NOAG Interiors: January 29, 2022

January 29, 2022

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | 504-566-1849 Auction License LA AB-363, Steinkamp LA #1265, Eichenwald LA #1922 | 25% Buyer’s Premium

Auction: January 29, 2022 10:00am CT Featuring Part 2 of Rose Hill, Rome, Georgia and The Collection of Adam Lippes

Exhibition: January 17-28, 2022 Monday - Friday (closed Saturday & Sunday) 10:00 a.m. - 4:00 p.m.

By Appointment - Limited Time Slots Email info@neworleansauction.com or call us at 504-566-1849 to schedule an appointment

Lot Schedule: Please note that times are approximate

Saturday, January 29, 2022 | 10 a.m CT

10:00 - 11:00

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Bidding: Telephone

Absentee

Live Online

Bidding is available by telephone, absentee and live online with LiveAuctioneers and Invaluable.

Please note that there will be no in-person bidding for this auction.

Pictured:

Detail of the library at Rose Hill, Rome, Georgia

1 Pair of Louis XIV-Style Fruitwood Fauteuils each with an arched back and padded seat joined to open arms with parcel-gilt foliate- and rosette-carved hand rests, and raised on turned legs joined by an H-form stretcher with a carved and pierced apron, upholstered in gold cut velvet. h. 47” $500-$800

2 French Carved and Polychromed Headboard 20th century, in the Louis XV taste, of trumeau form with a distressed mirror plate above an arched, padded panel and flanked by columns with foliate-carved vines terminating in carved pineapple finials. h. 104”, w. 68”

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$600-$900

3 French Provincial Creme-Peinte Buffet 19th century, the rectangular top with canted corners, above a conforming case fitted with two cupboard doors, each inset with an arched panel, raised above a shaped apron on cabriole legs. h. 36”, w. 56”, d. 24-1/2” $700-$1,000

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4 Louis XV-Style Polychromed Window Seat the cushioned seat flanked to either end by a padded upright with a floral crest, raised on cabriole legs headed by floral carving and ending in peg feet. h. 35”, w. 47”, d. 21-1/2” $700-$1,000

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6 French School (Fourth Quarter 19th Century)

5 Eugene Blery (French, 1805-1887)

“Femme Tricotant”

“Les Grands Tussilages”

Provenance: Paul McCarron, New York, New York.

pastel on gray paper monogrammed lower right, verso with a hand-inscribed label detailing the provenance: “...Purchased in Paris 1960, housed in the collection of Caroline Veckermans.

This drawing was appraised and valued by Philips [sic] Auctioneers of Chester in 1987...”.

Matted, glazed and framed. sight 13-1/4” x 10-3/4”, framed 20” x 17”

$600-$900

$800-$1,200

etching Plate 3 from “Les quatres grandes plantes relief”, signed in plate lower left.

Matted, glazed and framed. sight 15” x 20-1/4”, framed 24” x 28-1/2”

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7 Pair of French Provincial Fruitwood Fauteuils 19th century, each with a shaped and caned back joined by scrolling arms to the cushioned and caned seat, raised above a molded and shaped frieze on cabriole legs ending in scrolled toes. h. 38” Provenance: Estate of Thomas Eugene Long, Hattiesburg, Mississippi. $300-$500 8 French Provincial Oak Cabinet Dresser 19th century, the top fitted with two grilled cupboard doors over a foliate shell-carved apron, with two open plate racks below, the bottom section fitted with a single central drawer, joined by cabriole supports to a plinth shelf. h. 88”, w. 43-1/2”, d. 16”

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$1,000-$1,500 9 French Provincial Oak Buffet late 18th century, the rounded rectangular top above a conforming case fitted with two cupboard doors, each inset with a shaped panel, raised above a shaped apron on cabriole feet. h. 40”, w. 52”, d. 20-1/2” Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $700-$1,000

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10 Continental School (Fourth Quarter 19th Century) “Poultry in the Barn” oil on canvas illegibly signed lower right.

Framed.

8” x 10”, framed 15-1/2” x 17-1/2” $300-$500 11 Suite of Seven French Provincial Fruitwood Chairs 18th century, with serpentineshaped backs and relief-carved details, raised on cabriole legs with pad feet, having caned seats and backs, pegged construction. h. 39”, w. 21”, d. 20”

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$1,000-$1,500 12 Large French Carved Walnut Trumeau Mirror second quarter 20th century, the upper tablet set with a tapestry of figures in 18th-century costume in a landscape, the panels lined with carved surrounds decorated with scrollwork and rocaille work and punctuated with flowerheads. h. 97-1/2”, w. 56” $600-$900

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13 French Provincial Fruitwood Upholstered Daybed 19th century, with matching headboard and footboard, the carved and molded frame padded and with brasstack-trimmed edge. h. 34”, w. 36”, l. 79” Provenance: Private collection, Galveston, Texas. $800-$1,200 14 Provincial Louis XV Walnut Armoire 18th century, the molded cornice above a paneled and carved frieze, the front fitted with a pair of shaped framed and paneled doors, raised on scrolled legs. h. 89”, w. 56”, d. 25” $800-$1,200 15 Louis XIV-Style Carved Walnut Miniature Chest 19th century and later, with a molded top edge, carved panels on the drawer fronts and sides, and a scalloped skirt. h. 15”, w. 16-1/2”, d. 9-1/2” $700-$1,000

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16 Louis XIV Miniature Bombe Commode early 18th century and later, with a molded top, carved scroll feet and steel hardware. h. 13-1/2”, w. 18-1/2”, d. 9” $700-$1,000 17 French Polished Steel Figure of a Putto fourth quarter 19th century, the Renaissance-style figure holding a flower and supported on a circular platform. h. 38”, w. 17”, d. 14”

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$700-$1,000 18 Painted Trumeau Mirror Set with Patinated Metal Sconces second quarter 20th century, with an oil-on-canvas painting of an Italian village, the painted rococo-style wooden frame with serpentine crests on the upper and side panels, carved with flowers and set with scrolled patinated metal two-light sconces. h. 77”, w. 37” $1,200-$1,800

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19 Louis XV Fruitwood Console Table 18th century, the slightly bowed and rectangular top above a conforming frieze with foliate shell patterns, raised on molded C-scroll legs joined by a shell stretcher and ending in scrolled toes, bearing a metal plaque to the apron reverse reading “meubles/objets d’art/anciens et modernes/cassard et cie/paris 61. Av. Philippe Auguste/new-york/The cassard-romano Co. Inc. /234 East 59. th St”. h. 31”, w. 30-1/2”, d. 16” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $500-$800 20 Pierre de Leonard (French, 19th/20th Century)

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“Putti with Flowers”, ca. 1900 painted terracotta signed in script at back. h. 15-3/4”, w. 18-3/4”, d. 5” $500-$800 21 Pair of Large Louis XIV-Style Giltwood and Patinated Metal Sconces 20th century, the scrolled branches set with scalloped drip pans, set into leaf-carved backplates hung with bold laurel swags supported on scrollwork, and set with reeded urn-form finials decorated with bas-relief leaves and pierced handles. h. 26-3/4”, w. 11-1/2”, d. 12-3/4” $700-$1,000 21

22 Louis XV-Style Polychromed, Parcel-Gilt and Marble-Top Occasional Table 19th century, the shaped marble top inset into a conforming edge, above a pierced frieze with pendant floral swags, raised on molded cabriole legs ending in acanthine scrolled toes. h. 29-1/2”, w. 26-1/2”, d. 17” $1,000-$1,500

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23 French Louis XV-Style Parcel-Gilt Trumeau Mirror fourth quarter 19th century, each panel with scrollcarved surrounds accented with flowerheads, the lower panel set with a beveled mirror and the upper panel with an oil-on-canvas painting of a group playing blind man’s bluff in a pastoral setting. h. 72-1/2”, w. 37-1/4” $1,000-$1,500 24 Jacques Nicolas Bellin (1703-1772), West Indian Maps from the Petit Atlas, v. I [Paris]: J. N. Bellin, 1764. “L’Amerique septentrionale et les Isles Antilles”, telliere folio, a fragmentary copy with flyleaf, title page, half title page, two leaves of introductory material, dedication page and two leaves of the table, and retaining 34 (of 102) maps and plans, 22 folio and 12 half sheet, mostly of Hispaniola, Guadeloupe, Martinique, Grenada, Barbados and other islands of the Lesser Antilles, but including “Suite du Cours du Fleuve St. Louis dupuis le Riviere d’Iberville jusqua celle des Yasous et les Parties connues de la Riviere Rouge”; i.e. the Mississippi River between Bayou Manchac and the Yazoo River and known parts of the Red River.

[Phillips 3508] leaves 30.4 cm x 21.3 cm, full sheets 42.6 cm x 30.4 cm Notes: Detailed list of maps available on request. $500-$800

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25 Louis XV-Style Polychromed and Marble-Top Console 19th century, the thick, demi-lune-form breche Medicis marble top over a conforming frame with bas-relief foliate blocks and interlocking flowerheads, and raised on cabriole legs joined by a shaped stretcher with an urn and flower finial. h. 34”, w. 39-1/2”, d. 18” $1,000-$1,500

27 Pair of “Dresden”-Style Porcelain Candelabra post-1930, German, decorated with angels and encrusted flowers, signed “Schierholz”. h. 15-1/4”, dia. 9” $100-$200 28 Nymphenburg Porcelain Figure of Putti Catching Birds

26 Two Meissen Porcelain Figures ca. 1861-1924, one figure of Cupid sharpening his arrows and the other of a putto fishing, holding two fish, a basket at his feet, an open creel to one side, each with underglaze baton-ended blue crossed swords marks. h. 4” to 4-3/4”, w. 4” to 5”, d. 2-1/4” to 2-1/2”

ca. 1862-1887, German, with a central tree with a trap near the top, one putto grasping a startled owl, a birdcage at the base, with an impressed mark, shield and “725”. h. 9”, w. 4-1/4”, d. 5” $700-$1,000

$700-$1,000

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29 French Painted Trumeau Mirror 19th century, in the Louis XVI taste, the molded cornice above a formed panel depicting a woven flower basket with floral sprays and ribbons, and the rectangular mirror plate with a carved surround. h. 61”, w. 50” $1,000-$1,500

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30 Louis XV-Style Argente and Polychromed Stool the upholstered cushion on a serpentine and molded frame with central floral and foliate carving, the cabriole legs with like carving at the knees. h. 18”, w. 21”, d. 16” $500-$800

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31 Louis XV-Style Beechwood Settee 19th century, the slightly domed and padded back surrounded by a carved guilloche frame and surmounted by a floral crest, joined to the cushioned seat by padded, downswept arms, raised on molded cabriole legs ending in scrolled toes. h. 42”, w. 82”, d. 28” Provenance: Villa Melrose Antiques, Los Angeles, California. $700-$1,000

32 French Belle Epoque Parcel-Gilt Trumeau Mirror fourth quarter 19th century, in the Louis XV style, the mirror panel with a serpentine crest framed with a giltwood surround, the crest with scrollwork, rocaille work and flowerheads, the corners with winged angels, the upper tablet decorated with a painting of figures being serenaded by troubadours in a pastoral setting, the giltwood surround with a pierced scrollwork crest. h. 90-3/4”, w. 55-1/2” $1,000-$1,500

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33 Pair of Dresden Porcelain Figures of Gardeners first quarter 20th century, Potschappel, Germany, the couple in 18th-century costume, gathering flowers, on pierced rococo bases and against flowering trees, marked by Saxonian Porcelain factory Carl Thieme. h. 9-1/2”, w. 4”, d. 3-1/2” $700-$1,000

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34 Dresden Porcelain Figural Group of Musicians first half 20th century, unmarked, German, decorated with a couple and two children playing a violin and lute, and a putto playing the tambourine astride a goat, all scampering about on a rocky outcropping, with encrusted flowers and leaves, on a gilt rococo-molded base. h. 14”, w. 6-3/4” $700-$1,000

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35 Pair of Chelsea-Style Porcelain Putti Groups 19th century, both on integral pierced rococo bases, one group featuring a putto riding a sheep and wearing a floral sash personifying spring, with an attendant putto and lamb, and the other group with a putto riding a goat and wearing a grape sash personifying autumn, with an attendant putto and a kid, both decorated with encrusted flowers, the bases with spurious gilt anchor marks. h. 9-1/2”, w. 6”, d. 4-1/4” $800-$1,200 35

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36 Pair of Maria Theresa-Style Gilt-Metal and Glass Sconces 20th century, the six-light sconces with mirrored backplates, with glass-clad metal arms and glass spiremounted coronas hung with swags of drops, the glass candle cups with molded glass prism rings, with more swags hung below. h. 28-1/2”, w. 21-1/4”, d. 22” $500-$800 37 Louis XVI-Style Giltwood and Marble-Top Center Table early 20th century, the shaped white marble top over a conforming frame with pierced and carved aprons and floral swags, raised on turned legs joined by curved stretchers centered by an urn finial. h. 30”, w. 40”, d. 24” $700-$1,000 38 Pair of French Baroque-Style Polished Bronze and Crystal Candelabra second quarter 20th century, now electrified, each having a vasiform standard with an engraved base and supporting two graduated tiers of scrolled candle branches, hung with sprays of cut glass drops and terminating in a cut glass finial. h. 37”, dia. 16” $600-$900

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39 Louis Marin Bonnet (French, 1736-1793) “Tete de Jeune Fille...” after Francois Boucher, ca. 1769 color engraving in crayon manner unsigned, “Thomas Agnew and Sons, London” label on frame backing.

Matted, glazed and framed. sight 10” x 7-1/2”, framed 18-3/8” x 13-7/8” Provenance: Thomas Agnew & Sons, London, England; Private collection.

Literature: Herold, 19 I/IV $700-$1,000

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40 Collection of Five French Gilt-Bronze Boudoir Frames ca. 1900, of various shapes and designs, including reeded or leaf-molded surrounds, three with pierced bowknot crests, one with a mauve liner mounted with a watercolor of Princess Henriette of France, after Jean Marc Nattier, and another with a green velvet liner, mounted with a watercolor of “Fountainbleu Sousle, 1st Empire”, after Adrien Moreau. smallest h. 6-7/8”, w. 4-1/2”; largest h. 16-1/2”, w.

13-1/4” 40

Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $500-$800 41 French Bronze-Mounted Porcelain Box fourth quarter 19th century, in the Sevres taste, the cover decorated with a hand-painted panel of the goddess Veritas, attended by an angel, on a cobalt ground and signed “A. Collot”, the sides with gilt decoration, the bottom with spurious Sevres marks. h. 5”, w. 12”, d. 8-1/2” Provenance: Private collection, Galveston, Texas.

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$700-$1,000

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42 French Porcelain and Gilt-Bronze Clock Set

44 French Rococo-Style Bronze Chenets and Firescreen

fourth quarter 19th century, the porcelain vasiform clock body set with signed Mougin works, the dial signed by Parisian retailer Lambert-Vormus, the sides set with bronze lion-head ring pulls, the bronze base decorated with swags of flowers, h.

20-1/2”, w. 10-1/4”, d. 9-1/4”, and the matching fivelight candelabra set with scrolled branches with molded candle cups and drip pans, h. 21-1/2”, w. 9”, d. 7-1/2”.

first quarter 20th century, the chenets decorated with patinated putti beneath bronze swags, supported by lion’s heads, h. 18-1/4”, w. 11-3/4”, d. 5”, and the firescreen with a scroll-molded surround, on cabriole legs, h. 27”, w.

27-1/4”, d. 10-1/2”. $400-$700

$1,000-$1,500

43 Set of Twelve Bavarian Black Knight Gold-Encrusted Dinner Plates ca. 1925-1941, probably pattern BLK83, with cobalt borders and floral reserves, each marked “Black Knight, Decorated in U.S.A.”. dia. 11” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $600-$900

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45 Mottled Silver- and Gold-Leaf Carved Mirror

46 Louis XV-Style Mahogany Vitrine

20th century, in the Italian Baroque taste, the bold, carved and pierced scrollwork surround having a crest with an overhanging leaf-form finial, the mirror plate framed with ribbon-bound laurel leaves. h. 38”, w. 31”

20th century, the scrolling pediment centered by an ormolu foliate mount with pendant swags, above a case fitted with a single glazed door and glazed sides, above a shaped masque-centered frieze, raised on cabriole legs ending in sabots, the whole accented with ormolu mounts and millwork. h. 77”, w. 33-1/2”, d. 18”

$700-$1,000

$600-$900

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48 Louis XV/XVI-Style Mahogany and Marble-Top Occasional Table early 20th century, the ovoid marble top within a brass band and above a shaped frieze joined to a lower shelf by cabriole supports ending in sabots, the whole accented with ormolu mounts. h. 29-1/2”, w. 25-1/2”, d. 16-1/2”

47 Louis XV-Style Mahogany Vitrine

$500-$800

20th century, the scrolling pediment centered by an ormolu foliate mount with pendant swags, above a case fitted with a single glazed door and glazed sides, above a shaped masque-centered frieze, raised on cabriole legs ending in sabots, the whole accented with ormolu mounts and millwork. h. 77”, w. 33-1/2”, d. 18”

49 Pair of French Belle Epoque Bronze Candlesticks

$600-$900

$600-$800

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fourth quarter 19th century, in the Louis XV style, molded with leaves and scrollwork, the bases with “BD” foundry marks. h. 5-1/4”, w. 4-1/2”, d. 4”

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50 Louis-Philippe Gilt-Bronze Candelabrum 52 Louis XV-Style Parquetry-Inlaid Fruitwood Dressing Table

mid-19th century, probably the work of Charles Stanislas Matifat, the palm-tree-molded standard and branches decorated with a dragon and a grapevine, the base with grapes, pears, walnuts and a turtle, raised on a pierced bronze base with delicately molded scroll- and rocaille work. h. 25”, dia. 15-1/4”

late 19th century, the top opening to reveal a looking glass on its bottom side, and a marble slab work surface, over a case with a drawer flanked by two drawers, raised on cabriole legs, the sides with pull-out work slides and a scalloped apron. h. 31”, w. 40-1/4”, d. 22”

$600-$900 51 French Pierced Bronze Encrier in the Louis XVI Taste

$700-$1,000

ca. 1900, set with a pair of gadrooned inverted pearform covered inkpots, the stand decorated with pierced scrollwork and rocaille work, latticed panels and a molded dragon finial, raised on paw feet. h. 6-1/4”, w. 14”, d. 7-3/4” $500-$800

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53 Louis XVI-Style Fruitwood and Marble-Top Semainier

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late 19th century, the rectangular marble top above a conforming case fitted with seven chevron-veneered banded drawers, raised on slightly cabriole legs. h. 59-1/2”, w. 27-1/2”, d. 16-1/2” Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $500-$800 54 Louis XV-Style Parquetry-Inlaid and OrmoluMounted Occasional Table early 20th century, mahogany and mahogany stained, the marble top of tortoise form, edged with a brass frame over a conforming scalloped apron, the cabriole legs joined by a low shelf in diamond parquetry decor. h. 29”, w. 26”, d. 18-1/4” Provenance: A River Oaks Estate, Houston, Texas. $300-$500

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55 Pair of Elaborate French Bronze Sconces ca. 1900, of Renaissance Revival inspiration, the lobed backplates decorated with shells and fruit, the leafmolded scrolled arms set with angels supporting molded drip pans and candles on their heads, electrified. h. 22-3/4”, w. 15-1/4”, d. 12” $800-$1,200

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56 Diminutive French Patinated Bronze Five-Arm Chandelier

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early 20th century, in the Louis XV taste, the scrolled arms mounted with facet-cut prisms, retains its decorative brass chain and canopy, electrified. h. 30” including chain, dia. 15”

58 Pair of Louis XV-Style Fruitwood Fauteuils

$200-$400

19th century, each with a padded and rounded back surmounted by a floral crest, joined by padded, scrolling arms to the like seat, raised on molded cabriole legs headed by floral carving and ending in scrolled toes. h. 40”

57 Louis XV-Style Kingwood and Marble-Top Occasional Table early 20th century, the shaped Breche d’Alep marble top within a brass banding, above a conforming case fitted with two quarter-veneered drawers, raised on cabriole legs ending in sabots. h. 29”, w. 20-1/2”, d. 13-1/2”

$500-$800

$500-$800

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59 Continental/Belgian School (Fourth Quarter 19th Century) “Kitten Peering Over the Puppies” oil on canvas monogrammed “JK” lower right.

Framed.

