NOAG Interiors Auction | August 24, 2019, 10 a.m. CT by New Orleans Auction Galleries

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AUCTION: AUGUST 24, 2019

NOAG INTERIORS

Live Auction: August 24, 2019

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | 504-566-1849 LA Auction License AB-363, Steinkamp #1265, Thomas #1833, Eichenwald #1922 | 25% Buyerâ&#x20AC;&#x2122;s Premium

NOAG I n te r i or s L ive A u ct io n: Saturday, August 24, 2019 E x h i bi t i on : August 19-23, 2019 9 a.m.-5 p.m. S a tu rd a y E xh i b it io n Preview: August 17, 2019 10 a.m.-3 p.m. Lo t s 1 -6 3 1 10:00-11:00 1-100 11:00-12: 00 101-200 12:00-1:00 201-300 1:00-2:00 301-400 2:00-3:00 401-500 3:00-4:00 501-600 4:00-4:15 601-631

Lot 343 Front & Back Covers: Lot 367 Inside Cover: Lot 317

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1 Continental Fruitwood Armchair 18th century, in the Renaissance style, the tall, padded rectangular back surmounted by a domed and molded crest centered by a figure of the god Mercury, flanked to either side by carved sphinx uprights, joined to the cushioned wooden seat by flat arms on putti uprights, raised on fluted columnar legs joined by an H-form stretcher and ending in bun feet. h. 48-1/2” $800-$1,200 2 Pair of Baroque-Style Giltwood Sconces first quarter 20th century, on leaf-carved circular backplates, the leaf-carved, torch-form candle holders fluted and flaring at the tops. h. 22”, w. 6”, d. 7-3/4” $600-$900 3 Pair of Italian Baroque-Style Giltwood Sconces first quarter 20th century, with cornucopia-shaped arms, carved with leaves and scrollwork, the candles set with wreaths of fruit, the backplates carved with acanthus leaves. h. 7-1/4”, w. 7”, d. 17” $400-$700

4 Pair of Italian Carved, Parcel-Gilt and Painted Armorial Plaques mid-20th century, each armorial with a shell crest and pierced swags of fruit and tassels on each side. h. 20-1/2”, w. 13” 5

$500-$800 5 Monumental Continental Giltwood Lantern mid-20th century, the four-light lantern with an open scrolled frame, the lights mounted on scrolled arms, an acorn finial at the top and a pendant ball finial at the base. h. 55”, dia. 24-1/2” $400-$700 6 Four Carved and Polychrome Wooden Winged Angel Heads

7 Religious Painted Panel ca. 1900, oil and gold paint on curved wood board, with a central image of St. Anthony of Padua holding the Christ Child, flanked by St. Ghislain, St. Jerome, Mary and the Young Christ, and Our Lady of Guadalupe, a representation of the Trinity above. 22” x 17-1/2” $500-$800

19th century, in the Renaissance style, now mounted on contemporary presentation stands. h. 14”, w. 16”, d. 4-1/2” $800-$1,200

8 Spanish Polychrome and Mahogany Guard Room Table early 20th century, the rectangular top inset with a diamondpatterned incised panel and two like end leaves, raised on lyre-form end supports joined by scrolling iron stretchers and ending in shaped feet. h. 29-1/2”, w. 39-1/2”, l. 88”, ext. l. 118” $800-$1,200 9 Two Pairs of Continental Candlesticks including a pair of brass altar sticks, second quarter 19th century, now mounted as lamps, the tripartite sticks raised on paw feet and decorated with cabochons and scrollwork, the standards set with Ionic capitals holding swags of fruit, the inverted bell-shaped candle cups molded with fans, electrified with double sockets, h. 27”, w. 8-1/2”, d. 8-1/2”, together with a pair of pewter tripartite pricket sticks, 18th century, with illegible marks, h. 24-1/2”, dia. 9”. $1,000-$1,500

10 Collection of Four Old Master Prints including two copper engravings on laid paper by Claude Mellan (1598-1688), “Bust of Christ as Savior”, ca. 1652, and “Christ as an Infant Surrounded by Cherubim”, ca. 1662; an aquaforte by Paolo Farinati (1524-1606), “Multiplication of Bread and Fish”, ca. 1603; and an etching by Antonio Tempesta (1555-1630), “Gideon Choosing His Soldiers”, ca. 1590-1610. Each print signed and inscribed in plate. The first three unframed, the Farinati matted, glazed and framed. Mellans 17-1/2” x 12-1/2” and 17-1/2” x 11-7/8”; Farinati 18-1/4” x 20-1/2”; Tempesta 28” x 12”, framed 19-1/2” x 35-1/2” Farinati 18-1/4” x 20-1/4” Tempesta 28” x 12”, framed 19-1/2” x 35-1/2” $400-$700

11 Collection of Eight Old Master Prints 16th to 18th century, including Hans Schaufelein, “Dancing Couple (IV)” from Wedding Dancers, woodblock with snake and shield watermark, Sammlung Linz stamp (Lugt, 2010) en verso, 9-5/8” x 7-5/8”; Adriaen van de Venne, “Spring”, copper engraving, signed in plate, 4-3/8” x 5-5/8”; Jacob Jordaens, “Drunken Silenus”, etching laid down on card, signed in plate, 5-3/4” x 8-3/4”; David Vinckboons, “Le Goute Espagnol”, engraving, 13” x 9-5/8”; Willem de Broen, “Holy Family....”, engraving, 8-1/8” x 10-1/4”; Nicolaes Berchem, “Shepherd Among Sheep and Cattle”, etching, 10” x 7-1/2”; and two engravings and etchings after Willem van Herp the Elder, “Flemish Collation”, 1765 and “Flemish Entertainment”, 1764, each 18-1/4” x 20-1/2”. All but the last matted, glazed and framed. framed 10-1/8” to 26” x 12-1/4” to 28” $400-$700

12 Painted Metal Chandelier the twelve-light chandelier with a Gothic-style standard, decorated with painted scrollwork and details on a black ground. h. 43”, dia. 43” $700-$1,000

13 Italian School (Fourth Quarter 16th/First Quarter 17th Century) “Portrait of an Archbishop or Bishop” oil on canvas unsigned. Framed. 38-1/2” x 28-3/4”, framed 43-3/4” x 34-1/4” 12

Provenance: Charlotte Nail Interiors, Houston, Texas; Private collection, Houston, Texas. $800-$1,200

14 Continental Bronze Faceted Lantern second quarter 20th century, the tapered sides set with beveled glass and trimmed with tapered finials above the panels, a swag finial at the base, the top with molded acanthus leaves and a ring chain holder. h. 41”, dia. 14-1/2” $600-$900

16 15

15 Northern Italian School (Fourth Quarter 18th/First Quarter 19th Century)

16 After Raphael (Raffaello Sanzio, Italian, 1483-1520)

“Portrait of a Woman with an Ermine Stole”

“Portrait of Bindo Altoviti (1514)”, second half 19th century

oil on board backed by masonite unsigned. Framed. 25-1/4” x 17”, framed 32-1/4” x 20”

oil on board unsigned. Framed. 8-5/8” x 7”, framed 10-5/8” x 8”

Provenance: Private collection, Houston, Texas.

$600-$900

$1,000-$1,500

17 Pair of Marquetry-Inlaid Armchairs in the Dutch Style 20th century, each with a shaped backsplat, serpentine seat and raised on cabriole legs. h. 42” $400-$700

18 After Hendrick Gerritsz Pot (Dutch, 1580-1657) “The Miser” oil on linen unsigned, title and artist attribution and provenance later handwritten on stretcher, additional label with monogram “H. D. Lyman”. Framed. 14-1/4” x 13-1/8”, framed 18-3/4” x 17-1/2” Provenance: Dr. George Hinckley Lyman (1819-1891), Boston, Massachusetts, purchased in Florence, Italy, April, 1891; His second wife Henrietta Dana Lyman (Monod) (18401920), thence by descent; Private collection. The original painting, conserved in the Uffizi Gallery, Florence, was formerly attributed to Horatius Paulijn (Dutch, 1644-1682/85), because of the H. P. monogram. In the early 20th century, after Dr. Lyman’s death, the Uffizi changed the attribution; the provenance on the back of this painting corresponds with the information the Lymans had at the time of their purchase in 8891. This painting, of almost identical dimensions, is probably a late 18th-century copy.

$700-$1,000

19 After Peter Paul Rubens (Flemish, 1577-1640) “Self-Portrait” oil on canvas unsigned. Framed. 39-1/4” x 27-1/2”, framed 48” x 36-1/4” Provenance: Charlotte Nail Interiors, Houston, Texas; Private collection, Houston, Texas. The original is conserved in the Kunsthistorisches Museum, Vienna, Austria; numerous other copies of this portrait were made following Rubens’ death. $1,500-$2,500

20 After Dutch/Flemish Old Masters (17th Century) Two portraits each oil on copper including Rembrandt, “Man in a Red Plume”, 1635 and Van Dyck, “Self-Portrait”, 1632. Framed alike. each 12” x 9”, framed 18” x 15” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $500-$800

21 Neo-Renaissance Carved Walnut Hall Chair second half 19th century, the tall back carved with dolphins, swags and foliate scrolls, the plank seat with carved perimeter edges, the canted front and rear supports carved with shells and foliate scrolls. h. 47-1/2” Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $500-$800

22 Handsome Continental Carved Walnut Putto early 18th century, originally an architectural element, the putto torso grasping a cloak, supported by carved, overlapping leaves, with a pierced base. h. 40”, w. 12-1/4”, d. 9” $600-$900 23 Pair of Cast Stone Figural Pedestal Jardinieres each modeled as Atlas supporting a square jardiniere bowl. h. 50”, w. 23-3/4”, d. 23-3/4” $500-$800 24 Iberian Provincial Side Table and Armchair the oak side table, 18th century, with a rectangular top above a frieze fitted with two short drawers, raised on turned bulbous supports joined by a box stretcher and ending in bun feet, the whole with incised designs, h. 31-1/2”, w. 50”, d. 25-1/2”, and the mahogany armchair with a padded rectangular back surmounted by ribbed finials, joined by flat arms to the padded seat, raised on square legs joined by a box stretcher, h. 44”. $600-$900

25 Continental Polychrome Armoire 19th century and later, probably Dutch, the shaped and scrolled crest above a slightly bowed case fitted with two long doors, each with two shaped floral-patterned panels, the sides with like panels, over a single drawer, raised on bun feet. h. 75-1/2”, w. 46”, d. 17-1/2” $700-$1,000

26 Continental Oak Coffer 18th century, the hinged rectangular top opening to a storage interior, the front with scroll and foliate carving, raised on block feet. h. 28”, w. 53-1/2”, d. 25-1/2” $700-$1,000

27 Basilius Besler (German, 1561-1629)

28 Suite of Five Continental Walnut Dining Chairs

“Two Botanical Prints of Narcissi and Hyacinths” from Hortus Eystettensis, Eichstatt and Nuremberg, 1613 or later

third quarter 19th century, in the Rococo Revival style, each with a pierced scroll-carved back, serpentine front seat rail and cabriole legs, now in cut velvet upholstery. h. 39”

each copperplate engraving with later hand-coloring Matted, glazed and framed alike. each pl. 18-1/2” x 15-1/2”, framed 38” x 31-3/4”

$500-$800

$800-$1,200

29 Dutch Marquetry-Inlaid Mahogany Corner Cupboard

30 Bronze and Glass Chandelier of Neoclassical Inspiration

early 20th century, in the rococo taste, the molded arched cornice over a pair of doors opening to reveal a pair of serpentine shelves and inlaid masques on the interior door panels, on a base with a pair of paneled doors, inlaid throughout with traditional floral leaf and vine marquetry. h. 90-1/2”, w. 43”, d. 25-1/2”

20th century, the eighteen-light chandelier with a molded standard decorated with molded leaves and ribbon-bound reeding, and set with candle arms on two levels, molded with medallions and leaves, the basket base decorated with strands of cut glass drops and terminating in a bold leafmolded pendant finial. h. 48-1/2”, dia. 39”

$800-$1,200

Provenance: Private collection, Houston, Texas. $1,000-$1,500

31 Four-Piece Collection of R.S. Prussia

32 Pair of Mahogany Dolphin-Carved Armchairs

ca. 1900, German, each piece hand-painted, comprised of a marked bowl, h. 3”, dia. 10-3/4”, a matching unmarked lemonade pitcher, h. 11-3/4”, w. 6”, and a marked cream and sugar, h. 3-3/4”, w. 5”.

each with a pierced foliate- and cabochon-carved crest over a back with an upholstered panel, the open arms terminating in dolphin-carved ends and raised on like supports, scalloped apron and cabriole legs. h. 42-1/4”

$500-$800

33 Jan Hillebrand Wijsmuller (Dutch, 1855-1925) “Homeward Bound” oil on canvas signed lower right. Framed. 26-1/2” x 39-1/2”, framed 32-1/4” x 45-1/2” $800-$1,200

34 Cornelis Albert Johannes Schermer (Dutch, 1824-1915) “In the Field” oil on wood panel signed lower left. Framed. 11-1/2” x 19”, framed 16” x 24” $1,000-$1,500

35 Continental School (19th Century) “Mountainous Landscape with a Mill” oil on canvas unsigned. Period giltwood and gesso frame. 32” x 44-1/2”, framed 44-1/2” x 56” Provenance: Private collection, Houston, Texas. $800-$1,200

36 Bela von Spanyi (Hungarian, 1852-1914) “Cattle by a Lake”, 1890 oil on canvas signed, dated and localized “Munchen” lower right. Period giltwood and gesso frame. 29-3/4” x 39-1/2”, framed 44” x 53-1/2” Provenance: Private collection, Houston, Texas. $1,500-$2,500

37 Continental School (Fourth Quarter 19th Century)

38 Continental School (First Quarter 20th Century)

“Winter Street Scene”

“Composer’s Study”

oil on canvas signed lower left “(?). Stryjkowski”. Framed. 26” x 38”, framed 33” x 44-1/2”

oil on canvas signed “A. Duval” lower left. Framed. 24” x 36”, framed 31” x 43”

$800-$1,200

$400-$700

39 Gerard Jozef van Luppen (Belgian, 1834-1891) “By The Falls” oil on beveled wood panel signed lower left. Framed. 21-1/4” x 28”, framed 31-1/2” x 38-3/4” $800-$1,200

40 Jacob van Strij (Dutch, 1756-1815) “Herding Cattle” oil on panel signed lower right, a “Huis Vyncke Kaders, Borgerhout (Belgium)” label en verso. Framed. 18-1/4” x 26”, framed 25” x 32-3/4” $800-$1,200

41 Hermann Ottomar Herzog (German/American, 1832-1932) “Peasants in a Field, Manor House in the Background” oil on canvas signed lower left. Framed. 15” x 24”, framed 22-1/2” x 31-1/2” $2,000-$4,000

43 Anton Brioschi (Austrian, 1855-1920 )

42 Charles Paul Gruppe (American, 1860-1940)

“View of Lake Como with a Villa on the Hilltop”

“Harbor Scene with Windmills”

oil on canvas signed lower right. Framed. 27” x 47”, framed 33-1/2” x 52-3/4”

watercolor on paper signed lower right. Framed. 12” x 19-3/8”, framed 19-3/4” x 27-1/4”

Provenance: Private collection, Houston, Texas.

$600-$900

$1,400-$1,800

44 Paul Verona (Romanian, 1897-1966) “Arabian Street Scene” and “Harbor Scene” pair of oils on board former signed lower right. Matching frames. 20” x 10-1/2”, framed 25-1/2” x 16” Provenance: Private collection, Tampa, Florida. $500-$800

45 F. Munsterfeld (German, active 1880s) 44

“Low Tide” oil on canvas signed lower right. Framed. 32-1/4” x 51”, framed 41-3/4” x 60-1/2”

$500-$800

46 Gaston Anglade (French, 1854-1919) “Bruyeres en Fleurs, Correze, France” oil on canvas signed lower right. Framed. 21-1/4” x 25”, framed 27-1/4” x 31-1/2” $1,000-$1,500

47 Attributed to Friedrich Behrendt (German, 1863-1946) “Wooded Landscape”, 1894 oil on canvas signed “F.O. Behrendt” lower right. Framed. 29-1/2” x 37-1/2”, framed 37” x 44-1/2” $1,500-$2,500

48 Late Classical-Style Walnut and Mixed Woods Hall Tree early 20th century, the standard with a pineapple-carved finial and segments with acanthine carving and baluster turnings, with two sets of swan-head garment hooks, supported by carved paw feet. h. 73-1/2”, dia. 20” Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $400-$700 49 Pair of Neoclassical-Style Rosewood and Exotic Woods Occasional Tables mid 19th century, Manner of Topino, each with a banded oval top with a central vase and vessel inlay, raised on a fluted columnar standard to a concave base on gilt bun feet. h. 28-1/2”, w. 24-1/2”, d. 18-1/2” $1,000-$1,500 50 Pair of Marble and Bronze Grand Tour Souvenirs ca. 1900, Italian, the columns composed of red griotte, gray and white marble, and set with busts of Bach and Beethoven. h. 16-1/2”, w. 3-1/4”, d. 3-1/4” Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $600-$900

51 Niermann Weeks Danieli Chandelier with a Pair of Matching Sconces the six-light chandelier lined with glass beading and having a pendant rock crystal ball, and the pair of three-light sconces of similar design. chandelier h. 31”, dia. 36-1/2”, sconces h. 31”, w. 25” $1,500-$2,500

52 Neoclassical Bas-Relief-Carved Marble Plaque

19th century, probably Italian, with a neoclassical muse leaning on a globe and stack of books, representing knowledge, a putto on one side. h. 15-1/2”, w. 24-1/2”, d. 3-3/4” $700-$1,000

53 Unusual Pair of Painted Wooden Strapwork Lamps of neoclassical inspiration, with pierced bodies and handles terminating in scrolls, the pierced “covers” with strap leaves, mounted with black fabric shades. h. 34”, w. 14-1/2”, d. 14-1/2” $600-$900

55 54

54 Pair of Italian Drum Tables in the Neoclassical Taste 20th century, constructed of mahogany and olive wood, each having a cylindrical case with three drawers, and raised on a trio of tapering square legs. h. 30”, dia. 16” $700-$1,000

55 Collection of Fifteen Red Wax Grand Tour Medallions second quarter 19th century, Italian, now affixed to an engraving and presented in a giltwood shadowbox frame. h. 16-1/2”, w. 11-1/2”, d. 1-3/4” Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $600-$900

56 Italian Giltwood Mirror mid-20th century, the oval mirror plate lined with fluting, the crest with a pierced anthemia finial, on delicate, pierced scrollwork, the lower portion decorated with swags of flower buds and scrollwork. h. 58”, w. 38-1/2” $1,000-$1,500

57 Neoclassical Polychrome Settee mid-19th century, the trisected cushioned back joined by outswept arms to the padded seat, raised above a paneled apron on paw feet, the whole with gilt accents. h. 36”, w. 88”, d. 29-1/2” $700-$1,000

58 Pair of Neoclassical-Style Specimen Marble-Veneered Pedestals each with a square top with a molded edge and raised on a tapering paneled standard to a molded pitched square base. h. 54”, w. 17-1/2”, d. 17-1/2” $600-$900 59 Italian Grand Tour Carved and Painted Marble Bust of the Augustus of Prima Porta ca. 1900, the ruler represented as a general and wearing a breastplate richly decorated with mythological and allegorical figures, after the 1st century life-sized marble now conserved at the Vatican Museum, Rome. h. 18”, w. 14-1/2”, d. 9 $1,000-$1,500

60 Pair of Italian Aesthetic Bronze Candelabra third quarter 19th century, now mounted as lamps, on paw feet terminating in lion’s heads, the standards decorated with anthemia and classical heads, mounted with Dionysian figures between the candle arms. h. 40-1/2”, dia. 8” $500-$800 61 Swedish Neoclassical-Style Painted Settee ca. 1900, the straight back joined to like arms with fluted columns, a molded seat rail and turned fluted and stop-fluted legs, now in linen upholstery with a loose seat cushion. h. 34-3/4”, w. 59”, d. 26” $700-$1,000

62 Swedish-Style Provincial Tole and Glass Basket Chandelier 20th century, the six-light chandelier hung with strands of glass prisms, and set with tole candle arms and drip pans. h. 41”, dia. 30” $700-$1,000 62

63 Follower of Jacques-Philippe Caresme (French, 1734-1796) “Bacchanal” oil on canvas unsigned. Framed. 20-3/8” x 25-3/8”, framed 25” x 30” $700-$1,000

64 Albert Ludovici, Sr. (British, 1820-1894) “Street Children Playing”, 1884 oil on wood panel signed and dated lower right. Framed and with artist plaque. 5” x 8-1/2”, framed 10-1/2” x 13-1/2” Accompanied with a photocopy of a Certificate of Authenticity issued in February 2019 by Leighton Fine Art, Buckinghamshire, England. $700-$1,000

65 Rare Italian Venetian Glass Candelabrum fourth quarter 19th century, decorated in various colors, with sculpted flowers, bellflowers hanging from branches and sculpted leaves. h. 30”, dia. 13-1/2”

66 Italian-Style Chinoiserie-Decorated Secretary Bookcase

Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana.

in the 18th-century style, in two parts, the upper section with a broken-arch cornice over a pair of doors with screen panels, on a slant-lid serpentine base, the fold-over top over a bank of three drawers, raised on bracket feet. h. 87-1/2”, w. 42”, d. 21”

$700-$1,000

$600-$900

67 Two Exotic Hand-Colored and Mirrored Depictions of Animal Trainers 19th century, Continental, the hand-colored figural scenes cut and mounted between glass and a mirror back, one with a boy training a standing bear, h. 14-1/2”, w. 20-1/4”, and the other with a man guiding a bear ridden by a monkey, h. 19-1/4”, w. 23-1/2”, both presented in French rococo-style scroll-carved giltwood frames. Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $600-$900 68 Italian School (18th Century) “Interior Designs Illustrations” pair of hand-colored copperplate engravings by Michelangelo Pergolesi (act. 1760-1801). Both handsomely matted, glazed and framed alike. sights 16” x 10”; 18-1/2” x 11”, framed 31” x 24”; 28” x 22” $600-$900

69 Carved Mahogany Figural Pedestal first half 20th century, depicting an acrobat on a pillow, balancing a ball supporting the top. h. 37-1/2”, w. 17-1/2”, d. 10” $700-$1,000

71 Pair of Italian Parcel-Gilt Blackamoor Brackets third quarter 20th century, the blackamoors framed with swagging, the serpentine shelves with molded edges. h. 16”, w. 16-1/2”, d. 10-1/4” Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $500-$800

70 Pair of Venetian-Style Ebonized and Parcel-Gilt “Hand” Sconces 20th century, with carved and draped backplates mounted with ebonized hands and gilt cuffs, supporting leaf-carved gilt- and bronze-finished candle holders. h. 37”, w. 7”, d. 12-1/2” $800-$1,200

72 Pair of Venetian Rococo-Style Silver-Gilt and Engraved Glass Mirrors fourth quarter 19th century, with scrollcarved surrounds, the mirror plates engraved with classical figures holding wine cups, beneath delicately engraved drapery, the edges with engraved scrollwork. h. 34-1/2”, w. 23-1/2” $1,000-$1,500

