NOAG Interiors | January 25, 2020 by New Orleans Auction Galleries

noag i n t e r i o r s

JANUARY 25, 2020 Begins at 10 a.m.

Lot 654 Next Page: Lot 90 Front Cover: Lot 506 Back Cover: Lot 317

noag i n t e r i o r s

JANUARY 25, 2020 Begins at 10 a.m.

New Orleans Auction galleries

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1 Biedermeier Revival Ormolu-Mounted Birch Vitrine early 20th century, the serpentine door and sides fitted with conforming glass, the interior with a mirrored back and glass shelves, the case with metal mounts and ebonized decoration simulating inlay, on ormolu paw feet. h. 69-3/4”, w. 32”, d. 17-1/2” $400-$700

2 Biedermeier Ebonized, Fruitwood and Marble-Top Pier Table second quarter 19th century, of demi-lune form, the inset marble top over a conforming frieze, raised on scroll legs joined to a half-round low shelf with star inlay, the back fitted with a looking glass. h. 29-1/2”, w. 31”, d. 13-1/2” $600-$900 3 Italian School (18th Century) “Interior Designs Illustrations” pair of hand-colored copperplate engravings by Michelangelo Pergolesi (act. 1760-1801). Both handsomely matted, glazed and framed alike. sights 16” x 10”; 18-1/2” x 11”, framed 31” x 24”; 28” x 22” $500-$800

5 Reuge Music Box fourth quarter 20th century, Swiss, signed, in a 19th-century-style serpentine case veneered with burl and kingwood and trimmed with ebonizing, the interior with a 1997 gift plaque. h. 6-1/4”, w. 23”, d. 11-3/4” $500-$800

4 Pair of Neoclassical-Style Ormolu-Mounted and ParcelEbonized Mahogany Pedestals

6 Continental Walnut Side Table mid-19th century, the banded rectangular top with deeply canted corners, above a frieze fitted with two drawers, raised on flared end supports with a carved medallion, joined by a bulbous and turned stretcher and ending in runner feet on casters. h. 31”, w. 67”, d. 30”

each with a square cross-banded and burled top on a tapering column, joined to a base with gilt-lacquered ormolu paw feet. h. 45-1/2”, top w. 11-3/4”, d. 11-3/4” $700-$1,000

$600-$900

7 Biedermeier Figured Birch Cabinet 19th century, the top with a low gallery, the case with a pair of paneled doors opening to reveal an interior with a pair of drawers over two shelves. h. 39-1/4”, w. 35-3/4”, d. 15-1/2” $500-$800

8 Paul Renard (French, 1941-1997) “Winter Evening, Paris” gouache on paper signed lower right. Matted, glazed and framed. sight 10-1/2” x 17-1/2”, framed 19” x 25-1/2” $700-$800

9 Continental Neoclassical Line-Strung Table ca. 1800, the cross-banded top over a frieze fitted with a single drawer, raised on tapering square legs. h. 28-3/4”, w. 36-3/4”, d. 27-1/2” $500-$800

10 Biedermeier Bird’s Eye Maple and Birch Work Table

12 Two Pairs of Chairs

early 19th century, the lift-top with canted corners, opening to reveal an interior fitted with lidded niches and a baize-lined center well, raised on tapering legs. h. 28-1/2”, w. 21-1/2”, d. 16-1/2”

including a pair of Biedermeier parcel-ebonized maple side chairs, first half 19th century, each with a concave back with vertical splat, round seat and flare legs, h. 30”, and a pair of Biedermeier-style fruitwood armchairs, the barrel-back chairs with spindles, the arms with scroll ends and flare legs, h. 30-1/8”.

$700-$1,000

$600-$900

11 Biedermeier Ebonized and Figured Birch Center Table 19th century, the oval top over a conforming apron, raised on legs with a flare base and gilt-painted paw feet. h. 31-3/8”, w. 40-3/4”, d. 28” $700-$1,000

13 Anton Brioschi (Austrian, 1855-1920 ) “View of Lake Como with a Villa on the Hilltop” oil on canvas signed lower right. Framed. 27” x 47”, framed 33-1/2” x 52-3/4” Provenance: Private collection, Houston, Texas. $700-$1,000 13

14 Bronze and Crystal Chandelier of Neoclassical Inspiration

15 Pair of Baltic Neoclassical Giltwood Armchairs

20th century, the eighteen-light chandelier with a standard decorated with molded leaves and ribbon-bound reeding, and set with candle arms on two levels, molded with medallions and leaves, the basket base decorated with strands of cut crystal drops and terminating in a bold leaf-molded pendant finial. h. 48-1/2”, dia. 39”

ca. 1800, each with a medallion-form back cushion in a molded frame, joined to closed arms and terminating in scroll ends, bowed seat rail and fluted and stop-fluted tapering circular legs. h. 39-1/2” $600-$900

Provenance: Private collection, Houston, Texas. $700-$1,000

16 Continental Neoclassical Inlaid Fruitwood Side Stand 19th century, the inlaid and banded top on a case with a single drawer with figural inlay, over a door with urn and foliate inlay, flanked by columnar pilasters and raised on square block feet. h. 31-1/2”, w. 22-3/4”, d. 15”

Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $500-$800 17 Neoclassical-Style Polished Brass Floor Lamp second quarter 20th century, English, with a Corinthian column standard and paw feet. h. 59”, w. 13-1/2”, d. 13-1/2” Provenance: Bruce McCashin Collection. $500-$800 18 Neoclassical-Style Pink Alabaster and Polished Bronze Pedestal first quarter 20th century, Italian, on molded scroll feet, the three-column supports set with Corinthian capitals, set with a center shelf. h. 38-1/2”, dia. 15-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 18

19 A Schweidnitz Majolica Jardiniere on Pedestal ca. 1900, the standard decorated with The Three Graces, the base molded with griffins, with an impressed shield mark with an “M/K” and numerals. h. 37-1/2”, dia. 18-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

20 Continental School (Fourth Quarter 19th Century) “Young Woman with Her Pet Parrot” watercolor and gouache on paper unsigned. Glazed and framed. sight 32” x 25”, framed 39” x 33” Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. 20

$500-$800

21 Italian Carved Alabaster Figure of Venus at the Bath ca. 1900, after the 1757 model exhibited at the Paris Salon by Etienne-Maurice Falconet (French, 1716-1791). h. 27”, dia. 7-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $600-$900

22 Cameo-Style Composition Oval Plaque 20th century, based on the ceiling of the Sistine Chapel. h. 33”, w. 25” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 23

23 Italian White Marble Figural Pedestal ca. 1900, the putti-carved pedestal with a column-form standard carved with laurel swagging. h. 53-1/2”, dia. 14” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $600-$900 24 Pair of White Marble and Patinated Bronze Pedestals 20th century, the marble bases raised on bronze paw feet and supporting fluted marble standards on acanthus-molded bezels, the bronze upper portion of the bases decorated with pierced scrollwork. h. 48-1/2”, dia. 17” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000

25 Neoclassical-Style Inlaid Tilt-Top Table and Four Chairs

26 Pair of Carved Circassian Walnut Swan’s-Head Desk Lamps

ca. 1900, the chairs with the label of “Berkey & Gay Furniture”, Grand Rapids, Michigan, the table with an oval top with foliate inlay on a vasiform pedestal with outswept feet, h. 28-1/2”, w. 54”, d. 43-1/2”, and the mahogany, satinwood and mixed woods chairs each with a shaped crest rail over a splat with an oval panel, on tapering square legs with spade feet, h. 35-1/2”.

second quarter 20th century, Continental, the wings supporting adjustable necks, the bill set with a circular socket holder, the convex base with a lotus-carved surround. h. 12”, w. 8-1/2”, d. 8” $700-$1,000

$600-$900

28 Biedermeier Parcel-Ebonized Fruitwood Table 27 Three Biedermeier Armchairs including a birch chair with a fruitwood back, h. 35-1/4”, a birch barrel-back chair with a curule leg and arm support, h. 29-1/2”, both second quarter 19th century, and a Biedermeier Revival chair, ca. 1900, with an upholstered back extending to arms and a curule base, h. 30-1/4”. $500-$800 An apparently identical Austrian curule base chair is illustrated in Biedermeier by Angus Wilkie, figure 46.

19th century, the ovoid top over a conforming frieze centered with a drawer and flanked by a swing-out drawer on either end, raised on tapering square legs with spade feet. h. 29-1/4”, w. 32-1/4”, d. 24-3/4” $600-$900 29 Pair of Continental Neoclassical Burl Elm and Mahogany Window Seats 20th century, each with a long padded seat flanked to each end by a padded, rounded upright with applied foliate ormolu accent, raised on splayed tapering square legs. h. 37-1/4”, w. 41-1/4”, d. 15-3/4” $500-$800

30 Italian Patinated Bronze of Mercury ca. 1900, after the 1580 sculpture by Giambologna (Flemish/ Florence, 1529-1608) now conserved at the Museo Nazionale del Bargello, Florence, the messenger of the gods with winged feet and helmet, one foot delicately balancing on a symbol of the wind, on a columnar base. h. 35-3/4”, w. 8”, d. 16” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000

31 Continental Patinated Bronze of a Maiden ca. 1900, cast signature “C. Stotz” and dated “1898” along back edge of self-base, now on a shaped red griotte marble base. overall h. 20-3/8”, w. 8”, d. 6-1/2” $600-$900

32 Continental Polychrome Armoire 19th century and later, probably Dutch, the shaped and scrolled crest above a slightly bowed case fitted with two long doors, each with two shaped floral-patterned panels, the sides with like panels, over a single drawer, raised on bun feet. h. 75-1/2”, w. 46”, d. 17-1/2” $500-$800

33 Continental Majolica Jardiniere and Pedestal ca. 1900, in the Renaissance Revival style, decorated with lion’s heads and paw feet, with scroll-framed panels. h. 54”, w. 15-3/4”, d. 15-3/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 34 Continental Majolica Jardiniere ca. 1900, the handles molded as winged females on scrolled brackets, the sides decorated with horned satyr masques, the bowl with applied flowers and molded swags of bellflowers, the base on leaf-molded scrolled feet. h. 14”, w. 14”, d. 13”

Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $600-$900 35 Follower of Claude Vignon (French, 1593-1670) “Offerings from the Kingdom to the Queen”, third/fourth quarter 17th century oil on wood panel unsigned. Framed. 27-3/8” x 39-1/4”, framed 34-1/2” x 46-3/4” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $600-$900 35

36 Continental School (19th Century) “Young Red-Capped Boy with His Pet Spaniel” oil on canvas unsigned. Framed. 25-5/8” x 25-3/4”, framed 30-1/8” x 29-3/4” $500-$800 37 Pair of Carved Giltwood Architectural Brackets fourth quarter 19th century, probably Continental. h. 27”, w. 17-1/2”, d. 13” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $800-$1,200 38 Pair of Enameled Bronze Blackamoor Jardinieres mid-20th century, probably Italian, in the Venetian style, the male and female figures dressed in colorful embroidered clothes and turbans, with leaf-molded pots balanced on their heads and standing on bases with scroll-molded feet. h. 55-1/2”, w. 13”, d. 13” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $1,000-$1,500 38

39 Tall Pair of Bronze Blackamoor Figures mid-20th century, in the Venetian style, the figures in embroidered jackets and feathered turbans, holding torches decorated with molded flowers and standing on molded bases. h. 52-3/4”, w. 18”, d. 13” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $1,500-$2,500 40 Alberto Terrini (Italian, Fourth Quarter 19th/First Quarter 20th Century) “Grand Canal and Church of the Salute” oil on canvas affixed to masonite signed lower right. Framed. 12-1/2” x 16”, framed 17-1/2” x 21” $600-$900 41 Continental Majolica Polychrome Pedestal

ca. 1900, the base molded with dolphins and the standard decorated with swags of fruit and flowers. h. 38-3/4”, dia. 14-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

40 41

42 Gilt-Brass and Blown, Twisted and Spangled Murano Glass Chandelier 20th century, Italian, the five-light chandelier with a panshaped base, the standard composed of a sphere and two vasiform elements, the scrolled arms supporting wide, matching drip pans, decorated with gilt-spangled trim. h. 31”, dia. 22” $600-$900 43

43 Italian Giltwood Mirror mid-20th century, the oval mirror plate lined with fluting, the crest with a pierced anthemia finial, on delicate, pierced scrollwork, the lower portion decorated with swags of flower buds and scrollwork. h. 58”, w. 38-1/2” $500-$800

44 Italian Neoclassical-Style Polychromed Demi-lune Chest the case with a pair of drawers over a pair of doors, adorned with foliate, floral and ribbon painting throughout. h. 36-1/2”, w. 49”, d. 20” $500-$800

45 Pair of Handsome Italian Silvered Brass Oil Lamps mid-19th century, with swan-molded bases, the arms molded as elephant heads. h. 25”, dia. 10-1/2” $1,000-$1,500 46 Continental Silverplate and Glass Centerpiece first quarter 20th century, with a figural standard of a putto holding a cornucopia, fitted with a diamond-and-fan cut glass dish and raised on a rococo waisted pedestal. h. 22-3/4”, dia. 13-3/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

47 Pair of Neoclassical-Style Rosewood and Exotic Woods Occasional Tables late 19th century, in the manner of Topino, each with a banded oval top with a central vase and vessel inlay, raised on a fluted columnar standard to a concave base on gilt bun feet. h. 28-1/2”, w. 24-1/2”, d. 18-1/2” $800-$1,200 48 Pair of Italian Giltwood Stools in the Rococo Taste each with an articulated X-form frame with foliate decor and upholstered in striped cut velvet with tasseled cushions. h. 22-1/2”, w. 27”, d. 21-1/2” $1,200-$1,800