21” x 17”, framed 29-3/4” x 25-3/8” $700-$1,000 60 Transitional Louis XV/XVI-Style Kingwood and Marble-Top Semainier early 20th century, the shaped marble top with projecting canted corners, above a conforming case fitted with seven drawers, all with parquetry veneers, raised on shaped feet to sabots. h. 58”, w. 33-1/2”, d. 18” Provenance: Private collection, Galveston, Texas.

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$800-$1,200 61 Pair of French Gilt-Metal Sconces in the Louis XVI Taste mid-20th century, the three-light sconces with quiverform backplates mounted with scrolled candle arms, set with fluted candle cups and leaf-molded drip pans, decorated with cast putti playing instruments on acanthus leaves, with a mark reading “Paris Francais, Made in France”. h. 20”, w. 12-1/4”, d. 8-3/4” $600-$900

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62 Louis XVI-Style Mahogany Demi-lune Commode early 20th century, the demi-lune top banded and above a conforming case fitted with two central quarter-veneered drawers, flanked to either side by a floral-inlaid panel, raised on tapering, bellflowercarved legs ending in banded feet. dia. 34-1/2”, w. 44”, d. 20” $700-$1,000

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63 Louis XVI-Style Walnut Bergere

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early 20th century, the domed and padded back joined by padded, scrolling arms to the cushioned seat, raised on stop-fluted tapering circular legs headed by a floral block capital and ending in toupie feet. h. 38-1/2” $700-$1,000

64 Pair of German Royal Vienna-Style Porcelain Potpourri Urns fourth quarter 19th century, with clobbered decoration of figures in landscapes and scattered grapes, set with scrolled handles and pierced covers with artichoke knops, the bases with underglaze blue bindenschild or “beehive” marks. h. 12”, w. 7”, d. 6” $800-$1,200 64

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65 Painted and Parcel-Gilt Trumeau Mirror 20th century, in the French Empire taste, with an antique white-painted surround, the upper tablet decorated with giltwood trophies framed in giltwood beading, the mirror plate with a painted black liner. h. 72-1/4”, w. 38” $700-$1,000 66 Plaster and Marble Bust of Marie Antoinette fourth quarter 19th century, the bust painted to resemble terracotta, depicting the queen with flowers in her hair, mounted on a turned marble socle. h. 28”, w. 13-1/2”, d. 8” $700-$1,000 67 Pair of Louis XVI-Style Polychromed Fauteuils 19th century, with carved and molded frames, raised on turned and stop-fluted legs, pegged construction throughout. h. 35”, w. 22-1/2”, d. 19” $700-$1,000

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68 Pair of French Gilt and Faux Stone Composition Urns in the Louis XV taste, the lobed inverted pear-form bodies set with scrolled rocaille handles and gadrooned covers, and resting on paw feet above “stone” plinths with reeded ribbon-bound trim. h. 31”, dia. 12” $600-$900

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69 Louis XVI-Style Fruitwood and Marble-Top Occasional Table early 20th century, the inset oval marble top within a ribbon-carved frieze, above a conforming foliate-carved frieze, joined by fluted tapering circular legs to a concave caned lower shelf, ending in foliate-carved toupie feet. h. 31”, w. 34-1/2”, d. 23-1/2” Provenance: Villa Melrose Antiques, Los Angeles, California. $700-$1,000

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70 Pair of French Bronze Three-Light Sconces second quarter 20th century, of Louis XVI inspiration, the ribbon-bound tassel backplates decorated with pierced bellflower garlands and set with leaf-molded scrolled candle arms decorated with medallions and leaf-molded candlecups with matching drip pans. h. 27-1/2”, w. 16-1/4”, d. 10-1/4”

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Provenance: Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $600-$900

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71 Louis-Philippe Giltwood Overmantel Mirror mid-19th century, in the rococo taste, the ogee surround decorated with scroll-, shell- and strapwork, the molded liner with a sanded border, the corners with molded cabochons framed in scrollwork. h. 69”, w. 47-1/2” $700-$1,000

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72 Napoleon III Kingwood Bureau Plat late 19th century, the banded top with an inset leather blotter, the front fitted with a pair of drawers and raised on slender, tapering square legs with brass caps. h. 29-1/2”, w. 40”, d. 24” $500-$800 73 Louis XVI-Style Fruitwood Bergere 20th century, the rectangular back with canted corners and within a molded frame, joined by padded arms to the cushioned seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 37” $500-$800 72

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74 Pair of French Polished Bronze Sconces 20th century, in the Louis XVI taste, the three-light sconces with backplates in the form of a bowknot and swags, supporting oak leaves and acorns, set with hunting-horn-form candle arms with leafmolded trim. h. 35-3/4”, w. 17”, d. 10” $600-$900 75 French Mahogany, Parquetry Inlaid and Ormolu-Mounted Side Table early 20th century, of circular form, the top with a bronze-banded edge, the apron fitted with a single drawer, raised on turned and fluted legs joined by a circular shelf of like form as the top. h. 30”, dia. 23-1/2” $600-$900 76 Louis XVI-Style Stained Fruitwood Metamorphic Chair 19th century, having a curved back with wrought iron latches on each side to adjust the tilt, raised on turned and stop-fluted legs. h. 47”, w. 27”, d. 27” $700-$1,000 76

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77 Louis XVI-Style Creme-Peinte and Parcel-Gilt Sofa the molded frame centered by a ribbon-carved crest, joined to closed arms on reeded and spiral-reeded supports, the bowed and molded seat rail raised on leafcarved and fluted legs, the back and seat each fitted with a trio of loose cushions. h. 37-1/2”, w. 82”, d. 28-1/2” $600-$900 78 Fritz Zuber-Buhler (Swiss/French, 1822-1896) “Young Woman Reading Beside the Window” oil on canvas signed lower right.

Framed.

16-3/8” x 13”, framed 20-1/2” x 18-1/2” $700-$1,000 Zuber-Buhler, a Swiss artist, was well known for his mythological scenes and portraits. He studied in Germany, Italy and the Ecole des Beaux-Arts in Paris where he debuted at the Paris Salon of 1850. For the next 40 years he exhibited throughout European Salons with considerable success that attracted the attention of the U.S. collectors after an exhibition at the Pennsylvania Academy of the Fine Arts.

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79 French Griotte de Campan Rouge Marble and GiltBronze-Mounted Pedestal early 20th century, the square top mounted to a tapering cylindrical column with a gilt-bronze Corinthian capital, the stepped base with cast bronze moldings. h. 44”, top w. 9-1/2”, d. 9-1/2”, base w. 10-1/2”, d. 10-1/2” $700-$1,000 80 Empire Mahogany and Marble-Top Cabinet 19th century, in the Egyptian taste the rectangular marble top above a case fitted with a single faux drawer over two cupboard doors, each with a fabric panel and flanked to either side by an ebonized caryatid upright, raised on beehive-turned feet to casters. h. 39”, w. 44”, d. 14” $700-$1,000 81 French Empire-Style Gilt-Bronze and Tole Chandelier second quarter 20th century, the green body set with cornucopia-form bronze arms with bronze upper candle cups, the sides of the body decorated with gilt-bronze medallions and set with a flame finial and a cone-form lower finial, supported on bronze chains from a molded canopy. h. 34-1/2”, dia. 22-1/2” $400-$700

81

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82

82 Pair of French Empire-Style Patinated Bronze Semi-Circular Sconces second quarter 20th century, the backplates decorated with pierced anthemia, the exterior band with gilt medallions on a patinated ground, set with arrow-form supports, electrified. h. 14-1/2”, w. 6”, d. 7-3/4” $300-$500 83 Empire-Style Mahogany Stool 20th century, the padded square top above an ormolu-mounted frieze, raised on shaped legs headed by ormolu winged eagle capitals and ending in paw feet. h. 18-1/2”, w. 19-1/2”, d. 19-1/2” Provenance: Private collection, Galveston, Texas. $700-$1,000 84 Large Paris Porcelain-Style Urn first quarter 20th century, French, in the Empire Revival taste, decorated with a transfer-printed neoclassical scene framed with gilt eagles on a green ground, set with swanform handles, over a sprig of flowers framed with a wreath, with a spurious crossed arrows mark. h. 18-1/4”, w. 9-1/2”, d. 9-1/2”

84

$600-$900 85 French Belle Epoque Gilt-Bronze Dressing Mirror ca. 1900, with a figure of Psyche with butterfly wings supporting a leaf-molded frame set with a circular mirror, with a molded bronze bezel, the circular platform base trimmed with engine turning, and sitting on a square platform. h. 19-1/4”, w. 8-1/2”, d. 4-1/4” $600-$900 85

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86 Pair of French Restauration Gilt-Bronze Figural Candlesticks second quarter 19th century, with figures of “Atlas” supporting the reeded candle cups, on leaf-molded vasiform standards, supported on molded paw feet. h. 9-3/4”, dia. 3-1/2” $700-$1,000 87 Empire-Style Mahogany Daybed 19th century, the headboard and footboard each paneled and with a rounded crest, fronted by a freestanding ormolu-mounted column, joined by shaped rails and raised on turret feet. h. 43”, inside w. 44”, l. 74”, outside w. 50”, l. 77”

86

$700-$1,000 88 Directoire Gilt-Bronze Figural Clock ca. 1800, depicting the myth of Alectryon, set with an enamel dial in an engine-turned bezel, the base set with bas-relief plaques depicting learned muses, set with a silk-string suspension movement. h. 13-1/2”, w. 10-3/4”, d. 4” $800-$1,200

88

87

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89 Empire-Style Mahogany and Marble-Top Commode late 19th century, the rectangular marble top above a conforming case fitted with a frieze drawer over three recessed long drawers, flanked to either side by an engaged columnar upright, raised on block legs to rounded feet, the whole richly ornamented with ormolu millwork and mounts. h. 23”, w. 44-1/2”, d. 35-1/2” $1,000-$1,500

89

90 Empire-Style Mahogany and Marble-Top Gueridon

90

late 19th century, the circular marble top above a conforming ormolu-mounted frieze joined by three columnar supports to a concave tripartite base centered by an ormolu urn. h. 27-1/2”, dia. 30-1/2” $1,000-$1,500

91 Pair of French Bronze and Marble Urns mid-20th century, of Louis XV inspiration, the inverted pear-form marble bodies set with anthemia- and leafmolded bronze necks and covers, set with cone-form knops, the handles wrapped with serpents, supported on leaf-molded bronze bases. h. 29”, w. 13”, d. 10-1/2” $800-$1,200

91

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93

92 Pair of French Bronze-Mounted Marble Garnitures ca. 1900, now mounted as lamps, the brazier-form garnitures supported on bronze monopodia and on mauve and black mottled bases. h. 19-1/4”, dia. 4-3/4” $700-$1,000 93 Pair of Dramatic French Bronze Sconces in the Neoclassical Taste third quarter 20th century, the scrolled candle arms with leaf and rocaille decoration, supporting reeded candle sockets set into acanthus-molded drip pans. h. 26-1/2”, w. 18”, d. 10-1/4”

94 Directoire-Style Silver Leaf Bench each end of chair-back form with a fluted and roundelmounted top rail over an anthemion-form splat, raised on flared legs. h. 30-3/4”, w. 49-1/2”, d. 13-1/4” Provenance: Chrestia Staub Pierce, New Orleans, Louisiana; Private collection, New Orleans, Louisiana. $300-$500

$600-$900

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92

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95 Large Vienna-Style Porcelain Potpourri Urn 20th century, decorated with a rendition of “Putti Carrying a Garland of Fruit in a Landscape”, after Peter Paul Rubens (Dutch, 1577-1640), set with gilt rope-twist handles and an associated pierced cover, unmarked. h. 25-3/4”, w. 10-1/4”, d. 9” $800-$1,200 96 Pair of French Belle Epoque Gilt-Bronze, Crystal and Onyx Vases ca. 1900, each with a gilt-bronze putto supporting a flower-engraved crystal trumpet vase, and mounted on a turned and tapered onyx base. h. 17-3/4”, w. 5-1/4”, d. 4” $500-$800 97 Napoleon III Mahogany and Ormolu-Mounted Vitrine

95

third quarter 19th century, the top with a three-quarter pierced brass gallery above a pair of glazed doors with bronze corner rosettes, raised on turned legs. h. 58-1/2”, w. 38”, d. 14-1/2” $800-$1,200

96

97

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98 French Carved Walnut Pier Mirror in the Louis XVI Style second quarter 20th century, the arched crest carved with cherubs and pierced wreaths of roses trimmed with bowknots, the frame edged with flowerheads, the lower sides with scrollwork, set with a beveled mirror plate. h. 82-1/2”, w. 41”

99 French Bronze Haut-Relief Plaque of Dancing Putti 19th century, the three cavorting figures with ribbons and various musical instruments, now on a black metal display stand. plaque 13” x 14-5/8”, overall 14-1/2” x 14-7/8” $600-$900 100 After Emile Louis Picault (French, 1833-1915)

$600-$900

“Virtutes Civicae, Ense et Labore” patinated bronze 20th century, cast signature along back edge of selfbase, titled along front. h. 22”, w. 8”, d. 6” $700-$1,000

99

98

100

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101

101 Napoleon III Mahogany Gentleman’s Wardrobe ca. 1900, of breakfront form, the ormolu-mounted cornice above two central paneled doors opening to a mirrored interior, further opening to a hanging space, flanked to either side by a single door, each inset with a paned and glazed panel with ormolu mullions, the whole raised on fluted and acanthine-modeled giltwood feet, the back branded “Ve Jose Ribas, MueblesDecoracion, Barcelona”. h. 79”, w. 90”, d. 24-3/4” $500-$800 102 French Fin-de-Siecle Gilt-Bronze and Marble Urn fourth quarter 19th century, the gilt-bronze urn mounted with Bacchanalian horned satyr’s heads, raised on hoof feet and fitted with a cover of acanthine design, the cove-molded white marble base decorated with beaded trim and a pierced bronze mount. h. 15”, w. 6-3/4”, d. 6” $600-$900

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103 104

103 Pair of Louis XVI-Style White-Painted Fauteuils 20th century, each having a padded back with a carved cartouche above a crest rail, and raised on turned and carved trumpet-form legs. h. 42”, w. 25”, d. 25” Provenance: The Collection of Adam Lippes. $500-$800 105

104 French Art Deco Bronze Chandelier second quarter 20th century, with three outside arms, and a reeded standard wound with molded flower supports, the circular prism ring molded with baskets of flowers, framed with swagging and set with arched arms mounted with floriform frosted shades, hung with long teardrop-form prisms, the inner ring set with an additional floriform shade, electrified. h. 39”, dia. 20” $800-$1,200

105 Labeled Brass-Inlaid Inkstand ca. 1837, labeled by artisan Lucy Leuchars, London, the inkstand inlaid with brass scrollwork on an ebonized ground, and mounted with a brass carrying handle flanked by ink pot compartments, the center stamp box labeled on the bottom. h. 6”, w. 12-1/2”, d. 10-1/2” $300-$500 Leuchars worked from 1829-1837, her final year being Queen Victoria’s first year on the throne. The label on the bottom advertises her wares and is marked “To Her Majesty and the Royal Family”.

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106 Two Silver Picture Frames the first hallmarked London, 1896-1897, by William Comyns & Sons, sterling silver gilt, the openwork frame embossed with rococo scroll decoration with birds and masques and cresting cartouche, 15” x 9-3/4”; the second unmarked, first quarter 20th century, Central or South American, embossed in the Spanish Colonial taste with roses and nalca on a matte ground, 14-3/4” x 11-1/4”; both glazed and with easel backs.

107

Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $500-$800 107 Carved and Painted Mirror in the Moroccan Taste 20th century, with a molded surround framing carved scrollwork and leaf design, the mirror plate with a beaded liner. h. 48-1/2”, w. 60-1/2” $500-$800 108 Provincial Louis-Philippe Fruitwood Center Table mid-19th century, the square top raised above a plain frieze on turned bulbous legs with ebonized accents and ending in ball feet. h. 27”, w. 35-1/2”, d. 34” $500-$800

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108

109

110 Four-Piece Collection of French Atelier Bernard Aptware Pottery 109 French Stained Pine and Faux Bamboo Bedstead

20th century, the 18th-century-style pottery decorated with blue marbleizing, signed “Bernard Atelier Apt” on the bottom, the collection comprised of a covered milk jug and sugar basin, each with grapevine knop, h. 8-1/4” to 8-1/2”, dia. 4-1/4” to 5”, a square dish, w. 9”, d. 9”, and an octagonal dish, dia. 9-1/2”.

late 19th century, the paneled headboard, footboard and rails trimmed in faux bamboo turnings, the posts with turned finials. h. 47”, inside w. 52”, l. 72”, outside w. 56”, l. 76” $600-$900

Provenance: Collection of Ruth and Michael Burke, Covington, Louisiana. $500-$800

110

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111

111 Claude Mantier (French, 20th Century) “Bridge Over a City Canal”

112

oil on canvas signed lower left.

Framed.

19-3/4” x 27-3/4”, framed 29” x 36-1/4” $400-$700 112 Germain Jacob (French, 20th Century) “Eglise Saint-Severin, Rive Gauche, Paris”, 1923 oil on canvas signed and dated lower right, stamped “Salon 1924” and titled en verso.

Framed.

36-1/2” x 21-1/2”, framed 41” x 26” $400-$700 113 Max Le Verrier (French, 1891-1973) “Clarte”, ca. 1930 patinated metal gracefully arched figure holding aloft a quartz orb, cast signature along edge of self-base, on a stepped marble plinth. h. 13-1/4”, w. 7-3/4” $600-$900

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113

116 114

115 117

114 John William Mogan (American, 20th Century) “Street Scene with Bridge and French Flags” oil on canvas signed lower left.

Framed.

20” x 24”, framed 28-1/2” x 32-1/4” $500-$800 115 Circle of Jean-Charles Cazin (French, 1841-1901) “A Sylvan Path in Provence” oil on board unsigned, reverse with “Figures Galantes” sketch.

Giltwood frame.

9” x 13”, framed 12” x 16-1/2”

116 American School (20th Century) “Moored Sailboat” oil on canvas signed lower right “A. Rogers”.

Framed.

12” x 16”, framed 17-1/4” x 21-1/4” $300-$500 117 Salvador Caballero (Spanish, 1943-2006) “Remanso”, 2006 oil on canvas signed lower left and titled en verso.

Framed.

20” x 24”, framed 24-3/4” x 28-3/4” Provenance: Galerie Rouge, New Orleans, Louisiana, 2007.

Provenance: Sold in these rooms, December 5, 2008, lot 385.

$300-$500

$500-$800

Accompanied by a Certificate of Authenticity issued by Galerie Rouge.

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118 Contemporary Gilt-Metal Wall Mirror having a scalloped frame and fitted with metal hangers to mount horizontally or vertically. h. 39”, w. 24” $150-$300 119 Mid-Century Modern Polished Steel and Brass Circular Gueridon in the manner of Maison Jansen, having a pierced brass gallery with an inset black glass top, supported by three curved steel legs joined by a circular brass ring. h. 23”, dia. 23-1/2”

119

$700-$1,000 120 Suite of Four Hollywood Regency Gold-Leafed Steel Chairs 118

20th century, with tubular steel frames, each having an arched back with a central oval latticework panel and a round cushion seat covered in faux leopard velvet fabric. h. 44”, w. 17”, d. 17” $400-$700

120

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121

121 Interesting Hollywood Regency-Style “Round-About” Ottoman with a carved giltwood base, the upper cushion upholstered in fabric with interlocking woven circles. h. 19”, dia. 42”

122

123 French Art Deco-Style Rosewood and Faux Rosewood Credenza

$300-$500 122 Minton Art Deco Pottery Jardiniere and Stand

ca. 1940, in the manner of Jacques Adnet, the conforming shaped top over a central bank of five drawers fitted with scrolled brass handles and flanked by slightly curved doors to each side, retaining its original key. h. 36”, w. 68”, d. 17”

ca. 1926, English, with gilt decoration, set with pierced handles and raised gilt-outlined shamrocks, the planter with a gilt “M” date letter on the bottom. h. 42”, dia. 15-1/4” Provenance: The Collection of Adam Lippes.