73 Pair of Italian Giltwood Stools in the Rococo Taste each with an articulated X-form frame with foliate decor and upholstered in striped cut velvet with tasseled cushions. h. 22-1/2”, w. 27”, d. 21-1/2” $1,800-$2,500

74 Continental Mahogany Commode in the Rococo Taste second half 18th century, the cross-banded parquetry serpentine top over a case with three conforming banded drawers, raised on cabriole legs, the drawers of shallow depth, the case fitted with a false interior back. h. 28”, w. 25”, d. 16-1/2”

$500-$800

75 Pair of Provincial Parcel-Gilt Wood and Metal Chandeliers 20th century, each twelve-light chandelier with an urn-form standard set with metal scrolled arms terminating in turned giltwood candle sockets. h. 29”, dia. 34-1/2” $700-$1,000

76 Venetian Giltwood and Engraved Glass Mirror ca. 1900, the ogee surround decorated with scrollwork and flowerheads on a stippled ground, the crest and sides with delicately detailed pierced scrollwork and rocaille work, set with engraved glass panels of birds and cornucopias of flowers. h. 41”, w. 54-1/2” $500-$800

77 Italian Baroque-Style Painted Pediment 20th century, with a swan’s-neck pediment flanking a carved finial, with scrolled ends and carved scrollwork. h. 34”, w. 60”, d. 2-1/2” 77

$500-$800

78 Suite of Six Continental Neoclassical Polychrome Chairs

79 Italian Enameled Metal and Porcelain Chandelier with Matching Sconces

19th century, consisting of one armchair and five side chairs, each with a paneled lyre-carved crest supported by scrolling side rails joined by a turned splat, the cushioned caned seat raised on sabre legs, the whole with gilt accents. h. 34”

mid-20th century, all with porcelain flowers and enameled leaves. chandelier h. 34”, dia. 27”, sconces h. 17”, w. 11”, d. 6-1/2” $1,000-$1,500

$1,000-$1,500

80 Handsome Venetian Painted Pet’s Bed first half 20th century, on turned feet, the facade decorated with sprays of hand-painted flowers on a cream ground, against red-trimmed gray borders, beautifully upholstered in yellow silk. h. 18-1/4”, w. 24-1/2”, d. 15-1/2” $500-$800

81 Pair of Italian Parcel-Gilt Pale Blue Altar Sticks ca. 1800, now mounted as lamps, each with a crenellated tole drip pan, mounted with shades. h. 34”, dia. 14” Provenance: The Renaissance Shop, New Orleans, Louisiana. $500-$800

82 Continental Louis XV-Style Writing Table the shaped rectangular top banded and centered by a circular panel with scrolling foliate, floral and avian inlays, above a conforming frieze fitted with a single drawer, raised on cabriole legs headed by bellflower carving and ending in in-scrolled toes. h. 28-3/4”, w. 48”, d. 30” $500-$800

83 Unusual Pair of Silver-Gilt Mirrors in the Baroque Taste fourth quarter 19th century, with leaf-carved crests, the mirror plates framed with beading, on scrolled, leaf-carved and pierced feet. h. 23-1/2”, w. 18-1/2” $400-$700 84 Venetian Cushion-Form Mirror 20th century, Italian, the rectangular beveled mirror plate within a surround cut with small scallops, the arched crest with scalloped edges and a fan-form finial. h. 32”, w. 30-1/2” $700-$1,000 85 Continental Metal and Glass Electrolier

first quarter 20th century, with three upturned arms and three downturned arms, the standard and “gas” sockets decorated with molded leaves and hung with prisms, the arms and upper standard with wide turned elements, originally gas. h. 43”, dia. 17”

$500-$800

86 Pair of Italian Carved Giltwood Sconces 20th century, the eight-light sconces composed of delicately carved and pierced scrollwork, and set with gilt-metal candle arms with lotus-carved wooden candle cups, electrified. h. 31-1/2”, w. 23-1/2”, d. 4-3/4” $900-$1,200 87 Italian Fruitwood and Elm Commode early 19th century, in the rococo taste, the banded and shaped top inset with two panels with decorative corner inlays, above a conforming case fitted with three long drawers, all paneled and with like inlay, above a pierced foliate-carved apron, raised on cabriole legs ending in foliate toes. h. 34”, w. 38”, d. 22-1/2”

$1,000-$1,500

88 Continental Trumeau Mirror mid-19th century, with a giltwood rococo surround and scrollwork and flowers at the corners of the ogee frame, the painting depicting a couple in the mountains, the male on a slope and the female on a terrace. h. 55-1/2”, w. 30” $500-$800

90 89

89 Francois Dumont (Belgian, b. 1850) “Tavern Courtiers Courting a Bar Maiden”, 1900 oil on canvas signed and dated lower right. Framed. 25-3/4” x 20”, framed 31-1/4” x 25-1/2” $800-$1,200 90 Hendricus Antonius Dievenbach (Dutch, 1872-1946) “Supper Time” oil on canvas signed lower right. Framed. 19-1/2” x 23-1/2”, framed 26” x 30” $1,000-$1,500 91 Theodore Gerard (Belgian, 1829-1895) “Mother and Child with Dog” oil on canvas signed lower left. Framed. 17-5/8” x 14-3/4”, framed 20” x 27”

$500-$800

92 British School (19th Century)

“Minna from Walter Scott’s Pirates and Another Maiden, Probably Her Sister Brenda” pair of oils on tin each unsigned and with a period label en verso inscribed in French; the first identifies Minna and the second describes a setting “le soir a la foret”. Framed alike. each 16-5/8” x 13-1/2”, framed 23-1/2” x 20” Provenance: Private collection, Houston, Texas. $800-$1,200

93 British School (Late 18th/Early 19th Century) “Portrait of a Flaxen-Haired Beauty in a Feathered Cap” oil on canvas unsigned. Attractively framed. 30” x 25”, framed 38-5/8” x 35-1/2” $700-$1,000 93

94 Percival De Luce (American, 1847-1914) “Portrait of a Girl with Chestnut Curls” oil on canvas signed upper right, later inscription by artist’s daughter en verso. Framed. 12-1/2” x 9-1/2”, framed 15-1/2” x 12-1/2” A native of New York, and grandson of the London-born artist Thomas Thompson (1776-1852), Percival De Luce was raised in a family that appreciated and encouraged his artistic aspirations. He studied with Thomas Seir Cummings (1804-1894) and Edwin White (1817-1877) at the School of the National Academy of Design before traveling to Europe where he attended the Royal Academies of Antwerp and Brussels and the Academie Julien in Paris. This rigorous and thorough training is evident in the delightful portrait of a young girl presented here. The painterly brushstrokes of the white collar, the delicately modeled features of the face, and the minimal yet rich color palette are all indicative of a master portraitist. A frequent exhibitor at the National Academy of Design, De Luce was named an Associate of that august Institution in 1897. The Percival De Luce Memorial Collection is conserved at Northwest Missouri State University. $600-$900

95 Jozef Israels (Dutch, 1824-1911) “Rabbi” oil on canvas signed lower left. Framed. 15” x 12”, framed 22-3/4” x 19-1/2” $1,000-$1,500

96 British/American School (Fourth Quarter 19th/First Quarter 20th Century) “The Immigrants” oil on canvas unsigned. Framed. 14” x 12”, framed 22” x 20” $600-$900

97 Continental School (Fourth Quarter 18th Century) “Portrait of a Young Woman with a Lace Ruff and Shawl” oil on canvas unsigned. Framed. 26” x 22”, framed 29-1/4” x 25” $700-$1,000

98 Pair of Regence Walnut Side Chairs second quarter 18th century, with molded stiles and crest rail, a serpentine front seat rail with shell and scroll carving and cabriole front legs, now upholstered in “floral and urn” needlepoint fabric. h. 40-1/4” Provenance: Lucullus, New Orleans, Louisiana. $1,000-$1,500 99 Regence-Style Marquetry-Inlaid Kingwood and Marble-Top Commode early 20th century, of bombe form, the serpentine rouge marble top over a bank of three drawers, each with floral, leaf and vine inlay, on cabriole legs with ormolu mounts above the knees and toupie feet, the bombe sides with floral cornucopia inlay. h. 34-1/8”, w. 31-3/4”, d. 17” Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $800-$1,200 100 Louis XIV-Style Walnut Fauteuil

19th century, the tall back joined to open arms terminating in bellflower- and foliate-carved ends and scroll supports, raised on shell-carved cabriole legs by stretchers, upholstered in antique needlepoint. h. 49-3/4” $500-$800

100

101 102

101 Regence Oak Commode 18th century, the rectangular top with a shaped front, above a conforming case fitted with two small drawers over two long drawers, all paneled and with incised lattice-patterned designs, raised on rounded feet. h. 32”, w. 45-1/2”, d. 25” Provenance: Kevin Stone Antiques, New Orleans, Louisiana. $1,400-$1,800 102 Unusual Bronze Chandelier first quarter 20th century, probably French, the ten-light chandelier of rococo inspiration, the pierced and molded spherule-shaped standard supporting flaring acanthus leaves, the leaf-molded candle arms decorated with delicate pierced scrollwork and termating in pierced drip pans and acanthus-molded candle cups. h. 32”, dia. 34” $600-$900 103 French School (Fourth Quarter 19th Century) “Reptiles and Amphibians” suite of five hand-colored lithographs of various sizes. All handsomely matted, glazed and framed alike. sights 7” x 4-1/4”; 4-1/2” x 6-1/2”, framed 18” x 15”; 15” x 17” $600-$900

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104 Louis XV-Style Fruitwood Canape ca. 1900, of double chair-back form with floral-carved crests, raised on cabriole legs. h. 40”, w. 68”, d. 29” $700-$1,000

105 Provincial Louis XV-Style Mahogany Rafraichissoir the top with an inset marble fronting a pair of metal bins, the frieze drawer with a branded maker’s mark, raised on molded legs joined by a shelf and resting on cup casters. h. 29-1/2”, w. 19”, d. 26-1/2” $700-$1,000

105

106 French Provincial Vaisselier early 19th century, the rack with a shaped frieze centered by an inlaid star and with pendant finials, above three open shelves, the lower section with a canted rectangular top over a conforming case fitted with two drawers over two paneled cupboard doors above a shaped apron, raised on scrolled feet. h. 89”, w. 58-1/2”, d. 27-1/2” $800-$1,200

106

107 Provincial Regence-Style Walnut and Mahogany Commode 19th century, the rounded rectangular top above a case fitted with three long drawers, each paneled, above a shell-carved apron, raised on scrolled toes. h. 39”, w. 50-1/2”, d. 25-1/2” $800-$1,200

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108

108 Provincial Louis XV-Style Fruitwood Farmhouse Table 19th century, the rectangular top with a molded edge and rounded cut corners, above a scalloped frieze, raised on cabriole legs ending in molded toes. h. 30-1/2”, w. 38”, l. 81-1/2” $1,500-$2,500

109 French Carved and Parcel-Gilt Chandelier second quarter 20th century, in the Louis XV style, the fivelight chandelier with a vasiform, fluted standard, leaf- and swag-carved, the lower portion carved with laurel leaves, set with leaf-carved scrolled candle arms terminating in beaded candle holders. h. 23-1/2”, dia. 19” $400-$700

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110 French Provincial Oak Wine Table 19th century, the circular top above a recessed triangular frieze, raised on three splayed square legs. h. 27-1/2”, dia. 25” $800-$1,200

109

111 French Provincial Oak Wine Table 19th century, the circular top above a recessed triangular frieze, raised on three splayed square legs. h. 27-1/2”, dia. 25” $700-$1,000

112 French Provincial Fruitwood Armoire late 18th/early 19th century, in the Louis XV taste, the removable molded cornice above a pair of framed and paneled doors, raised on short cabriole legs. h. 84”, w. 52”, d. 24”

111

$700-$1,000

113 Continental Scrubbed Pine Tilt-Top Wine Tasting Table 19th century, with an oval top mounted to a trestle base and a rotating bracket to support the top. h. 28-1/2”, w. 56-1/2”, d. 43-1/2” $600-$900

113 112

116

115 Provincial Louis-Philippe-Style Fruitwood Farmhouse Table

114

the top over an inset apron and raised on six turned legs. h. 30”, w. 37-1/2”, l. 108”

114 Pair of Provincial Louis XIII Walnut Chairs 17th century, each with an arched crest rail and splat, turned stiles and legs joined by serpentine stretchers, now upholstered in figural and foliate striped brocade. h. 43-1/2”

$500-$800 116 Provincial Painted Bread Cabinet on Stand in the French country style, with a fall-front door adorned with floral carving, gardening motifs and musical reliefs, the cabinet resting on a stand with an open shelf and turned legs. h. 35”, w. 40”, d. 17-1/2”

$800-$1,200

$500-$800

115

118

117

117 Marguerita Pillini (Italian/French, 19th/20th Century) “On the Veranda” oil on canvas signed lower left. Framed. 29” x 19-3/4”, framed 41” x 29-1/2” $800-$1,200 119

118 Charles Boisset (American, 20th Century)

119 Scott Clifton Carbee (American, 1860-1946)

“Fontaine Carpeaux, Jardin du Luxembourg, Paris”

“The Letter”

oil on canvas board signed lower left, two titled labels en verso. Framed. 18” x 24”, framed 25-1/2” x 31-1/2”

oil on canvas signed lower left. Framed and with artist plaque. 22” x 18”, framed 29-1/2” x 25-1/2”

$600-$900

$700-$1,000

120 French School (First Quarter 20th Century) “Spring Siesta” oil on canvas unsigned, “Douane, Paris” supplier stencil en verso. Framed. 22-1/2” x 29”, framed 27” x 33-3/4” $500-$800

120

121 American Impressionist School (Fourth Quarter 19th/First Quarter 20th Century) “Boating” oil on canvas signed “Miller” lower left. Framed. 18” x 24”, framed 25” x 31” Provenance: Descended in a family in Beaulieu-sur-Layon, France; Private collection, Porto, Portugal, 2014. $1,000-$1,500

121

122 Henri Joseph Pauwels (Belgian, 1903-1983) “Tea Time” oil on canvas signed lower right. Framed. 27” x 29”, framed 35” x 37” $800-$1,200

122

123 Daniel MacMorris (American, 1893-1981) “Clipper Ship Race”, Paris, 1929 oil on canvas signed, titled and dated localized en verso. Gilt stenciled framed. 24-1/4” x 33”, framed 31-3/4” x 40-5/8” $1,000-$1,500

123

124 Nicola Simbari (Italian, 1927-2012) “Soaking up the Sun” oil on canvas signed lower right. Framed. 18-1/2” x 22-1/4”, framed 23-3/8” x 26-3/4” $2,000-$4,000

124

125

125 Pierre-Eugene Duteurtre (French, 1911-1989) “Scene de Plage” oil on canvas signed lower left, signed and titled en verso. Framed. 18-1/4” x 21-1/2”, framed 22-1/2” x 26” $200-$400

126 Wallace Bassford (American, 1900-1998) “Bouquet Rouge”, 1960 “Springtime” oil on canvas board oil on canvas the first signed and dated lower right, also signed, dated and titled en verso and on “Grand Central Art Galleries, New York” exhibition label on stretcher; the second signed lower right, and signed and titled en verso; together with a photo of the artist in his studio, gifted by the artist’s niece in a letter on frame backing. 9” x 6-1/4”, 16” x 12”, and sight 19-1/2” x 19-3/8”, respectively. The first two framed; the third matted, glazed and framed. framed 15-1/2” x 13-1/4”, 22-1/4” x 16-1/2”, and 23-3/8” x 23-3/8” $400-$700

126

127 Ben Benn (Russian/New York, 1884-1983) “Mother and Child”, 1925 oil on canvas signed and dated lower right; signed, titled, dated and with “The Artist Gallery, NYC” stamps en verso. Framed. 20-1/4” x 16”, framed 23-3/4” x 19-3/4” $800-$1,200

127

128 Nicolai Cikovsky (Polish/Washington, D.C., 1894-1984) “Two Dancers” color lithograph on paper pencil-signed and numbered “5/100” lower margin. Matted, glazed and framed. sight 23-1/2” x 17-1/2”, framed 30-3/4” x 25” $400-$700

128

129 Continental School (Second Quarter 20th Century) “Portrait of a Dark-Eyed Beauty” oil on board illegibly signed lower right. Framed. 24” x 20”, framed 29-1/2” x 25-1/2” $600-$900

129

130 Louis van der Pol (Dutch, 1896-1982) “School Girls, Amsterdam” oil on canvas signed lower right. Framed. 26-1/4” x 31-3/4”, framed 31-1/4” x 36-3/4” $800-$1,200

130

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131 Louis XV-Style Ormolu-Mounted Mahogany Bureau Plat 20th century, the shaped top with a green tooled leather blotter, one side fitted with three drawers, raised on cabriole legs with female mounts on the knees. h. 33-1/2”, w. 76”, d. 38”. $600-$900

132 Chinese Export Famille Jaune Porcelain Garden Seat late 19th century, the pierced, barrel-form seat decorated with dragons and peonies. h. 18-1/2”, dia. 13-1/2” 132

$500-$800

133 Chinese Famille Verte Porcelain Bottle Vase fourth quarter 19th/first quarter 20th century, the slender neck decorated with a scrolling foliate design on a yellow ground, the globular body depicting Shou-Lao with attendants, the base with an apocryphal six-character Kangxi mark in underglaze blue. h. 15”, dia. 9” $700-$1,000

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134 French Gilt-Bronze and Crystal Chandelier

135 French Gilt-Bronze and Crystal Chandelier

second quarter 20th century, in the Louis XVI taste, the bronze frame set with scrolled arms supporting floriform prism-hung drip pans and turned candle sockets, the frame hung with graduated sprays of crystal drops, with an interior spear-point finial and a corona of sprays of drops crowning the top. h. 26”, dia. 19”

second quarter 20th century, in the Louis XIV taste, the bronze frame set with scrolled arms supporting floriform prism-hung drip pans and turned candle sockets, the frame hung with graduated sprays of crystal drops, with an interior spear-point finial and a corona of sprays of drops crowning the top. h. 31”, dia. 17-1/2”

$900-$1,200

136 Louis XV-Style Gilt-Bronze Boudoir Mirror ca. 1900, French, set with a beveled mirror plate, with an easel back. h. 24-1/4”, w. 14” $500-$800

136

137

137 French Silvered and Gilt-Bronze Jewel Casket first quarter 20th century, in the Baroque taste, decorated with winged heads and molded putti on each corner, set on scrolled feet. h. 6”, w. 8”, d. 6-3/4”

138

Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $300-$500 138 Louis XV-Style Mahogany Bonheur du Jour 20th century, the backboard with an asymmetrical foliateand floral-carved crest and a pair of drawers, the serpentine front with a pull-out baize-lined writing slide over a frieze drawer, raised on cabriole legs joined by stretchers with a central flame finial. h. 49-1/8”, w. 39”, d. 22-1/2” Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $700-$1,000

139 Louis XV-Style Beechwood Bergere and Stool the chair with a shell- and leaf-carved top rail, closed arms with scroll ends, loose seat cushion and cabriole legs, h. 38-1/4”, and the stool retaining a label, “Made by b Manheim 409 Royal St. New Orleans, LA”, the label with pencil markings, “White House ... Long...Cotton”, h. 9-1/2”, w. 14-1/2”, d. 12-1/2”. Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. 139

$500-$800

140 141

140 Louis XV-Style Marquetry-Inlaid Mahogany and MarbleTop Commode the serpentine marble top over a conforming case with three floral-inlaid and parquetry drawers, on cabriole legs with ormolu mounts and sabots. h. 35”, w. 41”, d. 19-1/4” $500-$800 141 French Bronze and Crystal Chandelier

142

mid-20th century, of Louis XIV inspiration, the six-light chandelier with a patinated bronze frame hung with crystal drops and mauve- and smoke-colored fruit, the scrolled candle arms set with scalloped drip pans and turned candle cups, a corona hung with crystal drops at the top. h. 32-3/4”, dia. 17” $1,000-$2,000 142 Louis XV-Style Parquetry-Inlaid and Kingwood Table ca. 1900, the patterned parquetry top of various specimen woods, over a concave frieze fitted with a pair of drawers, on cabriole legs with bronze sabots. h. 29-1/4”, w. 35”, d. 23-3/4” $500-$800 143 Pair of Louis XV-Style Gilt-Bronze Sconces

143

mid-20th century, molded with rocaille work and leaves, the candle cups and drip pans molded to match. h. 22-1/2”, w. 16”, d. 7” $400-$700

144 Louis XV-Style Giltwood Mirror fourth quarter 19th century, the rectangular surround lined with rocaille work, the corners lined in scrollwork, the crest decorated with a seashell and trimmed with flowerheads, and the lower edge with pierced rocaille work. h. 49”, w. 35-1/2” Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas. $500-$800 145 Louis XV-Style Giltwood and Marble-Top Console Table 19th century, the shaped rouge marble top above a conforming paneled and shell-carved frieze, raised on C-scroll legs joined by a shell-centered stretcher and ending in foliate scrolled toes. h. 37”, w. 33-1/2”, d. 15” $1,000-$1,500 146 Follower of Antoine Pesne (French, 1683-1757) “Portrait of Francis I, Holy Roman Emperor and Grand Duke of Tuscany” oil on canvas unsigned. Framed. 38” x 31”, framed 43” x 36”

144

Provenance: Private collection, Houston, Texas. $1,400-$1,800

145 146

147

147 Louis XV-Style Beechwood Settee

148 French Kingwood, Porcelain and Bronze Tray

the molded and shaped back with a shell- and floral-carved crest, joined to closed arms extending to cabriole legs with French toes, the serpentine seat rail centered by a like leg, the seat with a loose cushion. h. 38-3/8”, w. 62”, d. 25”

late 19th century, the serpentine-shaped tray with bronze trim and handles, and set with five porcelain plaques depicting courting figures in Arcadian landscapes. h. 19-3/4”, w. 31-1/4” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi.