48 46

49 Royal Worcester Figure of a Bacchante Playing a Tambourine ca. 1891, English, the figure after James Hadley (1837-1903), wearing a gown flecked with blue stars and trimmed in pink, standing outdoors and holding a tambourine above her head, with the Royal Worcester purple mark for 1891, a registry number, and inscribed “Hadley” on the lower back. h. 33”, dia. 11” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000 50 Italian Carved Alabaster Odalisque first quarter 20th century and later, now mounted as a lamp, the female figure, en deshabille, standing against a column fitted with a metal standard and double lamp sockets, fitted with a milk glass shade decorated with grisaille anthemia. h. 54-1/2”, w. 16”, d. 18” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $1,000-$1,500 51 Two Similar Bateau-Form Majolica Centerpieces

fourth quarter 19th century, Bohemian, one depicting a pierced carriage pulled by a panther with a boy in 18th-century costume in attendance, h. 14-1/2”, w. 17”, d. 7-1/4”, and the other modeled as a pierced boat with a peacock-headed figure, resting on a swan-molded base, h. 16-3/4”, w. 18”, d. 6-1/4”. Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 50

52 Pair of Johann Gottlob Thieme Porcelain Lamp Standards ca. 1888-1901, German, in the rococo taste, the bases with hand-painted and molded putti personifying the four seasons, with dolphins above them, with underglaze blue marks on the bottoms. h. 41”, w. 11”, d. 11” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000

53 Continental Majolica Pedestal ca. 1900, with Barbotine-style sculpted flowers and a faux marble top. h. 48-1/2”, w. 12-3/4”, d. 12-3/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 54 Continental School (First Quarter 18th Century) “Portrait of a Lady Holding Flowers” oil on wood panel unsigned. Framed. 18-1/2” x 14”, framed 21-3/4” x 17-1/4” Provenance: Probably Longue Vue House and Gardens, New Orleans, Louisiana. $800-$1,200 55 Pair of Stained Pine Figures of Cupids 53

20th century, each figure holding a grape cluster in one hand and a kylix in the other. h. 30-1/2”, w. 18” $700-$1,000

55 54

57 Oak Trestle-Base Farm Table 19th century, the thick plank top supported by a pair of uprights joined by a stretcher with exposed mortises at each end. h. 30”, w. 86-1/4”, d. 32-1/2”

56 Italian School (Fourth Quarter 16th/First Quarter 17th Century)

$600-$900

“Portrait of an Archbishop or Bishop”

58 Unusual Copper and Bronze Hall Lantern

oil on canvas unsigned. Framed. 38-1/2” x 28-3/4”, framed 43-3/4” x 34-1/4” Provenance: Charlotte Nail Interiors, Houston, Texas; Private collection, Houston, Texas. $500-$800

$800-$1,200

first quarter 20th century, Continental, the tapered bronzeframed body set with three scrolled candle arms behind the glazed sides, set with a copper dome trimmed with pierced bronze anthemia, the corona decorated with pierced bronze turrets. h. 38”, dia. 18”

59 Spanish Fruitwood and Brass Brasero first half 20th century, the sectional, circular top centered by a shallow inset brass twin handle tray, with pierced dome-form cover, the surround decorated with alternating brass floral motifs and studs, raised on four turned legs terminating in bun feet, joined with a conforming circular stretcher. h. 19”, dia. 39” Provenance: Private collection, Houston, Texas. $700-$1,000 59

60 Italian Fruitwood Bombe Commode late 18th century, the stepped and shaped top above a bombe case fitted with two short drawers over two long drawers, each banded, raised on cabriole legs headed by foliate carving and ending in peg feet. h. 36”, w. 40”, d. 16-1/2” $1,000-$1,500

61 Italian School (Fourth Quarter 19th/First Quarter 20th Century) “View of the Doge’s Palace and Piazza San Marco from the Grand Canal, Venice” oil on canvas unsigned, verso frame with a “Abraham & Straus Inc., Brooklyn, NY” label. Period carved giltwood frame. 10” x 14”, framed 13” x 17” $1,200-$1,800

62 Giltwood Mirror of Baroque Inspiration mid-20th century, probably Italian, with a plume-carved finial set into the swan’s-neck pediment, the surround carved with cabochons framing mirror-backed scrollwork, medallions and sheaves of wheat, terminating in an oval panel decorated with polychrome flowers. h. 67-1/2”, w. 36-1/2” $800-$1,200

63 Italian Enameled Metal and Porcelain Chandelier with Matching Sconces mid-20th century, all with porcelain flowers and enameled leaves. chandelier h. 34”, dia. 27”, sconces h. 17”, w. 11”, d. 6-1/2” $600-$900

64 Two Italian Verde Antico Marble Pedestals fourth quarter 19th century, each with an octagonal base supporting a column-form standard, the smaller example fluted. h. 43-1/2” to 45-1/2”, dia. 12” to 18-1/4”

66 Continental Walnut Farmhouse Table 19th century, the plank top supported by substantial square legs, the legs with chamfered lower sections joined by side stretchers, with pegged construction. h. 31”, w. 34-1/4”, l. 90-1/4”

$600-$900 65 Two Verde Antico Marble Pedestals

Provenance: Private collection, Nashville, Tennessee.

fourth quarter 19th century, Italian, each spiral-carved and with an octagonal base. h. 43-1/4”, w. 14”, d. 14” and h. 42”, dia. 9-3/4”

$600-$900

Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $600-$900

67 Louis Franciscus Hendrik Apol (Dutch, 1850-1936) “The Bridge in Winter”

oil on panel signed lower left and en verso. Framed. 16” x 12”, framed 23” x 19” $500-$800 68 Royal Bonn Porcelain Palace Urn ca. 1890-1920, German, hand-painted with a lakeside scene signed “Stichery”, signed with a brown FM shield mark and “Royal Bonn Germany”, along with painted numbers, on a revolving molded base gilt-trimmed and decorated in various shades of brown. h. 34”, dia. 10-3/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000 69 Continental Majolica Jardiniere and Matching Pedestal ca. 1900, with mottled green scrollwork and turquoise panels, set with dragon-molded handles. h. 48-3/4”, w. 30-1/2”, d. 26” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

70 Pair of Italian R. Capodimonte Pottery Covered Urns 20th century, with molded polychrome figures and winged mermaid handles, signed on the bottom. h. 22-3/4”, w. 10-1/2”, d. 9” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa.

$500-$800 71 Rorstrand Majolica Pedestal first quarter 20th century, Swedish, the turned and fluted baluster-form standard molded with oak leaves, the upper portion decorated to match, the base with molded shields, marked on the bottom “Made in Sweden, Rorstrand”. h. 46”, dia. 13” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 72 Italian School (19th Century) “Saint Raymond Nonnatus with Solar Monstrance” oil on copper unsigned Framed. 22-1/2” x 16-1/2”, framed 24-1/2” x 18-1/2” $600-$900 72

73 Pair of Neoclassical-Style Faux Marbre Pedestals each with a stepped square top on a fluted standard with a molded plinth base. h. 34”, w. 22-1/4”, d. 22-1/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

74 Italian Majolica Covered Urn in the Renaissance Style fourth quarter 19th century, set with putti-mounted leafmolded handles, and decorated with a hand-painted scene of wine-making, the sides decorated with masques framed with bunches of grapes, supported on dolphins. h. 36”, w. 18”, d. 9-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000

75 Northern Italian School (Fourth Quarter 18th/First Quarter 19th Century) “Portrait of a Woman with an Ermine Stole” oil on board backed by masonite unsigned. Framed. 25-1/4” x 17”, framed 32-1/4” x 20” Provenance: Private collection, Houston, Texas. $600-$900

77 Renaissance-Style Mahogany Center Table

76 After Peter Paul Rubens (Flemish, 1577-1640)

second quarter 20th century, the hexagonal top on a base with a turned column, flanked by scroll- and rosette-carved brackets. h. 30-1/4”, w. 36-1/4”, d. 36-1/4”

“Self-Portrait”

$600-$900

oil on canvas unsigned. Framed. 39-1/4” x 27-1/2”, framed 48” x 36-1/4”

78 Assembled Set of Eight Soviet Causasian Silver Niello Tea Glasses third quarter 20th century, Kubachi, Dagestan (one Baku, Azerbaijan), the .875 silver podstakanniki in the “Flower Crescent” pattern, with openwork scrolls, squared handles and traditional Kubachi decoration in wrigglework and niello, some gilt, one with Cyrillic inscription, all fitted with plain cylindrical glasses. overall h. 6-3/4”, dia. 2-7/8”, l. 4”; 23.02 total t. oz. (weighable silver)

Provenance: Charlotte Nail Interiors, Houston, Texas; Private collection, Houston, Texas. $800-$1,200 The original is conserved in the Kunsthistorisches Museum, Vienna, Austria; numerous other copies of this portrait were made following Rubens’ death.

$600-$900

79 Pair of Unusual Silver Deposit Ruby Glass Vases

third quarter 19th century, possibly Bohemian, the bases with ground pontils, the necks with Gothic-cut crenellated designs. h. 13-1/2” $300-$500

80 Continental School (19th Century) “Nobleman in Armor” oil on canvas unsigned. Framed. 24-1/2” x 20”, framed 32” x 27-1/2” Provenance: Private collection, Houston, Texas. $500-$800

81 Continental Giltwood Oval Mirror in the Rococo Taste fourth quarter 19th century, the pierced crest molded with flowers, the bottom with a putto head. h. 43”, w. 22-1/2” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $800-$1,200

82 Pair of Painted Wooden Brackets in the Neoclassical Taste

second quarter 20th century, carved with lion’s heads and acanthus leaves. h. 22”, w. 11”, d. 8-1/4”

Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $700-$1,000 83 Renaissance Revival-Style Stained Hardwood Fern Stand 20th century, with carved lion’s heads and paw feet and Chinese-style piercing. h. 33-3/4”, dia. 17” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $600-$900 84 German Majolica Jardiniere and Pedestal ca. 1900, in the Renaissance Revival taste, decorated with classical masques on a scrollwork ground, with scrolled handles, impressed “Germany, 1219” on the bottom. h. 43-1/2”, w. 20”, dia. 11-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000 85 Unusual Italian Baroque-Style Giltwood Mirror ca. 1900, possibly Venetian, the crest with a bust against a pierced frame of leaves and scrollwork, flanked by a pair of female figures, the surround decorated with pierced scrollwork and rocaille work, scattered with flowerheads. h. 49”, w. 31-1/2” $500-$800

86 Pair of Baroque-Style Cast Bronze Sconces 20th century, the three-light sconces with masque-molded shield-form backplates. h. 13”, w. 15”, d. 12” $1,000-$1,500 87 Henri IV-Style Oak Bibliotheque late 19th century, the carved crest over a molded cornice, the door with a glazed panel over a trophy-carved panel, and flanked by twist-columns, with a drawer below. h. 102”, w. 39”, d. 21-1/2”

$500-$800 88 Unusual Baroque-Style Parcel-Gilt Hanging Vessel 19th century, probably Italian, now mounted with lights on the interior, the conical-shaped vessel with beaded edge and carved flowerheads and acanthus leaves on a green-painted ground, hung with a pendant tassel. h. 31”, dia. 13” $700-$1,000 89 Italian Composition Figure of Saint Margaret of Scotland ca. 1900, the canonized English princess and Scottish queen in medieval garb and pose, with a Bible in her hands. h. 22-1/2”, w. 5-1/2”, d. 4-1/4” $500-$800

89 88

90 Stone and Giltwood Shadowbox Picture 20th century, assembled with a crushed hardstone center in a giltwood “O”, forming a sunburst of giltwood scrollwork alternating with natural crystals, in a Spanish Baroque-style giltwood frame. h. 39”, w. 33-1/2” $1,200-$1,800 91 Pair of Molded Composition Mirrors in the Baroque Style 20th century, the parcel-gilt mirrors having crests with winged angel heads. h. 54”, w. 34-1/2” $500-$800 92 Neoclassical-Style Carved Marble Pedestal 20th century, the circular base supporting three putti around the standard, the upper portion with rope-twist carving alternating with acanthus leaves. h. 48-1/4”, dia. 15-1/4”

Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000

93 Pair of Italian Giltwood Figural Brackets mid-20th century, the angel-carved brackets with serpentine shelves and pierced backplates carved with roses and scrollwork. h. 16”, w. 14-1/4”, d. 7” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 94 Italian Capodimonte Molded Pottery Urn and Pedestal 20th century, decorated with bas-relief classical scenes, marked on the bottom “Capodimonte Italy 695” and with a crowned “N”. h. 72”, urn w. 9”, pedestal dia. 7-3/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $600-$900 95 Pair of B. Bloch Majolica Jardinieres first quarter 20th century, Austrian, one impressed “Eichwald”, the other “Made in Austria”. h. 21-1/2”, w. 22” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000 96 Ferdinando Vichi (Italian, 1875-1945) “Pittorno Dai Campi” carved alabaster first quarter 20th century, titled across front, incised signature and localized “Firenze” at back. h. 24-1/2”, w. 9”, d. 11-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000 96 94

97 Continental Alabaster Sculpture of Two Children first quarter 20th century, the young boy and girl seated on a rock, signed “R. Ross”, an unidentified artist. h. 16”, w. 17-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

99 Pair of Royal Dux Figures of Male and Female Musicians ca. 1900-1918, Bohemian, the Art Nouveau figures depicting a female with her lute and a male with his guitar, with lushly and carefully executed details, each on a base molded with various leaves and berries, with the triangular biscuit “Royal Dux Bohemia” mark on the bottom. h. 30-1/2”, w. 9”, d. 8-1/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa.