$700-$1,000

Literature: Mitchell Owens, “In the Heights”, Architectural Digest, July/August 2019, illustrated p. 103. $500-$800

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125

124 Large Lalique Molded and Frosted Crystal Charger fourth quarter 20th century, French, decorated with molded Bacchantes against a ground of molded grapes, the back marked “Lalique, France”. dia. 15-3/4”

126 Modern Upholstered and Lucite Bench

$600-$900

the ovoid upholstered cushion supported by tapering acrylic legs. h. 20”, w. 47-1/2”, d. 21-1/2”

125 Ramon Parmenter (American, b. 1954)

$500-$800

“Elation”, 2000 patinated and cold-painted bronze cast signature, dated, numbered “6/94”, and copyrightmarked along back. h. 13-1/4”, w. 16”, d. 6” $800-$1,200

126

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127

127 William Sylvester Carter (American, 1909-1996)

128 Suite of Six Fruitwood Armchairs of Directoire inspiration, each with a padded square back within a molded frame, joined by downswept arms to the padded seat, raised on reeded tapering circular legs. h. 35”

“The Family”, 1956 oil on canvas board signed and dated lower right.

Framed.

20” x 24”, framed 21” x 25-1/4”

$500-$800

$1,000-$1,500

128

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129

129 Pair of Giltwood Mirrors of Neoclassical Inspiration second quarter 20th century, the rectangular surrounds set with bold and pierced bowknot-form crests. h. 33-1/4”, w. 23” $800-$1,200

130 Set of Three Mid-Century French Bronze and GlassTop Nesting Tables in the manner of Maison Jansen, each of rectangular form and graduated, having inset plate glass tops and fluted square legs. largest h. 18”, w. 24”, d. 14” $700-$1,000

130

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131

131 Robert Kipness (American, b. 1931) “Untitled” three hand-colored lithographs each pencil-signed and numbered lower margin: “59/75”, “37/110” and “66/100”.

Matted, glazed and framed alike. sight 20-1/2” x 14-1/2”, framed 29” x 23” $800-$1,200 132 Paul Allen Reed (American, 1919-2015) “Mr. and Mrs. Ounce” etching with aquatint pencil-signed lower right, titled lower left.

Matted, glazed and framed. sight 12-1/2” x 7-1/2”, framed 19-1/2” x 14”

133

Provenance: Estate of Carol A. Straus, Houston, Texas. $150-$300 133 Maria Potocka (Polish, 20th Century) “Untitled”, 1962 mixed media on paper verso with “Saidenberg Gallery, New York, NY” label.

Matted, glazed and framed. sight 7-3/4” x 7”, framed 14” x 13-1/2” Provenance: Saidenberg Gallery, Inc., New York, New York, 1964; Estate of Carol A. Straus, Houston, Texas.

Exhibited: Collection of Mr. and Mrs. Robert Straus, University Art Museum, UT, Austin, July 9-Sept. 11, 1966 $200-$400

132

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135

134 Stuart & Sons Art Nouveau Glass “Cairngorm” Bowl

136 Pair of Gilt-Bronze Mirrors in the Mediterranean Style

ca. 1906, Stourbridge, England, the green transparent bowl with ruby “peacock eye trailing”, the pontil engraved with a spurious “Galle/repose” mark. h. 3-1/2”, dia. 10”

20th century, the upper tablets of baroque inspiration. h. 56-1/4”, w. 29-3/4” $600-$900

Provenance: Estate of Carol A. Straus, Houston, Texas. $150-$300

135 Unusual Regency-Style Ebonized and Faux Decoupage Lacquered Coffee Table the circular top on a turned pedestal, raised on splayed feet ending in brass-capped casters. h. 19”, dia. 47-1/2” $400-$700

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136

137 Pair of Gilt-Bronze Mirrors in the Mediterranean Style 20th century, the upper tablets of baroque inspiration. h. 56-1/4”, w. 29-3/4” $600-$900

137

138 Pair of Gilt-Bronze Mirrors in the Mediterranean Style 20th century, the upper tablets of baroque inspiration. h. 56-1/4”, w. 29-3/4” $600-$900

138

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139 Pair of Gilt-Metal and Giltwood Chandeliers the five-light chandeliers with wooden standards set with metal cattails and leaves, the scrolled branches set with wooden candle cups. h. 24”, dia. 33” $700-$1,000 140 Unique Suite of Four Gilt-Metal and Bronze-Mounted “Gaming” Chairs

139

early 20th century, in the neoclassical taste, having scrolled metal backs depicting diamonds, spades, hearts and clubs, each with different stylized cast bronze chess figure finials, grillwork seats and sabre legs. h. 38”, w. 16”, d. 21” $700-$1,000 141 American Contemporary Painted Terracotta and Glass Occasional Table modeled as a kneeling figure supporting a small circular glass top. h. 27”, dia. 25” Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $400-$700

141

140

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142 Neoclassical-Style Polychromed Tall Chest the case with five graduated drawers with painted arabesques and brass bail pulls, on tapering reeded legs. h. 54”, w. 34”, d. 19-1/2” $500-$800

142

143 Paul Lauritz (American/California, 1889-1975)

143

“A Song of Spring, California Eucalyptus”, 1924 serigraph signed lower left in print.

Glazed and framed. sight 13-5/8” x 16-5/8”, framed 23” x 26” $500-$800

144 Gardner Reed (American/Louisiana, 1906-1972) “Church Steeple Near Inlet and Bridge” oil on wood panel signed lower left.

Framed.

17” x 24”, framed 22-3/4” x 29-5/8” $500-$800 144

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145 Continental School (21st Century) “Contemplation” oil on canvas illegibly signed lower right.

Framed.

24” x 36”, framed 29” x 41” $300-$500

145

146 Thomas McKnight (American, b. 1941) “Untitled” and “St. Stephen’s Cathedral, Vienna” two etchings with aquatint each signed lower right, numbered lower left.

Both matted, glazed and framed alike. sight 9” x 10-1/2”, framed 19” x 20” $300-$500 146

147 Ariana Clarice Richards (American/California, b. 1979) “Marshlands Reflecting”, 2003 oil on linen signed lower right, titled, dated and further inscribed on stretcher.

Framed.

14” x 18”, framed 20-3/8” x 24-3/8” $600-$900

147

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148 Royal Copenhagen Porcelain Figure of a Crane ca. 1966, Danish, the figure depicted standing among pierced foliage, marked on the bottom. h. 10-3/4”, w. 3-1/2”, d. 4-1/2” Provenance: The Collection of Adam Lippes. $200-$400

148

149 Contemporary Carved and Polished Hardwood Root of a Swan ca. 1986, probably American, with a carved head and beak, set with glass eyes, signed on the base “G. Mille, Jan. (?) ‘86”. h. 18-1/2”, w. 27-1/2”, d. 13” $500-$800

149

150 Dahl Jensen Porcelain Figure Danish, 1874-1960, the kneeling figure wearing a feathered breech clout and holding a cockatoo, marked on the bottom. h. 9-3/4”, w. 6”, d. 5-3/4” Provenance: The Collection of Adam Lippes. $500-$800

150

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151 Swedish Ceramic “Indonesiska” Figure ca. 1940s-1960s, marked by Mari Simmulson (Swedish, 1911-2000), the figure depicting an Indonesian woman. h. 15”, w. 3-1/4”, d. 4-1/2” Provenance: The Collection of Adam Lippes. $500-$800 152 Group of Four Hand-Woven Baskets 20th century, natural materials such as fibers, vines, barks and threads, including examples by Michael Davis (American, b. 1952), Cliff Nishimura (American, 19512011) and Lillian Elliott (American, 1930-1994), signed at bottom, fourth of unknown origin. from h. 8-1/2”, dia. 15-1/4” and h. 20”, dia. 24” Provenance: Estate of Carol A. Straus, Houston, Texas.

151

$500-$800 153 Diane Burchard (American, b. 1936) “Freeing the Spirit” assemblage of handmade paper, dyed feathers, old trade beads and glass beads presented in a custom plexiglass display box from the “Fetish” series. h. 19-3/4”, w. 8”, d. 8” Provenance: Carr Gallery, Houston, Texas; Estate of Carol A. Straus, Houston, Texas. $400-$700

153

152

54

154 Aubrey Gardner (American, 1911-2004) “Broken Fence”, 1963 oil on wood panel signed and dated lower right, remnant of “Biloxi Art Gallery” label en verso.

Framed.

18” x 25”, framed 22” x 29” Provenance: Biloxi Art Gallery, Biloxi, Mississippi; Private collection. $800-$1,200

154

155 Lynne Stewart (American, Contemporary) “Flora Galleria”, 1997 quilted fabric signed, dated and titled at back.

Unframed.

23” x 20” Provenance: Estate of Carol A. Straus, Houston, Texas. $300-$500

156 Maru Design Rustic Stained Pine Work Table the thick framed top mounted to large square legs joined by “through mortised” stretchers at each end. h. 30”, w. 71”, d. 25” Provenance: Nate Berkus Interiors. $700-$1,000 155

156

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157

157 Lauren Barksdale Hill (American/Louisiana, Contemporary) “Untitled - Pears”, ca. 2005 oil on wood panel signed lower right.

Unframed.

36” x 80”

159 Robert Rector (Mississippi/Louisiana, b. 1946) “Untitled Abstraction” oil on canvas unsigned.

Unframed.

42” x 48”

$700-$1,000 158 American Arts and Crafts Quarter-Sawn Oak Round Table

$600-$900

early 20th century, attributed to L. & J.G. Stickley, model #537, with square legs and mortised through tenon cross stretchers secured with wood pegs. h. 29”, dia. 36” $500-$800

158 159

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160 Louise Guidry (American/Louisiana, b. 1930) “Layers of Time” acrylic on gallery-wrapped canvas signed lower right.

48” x 48” $800-$1,200 161 Louise Guidry (American/Louisiana, b. 1930) “Whispering Lake, Tibetan Folklore” oil on gallery-wrapped canvas signed lower right.

24” x 20” $800-$1,200 162 Louise Guidry (American/Louisiana, b. 1930) “West Nashville” acrylic on board signed lower right.

Unframed.

17” x 17”

160

$700-$1,000

162

161

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163 Budd Hopkins (American, 1931-2011) “Untitled - Abstract”, 1961 oil on canvas signed and dated lower right.

Framed.

13” x 16”, framed 19-1/2” x 23” $700-$1,000

163

164 Interesting Turned Oak Slatted Ship’s Side Table the rectangular slatted top mounted to a base with splayed legs and two lower slatted shelves, pegged construction, manufactured by Jasper Furniture, Michael S. Smith. h. 27”, w. 30”, d. 20” Provenance: Nate Berkus Interiors. $700-$1,000

164

165 Mireille Honein (Lebanese, Contemporary) “Untitled” patinated bronze cast signature along back, numbered “38/40” and with foundry mark along front, and inscribed “Edition Exclusive/Gilbert & Rosy/CHAGOUR” along side. h. 11-1/2”, w. 9”, d. 6-1/2” $700-$1,000

165

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166 Ernst Benkert (American, 1928-2010) “Tomb #3”, 1991 watercolor on rag paper inscribed in pencil lower right “W & N Charcoal Grey”, verso with artist name, title and date of work.

Unframed. sheet 29-3/4” x 22” Provenance: Estate of Carol A. Straus, Houston, Texas. $300-$500

166

167 Alabaster Table Lamp second quarter 20th century, probably Italian, the carved and pierced lamp mounted with a shade. h. 26-3/4”, dia. 16” Provenance: The Collection of Adam Lippes. $500-$800

167

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168 Large Polychromed Breakfront Bookcase contemporary, the upper section in two halves with adjustable open shelves, the base with four framed and paneled doors. h. 92”, w. 107”, d. 21” $800-$1,200

168

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169

169 After Ben Shahn (American/New York, 1898-1969) “Praise Ye the Lord”, 2001 lithograph printed by the Museum of Modern Art, New York.

Unframed.

8-3/4” x 21-3/4” Provenance: Estate of Carol A. Straus, Houston, Texas. $75-$125 170 Joe Guy (American, b. 1953) 170

“Location”, 1980 paper, graphite and acrylic h. 12”, open w. 24-1/4” Provenance: Robert Molina Gallery, Houston, Texas, 1981; Estate of Carol A. Straus, Houston, Texas. $100-$200 171 Stylish Faux Alligator-Veneered Writing Desk in the Art Moderne taste, the rectangular top trisected and above a frieze fitted with a single drawer, raised on square legs narrowing to splayed feet. h. 30-1/2”, w. 63”, d. 33-1/4” $600-$900

171

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172 Mid-Century Modern Steel, Brass and Glass-Top Gueridon of circular form with a plate glass top, the curved legs with brass ram’s heads and paw feet, joined by a circular ring. h. 24”, dia. 22” $700-$1,000 173 Gerald Gooch (American/California, b. 1933) “Bed Series”, 1969 four lithographs each pencil-signed and dated lower right and numbered “18/200”.

All glazed and framed alike. sheet 19” x 25”, framed 19-1/4” x 26-1/4” Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana.

172

$500-$800

173

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174 Chrome and Crystal “Ovali” Chandelier, Designed by Gaetano Sciolari (Italian, 1927-1944) ca. 1970s, in two tiers, with electric candles alternating with vertical glass rods and matte chrome ovals set with oval glass drops. h. 20”, dia. 20-1/2” $500-$800

174

175 Contemporary Chrome and Acrylic Chandelier the six-light chandelier mounted with a floriform shade. h. 33”, dia. 25-1/2” $100-$200

175

176 Interesting “White-Wash” Patinated Bronze “Rope & Tassel” Circular Occasional Table 20th century, in the form of knotted rope, the fret ending in a tassel, and with an inset plate glass top. h. 24”, dia. 24-1/2” $300-$500

176

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177 Pair of Contemporary Wrought Iron, Brass and Glass Etageres each with a brass finial supported by a wrought scrollwork pediment over five glazed shelves, on scroll feet. h. 76-3/4”, w. 48”, d. 24” $800-$1,200

177

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178 Wrought Iron and Marble-Top Console Table the serpentine variegated green marble top on a conforming base adorned with patinated foliate decor. h. 36”, w. 72”, d. 21” $600-$900

179 Contemporary Patinated Steel and Marble-Top Console Table

178

of demi-lune form and with an overhanging marble top, raised on shaped wrought iron legs ending in scrolled toes. h. 28”, w. 35-1/2”, d. 16” $300-$500

179

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180 Patinated Bronze and Glass Cocktail Table Attributed to Christopher Chodoff 1980s, in the manner of Diego Giacometti, the glass top inset and raised on chevre feet joined by an X-form stretcher with a center knot, incised in script “Chodoff” under one stretcher. h. 18”, w. 48”, d. 36” 180

Provenance: Private collection, Galveston, Texas. $1,200-$1,800

181 American School (Contemporary)

182 Continental Cased Glass Aesthetic Vase fourth quarter 19th century, decorated with raised silver gilt and gilt leaves and flowers, on a pigeon blood over white cased body, with a polished pontil base. h. 18”, dia. 6-1/2”

“Autumnal Woods” oil on canvas illegibly signed lower left.

Framed.

36” x 48”, framed 44” x 56”

Provenance: The Collection of Adam Lippes. $500-$800

$400-$700

182

181

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183

183 Dessin Fournir Camelback Sofa

184 Dessin Fournir Camelback Sofa

of traditional form, overstuffed and with reversible cushions, labeled “Dessin Fournir, Los Angeles” under the cushions. h. 38”, w. 89”, d. 42”

of traditional form, overstuffed and with reversible cushions, labeled “Dessin Fournir, Los Angeles” under the cushions. h. 38”, w. 89”, d. 42”

$500-$800

$500-$800

184

67

185

185 Yves Ganne (French, b. 1931) “Place Vendome”, “Place de Tertre, Montmartre”, “Place des Vosges”, “Pont-Neuf” and “Canal” collection of five color lithographs edition of 150, all pencil-signed and numbered lower margin.

All matted, glazed and framed alike. sight 19” x 26-1/2”, framed 35” x 27” $800-$1,200

186 Set of Twenty-Five Vietri “Oasi” Pottery Dinner Plates 20th century, Italian, decorated with trees against a coral border, each marked on the back. dia. 9-7/8” $400-$700

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186

187

187 T. H. Robsjohn-Gibbings Faux Bamboo Cocktail Table the ovoid oak top over a conforming frieze, raised on stained maple legs turned to simulate bamboo. h. 21-1/2”, w. 67”, d. 37” $800-$1,200

188 McGuire Red-Lacquered Asian Bamboo Taboret

188

20th century, of barrel form with a circular top and inset plate glass. h. 18”, dia. 16” Provenance: Nate Berkus Interiors. $400-$700

189 Mid-Century Audoux Minet Braided Rope and Oak Side Chair with a woven back and seat, on tapering square legs. h. 33”, w. 18”, d. 18” $400-$700

189

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190 Gasparucci Italo Bamboo and Faux Rattan Captain’s Chair with a curved faux rattan woven back, slip seat and slightly out-curved legs. h. 30”, w. 24”, d. 22” Provenance: Richard Brayton Interiors. $300-$500

191 Rene Genis (French, 1922-2004) “Bouquet et Melon”, “By the Shore”, “Sail Boats” three color lithographs edition of 120, all pencil-signed and numbered lower margins.

Together with Rene Carcan (Belgian, 1925-1993), “Integration”, color etching, pencil-signed and numbered “16/99” lower margin, verso with “Millioud Gallery, Houston, Texas” label.

All glazed and framed.

Rene Genis: sight 28” x 20”, framed 35-1/2” x 27”; Rene Carcan: sight 20” x 24”, framed 27-1/2” x 31”

190

$800-$1,200

192 Pair of Royal Copenhagen Porcelain Figures of Bears ca. 1923-1934, Danish, one standing and being attacked by a serpent and the other seated, each marked. h. 7-1/2” to 10-1/2”, w. 4-1/2”, d. 3-3/4” to 5” Provenance: The Collection of Adam Lippes. $400-$700 192

191

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193

193 Wesley Anderegg (American, b. 1958) “Vase”, 1994 ceramic signed and dated at bottom. h. 8-1/2”, dia. 6-1/2”

194

Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $300-$500 194 Michael Ledet (American/Louisiana, b. 1941) “Vase and Palm Trees”, 1985 oil on canvas signed and dated lower left.

Framed.

36” x 49-1/2”, framed 37” x 50-1/2” Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $500-$800 195 Louise Freshman Brown (American/Florida, Contemporary) “Matted Pitcher” collage on paper signed lower right.

Float-mounted, glazed and framed. sheet 31” x 22”, framed 34-1/2” x 26-1/2”

195

$400-$700

71

196 American School (20th Century) “After the Last Supper” oil on canvas unsigned, titled en verso.

Framed.

48” x 48”, framed 49-1/4” x 49-1/2” $500-$800 197 Allison Stewart (American/Louisiana, b. 1941) “Untitled” oil on paper signed lower right.

Glazed and framed.

15” x 15”, framed 20-1/4” x 20-1/4” Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $500-$800 198 Amy McKinnon (American/Louisiana, 20th/21st Century) “Culture” oil on canvas signed, titled and inscribed en verso.

Framed.

16” x 22”, framed 18-1/2” x 24”

196

Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $500-$800

198

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197

199

201

199 Harold Reddicliffe (American, b. 1947)

201 Natvar Prahladji Bhavsar (Indian/American, New York, b. 1934)

“Still Life of Striped Ties”, 1977

“Untitled”, 1970

oil on canvas signed and dated en verso.

Framed.

10” x 14”, framed 10-3/4” x 14-3/4”

color silkscreen penciled-signed, dated and numbered “31/50” lower margin.

Matted, glazed with plexiglass and framed. sight 27-1/2” x 25-1/4”, framed 32-3/8” x 34-1/2”

Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $500-$800

Provenance: The corporate collection of FreeportMcMoRan, New Orleans, Louisiana. $300-$500

200 Natvar Prahladji Bhavsar (Indian/American, New York, b. 1934) “Ri-Tya VI”, 1974 color silkscreen signed, titled, dated and numbered “30/34” lower margin, frame backing with “Joan E. Kaplan Fine Contemporary Art, New Yorkî label. sight 11-1/2” x 36-1/2”, framed 32-1/8” x 48-1/8” Provenance: Joan E. Kaplan Fine Contemporary Art, New York, New York; The corporate collection of FreeportMcMoRan, New Orleans, Louisiana. $300-$500 200

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202 William Tiemann (American/Texas, b. 1971) “Digital, Bilateral, Abstraction with Dissection Lines and Opacity Shifts”, 2003 digital print pencil-signed, titled, marked “AP” and dated along lower edge, exhibition label with title en verso.

Glazed and in a thin gallery frame.