$800-$1,200

$500-$800

148

149

149 Monumental French Gilt-Bronze and Crystal Chandelier

150 Louis XV-Style Giltwood and Marble-Top Console

ca. 1900, the thirty-light fixture having five arms with five clusters of lights each and a central crystal stem with five additional lights around the perimeter. h. 62”, dia. 56”

19th century, the carved apron with a central shell and flanked by a bird to each side, raised on cabriole legs. h. 34-1/2”, w. 67”, d. 17” $400-$700

$1,000-$1,500

150

151

151 German Meissen-Style Porcelain Dressing Mirror ca. 1900, with serpentine sides and crest, the edges molded with pink and blue rocaille work, decorated with encrusted flowers, birds and putti, set with a beveled mirror plate, on an easel back. h. 25-3/4”, w. 15” $600-$900 152 Louis XV-Style Giltwood Trumeau Mirror fourth quarter 19th century, the upper tapestry panel depicting a shepherd and shepherdess with their sheep and dog, the mirror trimmed with giltwood, scroll and rocaille work. h. 110”, w. 42”

152

$800-$1,200 153 Collection of Three “Dresden” Porcelain Centerpieces early 20th century, German, figural with sculpted flowers, one with Carl Thieme’s Saxonian Porcelain mark, one with a “beehive” mark, and the other unmarked. h. 13-3/4” to 21-3/4”, w. 10-1/2” to 14”, d. 9-1/2” to 10-1/2” $500-$800

153

154 Louis XV-Style Polychrome and Onyx-Top Center Table 20th century, the turtle-form top with an inset onyx surface, above a conforming scrolling foliate frieze, raised on molded cabriole legs headed by foliate carving and ending in scrolled toes. h. 29”, w. 36-1/2”, d. 24” $600-$900 155 Felix Edouard Guerin-Meneville (1799-1874) Atlas to Dictionnaire Pittoresque d’Histoire Naturelle Paris: second quarter 19th century, quarto, in three volumes, 720 natural history plates, most hand-colored, with printed table, in quarter green leather with gilt fillet on green moire cloth, the spines with gilt decoration and lettering, the edges cut and marbled, with yellow moire endpapers and bookplate of Robert and Madeleine Clamens. [Nissen ZBI 4616; Grasse III 171]

154

leaf 29.1 x 19.3 cm; overall 30.0 x 20.6 cm Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. This set is of the colored plates only and does not include the accompanying nine volumes of text. Without additional information, it is not possible to determine if they are from the first edition of 1834-1839 or the second edition of 1844-1846. $700-$1,000

155

156 Pair of Louis XV-Style Bronze Sconces second half 20th century, French, each having a scrollwork backplate decorated with flowerheads and fitted with a trio of scrolled candle arms. h. 21”, w. 13”, d. 6-1/2” $600-$900

156

159

157 French Parcel-Gilt Trumeau Mirror ca. 1900, the painted upper panel with a courting couple in 18th-century costume, on a soft green background with swags of flowers held by bowknots on the upper side panels, and vases of flowers on the lower panels. h. 75”, w. 47” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $700-$1,000 158 Louis XV-Style Creme-Peinte and Parcel-Gilt Settee early 20th century, in 19th-century floral Aubusson upholstery. h. 42”, w. 57”, d. 25”

157

Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $500-$800 159 Louis XV-Style Mahogany Cocktail Table the scalloped top with an inset glass panel over a woven cane field centered by a roundel, raised on cabriole legs. h. 20-3/4”, w. 34-1/4”, d. 24-1/4” Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $500-$800

158

160

161

160 Louis XIV-Style Carved and Parcel-Gilt Wooden Chandelier the standard carved with lotus leaves, the fluted and scrolled arms carved with leaves, the bold reeded candle cups supporting gilt drip pans. h. 34”, dia. 34” $800-$1,200 161 Louis XV-Style Painted and Parcel-Gilt Buffet 20th century, the serpentine top over a conforming case with a pair of paneled doors flanking a central drawer over a door, all on fiche hinges, with scalloped apron and cabriole legs. h. 43-1/4”, w. 79-1/4”, d. 21-3/4” $700-$1,000 162 Louis XV-Style Painted Trumeau Mirror fourth quarter 19th century, French, the mirror framed with a serpentine crest embellished with a central shell flanked by leaf carving, the upper panel framed in scrollwork with a carved shell, leaves and flowerheads. h. 86”, w. 47-3/4” $700-$1,000

162

163

163 Louis XV-Style Stool late 19th century, the surfaces painted celadon green with gilt accents, the drop-in seat upholstered in Hermes cognac nappa leather. h. 19”, w. 20-1/2”, d. 20-1/2” $600-$900

164

164 Louis XV-Style Painted Bergere 19th century, the molded back with a floral-carved crest, joined to scroll arms on shaped molded supports, a serpentine seat and cabriole legs. h. 37-3/4” $700-$1,000 165 Regence-Style Mahogany and Marble-Top Commode the shaped marble top above a conforming bombe case fitted with two short drawers over two long drawers, all banded, raised on splayed legs ending in sabots. h. 33”, w. 47”, d. 21-1/2”

166 Louis XV-Style Burlwood and Mahogany Bureau Plat with an inset leather top, the apron with a central drawer flanked by serpentine drawers, raised on cabriole legs, with gilt-lacquered ormolu mounts throughout. h. 32”, w. 42-1/2”, d. 22” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $500-$800

$500-$800

166 165

168

167

167 Pair of Regence-Style Kingwood and Marble-Top Corner Cabinets early 20th century, each with a bowed marble top with projecting corners, above a conforming case fitted with a single door featuring an elaborately inlaid scrolling foliate panel, raised on bracket feet to sabots. h. 35”, w. 25”, d. 17” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $500-$800 168 Handsome French Patinated Bronze and Marble Figural Mantel Clock fourth quarter 19th century, set with Japy Freres works. h. 15-1/2”, w. 18-1/2”, d. 6” Provenance: Charlotte Nail Antiques, Houston, Texas; Private collection, Houston, Texas. 169

$600-$900 169 Bronze Figural Group 20th century, after Etienne Henri Dumaige (French, 1830-1888), depicting two harem dancers with a tambourine, with a patinated finish and a “Dumaige” plaque on the base. h. 26”, w. 13-1/2”, d. 11-1/2” $600-$900 170 Patinated Bronze Figural Group 20th century, of Dionysian inspiration, depicting a reclining nude female feeding grapes to three playful babies. h. 11-1/2”, w. 12”, d. 6-1/2”

170

$500-$800

171

171 French Patinated Bronze and Crystal Chandelier

172

20th century, in the Louis XIV style, the glass-clad standard supporting the bronze frame, set with bell-shaped candle cups set in sprays of crystals, and having sprays of prisms decorating the upper and lower standard. h. 31”, dia. 24”

173 Louis XV-Style Giltwood and Marble-Top Console Table 19th century, the shaped marble top above a conforming frieze centered by a pierced foliate shield amidst scrolling foliate patterns, and raised on C-scroll legs joined by a shaped stretcher and ending in foliate scrolled toes. h. 36”, w. 57”, d. 18”

$700-$1,000 172 Louis XV-Style Inlaid Mahogany Bureau Plat with an inset tooled leather top over a frieze with a central drawer flanked by a pair of drawers, each with foliate inlay and ormolu mounts, raised on cabriole legs with shell and foliate mounts at their tops, the feet with ormolu sabots. h. 30”, w. 59”, d. 30-1/4”

Provenance: Charlotte Nail Antiques, Houston, Texas; Private collection, Houston, Texas. $1,800-$2,500

$700-$1,000

173

174

174 Continental Ormolu-Mounted Porcelain Vase

175

first quarter 20th century, possibly Samson, of baluster form, having a domed cover with broad lip, decorated to the exterior with blossoming flowers amid other foliage on a terrace, mounted on an ormolu base, with maker’s mark to the base. h. 24”, dia. 8-1/2” $600-$900 175 Dual Large Gracie, New York, Framed Chinoiserie Panels 20th century, possibly a flip sample, one side with a deep peach ground having a large tree peony, birds and butterflies, the reverse with a soft lemon ground having a delicate tree peony, birds and butterflies, presented in a contemporary partially cove-molded Larson-Juhl frame. overall h. 81”, w. 39” $800-$1,200 176 Paris or Limoges Porcelain Platter mid-19th century, hand-painted with birds and butterflies, the back with a spurious “Sevres” hand-painted overglaze crossed L’s mark. dia. 20” $500-$800

176

177 Chinese Powder Blue and Gilt Porcelain Covered Urn first half 20th century, of baluster form with domed cover, delicately decorated with a phoenix amid foliage, a leaf pattern border encircling the base. h. 16”, dia. 11” $800-$1,200

178 French Belle Epoque Giltwood and Faux Malachite Mirror ca. 1900, the oval beveled mirror plate with a twisted gilt surround, set into a rectangular frame with a delicate crest depicting a wreath of flowers and boughs of laurel, with a malachite ground, the upper portion decorated with swags of flowers, the lower portion with a quiver and torch. h. 53”, w. 36” $1,000-$1,500

179 Pair of French Gilt-Bronze Sconces third quarter 20th century, each having a leaf-molded backplate terminating in scrollwork, and fitted with seven beaded and leaf-molded arms set with lily-form candle cups and cut glass prisms hanging from glass star medallions. h. 19”, w. 18-1/2”, d. 13-1/2”

178

$700-$1,000

179 177

180

180 Suite of Eight Louis XV-Style Hardwood Armchairs comprised of a pair of armchairs and six side chairs, each with gilt-lacquered ormolu mounts, a serpentine front seat rail and cabriole legs, the seats and backs in ivory upholstery. armchair h. 40-3/4”, side chair h. 39-3/4” $800-$1,200

181 French Parquetry-Inlaid and Ormolu-Mounted Dining Table

181

early 20th century, in the Louis XV taste, the banded top with geometric inlay and raised on ormolu-mounted cabriole legs, with four 19-1/2” skirted leaves. h. 29-1/2”, w. 49”, l. 60”, ext. l. 138” $800-$1,200

182 Louis XV-Style Inlaid Mahogany and Ormolu-Mounted Two-Tiered Dessert Stand early 20th century, raised on cabriole legs and mounted with brass handles on each end. h. 35”, w. 33-1/2”, d. 21” $600-$900

182

183

183 William Guerin & Co., Limoges, Porcelain Partial Dinner Service

184 Louis XV-Style Kingwood and Marble-Top Commode 19th century, the shaped marble top above a conforming bombe case fitted with two short drawers over two long drawers, all banded and quarter-veneered, the sides veneered en suite, raised on splayed legs ending in sabots. h. 33-1/2”, w. 46”, d. 19-1/2”

first quarter 20th century, for Ovington Brothers, New York, with narrow gold-encrusted bands and leaf swags on white, comprising thirteen dinner plates, dia. 10-1/4”, twelve luncheon plates, dia. 9-3/4”, twelve salad/dessert plates, dia. 8-1/2”, twelve bread and butter plates, dia. 7-1/2”, and twelve berry bowls, dia. 5”, with twelve conforming saucers, dia. 6-1/4”.

$600-$900

$500-$800

184

185

185 “Limoges China” Tea Set mid-20th century, marked in gilt with a fleur-de-lis, comprised of a tray, w. 16-1/2”, d. 10-3/4”, a teapot, h. 5-1/2”, w. 9-1/2”, a cream jug, h. 4”, w. 4”, a sugar bowl, h. 3-3/4”, w. 3-3/4”, and a pair of cups, h. 3”, and saucers, dia. 5-1/4”. $500-$800 186 Louis XV-Style Kingwood Bureau Plat early 20th century, the shaped rectangular top with an inset leather surface and ormolu corner accents, above a conforming frieze fitted with three drawers, all with latticepatterned parquetry inlay, verso and sides inlaid en suite, raised on cabriole legs headed by espagnolettes and ending in sabots. h. 32”, w. 49-1/2”, d. 25-1/2”

187 Pair of Louis XVI-Style Bronze Sconces first quarter 20th century, each two-light sconce with a quiverform backplate terminating in a draped urn finial, and reeded arms decorated with acanthus leaves and terminating in flaring, molded candle cups. h. 16-1/2”, w. 8”, d. 12-1/2” $500-$800

$600-$900

186

187

189 French Giltwood Mirror fourth quarter 19th century, the cove-molded surround decorated with aesthetic patterns and beading. h. 48-1/2”, w. 39” $500-$800 190 French Painted and Mirrored Hall Stand ca. 1900, the surround painted in shades of green, the central panel with a carved giltwood crest mounted with an engraving after Angelica Kauffman (Swiss, 1745-1807), the side panels set with marble-top brackets over panels set with carved musical trophies, a planter with a zinc insert in the center. h. 103”, w. 75”, d. 11” $800-$1,200

189

188 French Bronze Gasolier fourth quarter 19th century, the twelve-light gasolier design of baroque inspiration, with a spiral-reeded standard, the leaf-decorated arms supporting gas arms on two levels, with an incised acorn-form lower portion. h. 48”, dia. 26” $800-$1,200

188

190

191

191 Continental School (Fourth Quarter 19th Century)

192

“Young Woman with Her Pet Parrot” watercolor on paper unsigned. Glazed and framed. sight 32” x 25”, framed 39” x 33”

193 French Sevres-Style Porcelain Tea Set 20th century, marked by “Ancienne Manufacture Royale de Limoges”, decorated with birds on a yellow ground, comprised of a teapot, h. 7”, w. 8-1/2”, a sugar bowl, h. 6”, dia. 3-1/2”, a cream jug, h. 5-1/2”, w. 5”, eight dessert plates, dia. 8-1/4”, and eight cups, h. 2-1/4”, with eight saucers, dia. 5-1/2”.

Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $700-$1,000 192 Louis XVI-Style Fruitwood Secretaire

$500-$800

19th century, the paneled slant front opening to a variety of drawers surrounding a central cupboard, opening to small drawers, all retaining paper labels, over three long drawers, all paneled and with floral carving, above a guilloche-carved apron, raised on ribbed tapering square feet. h. 48”, w. 51”, d. 25” $500-$800

193

195 194

194 Louis XVI-Style Giltwood Mirror

196 Pair of French Bronze and Crystal Sconces

20th century, with a pierced crest decorated with lovebirds in a wreath, set with a beveled mirror plate, h. 37-1/4”, w. 23”.

first quarter 20th century, with oblong backplates decorated with pierced scrollwork and beading, the scrolled candle arms supporting turned candle cups with reeding, set with crystal bobeches hung with prisms, swags of crystal drops hung from the arms. h. 19”, w. 15”, d. 12”

$500-$800 195 Pair of Louis XVI Fruitwood Fauteuils

Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas.

18th century, each with a padded medallion back within a molded frame, joined by padded, scrolling arms to the like seat, raised on fluted tapering circular legs ending in bulb feet. h. 37”

$500-$800

$700-$1,000

196

198

197 Louis XIV-Style Parcel-Gilt Mirror fourth quarter 19th century, framed with carved scrollwork and flowerheads, the pierced crest with a central pierced carving of flowerheads, mounted on a painted back with old mirror glass. h. 20-1/2”, w. 14” $600-$900

198 Pair of Louis XVI-Style Polychrome Fauteuils 19th century, each with a padded medallion back within a molded frame, joined by padded arms on bulbous uprights to the padded seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 34-1/2” $500-$800 199 Pair of French Gilt-Bronze and Crystal Sconces first quarter 20th century, on scrolled backplates, the molded arms set with urn-form candle cups and glass drip pans, hung with swags of crystal drops. h. 14”, w. 13-1/2”, d. 11-1/2” $600-$900

197 199

201

200 Painted and Giltwood Trumeau Mirror ca. 1900, the top panel decorated with an oil-on-canvas painting of a village wedding scene, set into a Louis XIV-style giltwood surround with shell corners, trimmed with rocaille work, the mirror with like decoration. h. 87”, w. 38-1/2” $600-$900

201 Bronze-Trimmed “Tiche” Porcelain Centerpiece 20th century, Italian, with scenes of the Sistine chapel ceiling, signed “1875/Decortiche”. h. 18-1/2”, w. 21”, d. 12” $500-$800

200

202 Pair of Louis XVI-Style Wing Chair Bergeres late 19th century, each with a padded, slightly domed back surmounted by a floral crest and within a rope-carved frame, the padded and cushioned seats raised on fluted tapering circular legs ending in toupie feet. h. 40-1/2” $500-$800

202

203 Two French Marble-Top Tables including a Louis XV-style table, early 20th century, with a shaped rectangular Breche d’Alep marble top within a brass banding and above a bombe case fitted with three quarter-veneered drawers, raised on cabriole legs ending in sabots, h. 29”, w. 18-1/4”, d. 13”, and a Louis XVI-style table, early 20th century, with a circular marble top within a full pierced brass gallery, above a conforming frieze fitted with two small drawers and two leather-inset candle slides, raised on fluted tapering circular legs ending in brass caps, h. 29”, dia. 26”. $1,000-$1,500 204 Pair of Chinoiserie-Decorated Louis XVI-Style Commodes 203

with the brass plate “John Widdicomb Company, Grand Rapids Est. 1858”, each with a pair of block-front drawers, ormolu mounts and cabriole legs, with polychromed decor on a faux burlwood ground. h. 31-3/4”, w. 38”, d. 16” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $700-$1,000 205 Suite of Four Louis XV-Style Giltwood Chairs late 19th century, each with a carved back, serpentine seat and raised on cabriole legs. h. 37” Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana.

204

$700-$1,000

205

206 Set of Twelve Rosenthal Raised Gilt Salad Plates ca. 1920s, Bavarian, each with a raised gilt border richly decorated with wreaths, scrollwork and putti supporting swags of flowers, marked in underglaze green, “Rosenthal. Selb-Bavaria”. dia. 8” Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $500-$800 207 Louis XV/XVI Kingwood, Exotic Woods and Marble-Top Commode late 18th century, the marble top with projecting corners and central section, above a conforming case fitted with three frieze drawers, all with decorative banding and diamond inlay, over two long drawers, both tri-paneled with decorative banding and floral basket inlays, raised on cabriole legs ending in sabots. h. 36”, w. 50-1/2”, d. 22”

206

$3,000-$5,000 208 Pair of Louis XVI-Style Molded Plaster Appliques 20th century, each molded with lush black-painted fruit in a gilt ribbed basket, the handle hung from ribbons. h. 22-1/2”, w. 14-3/4” $600-$900 209 Louis XVI-Style Ebonized Games Table

207

late 19th century, the removable rectangular top with an inset leather surface, removing to reveal a sunken inlaid backgammon board, above a conforming frieze fitted with a faux central drawer and a small drawer to each side, raised on fluted tapering circular legs ending in brass caps on casters. h. 31”, w. 39-1/2”, d. 19-1/2” $500-$800

209

208

210 Continental School (19th Century) “Nobleman in Armor” oil on canvas unsigned. Framed. 24-1/2” x 20”, framed 32” x 27-1/2” Provenance: Private collection, Houston, Texas. $800-$1,200

211 Large Louis XVI-Style Polychrome and Parcel-Gilt Recamier

210

20th century, with a carved and fluted post at the head end, and raised on turned and fluted legs. h. 40”, w. 30”, l. 89” $700-$1,000

211

212 Bronze Figure of Lady Justice 20th century, the classical figure in the traditional manner, wearing a blindfold, one foot on a serpent. h. 61”, w. 20”, d. 16” $800-$1,200

212

213 French Bronze and Crystal “Waterfall” Chandelier first quarter 20th century, with a scroll-pierced corona concealing four lights and a primary bronze ring molded with satyr masques concealing nine interior lights, hung with four tiers of graduated raindrop-molded prisms and set with a cut spherical pendant finial. h. 49”, dia. 24” $1,000-$1,500 213

214

214 French Cast Stone Fireplace Surround in the Louis XV style, the opening framed with a carved serpentine top ornamented with a shell, the tapered canted corners with inset panels and carved scrolls at the top. h. 53-1/2”, w. 61”, d. 8” $600-$900

215 French Giltwood Mirror and Console Table second quarter 20th century, of Louis XVI inspiration, the mirror with a pierced bowknot crest and swags of flowers, the surround with overlapping leaves, h. 57-1/2”, w. 12-1/2”, the matching hoof-footed console table fitted with a marble top, h. 33-1/2”, w. 13”, d. 6”. $800-$1,200

215

217 216

216 French Gilt-Bronze Eighteen-Light Chandelier in the Rococo Taste first quarter 20th century, the pierced standard decorated with molded flowers “caged” with bronze leaves, set with bronze three-light arms alternating with one-light arms, decorated with molded leaves terminating in leaf-molded drip pans and matching candle cups. h. 21”, dia. 28” $700-$1,000 217 Pair of Louis XVI-Style Giltwood and Marble-Top Corner Consoles each with a serpentine variegated rouge and grey marble top over a conforming apron centered by shell, floral and foliate carving and raised on a cabriole leg. h. 37”, w. 33”, d. 18” $900-$1,200 218 French Bronze and Glass Chandelier of Louis XIV Inspiration third quarter 20th century, the twelve-light chandelier with a standard molded in glass, the silvered bronze frame set with candle arms on two levels and hung with a mixture of crystal drops and mauve, amber and colorless fruit, with a corona of mauve and colorless drops. h. 44”, dia. 26-1/2” $800-$1,200 218

219

219 Transitional Louis XV/XVI-Style Kingwood and Marble-Top Commode

220 Collection of Herend “Fruits and Flowers” Dinnerware 20th century, Hungarian, the collection comprised of twelve cream soup bowls and underplates, h. 2-1/2”, dia. 6-1/4”, eleven cups, h. 2”, with twelve saucers, dia. 5-1/2”, and twelve bread-and-butter plates, dia. 6”.

early 20th century, the bowed and canted breche d’Alep marble top above a conforming case fitted with three banded short drawers over two long drawers, banded and with parquetry veneers, the sides banded and quarter veneered, raised on sabre legs ending in sabots. h. 36-1/2”, w. 51”, d. 23”

$500-$800

Provenance: Private collection, Mobile, Alabama. $600-$900

220

221 French Giltwood “Porthole” Mirror fourth quarter 19th century, with a gadrooned edge, set with an oval beveled mirror plate, the corners decorated with acanthus leaves and trimmed in beading. h. 39-1/2”, w. 33-1/2” $600-$900

221

222 Louis XVI-Style Gilt-Bronze-Mounted Mahogany and Marble-Top Bookcase/ Vitrine ca. 1900, the rectangular marble top above a guilloche-mounted cornice over a pair of glazed doors flanked by paneled pilasters, beneath finely executed gilt-bronze foliate and floral mounts, raised on fluted legs, with brass moldings throughout. h. 66-1/4”, w. 54”, d. 16” $1,200-$1,800

222

223

225

223 Semi-Antique Heriz Carpet 8’ 7” x 11’ 11” $600-$900 224 Jaipur Sultanabad Carpet 9’ x 11’ 10” $600-$900 225 Turkish Runner 2’ 6” x 10’ 4” $500-$800

224

226 Turkish Carpet 10’ x 13’ 6” $800-$1,200

226

227 Laristan Art Deco Carpet 7’ 9” x 9’ 6” $800-$1,200

227

228 Bidjar Carpet 6’ 2” x 9’ 5” $500-$800

228

229 Turkish Oushak Carpet 9’ x 12’ $700-$1,000

229

230

230 Agra Carpet 8’ 10” x 12’ 8” $800-$1,200

231 Agra Serapi Runner 2’ 6” x 21’ 7” $500-$800

231

233 232

232 Tabriz Carpet 10’ x 14’ $500-$800

233 Laristan Sultanabad Carpet 8’ x 9’ 10” $800-$1,200

234 Turkish Sultanabad Carpet 7’ 9” x 11’ 3” $600-$900

234

235

235 Heriz Carpet 7’ 9” x 11’ 6” $700-$1,000

236 Semi-Antique Malayer Carpet 3’ 6” x 15’ 11” $700-$1,000

236

238

237 Restauration Mahogany Armoire early 19th century, the molded cornice over a pair of paneled doors with mitered corners framed by a brass molding and flanked by tapering ebonized pilasters with cast figural capitals in the form of an allegorical maiden’s head and brass feet at their base, the interior fitted with four shelves. h. 82”, w. 56”, d. 22-1/2” $1,000-$1,500

238 Directoire Fruitwood Daybed ca. 1800, the head- and footboards each with an arched crest centered by a carved urn flanked by reeded panels, raised on fluted posts, now with a metal spring steel frame and including cushions and bolsters, upholstered in black with contrasting cording. h. 49”, inside w. 40”, l. 75”, outside w. 46-1/2”, l. 86” $800-$1,200

237

240

240 French Restauration Clock with Figure of Hercules second quarter 19th century, the clock retaining much of its original gilding, the figure of Hercules dressed in a toga and clutching a club, leaning on the clockworks, the lower portion decorated with a lion masque, war trophies and oak leaves, on engine-turned bun feet, in a period glass dome on an ebonized base. h. 34-1/2”, w. 14-1/2”, d. 6-3/4”

239

239 After Elisabeth Vigee Le Brun (French, 1755-1842) “Self-Portrait of the Artist (1790)”, ca. 1860 oil on board unsigned, verso faintly and indistinctly inscribed in English and French as “souvenir” from “Florence [Italy], 1860” to a “Mrs./Mme. Shurnburger...”. Framed. 8-5/8” x 7”, framed 16” x 13-3/4” The original self-portrait by Le Brun is conserved at the Uffizi Gallery, Florence, Italy.