98 Continental Oak Dining Table

$600-$900

second half 19th century, the circular top with a carved edge and raised on a leaf-carved vasiform pedestal joined to four fruit- and griffin-carved legs ending in paw feet, the top opening to accommodate 72” of additional leaves, one 18-1/2” leaf present, and with drop-down legs for additional support when extended. h. 28-3/4”, dia. 58”, ext. l. 76-1/2” $600-$900

100 Pair of Royal Dux Porcelain Figures of Water Carriers ca. 1918-1945, Czechoslovakian, modeled as a female with a pottery jar and a male with wooden pitchers, each figure at a pump, marked on the bottom, the male with a label on the back. h. 23-1/4”, w. 7-1/4”, d. 6-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

100

101 Gunther Fruhmesser (German, b. 1958)

101

“Village” oil on canvas signed lower right. Framed with artist plaque. 24” x 36”, framed 30-1/2” x 42-1/2”

102

$800-$1,200 102 Art Nouveau-Style Majolica Pedestal ca. 1900, decorated in cobalt and white with gilt accents. h. 40”, w. 13”, d. 13” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 103 Three-Piece Dresden-Style Clock Set fourth quarter 19th century, German, the set with cobalt trim and decorated with porcelain cupids and encrusted flowers, comprised of a clock, h. 15-1/2”, w. 9-1/2”, d. 4-1/2”, and a pair of candelabra with removable branches, h. 18”, dia. 9-1/4”, marked “Bros. Voight, Sitzendorf”.

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Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $800-$1,200 104 Pair of Dresden-Style Porcelain Mirrored Sconces first quarter 19th century, rococo-molded and trimmed in cobalt blue, decorated with molded putti supporting garlands of flowers, the frames with molded, encrusted flowers, the candle arms decorated to match. h. 18”, w. 10”, d. 6-3/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000

104

105 Decorative Painting of a Fresco in an Architectural Setting oil on canvas. unsigned. Framed. 39” x 39”, framed 45” x 45” $1,000-$1,500 106 Pair of Continental Majolica Figures ca. 1900, modeled as a man and woman, dressed in their finery, with polychrome decoration. h. 29” and 31”, w. 8-3/4”, d. 9-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $600-$900 107 Continental Majolica Pedestal 105

ca. 1900, decorated with polychrome flowers and scrollwork, the sides with icons of head masques. h. 42”, w. 15”, d. 15” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 108 Three-Piece Walnut and Gilt-Bronze Clock Set fourth quarter 19th century, French, in the Renaissance Revival style, the works signed by Mougin and the dial signed “Morin-Roulin au Manz”. clock h. 22”, w. 10-1/2”, d. 9-1/2”, candelabra h. 22”, w. 9”, d. 9” $600-$900

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108

110

109 Laristan Sultanabad Runner 2’ 9” x 22’ $900-$1,20

110 Semi-Antique Sultanabad Runner 5’ 8” x 15’ 7” $800-$1,200

109

113

111

111 Semi-Antique Hamadan Runner 3’ 5” x 13’ 4” $500-$800 112 Lilihan Carpet 3’ 7” x 5’ 8” $500-$800 113 Semi-Antique Tabriz Carpet 10’ 4” x 12’ 10” $500-$800

112

114

116 115

114 Semi-Antique Isfahan Carpet

115 Sarouk Carpet

116 Antique Malayer Runner

10’ x 13’

3’ 4” x 5’ 1”

3’ 3” x 20’

Provenance: Successions of Lois Chalona Hawkins and H. Lloyd Hawkins, Jr., New Orleans, Louisiana.

$600-$900

$500-$800

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119

118

117 Semi-Antique Mashad Carpet

118 Kashan Carpet

119 Semi-Antique Malayer Carpet

3’ 7” x 5’ 8”

4’ 4” x 6’ 10”

3’ 6” x 15’ 11”

$500-$800

$800-$1,200

$500-$800

121 120

120 French Baroque-Style Bronze Pendant Chandelier/Lantern second quarter 20th century, of lantern form, with a bronze grid decorated with medallions at each cross member, the upper portion with bronze swags and cabochons. h. 28”, dia. 9” $700-$1,000

121 Louis XVI-Style Marquetry-Inlaid Center Table of mixed woods, including mahogany and fruitwood, the shaped and inlaid top over a conforming frieze fitted with a drawer, raised on fluted legs joined by a stretcher with an ormolu finial. h. 30-1/2”, w. 54”, d. 32” Provenance: Private collection, Houston, Texas. $600-$900

122 Regence-Style Giltwood and Faux Marbre Console Table and Mirror the domed mirror surmounted by an elaborate floral urn crest with pendant foliate patterns, the table with a faux marbre shaped D-end top above a conforming frieze with floral carving and a pendant foliate shield, raised on molded legs headed by bellflower carving, joined by a carved and shaped stretcher and ending in scrolled toes. table h. 34”, w. 66”, d. 20-1/2”, mirror h. 72”, w. 63” $1,000-$1,500 122

123 Continental Majolica Figural Grouping of Musicians ca. 1900, decorated in cobalt blue, of a harpist and a lute player in 18th-century costume, a whippet at their feet, stamped “2847” on the bottom. h. 20-1/4”, w. 14-1/2”, d. 8-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $600-$900

123

124 Pair of Louis XV-Style Mahogany Fauteuils each with an arched shell- and foliate-carved top rail, the stiles joining the shaped open arms, terminating in leaf carving, with like carving on their supports, serpentine seat and cabriole legs. h. 41” $600-$900

124

125 Victor Ducrot (French, 1852-1912) “Chemin Fleuri, Antibes” oil on canvas signed lower right. Framed. 26-1/2” x 36”, framed 36” x 46” $500-$800

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128

127

127 Provincial Louis XV-Style Mahogany Bibliotheque/Cabinet 126 Louis XV-Style Fruitwood Commode the banded serpentine front and sides over a conforming case with a pair of drawers over a single drawer, raised on cabriole legs. h. 31-1/4”, w. 34-1/2”, d. 16-3/4” $700-$1,000

in two parts, the serpentine upper section with a molded cornice over a pair of doors fitted with wire mesh panels, the base with a pull-out work slide over a pair of paneled doors. h. 90-1/2”, w. 55”, d. 16” $1,200-$1,800 128 Provincial Louis XV-Style Mahogany Commode the serpentine top with a molded edge, over a pair of conforming carved and paneled drawers, with a pierced foliate-carved apron below, raised on cabriole legs ending in French toes. h. 30-1/4”, w. 34-1/2”, d. 17-1/2” $700-$1,000

130

129

129 Provincial Louis XV Fruitwood Fauteuil

131 Regence-Style Walnut Commode

ca. 1800, the molded and shaped back with a shellcarved crest, the open arms on shaped supports, with serpentine seat and cabriole legs. h. 42”

the serpentine molded top over a conforming bombe case fitted with a work slide over a pair of molded paneled doors, and a scalloped apron below. h. 27-3/4”, w. 36”, d. 19”

$700-$1,000

$600-$900

130 Henri Dupre (French, act. 1920-1930)

132 Pair of Provincial Louis XV-Style Fruitwood Fauteuils

“Blue Parasol” oil on canvas signed lower right. Framed. 24” x 36”, framed 30-1/4” x 42-1/4”

20th century, each with a shaped and padded back surmounted by a floral crest, joined by padded arms to the like seat, raised on cabriole legs ending in foliate toes. h. 37” $500-$800

$500-$800

131 132

133 Provincial Louis XV-Style Fruitwood Buffet 19th century, the case with a pair of drawers over a pair of paneled doors on fiche hinges, scalloped apron and cabriole legs. h. 35-1/2”, w. 50”, d. 23-1/4” $500-$800

134 Provincial-Style Walnut Bench of triple-chairback form, each section with a carved medallion splat, having open arms, a rush seat and legs joined by stretchers. h. 40-1/2”, w. 69”, d. 23-1/2” $700-$1,000 133

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135

135 Collection of French Copper Cookware

136 Five Pieces of Dehillerin and Dehillerin-Attributed Copper Cookware

20th century, including two signed Dehillerin stainless-lined saute pans with steel handles, h. 2-3/4”, w. 15-1/4” to 17-1/4”, dia. 8” to 9-1/2”, a signed Culinax stainless-lined sauce pan, Swiss, h. 2-3/4”, dia. 6-3/4”, l. 3”, and five assorted copper covers with brass handles, some stainless lined, some tin lined, dia. 5-1/4” to 11-1/2”.

20th century, French, including an unsigned stainless-lined saute pan with a steel handle, h. 1-3/4”, w. 20-1/4”, dia. 10-1/2”, an unsigned stainless-lined stew pot with brass handles, h. 5-3/4”, dia. 10-1/4”, an unsigned tin-lined paella pan with brass handles, h. 2”, dia. 16”, an unsigned tin-lined fish poacher with lift-out strainer, h. 5-3/4”, w. 22-1/4”, d. 6-1/2”, and a covered saute pan marked “Dehillerin Paris”, the pan with a steel handle, the cover with a brass handle mh. 3”, w. 12”, l. 22”.

$500-$800

136

137

137 Collection of Five Dehillerin and Dehillerin-Attributed Copper Pots

138 Five Dehillerin and Dehillerin-Attributed Copper Covered Sauce Pans

French, 20th century, consisting of four unsigned graduated oval tin-lined copper roasting pots with brass handles, h. 3-1/4” to 5-1/2”, w. 9” to 14-1/2”, and a stainless saute pan with two handles, signed “Dehillerin Paris”, the cover tin lined, h. 3”, d. 12-1/4”.

20th century, French, with brass handles, the largest signed, the others attributed. h. 2-3/4” to 4-1/4”, dia. 5” to 8”, l. 10-1/2” to 15” $500-$800

$500-$800

138

140 139

139 Louis van der Pol (Dutch, 1896-1982) “Donkey Ride on the Beach” oil on wood panel signed lower right. Framed. 22-1/2” x 29-1/4”, framed 29” x 36-1/4” $800-$1,200 140 Provincial Louis XV-Style Walnut Side Table 20th century, the molded top over a scalloped apron, raised on cabriole legs with French toes. h. 27-1/2”, w. 25-1/2”, d. 18-1/2”

141

$500-$800 141 Provincial Regence Fruitwood Commode mid-18th century, the rounded rectangular top slightly bowed and above a conforming case fitted with two long drawers, each paneled, the sides also paneled, raised above a shaped apron on cabriole legs ending in pointed toes. h. 32-1/2”, w. 39-1/2”, d. 20” $700-$1,000 142 French Beaux-Arts Bronze and Crystal Hall Chandelier first quarter 20th century, with three interior lights, decorated with molded bronze swags. h. 25”, dia. 12-3/4” $500-$800 142

143

144

143 French Boulle-Brass- and Tortoiseshell-Inlaid Glove or Fan Box third quarter 19th century, with a fall front, the top with a crest initialed “M.C.D.”. h. 3-1/4”, w. 10”, d. 4” $500-$800

145

144 Pair of Regence Walnut Side Chairs

145 Continental Carved and Stained Tall Case Clock

second quarter 18th century, with molded stiles and crest rail, a serpentine front seat rail with shell and scroll carving and cabriole front legs, now upholstered in “floral and urn” needlepoint fabric. h. 40-1/4”

18th century and later, in the rococo style, decorated with exotic figures, carved leaves and a basket of flowers, the arched hood carved to match. h. 96-1/2”, w. 15”, d. 11”

Provenance: Lucullus, New Orleans, Louisiana. $700-$1,000

$500-$800

146 French School (Second Half 18th Century) “Portrait of a Statesman” oil on canvas unsigned. Framed. 28-3/4” x 22-7/8”, framed 36” x 31” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $800-$1,200

146

147 French School (First Quarter 19th Century) “Portrait of a Gentleman in a Lace Cravat” oil on canvas unsigned. Framed. 18-3/8” x 15-5/16”, framed 24-3/4” x 21-3/4” Provenance: Dixon & Dixon, New Orleans, Louisiana; Collection of James Harris, PhD, Oklahoma City, Oklahoma. $500-$800

147

148

150

148 Pair of Rococo-Style Carved Padauk Bracket Shelves

150 Continental Black Metal Chandelier

fourth quarter 19th century, pierced and carved with scrollwork and flowerheads, the serpentine shelves with carved edges. h. 15-3/4”, w. 11”, d. 5-1/2”

second quarter 20th century, the scrolled frame decorated with leaves and vines, the candle sockets in the form of flowers, the whole hung with glass drops. h. 35”, dia. 25”

$500-$800

$700-$1,000

149 Pair of Louis XV-Style Polychrome Fauteuils

151 French Bronze and Crystal Chandelier in the Baroque Taste

each with a shaped padded back surmounted by a scrolling foliate crest, joined by padded arms to the like seat over a shaped apron, raised on cabriole legs ending in scrolled toes on pegs. h. 44-1/2” $700-$1,000

20th century, with a molded glass-clad standard, the bronze frame set with scrolled candle arms hung with drops, the upper portion with two sprays of drops, with a cut spherical pendant finial. h. 26”, dia. 12” $1,000-$1,500

151

149

152 Louis XVI-Style Fruitwood and Marble-Top Semainier late 19th century, the rectangular marble top above a conforming case fitted with seven chevron-veneered banded drawers, raised on slightly cabriole legs. h. 59-1/2”, w. 27-1/2”, d. 16-1/2” Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $1,000-$1,500