41-3/4” x 29-7/8”, framed 48-1/2” x 36” $300-$500

203 Suite of Four Contemporary Tubular Brushed Metal and Etched Glass Barstool Chairs each with a thick plate glass seat and back panel with various deeply etched scenes, monogrammed and dated 2001 on the seats. h. 46-1/4” $1,000-$1,500

202

203

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204 Louise Freshman Brown (American/Florida, Contemporary) “Untitled” collage on linen signed lower right.

Unframed.

36” x 24” $500-$800

205 Contemporary Upholstered Low Day Bed the padded floating cushion and neck roll bolster covered in a blue coarse-woven fabric and raised on tapered maple block feet. h. 17”, w. 32”, l. 79” $400-$700

204

205

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206 Monumental Chinese Blue and White Porcelain and Brass Punch Pot 20th century, in the 18th-century style, the pot with a brass swing handle, brass trim on the edge of the cover and mouth of the spout, and character marks on the bottom, on a blue-painted wooden base. pot h. 23-1/2”, w. 21”, overall h. with stand 37” $200-$400

206

207 American School (20th Century) “Barn”, 2004 print in colors pencil-signed “William Steyr” and dated lower margin, numbered “17/25”.

Matted, glazed and framed. sight 15-3/4” x 23”, framed 24-1/2” x 32” Provenance: The Collection of Adam Lippes. $400-$700 207

208 T. H. Robsjohn-Gibbings Birch Side Table mid-20th century, with one shelf and raised on square legs. h. 28-1/4”, w. 18-1/4”, d. 18-1/4” Provenance: Estate of Carol A. Straus, Houston, Texas. $300-$500

208

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209

209 Oak Map/Print Chest with three long drawers over two short lockable drawers over a long shallow drawer, the upper sides paneled and the whole raised on block feet. h. 29-1/4”, w. 41”, d. 28” Provenance: Estate of Carolyn G. Fay, Houston, Texas.

Notes: Probably constructed at the Seabrook Shipyard, this piece was in the the Houston office of yachtsman Ernest Bel Fay. $500-$800

210 Jack Youngerman (American, 1926-2020) “Changes II”, 1970 silkscreen pencil-signed lower right, a “DuBose Gallery, Houston, Texas” label en verso.

Glazed and framed. sheet 43” x 32-1/2”, framed 45” x 34” Provenance: DuBose Gallery, Houston, Texas; Estate of Carol A. Straus, Houston, Texas. $250-$300

210

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211

211 Sheila Isham (American, b. 1927) “Floral, CXXVI” and “Floral, CXXXI” two silkscreens each pencil-signed, titled and notated with “editions of 95” lower margins, former inscribed “For Adam, with a bouquet of love” and initials.

Each matted, glazed and framed alike. sight 27” x 19-1/2”, framed 35” x 27” Provenance: The Collection of Adam Lippes. $500-$800

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212

212 Peter Dean (German/American, 1934-1993) “Studio Portrait with Shy Dragon and Tiger”, 1973 oil on masonite signed lower left, signed, titled, dated and inscribed en verso.

Framed.

14” x 9-1/2”, framed 20” x 15-1/4” Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $500-$800

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213 Fine Twelve-Piece Italian Renaissance-Inspired Walnut Dining Suite comprised of a banquet table, a marble-top server/ console, a marble-top cabinet, a cupboard/china cabinet, and eight dining chairs, all executed in walnut, mahogany, various burlwoods and figured veneers, and contrasting light and dark wood line stringing, with the stenciled label of the “American Art Furniture Co., NY”, each piece extensively carved, the table with draw ends opening to accommodate the pair of 20” outside skirted leaves, h. 30”, w. 41”, l. 78-1/2”, ext. l. 118-1/2”, the marble-top cabinet with a central bank of drawers flanked by frieze drawers, over doors opening to reveal a bank of linen drawers, h. 37-1/2”, w. 53”, d. 24”, the cupboard-on-stand with a pair of doors on a base with cabriole legs joined by a carved stretcher, h. 75-1/2”, w. 44-1/2”, d. 20-1/2”, the server/console with a marble top over a band of drawers with a pierced and carved apron, h. 38-3/4”, w. 86”, d.

23”, the two armchairs with carved crests, h. 46-1/2”, and the six side chairs with cabriole front legs and shaped stretchers, h. 39-1/2”.

Little has been written about the “American Art Furniture Company”, nor have their labeled pieces surfaced in the marketplace. The firm was apparently in business for a short duration in the early years of the 20th century. The present suite of furniture bears a resemblance in both style and scale to fine contemporaneous Italian dining suites being imported to the United States. The quality of woods, together with the admirable way the case pieces and tables have shown resistance to shrinkage, structural and finish issues testifies to the firm’s ability to equal the finest work of domestic competitors such as Berkey & Gay, The Royal Furniture Company, and the emerging Baker Furniture Company.

$2,000-$4,000

213 213

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213

213

213

81

214 Pair of Baroque-Style Oak Armchairs late 19th/early 20th century, each with an arched shell-carved crest over a foliate-, bellflower- and scroll-carved back with cane panels, the open arms on scroll supports, with caned seat and turned legs joined by serpentine stretchers. h. 51-1/4” $500-$800

214

215 Pair of Italian Silver Giltwood Sconces third quarter 20th century, the baluster-turned backplates carved with acanthus leaves. h. 14-1/4”, w. 13-1/4”, d. 8-3/4”

215

$300-$500

216 Continental Neo-Renaissance Painted and Parcel-Gilt Bench 19th century, the cushion retaining its antique leather, velvet and gimp covering, the apron with shell and scroll carving, on a trestle-form base with scroll legs joined by a scalloped stretcher. h. 19-1/2”, w. 31”, d. 18” $500-$800 216

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217

217 Italian Walnut Cabinet late 19th century, the long rectangular top with a molded edge, above a conforming case fitted with three drawers over three cabinet doors, raised on hairy paw feet, the whole elaborately carved in fruit, foliate and scrolling patterns. h. 45”, w. 98”, d. 25” $1,200-$1,800

218 Dutch School (18th Century) “Still Life of Flowers in an Urn” oil on canvas laid on board unsigned.

Framed.

48” x 42-1/2”, framed 52-1/2” x 46-1/2” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen. $1,000-$1,500 218

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220

219

219 Continental School (19th Century) “Still Life of Tulips and Chrysanthemums” oil on copper unsigned.

Framed.

13-3/4” x 12”, framed 19-1/2” x 18” $700-$1,000

220 Pair of Italian Giltwood and Metal Sconces composed of antique elements, the backplates carved with boughs of fruit and flowers, and set with scrolled metal candle arms with giltwood candle sockets and spherical ornaments. h. 19”, w. 17-1/2”, d. 13” $700-$1,000

221 Carved and Pierced Giltwood Mirror in the Baroque Taste fourth quarter 19th century, Italian or Spanish, the bold ogee-form surround carved with scrollwork, leaves and piercing, set with a beveled mirror plate. h. 53-1/2”, w. 42-1/2” $800-$1,200

221

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222 Continental Mahogany Fauteuil a la Reine early 20th century, the padded needlework back surmounted by a pierced scrolling foliate crest, joined by downswept acanthine-carved arms to the padded seat, raised on turned and block legs joined by a pierced scrolling foliate stretcher and ending in Flemish feet. h. 52-1/2” $700-$1,000 223 Flemish School (Mid-18th Century) “Fish Market” oil on linen unsigned.

Framed.

22-1/2” x 18-3/4”, framed 29” x 24-3/8” $500-$800 224 R. A. Hager (Dutch, 19th/20th Century) “Fishermen and Cattle Herd Resting Along the Road” oil on canvas signed lower left, a “John H. Surovek, Palm Beach, FL” gallery label on frame backing.

Framed.

30” x 25”, framed 37-1/2” x 32-1/2”

222

$500-$800

223 224

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225

225 Imre Gergely (Hungarian, 1868-1914)

226

“Market Scene” oil on canvas backed by wood panel signed lower right.

Framed.

23-1/2” x 31-1/2”, framed 29” x 37” $500-$800

226 Andries Scheerboom (Dutch, 1832-1880) “The Fisherman’s Alms” oil on canvas signed lower right.

Framed.

36” x 28”, framed 50” x 41” $1,000-$1,500

227 Molded Terracotta Figure of Two Children first quarter 20th century, modeled as a seated young girl holding a flower with a boy standing beside her, an unidentified stamped mark with the initials “MES”. h. 40-1/2”, w. 14-1/4”, d. 18” $400-$700

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227

228 Italian Polychromed SerpentineForm Credenza the top with a molded overhanging edge, the front fitted with two conforming doors, raised on a molded base and supported by scrolled feet. h. 40”, w. 67”, d. 24” $1,000-$1,500

228

229 Spanish Carved Pine Clothes Press 18th century and later, comprised of antique elements, the front with a pair of heavily carved framed and paneled doors with pineapple motifs, opening to an interior retro-fitted with two banks of five drawers, the doors mounted with cotter pin hinges, raised on bun feet. h. 47-1/2”, w. 53-1/2”, d. 21-1/2” Provenance: Descended in the family of Garland Bonner Howard, Houston, Texas. $500-$800

229

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230

230 Iberian-Style Mahogany Refectory Table

231 Continental Carved Oak and Pine Storage Trunk

the fixed plank boards with scroll ends, over a carved apron, joined to robust turned legs with scroll brackets, the legs joined by stretchers centered by a floral rosettecarved center block. h. 31-1/2”, w. 47-1/4”, l. 119-1/2”

late 18th/early 19th century, the front and sides relief carved and the ends with ornate forged handles, the interior with a lidded till and elaborate iron hinges, the lot intact with a working key, raised on turned bun feet. h. 20-1/2”, w. 35-1/2”, d. 19”

$700-$1,000

$600-$900

231

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232 Continental Leather Three-Panel Screen second quarter 20th century, with arched crests and painted with a cottage and a bridge over a stream in a forest. h. 70-1/2”, w. 63” $600-$900

233 Spanish-Style Oak and Walnut Low Table 20th century, the narrow rectangular top above two paneled frieze drawers, raised on shaped end supports joined by an iron stretcher. h. 24”, w. 54-1/2”, d. 16” $700-$1,000

234 Manner of Palma Giovane (Italian/Venice, 1544-1628) “Resurrection of Christ” oil on canvas unsigned.

Framed.

15-1/2” x 18-1/2”, framed 22” x 25”

232

$1,000-$1,500

233

234

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235 Wooden Trumeau Mirror 20th century, with a framed upper tablet and side panels, retaining remnants of paint. h. 82-1/4”, w. 50” $600-$900

235

236 French Wooden Trumeau Mirror 20th century, with a framed upper tablet and side panels, retaining remnants of paint. h. 82-1/4”, w. 50” $600-$900

236

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237

237 Dutch Rococo-Style Painted Cabinet early 20th century, in two parts, the upper section with an arched and molded cornice over a central glass door with mullions, flanked by canted glazed panels, the conforming base with a pair of doors, each with arched and raised panels, flanked by like fixed panels. h. 78-1/2”, w. 57”, d. 14-1/2” $700-$1,000

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238 E. Battiglia (Italian/19th Century) “The Fruit Seller” carved marble incised signature along back edge. h. 29”, w. 12”, d. 8” Provenance: Private collection, Galveston, Texas. $600-$900 239 Italian Carved Alabaster Sculpture of a Maiden by a Gate ca. 1900. h. 31”, w. 15”, d. 9” Provenance: Private collection, Galveston, Texas. $700-$1,000 240 Italian Carved Alabaster Group of Frolicking Putti

238

20th century, in the manner of Guglielmo Pugi (Italian, 1850-1915). h. 14-1/2”, w. 9-1/2”, d. 7” $500-$800 241 Pair of Large Continental Painted Terracotta Brackets ca. 1900, decorated with pairs of winged angel heads supported on molded scrollwork and acanthus leaves, the top with ogee-molded edges, painted with gilt trim. h. 17-3/4”, w. 19”, d. 16” $600-$900 239

241

240

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242

242 Suite of Six Neoclassical-Style Polychromed Side Chairs 20th century, each with an oval back and a pierced vasiform splat, the padded seat raised on tapering square legs ending in spade feet. h. 37-1/2” $1,800-$2,500

243 Pair of Large Baroque-Style Carved, Painted and Pierced Appliques 20th century, with trailing flowers tied with bowknots supporting the shield-shaped backplates, carved with lion’s heads grasping laurel wreaths and framed with swags of leaves, set with a pair of leaf-carved candle arms terminating in pineapple-carved sockets. h. 48”, w. 11-1/2”, d. 7-1/4” $800-$1,200

243

93

244 Latin American Santos Figure of Salvator Mundi 18th century, set with glass eyes, and retaining remnants of the original painted surface, on a chamfered base. h. 19-1/2”, w. 7”, d. 7-1/4” $700-$1,000 245 Diminutive Continental Polychromed Storage Cabinet early 20th century, the top with a shaped three-quarter gallery above a pair of glazed doors, the cabinet sides with glazed window panes as well. h. 40”, w. 28”, d. 14” $400-$700

244

246 Continental Polychromed and Scenic-Decorated Cabinet 19th century, the molded overhanging cornice above a pair of framed and paneled doors, each with painted European landscape and seascape scenes, the interior fitted with shelves. h. 92”, w. 52”, d. 23” $700-$1,000

245

246

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248

247 249

247 Pair of Bronze-Trimmed Patinated Metal Torcheres first quarter 20th century, set with scalloped drip pans supported on metal leaves, the rope-twist standards with molded bronze trim and raised on scrolled tripod bases decorated with metal leaves. h. 67”, dia. 20” $800-$1,200 248 Pair of Continental Patinated Iron and Metal Andirons first quarter 20th century, in the Renaissance taste, with rope-twist standards ornamented with applied leaves, the spherical finials with mid-rib rope-twist decoration, on arched legs, the feet with articulated toes, set with cast iron billet bars. h. 29-1/2”, w. 16”, d. 22-1/2”

249 Iberian Mahogany and Fruitwood Center Table 19th century, the double-banded rectangular top with an intricately inlaid panel of scrolling foliate designs surrounding a panel of a stylized mythical beast, above a single frieze drawer, the drawer and sides with like-inlaid decoration, raised on turned beehive legs joined by an H-form barley-twist stretcher and ending in ball feet. h. 30-1/2”, w. 41-1/2”, d. 24” Provenance: Collection of Ruth and Michael Burke, Covington, Louisiana. $700-$1,000

$700-$1,000

95

250 Follower of Giacomo Francesco Cipper (called Il Todeschini) (Feldkirch 1667-1738 Milan) “Peasant Smoking a Pipe” oil on canvas unsigned, verso with a “Christie’s” inventory label.

Framed.

13” x 10”, framed 18” x 14-3/4” Provenance: Christie’s South Kensington, July 13, 2001, lot 227. $500-$800

250

251 German School (Second Quarter 19th Century) “In the Classical Garden” oil on paper laid on canvas signed “Neefe” lower right.

Framed.

18” x 22”, framed 25-1/2” x 31-1/2” Provenance: Private collection, Galveston, Texas. $600-$900

251

252 Josef Feid (Austrian, 1806-1870) ‘Winter Landscape” oil on canvas signed lower left, titled and inscribed with artist name en verso stretcher.

Framed.

9” x 12-3/4”, framed 18” x 21-1/2” Provenance: Private collection, Galveston, Texas. $700-$1,000

252

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254

253

253 Dutch Mahogany and Marquetry-Inlaid Vitrine on Chest late 19th century, the molded and domed cornice centered by a fleur-de-lis cartouche, above a single glazed door and glazed sides, the lower bombe case fitted with three graduated long drawers, raised on hairy hoof feet, the whole richly accented with foliate marquetry inlays. h. 79”, w. 41”, d. 20”

254 Italian Fruitwood Bombe Commode late 18th century, the stepped and shaped top above a bombe case fitted with two short drawers over two long drawers, each banded, raised on cabriole legs headed by foliate carving and ending in peg feet. h. 36”, w. 40”, d. 16-1/2” $600-$900

$500-$800

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255

255 Johann Nepomuk Ender (Austrian, 1793-1854) “Portrait of a Young Lady in a White Lace Gown”, 1854 graphite and watercolor on card stock signed and dated lower left.

Matted, glazed and framed. sight 8-1/4” x 6-1/2”, framed 13-1/2” x 11” $700-$1,000 256 Italian Marble Bust of a Lady Wearing a Hooded Cloak second half 19th century, the smiling figure possibly personifying winter, signed “Duccini” on the back and mounted on a cove-molded socle. h. 18”, w. 12-1/2”, d. 9”

256

257 Venetian Rococo-Style Polychromed Desk and Side Chair the desk with a serpentine top over a conforming case with a kneehole opening, and a center drawer flanked by a bank of three drawers, raised on cabriole legs, h.

30”, w. 43”, d. 29-1/2”, and the chair with a shaped back, needlework seat and cabriole legs joined by serpentine stretchers, h. 39-1/2”, both adorned with polychrome decoration depicting flowers, arabesques and genre scenes. $1,000-$1,500

$700-$1,000

257

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258

258 Pair of Two-Panel Fabric-Covered Wooden Screens ca. 1900, with Gothic arched crests on each panel, three of the upper panels painted with figures in 18th-century costume, one with religious figures, the lower panels decorated with pots of flowers in the Italian Renaissance style. h. 67”, w. 96” $1,000-$1,500 259 Pair of Della Robbia-Style Glazed Terracotta Candlesticks post-1914, Italian, made by Zaccagnini, modeled as youth in Renaissance dress, kneeling and holding twined candlesticks, each numbered, one marked “Italy”, the other “Made in Italy”. h. 12”, w. 4”, d. 9-1/2” $1,000-$1,500

259

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260

260 Custom Fruitwood Farmhouse Table the rectangular top raised on shaped end supports joined by a stretcher. h. 30”, w. 96”, d. 39-1/2” Provenance: From a Malibu, California interior designed

by Nate Berkus.

261

$700-$1,000

261 Cesare Auguste Detti (Italian, 1847-1914) “Travelers Resting” oil on board signed lower right.

Glazed and framed.

7-1/4” x 9”, framed 10” x 12” $300-$500

262 Continental School (20th Century) “Market Scene” and “Picnic” pair of watercolors on paper each signed “Lazetzky” lower right, each with a “Carel Gallery/Miami Beach, Fl.” stamp.