$1,200-$1,800 241 Pair of Restauration-Style Fruitwood Fauteuils late 19th century, each with a scrolled and relief-carved crest rail, scrolled and carved arms, and raised on shaped legs. h. 37”, w. 22-1/2”, d. 18” $800-$1,200

$600-$900

241

242

242 Suite of Fourteen Restauration-Style Mahogany Dining Chairs comprised of four armchairs, h. 36-1/4”, and ten side chairs, h. 33”, each with a scalloped scrollcarved crest rail, shaped stiles, bowed seat rail and scroll front legs with leaf carving at the knees and base. $800-$1,200

243 Louis-Philippe Walnut and Marble-Top Commode mid-19th century, the rounded rectangular marble top above a conforming case fitted with an ogeemolded frieze drawer over three long drawers and a concealed apron drawer, raised on block feet. h. 38-1/2”, w. 51-1/2”, d. 24” $600-$900

243

244 Restauration Mahogany Settee 19th century, the slightly molded crest above a padded back, joined by downswept arms on scrolling uprights to the padded seat, raised on shaped legs ending in scrolled toes. h. 39-1/2”, w. 70”, d. 23” $500-$800

244

245 Louis-Philippe Gilt-Bronze and Marble Figural Clock mid-19th century, the top featuring a couple in medieval dress, the base with knights in the corners. h. 23-1/2”, w. 12”, d. 6-1/2” Provenance: Charlotte Nail Antiques, Houston, Texas; Private collection, Houston, Texas. $600-$900 246 Louis-Philippe Giltwood Overmantel Mirror mid-19th century, with an arched top, the outside edge with molded acanthus leaves, the crest with a pierced oval frame of a vase of flowers, flanked by angels and pierced scrollwork. h. 66-1/2”, w. 47-1/2”

247

Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $800-$1,200 247 Louis-Philippe Rosewood, Burl Wood and MarbleTop Commode mid-19th century, the inset rounded rectangular top above a conforming case fitted with a bi-paneled drop-front secretary drawer, opening to an inset leather writing surface and four small drawers, over two paneled cupboard doors, raised above a shaped apron on scrolled feet. h. 39-1/2”, w. 51”, d. 21-1/2” $700-$1,000

245

246

248 Louis-Philippe Mahogany and Marble-Top Chest mid-19th century, the variegated gray marble top with a beaded edge, above a case with a graduated bank of four drawers with perimeter moldings and raised on shaped feet. h. 39-1/2”, w. 51-1/2”, d. 24” $700-$1,000

248

249 French School (First Quarter 19th Century) “Portrait of an Elderly Man” oil on canvas unsigned. Period frame. 20-3/4” x 16-1/4”, framed 25-3/4” x 21-1/4” Provenance: Private collection, Houston, Texas. 249

$700-$1,000

250 Regency Rosewood Parcel-Gilt and MarbleTop Side Table early 19th century, the rectangular marble top above a conforming brass-inlaid frieze, raised on ebonized lion masques to foliate-carved gilt paws on runner feet. h. 38-1/2”, w. 45-1/2”, d. 18-1/2” $1,000-$1,500

250

253

251 Empire Bronze-Mounted Fruitwood Secretaire a Abattant second quarter 19th century, the drop lid opening to an interior fitted with two rows of drawers, the lower case with three long drawers flanked by half-round pilasters. h. 57”, w. 38-1/2”, d. 17”

251

$700-$1,000 252 Empire-Style Mahogany and Marble-Top Side Table

253 Pair of Empire-Style Enameled and Polished Brass Sconces

mid-19th century, the rectangular 244 marble top within an ormolu banding, above a conforming case fitted with two drawers, each with a pierced brass panel, raised on lyre-form swan’s-neck supports to plinth bases joined by a stretcher. h. 35”, w. 59-1/4”, d. 23-1/2”

20th century, with cast lion’s heads and parcel black enameling. h. 15-1/2”, w. 8-1/2”, d. 5-1/2” $500-$800

$1,500-$2,500

252

256

254

254 Empire Mahogany and Marble-Top Bronze Mounted Commode early 19th century, the rectangular marble top above a conforming case fitted with a single frieze drawer over three recessed long drawers with gilt-bronze hardware, flanked to either side by a scrolling upright, raised on tapering block feet. h. 35-1/2”, w. 51”, d. 23-1/4” $900-$1,200 255 Pair of Empire-Style Gilt- and Patinated Bronze Garniture Urns

256 Empire-Style Fruitwood and Marble-Top Center Table 20th century, the circular marble top above a gilt pateracarved frieze, raised on shaped supports headed by gilt winged swan capitals and ending in gilt paws on a concave plinth base. h. 33-1/2”, dia. 36” $600-$900 257 Empire-Style Mahogany and Marble-Top Fireplace Surround

20th century, the bases with lyre mounts trimmed with wreaths, the urns with reeded upper edges, and the bodies with lotus leaves over reeding. h. 15-1/4”, w. 5-1/2”, d. 5”

20th century, the rectangular top above a frieze centered by an ormolu mount of a classical chariot, raised on square supports headed by ormolu maiden’s heads and ending in ormolu feet on block bases, the whole resting on a marble base. h. 41”, w. 54”, d. 19”

Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi.

$800-$1,200

$700-$1,000

255

257

258

258 Empire-Style Mahogany Daybed 19th century, the headboard and footboard each paneled and with a rounded crest, fronted by a freestanding ormolumounted column, joined by shaped rails and raised on turret feet. h. 43”, inside w. 44”, l. 74”, outside w. 50”, l. 77” $800-$1,200 259 French Bronze and Green Enamel Chandelier second quarter 20th century, the twelve-light chandelier with a spherule-form bronze-mounted faux malachite standard, supported by scrolled, leaf-molded bronze arms with six downturned arms set with frosted floriform glass shades, and upturned arms set with frosted flame-form glass shades. h. 36”, dia. 28”

260 Empire-Style Mahogany Center Table ca. 1900, the circular top supported by a pedestal modeled as a pair of dolphins with twining tails, joined to a circular platform base on bun feet. h. 28-1/4”, dia. 32” Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $600-$900

$500-$800

260

259

263

262 Continental School (Fourth Quarter 20th Century) 261

“Floral Still Lives” pair of oils on canvas unsigned. Matching frames. 24” x 20”, framed 33” x 29”

261 American School (First Quarter 20th Century) “Still Life with Wine Glass, Flowers and Assorted Fruit” oil on canvas indistinctly signed lower right, artist copyright stamp en verso. Framed.

$500-$800

30” x 24”, framed 35-1/2” x 29-1/2”

263 Lode Sebregts (Belgian, 1906-2002)

$600-$900

“Still Life of Roses and a Bottle” oil on masonite signed upper right and signed, localized “Antewerpen” and with artist’s stamp en verso. Framed. 12” x 15-3/4”, framed 17-1/2” x 21-1/2” $800-$1,200

262

100

262

264

264 Napoleon III-Style Kingwood, Burl Elm and Marble-Top Lingerie Chest mid-20th century, the shaped rouge marble top over a conforming case fitted with six gently serpentine drawers, dressed with ormolu mounts and banding. h. 51-1/2”, w. 27”, d. 16” $400-$700 265

265 Unusual French Bronze, Tole and Glass Chandelier

266 Pair of Giltwood Window Cornices

second quarter 20th century, the eight-light chandelier with a serpentine body with painted tole sides and bronze trim, and set with four molded rococo candle arms and four interior sockets over a frosted glass base, with a bronze rococomolded support. h. 17”, w. 27”, d. 13-1/2”

fourth quarter 19th century, each having an arched center set with a pierced bowknot crest, and an aesthetic medallion finial on each end. h. 11-1/2”, w. 66”, d. 8-1/2” $500-$800

$1,000-$1,500

266

101

269

267 After Enzo Sighieri (Italian/French, 1868-?) “Doux Reve” patinated bronze first quarter 20th century, cast signature along edge of selfbase, with a “Bronze Guaranti Authentique/PARIS” foundry stamp at back, on an octagonal marble plinth with artist plaque, together with a wood pedestal h. 14-1/2”, w. 13”, d. 11-1/2”, pedestal h. 39”, w. 15”, d. 12”, overall h. 52”

267

$600-$900 268 Napoleon III Ebonized and Mother-of-Pearl-Inlaid Secretaire a Abattant fourth quarter 19th century, with a white marble top, the fallfront writing surface opening to a fitted interior and the lower portion with four long drawers. h. 51”, w. 26”, d. 14-1/2” $400-$700 269 Pair of French Ormolu-Mounted Mahogany Side Tables mid-20th century, each with a circular top and a brass-bound rim, and shaped brass legs with stork heads joined by a circular shelf below. h. 30”, dia. 20” $400-$700

268

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271

270

272 Napoleon III Marquetry-Inlaid Drop-Leaf Table

270 French Bronze Chandelier second quarter 20th century, the four-light chandelier with a standard molded to resemble a fringed tassel, the scrolled arms terminating in tulip-form leaf-molded sockets set with frosted and cut art glass shades with orange overlay flower decoration. h. 34”, dia. 12”

third quarter 19th century, adorned with gilt-bronze mounts throughout, the floral-, leaf- and vine-inlaid top flanked on all sides by demi-lune drop leaves in like decor, raised on fluted legs joined by an X-form stretcher with a central finial. h. 29-1/2”, w. 22-1/2”, d. 22-1/2”, ext. l. 36-1/4” Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $600-$900

$700-$1,000 271 Victorian Bronze-Mounted, Inlaid and Burled Maple Center Table third quarter 19th century, in the Louis XVI revival style, the top with a central urn, floral and leaf marquetry panel, the frieze in figured maple with line stringing, one side fitted with a drawer, raised on fluted trumpet legs joined by a stretcher with a central finial, with bronze mounts throughout. h. 30-3/4”, w. 51-1/4”, d. 28” $500-$800

272

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274 French Brass Electrolier 273 Napoleon III Parcel-Gilt and Ebonized Walnut Center Table third quarter 19th century, the top with a molded edge and rounded ends, over a conforming apron in rosewood veneers with a Neo-Grec classical plaque, raised on turned legs with carved swags and tassels, joined by stretchers in the Renaissance Revival taste. h. 29-3/4”, w. 45-1/2”, d. 25-1/2”

the twelve-light electrolier with a ball-shaped standard mounted with swags and scrolled gas arms, alternating with tulip-molded and pierced electric sockets, the bottom with a pierced, molded finial. h. 41”, dia. 32-1/2” $800-$1,200 275 French Belle Epoque Bronze Chandelier first quarter 20th century, the six-light chandelier with a central frame, reeded and decorated with sprays of laurel leaves, over a molded bronze urn, set with leaf-molded and scrolled arms, each set with two sockets and mounted with ruffled and engraved cut glass shades. h. 28-3/4”, dia. 19”

$700-$1,000

$800-$1,200

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276 French Brass Chandelier fourth quarter 19th century, the unusual chandelier with a drop center in the style of a masque light, the motif repeated on each of the four clusters of lights, the drip pans and sockets decorated with pierced scrollwork. h. 55”, dia. 36”

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$800-$1,200 277 Napoleon III-Style Marquetry-Inlaid Kingwood Bookcase/ Vitrine 20th century, the inlaid frieze over a glazed door with line stringing flanked by inlaid stiles with ormolu mounts. h. 40-1/2”, w. 29-1/2”, d. 11-1/4” $500-$800 278 French Three-Piece Gilt-Bronze and Enamel Clock Set ca. 1900, in the Baroque taste, the clock set with cobalt panels with 19th-century scenes executed in white, h. 16-1/2”, w. 8-1/2”, d. 4-1/4”, and the candelabra with removable flame finials in the center sockets, h. 18-1/2”, w. 6-1/2”, d. 6-1/2”. Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $300-$500

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279 Napoleon III Walnut and Burl Secretaire a Abattant late 19th century, the molded cornice above a case fitted with a plain frieze over a single paneled drawer, above a drop front opening to a variety of drawers and cubbyholes surrounding a central cupboard, all with nicely inlaid accents, over three long paneled drawers, raised on ball feet. h. 67”, w. 39-3/4”, d. 21-1/2” $600-$900

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280 French Glass Chandelier in the Baccarat Taste 20th century, the six-light chandelier with a molded standard decorated with reeding and set with a glass prism ring, the twisted arms alternating with twisted glass scrolls, with a molded, prism-hung pendant finial. h. 38”, dia. 36” $1,000-$1,500 280

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281 Reed Krakoff Large Deer Hide and Tan Leather Satchel silver hardware, the rolled handles with a removable buckled keeper and luggage tag both impressed “Reed Krakoff”, the removable buckled longer strap with a sliding leather shoulder protector, the top zippered closure with toggle lock on one side of the body, this side with impressed “Reed Krakoff”, the deer hide-set body with symmetrical markings and white “tails” curving underneath, resting on four conical feet, the chocolate fabric-lined interior with two leather slip pockets and a long zippered pocket leather-labeled “Reed Krakoff” and the logo, includes the care booklet, authenticity certificate, retail tag and dust bag. h. 11”, w. 15-1/2”, d. 6-1/2”; handle drop: 4”; strap drop: 18” $500-$800

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282 Chanel, Paris, Small Pink Caviar Leather “Surpique” ZipAround Satchel 2003-2004, brushed gold hardware, with two flat handles and dual zip top closure, the reverse exterior with a broad patch pocket, resting on four half-round feet, the gold “CC” logo fabric-lined interior with a broad slip pocket opposite a zip pocket fronted with the gilt-lettered leather label, includes a matching fabric zippered snap-in pouch and the authenticity card. h. 7”, w. 9-1/2”, d. 3-1/2”; handle drop: 5-1/2” $500-$800 282

283 Fendi Black Patent Leather “B. Bag” ca. 2007, with brushed bronze hardware, pebble-stitched body, orange contrast stitching and two bronze logo buckle “prongs”, the two flat leather straps with chain details, the lower body gathered all around with a brushed anthracite push-tab closure under the front flap, the black logo fabriclined interior with one slip pocket fronted by a brushed anthracite label “Made in Italy Fendi”, includes a care card, retail product card and dust bag. h. 8”, w. 13”, d. 4-1/2”; strap drop: 7” $600-$900

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284 Pierre Sterle Diamond Ear Clips 18k yellow gold, each ear clip designed as a flower blossom and mounted with a round brilliant-cut diamond weighing approximately 0.32 carats in total, stamped “Modele, Sterle, Paris”. dia. 1”, total weight 23.6 grams Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $1,800-$2,500 285 Citrine and Diamond Ring 18k white gold, the ring mounted with a round-cut treated citrine weighing approximately 3.48 carats, accented by baguette- and round brilliant-cut diamonds weighing approximately 0.31 carats in total. size 8, total weight 6.5 grams

288 Two Diamond Nugget Rings 14k yellow gold, the rings mounted with round brilliant-cut diamonds weighing approximately 0.36 carats in total. sizes 4-1/4 and 6, total weight 20.0 grams $500-$800 289 Diamond Ring 14k yellow/white gold, the ring mounted with a central round brilliant-cut diamond weighing approximately 0.30 carats, accented by single-cut diamonds weighing approximately 0.11 carats in total. size 4, total weight 7.0 grams $500-$800

$500-$800 286 Citrine, White Sapphire and Diamond Necklace sterling silver, the pendant mounted with an ovalcut citrine weighing approximately 22.66 carats, surrounded by a halo of oval-cut white sapphires weighing approximately 3.20 carats in total, the whole and the clasp mounted with round-cut diamonds weighing approximately 1.71 carats in total, the pendant suspended from a necklace composed of faceted citrine roundels. pendant l. 2-1/8”, necklace l. 18”, total weight 30.0 grams

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$500-$800

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287 Diamond Ring 14k yellow gold, the cluster ring mounted with round brilliant-cut diamonds weighing approximately 0.70 carats in total. size 7, total weight 6.1 grams

290 Two Gold Bangle Bracelets 14k yellow gold, each bracelet with a polished finish. inside circumference 8”, total weight 5.8 grams

$500-$800

$250-$400

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291 Diamond Earrings gold vermeil, the earrings mounted with sliced-cut diamonds weighing approximately 1.25 carats in total. l. 2-1/2”, total weight 24.8 grams $400-$700 292 Diamond Bracelet gold vermeil, the hinged bracelet mounted with slice-cut diamonds weighing approximately 2.32 carats in total. inside circumference 8”, total weight 24.8 grams $400-$700

293 Opal and Diamond Necklace sterling silver, the necklace mounted with square cabochoncut opals weighing approximately 70.3 carats in total, accented by round-cut diamonds weighing approximately 29.5 carats in total. l. 18”, w. 3/4”, total weight 155.5 grams $900-$1,200 294 Opal, Diamond and Tourmaline Earrings sterling silver, the dangle earrings mounted with pear-cut and oval cabochon-cut opals weighing approximately 5.61 carats in total, accented by round-cut diamonds weighing approximately 4.57 carats in total and a round-cut treated tourmaline weighing approximately 0.14 carats in total. l. 2-1/2”, total weight 23.6 grams $600-$900

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295 Ruby and Diamond Earrings gold vermeil, the earrings centered with sliced-cut diamonds and accented by round-cut diamonds weighing approximately 1.96 carats in total, accented on the outside edge by faceted round treated rubies weighing approximately 2.17 carats in total. l. 1”, total weight 10.5 grams $500-$800 296 Ruby and Diamond Bracelet sterling silver, the flexible bracelet mounted with cabochoncut treated rubies weighing approximately 12.00 carats in total, accented by rose-cut diamonds weighing approximately 3.75 carats in total. w. 1/2”, l. 7-5/8”, total weight 39.2 grams $500-$800 297 Ruby and Diamond Earrings sterling silver, the earrings mounted with oval-cut treated rubies weighing approximately 1.00 carat in total, accented by round-cut and baguette-cut diamonds weighing approximately 0.25 carats in total. l. 1”, total weight 4.0 grams $500-$800

298 Ruby and Diamond Bangle Bracelet sterling silver, the hinged bracelet mounted with oval- and pear-cut treated rubies weighing approximately 22.9 carats in total and rose-cut and sliced-cut diamonds weighing approximately 4.62 carats in total. inside circumference 8”, total weight 67.0 grams $500-$800 299 Multi-Gemstone Earrings sterling silver, the earrings mounted with oval-cut treated sapphires weighing approximately 1.78 carats in total, oval-cut treated emeralds weighing approximately 0.66 carats in total, round-cut treated pink sapphires weighing approximately 0.96 carats in total and accented with rosecut diamonds weighing approximately 3.07 carats in total. l. 2-1/2”, total weight 13.9 grams $500-$800 300 Sapphire and Diamond Earrings sterling silver, the earrings mounted with pear-cut treated sapphires weighing approximately 1.20 carats in total, accented by round-cut diamonds weighing approximately 1.40 carats in total. l. 1-1/8”, total weight 4.6 grams $500-$800

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301 Diamond Heart Pendant with Chain 14k white gold, the pendant mounted with round brilliant-cut diamonds weighing approximately 0.90 carats in total, l. 1”, suspended from a 16” white gold chain. total weight 6.0 grams $700-$1,000 302 Diamond Ring 18k white gold, the vintage filigree ring mounted with European-cut diamonds weighing approximately 0.80 carats in total, approximate color E-G and clarity VS1-SI1. size 6, total weight 3.0 grams $800-$1,200 303 Three-Stone Diamond Ring 14k white gold, the ring mounted with three round brilliantcut diamonds weighing approximately 1.15 carats in total, approximate color E-G and clarity VS2-SI1, accented by single-cut diamonds weighing approximately 0.41 carats in total, with an adjustable ring shank. size 8-1/2, total weight 6.0 grams Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $800-$1,200 304 Diamond Engagement Ring platinum, the ring mounted with a central round brilliant-cut diamond weighing approximately 1.00 carat, approximate color G and clarity VVS2, accented by single-cut diamonds weighing approximately 0.22 carats in total, with an adjustable shank. size 4-1/2, total weight 4.0 grams Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana.