153 Suite of Eight Louis XV-Style Hardwood Chairs comprised of a pair of armchairs and six side chairs, each with gilt-lacquered ormolu mounts, a serpentine front seat rail and cabriole legs, the seats and backs in ivory upholstery. armchair h. 40-3/4”, side chair h. 39-3/4” $500-$800

152

153

154

154 Louis XV-Style Polychrome and Marble-Top Side Table

155

20th century, the rectangular marble top with a molded edge, above a conforming shaped frieze fitted with one long side drawer, raised on molded cabriole legs ending in foliate toes. h. 29”, w. 46”, d. 30-1/2” $500-$800 155 Georgi Alexandrovich Lapchine (Russian, 1885-1950) “Vue de Notre-Dame de Paris et Le Petit Pont” oil on linen signed lower right. Framed. 13-7/8” x 10-7/8”, framed 20-3/4” x 17-1/2” $1,500-$2,500

156

156 Louis XV-Style Walnut Dining Table early 20th century, the top with a molded edge and raised on foliate-carved scroll legs joined to a molded and carved serpentine stretcher, on bun feet. h. 30-1/4”, w. 63”, l. 65” $500-$800 157 Louis XVI-Style Polychrome Chaise Longue 19th century, the shaped and padded back surmounted by a stepped crest and end finials, and joined to the long padded seat by downswept, stop-fluted tapering circular legs ending in toupie feet, upholstered in silver floral and scroll-embossed putty leather . h. 38”, w. 25”, l. 60-1/2” $700-$1,000

157

158 French Baroque-Style Gilt-Bronze Chandelier early 20th century, the standard with a ball and fluted vasiform section mounted with winged angels, issuing eight arms with bellflower decor. h. 28”, dia. 33” $700-$1,000

158

159 Three-Piece Louis XV-Style Gilt-Bronze Clock Set fourth quarter 19th century, French, the clock with signed Marti works, the five-light candelabra molded to match. clock h. 21-1/2”, w. 9-1/2”, d. 5”, candelabra h. 21”, w. 8-1/2”, d. 8-3/4” $800-$1,200

159

160 Pair of Louis XV-Style Pierced Gilt-Bronze Chenets first quarter 20th century, French. h. 18”, w. 17”, d. 6” Provenance: Private collection, Houston, Texas. $500-$800

160

161

163

161 Louis XV-Style Ormolu-Mounted Mahogany Bureau Plat 20th century, the shaped top with a green tooled leather blotter, one side fitted with three drawers, raised on cabriole legs with female mounts on the knees. h. 33-1/2”, w. 76”, d. 38”. $500-$800 162 French Belle Epoque Giltwood and Faux Malachite Mirror ca. 1900, the oval beveled mirror plate with a twisted gilt surround, set into a rectangular frame with a delicate crest depicting a wreath of flowers and boughs of laurel, with a malachite ground, the upper portion decorated with swags of flowers, the lower portion with a quiver and torch. h. 53”, w. 36” $600-$900 163 French Belle Epoque Gilt-Bronze Chandelier first quarter 20th century, exhibiting a mixture of Rococo and Art Nouveau designs, the ball-form body wrapped with latticework and supported on a standard with a vine of flowers, the arms set on two tiers, with pierced latticework on the top tier and scrollwork and leaves on the bottom tiers. h. 61-1/2”, dia. 31” $500-$800 162

164 Pair of Louis XV-Style Mahogany, Kingwood and MarbleTop Petite Commodes early 20th century, each with a shaped marble top above a conforming bombe case fitted with two quarter-veneered drawers, raised on cabriole legs ending in sabots. h. 27-1/2”, w. 21”, d. 15” $500-$800 165 Pair of Gilt-Bronze Sconces in the Louis XV Taste

166 Louis XV-Style Kingwood Book Trough and Hanging Shelf 19th century, the angled trough top with brass banding and over a quarter-veneered surface, joined to a lower larger trough by cabriole supports ending in brass sabots on casters, the shaped and graduated shelf with bookmatched kingwood veneers, the front edges trimmed with a gilt-bronze molding, the whole with decorative inlaid banding . h. 31”, w. 21-1/2”, d. 10-1/4”, shelf h. 26”, w. 21”, d. 9” $700-$1,000

second quarter 20th century, French, the two-light sconces with acanthus leaf backplates, issuing fluted, scrolled arms with conforming candle sockets and bobeches. h. 14-1/2”, w. 14-1/4”, d. 9-1/4” $500-$800

164

165

166

167

167 Louis XV-Style Giltwood and Marble-Top Console Table 19th century, the shaped marble top above a conforming frieze centered by a pierced foliate shield amidst scrolling foliate patterns, and raised on C-scroll legs joined by a shaped stretcher and ending in foliate scrolled toes. h. 36”, w. 57”, d. 18” Provenance: Charlotte Nail Antiques, Houston, Texas; Private collection, Houston, Texas. 169

$700-$1,000

168 Two Continental Hand-Painted Paper Fans

169 English Needlepoint Carpet

second half 19th century, one decorated with figures in an Arcadian landscape, the other with framed figures and handpainted flowers and tendrils, presented in custom giltwood fan cases. h. 13-3/4”, w. 23-1/4”, d. 3-1/4”

8’ x 11’ 8” $700-$1,000

$500-$800

168

170

170 Three-Piece Gilt-Bronze and Porcelain Clock Set fourth quarter 19th century, French, set with Sevres-style hand-painted porcelain, mounted with a signed Japy Freres movement. clock h. 14-3/4”, w. 7-1/4”, d. 5”, candelabra h. 11-1/4”, w. 7-1/2”, d. 3-1/2” $600-$900

171 Pair of Sevres-Style Bronze-Mounted Porcelain Palace Urns 20th century, decorated with hand-painted panels depicting couples in Arcadian landscapes, framed with gilt, against a bleu celeste ground. h. 42”, w. 15-1/2”, d. 7-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

171

172

172 Pair of Louis XV-Style Mahogany and Marble-Top Commodes early 20th century, each with a shaped marble top above a conforming case fitted with a single cupboard door inset with a panel depicting a figural landscape, the sides paneled en suite, raised on cabriole legs ending in sabots. h. 31”, w. 28”, d. 14”

174 Louis XV-Style Giltwood Mirror mid-20th century, the pierced surround decorated with rocaille and scrollwork, accented with flowerheads, the crest with scrolls forming a swan’s-neck pediment. h. 51-1/2”, w. 50” $800-$1,200

$600-$900 173 Louis XV-Style Giltwood and Marble-Top Center Table the turtle-form top above a conforming foliate scrollpierced frieze centered by a shell carving, raised on cabriole legs headed by a shell shield and ending in acanthine scrolled toes. h. 33-1/2”, w. 72”, d. 36” $1,000-$1,500

173

174

175

176

175 Pair of Louis XV-Style Giltwood and Mirrored Sconces mid-20th century, probably Italian, the oblong backplates lined with ribboned carved acanthus leaves, with rocaille pierced and carved crests, mirror backs, and leaf-carved scrolled candle arms, electrified and mounted with shades. h. 31”, w. 10-1/2”, d. 11” Provenance: Bruce McCashin Collection. $500-$800 176 Louis XV-Style Giltwood and Marble-Top Console Table 19th century, the shaped rouge marble top above a conforming paneled and shell-carved frieze, raised on C-scroll legs joined by a shell-centered stretcher and ending in foliate scrolled toes. h. 37”, w. 33-1/2”, d. 15”

177

$600-$900 177 French Gilt-Metal Eight-Light Chandelier 20th century, with leaf-molded arms, decorated with gilt-metal roses and lilies. h. 21”, dia. 23-1/2” $500-$800 178 French Gilt-Metal Seven-Light Chandelier mid-20th century, with leaf-molded arms, decorated with giltmetal roses and lilies. h. 25-1/2”, dia. 24” $500-$800 178

179 Louis XV-Style Kingwood and Inlaid Side Table 19th century, of bombe form with a floral-inlaid top and sides, the door opening to a fitted interior with four drawers, raised on slender cabriole legs. h. 30”, w. 11”, d. 11” $700-$1,000 180 Louis XVI Inlaid Cylinder Desk and a Restauration Commode the desk, late 18th century, with parquetry inlay on the top, sides and cylinder, the latter centered by a marquetry panel, the desk opening with a mechanical mechanism as the writing slide is pulled out, raised on tapering legs, h. 39”, w. 35-3/4”, d. 18”, and the mahogany and ebonized commode, second quarter 19th century, with a drawer over a door, flanked by scroll pilasters with bronze mounts, h. 35-1/2”, w. 25-1/8”, d. 17-1/2”. 179

$800-$1,200 181 Assembled Collection of Twelve Victorian Porcelain Oyster Plates including eight marked Haviland with hand-painted shells, 1876-1880, and four examples by an unknown maker. dia. 9” $300-$500

181

180

182 184

182 Pair of Louis XVI-Style Giltwood and Marble-Top Corner Consoles

184 French Rococo-Style Gilt-Bronze and Porcelain Boudoir Lamp

each with a serpentine variegated rouge and grey marble top over a conforming apron centered by shell, floral and foliate carving and raised on a cabriole leg. h. 37”, w. 33”, d. 18”

first quarter 20th century, designed as a pierced gilt-bronze pergola, the light in the top, the exterior with sculpted porcelain flowers, a Chelsea-style porcelain shepherd with his sheep inside. h. 12-3/4”, w. 6-1/4”, d. 5-1/2”

$800-$1,200 183 Napoleon III Giltwood Settee

$600-$900

third quarter 19th century, in the Louis XV taste, the padded trisected back surmounted by a foliate shield crest, joined by padded scrolling arms to the padded seat, raised on molded cabriole legs ending in scrolled toes. h. 46”, w. 65”, d. 28” $800-$1,200

183

185 Pair of Tinted Parian Figures in the Manner of Jean Gille fourth quarter 19th century, French, the gilt-trimmed male and female figures modeled dressed for a masked ball. h. 21”, w. 8”, d. 11” Provenance: Private Collection, Nashville, Tennessee. $500-$800

186 French Painted and Mirrored Hall Stand ca. 1900, the surround painted in shades of green, the central panel with a carved giltwood crest mounted with an engraving after Angelica Kauffman (Swiss, 1745-1807), the side panels set with marble-top brackets over panels set with carved musical trophies, a planter with a zinc insert in the center. h. 103”, w. 75”, d. 11”

185

$500-$800

187 Provincial Louis XV-Style Polychrome Center Table 19th century, the rounded square top with an inset floralpatterned needlepoint panel, above a conforming shaped frieze, raised on molded cabriole legs ending in peg feet. h. 26-1/2”, w. 31-1/2”, d. 31-1/2” $600-$900

187

186

189 190

188

188 Pair of Louis XIV-Style Painted Wooden Candlesticks

190 Gilt-Brass and Crystal Chandelier in the Louis XIV Taste

20th century, Continental, now mounted as lamps, the standards decorated with carved leaves and scrollwork. with three-sided bases supported on paw feet h. 35-1/2”, w. 9”, d. 9”

20th century, the brass frame hung with cut crystal drops. h. 32”, dia. 24” $800-$1,200

$500-$800

191 Three Pairs of Maria Theresa-Style Crystal Sconces

189 Marble Bust of an Art Nouveau Jeune Fille

20th century, each with a brass-plated backplate supporting five candlearms with glass bobeches hung with swags of prisms and cut glass drops. h. 17”, w. 11”, d. 8”

signed by Virgile Morey (French, 1883-1895), depicted in a wrap embellished with a rose, signed “V. Morey” on the side of the base. h. 24”, w. 12”, d. 8”

$500-$800

$600-$900

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192 Charming Louis XVI-Style Polychrome and Caned Youth Bed

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ca. 1900, the rope-carved frame with a floral-carved crest, with caned panels and rails, raised on turned and fluted legs. h. 41”, inside w. 24-1/2”, l. 56-1/2”, outside w. 28”, l. 60-1/2” $600-$900

193 Louis-Philippe Aubusson Carpet 6’ x 9’ 2” $600-$900

194 French-Style Carved and Inlaid Walnut Console Table and Mirror ca. 1920, the mirror in a pierced and carved shield-form frame, above a rococo-inspired console with a carved putto head and sprays of flowers. mirror h. 36”, w. 27”, console h. 30-1/2”, w. 39-1/2”, d. 16” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

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195 Napoleon III Bronze Plaque third quarter 19th century, depicting putti at a Bacchanalian celebration, framed with beadwork, on a silk matte, mounted in a giltwood frame. overall h. 20”, w. 17” $600-$900

196 Giltwood and Composition Mirror third quarter 20th century, in the rococo taste, set with a circular beveled mirror plate, the surround decorated with a pair of composition angels playing musical instruments. h. 42-1/2”, w. 35” $500-$800

197 Giltwood and Composition Mirror third quarter 20th century, of Louis XVI inspiration, the giltwood mirror set with putti-molded composition plaques. h. 52-1/2”, w. 30-1/2” $500-$800

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198 Impressive Carl-Johann Gottlob Thieme Porcelain Potpourri Urn ca. 1888-1901, Dresden, Germany, decorated with encrusted flowers and fruits, the facade with a hand-painted panel depicting “Europa and the Bull”, the double angel handles supporting floral swags, the pierced cover decorated with a goddess holding a basket of flowers, with an underglaze blue crossed swords and “T” mark. h. 34”, w. 11-1/4”, d. 10-1/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 199 Dresden-Style Porcelain and Gilt-Metal Mirror third quarter 20th century, probably German, decorated with encrusted flowers and a pair of putti with a swag of flowers on the crest, set into a giltmetal surround. h. 44-1/4”, w. 24-1/2” $700-$1,000 200 After Jean Jules Salmson (French, 1823-1902)