Attractively matted, glazed and framed. sight 9-1/4” x 13-3/4”, framed 17-1/2” x 22” $100-$200

100

262

263

263 Pair of Venetian Polychromed Armchairs early 20th century, the frames with an oval panel centered in the crest rail with a floral-painted reserve, with serpentine seat frames and raised on cabriole legs, floral decoration throughout. h. 38”, w. 26”, d. 20” $700-$1,000 264 Continental Polished Brass Torchere ca. 1900, the tapered standard resting on dolphin-form feet, with smaller dolphins supporting the hexagonal carriage-type lamp mounted on the top, set with a vented cap and a scalloped “roof”, electrified. h. 77-1/2”, dia. 15-1/2” $700-$1,000 265 Pair of Italian Giltwood Figures of Putti ca. 1900, poised contrapposto, the draped figures raised on cove-molded bases. h. 15”, w. 6”, d. 6” $800-$1,200

265

264

101

266

266 Large Capodimonte-Style Porcelain Cachepot

267

ca. 1901-1920, German, with polychrome decoration of bas-relief putti dancing with garlands of flowers, the upper portion with molded ram’s heads and putti grasping urns, with a blue crowned “N”, for Ernst Bohne Sons, Rudolstadt, Germany. h. 19”, dia. 22” Provenance: Villa Melrose Antiques, Los Angeles, California. $800-$1,200

267 Pair of Italian Giltwood and Faux Marbre Consoles mid-20th century, supported by giltwood putti, the serpentine wall-mounted consoles set with drawers in the skirt, the faux Siena marble tops with molded edges. h. 21-1/2”, w. 19”, d. 11-3/4” $600-$900

268 Continental Gilt-Metal Eight-Light Chandelier mid-20th century, with a reeded lower portion and a vasiform frame, decorated with applied leaves, lilies and roses. h. 27”, dia. 22-1/2” $500-$800 268

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269

269 Monumental Italian Neoclassical Inlaid Olivewood Breakfront early 20th century, the center section with an arched and molded cornice above an inlaid door depicting the allegory of Blind Justice, with small drawers below and a slant-lid writing deck, the side cabinets with allegorical depictions of Strength (in the guise of Hercules) and Wisdom (in the guise of a philosopher), with deep banks of drawers below, each side section with a secret springloaded drawer concealed at each end, raised on turned bun feet. h. 111-1/2”, w. 139-1/2”, d. 36-1/2” $2,000-$4,000 270 Italian Carved Wooden Pedestal first quarter 20th century, the pedestal with an upward-gazing blackamoor, with a turned dish top, the underside with a numbered metal plate. h. 22”, w. 10-1/2”, d. 9-3/4” Provenance: Estate of Carol A. Straus, Houston, Texas. $400-$700

270

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271 Pair of Italian Giltwood and Etched Glass Venetian Mirrors second quarter 20th century, the mirror plates decorated with images of Zeus framed with diapered panels and flowerheads, the molded frame decorated with pierced giltwood scrollwork and flowerheads, the lower edges with satyr masques. h. 33-3/4”, w. 18-1/4” $1,000-$1,500 272 Continental Terracotta Figural Group of Three Playful Putti ca. 1900, illegibly signed along back. h. 10”, w. 7”, d. 6” 271

$300-$500 273 Continental Circassian Walnut Fold-Over Games Table late 19th century, the shaped top opening to a tooled leather playing surface, on a conforming base raised on cabriole legs. h. 30-1/2”, w. 33-1/2”, d. 17-1/2” (closed) $600-$900 274 Italian Carved and Ebonized Blackamoor Stand late 19th century, the circular top with carved details and mounted to a crouching figure above a turned and molded circular base. h. 20”, top dia. 10-3/4”, base dia. 11-3/4” $500-$800 272

274

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273

275 Pair of Italian “Mane Lion” Pottery Lamps 20th century, one decorated with “Villa Sandi” and the other with “Villa Godi Malinverni”, marked “The Mane Lion” on the bottom. h. 27-1/4”, w. 17”, d. 13” $300-$500

276 Italian Venetian Glass Boudoir Mirror first quarter 20th century, the oval mirror decorated with a fan-form mauve crest and mauve flowers, on scrolled glass feet. h. 13”, w. 7-1/2”, d. 7-1/2”

275

$400-$700

277 Pair of Hand-Painted Porcelain Oval Dishes, Attributed to Derby third quarter 18th century, English, each example painted with exotic birds, the molded sides decorated with greenedged shells and stylized flowers, the bases marked “HH2” and “HH3” in underglaze black. h. 2-3/4”, w. 13”, d. 9-1/2” Provenance: Christie’s, New York, June 7, 2011, lot 530. $600-$900

276

277

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278 Italian Rococo-Style Olive Wood Desk the serpentine top over a conforming case of kneehole form, the center drawer flanked by banks of two shaped drawers, raised on cabriole legs. h. 31-1/2”, w. 53”, d. 27” $600-$900

279 Biedermeier Burl Maple Cheval Mirror

278

mid-19th century, the beveled rectangular plate within a shaped frame with inlaid string accents, supported by shaped uprights joined by a pierced stretcher and ending in runner feet to casters. h. 73”, w. 43” $500-$800

280 Pair of Italian Rococo-Style Mahogany Stools each with an oval seat cushion, reputedly upholstered in Versace neoclassical brocade, raised on cabriole legs with pad feet. h. 19-1/2”, w. 22”, d. 18” $600-$900

280

279

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281 Neoclassical-Style Carved Wooden Urn early 20th century, the sides carved with medallions framed with swags of bellflowers. h. 33”, dia. 12” Provenance: The Collection of Adam Lippes. $400-$700

282 After Giovanni Battista Piranesi (Italian, 1720-1778) “Vaso Antico di Marmo con suo Piedestallo” and “Al Nobile Uomo il Sig. Giambattista Collicola Motioni Foriere” two etchings Each matted, glazed and framed alike. sights 24” x 17-1/4” and 24” x 18-1/2”, framed 37-1/4” x 25-3/4”

281

$500-$800

282

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283 Pair of Reclaimed Painted Architectural Fluted Columns early 20th century, each with a removable Ionic capital on a slightly tapered post. capital 20” x 20”, post h. 109”, dia. 14” $500-$800

284 Pair of Painted Wooden Cornices first quarter 20th century, with molded ornament in the rococo taste, decorated with acanthus leaves and scrollwork, framed with upper and lower molding. h. 15”, w. 66”, d. 8” $500-$800

283

284

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285

285 Pair of Italian Baroque-Style Painted Pier Mirrors 20th century, the upper tablets with pierced frames with scrollwork and a gadrooned crest with carved drapery, the mirror plates framed with turned pilasters, on bracketed bases carved with flowers. h. 68”, w. 41-3/4” $800-$1,200 286 Two Pairs of Porcelain Armorial Lidded Jars 20th century, both pairs unmarked and bearing a gilt monogram “TM” on the central shield. larger pair h. 11”, dia. 6-1/4”; smaller pair h. 10-1/2”, dia.

4” Provenance: The Collection of Adam Lippes.

286

$300-$500

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287

287 Italian Polychromed and Faux Marbre Table

288 After Giovanni Battista Piranesi (Italian, 1720-1778)

early 20th century, the rectangular top with a faux marbre surface and a Greek-key-painted apron, mounted to a pair of trestle-form columnar-painted standards. h. 31”, w. 93”, d. 35”

“Various Views of Rome” suite of six etchings Each matted, glazed and framed alike. sight sizes from 16” x 21-1/2” to 17-1/2” x 27”, framed, each 28-1/2” x 39”

$800-$1,200

$1,000-$1,500

288

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290

289 Pair of Continental Patinated Bronze Bookends of Reclining Classical Figures first quarter 20th century, on black marble bases. h. 10-1/2”, w. 12”, d. 4-1/2” and h. 9”, w. 12”, d. 4-1/2”, respectively $800-$1,200

290 After Jean-Demosthene Dugourc (French, 1749-1825) “A Study of an Architectural Niche of Roman Gods and Goddesses” engraving gallery label en verso includes artist, titled and ex collection of “Bullinger”.

Matted, glazed and framed. sight 5-1/2” x 6-1/2”, framed 21” x 23” $400-$700

291 Classical-Style Villefranche-de-Conflent Marble Pedestal mid-20th century, in four parts, with a square platform top and base. h. 33”, w. 14”, d. 14” $500-$800 291

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292

292 Pair of Italian Polychromed Fauteuils early 20th century, each with an ovoid back centered by a pierced vasiform splat, joined to the padded seat by like arms, raised on fluted tapering square legs ending in peg feet. h. 37” $800-$1,200

293 Silver-Gilt Mirror of Louis XV Inspiration the pierced surround decorated with rocaille and scrollwork, the rectangular plate framed in raised silvergilt-mounted side segments. h. 34-1/4”, w. 17-1/2” $500-$800

293

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294 Victorian Old Sheffield Plate Tray second quarter 19th century, by James Dixon & Sons, Sheffield, of shaped oval form, the plateau flat-chased with a band of rocaille cartouches on a matte ground, with applied beaded rim and handles, the plateau engraved, on a rubbed-in plaque, “Barry”.

32-3/4” x 22-1/2” $300-$500 295 Victorian Silverplate Salver third quarter 19th century, by Smith, Sissons & Co. Sheffield, of circular form with “Chippendale” shaped border, with rococo-scroll rim, decorated with a band of flat-chased floral scrolls and raised on three acanthus scroll feet, engraved with an armorial. dia. 18-1/4”

294

Provenance: A River Oaks Estate, Houston, Texas. $200-$400 296 Two Cased Silverplate Seafood Sets early 20th century, including: a Harrison Brothers & Howson, Sheffield, fish serving set with bellflower decoration, l. 10” and 13”, case 14-1/2” x 5”, retailed by John G. Jacob, Liverpool; and twelve French horn-handled oyster forks, l. 6”, case 6-3/4” x 8”, retailed by Meyers of Maubeuge, Nord. $500-$800

295

296

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297

298 Twenty-Two Silver, Plate and Stainless Steel Serving Pieces

297 Nine Pieces of Silver Plate Hollowware 20th century, including: a compote with knopped standard and fruit and floral rococo decoration, h. 5”, dia. 8”; a Towle canted square footed dish with rococo decoration, w. 9”; a Fisher bonbon dish with floral decoration, dia. 6-1/4”; a Towle serpentine-lobed fruit bowl with rococo decoration, dia. 11”; a pair of unidentified Art Nouveau-style bottle coasters, h. 4”, dia. 5-1/2”; an unmarked oval platter with rococo rim, 14-1/2” x 11”; an unmarked rectangular tray with beaded rim, 22” x 13-1/4”; and an unmarked shaped rectangular tray with rococo rim, 28-1/4” x 18”. $300-$500

including: Sterling Silver pieces with stainless steel blades: a Gorham “Chantilly” cake server, l. 10-1/2”, and a Kirk-Stieff “Dancing Surf” fish slice, l. 11”; Silverplate pieces: two unmarked rococo-pattern finger sandwich tongs, l. 8-1/4”, plain unmarked scissor-action sandwich tongs, l. 10-1/4”, two unmarked floral-decorated scissor-action sandwich tongs, one rectangular, one triangular, l. 9”, a WMF “Vintage” punch ladle, l. 15-1/4”, a George Hawksley & Co. “Old English” soup ladle, l. 12”, various “King’s” pattern pieces including two rectangular servers, l.

11-1/2”, two triangular servers, l. 10-1/8”, a cake knife, l. 11-3/4”, a platter spoon, l. 12-3/4”, and a pasta server, l. 10-3/4”, and a Wallace Art Deco macaroni server, l. 10-1/2”; and Stainless Steel pieces: an Indian cut-glass-handled serving spoon, l. 11-3/4”, a Reed and Barton “Preston” cake knife, l. 11-1/4”, and server, l. 10”, and an unmarked key-handled salad serving set, l. 12-1/2”. $300-$500

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299

300 Three Silverplate Platters 20th century, including: one by Ellis-Barker with pierced rim and applied “vintage” edge, dia. 14-1/2”; another by Ellis Barker with three feet (one lacking) and rococo edge, dia. 18”; and an unmarked lobed example with three feet and gadrooned edge, dia. 19-3/4”.

299 Two Galleried Silverplate Trays one Gorham “Heritage”, oval, 24-1/2” x 16”; the other Potosi Silver Co., rectangular, 26-3/4” x 16”. $300-$500

$300-$500

300

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301

302 Seven Pieces of American and English Silverplate Tableware 301 Two Cased Sets of Mother-of-Pearl-Handled Spreaders mid-20th century, including: a set by Marhill Co., New York, with threaded and canted handles and engraved silverplate blades, l. 5-1/2”; and a set by E. C. Simmons, St. Louis, with spatulate handles and “Kleen Kut” steel blades, l. 5-1/2”. $300-$500

late 19th to late 20th century, including: a Pairpoint, New Bedford, Massachusetts, butter dish, with hanging lid and floral decoration, h. 9-3/4”, dia.

5-3/4”; a Walker & Hall, Sheffield, 1909 swing-handle cake basket, lobed rectangular form with ivy decoration and pierced band, h. 8-1/2” (w. handle), l. 11-1/4”; an Atkin Brothers, Sheffield, biscuit box on stand, oval with applied foliate gadroons and ringed lion’s masque handles, h. 6-1/4”, w. 9-1/2”; a Forbes Silver Co., Meriden, Connecticut, ice water pitcher with embossed banded rococo decoration (liner lacking), h. 10-3/4”, dia. 6”; a pair of unmarked three-light candelabra, lobed shelland-scroll decoration, h. 12”, w. 14”; and an unmarked contemporary claret jug with revivaliststyle silver collar and cut glass body, h. 11-1/2”, dia. 5-1/4”. $300-$500

302

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303 Six Sterling Silver Bread and Butter Plates mid-20th century, by Frank M. Whiting, North Attleboro, Massachusetts, retailed by Cowell & Hubbard, Cincinnati, Ohio, circular with neoclassical-style laurel swag rim. dia. 6”; 24.96 total t. oz. $600-$900

304 Twenty Pieces of American Sterling Silver Flatware including: twelve R&B “Les Cinq Fleurs”, butter knives, monogrammed “N”, l. 6”, 10.18 t. oz.; a Gorham “Chantilly” sauce ladle, l. 7”, 2.39 t. oz.; a Baker-Manchester sauce ladle, l. 7-3/8”, 1.33 t. oz.; a Towle “French Provincial” sauce ladle, l. 6-3/4”, 1.87 t. oz.; a Gorham “Melrose” tablespoon, l. 8-1/2”, 2.80 t. oz.; a Dominick & Haff “Cupid” tablespoon, monogrammed “JB”, l. 8-1/2”, 1.99 t. oz.; a Wallace “Grand Baroque” bonbon spoon, l.

5-3/8”, 0.95 t. oz.; a Durgin “Chrysanthemum” pickle serving knife, l. 7”, 1.53 t. oz.; and a Kirk “Repousse” master butter knife with stainless steel blade, l. 7”.

23.04 total t. oz. $600-$900

304

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305

305 Twelve Mexican Silverplate Service Plates second half 20th century, marked “I.M.P. S.A.”, each of circular form with applied colonial-style scrolling edge. dia. 11-3/4” $500-$800

306 Pair of Italian Sterling Silver Dishes third quarter 20th century, Milan, retailed by Parenti, Florence, each of oval form with single out-scrolled acanthus handle on one narrow end. h. 2”, l. 11”, w. 5-1/2”; 20.05 total t. oz.

306

$700-$1,000

307 Four Christofle “Rubans” Silverplate Service Plates contemporary, Paris. dia. 12” $400-$700

307

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308

309 Seven Pieces of Camusso “Astoria” Sterling Silver Tableware 308 Twenty Puiforcat “Monthelie” Silver Plate Dinner Knives contemporary, Paris, with stainless steel blades, presented in two original Puiforcat twill cutlery rolls. l. 9” $500-$800

contemporary, Lima, Peru, including: six service plates, dia. 12-1/4”; and a sauceboat-on-stand, h. 5-1/4”, l. 9-1/4”, w. 6”.

110.23 total t. oz.

Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $1,000-$1,500

309

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310 William IV Mahogany Server second quarter 19th century, fitted with two large galleried shelves, joined by uprights headed by scrolled capitals, joined by a turned stretcher and ending in turned feet. h. 37”, w. 36”, d. 24” $600-$900

310

311 William Lucas Lucas (British, 20th Century) “Bargold”, 1930 oil on canvas signed and dated lower left, titled lower right.

Framed.

17” x 21”, framed 20-1/4” x 24-1/4” $1,000-$1,500

311

A horse named “Bargold’ was listed at nine wins and zero losses in the 1939 hurdle races at the South Australian Jockey Club (SAJC) at Morphettville. He is likely the same “Bargold” listed as stable mate of the famous British racer and sire “Papyrus”.

312 William Lucas Lucas (British, 20th Century) “Hamilkar”, 1930 oil on canvas signed and dated lower right, titled lower left.

Framed.

17” x 21-1/2”, framed 20-1/4” x 24-1/4” $1,000-$1,500 A chestnut horse named “Hamilkar” was a successful German racer of British pedigree, sired by “Hannibal” through “Highland Queen” in 1899. He was undefeated for several years, most notably winning the Deutsches St. Leger in 1902.

312

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313 Queen Anne-Style Mahogany Tripod Table 19th century, the tilting circular dished top raised on a graduated standard to three splayed legs ending in pad feet. h. 30”, dia. 22-1/2” $500-$800

314 Queen Anne-Style Feathered Walnut Sideboard ca. 1900, the shaped top with a banded edge, over a conforming case fitted with a row of drawers above a centered bank of drawers and flanked by a cabinet to each side, raised on cabriole legs. h. 38”, w. 73”, d. 23” $400-$700

313

314

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315 James Peel (British, 1811-1906) “Borrowdale”, 1887 oil on canvas signed and dated lower right.

Framed.

18” x 30”, framed 22” x 34” $600-$900 316 George II Walnut-Veneered Tall Case Clock mid-18th century, the brass dial signed “George Lomax, London”, with spandrels decorated with dolphins and scrollwork, the flat-top hood mounted with columns, the case set with a door with an oxbow crest, the whole walnut-veneered and line-inlaid, featuring a time-andstrike movement with calendar dial. h. 61-3/4”, w. 19-3/4”, d. 10-1/2”

315

$800-$1,200 317 Pair of George II-Style Mahogany Wing Chairs in the Queen Anne taste, of traditional form with arched backs, closed arms extending to cylindrical supports, serpentine front seat rails and raised on cabriole legs in the front and rear, ending in trifid feet, retaining Hickory Chair labels. h. 49-1/2” $600-$900

317 316

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318 British School (19th Century) “Landscape with Village Road and Figures” oil on canvas signed “V. Dewar” lower right.

Unframed.

16” x 24-1/4” $200-$400

318

319 George III-Style Mahogany Kneehole Desk of double pedestal form, the top with tripartite inset tooled leather, over a central drawer flanked by banks of drawers, with the stenciled label “Ethan Allen”. h. 29-3/4”, w. 55-1/2”, d. 30” $300-$500

320 British School (18th Century) “Portrait of a Gentleman Set Within a Tondo” oil on canvas unsigned.

Framed.

15” x 12-1/2”, framed 20” x 17-1/4” $500-$800 320

319

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321 George III-Style Mahogany Partner’s Desk 20th century, the shaped rectangular top with an inset leather writing surface, above a conforming frieze fitted with three drawers to each side, raised on two pedestals, each fitted with a deep drawer to one side and a cupboard door to the other, on molded bracket feet, the whole with carved accents. h. 31”, w. 67”, d. 41-1/2” $700-$1,000 321

322 Three Victorian Tussie Mussies fourth quarter 19th century, including: a silver example of waisted conical form, with beaded rim and engraved and wrigglework floral panels, with integrated hinged and chained tripod stand, the feet joining to form the ball finial, l. 4-1/2”; a gilt metal example of waisted conical form, with embossed openwork cup, complete with bodice clip, l. 2-1/2”; and a gilt metal example with openwork cup embossed with rococo scrolls and demi-putti, with baluster handle, complete with chained pin and finger ring, l. 5-1/4”.

Provenance: Private collection, Houston, Texas. $300-$500

322

323 Three Victorian and Edwardian Tussie Mussies including two fourth quarter 19th century examples: a silver example with embossed “vintage” cup and turned orange banded agate handle, complete with chained pin and finger-ring, l. 5-5/8”; and a gilt metal example with paneled bowl, each peaked, pierced and engraved with openwork scrolls, one hinged and with locking octagonal band, with turned and acanthus-scroll carved nacre handle, complete with chained finger ring, l.

6-1/4”; and a sterling silver example, hallmarked Birmingham, 1912-1913,

by Adie & Lovekin, Ltd., of conical form with shaped scroll rim, l. 4-1/2”.

0.60 t. oz. (sterling example only) Provenance: Private collection, Houston, Texas. $300-$500

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324

324 George III-Style Mahogany Sofa 20th century, the padded camel back joined by padded outscrolled arms to the cushioned seat, raised on cabriole legs headed by acanthine carving and ending in foliatecarved feet. h. 27”, w. 84”, d. 34” Provenance: Private collection, Galveston, Texas. $700-$1,000 325 British School (Second/Third Quarter 19th Century) “Minna from Walter Scott’s Pirates and Another Maiden, Probably Her Sister Brenda” pair of oils on tin each unsigned and with a period label en verso inscribed in French; the first identifies Minna and the second describes a setting “le soir a la foret”.

Framed alike. each 16-5/8” x 13-1/2”, framed 23-1/2” x 20”

325

$500-$800 326 George III-Style Mahogany Bench/Stool in the Chippendale taste, the rectilinear cushion upholstered in a needlepoint cover with a velvet apron, raised on anthemionand bellflower-carved cabriole legs with balland-claw feet. h. 17-1/2”, w. 35”, d. 20-1/2” $600-$900

326

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327 George III-Style Upholstered Bench early 20th century, in the Chippendale taste, the needlepoint cushion with rounded ends and in-curved front, the foliate- and scroll-carved frieze joined to shaped legs. h. 18-1/2”, w. 55-3/4”, d. 20” Provenance: Villa Melrose Antiques, Los Angeles, California. $500-$800 328 George Melvin Rennie (British, 1802-1860)

328

“Firth of Lorn, Near Oban” oil on canvas signed lower right, titled on stretcher and on brass artist plaque.

Framed.