305 Lady’s Diamond Watch 14k white gold, the Elgin watch mounted with round brilliantcut diamonds weighing approximately 1.00 carat in total, with a white gold mesh band. l. 6-3/4”, total weight 22.1 grams $600-$900 306 Diamond Earrings sterling silver, the dangle earrings mounted with round-cut diamonds weighing approximately 2.00 carats in total. l. 2-1/8”, total weight 7.9 grams $500-$800 307 Diamond Earrings sterling silver, the hoop-shaped dangle earrings mounted with sliced-cut diamonds weighing approximately 2.50 carats in total. l. 1-1/2”, total weight 12.8 grams $500-$800 308 Diamond Bracelet sterling silver, the flexible bracelet mounted with sliced-cut and round-cut diamonds weighing approximately 4.00 carats in total. l. 6-3/4”, total weight 29.4 grams $500-$800 309 Two Diamond Cuff Bracelets sterling silver, the bracelets mounted with sliced-cut diamonds weighing approximately 3.60 carats in total. inside circumference 6-3/4”, total weight 48.6 grams $500-$800

$2,000-$4,000

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310 Lady’s Rolex Stainless Steel Date Wrist Watch the mechanical self-winding non-quick changing date movement with a silver dial signed “Rolex, Oyster Perpetual, Date”, the stainless jubilee band with a deployant clasp signed “Rolex, Steelinox, G12, Swiss made, 625100”, reference #6919, serial #7,128,XXX, together with a green Rolex box. inside circumference 7”, total weight 51.0 grams $900-$1,200 311 Versace Link Necklace the chain link necklace with a smooth matte finish, and an icon Medusa head accent. l. 20”, total weight 97.9 grams $500-$800 312 Three Pairs of Cufflinks with One Tie Tack 14k yellow gold, the pair of basket-woven cufflinks set with a round 7.0 mm black sapphire cabochon, the pair of triangular Florentine cufflinks set with single-cut diamonds, and a pair of cufflinks and tie tack with a florentine finish and set with singlecut diamonds, with an approximate total diamond weight for the lot of 0.17 carats. size 1/4” to 1”, total weight 46.6 grams Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $700-$1,000

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313 Gentleman’s Three-Stone Diamond Ring 14k yellow gold, the ring mounted with three European-cut diamonds weighing approximately 1.25 carats in total, approximate color H-I and clarity SI1-I1. size 10, total weight 9.0 grams Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $600-$900 314 Tiffany & Co. Gold Cufflinks 14k yellow gold, the double-row knot cufflinks with springloaded swivel backs, stamped “Tiffany & Co.”. dia. 5/8”, total weight 26.6 grams Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $600-$900

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315 After David Smith (American, 1906-1965) “Hi Candida” painted and welded steel unsigned, a copy after the 1961 sculpture now conserved at the Harn Museum of Art, Gainesville, Florida. h. 67”, w. 52”, d. 15” Provenance: Private collection, Houston, Texas. $1,000-$1,500

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316 Grisha Bruskin (Russian/New York, b. 1945) “Study 4”, 1990 gouache and ink on paper signed lower right, a “Marlborough Gallery, New York” label with artist, title and date en verso. Framed. 8-1/4” x 10-3/4”, framed 16” x 18-1/2” Provenance: Marlborough Gallery, New York; Estate of Dr. Leona Bersadsky and Dr. Dorothy Bratsas, New Orleans, Louisiana. $3,000-$5,000 316

317 Grisha Bruskin (Russian/New York, b. 1945) “Untitled”, 1990 gouache and ink on paper signed upper right, “Marlborough Gallery, New York” label with artist and date en verso. Framed. 7-3/4” x 7-3/4”, framed 14-1/2” x 14-1/2” Provenance: Marlborough Gallery, New York; Estate of Dr. Leona Bersadsky and Dr. Dorothy Bratsas, New Orleans, Louisiana. $3,000-$5,000

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318 Nancy Stevenson Graves (American, 1939-1995)

319 Jo Baer (American, b. 1929)

“Untitled”, 1980

“Cardinations Suite”

lithograph in colors signed and dated lower right, numbered “24/60” lower left. Float-mounted, glazed and framed. sheet 29” x 39-1/2”, framed 30-1/2” x 41-1/2”

pair of color screenprints signed and dated in pencil lower right, numbered lower left “4/75” and “23/75”, respectively. Matted, glazed and framed. sight 26” x 19-1/2”, framed 32” x 25”

Provenance: Private collection, Houston, Texas.

$800-$1,200

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320 Ellen Carey (American, b. 1952) “Self Portrait”, 1987 pair of photolithographs from Polaroid prints each signed and dated lower right and numbered “14/35” lower left. Float-mounted, glazed and framed. 31” x 23-1/2”, framed 34” x 25-1/2” Provenance: Private collection, Houston, Texas. $1,000-$1,500

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321 Jose Esteban Martinez (Mexican, b. 1951) “The Masked Man” oil on canvas signed and dated “86” lower center, verso with the artist gallery label. Custom frame. 45” x 33”, framed 50” x 37-3/4” Provenance: Estate of Barbara and Ernest Henley, Houston, Texas. $800-$1,200 320

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322 Michel Gaspard (American, 20th Century) “The Wedding Portrait” oil on masonite signed lower left. Custom frame. 46” x 37”, framed 48” x 38-3/4” Provenance: Estate of Barbara and Ernest Henley, Houston, Texas. $800-$1,200

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323 Agustin Maya (Mexican, 1914-1996) “Untitled - Woman in Embroidered Cape” “Untitled - Three Generations” “Untitled - Man with Headdress” photographs on Kodak paper first two with various artist’s stamps; together with a framed print of “Frida Kahlo” after Manuel Alvarez Bravo (Mexican, 1902-2002) on Fujicolor Crystal Archive Paper. 8-1/2” x 9-7/8”, 10” x 8”, 10” x 8” and 8-3/8” x 6”, respectively Provenance: Agustin Maya photos from the artist, 1993; Private collection, Louisiana. $800-$1,200

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324 Fred Kormis (American, 1897-1986) “Adam and Eve” verdigris-patinated terracotta incised signature at proper left edge of self-base. h. 42-1/4”, w. 27-1/4”, d. 15-3/8” Provenance: Estate of Barbara and Ernest Henley, Houston, Texas. $700-$1,000 325 Unusual Murano Gilt-Metal and Glass Chandelier third quarter 20th century, the molded frame decorated with grapes and flowerheads, the bowl divided into sections, each with a bunch of glass grapes, on a ground of colorless molded flowers, the interior with six concealed electrical sockets. h. 27-1/2”, dia. 20-1/2” $500-$800 326 Czechoslovakian Bronze and Crystal Peacock Lamp second quarter 20th century, the bronze base set with a brilliant glass prism tail concealing three light sockets, marked “Made in Czechoslovakia” on the base. h. 19”, w. 14-3/4”, d. 6” Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $700-$1,000

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327 Neoclassical-Style Brass and Glass Cocktail Table the square beveled glass top set within an apron in Greek-key decor and raised on cabriole legs on balland-claw feet. h. 17”, w. 40-3/4”, d. 40-3/4” Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $400-$700

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328 Pair of Porcelain and Gilt-Metal Centerpieces first quarter 20th century, French, the flaring bowls supported on molded leaves, set with pineapple finials. h. 16-1/2”, dia. 14-1/2” $600-$900

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329 Contemporary Faux Tortoise and Bronze-Inset Coffee Table the circular top supported by four stylized supports and mounted to a shaped shelf below. h. 22”, dia. 40-1/4” $500-$800

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330 Ida Calzolari (Italian, b. 1936) “Still Life with Plums, Peaches, Mushrooms and a Snail” oil on canvas signed lower left. Framed. 12” x 9-1/2”, framed 21-1/2” x 19” Provenance: Private collection, Houston, Texas. $700-$1,000

331 Modern Carpet 17’ 8” x 23’ $500-$800 330

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332 Suite of Six Leather-Upholstered Occasional Chairs mid-20th century, consisting of two armchairs, h. 36”, w. 26-1/2”, d. 26”, and four side chairs, h. 36”, w. 24”, d. 24”, each with an arched back and raised on tapering square legs. $500-$800

333 Unusual French Marble Mantel Clock

333

fourth quarter 19th century, with a carved pink marble case, the dial signed indistinctly by the Philadelphia retailer, the signed Marti works with an exposed escapement, hung with a mercury-filled pendulum. h. 19-1/4”, w. 15-1/4”, d. 7”

334 Edwardian-Style Leather Chesterfield Sofa the oxblood leather sofa with a tufted back, seat and roll arms, and raised on bun feet. h. 28”, w. 83”, d. 30”

$500-$800

$700-$1,000

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335 Advertising Poster, “Mercedes Daimler, Motoren Gesellschaft Stuttgart-Unterturkheim” Werkstatte fur Graphische Kunst, 120 Stuttgart, E. Schrieber. Matted, glazed and framed. sheet 44” x 29-1/2”, framed 53-1/4” x 38-3/4” $500-$800 336 Italian Mid-Century Modern Lacquered Cocktail Table attributed to Mario Quarti, ca. 1930-1950, the rectangular top mounted to four square tapered legs joined by shaped stretchers. h. 15”, w. 65”, d. 26-1/4” Provenance: Fred Silberman Antiques, New York, New York. $800-$1,200

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337 Anglo-Indian-Style Hardwood Plantation Chair of sling form with a pull-out footstool and split wood slats. h. 27-1/2”, w. 22-1/4”, l. 45”, ext. l. 53” $500-$800

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338 Pair of Metal Oblong Planters of Asian Inspiration each with a molded top rim, each end mounted with a ring pull, and raised on bracket feet. h. 14-1/4”, w. 32”, d. 14” $800-$1,200

339 Pair of Metal Oval Planters of Asian Inspiration the sides with ring pulls attached to straps, raised on ball feet, with drainage holes in the base. h. 20”, w. 27-1/2”, d. 12”

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$800-$1,200

340 Pair of Metal Planters of Asian Inspiration the tapered sides set with ring pulls on each end, and with drainage holes. h. 23”, w. 23-1/2”, d. 23-1/2” $800-$1,200

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341 Suite of Six Polychromed Brass and Wrought Iron Garden Armchairs

342 New Orleans Salvaged Cast Iron Balcony fourth quarter 19th century, now converted to a console table with a plate glass top. h. 40”, w. 86-1/2”, d. 19”

third quarter 20th century, in the manner of Salterini, each with brass finials, woven strapwork back and seat and shaped arms. h. 35-1/2”

$1,200-$1,800

$600-$900

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345 Large Pair of Carved Mahogany Armchairs in the Art Nouveau Taste ca. 1900, attributed to S. Karpen & Bros. Furniture Co., Chicago, the frames boldly carved with sprawling vines and flowers. h. 43”, w. 33”, d. 28” 343

$1,200-$1,800

343 Large Bronze Figure of a Crane of Japanese inspiration, modeled standing and flapping its wings. h. 59”, w. 25-1/2”, d. 18-1/2” $800-$1,200

344 Art Deco-Style Bronze and Plate Glass Center Table the base depicting a nymph holding a ball in her outstretched hand and supporting a circular glass top. h. 31”, dia. 37” $600-$900

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346 Nine-Piece Collection of Signed Lalique Crystal 20th century, French, comprising eight figural pieces, including Chrysis, Danseuse Bras Leves, Deux Danseuses, and Leda and the Swan, and a cosmetics jar with a nude female knop. h. 3-1/2” to 10-1/4”, w. 2” to 5”

348 Diminutive French Gilt-Metal and Glass Chandelier second quarter 20th century, the four-light chandelier decorated with alternating turquoise and colorless glass beads and prisms, with beaded bulb covers. h. 17”, w. 17”, d. 17”

$500-$800 347 Suite of Twelve Mid-Century Fruitwood Dining Chairs

Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana.

third quarter 20th century, comprised of two armchairs and ten side chairs, each with a back modeled as joined leaves, with upholstered back and seat cushion, raised on neoclassically inspired fluted front legs with foliate-carved tops. h. 44-1/2”

$600-$900

$1,200-$1,800

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349 Empire-Style Giltwood and Glass Table the circular glass top on a tripodal base modeled as three dolphins, their tails twining to form a pedestal. h. 28-1/4”, dia. 36” Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $500-$800 350 Large French Patinated Bronze of a Cougar 20th century, of Japanese inspiration, depicted crouching, preparing to attack its prey. h. 19-3/4”, w. 16-1/2”, l. 47” $800-$1,200

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351 American School (20th Century) “Two Hunting Dogs by Tree with Pheasant and Birds” oil on wood panel inscribed “Alexander Pope” lower left . Framed. 30” x 24”, framed 36-1/2” x 30-1/2” $500-$800 351

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352 Pair of Polychrome Bookcases in the Georgian Taste each with a molded and dentillated cornice above three open shelves, the lower section fitted with two paneled cupboard doors, on a plinth base. h. 87”, w. 45-1/2”, d. 20-1/4” $800-$1,200

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353 Modern Zebra Pattern Carpet 9’ 6” x 13’ 4” $700-$1,000

354 Napoleon III-Style Iron and Glass Dining Table the inset glass top on a frame with a curule base, the legs joined by a rod mounted with a cast iron ring and ball center. h. 32”, w. 33”, l. 62-3/4” $1,200-$1,800

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355 Suite of Eight Italian-Style Wrought Iron Dining Chairs second quarter 20th century, comprised of a pair of armchairs and six side chairs, each with a tall back cushion on iron stiles with scroll tops, joined by a segmented rod, the seat cushion on scroll front legs joined to the stiles with an H-form stretcher. armchair h. 50-1/2”, side chair h. 47-3/4” $800-$1,200

356 Unique Rosewood Circular Horseshoe Dining Table mid-20th century, the banded rosewood top with selfstoring leaves underneath, with inset brass hinges, raised on square, slightly tapered legs. h. 29”, dia. 48”, ext. dia. 70”

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$600-$900

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357 Suite of Five Contemporary Lucite Stools each with a polycarbonate concave back and a seat cushion upholstered in tufted paisley, on a swivel base with canted legs. h. 43-1/8” $700-$1,000 358 Contemporary Chrome and Cut Crystal Chandelier the eighteen-light chandelier with a frame inspired by tree branches, each light mounted with spherical-cut crystal faceted shades. h. 58”, dia. 47” $500-$800

358

359 Empire-Inspired Metal and Glass Gueridon the circular inset glass top in silver-leaf decor, on a tripodal base with cast paw feet, the legs joined by a shelf with a like argente-decorated glass top. h. 30”, dia. 35-3/4” $600-$900

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360 Mid-Century Modern Chrome and Leather “Thonet” Rocking Chair 1960s, attributed to Maison Jansen, with scrolled arms and base, the back side covered in cowhide, labeled “The Otto Gerdau Co./82 Wall St. New York, N.Y.”. h. 42”, w. 22”, d. 41” $700-$1,000 361 Contemporary Flatweave Carpet 10’ 3” x 14’ 1” $1,000-$1,500 362 Partial Service of Baccarat “Balmoral” Cut Crystal Stemware 20th century, French, the set including ten water goblets, h. 6”, thirteen sherbets/champagne coupes, h. 5”, eleven sherry glasses, h. 4-1/4”, and five finger bowls, h. 2-1/4”, dia. 4-1/4”; together with eight Baccarat “Buckingham” liqueur glasses, h. 3”. Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $600-$900 363 Signed Baccarat Contemporary Crystal Vase

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20th century, French, the trumpet-form vase with concave circular cut decoration, the top with round cut openings. h. 15”, dia. 8-1/4” $600-$900

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364 Modern Glass and Lucite Table the circular glass top with a beveled edge and supported by four trapezoidal polycarbonate columns. h. 29”, dia. 44” Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $500-$800 365 Mid-Century Design Carpet 8’ x 9’ 10” $500-$800

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366 Luke Fontana (American/Louisiana, Contemporary) “Clementine Hunter” silver gelatin print and acrylic on gallery-wrapped canvas photo signed lower right, painting signed lower right and inscribed en verso. Former matted, glazed and framed. former sight 19” x 13”, framed 19-1/2” x 15-1/4”, latter 30” x 16” $1,000-$1,500

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367 George Rodrigue (American/Louisiana, 1944-2013)

368 Melissa A. Smith (American/Louisiana, b. 1964)

“Sitting with My Sisters”

“Paradise Landscape with Flowers”

acrylic-enhanced silkscreen on canvas signed lower left. Framed. 21” x 31”, framed 25-1/4” x 35-1/4”

oil on wood panel mounted on masonite old inventory label with title en verso. Framed. panel 3-3/8” x 16”, masonite 8-3/4” x 21”, framed 12-3/8” x 25”

$3,000-$5,000

$500-$800

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369 Colette Pope Heldner (American/New Orleans, 1902-1990) “Swamp Idyl, (Louisiana Bayou Country)” oil on canvasboard signed lower left and signed and titled en verso. Framed. 20” x 16”, framed 27” x 23” $800-$1,200

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371 Marty Ricks (American, b. 1961) “Sailboat Dock - San Francisco”, 2004 oil on canvas board signed lower right and signed, titled and dated en verso. Framed. 24” x 32”, framed 29-1/4” x 37” $400-$700 370

370 Dennis Perrin (American, b. 1950) “Mt. Agementicus” oil on canvas signed lower left, verso with an inventory label. Framed. 14” x 11”, framed 19-1/2” x 16-1/2” $800-$1,200

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372 Colleen Browning (American, 1918-2003) “Golden Light over a Landscape” oil on canvas signed upper left. Framed. 19-1/2” x 35-3/4”, framed 23-1/2” x 41-3/4” Provenance: Estate of Barbara and Ernest Henley, Houston, Texas. $1,400-$1,800

373

373 Enrico Donati (Italian/New York, 1909-2008) “Composition”, 1956 watercolor on paper signed, dated and inscribed “Xmas” upper left. Glazed and framed. 13-1/2” x 10-1/2”, framed 17-1/2” x 13-1/2” $800-$1,200 374 Jean-Paul Hubbard (American, 1917-1997) “The City” oil on canvas unsigned. Framed in a thin gallery liner. 36” x 24”, framed 36-1/2” x 24-1/2” Provenance: By descent in the family of the artist. $800-$1,200 374

141

375 Louise Guidry (American/Louisiana, b. 1930) “Now What” acrylic on board signed lower right. Unframed. 28” x 21-1/4” $800-$1,200

376 Richard Wood (American, 1952-2009) “Untitled”, 1995 oil on canvas signed and dated en verso. Unframed. 40” x 54” Provenance: Private collection, Houston, Texas. $800-$1,200

375

376

142

377 Pierre Doutreleau (French, b. 1938) “Joe Willie” oil on canvas signed lower right, verso with “Wally Findlay Galleries” label. Framed and with artist plaque. 36” x 28”, framed 42” x 32” Provenance: Wally Findlay Galleries, New York, New York. $2,000-$4,000

378 Louise Guidry (American/Louisiana, b. 1930) “My Spa III, Orange” mixed media on gallery-wrapped canvas signed lower right. Unframed. 20” x 20” $800-$1,200

377

378

143

379 Louise Guidry (American/Louisiana, b. 1930) “Reflecting Back” acrylic on masonite signed lower left. Unframed. 36” x 36” $1,000-$1,500

379

380 Louise Guidry (American/Louisiana, b. 1930) “Cold One, Yellow” mixed media on gallery-wrapped canvas signed lower right. Unframed. 20” x 20” $800-$1,200

380

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381

381 Jose-Maria Cundin (Spanish/Louisiana, b. 1938) “Marques de Bradomin”, 1966 oil on canvas signed and dated mid-center “Jose Maria Cundin 1966”, verso with “Orleans Gallery, New Orleans, Louisiana” label. Framed. 24” x 18”, framed 24-1/2” x 18-1/2” Provenance: Orleans Gallery, New Orleans, Louisiana; Estate of Dr. Leona Bersadsky and Dr. Dorothy Bratsas, New Orleans, Louisiana. $2,000-$4,000

145

382 Justin Garcia (American/Texas, Contemporary) “Untitled Abstraction” oil and mixed media on canvas signed lower right. Unframed. 28” x 54” $1,000-$1,500

382

383 Justin Garcia (American/Texas, Contemporary) “Abstract” oil on canvas signed lower right. Unframed. 24-1/4” x 24” $800-$1,200

383

146

384 Louise Guidry (American/Louisiana, b. 1930) “Stop Motion” acrylic on gallery-wrapped canvas signed lower right. Unframed. 36” x 36” $1,200-$1,800

384

385 Louise Guidry (American/Louisiana, b. 1930) “My Space II” acrylic on gallery-wrapped canvas signed lower right. Unframed. 12” x 12” $400-$700

385

147

386 Richard Johnson (American/New Orleans, b. 1942) “Washburn”, 1981 mixed media on paper initialed lower center, titled lower left and dated lower right. Glazed and framed. sight 35-1/2” x 36”, framed 37-1/4” x 37-1/4” $700-$1,000

386

388 Rise Delmar Ochsner (American/Louisiana, 20th Century) “Be-Be” acrylic on canvas signed lower right. Framed. 46” x 35”, framed 48-3/4” x 37-3/4” $500-$800

387

387 Michael Ledet (American/Louisiana, b. 1941) “Barads #3” acrylic on canvas signed, verso with “The Glade Gallery, New Orleans, LA” label. Thin gallery frame. 46-1/4” x 28”, framed 47” x 28-3/4” Provenance: The Glade Gallery, New Orleans, Louisiana; Estate of Dr. Leona Bersadsky and Dr. Dorothy Bratsas, New Orleans, Louisiana. $700-$1,000

148

388

389 Justin Garcia (American/Texas, Contemporary) “Dessert Sunset”, 2009 oil on board signed lower right, signed, titled and dated en verso. Presented in a contemporary frame. 30” x 30”, framed 35-3/4” x 35-3/4” $1,000-$1,500

389

390 Louise Guidry (American/Louisiana, b. 1930) “My Space I” acrylic on gallery-wrapped canvas signed lower right. Unframed. 12” x 12” $400-$700

390

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392

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393

391 Persian Carpet 5’ 1” x 8’ 9” $700-$1,000

392 Tabriz Carpet 8’ 9” x 12’ 7” $800-$1,200

393 Turkish Angora Oushak Runner 2’ 5” x 29’ 6” $500-$800

394

394 Heriz Carpet 4’ x 6’ 3” $700-$1,000

395 Turkish Transitional Carpet 9’ x 12’ $800-$1,200

395

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396

397

396 Semi-Antique Chinese Peking Carpet 8’ 5” x 10’ 7” $600-$900

397 Peshawar Sultanabad Carpet 8’ x 10’ 4” $700-$1,000

398 Laristan Sultanabad Carpet 9’ 1” x 12’ $700-$1,000

152

398

400

399 Agra Serapi Runner 2’ 7” x 19’ 10” $500-$800

400 Semi-Antique Oushak Carpet 10’ 4” x 17’ 4” $500-$800

399

153

401 Peshawar Serapi Carpet 5’ 1” x 8’ $600-$900

402 Turkish Angora Oushak Carpet 8’ 8” x 11’ 10” $500-$800

403 Heriz Carpet 7’ 6” x 10’ 8” $600-$900

401

402

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403

404 Tabriz Runner 2’ 7” x 10’ 4” $700-$1,000

405 Shiraz Carpet 5’ 2” x 7’ 9” $600-$900

405

404

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408

406 English Chippendale-Style Giltwood Mirror mid-19th century, the mirror plate lined with rocaille molding, the crest with a scrollwork finial, the crest and lower edge decorated with latticed panels, and the sides with fruitand flower-decorated drops. h. 52”, w. 28-1/2” $1,500-$2,500 407 George III Satinwood Table de Chevet 19th century, in two parts, the superstructure with an arched handle over two small drawers and one long drawer, the rectangular top banded and above a single drawer opening to a baize-lined easel-backed writing surface, raised on tapering square legs joined by a concave stretcher and ending in ebonized feet. h. 44-1/2”, w. 21-1/4”, d. 16-1/2” $900-$1,200

407

408 Royal Doulton “Royal Gold” Partial Dinner Service ca. 1965-2008, English, comprised of twelve dinner plates, dia. 10-1/2”, ten soup bowls, dia. 8”, eight breadand-butter plates, dia. 6-1/2”, and fourteen cups, h. 2-1/2”, with fourteen saucers, dia. 6”. Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $700-$1,000

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406

409

409 George III-Style Mahogany Sideboard

410 George III Three-Piece Walnut Dining Table

the bowed rectangular top above a conforming case fitted with a central drawer, flanked to one side by a deep drawer and to the other by a cupboard door, opening to baize-lined sliding cutlery trays, raised on tapering square legs ending in spade feet. h. 36-1/2”, w. 72”, d. 25-1/2”

ca. 1800 and later, in the Hepplewhite taste, each demi-lune end raised on tapering square legs, the center section with a pair of drop leaves. h. 30”, w. 48”, l. 66-1/2”, ext. l. 103-1/2” $700-$1,000

Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas. $500-$800

410

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411 Suite of Eight George III-Style Mahogany Dining Chairs in the Chippendale taste, comprised of a pair of armchairs and six side chairs, each with a beaded and shaped top rail over a pierced splat, the chamfered front legs joined by stretchers, each seat with an upholstered cushion in celery brocade. h. 38-1/4” $800-$1,200

412 George III Satinwood and Giltwood Side Table

413

early 19th century, in the Adam taste, the demi-lune top banded and with a half patera and sunburst inlay, above a conforming dentillated frieze centered by a carved urn, raised on fluted tapering circular legs ending in toupie feet. h. 33”, w. 48”, d. 20” $2,000-$4,000

413 Pair of George III Mahogany-Inlaid Knife Boxes fourth quarter 18th century, English, the serpentine facades lined with barber-pole inlay, a patera on the lid, with an inlaid and fitted interior. h. 13-1/2”, w. 8-3/4”, d. 10-1/2” $1,800-$2,500

412

411

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414 George III Mahogany Sideboard early 19th century, the rectangular breakfront top above a conforming case fitted with a central drawer, flanked to one side by a cupboard and to the other by a cellarette drawer, raised on ring-turned tapering circular legs ending in peg feet. h 36”, w. 68”, d. 28-1/2” $500-$800

415 George III Walnut Secretary late 18th century, the ogee-molded cornice above two doors, each inset with arched and banded panels, the lower section fitted with an inset writing surface, a storage well and a variety of drawers and cubbyholes, over two short drawers over two graduated long drawers, raised on bracket feet. h. 74-1/2”, w. 38”, d. 21” $500-$800

415

414

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417 Pair of George II-Style Mahogany Side Chairs in the Chippendale taste, each with a leaf- and scroll-carved back with a pierced splat in like carving, serpentine seat rail and cabriole legs terminating in hairy-paw feet, upholstered in claret and beige striped fabric. h. 40” $500-$800

416

416 George III-Style Mahogany Chest 19th century, the banded and bowed top above a conforming case fitted with four graduated long drawers, all with inlaid line stringing, raised on bracket feet. h. 38”, w. 46-1/2”, d. 24-1/2” Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas. $500-$800

417

418 Pair of Chippendale-Style Giltwood Looking Glasses each with an open carved crest over an arched mirror plate. h. 50-1/2”, w. 30-1/2”, d. 2-1/4” $600-$900

160

418

419 George III-Style Mahogany Bench 20th century, with acanthus-carved knees and balland-claw feet, the seat upholstered in aqua and cream striped silk with chenille trim. h. 18-3/4”, w. 24”, d. 17-1/2” $500-$800

419

420 Pair of George III Mahogany Side Chairs ca. 1800, with upholstered backs and serpentine seats, raised on shell-carved cabriole legs with French toes. h. 37-3/4” $500-$800

421 George III-Style Mahogany Dining Table the rounded rectangular top with a molded edge and raised on three pedestals, each with a stop-fluted standard to three splayed legs, all with floral and foliate carving to foliate scrolled toes, with three leaves. h. 29”, w. 48-1/2”, l. 108” $1,200-$1,800

420

421

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423

422 Suite of Ten George III-Style Mahogany Dining Chairs

423 Royal Crown Derby “Olde Avesbury” Partial Dinner Service

in the Chippendale taste, comprised of a pair of armchairs and eight side chairs, each with a pierced leaf-carved back and Marlborough legs joined by an H-form stretcher, and a crimson and gold upholstered seat cushion. h. 40-1/2”

ca. 1995, English, comprised of fourteen dinner plates, dia. 10-1/2”, eight embossed Sheffield dessert plates, dia. 8-1/2”, and eight cream soup bowls and stands, h. 2”, dia. 6-1/2”. Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana.