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“Marie Antoinette” gilt bronze fourth quarter 19th century, cast signature. h. 20”, w. 9-1/2”, d. 5-3/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

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201 Napoleon III Ebonized and Parquetry Bureau third quarter 19th century, the superstructure with a domed backpiece over two shelves and two small drawers, over a slant front opening to a baize-lined surface and drawers and cubbyholes, over a single drawer, raised on fluted tapering circular legs joined by a shaped H-form stretcher and ending in toupie feet. h. 55”, w. 29”, d. 19” $700-$1,000 202 French Pierced Bronze Mantel Clock fourth quarter 19th century, in the Renaissance Revival taste, on paw feet, with crowned whippets supporting the dial, crowned with a masque, the sides with winged caryatids and set with an urn-form finial, both the porcelain characters on the dial and the works stamped by the retailer, J. E. Caldwell, Philadelphia. h. 26”, w. 17”, d. 9-1/2” $1,000-$1,500 203 French Bronze Electrolier first quarter 20th century, the oblong standard with reeding and set with three leaf-molded electric down lights hung with beaded prisms, and three gas sockets, decorated with ram’s heads and hung with swags of beaded prisms. h. 33-1/2”, dia. 21” $600-$900

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204 French Gilded Age Walnut Mirror fourth quarter 19th century, carefully carved with a flat surround decorated with flowers and birds, the pierced crest having a serpent wrapped with a bowknot, attacking a bird, framed with a pierced bower of flowers and birds. h. 49-1/2”, w. 33” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $800-$1,200

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205 Louis-Philippe Brass and Ruby Glass Chandelier mid-19th century, with a lobed glass pan fitted with grapeembossed brass chains, candle arms and corona, fitted with decorative brass drops. h. 22”, dia. 18” $700-$1,000 206 Carl-Johann Gottlob Thieme Dresden Banquet Lamp ca. 1888-1901, German, with a porcelain base and glass ball shade, the base painted and decorated with a shepherd and shepherdess, the base marked in underglaze blue. h. 32-3/4”, dia. 7-1/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

207 Pair of Franco-Bohemian Rococo Revival Porcelain Cachepots mid-19th century, each with carefully painted floral panels, the crest and handles molded with rigorous rocaille gilt decoration, on matching gilt-decorated saucers with pierced centers. h. 9-3/4”, w. 10-1/4” $700-$1,000 208 Napoleon III Fringed Aubusson Valance third quarter 19th century, decorated with panels of roses, on a scroll-molded surround, against a rose ground. h. 35”, w. 96” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $700-$1,000

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209 Pair of “B. Viz” Tapestry and Velvet Pillows designed by Rebecca Vizard, with 19th-century floral tapestry panels trimmed with antique fringed passementerie tape, backed with tan strie velvet and hand-trimmed with the signature vintage metallic cording knotted at the corners. h. 19”, w. 20-1/2” Provenance: Bremermann Designs, New Orleans, Louisiana. $500-$800 210 Dresden-Style Porcelain Group 20th century, modeled as a young lady and her dog traveling in a horse-drawn coach, the base decorated with encrusted flowers. h. 15”, w. 9-3/4”, l. 28-3/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa.

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$500-$800 211 Gilt-Bronze Mantel Clock by Henry Marc, Paris second quarter 19th century, the rocaille-molded case decorated with sea motifs, including Poseidon at the crest, a putto riding a hippocampus under the dial, and a cupid holding a swag of flowers, surrounded by various shells and coral at the “grotto” base, the silk-string suspension works marked “Hry Marc, Paris”. h. 19-1/2”, w. 15”, d. 7” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $600-$900 212 Napoleon III Walnut Prie-Dieu third quarter 19th century, in the Rococo Revival taste, the tall back with a padded armrest over a carved support depicting a winged angel masque over a Bible, cross and devotional symbols, the low serpentine cushion on cabriole legs, now upholstered in crimson cut velvet. h. 35” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $500-$800

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213 Paris Porcelain Jacob Petit”Sultan” Candlestick 19th century, now mounted as a lamp on a brass base, fitted with a shade. h. 25”, dia. 12-3/4” Provenance: Bruce McCashin Collection. $500-$800 214

214 Miniature Louis XV-Style Japanned and Marble-Top Commode 20th century, French, the serpentine mottled brown marble top above a conforming case with two drawers decorated with flowering branches, the sides en suite, fitted with bronze handles and mounts. h. 9”, w. 14-1/4”, d. 7-1/2” $600-$900

215 Japanese-Style Six-Panel Room Divider second half 20th century, each hinged wooden panel joined to depict a scene of figures in a temple garden setting, with cranes flying overhead, with raised and gilt detail on a burntumber ground, within scrolling foliate borders. h. 75”, w. 120” $800-$1,200

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216 Two Chinese Porcelain Buddhas each modeled seated, dressed in robes with floral embellishments and holding ruyi scepters, the smaller example leaning on a stack of four books, with an indistinct mark impressed to the base. larger h. 6”, w. 10”, d. 7-1/2”, smaller h. 6-3/4”, w. 7”, d. 5” $500-$800

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217 Two Chinese Porcelain Vases Republic period (1912-1949) and later, comprising an unusual three-sided arrow vase, decorated to two sides with figural scenes, the third side with a calligraphic inscription, the base with an apocryphal seal mark in copper red, h. 15”, w. 7”, d. 7”, and a cylindrical vase or wig stand, decorated to the exterior with two scholars and an attendant in a garden setting with a crane flying overhead, the base with an indistinct seal mark, h. 11-1/8”, dia. 4-3/4”. $500-$800

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218 Chinese Famille Rose Porcelain Vase Republic period (1912-1949), of baluster form with flared, foliate lip, decorated to the exterior with scenes from the Warring States period, with molded zoomorphic detail to neck and shoulder, the base unmarked. h. 14”, dia. 7” $600-$900

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219 Louis XVI-Style Mahogany and Marble-Top Cabinet

221 Louis XVI-Style Polychrome and Parcel-Gilt Settee

second half 20th century, the marble slab top with a molded edge and rounded corners, above a case with a drawer over a paneled door flanked by pilasters with gilt-bronze capitals, the rounded ends with two open marble-topped shelves with brass galleries. h. 35”, w. 52”, d. 19-1/2”

first half 20th century, gilt-accented gris-de-Trianon, the back and rails with beaded, foliate-and ribbon-carved molding, the open arms terminating in scrolled ends with leaf carving, on shaped supports with like carving, raised on fluted legs, now in floral cut-velvet upholstery. h. 40-1/4”, w. 52-1/2”, d. 25”

$500-$800

Provenance: Nina Sloss Antiques, New Orleans, Louisiana.

220 Pair of Louis XVI Fruitwood Fauteuils

$500-$800

18th century, each with a padded medallion back within a molded frame, joined by padded, scrolling arms to the like seat, raised on fluted tapering circular legs ending in bulb feet. h. 37” $500-$800

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222 Pair of Louis XIV-Style Gilt-Bronze Candelabra

224 Pair of Baroque-Style Brass and Crystal Sconces

fourth quarter 19th century, French, urn and pedestal-form standards draped with bronze laurel swags and set with ropetwisted leaf candle arms terminating in candle cups set with beaded drip pans and bobeches, raised on toupie feet. h. 21”, dia. 11”

20th century, each five-light sconce with swags of prisms and cut crystal drops. h. 19”, w. 13”, d. 7”

$700-$1,000

225 French Gilt-Bronze Chandelier

223 Louis XV-Style Bronze and Cut Glass Chandelier mid-20th century, French, the five-light chandelier with a scrolled bronze frame set with floriform drip pans, the arms hung with crystal drops. h. 25-1/2”, dia. 19”

$500-$800

first quarter 20th century, in the Louis XV taste, the standard wrapped with leaves and flowerheads, the rocaille arms set with floriform drip pans and candle cups with lattice. h. 27”, dia. 18-1/2” $500-$800

$800-$1,200

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226 Louis XVI-Style Giltwood Stool the padded rectangular top above a dentillated frieze, raised on canted and fluted tapering square legs ending in spade feet. h. 21”, w. 29-1/2”, d. 18-1/2” Provenance: Estate of Sylvia Pugh Sullivan, Houston, Texas. $500-$800

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227 Louis XVI Mahogany and Marble-Top Side Table late 18th century, the bowed marble top above a frieze fitted with a central drawer flanked to either side by a faux drawer, all paneled and with brass banding, raised on brass-fluted tapering circular legs ending in brass caps. h. 37”, w. 45”, d. 23-1/2” $500-$800 228 Louis XVI-Style Kingwood and Marble-Top Commode 20th century, the demi-lune marble top above a conforming case fitted with a swag-inlaid frieze over three drawers, all banded and quarter-veneered, flanked to either side by a banded panel, raised on ormolu-mounted tapering circular legs. h. 34-1/2”, w. 35-1/2”, d. 17-1/2” 227

$700-$1,000 229 Molded Composition Gilt Mirror 20th century, with a rococo molded surround, set with a beveled mirror plate. h. 58-3/4”, w. 46-1/2” $500-$800

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230 Directoire-Style Polychrome Bench 19th century, the long rectangular padded seat above a paneled frieze, raised on tapering square legs headed by foliate medallions and ending in toupie feet. h. 19-1/2”, w. 50-3/4”, d. 20” $400-$700

231 Napoleon III Giltwood Mirror third quarter 19th century, in the neoclassical taste, the covemolded surround decorated with rocaille work and set with a scroll-molded pierced crest. h. 62-1/2”, w. 36-1/4” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $700-$1,000

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232 Suite of Four Louis XVI Revival Parquetry and Ebonized Side Chairs 19th century, Continental, each with a shaped back with ebonized moldings framing contrasting veneers, the seat rails with parquetry veneers, raised on octagonal legs with raised veneer decor. h. 37-1/2” $600-$900 232

233 Louis XVI-Style Bronze-Mounted Ebonized and MarbleTop Cabinet ca. 1900, the inset white marble top over a case with brass stringing and bronze mounts, the paneled door with a figural mount. h. 43-1/2”, w. 44”, d. 19-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa.

first quarter 20th century, with a scroll-pierced corona concealing four lights and a primary bronze ring molded with satyr masques concealing nine interior lights, hung with four tiers of graduated raindrop-molded prisms and set with a cut spherical pendant finial. h. 49”, dia. 24” $700-$1,000

$600-$900

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234 French Bronze and Crystal “Waterfall” Chandelier

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235 French Brass Electrolier the twelve-light electrolier with a ball-shaped standard mounted with swags and scrolled gas arms, alternating with tulip-molded and pierced electric sockets, the bottom with a pierced, molded finial. h. 41”, dia. 32-1/2”

237 Pair of French Polished Bronze and Verde Antique Marble Lamps second quarter 20th century, the urn-form lamps with mounts depicting a clutch of nature morte game and handles in the form of baby satyrs blowing horns. h. 33-1/2”, w. 8-3/4”

$600-$900

Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa.

236 French Polychrome and Ebonized Tiered Table

$600-$900

19th century, in the Louis XV taste, the circular top with decorative polychrome banding and joined to two like lower tiers by ebonized supports headed by ormolu capitals and ending in sabots. h. 35”, dia. 21” $500-$800

238 Les Vieux Hotels de Paris Paris: Chez F. Contet, 1928-1939, editions 1-3, including 17 of the 22 published volumes on Parisian architecture, lacking volumes 4, 10, 15-17. each 17-1/2” x 12-3/4” $500-$800

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239 French Gilt-Bronze, Marble and Tole Bouillotte Lamp first quarter 20th century, the standard cast as cupid holding two trumpetform candle arms, set with delicate leaf candle cups, the tole shade on an adjustable pole. h. 30-3/4”, w. 12-1/2”, d. 9” $600-$900 240 Directoire-Style Mahogany Armchair 20th century, the backswept paneled crest centered by a carved urn above a stylized foliate urn splat and joined to the cushioned caned seat by paneled arms, raised on ring-turned circular legs ending in bun feet, the base stamped “Made in Italy”. h. 34” Provenance: Estate of Sylvia Pugh Sullivan, Houston, Texas. $500-$800 241 Louis XV Giltwood Barometer fourth quarter 18th century, the case now mounted with Victorian works, decorated with trophies of war, with a helmet finial supporting a carved swag, the surround carved with a sword and horns. h. 43”, w. 20” $800-$1,200

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242 Louis XVI-Style Parcel-Gilt and Polychrome Breakfront in two parts, the upper section with a molded and dentillated cornice over a pair of projecting glazed doors, flanked by like doors, each end with a paneled door with ribbon and foliate decoration, on a conforming base fitted with paneled doors in like decor. h. 87”, w. 96”, d. 17-3/4” $800-$1,200

243 French Belle Epoque Giltwood Oval Mirror fourth quarter 19th century, in the Louis XVI taste, with a pierced bowknot crest flanked by sprays of roses. h. 38-3/4”, w. 25-1/2” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $500-$800

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244 Chinese Powder Blue and Gilt Porcelain Covered Urn first half 20th century, of baluster form with domed cover, delicately decorated with a phoenix amid foliage, a leaf pattern border encircling the base. h. 16”, dia. 11” $500-$800 245 Louis XVI-Style Giltwood Ottoman the blue velvet cushion edged with gold fringe, within a frame with a fluted apron and foliate-carved uprights. h. 21-1/2”, w. 29”, d. 19” $500-$800 246 Meissen Porcelain Figure of a Hunting Dog

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first quarter 19th century, German, poised on a mossy earthen mound, with a fluted and molded base, the collar marked “FA”, believed by some to stand for Frederick Augustus, elector of Saxony from 1774, with underglaze blue crossed swords and incised “C.27”. h. 7-1/4”, w. 9-3/4”, d. 5-1/2” Provenance: Successions of Lois Chalona Hawkins and H. Lloyd Hawkins, Jr., New Orleans, Louisiana. Literature: Deloris Hensi, The H. Lloyd Hawkins, Jr. Meissen Collection (New Orleans Museum of Art, 1997), p. 60. $500-$800 247 Louis XVI-Style Kidney-Form Desk the inset marble top edged by a brass gallery, above a frieze fitted with a single drawer, raised on fluted legs joined by a shaped shelf, with ormolu mounts throughout. h. 20”, w. 29-1/2”, d. 17-1/2” $500-$800

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248 Large Pair of Meissen Porcelain Urns ca. 1860, German, decorated in the round with polychrome flowers, mounted with double serpent-molded handles, the bases with gilt reeding, fluting and a border of lotus leaves, with underglazed blue crossed swords marks and a “29”. h. 18-1/4”, w. 11-1/2”, d. 8” Provenance: Private collection, Houston, Texas.