18” x 24”, framed 23-1/4” x 29-3/8” $500-$800 329 George III-Style Mahogany Bowfront Chest mid-20th century, with the Kaplan Furniture Company’s “Beacon Hill Collection” label, the case with a bank of four graduated drawers with cross-banded perimeters and brass bails, raised on bracket feet, and with a pullout work slide beneath the top. h. 35”, w. 38-1/4”, d. 21” Provenance: Estate of Carol A. Straus, Houston, Texas. $400-$700 329

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330 George III Mahogany Chest-on-Chest 18th century, the upper case with a molded cornice and two-over-three graduated drawers, above a lower case with three graduated drawers and bracket feet. h. 65-3/4”, w. 43-1/2”, d. 21-3/4” $1,000-$1,500

330

331 George III Mahogany Secretary late 18th century, the upper case with a dentillated pediment above a pair of raised panel blind doors, the slant lid opening to an elaborate fitted interior, and four graduated long drawers below. h. 84”, w. 39”, d. 23” $600-$900

331

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333

332 George III-Style Mahogany Armoire in the Hepplewhite Taste early 20th century, the molded bowfront cornice over a conforming case with a pair of banded doors, raised on flaring feet. h. 70-1/4”, w. 35-1/2”, d. 19-1/2” $300-$500

332

333 Henry John Boddington (British, 1811-1865) “Bridge on the Usk [Wales]” oil on linen signed lower left, frame backing with typewritten label.

Framed.

18-1/4” x 24-1/4”, framed 26-1/4” x 33” $600-$900

334 George III Mahogany Bedside Commode ca. 1800, the carved and pierced galleried top over a case fitted with a pair of oval string-inlaid doors, above a likeinlaid drawer, raised on tapering square legs ending in brass casters. h. 35-1/2”, w. 19”, d. 18” $200-$400 334

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335 George III-Style Mahogany Corner Cabinet 20th century, the molded and dentillated cornice canted and above a conforming case fitted with two bi-paneled doors, the lower section fitted with two paneled doors, raised on shaped bracket feet. h. 86-1/2”, w. 52-1/2”, d. 26-1/2” $150-$300

335

336 George III-Style Carved Mahogany Bench early 20th century, of double chair-back form with a central carved shell, and graceful shaped arms, the slip seat raised on cabriole legs ending in ball-and-claw feet. h. 42”, w. 49”, d. 21” $500-$800

336

129

337

337 George III-Style Mahogany Settee

338 Pair of George III-Style Mahogany Armchairs

in the Chippendale taste, the bench of triple-chairback form, each with a shaped leaf-carved top rail over a pierced splat with like carving, open arms, slip seat and cabriole legs. h. 39-3/4”, w. 70-1/4”, d. 19-3/4”

ca. 1900, each with an acanthine-carved crest over a pierced splat, joined to the padded seat by scrolling open arms, raised on square legs joined by an H-form stretcher. h. 36”, w. 24-1/2”, d. 20”

$400-$700

$300-$500

338

130

339 George III Oak Bird Cage Tilt-Top Tea Table 18th century, the circular top mounted to a tilt-and-turn “bird cage” apparatus, with a turned standard and three outstretched Queen Anne legs. h. 28”, dia. 30” $500-$800 340 Henri Winstanley (British, 19th/20th Century) “Autumn”, 1887 oil on canvas signed and dated lower left.

Framed.

20” x 30”, framed 32” x 43-1/2”

339

$200-$400 341 George IV Mahogany and Tropical Hardwood PylonForm Clock second quarter 19th century, in the Egyptian Revival taste, with gilt-bronze mounts depicting griffins, musical trophies, a sunburst and Pegasus, the strikeonly works mounted with an enamel dial in an engineturned bezel, the top with a bronze covered urn finial. h. 52-1/4”, w. 26”, d. 9-1/4” $1,000-$1,500

340

341

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342

342 Pair of English Rococo Revival Giltwood Mirrors mid-19th century, the pierced surrounds decorated with scrollwork, morning glories and grape leaves. h. 39-1/2”, w. 31” $1,200-$1,800

343 Regency Rosewood Games Table first quarter 19th century, the rectangular top hinged and opening to a baize-lined interior, above a shaped frieze fitted with a single drawer, raised on rounded side supports to a canted square standard to a concave base on turned bun feet. h. 33”, w. 20-1/4”, d. 16” Provenance: Villa Melrose Antiques, Los Angeles, California. $700-$1,000

343

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344 Pair of Regency-Style Cut and Engraved Crystal Urns fourth quarter 19th century, the upper portion engraved with grapes and grape leaves, the lower body with strawberry cutting and the base with star cutting. h. 9-1/4”, dia. 7-1/4” $700-$1,000

344

345 Two Large Glass Objects 19th/20th century, consisting of an English strawberry-cut compote with a fan-cut rim, h. 8”, dia.

12”, and a molded glass covered cake stand, h. 13”, dia.

12”. $400-$700 345

346 Assembled Pair of Charles X Cut Glass Sweetmeat Jars second quarter 19th century, of urn form, cut with diamond-point, strawberry and fan variations, the French covers with slight variations in lid cutting. h. 10”, dia. 4” $700-$1,000

346

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347

347 Set of St. Louis Cranberry-Overlay Cut Crystal mid-20th century, unsigned, the set including three decanters in the Regency taste with diamond-point and panel cutting, with cut mushroom-form stoppers, h. 11-1/4”, dia. 4-1/4”, and seven matching highball glasses, h. 4-1/2”, dia. 3”. $800-$1,200

348 Thirteen Pewter and Silver Decanter Labels late 20th century, including: Steiff, Baltimore, Maryland, pewter, two each “Brandy”, “Bourbon”, “Sherry” and one each “Gin”, “Vodka” and “Scotch”, 2-1/2” x 1-1/4”; Vagabond House, Sierra Madre, California, pewter, “Western” pattern, two “Vodka”, 2-1/2” x 1-3/4”; Francis Howard, Sheffield, silverplate, “Whiskey”, 3” x 1-7/8”; and A. Chick & Sons, London, 1971, sterling silver, “Port”, 2-3/8” x 1-1/2”. $300-$500

134

348

349 Regency Rosewood Games Table early 19th century, the rounded rectangular top with inlaid brass stringing, hinged and opening to a baizelined interior, above a conforming frieze, raised on a gilt acanthine-carved standard to a concave base on rounded feet, the whole with decorative brass inlays. h. 28”, w. 35”, d. 17-1/2” (closed) $1,000-$1,500

349

350 Pair of Stained Pine, Brass-Plated Metal and Marble Floor Lamps of Georgian inspiration, on balusterturned, brass-plated bases raised on cabriole legs, with mottled brown marble tops beneath the turned metal lamp standards, mounted with shades. h. 58”, dia. 20” $500-$800

350

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351

351 Regency Revival Gilt Composition Mirror first quarter 20th century, the oval mirror with a pierced surround decorated with molded leaves and set with an eagle in the crest, a pierced anthemion at the base, lined with ribbon-bound and molded reeding alternating with flowerheads. h. 53”, w. 32-1/2” $800-$1,200

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352

352 Pair of Italian Regency-Style Giltwood and Gilt-Metal Sconces third quarter 20th century, mounted with eagles on a quiver-form backplate, supported on bowknot crests, with fronds of wheat overhanging the eagle, set with rope-twist branches terminating in leaf-carved candle sockets and turned drip pans. h. 46-1/2”, w. 12”, d. 10-1/4” $700-$1,000

353

353 Pair of Regency-Style Parcel-Gilt Armchairs After Thomas Hope

354 Six Pairs of L’Objet Pagoda Salt and Pepper Shakers

each with pineapple finials on reeded stiles and arms, the arms terminating in carved dog’s heads, on reeded baluster-form supports with like front legs. With a brass label “Smith and Watson, New York” h. 42”

contemporary, New York, the spice jewels in the form of pagodas, gold plate with freshwater pearls and yellow and red Swarovski crystals. each h. 3-1/2”, w. 2-1/4”

Literature: The design illustrated in Hope’s 1807 Household Furniture and Interior Decoration, pl. XXII, nos. 5 and 6.

$300-$500

$600-$900

354

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355

356

355 Regency-Style Ebonized and Parcel-Gilt Window Seat 19th century, the cushioned and caned seat flanked to either side by in-scrolled arms joined by a turned foliate-carved stretcher, raised on sloping molded legs ending in scrolled toes and joined by stretchers. h. 23”, w. 34-1/2”, d. 16-1/2” $900-$1,200

356 Pair of Large Classical Revival Brass Andirons ca. 1900, English, with Corinthian-column standards set with reeded ball finials, decorated with mounts of rampant lions, on cabriole legs with paw feet and set with cast iron billet bars. h. 33”, w. 12”, d. 22-3/4” $700-$1,000

357 Early Victorian Mahogany Firescreen third quarter 19th century, the shield-form screen surmounted by a pierced acanthine crest, featuring a needle and beadwork scene of Hermes holding a caduceus, within a lattice pattern, raised on a turned and bulbous standard to three splayed legs ending in scrolled toes. h. 56” $300-$500

357

138

358 Victorian Mahogany Pedestal Desk mid-19th century, in the Georgian taste, the rectangular top with an inset leather writing surface, above three frieze drawers, raised on two pedestals, each fitted with three short drawers to one side and paneled on the other, on plinth bases. h. 30”, w. 46-1/2”, d. 22-1/2” Provenance: Henry Stern Antiques, New Orleans, Louisiana; Estates of Violeta Judell Van Ronzelen and Harold Benn Judell, New Orleans, Louisiana. $700-$1,000 358

359 British School (19th Century) “Landscape with Figures” oil on canvas signed illegibly and dated “1871” lower right.

Period giltwood frame.

5-1/2” x 8”, framed 9” x 12” $300-$500 360 Victorian Mahogany Server third quarter 19th century, the rectangular top with a paneled superstructure, above a portrait shieldcarved frieze, joined by large lion-form uprights to the plinth shelf base. h. 40”, w. 84”, d. 31”

359

$700-$1,000

360

139

361

361 Minton & Co. Partial Dinner Service

362 Royal Albert “Royalty” Pattern Partial Dinner Service

ca. 1841-1873, English, in the “Woodseat” pattern, marked on the back, the service including eighteen luncheon plates, dia. 9-1/4”, sixteen soup plates, dia. 9”, fifteen salad plates, dia. 5-1/2”, a chop plate, dia. 11-3/4”, an open handled bowl, h. 4”, dia. 11-1/4”, a covered vegetable dish, h. 6-1/4”, w. 12-1/4”, d. 8-3/4”, and two compotes, h. 2” to 4-1/2”, dia. 9-3/4”.

ca. 1950-1959, including thirteen dinner plates, dia.

10-1/4”, thirteen salad plates, dia. 8-1/4”, twelve breadand-butter plates, dia. 6-1/4”, thirteen cream soup bowls and stands, h. 3”, dia. 6-1/4”, thirteen footed cups, h. 3-1/2”, and thirteen saucers, dia. 5-1/2”, a pair of saltand-pepper shakers, h. 3-1/2”, and one dessert plate, dia.

7-1/4”, together with a Royal Albert “Derby” oval dish, l.

6”, d. 4-3/4”, and a Royal Albert “Bristol” chocolate cup, h.

2-3/4”, w. 4-1/2”, each piece marked, and one signed by the decorator.

Provenance: The Collection of Adam Lippes. $500-$800

$500-$800

362

140

364 363

363 English Silverplate and Crystal Banquet Lamp fourth quarter 19th century, the Corinthian column standard supporting a cut glass font and two electric sockets. h. 31”, dia. 5-3/4” $300-$500

365 Edwardian Polychromed Mahogany Cabinet early 20th century, the case with a pair of paneled drawers over paneled doors, the top decorated with an oval panel depicting a dancing maiden, the perimeter with a floral band, the drawers and door with floral painting, on a plinth base. h. 34”, w. 43-3/4”, d. 21-1/2” $800-$1,200

364 Pair of Victorian Silverplate Candlesticks/ Lamps 1884-1891, by Rupert Favell, Elliot & Co., Sheffield, each in the form of a Corinthian column, with square cavetto-domed base decorated with bellflower swags, now mounted and electrified as table lamps on painted metal plinths, with cream silk shades and pendeloque crystal finials. candlesticks h. 11-1/4”, w. 5”, overall h. (to finial) 22-3/4”, shade dia. 8-1/2” $300-$500

365

141

366

366 British School (Third Quarter 19th Century) “Charity Starts at Home” oil on canvas unsigned.

Framed.

25-1/2” x 29-1/4”, framed 29-1/2” x 34-1/2”

367

368 Edwardian Satinwood Tilt-Top Center Table ca. 1900, the rounded rectangular top with a polychrome garland band centering a medallion of classical figures within a floral garland, raised on a bulbous standard to four splayed legs ending in brass caps and casters. h. 29”, w. 36”, d. 32” $700-$1,000

$800-$1,200

367 William Edward Cooke (British, fl. 1872-1898) “Feeding Ducks and Poultry in Farmyard” oil on canvas signed and dated “1895” lower right.

Framed.

22” x 30”, framed 27-1/2” x 35-1/2” $500-$800

368

142

369 Regency-Style Stained Pine and Brass-Mounted Wine Rack 20th century, the top fitted with a brass spindle gallery and inset with a brass sheet metal work surface, the case designed to hold twelve bottles, raised on small turned bun feet. h. 21-1/2”, w. 20”, d. 12” $600-$900

370 Percy Hague Jowett, R.W.A. (British, 1882-1955) “Church and Tower in the Tuscan Countryside” 369

oil on canvas signed lower right, inscription en verso suggesting setting as Castello del Trebbio.

Framed.

12-1/4” x 10-1/2”, framed 18-1/2” x 16-3/4” $500-$800

371 Collection of Five Pieces of Leedsware Creamware first quarter 20th century, impressed “Leedsware Classical Creamware England”, the collection including a large reticulated covered bowl, h. 10”, dia. 8-1/2”, a pair of open baskets, h. 3-1/4”, w. 7-1/2”, d. 6”, and a pair of unmarked sweetmeat baskets, h. 2-1/4”, w. 3-1/4”, d. 2-3/4”.

Provenance: Private collection, Galveston, Texas. $500-$800 370

371

143

372

372 Five-Piece Collection of Porcelain late 19th/20th century, German, including a Meissen soup tureen with an underglazed blue crossed swords mark, h. 11”, w. 12-1/2”, d. 9-3/4”, a pair of Meissen pierced compotes, h. 9-3/4”, dia. 9”, and a Carl Teichert “blue onion” platter, marked “Meissen” in an oval, w. 17-1/2”, d.

12”, and a three-tier sweetmeats tazza with underglazed blue crossed swords, h. 15”, dia. 11”. $500-$800

373 English Scrubbed Pine Sideboard and Mirror 19th century, the mirror with a deeply carved and molded rectangular frame, h. 44-1/2”, w. 54”, the sideboard with a plank top over a row of three drawers and raised on turned legs, h. 30-1/2”, w.

60-1/2”, d. 21-1/2” $500-$800

373

144

374

374 Large Set of International Silver “Wedgwood” Sterling Silver Tableware the pattern designed in 1923 by Alfred Grover Kintz (1885-1963), Meriden, Connecticut, including: a teapot, h. 11”, l. 10-3/4”; dia. 5-1/2”; a coffeepot, h. 11-3/4”, l. 10-1/2”, dia. 5-1/2”; a covered sugar bowl, h. 8”, w. 6-3/4”, dia. 4-1/2”; a cream jug, h. 6”, l. 5-1/4”, dia. 3-1/2”; a waste bowl, h. 4-1/4”, dia. 4”; an oblong tray, 29” x 11-3/4”; a water pitcher, h. 10-1/2”, l. 9-3/4”, dia. 6-1/2”; a pair of candlesticks, 10”, dia. 4-3/8”; a sandwich plate, dia. 10”; and a pair of service plates, dia. 11-5/8”; variously monogrammed.

239.65 total t. oz. (excluding weighted candlesticks)

375

Provenance: Private collection, Houston, Texas.

376 Set of Eleven Wedgwood Bone China Luncheon Plates

$3,000-$5,000 375 Five Pieces of Wedgwood Jasperware mid-20th century, decorated with neoclassical sprigging, the collection comprised of two pedestal footed bowls, h. 5-1/4”, dia. 8-1/2”, a cigarette urn, h. 3-1/2”, dia. 3-1/2”, an ashtray, w. 4-1/4”, d. 4-1/4”, and a covered box, h. 2”, w. 3-3/4”, d. 3-3/4”, each piece marked “Wedgwood, Made in England”.

ca. 1900, decorated in the Kakiemon style with polychrome figures and black Greek wave pattern borders, each with Wedgwood’s bone china vase mark and “Wedgwood, England”, along with hand-painted pattern marks. dia. 8-3/4” Provenance: The Collection of Adam Lippes. $200-$400

$300-$500

376

145

377

377 Set of Eleven Wedgwood Chinoiserie Dinner Plates ca. 1900, decorated with various birds and flowers, marked “Wedgwood England”. dia. 10-1/4” Provenance: The Collection of Adam Lippes. $200-$400

378 English Mahogany Drop-Leaf Table 19th century, the rounded rectangular top with two ovoid drop leaves, raised on pierced end supports to runner feet on casters. h. 28”, w. 58”, d. 18”, extended l. 55”

378

$700-$1,000

379 Gerald Leslie Brockhurst (British/New Jersey, 1890-1978) “Almina”, 1924 “Malvina”, 1929 Henry Bell, Esq.”, 1930 three etchings each pencil-signed and titled lower margins, latter has inscriptions in lower margins.

Unframed. sheets: 11” x 8-1/2”, 13-1/8” x 9-1/4” and 13-1/2” x 10-1/2” Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $600-$900

146

379

380 Anglo-Indian Ebony and Mahogany Cabinet 19th century, the top edged with ebony cove molding, over a pair of paneled doors, to the base fitted with a pair of drawers, raised on turned legs. h. 38-1/2”, w. 30”, d. 16” Provenance: Collection of Ruth and Michael Burke, Covington, Louisiana. $500-$800

381 Four-Piece Cast Iron Garden Suite in the “Vintage” Pattern early 20th century, comprised of a settee, a pair of side chairs and a table, all modeled as grape leaves and vines, the settee and chairs with pierced, scroll seats and grape- and leaf-molded legs, the table with a circular top and tripodal base with cast griffins. settee h. 29”, w. 32”, d. 22”, side chair h. 27”, table h. 25-1/2”, dia. 21-1/2” 380

$700-$1,000

381

147

382 Pair of Rococo Revival Cast Iron Urns on Faux Terracotta Pedestals fourth quarter 19th century and later, the inverted pear-form urns with molded shells and scrollwork, the pierced handles decorated with rocaille and scrolls, now on 20th-century faux terracotta painted pedestals with ogee molding. h. 74”, w. 29”, d. 17” $700-$1,000 383 Cast Iron Urn in the Arts and Crafts Taste first quarter 20th century, the sides decorated with lion’s heads and panels of geometric roundels, raised on a pylon-form base. h. 30-1/2”, dia. 31-1/2” $600-$900 384 Pair of Cast Stone Coral- and Shell-Filled Footed Garden Urns late 19th century, the surfaces softly weathered, each with a rimmed edge, lobed body, ring-turned and molded foot, and presented on a plinth base, both now filled with an array of corals and shells. h. 16-1/2”, dia. 16-1/2” Provenance: Collection of Ruth and Michael Burke, Covington, Louisiana. $600-$900

382

383

148

384

385

385 Two Similar Wall-Mounted Marble Holy Water Fonts

386 Pair of Salterini “Della Robbia” Pattern Lounge Chairs

late 19th century, including an oval example and an octagonal example, both with turreted corners. h. 7-1/4”, w. 16” to 19-1/2”, d. 15” to 16-3/4”

third quarter 19th century, each bronze-finished wrought iron chair with a leaf-and-vine crest, over a canted back joined to exaggerated shaped arms in like decor, raised on large wheels on one end and flare legs on the other, the back adjustable. h. 40”, w. 33-3/4”, d. 64-1/2” to 88”

$500-$800

$700-$1,000

386

149

387

387 Pair of Molded Terracotta Planters in the Neoclassical Taste second quarter 20th century, American or English, with egg-and-dart-molded rims, the bolection-form sides molded with reeding, the corners with molded acanthus leaves set with metal liners. h. 13”, w. 24-3/4”, d. 15-3/4” $700-$1,000

388 American Classical Parcel-Gilt Mahogany Game Table

388

ca. 1820, the figured and cross-banded fold-over top over a frieze with paired brass line stringing on its lower molding, raised on rosewood columns with foliate-carved capitals, on a concave base raised on leaf-carved paw feet. h. 29-1/2”, w. 36”, d. 18” (closed) Provenance: Formerly from the McGehee collection, Dr. Dubs House, Natchez, Mississippi; to the current owner. $500-$800

389 American Late Classical Mahogany Breakfast Table second quarter 19th century, the top flanked by a pair of single-board drop leaves, over a cyma-molded apron, one end fitted with a drawer, raised on a vasiform and ring-turned pedestal on reeded saber legs with carved paw feet. h. 28-3/4”, w. 43-1/4”, l. 22-1/2”, ext. l. 56-3/4” $400-$700

150

389

390 Shipley (American, 20th Century) “Horse in the Pasture” oil on wood panel signed lower right.

Framed.