$800-$1,200

$500-$800

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422

425

425 Pair of George III Mahogany Armchairs

424

late 18th century, in the Chippendale taste, each with a domed crest above a pierced and interlacing foliate-carved splat, joined by shaped and scrolling arms to the padded seat, raised on cabriole legs headed by foliate carving and ending in ball-andclaw feet. h. 38-1/2” Provenance: Jas A. Gundry Antiques, Houston, Texas; Private collection, Houston, Texas.

424 Chinese Chippendale-Style Giltwood Mirror second quarter 20th century, with a Chinese boy on a pierced crest and phoenix birds on each side. h. 49-1/2”, w. 29-1/2” Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $900-$1,200

$700-$1,000 426 Sixteen-Piece Collection of Imari Porcelain ca. 1880-1920, Japanese, decorated in orange and blue, the collection including a charger, dia. 14-1/2”, a bowl, h. 3-1/2”, dia. 9-1/2”, a scalloped bowl, h. 3-1/4”, dia. 7-1/2”, three octagonal dishes with pierced openings, h. 1-3/4” to 2”, dia. 9-1/2” to 12”, a double gourd vase, h. 8-1/2”, dia. 5”, a fan dish, w. 12”, d. 10”, two square dishes, w. 5-1/4”, d. 5-1/4”, a covered ginger jar, h. 6”, dia. 4-1/4”, and five scalloped dishes, dia. 5-1/2” to 8-3/4”. $500-$800

426

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427 Nine-Piece Collection of Imari Porcelain ca. 1880-1920, Japanese, decorated in orange and blue, the collection including a jug, h. 11-1/2”, w. 6-1/4”, two bowls, h. 3”, dia. 8-1/4” and h. 3-3/4”, dia. 9-3/4”, three plates with reticulated edges, dia. 8-1/4” to 13-1/4”, a charger, dia. 14-1/2”, and two oval dishes, w. 6-3/4”, d. 5” to 5-3/4”. $500-$800

427

428

428 Ten-Piece Collection of Imari Porcelain ca. 1880-1920, Japanese, decorated in orange and blue, the collection including a pair of vases, h. 13”, dia. 6-1/4”, an oval platter, w. 14”, d. 12-1/2”, a scalloped charger, dia. 12”, a scalloped bowl, h. 3”, dia. 7-1/4”, and five various scalloped dishes, dia. 8-1/2”. $500-$800 429 Circle of Charles Jervas (Irish, 1675-1739) “Portrait of a Lady in Blue and Crimson” oil on canvas unsigned. Framed. 49-1/2” x 40”, framed 58” x 49” $1,200-$1,800

429

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430 Pair of George III-Style Mahogany Gainsborough Chairs 20th century, each with a tall padded and domed back joined by outscrolled padded arms to the like seat, raised on cabriole legs headed by foliate carving and ending in hairy-paw feet. h. 45” $700-$1,000

431 Eighteen-Piece Collection of Imari Porcelain ca. 1880-1920, Japanese, decorated in orange and blue, the collection including a charger, dia. 18”, two lobed ginger jars, h. 7”, dia. 3-1/4” and h. 8-3/4”, dia. 3-3/4”, a covered lobed dish, h. 4-1/2”, w. 7”, d. 5-1/2”, four platters, w. 10-1/2” to 10-3/4”, d. 8-3/4”, six scalloped plates, dia. 8-1/4”, a bud vase, h. 7-1/4”, dia. 2-3/4”, two saucers, dia. 4” and 4-1/2”, and a hexagonal dish, dia. 6-3/4”.

430

$500-$800

432 Eleven-Piece Collection of Imari Porcelain ca. 1880-1920, Japanese, decorated in orange and blue, the collection including a charger, dia. 18”, a jardiniere, h. 7”, dia. 7-1/4”, seven various scalloped dishes, dia. 8” to 8-1/2”, a hydra jug, h. 5”, dia. 3-1/2”, and a hexagonal dish, dia. 9-1/2”. $500-$800

431

432

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433 Large and Impressive Fifty-Five-Piece Set of Japanese Imari Dinnerware 20th century, comprised of fourteen dinner plates, dia. 10-3/4”, fourteen luncheon/salad plates, dia. 8-1/2”, fourteen covered soup bowls, dia. 5”, and fourteen saucers, dia. 5-1/8”, all decorated in polychrome enamels with a central floral medallion, the dishes with three reserve panels against a floral brocade ground. $400-$700 434 Chinese Miniature Five-Piece Wucai Porcelain Temple Garniture

434

fourth quarter 19th/first quarter 20th century, comprising an incense burner and cover with foo dog finial, flanked by two tiered candlesticks, and two “gu”-form vases, each decorated with dragons chasing the flaming pearl and phoenix designs, all depicted in the wucai palette, with apocryphal six-character Wanli mark to rim of each. tallest h. 3-1/4”, widest w. 2”

435 George III Mahogany Side Table

Provenance: Private collection, Houston, Texas.

$500-$800

436 Georgian-Style Carved Mahogany and Leather-Covered Armchair

19th century, the rectangular top above a conforming stepped frieze, raised on cabriole legs headed by foliate carving and ending in ball-and-claw feet. h. 31”, w. 60”, d. 29-1/2”

late 19th century, the padded back and seat with finely carved arms and raised on cabriole legs with shell-carved knees and trifid pad feet. h. 39”, w. 26”, d. 25” $600-$900

433

435

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437

437 George III Mahogany Sideboard early 19th century, the triple-banded breakfront D-form top surmounted by a brass rail and above a conforming case fitted with a central drawer over a recessed well drawer, flanked to either side by a rounded cupboard door, opening to three small drawers to one side and two small drawers to the other, raised on tapering square legs ending in spade feet, the whole accented with decorative banding and stringing. h. 51-1/2”, w. 84”, d. 29-1/2” $1,000-$1,500

438 George II-Style Mahogany and Parcel-Gilt Mirror 18th century and later, with a central scrolled giltwood cartouche flanked by rocaille work on a swan’s neck pediment, the sides with pierced giltwood vines of flowers, the base with rocaille work. h. 54-1/4”, w. 25-1/4” $3,000-$5,000

438

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439 George III Mahogany and Pine Chest of Drawers late 18th century, the front fitted with a pair of side-by-side drawers over three graduated long drawers, raised on bracket feet. h. 41”, w. 36”, d. 19” Provenance: Private collection, Houston, Texas. $500-$800 440 George III-Style Mahogany Corner Cabinet early 20th century, the molded and dentillated cornice with canted corners, above a case fitted with a single astragalglazed door, the lower section with a deep banded frieze joined by tapering supports to a lower shelf, raised on spade feet. h. 79”, w. 31”, d. 18” $600-$900 441 George III Mahogany Beau Brummell ca. 1800, the fold-out top opening to reveal an extending mirror fronted by a cut glass basin, over a cupboard door with drawers below, raised on square legs joined by a stretcher with a shelf designed to accommodate a circular pitcher or bowl. h. 33-3/4”, ext. h. 51”, w. 16”, d. 16”, ext. w. 31-3/4”

439

$500-$800

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440

442 Pair of George III Mahogany Armchairs late 18th century, each with a domed crest with earred corners, above an interlacing splat, joined to the padded seat by shepherd’s crook arms with incised accents, raised on chamfered square legs joined by an H-form stretcher. h. 38” $600-$900

443 Pair of George III-Style Mahogany Lolling Chairs mid-20th century, in the Chinese Chippendale taste, the shaped back with peaked corners, the arms and legs with blind fretwork details, upholstered in white silk damask. h. 37-1/2”, w. 30”, d. 26”

442

Provenance: Robert Wakefield & Co. Antiques, Houston, Texas; Private collection, Houston, Texas. $1,400-$1,800

443

444 English Giltwood and Mahogany-Veneered Mirror first quarter 20th century, in the Chippendale style, with cosseted corners, the sides molded with oak leaves and acorns, the swan’s-neck pediment with an eagle finial. h. 60”, w. 26-3/4” $600-$900

444

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447

445 George III-Style Mahogany and Polychrome Pembroke Table 19th century, the rosewood-banded top centered by a painted oval panel and flanked by drop leaves, the frieze fitted with a single drawer, raised on tapering legs on brass cup casters. h. 30”, w. 18-3/4”, d. 30”, ext. l. 36” $500-$800 446 British School (20th Century) after ca. 1810 engravings of “Rococo Urns” by A. Wright suite of four color offset lithographs All attractively matted, glazed and framed alike. sight 9-3/4” x 7-1/2”, framed 20” x 18” $500-$800 447 Late George III Polychrome Side Table ca. 1800, in the Adamesque taste, executed in mixed woods, including fruitwood, rosewood and mahogany, the top centered by an ovoid floral-painted panel, the perimeter with inlaid stringing, leaf and vine polychrome and rosewood cross-banding, the frieze in like decor over a panel with figural painting and fitted with a single drawer, raised on fluted and stop-fluted Sheraton legs joined by an X-form stretcher with an ovoid painted panel. h. 30”, w. 22”, d. 17-1/4” $1,000-$1,500

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446

448 George III-Style Mahogany Linen Press second half 19th century, in two parts, the upper section with a molded cornice over a pair of paneled doors, opening to reveal an interior fitted with a pair of linen drawers, the base with two-over-two drawers, all with banded perimeters, raised on bracket feet. h. 80-1/4”, w. 47-1/2”, d. 22” $500-$800

449 George III-Style Mahogany Pedestal Desk 19th century, the rectangular top with an inset leather surface and a carved floral banding, above a frieze fitted with three drawers, raised on two pedestals, each fitted with three graduated short drawers and raised on plinth bases on casters. h. 31”, w. 60”, d. 32” $500-$800

448

449

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452 450

450 George II-Style Parcel-Gilt Mahogany Wing Chair in the Chippendale taste, the upholstered back, arms and bowed seat raised on cabriole legs with foliate carving at the knees and ball-and-claw feet, upholstered in seafoam green floral brocade. h. 49-1/2” $700-$1,000 451 George III-Style Mahogany Secretary Bookcase 20th century, the upper case with a dentillated overhanging molding above a pair of glazed doors and a row of four sideby-side drawers, the slant lid opening to a fitted interior, with four long drawers below and raised on ogee bracket feet. h. 79”, w. 38”, d. 19” $500-$800 452 British School (19th Century) “Portrait of a Gentleman” oil on board unsigned. Framed. 13-1/2” x 11”, framed 19-1/2” x 16-3/4” $700-$1,000

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451

453 George III-Style Mahogany Chest mid-19th century, the rectangular top above a conforming case fitted with two short drawers over three graduated long drawers, raised on slightly splayed bracket feet. h. 41-1/2”, w. 36”, d. 17-3/4” $700-$1,000 454 Pair of Bench-Made George III-Style Mahogany Side Chairs late 19th century, the shaped crest rail above pierced ribbon-form splats, raised on Marlborough legs, pegged construction. h. 39”, w. 22”, d. 18” Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas. $500-$800

453

454

455 French Neo-Grec Gasolier third quarter 19th century, the four-light gasolier mounted with Chinese export Rose Medallion porcelain elements, the bronze standard decorated with carefully molded and detailed lotus leaves, open pierced scrollwork, and a cylinder of Rose Medallion porcelain molded with ring handles, the scrolled arms set with anthemia-molded elements, the lower finials likely gas keys, with Rose Medallion urns holding the burners, now electrified, and shade holders set with ruffled cranberry glass shades. h. 39”, dia. 31-1/2” $600-$900 455

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458 Pair of George III-Style Leather and Oak Wing Chairs each with a tall winged back, closed arms and loose seat cushion, the square front legs on brass cup casters, upholstered in buff leather. h. 47-1/4” $700-$1,000

456

456 Chinese Famille Rose Porcelain Vase 20th century, decorated with multiple panels variously depicting figures, birds, flowers and butterflies, having gilt deer-head-form handles. h. 18-1/2”, w. 16”, dia. 14” $400-$700 457 George III Mahogany Side Table 19th century, the rectangular top above a conforming blind fret-carved frieze, raised on square legs. h. 35”, w. 72”, d. 28-1/2” Provenance: Kentshire Galleries, New York, New York; Private collection, Houston, Texas. $1,200-$1,800 458

457

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459 George III Mahogany Chest second half 18th century, the case with a slide over a bank of four graduated cock-beaded drawers, raised on bracket feet. h. 32-1/2”, w. 34”, d. 19” $500-$800

459

460 James William Whittaker (British, 1828-1876) “By the Bridge” oil on canvas signed lower left. Framed and with artist plaque. 14-1/4” x 26-1/2”, framed 20” x 31-1/2” Provenance: Private collection, Houston, Texas. $800-$1,200

460

461 British School (19th Century) “Meandering River with Red-Roofed Mill” oil on canvas after the 17th-century painting by Meindert Hobbema (Dutch, 1638-1709) now conserved at the Dulwich Picture Gallery, London. Framed. 36” x 59”, framed 39-1/4” x 62-1/2” $1,000-$1,500

461

175

462 British School (19th Century) “Interior of an English Cathedral” watercolor signed “Jessie Uphill” lower right. Matted, glazed and framed. sight 22-1/4” x 15-1/2”, framed 32-1/2” x 26-1/2” $500-$800

464

464 British School (19th Century) “Young Boy with Mastiff” “Young Girl with Hound” pair of oils on copper each unsigned. Framed. 10” x 8-1/2”, framed 17” x 15” $600-$900

462

463 British School (Second Quarter 19th Century) “Portrait of the Young Master with His Pet Spaniel, Seated Within a Landscape”, 1867 oil on canvas signed “J. S. Lonsdale” and dated lower left. Presented in a contemporary giltwood frame. 50-1/2” x 40”, framed 57” x 45-1/2” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,000-$1,500

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463

465

465 Attributed to George Paul Chalmers, R.S.A. (Scottish, 1833-1878)

467

“Portrait of a Lady in a Black Lace Shawl” oil on canvas In an attractive cove-molded frame. 30-1/4” x 25-1/8”, framed 42” x 36-1/2” $1,000-$1,500 466 Henry Perlee Parker (British, 1795-1873) “Portrait of a Chelsea Pensioner Reading the Naval and Military Gazette” oil on canvas signed and dated “1837(?)” lower right. Framed. 30” x 24”, framed 39” x 34” Traditionally, the term “Chelsea pensioner” was used to refer to any retired military member residing at the Royal Hospital Chelsea. Such portraits often depicted the former soldiers and seamen in red coats, reading up on the exploits of their active compatriots. $3,000-$5,000 467 George Dunlop Leslie, R.A. (British, 1835-1921) “The Old Squire’s Nuptial Preparations” oil on board signed lower right. Framed. 36” x 48”, framed 48” x 59”

466

$2,500-$4,000

177

468 Continental School (19th Century) “Young Red-Capped Boy with His Pet Spaniel” oil on canvas unsigned. Framed. 25-5/8” x 25-3/4”, framed 30-1/8” x 29-3/4” $800-$1,200

468

469 Dutch School (20th Century) “Mischievous Puppies” oil on canvas signed “J. Colin” lower right. Framed. 15-3/4” x 19-3/4”, framed 20” x 24” $1,000-$1,500

469

470 Henry Barraud (British, 1811-1874) “Sit Up Sir: Ginger”, 1859 oil on canvas signed lower right. Frame with two title and date plaques. 24” x 20-1/8”, framed 30” x 26-1/4” Provenance: Sotheby’s, New York, September 24, 2012, “Property from the Estate of Brooke Astor”, lot 636; Private collection, Mobile, Alabama. $800-$1,200

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470

471

471 William Holbrook Beard (American, 1824-1900) “’Drummer Boy’ Parody”, 1878

473

oil on wood panel signed and dated lower right, monogrammed and dated en verso. Framed. 8-1/4” x 10-1/4”, framed 11-3/4” x 14” Provenance: Christie’s, New York, March 2008; Brunk Auctions, Asheville, (North Carolina), November 11, 2017, lot 1258. $800-$1,200

472 Transitional William IV-into-Victorian Tall Chest ca. 1854, in the late neoclassical taste, with a projecting cyma-molded drawer and deep bonnet drawer over a bank of three graduated drawers flanked by scroll and carved pilasters, raised on turned feet. h. 57-1/4”, w. 48”, d. 22” $400-$700

473 British School (Second Quarter 19th Century) “Portrait of a Boy with a Blue and White Jacket and a Lace Collar” oil on canvas unsigned. Framed. 32” x 26”, framed 40-1/2” x 34” Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $800-$1,200

472

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474 William IV Carved Mahogany and Leather-Covered Library Chair second quarter 19th century, with a curved back supported by a pair of reeded back posts and scroll-carved slat, raised on turned legs ending in brass cup casters. h. 30-1/2”, w. 27”, d. 25” $500-$800

474

475 Large William IV Mahogany Tall Case Clock ca. 1800, the painted face with a rotating moon dial and calendar arch, fitted with a time and strike movement and marked “B. Jones - Llandysul”. h. 95-1/2”, w. 29”, d. 10” $500-$800

475

476 Pair of Chinese Famille Noir Porcelain Fishbowls with Hardwood Stands 20th century, decorated to the exterior with ducks amid blossoming lilies, the interior with fish swimming amid marine plants. h. 30” (including stands), dia. 21” $600-$900

476

180

477

477 Collection of Assorted Majolica comprising six pitchers, h. 3-1/2” to 7-3/4”, three cups, h. 2-1/2” to 3-3/4”, an Etruscan open sugar, h. 3-3/4”, and creamer, h. 3-1/4”, two teapots, 5” and 7”, an oval platter, l. 17”, an Etruscan trivet, dia. 7”, two leaf-form dishes, l. 10-1/4” and 9-1/4”, a cake plate, l. 11”, a footed plate, h. 1-1/4”, dia. 9”, five assorted plates, dia. 8” to 10”, and a covered canister, h. 7-1/2”, dia. 5-3/4”. Provenance: Private collection, Houston, Texas. $500-$800

478

478 Victorian Cast Iron and Travertine-Top Console Table second half 19th century, in the rococo taste, the serpentine travertine top over a conforming frieze in foliate, scroll and cartouche decor, raised on cabriole legs. h. 32”, w. 58-1/2”, d. 22-1/2” $800-$1,200 479 Victorian Patinated Metal Figure of Two Elk fourth quarter 19th century, depicting a bull elk on a fallen log, a female nearby. h. 21-1/4”, w. 13-1/2”, d. 6-3/4” $500-$800

479

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480 Large Mahogany Rotating Bookmill first quarter 20th century, the top with a molded edge over four tiers of open shelves. h. 92-1/2”, w. 27-1/4”, d. 27-1/4” $500-$800

482

483 Victorian Walnut Center Table late 19th century, the floriform tilting top quarter-veneered and highly figured, raised on a bulbous standard to three splayed foliate- and scroll-carved legs ending in casters. h. 31”, dia. 53-1/2” $800-$1,200

480

481 Pair of Campaign-Style Mahogany and Leather Folding Chairs each with a padded and diamond-tufted back and seat, the frame turned to simulate bamboo and finished with brass caps. h. 39”, w. 25”, d. 23”

483

$900-$1,200 482 Pair of Mahogany Tray Tables 20th century, in the Georgian taste, each with a quarterveneered oval top with a full pierced gallery, with an outscrolled handle to either side, raised on a bulbous standard to four splayed legs ending in patera-mounted in-scrolled toes. h. 25”, w. 32”, d. 24” $600-$900

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481

484

484 Early Victorian Mahogany Cabinet

485 Impressive Victorian Burl Walnut Triple-Section Armoire

mid-19th century, the D-form banded top above a conforming case fitted with a patera- and garland-inlaid frieze over two doors, each inset with a glazed oval panel backed by a pleated fabric screen, raised on sabre feet. h. 35”, w. 50-3/4”, d. 12-1/2”

third quarter 19th century, the cornice with an arched top over a central mirrored door, opening to a fitted interior and flanked by framed and paneled cabinets to each side. h. 89”, w. 85-1/2”, d. 26-1/2” $500-$800