250 Louis XVI-Style Mahogany and Marble-Top Commode late 18th century, the canted rectangular marble top above a conforming case fitted with five long paneled drawers, all flanked to either side by a canted, fluted stile, raised on cabriole feet ending in sabots. h. 48-1/2”, w. 49-1/2”, d. 18-1/2” $500-$800

$700-$1,000 249 Pair of Meissen Porcelain Urns ca. 1860-1924, German, decorated on the obverse and reverse with panels of hand-painted polychrome flowers, mounted with intertwined serpent handles, the bases with gilt fluting and molded leaves. h. 11”, w. 6-1/4”, d. 4-1/2”

251 Louis-Philippe Mahogany and Marble-Top Center Table mid-19th century, the circular dished marble top above a conforming frieze, raised on a paneled bulbous standard to four molded legs to paw feet on casters. h. 28-1/2”, dia. 38-1/2” $700-$1,000

$600-$900

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252 Charles X-Style Brass-Mounted Mahogany and Marble Table 20th century, the octagonal figured marble top within a brass gallery, above a fluted column joined to a large top of like form, on a pedestal base with reeded brass panels and roundels. h. 29-3/4”, w. 36-1/2”, d. 36-1/2” $600-$900 253 Directoire-Style Beechwood Bergere the molded back and stiles joined to closed arms ending in fluted and reeded baluster-form supports, with bowed front seat rail and fluted legs, now upholstered in treillage-motif brocade and fitted with a loose seat cushion. h. 35”

254 Miniature French Empire-Style Mahogany Commode fourth quarter 19th century, decorated with columns mounted with engine-turned bronze mounts, and gilt-bronze pulls and escutcheons. h. 14-3/4”, w. 18-1/2”, d. 9-3/4” $600-$900 255 Miniature Continental Biedermeier Commode fourth quarter 19th century, in the Empire style, decorated with turned Doric columns, the body with burled ash veneer, on block feet. h. 14”, w. 15-3/4”, d. 9-3/4” $600-$900

$700-$1,000

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256 Louis XVI Mahogany and Marble-Top Cabinet, Stamped “C. M. Magnien” late 18th century, the rounded rectangular marble top above a conforming case fitted with two mirrored cupboard doors over two paneled cupboard doors, all with decorative ormolu millwork, raised on tapering circular legs ending in brass caps, the back bearing the stamp “C. M. Magnien.” h. 58”, w. 36-1/2”, d. 16-1/2” $500-$800 257 Pair of Restauration-Style Mahogany Fauteuils 19th century, each with open arms, with shell carving at the stiles, and molded scroll hand rails, bowed seat rail and flare front legs, now in faux animal print upholstery. h. 36-1/2”, w. 24”, d. 20” $700-$1,000 258 French Bronze Chandelier of Neoclassical Inspiration first quarter 20th century, the urn-form standard decorated with a wreath of laurel leaves and pierced scrollwork trim, the scrolled branches and shade holders decorated with stippled acanthus leaves, mounted with star-cut frosted pendant shades. h. 46”, dia. 21” $600-$900

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259 Three-Piece French Marble and Bronze Clock Set in the Neoclassical Taste ca. 1900, the crystal regulator clock set with Vincenti et Cie marked works, the case decorated with Corinthian columns, the top set with a bronze Medici lion, h. 23-1/4”, w. 16-1/2”, d. 8-3/4”, the marble urn-form garnitures with matching scroll feet, leaf-molded handles and molded knops, h. 21”, w. 7”, d. 6”. Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000 260 Pair of Directoire-Style Fruitwood Beds 19th century and later, each with a paneled headboard with an arched crest centered by a rosette, the low footposts with a reeded vasiform turning, echoing the headposts. h. 44-3/4”, inside w. 39-3/4”, l. 75-1/4”, outside w. 42-1/2”, l. 79-1/2”

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$600-$900

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261 French Walnut, Brass and Parcel-Gilt Cheval Mirror 20th century, in the neoclassical taste, the oval mirror supported by a stand with brass finials and ending in carved giltwood paw feet. h. 72-1/2”, w. 35-3/4”, d. 28-3/4” $500-$800 262 Directoire-Style Mahogany Settee the upholstered back in a beaded and molded frame joined to open arms, on columnar supports capped by carved swags and roundels, with a bowed seat rail and raised on reeded front legs, upholstered in silver floral and scroll-embossed putty leather. h. 34-1/2”, w. 47”, d. 20-3/4” $600-$900 263 Restauration Walnut Side Table first quarter 19th century, the rectangular top with a raised wood edge, above a frieze fitted with a single drawer, raised on columns joined by a low shelf, the tapering legs with brass cup casters. h. 30-1/2”, w. 18-1/2”, d. 22-1/2” $600-$900

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264 Empire-Style Mahogany Daybed 19th century, the headboard and footboard each paneled and with a rounded crest, fronted by a freestanding ormolu-mounted column, joined by shaped rails and raised on turret feet. h. 43”, inside w. 44”, l. 74”, outside w. 50”, l. 77” $600-$900

265 Biscuit Porcelain Figure of Napoleon Crossing the Alps 20th century, the uniformed Napoleon modeled on horseback, with a giltbrass bridle, the base with a broken cannon. h. 8-1/2”, w. 15”, d. 12-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

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266 Three-Piece Collection of Gilded Paris Porcelain French, including a ewer with a masque-molded handle and a border of flowers over a tooled gilt grid, first quarter 19th century, h. 10-3/4”, w. 5”, d. 4-1/2”, and a tureen and underplate decorated with borders of flowers on a solid gilt ground, mid19th century, h. 11”, dia. 9-1/4”. $500-$800

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267 Suite of Ten Restauration-Style Mahogany Dining Chairs side chairs, h. 33”, each with a scalloped scroll-carved crest rail, shaped stiles, bowed seat rail and scroll front legs with leaf carving at the knees and base. $500-$800 268 Pair of Louis-Philippe Rosewood and String-Inlaid Mantel Garnitures

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269 Pair of French Giltwood “Porthole” Mirrors ca. 1900, in the rococo taste, the circular plates trimmed with giltwood rocaille work, the upper and lower portions with mirrored backs, scrollwork and bellflowers, set with pierced rocaille crests. h. 33”, w. 14” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $600-$900

second quarter 19th century, each with an inlaid medallion in the urn. h. 10”, dia. 5-3/4” Provenance: Bruce McCashin Collection. $500-$800

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270 Pair of Louis-Philippe Giltwood Brackets mid-19th century, in the Rococo Revival taste, the pierced supports decorated with shells, leaves and medallions, the rounded shelves velvet-lined and outlined with molded decorations. h. 14”, w. 10-1/2”, d. 7-1/4” $700-$1,000 271 French Giltwood “Porthole” Mirror

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fourth quarter 19th century, with a gadrooned edge, set with an oval beveled mirror plate, the corners decorated with acanthus leaves and trimmed in beading. h. 39-1/2”, w. 33-1/2” $500-$800 272 Miniature Restauration-Style Rosewood-Veneered and Marble-Top Commode 19th century, French, the mottled gray marble top above a case with four drawers with turned wooden pulls and raised on cove-molded feet. h. 11”, w. 13”, d. 7-1/4” $600-$900 273 Louis-Philippe Mahogany Demi-lune Fold-Over Table fourth quarter 19th century, having an oval top when opened and supported by a center rear leg attached to a drawer, the whole raised on turned legs ending in brass cup casters. h. 29-1/2”, w. 45”, l. 56” $700-$1,000 271

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274 Pair of French Bronze and Marble Garniture Urns fourth quarter 19th century, in the Renaissance Revival style, the bottom of the urns fitted with light sockets. h. 15-3/4”, w. 9-1/4”, d. 6” $400-$700 275 Pair of French Siena Marble and Bronze Five-Light Candelabra ca. 1900, in the Empire taste, composed of patinated and gilt bronze, each center nozzle with a removable flame finial insert. h. 22-1/4”, w. 7-1/4”, d. 7-1/4” $400-$700 274

276 Restauration Mahogany Armoire early 19th century, the molded cornice over a pair of paneled doors with mitered corners framed by a brass molding and flanked by tapering ebonized pilasters with cast figural capitals in the form of an allegorical maiden’s head and brass feet at their base, the interior fitted with four shelves. h. 82”, w. 56”, d. 22-1/2” $700-$1,000

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277 Empire-Style Mahogany Settee 19th century, the padded back surmounted by an ormolumounted crest, joined by downswept sides to the padded seat, raised on sabre legs headed by foliate carving. h. 34”, w. 53”, d. 21” $600-$900

278 Near Pair of Empire-Style Cut Glass and Gilt-Bronze Floor Banquet Lamps ca. 1900, the bronze domed bases with acanthus-molded trim and paw feet, the fluted, tapered standards with bronze fittings and set with laurel-molded bronze capitals and strawberry-cut glass fonts. h. 56” and 59”, dia. 14” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $1,200-$1,800

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279

279 Louis-Philippe Mahogany Daybed

281 Egyptian Revival-Style Majolica Pedestal

mid-19th century, the long cushioned and bolstered seat flanked to either end by outswept sides with foliate carving, above an ogee-molded base, raised on foliatecarved bracket feet. h. 36”, w. 32-1/2”, l. 81”

ca. 1900, probably French, with a seated sphinx-form standard and a brown mottled glaze. h. 41-1/4”, w. 18”, d. 20-1/2”

Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana.

$600-$900

Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa.

$700-$1,000

280 French Red Griotte Marble and Gilt-Bronze Table Lamp first quarter 20th century, the urn-form standard mounted with ram’s-head handles and swags of flowers, the base with bronze-molded leaves and reeding, raised on a green marble plinth, mounted with a shade. h. 30-1/2”, w. 16”, d. 12” $700-$1,000

280 281

282 Empire-Style Fruitwood and Marble-Top Center Table mid 19th century, the circular marble top above a gilt pateracarved frieze, raised on shaped supports headed by gilt winged swan capitals and ending in gilt paws on a concave plinth base. h. 33-1/2”, dia. 36” $500-$800

282

283 Pair of Empire-Style Mahogany Occasional Tables each with a circular foliate scroll-inlaid top within a full pierced ormolu gallery, above a conforming frieze, raised on tapering square legs headed by ormolu maiden’s heads, joined by a tripartite stretcher ending in ormolu paw feet. h. 28”, dia. 17-1/2” $600-$900

283

284 Empire Mahogany Tub Chair 19th century, the raised back-scrolled crest above a barrel back terminating in ormolu dolphin-head hand rests, the padded seat raised on tapering square legs headed by ormolu mounts and ending in paw feet. h. 32” $600-$900 284

286

285

285 Bronze, Glass and Wood Table Lamp in the Neoclassical Taste second quarter 20th century, possibly French, the dolphinmounted standard set on a turned oak base and mounted with a cut glass shade. h. 35”, dia. 7-1/2” $500-$800 286 Empire-Style Mahogany and Marble-Top Pier Table 20th century, the rectangular marble top above an ormolumounted frieze, and supported by shaped legs ending in brass paw feet resting on a platform base. h. 34”, w. 47”, d. 14” $700-$1,000 287 Pair of Napoleon III Bronze and Marble Figural Candlesticks third quarter 19th century, now mounted as lamps, the fluted column-form marble bases supporting bronze goddesses holding aloft candle sockets, mounted with shades. h. 36”, dia. 16-1/4” $600-$900

287

288 Beaux-Arts Gilt-Bronze-Mounted Onyx Pedestal first quarter 20th century, Italian, set with a revolving top, the stepped base decorated with ogee bronze trim, and supporting two columns with laurel-molded bronze bases and bronze capitals molded with bellflowers. h. 45”, w. 22”, d. 15” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $600-$900

288

289 Pair of Marble and Bronze Potpourri Urns

289

fourth quarter 19th century, French, of cassolette form with green marble bodies and white marble bases with gilt-bronze fittings. h. 12”, dia. 6” $1,000-$1,500

290 French Gilt-Bronze and Green Onyx Figural Clock fourth quarter 19th century, decorated with a figure of a musketeer on horseback, the onyx case set with a Japy Freres movement. h. 20-1/2”, w. 13-1/2”, d. 6-1/2” $1,000-$1,500