8” x 10”, framed 16” x 18” $500-$800

390

391 American Late Classical Mahogany Armoire mid-19th century, the cyma-molded cornice over a pair of paneled doors, raised on bracket feet. h. 89-1/2”, w. 59”, d. 21-1/2” $300-$500

391

151

392 American Late Classical Mahogany Game Table second quarter 19th century, the highly figured serpentine fold-over top with club-form front corners, raised on scroll supports joined to a serpentine base with ribbon molding and shaped legs ending in club form. h. 29”, w. 36”, d. 18-3/4”, ext. l. 37-1/2” $600-$900

392

393

393 Four Pieces of American Aesthetic Lighting fourth quarter 19th century, mounted with French Longwy pottery and brass, including a pair of sconces, h.

11-3/4”, w. 4-1/4”, d. 5-3/4”, a gas table lamp, h. 18-1/2”, dia.

5-1/2”, and a banquet lamp, h. 20-1/2”, electrified. $800-$1,200

394 American Late Classical Giltwood Mirror second quarter 19th century, in two parts, with a broad flat surround and a triangular molded edge. h. 61”, w. 31” $500-$800

394

152

396 American Rococo Revival Rosewood and Marble-Top Center Table 395 American Late Classical Giltwood Mirror second quarter 19th century, in two parts, with corner blocks and carved rosettes. h. 66-1/2”, w. 34” $500-$800

third quarter 19th century, attributed to John Henry Belter, New York, the oval marble top with a molded edge, over a conforming apron with a cabochoncentered cartouche and leaf and floral carving on each side, raised on cabriole legs joined by stretchers with a ribbed finial. h. 29-1/2”, w. 38”, d. 29-1/4” $800-$1,200 397 Pair of Rococo Revival Porcelain Bottle Vases mid-19th century, now mounted as lamps, with panels of dancers in 18th-century costume on the obverse and musical trophies on the reverse, framed with Jacob Petit-style encrusted flowers, the necks with gilt scrollwork, mounted on hardwood stands and fitted with shades. overall h. 32-1/2”, shade dia. 18” $500-$800

397

395

396

153

398

398 J. H. Belter Laminated Rosewood Armchair and Side Chair third quarter 19th century, American, each in the “Rosalie” pattern, each with a fruit- and floralcarved crest flanked by a cluster of grapes, with serpentine seat and cabriole legs. armchair h. 36”, side chair h. 35-3/4” $800-$1,200

399 George W. King (American, 1836-1930) “Tete a Tete” oil on canvas signed lower left.

Framed.

18” x 22”, framed 30-1/2” x 34” $800-$1,200 399

154

400 Lillian Thomas Schmidt (American, 1875-1955) “In the Farmyard” oil on canvas signed and further inscribed mid-right “D’ Apres Troyon” Framed.

16” x 13”, framed 20-3/4” x 16-1/4” $300-$500

401 Leonard Woodruff (American, 1880-1970) “Masterpieces of Pears” oil on canvas signed lower left, signed and titled en verso canvas.

Framed.

24” x 30”, framed 30” x 35-1/4”

400

$1,000-$1,500

401

155

402 American Chippendale Mahogany DropLeaf Table 18th century, Boston, the single-board top flanked by like drop leaves with a scalloped corner, the leaves supported by a fly leg, the legs of cabriole form with carved ball-andclaw feet. h. 28-1/4”, w. 47-1/4”, d. 18-1/4”, ext. l. 47-3/4” $700-$1,000

403 American Late Classical Revival Mahogany Settee

402

late 19th/early 20th century, the tall serpentine back joined to scroll arms, each terminating in a swan’s head, raised on splayed and carved paw feet. h. 41-3/4”, w. 50”, d. 25-1/2” $800-$1,200

403

156

404 405

404 Pair of American Empire Revival Silvered Metal Andirons

406 American School (Fourth Quarter 19th Century)

ca. 1900, decorated with faceted urn standards supported on pierced scroll bases supported on ball feet, with matching log stops. h. 25-1/2”, w. 12”, d. 11”

“River Landscape”

$800-$1,200

oil on board unsigned.

Framed.

17-1/2” x 24”, framed 24” x 30”

405 Empire-Style Bronze and Crystal Pendant Chandelier early 20th century, dressed with strands of graduated crystal beads and fitted with six internal sockets. h. 26” without chains, dia. 16”

$200-$400

$400-$700

406

157

408 407

407 American School (Second/Third Quarter 20th Century) “Mountainous Landscape with Sheep” oil on canvas indistinctly signed lower left.

Framed.

19” x 24”, framed 24” x 32”

409 Two Pieces of Majolica first quarter 20th century, including a lotus-decorated jardiniere and matching pedestal, h. 36”, dia. 10-1/4”, and an umbrella stand decorated with wreaths and bowknots, h. 19”, dia. 9-1/2”. $400-$700

$200-$400

408 American School (First Quarter 20th Century) “Wooded River Landscape” oil on canvas illegibly signed lower left.

Giltwood frame.

8-3/4” x 11-3/4”, framed 13-1/2” x 16-1/2” $150-$300

409

158

410 Colorful Majolica Centerpiece ca. 1900, Bohemian or Czech, the oblong bowl set with birdform handles, decorated with a mottled pink and cobalt glaze, the similarly glazed standard with pierced cobras, above a raised base with cabochons and molded shells. h. 16-1/4”, w. 18-1/4”, d. 8” $500-$800 411 Imposing Capodimonte-Style Porcelain Urn ca. 1901-1920, German, richly decorated with bas-relief figures of Grecian gods and goddesses, the swan-form handles mounted on the neck and decorated with grapes and grapevines, on a polychrome-decorated base, the bottom marked with an underglaze blue crowned “N” for Ernst Bohn Sons, Rudolstadt, 1901-1920. h. 28”, dia. 16-1/2”, d. 11-1/2” Provenance: Villa Melrose Antiques, Los Angeles, California.

410

$800-$1,200 412 Rococo-Style Majolica Jardiniere first quarter 20th century, Bohemian or Czech, decorated with molded flowers framed with large scrollwork cartouches on a brown and burgundy ground, the interior with a turquoise glaze. h. 13-3/4”, dia. 19” Provenance: Villa Melrose Antiques, Los Angeles, California. $700-$1,000

412

411

159

414 W. W. Kimball Co. Mahogany Baby Grand Piano and Bench second quarter 20th century, the piano legs with lyre-form ormolu mounts. piano h. 38-1/2”, w. 55”, l. 66” $500-$800

413

413 American Late Victorian Mahogany Vitrine fourth quarter 19th century, attributed to R. J. Horner, New York, of bowfront form with a carved eggand-dart molding above a pair of curved and beveled glass doors, and a heavily carved frieze, flanked by tall pilasters with lion’s masques above acanthine scrolled supports. h. 72”, w. 59”, d. 17-1/2” $1,000-$1,500

414

160

415 Pair of Continental Mahogany Fauteuils early 20th century, in the Art Nouveau taste, each with a padded shield-form crest surmounted by a pierced shell and foliate crest, joined by scrolling hooped arms to the padded seat, raised on garland-entwined tapering circular legs ending in splayed feet. h. 39” $700-$1,000

415

416 Aesthetic Movement Bronze, Brass and Onyx Etagere late 19th/early 20th century, probably French, the shaped shelves supported by onyx columns, the corners with brass and onyx ball spires, on a base with foliate-modeled C-branch legs joined by a low shelf. h. 63-1/8”, w. 33-1/2”, d. 11-1/2” Provenance: Private collection, Galveston, Texas. $600-$900

416

161

417

417 Collection of Crystal Highball Glasses and Tankard Pitchers mid-20th century, including twenty-five highball glasses cut in the Brilliant style, h. 4”, dia. 3”, and four tankard pitchers decorated with cut panels, h. 8”, w.

6-1/2”, d. 4-3/4”.

418 Pair of Large Continental Cut Crystal Compotes mid-20th century, the bowls cut with hobstars and sawtooth edges, raised on stepped bases. h. 7”, dia. 14” $600-$900

$300-$500

418

162

419 Joe Ruiz Grandee (American/Texas, b. 1929) “Dismounted Dragoon”, 1963 oil on canvas signed lower right and copyright-marked, titled and dated on artist plaque Framed.

30” x 22”, framed 37-1/2” x 29-1/2” Provenance: The corporate collection of Freeport-McMoRan, New Orleans, Louisiana. $700-$1,000

419

420 After Frederic Sackrider Remington (American, 1861-1909) “Bronco Buster” patinated bronze 20th century, cast signature along back of self-base, on a marble base. overall h. 23”, w. 15”, d. 9” $600-$900

420

163

421

421 Group of Eighteen Decorative Leather Bindings including: Walter Pater, Works, London: Macmillan & Co. Limited, 1910 and 1911, seven volumes, 3/4 leather boards, spines with gilt lettering; George Borrow, Lavengro, London: John Murray, 1851, complete in three volumes, full leather boards with gilt lettering and design; James Howell, Familiar Letters, Boston and New York: Houghton Mifflin, 1907, complete in four volumes, this numbered 69 of edition of 220, half-leather boards with gilt lettering and design, and four others.

7-3/4” x 5” to 8-3/4” x 6-1/2” Full list available upon request. $200-$400 422 The Works of Shakspere [sic] With Notes by Charles Knight London: Virtue and Co., Ltd., nd, with steel engravings, complete in two volumes, leather boards and spine, spine tooled and with gilt lettering and design, marbled endpapers.

15” x 11-1/2”

422

$600-$900 423 Edmund Spenser, The Faerie Queen, Ruskin House Edition London: George Allen, Ruskin House, 1894, complete in six volumes edited by Thomas J. Wise, illustrations by Walter Crane, in a very handsome binding, full black morocco with rich gilt scrolling borders and dentelle, the spines with raised bands and gilt decoration and lettering, the top edges cut and gilt, with silk register ribbon and moire endpapers, the inside boards with red morocco panels within wide black morocco borders, with rich dentelle and double fillets with scrolling corners centering a stylized red and green Tudor rose, the inside front board with bookplate of Frank Clark Dougherty, 11” x 9” [6].

Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $500-$800

164

423

424

425 Twenty-Five Fine Red Leather Bindings

424 Oscar Wilde, Writings New York: Gabriel Wells, 1925, the “Large Paper” edition, numbered 48 of 575, 10 volumes (of 12; vols. 7 & 8 lacking), in full red morocco, the boards with elaborate gilt scrolls, fillet and dentelle, the spines with raised bands and gilt lettering and decoration, the top edges cut and gilt, with plain endpapers, the inside boards with bookplate of Frank Clark Dougherty, 8-7/8” x 6-1/8” [10].

W. H. Maxwell, Life of Wellington London: Alfred E. Baily, 1839-184, complete in 3 volumes; James E. Doyle, Chronicle of England: B.C. 55-A.D. 1485, London: Longman, Green etc., 1862; Horatio Walpole and Thomas Park, Royal and Noble Authors, complete in five volumes; John Doran, Works Boston: Francis A. Nicholls, n.d. [1911], the “Magnifique” lettered edition “A” of 26, 16 volumes (of 28).

Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana.

Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana.

$500-$800

Detailed binding descriptions available on request. $500-$800

425

165

426 Addison & Steele, The Spectator London: F. J. Quinby & Co., 1901, “Edition de Magnifique”, number 1 of 10, complete in eight volumes, in full red morocco, the boards with gilt rinceau panel and fillet dentelle, the spines with raised bands and gilt decoration and lettering, the top edges cut and gilt, with silk register ribbon and moire endpapers, the inside boards with wide morocco borders with gilt fillet and corner decoration, gilt binder’s stamp “Lalauze” at lower edge, the inside front board with bookplate of Frank Clark Dougherty, 8-1/4” x 5-3/4” [8].

Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $500-$800

426

427 Thirty-Seven Fine Brown Leather Bindings John Dryden, Works, Edinburgh: A. Constable & Co., 1821, second edition, complete in 18 volumes; John Gifford, Life of Pitt, London: T. Cadell & W. Davies, 1809, complete in six volumes (vol. 1 front board lacking; vol. 6 front board detached); William H. Prescott, Works, Philadelphia: J. B. Lippincott, n.d. [1896?], 8 volumes [of 15?]; Thomas Macaulay, History of England, London: Longman, Green etc., 1861, complete in five volumes.

Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana.

Notes: Detailed binding descriptions available on request.

428 William H. Prescott, Works Philadelphia: J. B. Lippincott, n.d. [1904], the “Montezuma” edition, numbered 859/1000, complete in 22 volumes, in full black leather, the boards with elaborate gilt scroll banding, fillet and dentelle, the spines with raised bands and gilt lettering and decoration, the top edges cut and gilt, with plain endpapers, the inside boards with bookplate of Frank Clark Dougherty, 8-3/4” x 5-1/4” [22].

Provenance: Estate of Violeta Judell Van Ronzelen, Lima, Peru; New Orleans, Louisiana. $500-$800

$500-$800

427

428

166

429

430 Collection of French Leather-Bound Books 429 Collection of Eleven Easton Press Leather-Bound Books

French text, in full or half/quarter leather on marbled boards and gilt lettering, including: Charles Rollin, Works, 1817-1818 (14) Palace Journal (Ordinances of State) , 1827-28 & 1832 (5) Adolphe Thiers, History of the Consulate & Empire, 18471861 (8) Bulletin of the Paris Chemistry Society, 1871-1880 (8) Liturgical Annual, 1927 (1) Paul Bourget, Tragic Idyl, 1896 (1) 37 books total the largest 8-3/4” x 5-1/2”, the smallest 7-1/4” x 4-1/2”

1963-1998, several signed, including Gone with the Wind, The Greatest Generation, Not That You Asked, the poems of Shelley, Eliot, Dickinson, Tennyson, Shakespeare, Coleridge and Wordsworth, leather boards of various colors, all with gilt lettering and design and with silk moire endpapers.

6-1/2” x 4-1/2” to 11” x 7-3/4” $500-$800

$700-$1,000

430

167

431

431 Turkish Angora Oushak Carpet 8’ 3” x 9’ 8” $600-$900

432 Turkish Angora Oushak Runner 2’ 6” x 25’ 9” $600-$900

168

432

433 Turkish Oushak Carpet 9’ x 12’ 5” $1,400-$1,800

434 Semi-Antique Kerman Carpet 4’ 6” x 7’ 1” $700-$1,000

435 Modern Design Carpet 8’ 10” x 11’ 9” $1,200-$1,800

433

435

434

169

436 Antique Sarouk Carpet 4’ 3” x 6’ 4” Provenance: Estate of John A. Saur, Sugar Land, Texas. $1,000-$1,500

436

437 Turkish Angora Oushak Carpet 10’ 2” x 13’ 9” $1,000-$1,500

437

170

439

438

438 Turkish Angora Oushak Carpet 9’ 9” x 14’ $1,800-$2,500

439 Peshawar Carpet 4’ 9” x 9’ 5” $400-$700

440 Turkish Oushak Carpet 9’ 10” x 13’ 7” $900-$1,200

440

171

441

442

172

441 Patchwork Carpet

442 Turkish Oushak Carpet

4’ x 5’ 9”

9’ x 11’ 9”

$300-$500

$700-$1,000

443 Peshawar Sultanabad Carpet 9’ 11” x 13’ 10” $800-$1,200

443

444 Peshawar Sultanabad Carpet 7’ 8” x 9’ 7” $500-$800

444

173

445

445 Semi-Antique Lilihan Carpet Fragment

446

2’ 8” x 4’ 11” $300-$500

446 Semi-Antique Persian Heriz Carpet 7’ 8” x 11’ 7” $1,400-$1,800

447 Semi-Antique Persian Heriz Carpet 8’ x 10’ 7” $900-$1,200

174

447

448 Flat-Weave Carpet 8’ 8” x 12’ 2” $300-$500

448

449 Peshawar Mahal Carpet 9’ x 12’ $500-$800

449

175

450

451 452

453

456

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455

176

450 Tourmaline and Diamond Ring 14k white gold, the ring mounted with a central emerald-cut brown tourmaline weighing approximately 1.15 carats, accented by round brilliant-cut diamonds weighing approximately 0.92 carats in total. size 6-3/4, total weight 13.0 grams $700-$1,000 451 Effy Diamond Ring 14k yellow gold, the ring mounted with round brilliantcut diamonds weighing approximately 0.97 carats in total. size 7, total weight 8.1 grams $800-$1,200 452 Diamond Crescent Pendant with Chain 14k yellow gold, the pendant mounted with rose-cut diamonds weighing approximately 2.80 carats in total, l.

1-1/4”, suspended from a 14k yellow gold chain, l. 18”. total weight 9.4 grams $900-$1,200

453 Pair of Diamond Dangle Earrings 14k yellow gold, the earrings composed of cupped flowers, accented by round brilliant-cut diamonds weighing approximately 0.90 carats in total. l. 1-3/4”, total weight 4.9 grams $600-$900 454 Three Tri-Colored Gold and Diamond Bands 14k white/yellow/rose gold, the stacking, wavy bands mounted with round brilliant-cut diamonds weighing approximately 0.75 carats in total. size 7-1/4, total weight 15.0 grams $800-$1,200 455 Diamond Bangle Bracelet gold vermeil, the hinged bracelet mounted with roundcut diamonds weighing approximately 6.40 carats in total. inside circumference 7”, total weight 22.8 grams $600-$900 456 Pair of Diamond Hoop Earrings 14k yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 0.80 carats in total. l. 1/2”, total weight 4.7 grams $1,000-$1,500

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463 462

457 Tiffany & Co. Torque Gold Ring 18k yellow gold, from the Gehry collection, stamped “T & Co. Gehry 750”. size 4-1/2, total weight 20.3 grams $700-$1,000 458 Diamond Ring 14k yellow gold, the ring mounted with round brilliantcut diamonds weighing approximately 0.80 carats in total. size 7-1/4, total weight 7.3 grams $600-$900

461 Charm Bracelet the 14k yellow gold chain bracelet mounted with two 14k yellow gold charms and one 10k yellow gold charm. l. 7”, total weight 39.9 grams Provenance: A River Oaks Estate, Houston, Texas. $800-$1,200

459 Vintage Rolex Tudor Manual Wind Wristwatch 18k yellow gold, the watch face marked “Tudor” and “Swiss Made”, with a gold link band stamped “ROLEX S.A. 0750”. l. 7”, total weight 23.4 grams

462 Diamond and Sapphire “Butterfly” Pendant/Brooch sterling silver, the pendant/brooch mounted with rosecut diamonds weighing approximately 2.90 carats in total and multi-colored round-cut treated sapphires weighing approximately 1.72 carats in total. size 2-5/8” x 2”, total weight 23.8 grams

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

$500-$800

$500-$800 460 Gold Ring and Earrings 14k yellow gold, the pierced omega-back earrings and ring with a matching ribbed pattern. earring size 1-1/2” x 3/4”, ring size 4-1/2, total weight 34.4 grams Provenance: A River Oaks Estate, Houston, Texas. $800-$1,200

178

463 Diamond “Snake” Bracelet 14k yellow gold/sterling silver, the hinged bracelet mounted with round single-cut white and black diamonds weighing approximately 12.95 carats in total. inside circumference 6-1/2”, total weight 53.8 grams $2,000-$4,000

457

458

460

459

461

179

464 465

464 Sapphire and Diamond Ring 14k white gold, the ring mounted with round brilliantcut diamonds weighing approximately 0.37 carats in total, and square- and triangular-cut treated sapphires weighing approximately 0.53 carats in total. size 7-1/2, total weight 7.8 grams $600-$900 465 Citrine and Sapphire Ring 18k yellow gold/sterling silver, the ring mounted with a pear-cut citrine weighing approximately 0.65 carats, accented by round-cut treated light-green sapphires transitioning to treated brownish-orange sapphires, with an approximate total sapphire weight of 1.19 carats. size 7-1/4, total weight 10.1 grams $600-$900 466 Multi-Colored Sapphire Ring sterling silver, the ring mounted with round-, oval- and marquise-cut treated orange, yellow, light-green and reddish-orange sapphires weighing approximately 3.08 carats in total. size 6-3/4, total weight 7.0 grams $600-$900 467 Diamond and Ruby Ring 14k rose gold, the ring mounted with a European-cut diamond weighing approximately 0.15 carats, accented by baguette-cut treated rubies weighing approximately 0.12 carats in total. size 6-1/4, total weight 4.6 grams $600-$900 468 Pair of Ruby and Diamond Earrings 14k yellow gold/sterling silver, the earrings mounted with faceted treated rubies weighing approximately 7.77 carats in total, accented with round brilliant-cut diamonds weighing approximately 0.49 carats in total. l.