$2,000-$4,000

485

183

486 Victorian Mahogany Tripod Table 19th century, in the George III taste, the tilting octagonal top with a full spindled gallery and raised on a spiral-fluted and foliate-carved standard to three splayed like-carved legs ending in ball-and-claw feet. h. 29”, dia. 30” $600-$900

486

487

487 Edwardian Sterling Silver Tea and Coffee Set with Associated Tray the set hallmarked London, 1905-1909, by Page, Keen & Page of Plymouth; the tray by Lebkuecher & Co. of Newark, New Jersey for Udall & Ballou, New York, New York, including a coffeepot, h. 8-1/4”, l. 10”, a teapot, h. 5-1/2”, l. 11-3/4”, a cream jug, h. 3-3/4”, l. 5-1/2”, and an open sugar bowl, h. 4-1/2”, l. 6-3/4”, each of bulbous rounded rectangular section with reeded band and straight collar, with conforming plinth bases, the pots with black plastic crested, squared handles and conforming finials, the creamer and sugar bowl with squared strap handles, and the tray of oval form with reeded rim, 21-3/4” x 10”, all monogrammed “EAS”. 126.47 total t. oz. Provenance: Estates of John and Frances Wittenberg, New Orleans, Louisiana. $1,400-$1,800 488 Victorian Mahogany Bookcase/Vitrine late 19th century, in the Regency taste, in two parts, the upper section with a projecting cornice over a pair of mullioned doors flanked by reeded pilasters with ormolu Corinthian capitals, the base with a pair of like doors flanked by reeded pilasters, raised on turned legs. h. 79”, w. 33-1/2”, d. 17” Provenance: Estate of Elizabeth D. Edmundson, New Orleans, Louisiana. $700-$1,000

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488

489

489 Victorian Mother-of-Pearl Marquetry Box fourth quarter 19th century, trimmed with tortoiseshell, the interior with a removable fitted tray. h. 5”, w. 12-1/2”, d. 8” $600-$900 490 KPM-Style Porcelain Plaque of “Odaliske” post-1914, German, depicting a well-painted Turkish dancing girl, the back marked “Made in Germany” and “Odaliske Nach Sidiel”, in a scroll-decorated giltwood frame, possibly original. plaque h. 7-3/4”, w. 5-1/2”, overall h. 15”, w. 12-1/2” $700-$1,000

491

492 Chinese Carved Teakwood and Marble-Inset Occasional Table 20th century, the foliate form rouge marble top set within a conforming frame, over a carved and pierced floral frieze, raised on four legs carved with stylized Foo dog heads, supporting a circular second tier, and terminating in claw feet. h. 31-1/2”, dia. 25” $500-$800

490

491 Middle-Eastern Brass and Glass Mosque Light 19th century, with faceted sides set with blown glass inserts, the domed pierced brass top with typical finals. h. 14”, dia. 10” $500-$800

492

185

493 Group of Three Chinese Marble-Top Occasional Tables first half 20th century, each carved hardwood table with a rounded rouge marble top set within a conforming frame, two examples with a lower tier. h. 23-1/2”, dia. 26”, h. 22-1/2”, dia. 27-1/2” and h. 18”, dia. 22” $600-$900 494 Group of Three Chinese Jardiniere Stands second half 19th century and later, each with a marble top and carved and pierced apron. h. 24-1/2”, dia. 15-1/2”, h. 24”, dia. 16” and h. 35-1/2”, dia. 19”

493

$600-$900 495 Chinese Cobalt Blue and White Dragon Charger in the Yuan or early Ming style, but later, likely fourth quarter 19th/first quarter 20th century, of circular form, having a pinched foliate rim, decorated to the center with an incised design of a three-claw dragon chasing the flaming pearl, depicted in a translucent white, contrasting the deep cobalt glaze thickly covering the surround, the base unglazed. dia. 18-1/4” $600-$900

494

496

496 Associated Pair of Chinese Jadeite Libation Cups and Stands 20th century, each modeled as a crouching qilin supporting the horn-form cup on its back, with hardwood and faux-marble stands, respectively. h. 7-1/4” (excluding stands), w. 3-1/2”, d. 8-3/4” $700-$1,000

495

186

497 Semi-Antique Chinese Peking Carpet 8’ 10” x 11’ 5” $700-$1,000 498 Pair of Large Japanese Kutani Porcelain Floor Vases likely first half 20th century, each of baluster form with a broad ruffled lip, decorated with figural panels surrounded with a flowerhead design. h. 32”, w. 13” $500-$800

497

499 Japanese School (Fourth Quarter 19th Century) “Ukiyo-e Scene” color woodblock inscribed with characters/text throughout. Matted, glazed and framed. sight 13-3/4” x 24”, framed 22-1/2” x 37-1/2”

498

$200-$400

499

187

500 Chinese Bamboo Altar Table 20th century, having a rectangular top with scroll-form ends, over sectional bamboo panels of geometric design. h. 37”, w. 90-1/2”, d. 15” $500-$800 501 Chinese Jade Carving with Hardwood Stand probably first half 20th century, the naturalistic form of the stone used to create a mountainous backdrop to a scene, carved in relief, of two children flying a kite on a terrace, the stone with lavender tones and spinach inclusions, together with carved and fitted hardwood stand. stone h. 15”, w. 14”, d. 1-1/2”, overall h. 19-1/2”, w. 16”, d. 4”

501

$600-$900 502 Two Japanese Inros and an Incense Box fourth quarter 19th/first quarter 20th century, comprising a segmented cinnabar lacquer inro, carved in relief with figures amid a garden setting, h. 2-3/8”, w. 2”, an unusual naturalistic Japanese burl elm example, with conforming cover, h. 3-2/8”, w. 2”, and a small lacquer incense or accessories box, with maki-e decoration, the cover with a design depicting a turtle and cranes, the body with various mon badges, and the base with a tiger, bull and rabbit, with seal mark in red to the bottom right corner, h. 1-1/4”, w. 2”, d. 2-1/2”. $500-$800

502

500

188

503 Large Brass-Mounted Teakwood Trunk early 19th century, constructed of single plank boards and mounted with engraved brass trim, dovetailed corners and raised on turned feet. h. 31”, w. 55”, d. 24” $700-$1,000

504 Pair of Chinese Pottery Bottle Vases 20th century, decorated with butterflies and peonies on a celadon ground, with cobalt raised salamanders. h. 21”, dia. 8-1/2” $600-$900

505

505 Alexandre Clarys (Belgian, 1857-1912) “Horses in a Green Field” oil on canvas signed lower left. Framed. 20” x 28”, framed 27” x 34-12” $1,000-$1,500

504

503

189

506 Henry Schouten (Belgian, 1857-1927) “Riding on the Dunes” oil on canvas signed lower right. Framed. 12” x 16”, framed 16” x 20” $1,000-$1,500

506

507 Ethel Kate Westrup (British, 1885-1928) “Bobby” oil on masonite signed lower left, titled upper left. Framed. 13-3/4” x 17-3/4”, framed 19” x 23” $1,000-$1,500

507

508 Gustave Colsoulle (Belgian, 1843-1895) “Gentleman Riding a Horse” oil on canvas signed lower right. Framed. 18-1/2” x 21”, framed 23-1/2” x 25-1/2” $1,000-$1,500

190

508

509 Continental School (19th Century) “Portrait of an Officer” oil on canvas signed “Desire Lucas”. Framed. 26” x 21-1/2”, framed 37” x 32-1/2” Provenance: Private collection, Houston, Texas. $600-$900 510 Continental School (Fourth Quarter 19th/First Quarter 20th Century) “Caricature, Probably of the Artist Leon Bakst (1866-1924)” ink and graphite on paper unsigned, a “Bakst” studio/estate stamp lower left. Framed. 5-1/2” x 3-3/4”, framed 11-1/2” x 9-5/8” $400-$700

509

510

511 Regency Mahogany Linen Press third quarter 19th century, the broad, molded overhanging cornice above a pair of arched and paneled doors, the upper case fitted with three pull-out galleried shelves, the lower case fitted with two side-by-side drawers above two long drawers. h. 89”, w. 51”, d. 25” Provenance: Carl Moore Antiques, Houston, Texas; Private collection, Houston, Texas. $500-$800 511

191

512 Regency Mahogany Drop-Leaf Table 19th century, the rectangular top with a reeded edge, banded and with two rounded drop leaves, above a frieze fitted with one end drawer, raised on a ribbed standard to four splayed legs ending in brass paws on casters. h. 28-1/2”, w. 28”, d. 42-1/2”, ext. w. 57” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $500-$800

513 Late Regency Rosewood Bookcase 512

mid-19th century, the top with a gadroon-carved edge above a straight frieze, the front fitted with four glazed doors with brass astragal dividers. h. 46”, w. 103”, d. 20” $800-$1,200

514 British School (19th Century) “Portrait of a Gentleman in a White Cravat” oil on canvas unsigned, two old inventory labels en verso. Framed. 26-1/2” x 21-1/2”, framed 31-1/2” x 26” Provenance: Private collection, Houston, Texas. $700-$1,000

514

192

513

517

515

515 British School (19th Century) “Portrait of a Gentleman in Ceremonial Robes, View of Durham in the Background” oil on canvas unsigned, several old inventory labels en verso. Framed. 30-1/4” x 25”, framed 35-1/2” x 30-1/2”

517

Provenance: Private collection, Houston, Texas. $800-$1,200

516 British School (19th Century) “Portrait of a Gentleman with a View of Chiswick House in the Distance” oil on canvas unsigned. Framed. 32-3/4” x 27-1/4”, framed 39” x 33-1/4” Provenance: Private collection, Houston, Texas. $800-$1,200 517 Battle of New Orleans and Accompanying Key to Battle Scene 20th century facsimile after the etching by Phillibert-Louis Debucourt of the painting by Jean Hyacinthe Laclotte (French, 1765-1828), “Defeat of the British Army, 12,000 Strong, Under the Command of Sir Edward Packenham....January 8, 1815”, published Louisiana State Museum, map and key stamped en verso sight 11” x15-1/2” and 16-1/4” x 10-3/4”, respectively Matted, glazed and framed alike with same measurement, 19” x 23” 516

$300-$500

193

518 Pair of Regency Polychrome Armchairs second quarter 19th century, each with a curved top rail over a shaped splat, open arms with scroll ends, cane seat and faux bamboo legs, each now with a loose seat cushion. h. 33” $700-$1,000

518

519

519 Regency-Style Gilded Composition Convex Mirror 20th century, the surround designed with a pair of intertwined dolphins, their heads at the base, their tales forming the crest. h. 42”, w. 21” Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $600-$900

520

520 Collection of Eleven Cast Iron Architectural Fragments 19th century, possibly English, in the Regency taste, with pierced scrollwork decorated with caryatids and urns of fruit. h. 17-1/2”, w. 24”, d. 2” $600-$900

194

520 detail

521

521 Regency Revival Polished Brass Chandelier

522 Regency-Style Double-Pedestal Banquet Table by Baker

fourth quarter 19th century, the six-light chandelier with scrollmolded arms dovetailed into brackets, the body with a leafmolded vasiform upper finial, the lower section with stepped reeding and a leaf-molded pendant finial, suspended from rod-form lotus-molded “chains”. h. 49”, dia. 36”

the satinwood-banded top supported by a pair of pedestals with carved columns and saber legs with brass paw casters, and opening to accommodate three skirted leaves, with a Baker Furniture label, from the “Historic Charleston Collection”. h. 29”, w. 46”, l. 70”, ext. l. 130”

$500-$800

$700-$1,000

522

195

523 Suite of Eight Late Regency Mahogany Dining Chairs second quarter 19th century, comprised of a pair of armchairs and six side chairs, each with a concave tablet back joined to rounded stiles with carved capitals, a rounded seat rail and turned front legs, the arms with scroll ends. armchair h. 33”, side chair h. 32-3/4” $1,800-$2,500

525

524

525 Handsome Regency Inlaid Mahogany Work Box

524 Adam-Style Giltwood Mirror

possibly American, first quarter 19th century, the hinged cover over a fitted removable tray, with a pair of drawers in the base, inlaid with lozenges and fitted with period lion’s head ring pulls, likely original to the box. h. 12-1/2”, w. 15-1/2”, d. 10”

20th century, set with a beveled mirror plate, the crest with an urn of flowers flanked with flowerheads and leaves. h. 64-1/2”, w. 47-1/4” $600-$900

$500-$800

523

196

526

526 Pair of English Hepplewhite Inlaid Mahogany Knife Boxes ca. 1800, now retrofitted as decanter holders, with cut corner slides, crossbanded and inlaid with stringing, the front mounted with Sheffield plate ring pulls, escutcheons and shields. h. 15”, w. 9”, d. 10-1/4” 527

$800-$1,200 527 Handsome English Neoclassical-Style Silver-Plated Chandelier

528 Late Regency Mahogany Sideboard in the Sheraton Taste

first quarter 20th century, the six-light chandelier decorated with satyr masques and lush swags of fruit, and set with scrolled candle arms terminating in reeded drip pans and turned sockets. h. 43”, dia. 21”

early 19th century, probably Scottish, the serpentine case with a recessed cupboard with tambour doors flanked by inlaid flower and urn panels, the case with a pair of crossbanded bowfront drawers flanked by concave cellarette drawers, raised on reeded legs. h. 44-1/2”, w. 74-1/2”, d. 30-1/4”

$700-$1,000

$1,000-$1,500

528

197

529

529 Fine Suite of Eight Regency Figured Mahogany and Brass-Strung Chairs

530 Regency-Style Mahogany Sofa fourth quarter 19th century, of box form, the molded crest rail joined to like arms with spiral-reeded balusterform supports with Corinthian-carved capitals, raised on lobed and spiral-reeded turned legs, upholstered in celery and cream striped brocade, with matching bolsters. h. 36”, w. 88”, d. 26-1/2”

first quarter 19th century, each with a rolled crest rail above a brass string-inlaid panel, with a central curved and rope-twist-carved back slat, raised on down-curved klismos-form legs. h. 33”, w. 18”, d. 18” $1,800-$2,500

$500-$800

530

198

531 Regency-Style Mahogany Double-Pedestal Dining Table the cross-banded and line-strung top supported by a vasiform tripodal pedestal with brass cup casters, the top opening to accommodate two leaves. h. 29-3/4”, w. 42”, l. 83”, ext. l. 125” $800-$1,200

532 Good Early Victorian Neoclassical-Style Sterling Silver Ewer hallmarked London, 1839-1840, by Charles Reily & George Storer, the ovoid body decorated with applied figures of Venus at her toilette and flat-chased with palmette scrolls, with fluted, waisted collar with ovolobanded spout, the tall, arched handle mounted with three mascarons at the top and one at the base, with ogeedomed foot ring. h. 12”, dia. 5”; 28.75 t. oz.

532

$900-$1,200

533 British School (19th Century) “Portrait of a Woman Wearing a Jeweled Turban” oil on panel verso inscribed “Fatima”. Framed. 17” x 15”, framed 24” x 21” $700-$1,000

533

531

199

534

535

534 American/British School (Fourth Quarter 20th Century) “Carpet Merchant from Antiquity” oil on wood panel signed “Jerome” lower right. Framed. 12” x 16”, framed 24” x 27-1/2” $400-$700

535 Alex Gabriel (American/British, 20th Century) “Domestic Interior with Women Reading a Scroll” oil on wood panel signed lower right. Framed. 12” x 16”, framed 23-1/2” x 27-1/2” $400-$700

536 Turkish Transitional Carpet 8’ 10” x 11’ 6” $700-$1,000

536

200

537

537 Semi-Antique Tabriz Carpet 10’ 4” x 12’ 10” $700-$1,000

538 Peshawar Sultanabad Runner 2’ 11” x 13’ 1” $500-$800

538

201

539 540

539 Turkish Oushak Carpet 9’ 1” x 12’ $700-$1,000 540 Caucasian Carpet 10’ 4” x 14’ 8” $600-$900 541 Turkish Oushak Carpet 7’ 10” x 10’ $800-$1,200

541

202

542

542 Turkish Angora Oushak Carpet 11’ 9” x 15’ $1,200-$1,800

543 Agra Serapi Runner 2’ 6” x 19’ 7” $500-$800

543

203

544 Peshawar Sultanabad Carpet 8’ 5” x 11’ 6” $600-$900 545 Turkish Angora Oushak Carpet 8’ 4” x 10’ $600-$900 546 Hamadan Runner 3’ 9” x 10’ 6” $500-$800

544

204

546

545

547 Turkish Transitional Carpet 9’ x 12’ $700-$1,000 548 Shiraz Carpet 5’ x 8’ 5” $600-$900

547

548

549 Semi-Antique Heriz Carpet 9’ 2” x 11’ 9” $1,500-$2,500

549

205

551 Henri IV-Style Oak Bibliotheque late 19th century, the carved crest over a molded cornice, the door with a glazed panel over a trophycarved panel, and flanked by twist-columns, with a drawer below. h. 102”, w. 39”, d. 21-1/2” $700-$1,000

550

550 Sarouk Runner 2’ 8” x 11’ 11” $700-$1,000

551

206

552 Carolean-Style Mahogany Bench the long padded rectangular top raised on eight turned and bulbous legs joined by scrolling pierced X-form stretchers centered by a delicate finial, raised on bulbous feet. h. 18-1/2”, w. 57”, d. 14” $600-$900

553 William-and-Mary Oak Chest on Stand 17th century, the upper case with two-over-three drawers, on a base with a band of three drawers on baluster supports. h. 54”, w. 36-3/4”, d. 23-1/4” $800-$1,200

553

554 George II Walnut Table in the Queen Anne Taste 18th century, the fold-over top supported by a fly leg, the frieze fitted with a single drawer, the turned legs with pad feet. h. 28-1/2”, w. 30”, d. 13-3/4”, ext. l. 27-1/2”

554

$700-$1,000

552

207

555 British School (Second/Third Quarter 19th Century) “Portrait of a Lady” oil on linen unsigned, a “G. Morrill/Liner” debossed stamp on stretcher and a “Henry Stern [Antiques]” label attached to picture wire. Framed. 29-1/2” x 24-1/8”, framed 37” x 32” Provenance: Henry Stern Antiques, New Orleans, Louisiana; Estate of Victor and Marie Cascio, Monroe, Louisiana. $800-$1,200

555

556 Queen Anne Chinoiserie-Decorated Tall Case Clock late 18th century, the dial signed “Thos. Pilch North Walsham”, the hood with three turned brass finials, the arched middoor with a chinoiserie-decorated panel, with an eight-day movement with time, strike and calendar dial. h. 93-1/2”, w. 20”, d. 9-1/2” $800-$1,200

556

208

558

557

557 Queen Anne-Style Mirror first quarter 20th century, English, set with a beveled mirror plate, the surround with chinoiserie decoration on a black ground. h. 55”, w. 29-1/2” $500-$800

558 Attributed to Ernest Lawson (American, 1873-1939)

559

“Villa in a Garden” oil on canvas board unsigned. Framed. 12” x 9”, framed 15” x 12” $1,000-$1,500

559 Ethel Easton Paxson (American, 1885-1982) “Country House, Springtime” oil on board signed lower right. Framed. 8” x 10”, framed 13” x 14-1/2” $400-$700

209

560 Ethel Easton Paxson (American, 1885-1982) “Wantastiquet River, Weston, Early Morning II”, 1937 oil on panel signed lower left, a facsimile of an old label with artist name, title and year of work en verso. Framed. 12” x 16”, framed 15” x 18-1/2” $500-$800

560

561 Clyde Clifton Clack (American/Texas, 1896-1955) “Wooded Landscape” oil on board signed lower left. Matted, glazed and framed. sight 11-1/2” x 8”, framed 16” x 12” $800-$1,200

561

562 Christian Walter (American, 1872-1938) “Sylvan Landscape” oil on canvas signed lower left and en verso. Framed. 12” x 18”, framed 16-1/4” x 22-3/8” $500-$800 562

210

563 William Posey Silva (American/Tennessee, 1859-1948) “Wooded Park”, 1908 oil on canvas signed lower left and monogrammed, dated and localized “Paris” en verso. Framed. 25-1/2” x 21-1/2”, framed 32-1/2” x 28” Encouraged by his wife, William Posey Silva retired from his retail business in 1907 and pursued a career as an artist. He enrolled at the Academie Julian in Paris where he studied with Jean-Paul Laurens and American artist Chauncey Ryder. The emerging artist achieved critical acclaim and was given his first oneman show in 1909 at the Georges Petit Gallery in Paris. The charming painting “Wooded Park” was painted during his time in Paris. $1,500-$2,500

563

564 Chelsea Dingle Eaton (American/California, 1898-1950) “Bay View” oil on canvas signed lower left. Framed. 25-1/2” x 30”, framed 31” x 35” $700-$1,000

564

211

565 Pair of Colonial Revival Knife Boxes and Stands in the Adam Taste ca. 1900, probably American, the square boxes with leaf-carved covers and swags supporting paterae on the front, the pedestals with leaf-carved upper edges, the doors with raised ovals and corner leaf carving. h. 65”, w. 19-1/2”, d. 25” $800-$1,200

566 Pair of Colonial Revival Inlaid Mahogany Knife Urns ca. mid - late 19th c., probably Baltimore, with chevron inlay, on ogee bracket feet with acorn finials, the lid on a ratcheted standard with a silver-plated shield-shaped escutcheon, opening to reveal a fitted interior. h. 23-1/2”, w. 8”, d. 8” $1,500-$2,500 564

212

565

567 American Chippendale Mahogany Slant-Lid Desk 18th century, the lid with a deeply carved fan and opening to a fitted interior with the center drawer having the same carved fan of small proportions, the base fitted with four graduated long drawers and the whole raised on ball-andclaw feet. h. 42-1/2”, w. 39”, d. 21” Provenance: Descended in the family of John Gilman D’Arcy Paul, Baltimore, Maryland. $500-$800

567

568

568 American Classical Mahogany Butler’s Secretary first quarter 19th century, the broken-arch pediment with a fan-carved frieze above a pair of glazed doors, the base with a drop-down drawer front opening to a writing surface and fitted interior with tiger maple drawers. h. 103”, w. 49”, d. 24” $800-$1,200

569 American Sheraton Mahogany Bowfront Chest first quarter 19th century, with a bank of four graduated beaded drawers, retaining their period brass bail pulls, raised on turned legs. h. 41”, w. 41-1/2”, d. 25-1/2” $500-$800 569

213

570 New York Federal Mirror ca. 1800, inlaid mahogany with a giltwood swan’s-neck crest. h. 47-1/2”, w. 20” $500-$800

571 Federal Mahogany Server ca. 1800 and later, the crossbanded top over a pair of linestrung drawers with banded perimeters, raised on line-strung tapering legs. h. 30-3/4”, w. 41-1/4”, d. 17-3/4” $500-$800

570

571

572 American Federal Mahogany Butler’s Chest first quarter 19th century, the deep upper drawer with a fold-out face opening to reveal a fitted interior, over three graduated and banded drawers, raised on flare feet. h. 42-3/4”, w. 47-1/4”, d. 21-3/4” $800-$1,200