290

291

291 After Guillaume Coustou (French, 1677-1746) “Marly Horse” polished bronze 20th century, after the ca. 1740 monumental sculpture commissioned by Louis XV to be placed in his Chateau Marly and now conserved at the Louvre, Paris, with cast signature along edge of self-base. h. 23-3/4”, w. 23-1/2”, d. 9-1/2”

292

Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 292 French Brass Chandelier fourth quarter 19th century, with a drop center in the style of a masque light, the motif repeated on each of the four clusters of lights, the drip pans and sockets decorated with pierced scrollwork. h. 55”, dia. 36” $500-$800 293 Contemporary Inlaid and Ormolu-Mounted Mahogany Table of Empire inspiration, the circular inlaid top over an apron adorned with geometric and classical figural mounts, on a columnar pedestal draped with swags and joined to four legs with foliate mounts and brass paw feet. h. 31-1/2”, dia. 45-3/4”

293

$400-$700

294 French Bronze Figures of Heracles and Omphale fourth quarter 19th century, on turned ebonized bases, possibly original. h. 18-1/4”, dia. 6” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $800-$1,200 295 After Edouard Drouot (French, 1859-1945) “Lutte Pour la Vie” patinated bronze fourth quarter 19th century, cast signature on self-base. h. 27”, w. 10”, d. 14-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000

294

296 After Maurice Bouval (French, 1863-1916) “Femme Drapee” gilt bronze first quarter 20th century, signed on a back corner with the foundry, Colin Maison, and signed “Bouval” in script above. h. 10-3/4”, w. 5-1/2”, d. 4” $600-$900

295 296

297

297 French Belle Epoque Bronze Chandelier first quarter 20th century, the six-light chandelier with an urn-form standard centered by reeded sprays of laurel leaves, with conforming scrolled arms, each set with two sockets and mounted with ruffled and engraved cut glass shades. h. 28-3/4”, dia. 19” $500-$800

298 Bronze and Marble Figure of Cupid and Psyche after Henri Godet (French 1863-1937), presented on a pedestal molded with The Three Graces, the pedestal indistinctly signed. h. 63”, dia. 12-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $1,000-$1,500

298

299

301

299 Tabriz Carpet 3’ 4” x 4’ 10” $600-$900

300 Turkish Transitional Carpet 9’ 10” x 13’ 9” $1,000-$1,500

301 Heriz Carpet 3’ 5” x 5’ 5” $500-$800

300

302 Semi-Antique Kerman Carpet 9’ 8” x 16’ $600-$900 302

303 Heriz Carpet 7’ 9” x 11’ 6” $500-$800

303

304 Semi-Antique Heriz Carpet 9’ 2” x 11’ 9” $700-$1,000 304

305 Semi-Antique Heriz Carpet 7’ 9” x 10’ 7” $700-$1,000

100 305

306 Heriz Serapi Carpet 4’ 6” x 6’ 4” $500-$800 306

307 Laristan Serapi Carpet 9’ x 11’ 9” $1,500-$2,500

307

101

308

308 Two 20th-Century Compotes

309 Partial Service of Baccarat “Zurich” Cut Crystal Stemware

including a molded crystal globe-form covered compote in the “thumbprint” pattern, stamped “William Yeoward”, h. 22”, dia. 10-1/4”, and a molded glass urn-form compote decorated with fluting, h. 22-1/2”, dia. 9”.

ca. 1932-1970, the service comprised of ten tall water goblets, h. 7-1/2”, eight claret glasses, h. 6-1/2”, and eight cordial glasses, h. 3-3/4”, each signed on the bottom.

$600-$900

102

$500-$800

309 partial

310 Steuben Glass Peacock Sculpture ca. 1986, Corning, New York, designed by Bernard X. Wolff in 1986 for the Corning Museum of Glass, signed on the bottom. h. 11”, w. 14-1/4”, d. 3” $600-$900

310

311 Three Pieces of French Lalique Glass late 20th century, the collection including a Liberty Eagle figure, h. 9-1/4”, w. 5-1/2”, d. 4-1/2”, a pigeon figure, h. 5-3/4”, w. 3-3/4”, d. 9-1/2”, and a 1973 Petit Geai (Jayling) plate, dia. 8-1/4”, each signed, the pigeon and plate with original labels. Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000

311

312 Large French Lalique L’air du Temps “Two Doves” Perfume Bottle ca. 1951 or later, with a frosted stopper on a colorless pillar-molded bottle, signed “LALIQUE”, made for the Nina Ricci company. h. 12-1/2”, w. 8”, d. 5-3/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000

312

103

313 American Hollywood Regency Painted Mirror mid-20th century, the swag-carved crest with a triple loop of tassels forming the finial, flanked by fringed drops on either side, with spiral-reeded lower portions and leaf-carved bases. h. 42-1/2”, w. 28-1/2” $500-$800

314 Pair of Baker Furniture Upholstered Armchairs each so labeled and having a back with a scalloped crest rail, closed rolled arms, loose seat cushion and upholstered skirt. h. 41-1/2” $500-$800

313

104 8

314

315

315 Collection of Three Studio Glass Perfume Bottles by Daniel Lotton

316 Four-Piece Collection of Murano Venetian Glass

ca. 2001-2002, American, one with a pulled feather design and the other two inspired by flowers, each signed by Lotton (Crete, Illinois, b. 1963). h. 6” to 11-1/4”, dia. 4” to 4-1/2”

20th century, Italian, including a sculpture of a pair of Tang fish, h. 26-1/4”, w. 12”, d. 7”, a pair of phoenix birds on giltflecked supports, h. 16-3/4” to 17-1/4”, w. 4”, to 4-3/4”, d. 5-3/4”, and a low centerpiece bowl with “bubble” decoration, h. 13”, dia. 17-1/2”.

Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa.

$600-$900

$1,000-$1,500

316

105

317

317 William McTaggart (British, 1835-1910) “Children Shrimping” oil on canvas signed and dated “1893” lower right center in waves, a “Frost & Reed, London” framers and restorers label dated 1960 on stretcher. Framed. 14” x 20”, framed 18-1/4” x 24-1/8” Provenance: Christie’s, London, UK, September 22, 1978, lot 119; Christie’s, South Kensington, UK, February 25, 2009, lot 943; Private collection, Texas. $2,500-$4,000

106

318 Contemporary Polychromed Wood and Glass-Top Dining Table of neoclassical inspiration, the oval beveled glass top supported by a paneled and fluted pedestal with laurel swags. h. 28-3/4”, w. 49-3/4”, l. 69-1/2” $1,000-$1,500

319 Majolica Footed Jardiniere 20th century, in the 19th-century taste, the bowl molded with lion’s heads, the base with a cut-cornered foot. h. 12”, dia. 14-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

319

318

107

322 320

320 Secessionist Glass and Metal Table Lamp first quarter 19th century, Continental, with a leaded polychrome glass ball-form shade, the patinated metal base with geometric patterns. h. 20-1/2”, dia. 7” $1,000-$1,500 321 Regency-Style Wrought-Iron and Marble-Top Gueridon/ Occasional Table the circular marble top on a shaped tripodal base, the legs joined by a ring at their center, and a Y-form stretcher at their feet. h. 29-1/4”, dia. 28-1/4” $500-$800 322 Salvador Dali (Spanish, 1904-1989) “Two Gentlemen of Verona” color etching pencil-signed and numbered “E/A” lower margin. Matted and framed. sight 9” x 6”, framed 20-3/4” x 17-1/2” $800-$1,200

108

321

323 Romain de Tirtoff Erte (Russian/French, 1892-1990) “Ermine Brocade”, 1987 silkscreen on black paper pencil-signed lower right. Unframed. 40” x 28” $600-$900

324 Four Pieces of Continental Art Glass late 19th and early 20th centuries, including two signed Galle cameo vases, h. 4-1/2” to 7”, dia. 2” to 3”, and two unsigned pieces, possibly Loetz: an Art Nouveau bronze-mounted glass two-handled compote, h. 6-1/4”, w. 10-1/2” d. 7-1/4”, and a green iridescent vase, h. 8”, dia. 4-3/4”. $1,000-$1,500

323

324

109

325 After Demetre Chiparus (Romanian/French, 1886-1947) “Egyptian Dancer” patinated bronze late 20th century, signed on base, on a rouge and black marble pedestal. h. 21-1/2”, w. 8-3/4”, d. 6” $1,000-$1,500 326 Art Deco Bronze and Glass Chandelier second quarter 20th century, probably French, the linear frame centered by an octagonal glass-lined body, the lower panel with cut flowers concealing two sockets, set with eight arms with frosted, flower-molded glass shades. h. 45”, w. 32-1/2”, d. 29-1/2” $600-$900 327 Contemporary Bronze Female Nude figure gazing upward, legs akimbo, cast signature “ERD” and numbered “8/15” on foot, presented on a polished stone base. h. 48-1/4”, w. 22”, d. 13”

326

$700-$1,000

110

325

327

329 328

328 Rolf Armstrong (American, 1899-1960) “High Heels and Stockings: Female Nude” watercolor on paper signed lower right. Glazed and framed. 14” x 11”, framed 17-3/4” x 15-5/8” $500-$800 329 Russian/German Patinated Bronze first quarter 20th century, modeled as a seated nude holding a cloth wrapping, the base with cast signature in Cyrillic and Latin and numbered “6/20”, on a shaped glass plinth with a conforming wood base. overall h. 13-1/4”, w. 11” $600-$900 330 Susanne Vertel (American, b. 1954) “Standing Female Nude”, 1991 patinated bronze signed, dated and numbered “4/20” on proper left foot, on a circular marble base. h. 23”, overall h. 24-3/4”, dia. 9” $600-$900 330

111

331 Louis Icart (French, 1888-1950) “Fair Dancer”, 1950 hand-colored etching and aquatint signed lower right. Matted, glazed and framed. pl. 19-1/4” x 22-3/4”, framed 29” x 32-1/2” $500-$800

332 Contemporary Leather Camelback Sofa the arched back joined to closed scroll arms, the apron with a leather skirt, the seat with a single loose cushion. h. 35-1/2”, w. 68-1/2”, d. 36” $700-$1,000

331

332

112

333 Contemporary Leather Camelback Sofa the arched back joined to closed scroll arms, the apron with a leather skirt, the seat with a single loose cushion. h. 35-1/2”, w. 68-1/2”, d. 36” $700-$1,000

334 Turkish Oushak Carpet 8’ x 10’ $600-$900

334

333

113

335 Turkish Neoclassical Carpet 10’ 2” x 14’ $1,000-$1,500

336 Jules Cheret (French, 1836-1932) “Folies-Bergere” and “Alcazar d’Ete” two color lithographs from Maitres d’Affiches, 18951900; together with a sanguine chalk drawing/study of a woman. Each signed, the first two plate. Each matted, glazed and framed. lithographs 22-1/4” x 13-1/4”, drawing sight 15” x 9”; framed 32” x 22-1/2” and 25-3/4” x 19-3/4”, respectively $600-$900 Maitres d’ Affiche was a special subscription-based art publication by Cheret that reproduced the “best” works of ninety-seven artists in a smaller sized scale between 1895-1900.

335

336

114

337 Ben Benn (Russian/New York, 1884-1983) “Mother and Child”, 1925 oil on canvas signed and dated lower right; signed, titled, dated and with “The Artist Gallery, NYC” stamps en verso. Framed. 20-1/4” x 16”, framed 23-3/4” x 19-3/4” $600-$900

338

337

338 Art Nouveau-Style Three-Light Table Lamp first quarter 20th century, in the “Chicago Mosaic” style, with a floral-patterned leaded glass shade and a metal base. h. 28-1/2”, dia. 17” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 339 Patinated Metal and Leaded Glass Three-Light Table Lamp first quarter 20th century and later. h. 30”, dia. 22” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 339

115

340 Tiffany-Style Leaded Glass Four-Light Table Lamp 20th century, in the Art Nouveau taste, with one light in the base and three lights concealed by the shade. h. 34”, dia. 27” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $600-$900

340

341 Patinated Steel Looking Glass and Marble-Top Console the mirror with a bisected plate beneath an arched radial crest, the console with a demi-lune marble top and raised on wrought legs with scroll ends. overall h. 114”, w. 35-1/4”, d. 16” $700-$1,000

341

116

344

343 Geometric Leaded Glass Table Lamp

343

first quarter 20th century, with an Art Nouveau gilt-metal base. h. 19”, dia. 15-3/4”

342 Brass and Leather Fireside Bench

$1,000-$1,500

early 20th century, of traditional U-form, the hunter green leather cushion on a frame with brass twistrounded spindles. h. 26”, w. 71-3/4”, d. 23”

344 Robert Williamson-Style Two-Light Table Lamp the brass-plated circular base with a tapering standard supporting a leaded glass shade secured by a brass finial. h. 22”, dia. 18-1/2”

$600-$900

Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

342

117

345 Pair of Giltwood Mirrors of Neoclassical Inspiration 20th century, each with a narrow rope-twist surround. h. 90-1/4”, w. 15-3/4” $700-$1,000

346 Suite of Four Neoclassical-Style Stained Maple Armchairs each with a shaped crest rail over a fretwork splat, the open arms with scroll ends, saber-form front legs and rush seat. h. 37-1/2” $500-$800