1”, total weight 4.1 grams $1,200-$1,800

466

469 Ruby and Diamond Pendant on Chain 18k white gold, the pendant mounted with baguettecut and round brilliant-cut diamonds weighing approximately 0.22 carats in total, and baguette-cut treated rubies weighing approximately 0.18 carats in total, l. 1/2”, suspended from a white gold chain, l. 16”. total weight 1.6 grams $600-$900 470 Ruby and Diamond Ring 18k white gold, the ring mounted with round-cut treated rubies weighing approximately 0.41 carats in total and round brilliant-cut and baguette-cut diamonds weighing approximately 0.44 carats in total. size 6-1/2, total weight 3.20 grams $1,000-$1,500 471 Pair of Ruby, Emerald and Diamond Earrings sterling silver, the earrings mounted with pear-cut treated rubies weighing approximately 1.50 carats in total, oval-cut treated emeralds weighing approximately 0.40 carats in total and single-cut diamonds weighing approximately 1.04 carats in total. l. 2-1/2”, total weight 6.7 grams $500-$800 472 Pair of Diamond, Emerald, Sapphire and Ruby Earrings sterling silver, the earrings mounted with oval cabochon-cut treated emeralds weighing approximately 1.80 carats in total, oval cabochoncut treated sapphires weighing approximately 0.30 carats in total, and oval-cut treated rubies weighing approximately 0.16 carats in total, accented throughout with round brilliant-cut diamonds weighing approximately 1.35 carats in total. l. 2-1/4”, total weight 8.8 grams $600-$900

180

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468

469

470

471

472

181

474

473

473 Diamond, Ruby and Sapphire Cuff Bracelet gold vermeil, the open-work bracelet mounted with round-cut and pear-cut treated sapphires and rubies weighing approximately 6.13 carats in total, accented throughout with round-cut diamonds weighing approximately 2.10 carats in total. w. 1-3/4”, inside circumference 7”, total weight 33.0 grams $600-$900 474 Sapphire and Ruby Heart Bangle Bracelet sterling silver, the hinged bracelet set with hearts, each mounted with round-cut treated rubies, on a ground mounted with round-cut treated sapphires, with an approximate total ruby and sapphire weight of 25.86 carats. w. 3/4”, inside circumference 7”, total weight 48.0 grams $500-$800 475 Pair of Diamond Heart Earrings 14k white gold, the earrings mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 1.00 carat in total. l. 3/4”, total weight 2.3 grams $800-$1,200 476 Pair of Diamond Door Knocker Earrings 14k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 0.58 carats in total. l. 5/8”, total weight 2.8 grams $800-$1,200

477 Diamond Ring 18k white gold, the ring mounted with round brilliantcut diamonds weighing approximately 0.37 carats in total. size 6-3/4, total weight 3.5 grams $600-$900 478 Diamond Pendant/Brooch on Chain the 18k white gold pendant/brooch with a collapsible bail, mounted with round brilliant-cut diamonds weighing approximately 1.82 carats in total, l. 1-3/4”, suspended from a 14k adjustable white gold chain, l. 15” to 22”. total weight 17.5 grams $1,000-$1,500 479 Pair of Diamond Earrings 18k white gold, the earrings mounted with baguettecut and round brilliant-cut diamonds weighing approximately 0.65 carats in total. l. 5/8”, total weight 2.6 grams $1,000-$1,500 480 Diamond Pendant Necklace 14k white gold, the necklace mounted with an emeraldcut diamond weighing approximately 1.22 carats, approximate color K-L-M and clarity SI1. l. 16-3/4” to 19”, total weight 2.3 grams $2,500-$4,000 481 Diamond Ring 18k white gold, the ring mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 1.08 carats in total. size 6-3/4, total weight 4.0 grams $1,400-$1,800

182

478

480

476

477 475

479 481

183

483 482

484 485

482 Tanzanite, Diamond and Onyx Ring 14k yellow gold/sterling silver, the ring mounted with a pear-cut tanzanite weighing approximately 6.84 carats, surrounded by two rows of single-cut diamonds weighing approximately 0.55 carats in total, accented by black onyx. size 7, total weight 5.8 grams

484 Black and White Diamond Ring 14k white gold, the ring mounted with round-cut black and white diamonds weighing approximately 1.57 carats in total. size 5, total weight 15.6 grams

$1,000-$1,500 483 Effy Black and White Diamond Ring 14k white gold, the ring mounted with round-cut black and white diamonds weighing approximately 1.22 carats in total. size 7, total weight 8.0 grams

485 Pair of Coral, Black Onyx and Diamond Earrings 14k yellow gold/sterling silver, the earrings mounted with oval-cut coral cabochons weighing approximately 2.00 carats in total, accented by round-cut diamonds weighing approximately 1.10 carats in total, accented with black onyx rings. l. 1-1/4”, total weight 6.6 grams

$600-$900

$600-$900

184

$600-$900

486 487

489

488

486 Pair of Opal and Diamond Earrings 14k white gold, the earrings mounted with pear-cut opals weighing approximately 4.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.58 carats in total. l. 1-3/4”, total weight 8.5 grams $1,500-$2,500 487 Opal and Gem-Set “Beetle” Ring 14k rose gold, the body of the ring mounted with an oval cabochon-cut opal weighing approximately 1.50 carats, accented on the head with a pear-shaped treated ruby weighing approximately 0.15 carats, accented throughout with round-cut spinel and diamonds weighing approximately 2.06 carats in total. size 7-1/4, total weight 9.5 grams

488 Pair of Opal and Diamond Earrings 14k yellow gold/sterling silver, the earrings mounted with cabochon-cut opals weighing approximately 20.89 carats in total, accented by single-cut diamonds weighing approximately 3.34 carats in total. l. 2-3/4”, total weight 23.9 grams $1,800-$2,500 489 Opal and Diamond Ring 14k yellow gold, the ring mounted with an opal doublet weighing approximately 2.09 carats, accented by round brilliant-cut diamonds weighing approximately 0.23 carats in total. size 7, total weight 3.2 grams $1,000-$1,500

$900-$1,200

185

490

491

492

493

490 Blue Topaz Cufflinks 14k yellow gold, the cufflinks mounted with cabochoncut blue topaz, faceted on the reverse, weighing approximately 12.26 carats in total. l. 5/8”, total weight 12.2 grams $800-$1,200 491 Turquoise, Diamond and Onyx Ring 14k yellow gold/sterling silver, the ring mounted with an oval cabochon-cut turquoise weighing approximately 10.14 carats, surrounded by two rows of single-cut diamonds weighing approximately 0.72 carats in total and with an outer border of black onyx. size 6-3/4, total weight 7.0 grams $1,000-$1,500

492 Pair of Turquoise, Opal, Diamond and Onyx Earrings 14k yellow gold/sterling silver, the earrings mounted with round cabochon-cut turquoise weighing approximately 6.08 carats in total, and round cabochon-cut opals weighing approximately 1.44 carats in total, accented with single-cut diamonds weighing approximately 0.82 carats in total, all bordered with black onyx. l. 1-3/8”, total weight 9.6 grams $1,200-$1,800 493 Turquoise, Diamond and Onyx Ring 14k yellow gold/sterling silver, the ring mounted with a pear-shaped turquoise weighing approximately 10.62 carats, accented by single-cut diamonds weighing approximately 0.78 carats in total and an outer border of black onyx. size 7-1/4, total weight 7.6 grams $1,000-$1,500

186

496

495

494

497

494 Turquoise and Diamond Ring 14k white gold, the ring mounted with an oval-cut turquoise weighing approximately 2.90 carats, accented by round-cut diamonds weighing approximately 0.55 carats in total. size 3-3/4, total weight 9.0 grams $800-$1,200 495 Emerald and Diamond Ring 14k white gold, the ring mounted with an emeraldcut treated emerald weighing approximately 0.60 carats, accented by single-cut diamonds weighing approximately 0.38 carats in total. size 7-3/4, total weight 4.7 grams $500-$800 496 Emerald and Diamond Ring platinum, the ring mounted with a square-cut treated emerald weighing approximately 0.40 carats, accented by round brilliant-cut diamonds weighing approximately 0.24 carats in total. size 7-3/4, total weight 6.8 grams

498

497 Gem-Set and Diamond Ring 14k yellow gold, the ring mounted with round-cut and oval-cut tourmalines, citrines and peridots weighing approximately 2.60 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.13 carats in total. size 5, total weight 10.0 grams $600-$900 498 Emerald and Diamond Brooch 14k yellow gold, the brooch mounted with oval-, marquise- and round-cut treated emeralds weighing approximately 4.84 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.64 carats in total. l. 1-3/4”, total weight 11.0 grams Provenance: Estate of Russell C. Klein, M.D. and Donna Guinn Klein. $600-$900

$600-$900

187

499 500 501

502

499 Bellarri Gem-Set Ring 18k yellow gold, the ring mounted with squarecut amethysts, citrines, peridots and tourmalines weighing approximately 1.50 carats in total, overlapped by “windows” mounted with round brilliant-cut diamonds weighing approximately 0.35 carats in total. size 7-1/4, total weight 12.0 grams $900-$1,200 500 Amethyst and Diamond Ring 18k yellow gold, the ring mounted with a pear-cut amethyst weighing approximately 1.20 carats, accented by round brilliant-cut diamonds weighing approximately 0.24 carats in total. size 5-3/4, total weight 10.6 grams $700-$1,000 501 Amethyst and Sapphire Ring sterling silver, the ring mounted with a pear-cut amethyst weighing approximately 12.16 carats, accented by blue, yellow, pink and orange treated sapphires and and treated rubies weighing approximately 4.74 carats in total. size 6-1/2, total weight 15.0 grams $600-$900

188

503

502 Morganite and Diamond Ring 14k yellow gold, the ring mounted with a pear-cut morganite weighing approximately 9.17 carats, accented by round brilliant-cut diamonds weighing approximately 0.50 carats in total. size 7-1/4, total weight 8.2 grams $900-$1,200 503 Kunzite and Pearl Pendant 14k rose gold, the pendant mounted with cabochoncut and oval-cut kunzites weighing approximately 16.75 carats in total, accented by seed pearls. size 1” x 1-1/2”, total weight 19.0 grams $600-$900

505

507

506 504

504 South Sea Pearl Necklace 14k yellow gold, the necklace composed of graduated white South Sea pearls measuring 12.3 mm to 15.5 mm, with a good luster and finished with a yellow gold ball clasp. l. 17-1/2”, total weight 104.9 grams $500-$800

506 Pearl and Diamond Ring platinum, the ring mounted with a white/cream cultured pearl with a good luster and measuring approximately 8.00 mm in diameter, accented by single-cut diamonds weighing approximately 0.72 carats in total. size 5-1/2, total weight 8.1 grams $600-$900

505 Pearl and Diamond Ring 18k yellow gold, the ring mounted with a white cultured pearl with a good luster and measuring approximately 8.60 mm in diameter, accented by round brilliant-cut diamonds weighing approximately 0.99 carats in total. size 7-1/4, total weight 6.8 grams

507 Tahitian Pearl and Diamond Ring 18k yellow gold, the ring mounted with a 10.00 mm Tahitian pearl with a good luster, accented by round brilliant-cut diamonds weighing approximately 0.42 carats in total. size 7, total weight 12.3 grams

$600-$900

$800-$1,200

189

508

508 Four Jay Strongwater Enamel and Swarovski Crystal Objets d’Art

509 Collection of Three Blanc-de-Chine Figures 20th century, including a figure of Quanyin riding an elephant, h. 19-1/2”, w. 11-1/2”, d. 7-1/2”, a pottery figure of Kwanyin riding a dragon, h. 24-1/4”, w. 6”, d. 7”, and a Japanese group depicting three laughing elders, h.

13-3/4”, w. 8-3/4”, d. 8-1/2”.

contemporary, including: a mother and calf elephant with blanket and headdress, h. 5” and 3-3/4”; a magnolia desk clock, h. 4-3/4”, w. 5-3/4”; and a limited edition Meadow egg, #39/350, overall h. 6”, dia.

3-1/2”.

$700-$1,000

$700-$1,000

509

190

510 Porcelain and Brass Table Lamp 20th century, the celadon-ground vase decorated with Mandarin figures with goats and flowering plum branches, on a scrolled brass base, mounted with a shade. h. 30”, dia. 14” $400-$700 511 Pair of Chinese Export Porcelain Vases third quarter 19th century, with polychrome figures of mandarins beneath pine trees, the backs with red character mark seals. h. 8-1/4”, dia. 3-3/4” $800-$1,200 512 Two Asian Figures Mounted as Lamps 20th century, including a cloisonne male figure with a carved bone face and a turquoise beaded headdress, and a porcelain female figure of Guanyin, a seated child and a water bottle at her side, her foot resting in a lotus blossom, each lamp mounted with a shade. h. 35-1/2” to 36”, w. 16-1/2” to 17-1/2”, d. 14” to 16-1/2”

510

$500-$800

511

512

191

513

513 Chinese Gilt-Bronze Incense Burner with a Pair of Foo Dogs 20th century, the tripod censer having a pierced dome cover with “cash” symbol detail, surmounted by a qilinform finial, the body with dragons chasing the flaming pearl, flanked by foo-dog-form handles, with apocryphal seal mark to the base; together with two foo dogs, each seated on a lotus-design base, with one foot resting on a brocade ball. incense burner h. 18”, w. 17-1/4”; foo dogs h. 17-1/2”, w. 8-1/4”, d. 12-1/2” $300-$500

514 Buddhist Brass Altar Figure 20th century, Tibetan, the female figure wearing an elaborate headdress and hoop earrings, the back of the base pierced to receive rolled prayers or blessings. h. 34-3/4”, w. 12”, d. 7-3/4” $500-$800

515 Large Japanese Satsuma Vase on Stand first quarter 20th century, the vase with polychrome decoration depicting scholars, the molded handles in the form of winged dragons grasping fringed rings, on a hardwood stand, the cabriole legs carved with animal heads. h. 56”, dia. 16” $500-$800

514

192

515

516 Japanese Lacquer-Framed Enamel Plaque 20th century, the circular dragon-decorated plaque set into a prunus-decorated lacquerware frame. d. 2-3/4”, dia. 20-1/2” $100-$200

516

517 Two Chinese Rosewood and MarbleTop Tables early 20th century, each with an inset rouge marble top, the larger example with a floral- and foliate-carved border, raised on carved legs joined by a circular medial shelf, h. 23”, dia. 22”, and the smaller table with a beaded edge around the top, the legs joined by a circular stretcher, h. 18”, dia. 20”. $500-$800

517

518 Japanese Carved and Stained Mahogany Round Center Table Meiji Period, early 20th century, the raised circular top with a floral-carved border and mounted to cabriole legs in the form of foo lions. h. 29”, top dia. 32” $400-$700

518

193

519

519 Pair of Chinese Carved Wooden Foo Dogs third quarter 20th century, the grinning dogs playfully poised with their front legs on pierced balls. h. 17”, w. 15”, d. 10-1/4” $150-$300

520 Chinese Export Rose Canton “Gu” Vase fourth quarter 19th century, decorated in the traditional rose and green palette, the base divided into panels with mandarin scenes and panels decorated with peonies and ho-ho birds. h. 15-1/4”, dia. 9-1/2”

520

$600-$900

521 Chinese Rose Medallion Porcelain Punch Bowl and Baluster Vase on Stands third quarter 19th century, the elaborately decorated bowl covered with panels of mandarin decoration surrounded with peony and butterfly borders, on a wooden stand, bowl h. 6”, dia. 15-3/4”, overall h. 12-5/8”, and the large, ornately enameled and gilded balusterform vase with reserves depicting courtly pursuits, on a wooden stand, vase h. 25-3/8”, dia. 8-1/4”, overall h. 27-3/4”. $400-$700

521

194

522 Monumental Pair of Asian Carved and Polychromed Hardwood Figures early 20th century, each dressed in a red robe and standing on a carved lotus leaf base, hands in prayer and supplication. h. 74-1/2” to 75-1/2”, w. 20”, d. 15” $800-$1,200

523 Chinese Four-Panel Coromandel Screen 20th century, decorated on both sides, one side with mandarin figures in gardens, with flowers in the top panels and deer on the bottom, and the other side with mountains and lakes with figures, egrets in the top panels and cockerels in the lower panels. h. 72”, w. 76” $700-$1,000 523

524 Chinese Ceramic Figure of an Immortal Holding a Peach 20th century, depicted seated, his polychrome robe decorated with dragons. h. 7”, w. 5-1/4”, d. 4-3/4” Provenance: The Collection of Adam Lippes. $500-$800

524 522

195

525 Chinese School (20th Century) “Snow Falling on Mount Danxia” ink and color on paper with gofun highlights localized “GuangHai”, sealed upper left and upper right.

Mounted, glazed and framed.

42-1/4” x 13-1/4”, framed 53” x 19-1/4” $300-$400 526 Large Chinese Porcelain Plaque 20th century, the plaque with a peony tree with polychromed blossoms and scattered butterflies, character marks to one side, in a wooden frame with pierced brass hangers. h. 55”, w. 28” $800-$1,200 527 Carved and Polychromed Teakwood Bench/Day Bed of generous proportions, the back with a pierced foliate-, scroll- and floral-carved panel, on a base with through-tennoned legs and fitted with a conforming custom cushion designed by Nate Berkus, upholstered in “Samar Bittersweet” fabric by Jim Thompson . h. 33-1/4”, w. 101”, d. 34”

526

Provenance: Selected for a Malibu, California interior designed by Nate Berkus.

525

$700-$1,000

527

196

528 Elephant-Form Patinated Brass Low Table 20th century, Southeast Asian, in “parade” dress, with a flat top mounted on its back. h. 16-3/4”, w. 16-1/2”, l. 20” $1,000-$1,500

528

529 Collection of Five Balinese Carved and Painted Wood Musicians each seated figure with a different instrument and ornamented gilt scrollwork clothing accented with bits of colored mirror glass. h. 14” to 15-1/2”, w. 9” to 11-1/4”, d. 7-3/4” to 8-1/4” $600-$900

530 Pair of Chinese Porcelain Covered Jars 20th century, the famille noir grounds with polychrome dragons and flowers, the bases marked. h. 18”, dia. 6-1/2” $800-$1,200

530

529

197

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below).

These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed

by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.)

All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction.

Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision.

In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required

by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue.

Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted

by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

Susan D. Sarofim CEO

Jelena Restovic James Director of Fine Art

Tessa Steinkamp Director of Auctions

Ireys Bowman General Consignments

Michele Carolla Fine Art Specialist

Tessa Steinkamp, LA #1265 Taylor Eichenwald, LA #1922 Michael DeGeorge, LA #1774

Greg S. Kowles General Consignments

Charles C. Cage Silver Specialist & Office Manager

Burke Designer

AUCTIONEERS

Taylor Eichenwald Assistant Director of Auctions

Sarah Agnew Client Services & Administrative Assistant

CONSULTANTS

Kim Lemon Director of Fine Jewelry

Thomas Halverson American Furniture Specialist

Grace Connors Manager of Online Auctions

ADMINISTRATION & GRAPHICS

Ellen McKenzie English & Continental Furniture

Denise Haik Office Administration

Amelia Schussler Creative Director

Ira Savoie Independent Certified Gemologist Appraiser

Bettina Bausa Graphic Designer

Christa Ougel Photographer & Graphic Designer

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Theadrow Mark