572

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573 American Chippendale Maple Chest of Drawers fourth quarter 18th century, the top with an overhanging molded edge and dovetailed case, the front with a pair of sideby-side drawers over four graduated long drawers, raised on bracket feet. h. 42”, w. 39-1/2”, d. 21” $500-$800 574 Carved Mahogany Banjo Clock ca. 1900, attributed to E. Howard, No. 5, with a painted tin dial, black and gilt door and throat tablets, unsigned. h. 28-3/4”, w. 10-3/4”, d. 3-1/2” Provenance: Descended in the family of John Gilman D’Arcy Paul, Baltimore, Maryland. $400-$700 573

575 American Late Classical Mahogany Four-Post Bed second quarter 19th century, with turned and acanthuscarved foot posts and smooth, turned head posts, the shaped headboard with a central urn-form finial. h. 95”, inside w. 54-1/2”, l. 61-1/2”, outside w. 77”, l. 80-1/2” $700-$1,000

575 574

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576 American Classical Brass-Mounted Mahogany DropLeaf Table ca. 1825, New York, the top flanked by a pair of drop leaves over a frieze with brass ring pulls and a lower brass molding, raised on four turned and leaf-carved columns on a concave shelf, raised on foliate-carved legs ending in carved paw feet. h. 27-1/4”, w. 23-1/2”, d. 38-3/4”, ext. w. 48” $400-$700

577 American Late Classical Mahogany Sofa second quarter 19th century, the back with a central carved crest panel and flanked by a scrolled and carved rail on each side, with scrolled armrests and raised on carved paw feet with cornucopia returns. h. 36”, w. 87”, d. 24”

576

$500-$800

578 American Late Classical Revival Mahogany Dining Table fourth quarter 19th century, the circular top with a gadrooned edge and mounted to a large cylindrical pedestal flanked by four turned and acanthus-carved standards, the shaped platform base with large carved paw feet, the top opening to accommodate 67” of leaves, with three 12” leaves present. h. 30”, dia. 60” $1,000-$1,500

578

577

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579 Pair of Rare Porcelain Fan Vases mid-19th century, Paris or Limoges, decorated with handpainted polychrome Middle Eastern scenes. h. 19-1/2”, w. 11”, d. 6-1/2” $600-$900

579

580 American Silverplate and Crystal Chandelier 580

first quarter 20th century, the support ring hung with prisms and mounted with crystal spears, strings of glass drops hung from the glass canopy. h. 47”, dia. 19” $700-$1,000

581 Pair of French Cut Crystal Candelabra ca. 1900, each with two candle sockets flanking a spearpoint finial, hung with prisms. h. 20”, w. 11-1/2”, d. 4-3/4” Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $500-$800

581

217

582

582 “Louisiana/Texas, Sheet 9” copper-engraved map by Henry Popple from A Map of the British Empire in America with the French and Spanish Settlements Adjacent Thereto, published W. H. Toms and R. W. Seale, London, 1733. Unframed. pl. 19-1/4” x 26-1/2”, sheet 21” x 27”

583 American Late Classical Mahogany Sofa 19th century, the top rail with scroll- and rosette-carved ends over an upholstered cushion, the back joined to arms of baluster form with foliate-carved faces, raised on carved paw feet with cornucopia-carved brackets. h. 33-3/4”, w. 81”, d. 25”

This map spans the 38th parallel to south of the 28th parallel; it delineates northern New Mexico to the Ohio River and south from northern Mexico to Pensacola, Florida. It was developed for the Lord Commissioners of Trade and Plantations to better settle territorial disputes between the British, French and Spanish, and illustrates numerous Spanish and Indian settlements and details of rivers and portages.

$700-$1,000

$2,000-$4,000

583

218

584 Two Pairs of Franco-Bohemian Porcelain Mantel Vases mid-19th century, one pair decorated with bisque figures of a man and woman in 18th-century dress, h. 13-1/2”, w. 7-1/2”, d. 4-1/2”, and the other pair painted with figures of women emblematic of spring and fall, h. 13-3/4”, w. 9”, d. 6”. $500-$800 584

585 Unusual American Rosewood and Maple-Inlaid Game Table mid-19th century, the top with alternating bands of rosewood and maple, the game board set with alternating squares of rosewood and maple, each side fitted with a banded drawer, mounted to an octagonal block-inlaid standard with a shaped platform base. h. 28-1/2”, w. 33-1/2”, d. 32-1/2” $500-$800

586 American Late Classical Mahogany Sofa mid-19th century, the molded top rail flanked by leafcarved brackets, the S-curved arm supports in like carving, raised on foliate-carved scroll feet. h. 36-1/2”, w. 77”, d. 25” $700-$1,000 585

586

219

587 American Brass and Glass Electrolier first quarter 20th century, the seven-light electrolier with a faceted standard supporting scrolled arms, three electric and three gas, over a faceted umbrellaform textured milk glass shade, the edges set with polychrome glass beading, with an electric socket in the center. h. 41”, dia. 20” $700-$1,000

587

588 New Orleans Market Mahogany Armoire, Attributed to the Warerooms of Prudent Mallard third quarter 19th century, the beaded, molded cornice over a single mirrored door framed by cyma moldings, the corners with spiral-reeded pilasters, the interior with four shelves, one supporting a medial drawer, on a base with a cyma-molded drawer, raised on characteristic bracket feet with scroll moldings. h. 102”, w. 52-3/4”, d. 23-1/4” $1,200-$1,800

588

220

589 New Orleans Market Rosewood Tester Bed, Attributed to the Warerooms of the Firm of William and/or James McCracken third quarter 19th century, the beaded and arched tester supported by four tapering cluster-column posts, the headboard with a fruit- and scroll-carved crest over a characteristic oval convex panel, the posts joined by scalloped rails centered by a cabochon-mounted cartouche. h. 120”, inside w. 62-1/2”, l. 77”, outside w. 76”, l. 88” $3,000-$5,000

589

221

590 Eighteen Pieces of New Orleans, French Silver and Other Flatware including: A Pair of Creole Coin Silver Tablespoons, “Uniplat”, second quarter 19th century, Lamothe Freres, New Orleans, monogrammed “JD”, l. 8-1/4”, 4.00 total t. oz. Eight Table Knives, French, second quarter 19th century, carved ebony handles, pointed steel blades, seven marked “Bligne Langre”, one marked “Schmidt a Chalon”, l. 9” A Coin Silver Tablespoon, “Fiddle Tipt”, third quarter 19th century, Wood & Hughes, New York, retailed by Henry Peat Buckley, New Orleans, monogrammed “EHB”, l. 8-1/4”, 1.87 t. oz. Five Coin Silver Teaspoons, “Fiddle Tipt”, third quarter 19th century, Hyde & Goodrich, New Orleans, monogrammed “CS”, l. 5-5/8”, 2.52 total t. oz. A Pair of Coin Silver Teaspoons, “Fiddle Swell Tipt”, third quarter 19th century, Bacon & Smith, Boston, monogrammed “Snow”, l. 6-1/8”, 1.07 total t. oz. 9.46 total t. oz. (weighable silver) $500-$800 591 American Rococo Revival Walnut Sofa 590

third quarter 19th century, the serpentine back with floral- and leaf-carved crests, the back wrapping around to closed arms, a scalloped serpentine seat rail and cabriole legs, now upholstered in tufted and patterned cut velvet. h. 40-3/4”, w. 77-1/2”, d. 29” $500-$800

591

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592 American Rococo Revival Walnut and Marble-Top Center Table third quarter 19th century, the tortoise-form marble top over a leaf- and rose-carved apron, raised on cabriole legs joined by a serpentine stretcher with center finial. h. 30”, w. 42-1/4”, d. 28” $600-$900 593 Franco-Bohemian Cut and Frosted Crystal Gasolier third quarter 19th century, the four-light gasolier with a ropetwist glass standard, and rope-twist arms terminating in cut and frosted prism holders set with shade holders and sockets, all over a large glass prism ring matching the ones under the burners, as well as two on the standard, strands of drops hung from the upper standard to the burners, set with etched glass shades. h. 38-1/2”, dia. 29” $500-$800

593

594 Set of Bohemian Gilded Ruby Glassware in the neoclassical taste, comprised of ten richly gilded and beaded hand-blown ruby glass dessert bowls, h. 2-3/4”, dia. 3-1/2”, ten matching recessed underplates, dia. 8-1/8” to 8-1/4”, and ten rim soup bowls, dia. 10” to 10-1/4”, possibly Julius Muhlhaus & Co. $500-$800

592

594

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595 American Rococo Revival Rosewood Center Table third quarter 19th century, the serpentine marble top over a conforming frieze with scroll, floral and leaf carving, raised on foliate-carved cabriole legs joined by concave stretchers centered by a finial. h. 30”, w. 39”, d. 28” $700-$1,000

596

595

596 American Neo-Grec Bronze Gasolier third quarter 19th century, the fluted standard mounted with lotus leaves, the pan mounted with anthemia alternating with gas arms, decorated with reeding and Greek keys, with a cone-form pendant finial. h. 32”, dia. 23” $800-$1,200

597 American Rococo Revival Rosewood and Faux Rosewood Work Table mid-19th century, of a form traditionally attributed to J. H. Belter, New York, the stepped top with a hinged cupboard, the whole opening to a mirrored and compartmented interior above a frieze fitted with a dummy drawer over a compartmented drawer, over a shell- and foliate-fronted storage well, raised on shaped legs joined by a basket-centered X-form stretcher and ending in in-scrolled toes. h. 33”, w. 22”, d. 17” $500-$800

597

224

598 Victorian-Style Faux Marbre Figure of a Child 20th century, the composition figure of a little girl playing dress-up with her mother’s pearls. h. 28”, w. 12”, d. 8” $500-$800

599

598

599 Bronze Ten-Light Electrolier first quarter 20th century, the ball-molded standard with wreath mounts and five upturned gas arms alternating with five downturned electrical sockets, the arms hung with strands of brass beads. h. 40”, dia. 24” $800-$1,200 600 American Late Victorian Quarter-Sawn Oak LiftSeat Hall Tree ca. 1900, with a carved and molded cornice above an arched beveled mirror, flanked by large cast brass butterfly coat hooks, the base with a hinged seat and large carved griffins as armrests, raised on carved paw feet. h. 100”, w. 60”, d. 19” $1,200-$1,800

600

225

601 American Renaissance Revival Rosewood Armchair third quarter 19th century, attributed to John Jelliff, Newark, New Jersey, the center crest with a carved female portrait bust, the arm fronts also carved with female busts, and raised on trumpet-turned legs. h. 44”, w. 28”, d. 30” $500-$800 602 American Aesthetic Movement Ebonized Occasional Table fourth quarter 19th century, the rectilinear top over a pierced foliate-carved frieze, over a platform with a pair of carved deer, raised on carved paw feet. h. 32-1/2”, w. 21”, d. 16” $600-$900

601

603

603 American Rococo Revival Rosewood and Marble-Top Center Table third quarter 19th century, probably by Foster and Lee, the tortoise-form marble top over a conforming frieze with cabochon, leaf and floral carving, raised on a vasiform pedestal joined to dolphin- and foliate-carved legs. h. 30”, w. 38-3/4”, d. 27-1/4” $500-$800

602

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605

604

604 American Late Victorian Brass Gas and Electric Chandelier fourth quarter 19th century, the conical standard fitted with four arms and decorated with filigree scrollwork. h. 37”, dia. 27” $700-$1,000 605 Twenty-Four Pieces of American Coin, Sterling and Other Silver including: A “Fiddle” coin silver ladle, by Thomas W. Harper, fl. 1825-1835, New York, New York, monogrammed “DP”, l. 13-1/4”, 6.00 t. oz. A pair of “Fiddle” coin silver sauce ladles, by Gale, Wood & Hughes, fl. 1836-1845, New York, New York, monogrammed “DP”, l. 7”, 2.81 total t. oz. An Albert Coles “Jenny Lind” sterling silver serving spade, the pattern introduced ca. 1850, retailed by Andrew Ellicott Warner (1786-1870), Baltimore, Maryland, engraved “Eliza Gilman”, l. 10”, 2.90 t. oz. A Whiting “Laureate” sterling silver sauce ladle, introduced 1890, Providence, Rhode Island, engraved “Paul”, l. 6-1/2”, 1.43 t. oz. A George W. Shiebler “Prince Albert” sterling silver tablespoon, designed 1865 by John Chandler Moore, New York, New York, engraved “Gilman”, l. 8-3/4”, 1.81 t. oz. Eight Wood & Hughes “Prince Albert” coin silver place spoons, designed 1865 by John Chandler Moore, New York, New York, engraved “Gilman”, l. 7”, 10.45 total t. oz. Four George Aiken (1787-1823) “Pointed Bright Cut” tablespoons, monogrammed “JSL”, l. 9-3/4”, 8.29 total t. oz.

An S. Kirk & Son “Mayflower” New Baltimore standard (.896) silver serving spoon, introduced in 1846, Baltimore, Maryland, monogrammed “CAG”, l. 10”, 3.12 t. oz. An S. Kirk & Son “Mayflower” New Baltimore standard (.896) silver cake knife, introduced in 1846, Baltimore, Maryland, diapered blade, engraved “Gilman”, l. 9-3/4”, 3.40 t. oz. An S. Kirk & Son “Repousse” New Baltimore standard (.896) silver fruit knife, introduced in 1820, Baltimore, Maryland, engraved “John Gilman Paul Jan 31-1887”, l. 7”, 1.61 t. oz. An S. Kirk & Son “Repousse” sterling silver luncheon knife, introduced in 1820, Baltimore, Maryland, “New French”shaped stainless steel blade, l. 8-3/4” An S. Kirk & Son “Repousse” sterling silver bottle opener, introduced in 1820, Baltimore, Maryland, stainless steel fitting, l. 6” A Silver-Bound Gospel of St. Matthew in West Saxon, James Wilson Bright, ed., (Boston/London: D. E. Heath & Co., 1904), after the Bath manuscript of the Wessex Gospel in Corpus Christi, Cambridge, in red cloth with marbled endpapers, clad in a German .800 silver full jacket by Ludwig Neresheimer, hinged, pierced with hasp closure and decorated with scenes from the life of the Saviour surrounded by the apostles; the inside front with armorial bookplate of Paul and engraved on the inside of the jacket “Charlotte G. Paul”, 6-1/4” x 3-3/4”. 41.82 total t. oz. (weighable silver) $500-$800 Provenance: Descended in the family of John Gilman D’Arcy Paul, Baltimore, Maryland. The various monograms and inscriptions on these pieces may nearly all be identified as belonging to John Gilman D’Arcy Paul (1887-1872) and his ancestors, including the fruit knife with his birthdate, the West Saxon Gospel of his mother, Charlotte Abbott Gilman Paul (1861-1864), the ladles of his father, D’Arcy Paul (1854-1890), and the “Jenny Lind” serving spade of his grandmother Elizabeth Weyl Gilman (1830-1889). The papers of the Gilman and Paul families are conserved at the Maryland Historical Society.

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606 Arts and Crafts Brass and Caramel Slag Glass Electrolier first quarter 20th century, American, the inverted pyramidform body decorated with shield-form mounts and supporting four hanging lanterns with brass strapwork and caramel glass sides, the frame above the pyramid set with four gas jets with flame-form burners, hanging from the handsome, original chain. h. 47-1/2”, w. 24-3/4”, d. 24-1/4” $500-$800 607 Four-Piece Reclaimed Cypress Bedroom Suite comprised of a bed, a two-part cabinet and a pair of nightstands, by Charbonnet & Charbonnet, New Orleans, the bed with a paneled head- and footboard, h. 56-1/4”, inside w. 60”, l. 83”, outside w. 69”, l. 89”, the cabinet with a pair of paneled doors over a pair of like doors, h. 108-1/2”, w. 43”, d. 28-1/4”, and each nightstand with a drawer over a door, h. 29-1/2”, w. 25”, d. 19”. $700-$1,000

606

608 Rowena Bradley Large Woven River Cane Basket 1922-2003, Cherokee, North Carolina, with butternut rootdyed details, accompanied by a certification tag, the Qualla Co-op card and additional Qualla card. h. 15-1/4”, dia. 14” $800-$1,200

607

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608

609 Maple Butcher’s Block ca. 1900, the joined tenened boards supported by four chamfered legs. h. 32”, w. 35-3/4”, d. 24-3/8” $500-$800 610 Robert Wesley Amick (American, 1879-1969) “Indian Portage” watercolor on paper signed lower right. Glazed and presented in a frame affixed with artist plaque. sight 21-1/2” x 27-1/2”, framed 35-1/2” x 41-1/2” $1,500-$2,500 609

611 Texas School (Mid-20th Century) “A Mexico Courtyard Scene” watercolor on paper signed “R. J. Onderdonk” lower left. Matted, glazed and framed. sight 13-1/2” x 16”, framed 24” x 29” $800-$1,200 612 Herb Booth (American/Texas, 1942-2014) “Pintail Flight” watercolor on paper signed lower right. Matted, glazed and framed. sight 28-1/2” x 39”, framed 38-1/2” x 48-1/2” Provenance: Private collection, Houston, Texas.

610

$800-$1,200

612

611

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613

613 John Thomas Biggers (American/Texas, 1924-2001) “Old Spanish Trail Market, Houston, Texas”, 1970 graphite on paper signed, titled, dated and inscribed lower right to the family of his friend and fellow artist Jean-Paul Hubbard. Unframed. 21-7/8” x 26” Provenance: Gifted by the artist to the Hubbard family, thence by descent. $1,000-$1,500 One of the most significant African-American artists of the 20th century, John Thomas Biggers was born the youngest of seven children to a family that stressed the importance of education, creativity and spirituality. Growing up in the tight-knit black community of Gastonia, North Carolina, Biggers has stated that he had a relatively pleasant childhood, and that he was encouraged in his artistic and intellectual pursuits. Biggers enrolled in Hampton Institute (now Hampton University) in Virginia, where he studied with Victor Lowenfeld, an Austrian who had fled Europe. Lowenfeld was one of the first to publicly acknowledge the artistic significance and influence of African culture on modern art, and he encouraged his students to eschew the artistic conventions of the time to pursue something that was more immediate, more personal to them and their heritage. For many of these students, this was the first validation of their particular experience from someone outside of the African-American community. In 1943, Biggers was included in the Young Negro Art exhibition at the Museum of Modern Art in New York City. That same year, Biggers was drafted into the Navy, eventually becoming an illustrator. During this time, he began to refine his technique, working extensively in graphite and Conte crayon, employing a distinct hatching to create a sense of depth and volume.

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After his discharge from the Navy, Biggers attended Pennsylvania State University, receiving his Bachelor’s and Master’s degrees in 1948; he would later receive his doctorate from that institution in 1954 for his Negro Women in American Life and Education. In 1949, Biggers accepted a position as Professor at Texas State College for Negros (now Texas Southern University), where he was instrumental in setting up the art department. His colleague and fellow artist Jean-Paul Hubbard, to whom this drawing is dedicated, was equally committed to the advancement of African-Americans in the arts. Hubbard, a native of Berkeley, California, was an Associate Professor at Tennessee State University in Nashville and was chairman of the Central State College Art Department. He taught art and art history at Southern University in Baton Rouge for thirty years, and was eventually appointed as the Chairman of the Fine Arts Department. He held numerous exhibits throughout his career, including at Centenary College in Shreveport, Louisiana, Tuskegee Institute in Tuskegee Alabama, Alcorn College in Mississippi, the Baton Rouge Gallery, and the Masur Museum of Art in Monroe, Louisiana. As evidenced by the fine drawing presented here, Biggers captures a snapshot vignette of African-American women at the market creating both depth of space and character through a nuanced command of line quality: colossal in their matriarchal presence outlined against a white ground, each unique with a different handbag and accessories - including a tignon and (cross-hatched) seagrass basket hat that pay homage to Caribbean and Carolina roots - and each with a different dress print that riffs off the shapes of market, each forming a collective part of African-American culture in a market, situated in another historic cross-road of American culture - the Old Spanish Trail, which connects the Atlantic and Pacific oceans from St. Augustine, Florida to San Diego, California.

614 Rudy Torrini (American, 20th Century) “Reclining Female Nude” sanguine charcoal and graphite on paper pencil-signed, dated and stamped lower center. Matted and glazed in a float-mounted frame. 12” x 17-5/8”, framed 17-5/8” x 25-3/4” $200-$400 615 Michael Meads (American/Alabama, b. 1966) “Hippie Jesus with Penitents on Saint Ann Street”, 2018 sumi ink on acid-free paper signed and dated lower right. Matted, glazed and framed. sight 9-3/4” x 6-1/2”, framed 18-1/8” x 15-1/4”

614

$500-$800

615

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616 Laristan Transitional Carpet 9’ 2” x 11’ 10” $800-$1,200

617 Kashan Carpet 9’ 8” x 13’ $600-$900

616

618

618 Laristan Sultanabad Carpet 6’ 3” x 8’ 10” $700-$1,000

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617

619 Laristan Sultanabad Carpet 8’ 10” x 11’ 9” $800-$1,200

619

620 Pair of Turkish Angora Oushak Runners each 2’ 6” x 12’ $500-$800

620

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621 Peshawar Sultanabad Runner 2’ 10” x 14’ 6” $600-$900

622 Antique Mahal Carpet 7’ 6” x 16’ 4” $500-$800

621

622

234

623 Turkish Angora Oushak Carpet 10’ 1” x 14’ 2” $800-$1,200

624 Agra Serapi Carpet 9’ 10” x 13’ 11” $700-$1,000

623

625

625 Semi-Antique Tabriz Carpet 9’ 10” x 13’ 3” $500-$800

624

235

626 Turkish Angora Oushak Carpet 8’ 1” x 9’ 10” $500-$800 627 Semi-Antique Bidjar Carpet 3’ 6” x 8’ 9” $800-$1,200 628 Tabriz Carpet 3’ 4” x 4’ 10” $1,000-$1,500

626

627

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628

630

629

629 Semi-Antique Kurd Runner 3’ 2” x 13’ 3” $500-$800 630 Semi-Antique Heriz Carpet 7’ 9” x 10’ 7” $1,000-$1,500 631 Turkish Oushak Carpet 10’ x 13’ 9” $1,000-$1,500 631

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Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Note that there is no discount for LiveAuctioneers and Invaluable bidders. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Ashton Thomas President

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Fine Jewelry Specialist

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Rebecca Moss Asian Arts Specialist

Thomas Halverson American Furniture Specialist

Burke Designer

Taylor Eichenwald Marketing & Public Relations

Charles C. Cage Silver Specialist & Office Manager

Colleen Ryan Director of Human Resources

AUCTIONEERS

CONSULTANTS

Tessa Steinkamp, #1265 Ashton Thomas, #1833 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Ellen McKenzie English & Continental Furniture Ira Savoie Independent Certified Gemologist Appraiser Claudia Kheel Fine Art

ADMINISTRATION Christa Ougel Denise Haik Office Administration Graphic Designer Gary Michael Gittelson Bettina Bausa Graphic Designer Photographer Grace Connors Manager of Online Auctions

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Thomas Johnson Theadrow Mark