . . . . . . . . . 504-866-8664 . . . . 504-866-0570. . . . . . . . . . store4134@theupsstore.com rev 1/17/2019

Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Ashton Thomas President

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Fine Jewelry Specialist

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Rebecca Moss Asian Arts Specialist

Thomas Halverson American Furniture Specialist

Burke Designer

Taylor Eichenwald Marketing & Public Relations

Charles C. Cage Silver Specialist & Office Manager

Colleen Ryan Director of Human Resources

AUCTIONEERS

CONSULTANTS

Tessa Steinkamp, #1265 Ashton Thomas, #1833 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Ellen McKenzie English & Continental Furniture Ira Savoie Independent Certified Gemologist Appraiser Claudia Kheel Fine Art

ADMINISTRATION Denise Haik Christa Ougel Office Administration Graphic Designer Gary Michael Gittelson Bettina Bausa Photographer Graphic Designer Grace Connors Manager of Cakebread Auction

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Thomas Johnson Theadrow Mark

NOAG