345

346

118

349

347 Contemporary Line-Strung Mahogany Console Table of George III Hepplewhite inspiration, the shaped top over a conforming frieze with a central drawer flanked by concave drawers, raised on line-inlaid columns on a shelf base. h. 29”, w. 83”, d. 24-1/4” $500-$800 348 Pair of French Patinated Bronze Figural Lanterns 20th century, after Auguste Moreau, in the form of classical maidens on black socle bases, holding aloft torcheres, set with frosted flame-form shades, signed “A. Moreau” on back. h. 57”, w. 13-3/4”, d. 11” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000 349 Patinated Metal Billiard Table Light 20th century, French, the torch-form standard with copperwashed details. h. 25”, w. 53-1/2”, d. 12-1/2” Provenance: Estate of Sylvia Pugh Sullivan, Houston, Texas. $500-$800 348

347

119

350 Pair of Regency-Style Parcel-Gilt Mahogany Armchairs each with a shell- and scroll-carved back over a concave beaded splat, open arms with scroll supports and shaped legs, the seats upholstered in green brocade. h. 34-3/4” $500-$800 351 Pair of Chinese Export-Style Bronze and Porcelain Candlesticks 20th century, Asian, of birds on branches, set with rococo-molded candle sockets and bases, with red Chinese character marks. h. 14-1/2”, dia. 6-1/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 350

351

352 Henry Casselli (American/Louisiana, b. 1946) “The Hippie”, 1979 watercolor on paper signed lower right. Matted, glazed and framed. sight 15-7/8” x 11-1/2”, framed 25” x 20” Provenance: Successions of Lois Chalona Hawkins and H. Lloyd Hawkins, Jr., New Orleans, Louisiana. $600-$900

120

352

353 Henry Casselli (American/Louisiana, b. 1946) “The Clown”, 1979 watercolor with dry brush on paper signed lower left. Matted, glazed and framed. sight 14-1/4” x 10-3/8”, framed 18” x 14-1/4” Provenance: Successions of Lois Chalona Hawkins and H. Lloyd Hawkins, Jr., New Orleans, Louisiana. $600-$900 354 English Ceramic Phrenology Head with dark brown decoration, marked “E. F. Chapman”, London. h. 12”, w. 6”, d. 4” $500-$800

353

354

355 Pair of Enameled Metal and Marble-Top Figural Tables 20th century, the standards modeled as black and white whippets on rectangular bases, and supporting circular marble tops. h. 31-1/2”, dia. 16” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $600-$900

355

121

356 Suite of Eight Contemporary Upholstered Dining Chairs each “Parson’s Chair” with an upholstered scroll back, cushioned seat and matching fabric skirt, upholstered in white brocade. h. 41-3/4” $700-$1,000

357 French Cast Stone Fireplace Surround in the Louis XV style, the opening framed with a carved serpentine top ornamented with a shell, the tapered canted corners with inset panels and carved scrolls at the top. h. 53-1/2”, w. 61”, d. 8” $500-$800

357

356

122

358 Moroccan Carpet 10’ x 14’ 2” $800-$1,200

359 Contemporary Bronze-Framed Mirror 20th century, the thin frame with brass- and copperfinished vines decorated with applied “jewels”, labeled by sculptor Jeffrey Sass, retailed by Dallas Reflections. h. 69”, w. 48-1/2” $500-$800

359

358

123

360 Contemporary English-Style Knole Sofa made by Hickory Lane, the padded back and angled paneled sides with decorative brass tack accents and corner pineapple finials, the box-form base with like brass tack accents, together with down pillows. h. 45”, w. 91-1/2”, d. 37” $1,000-$1,500 This sofa form was originally designed in the early 1600’s for the stately country house “Knole” in Kent, England. The original design had hinged ends which allowed them to fold down. 361 Modern Cast Brass and Glass Ibex Cocktail Table after a design by Alain Chervet, the oval glass top supported by a pair of pedestals modeled as Ibex heads, with arched horns forming a tripod. h. 18”, w. 51-1/2”, d. 31-1/2”

362

$800-$1,200 362 Mark Cross Gilt-Metal “Cockatoo” Tobacco Humidor 20th century, Italian, realistically modeled with glass eyes, the hinged head opening to reveal a cork-sealed inner cover, stamped “Mark Cross Italy” in the bottom. h. 17-1/2”, w. 6-3/4”, d. 5-1/2” $800-$1,200 361

360

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364

363 Contemporary Steel, Brass and Stone-Top Occasional Table of neoclassical inspiration, the inset circular stone top with a canted edge, and raised on columnar legs with beaded brass capitals and tapering brass feet, joined by a wrought stretcher. h. 25-3/4”, dia. 22-1/2” Provenance: Estate of Sylvia Pugh Sullivan, Houston, Texas. $500-$800 364 Collection of Eight Sand Dollars

363

each presented in an attractive, contemporary shadowboxstyle frame. each overall 9” x 9” $700-$1,000 365 Contemporary Argente Steel Occasional Table the oval top with a raised rim, the frieze with a pull-out slide, raised on canted tapering legs. h. 26-3/4”, w. 16-3/4”, d. 12” $500-$800

365

125

366 Mexican Sterling Silver Tea Set

366

third quarter 20th century, by C. Zurita, Mexico City, in the Danish Modern taste, including: a teapot, h. 7-3/4”, l. 8-1/2”; a creamer, h. 4”, l. 5”; a covered sugar bowl, h. 4-1/4”, w. 5-1/2”; and a tray, l. 19”, w. 12-1/4” the hollowware with ovoid bodies, stylized “blossom” finials and arched handles with beaded mounts, the oval tray with handles en suite. 80.79 total t. oz.

367 Suite of Five Contemporary Lucite Stools each with a polycarbonate concave back and a seat cushion upholstered in tufted paisley, on a swivel base with canted legs. h. 43-1/8” $600-$900

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $1,500-$2,500

367

126

368 Collection of Three Acrylic Obelisks 20th century, two with an upper section having tapered inset points and one resting on a sphere above a base with a silvergilt wash. h. 18-3/4”, 33” and 35”, w. 4”, 6” and 6-1/2”, d. 4”, 6” and 6-1/2” Provenance: Estate of Sylvia Pugh Sullivan, Houston, Texas. $500-$800 369 Contemporary Terracotta and Glass-Top Cocktail Table in the neoclassical taste, the beveled rectilinear glass top supported by a pair of pedestals modeled as Corinthian capitals. h. 18-3/4”, w. 72”, d. 38” $1,000-$1,500 370 Contemporary Terracotta and Glass-Top Cocktail Table in the neoclassical taste, the beveled rectilinear glass top supported by a pair of pedestals modeled as Corinthian capitals. h. 18-1/2”, w. 60”, d. 36”

368

$1,000-$1,500

369

370

127

371 Pair of Contemporary Leather Swivel Rocking Chairs each with a barrel-form back and closed arms, loose seat cushion and gently bowed seat rail, upholstered in chocolate leather, labeled “Hancock & Moore”. h. 30-3/4” $600-$900 372 Blair Buswell (American, b. 1956) “We Did It”, 1985 patinated bronze cast signature, dated, copyright-marked and numbered “27/32” on self-base, now on a carved wood base. overall h. 15-1/4”, w. 5”, d. 4-1/2”

371

$600-$900 373 Bronze Bas-Relief Plaque of a Mother and Child first quarter 20th century, the figures surrounded by floral blooms. 16” x 27-1/2” $600-$900

373

374

374 Pair of Contemporary Side Cabinets each of cube form in burlwood laminate, with a pair of doors and a single interior shelf. h. 22”, w. 24”, d. 24” $600-$900

128

372

375 Pair of Emilia Castillo Hammered Copper Pots 20th century, Mexican, the necks with brass support rings, the bottoms signed “Emilia Castillo, Mexico, M.R., Plateado”. h. 15”, dia. 17” $500-$800 376 Two Similar Mexican Hammered Copper Floor Vases

375

20th century, the taller vase with gadrooning, the shorter example with pointed ribbing. h. 38-1/4” to 50-1/4”, dia. 13” to17” $400-$700 377 Pair of Contemporary Metal Table Lamps 20th century, each with a patinated metal standard on a blackened metal base, and set with a rectangular shade and cylindrical finial. h. 26-1/4”, w. 16”, d. 7-3/4” $500-$800

376

378 Contemporary Amalgamated Marble Dining Table the slab top with rounded corners and a molded edge, supported by a rectilinear box base. h. 29-3/4”, w. 39-7/8”, l. 78-3/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $600-$900

377

378

129

379 Agustin Maya (Mexican, 1914-1996) “Untitled - Woman in Embroidered Cape” “Untitled - Three Generations” “Untitled - Man with Headdress” photographs on Kodak paper first two with various artist’s stamps; together with a framed print of “Frida Kahlo” after Manuel Alvarez Bravo (Mexican, 1902-2002) on Fujicolor Crystal Archive Paper. 8-1/2” x 9-7/8”, 10” x 8”, 10” x 8” and 8-3/8” x 6”, respectively Provenance: Agustin Maya photos from the artist, 1993; Private collection, Louisiana. $600-$900 380 Pair of Polychrome Bookcases in the Georgian Taste each with a molded and dentillated cornice above three open shelves, the lower section fitted with two paneled cupboard doors, on a plinth base. h. 87”, w. 45-1/2”, d. 20-1/4” $500-$800

130

379

380

381 Four-Piece Japanese Wakasa-Nuri Lacquer Desk Set second half 20th century, comprising a circular tray, dia. 10-3/4”, a bowl, dia. 3-1/4”, an arched box and cover, h. 1-1/2”, w. 9-1/2”, d. 4-1/2”, and a box and cover with fitted tray, h. 2-1/2”, w. 7-3/4”, d. 5-1/4”, each piece decorated with stylized floral designs and other motifs on a black lacquer-ground. $500-$800

381

383 Paul Jacoulet (French, 1902-1960) “Les Papillons, Tropiques”, “Filles de la Brousse Nord Celebes”, “La Soupe aux Huitres Chinois,”, and “La Fille de Chef Mogomog....” four color woodblock prints on paper each pencil-signed lower right or left, and printed titles lower right. Matted, glazed and framed alike. sight 16-1/2” x 13”, framed 22-1/4” x 18-1/4” $1,000-$1,500

382

382 Franz Xavier Bergman (Austrian, 1861-1936) “Carpet Seller” cold-painted Vienna bronze modeled as an Arab merchant displaying a richly colored carpet, marked underneath the seller’s robe “Austria”, “B” within an urn and “KF” within a diamond. h. 8-1/4”, w. 7”, d. 6-3/4” Provenance: Bruce McCashin Collection. Literature: An example illustrated: Joseph Zobel, Antique Vienna Bronzes (Atglen, PA: Schiffer, 2008), p. 164. $500-$800

383

131

384 Paul Jacoulet (French, 1902-1960) “Le Chant des Fileuses Mongolie”, “L’Etoile de Cobi Mongole”, “La Confidente”, and “Hong Kong” four color woodblock prints pencil-signed lower left or upper right and printed titles lower right. Matted, glazed and framed alike. sight 16-1/2” x 13”, framed 22-1/4” x 18-1/4” $1,000-$1,500 385 Three-Piece Collection of Venetian Murano Glass Blackamoors mid-20th century, Italian, including male and female figures carrying baskets of fruit on their heads, h. 17-1/2”, dia. 4-3/4”, and a candlestick decorated with a kneeling figure holding a bowl set with a candle socket, h. 13-3/4”, w. 9”, d. 5”, one piece labeled by the retailer, Camer Glass, New York. Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $1,000-$1,500

384

385

386 After Emile Pinedo (French, 1840-1916) “Arabe en Marche” patinated bronze ca. 1900, cast signature presented on a gilt-bronze base with foundry mark. h. 28”, w. 8”, d. 9-3/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $800-$1,200

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387 Amphora Pottery Orientalist Figure ca. 1892-1904, Austrian, depicting a Moor with his sword, riding a camel, shielding himself with his robe, marked with an impressed “Amphora Austria” in an oval, as well as an impressed crown. h. 24”, w. 7”, l. 17-1/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

389 387

388 North African Hardwood Games Table late 19th century, the rectangular top hinged and opening to a baize-lined surface, further opening to an inlaid chessboard and recessed backgammon board, raised on shaped legs joined by an X-form stretcher, the whole richly inlaid in various woods and mother-of-pearl in geometric patterns. h. 35”, w. 34-1/4”, d. 17-1/4” $600-$900 389 Moorish-Style Brass-Plated and “Jeweled” Hall Lantern fourth quarter 19th century, the hammered top set with faceted “jewels” over an acorn-form body with various polychrome uncut “jewels” with a reeded and guilloche pendant finial. h. 41”, dia. 10-1/2” $500-$800

388

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390 Antique Turkish Silk Carpet 4’ 2” x 6’ $1,000-$1,500 391 Turkish Prayer Carpet 4’ x 5’ 9” $600-$900

390

392

392 Turkoman Carpet 8’ x 11’ $700-$1,000

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394 Chinese-Style Tropical Hardwood Altar Table mid-20th century, the rectangular top with an unusual bow front, having a carved and pierced apron with a scrolling stylized cloud design, raised on four block legs. h. 36-1/2”, w. 70”, d. 31-1/4” $800-$1,200 393

395 Chinese Bronze Ritual Tripod Food Vessel (Ding)

393 Antique Malayer Carpet

possibly Eastern Zhou period (770-221 BC), having a compressed globular form, the body encircled with a single bow string band, with opposing upswept, squared handles, the slightly domed cover with three evenly spaced finials, the whole raised on three zoomorphic-form legs. h. 4-3/4”, w. 7”, d. 6”

3’ 8” x 6’ 2” $1,000-$1,500

$500-$800

394

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396 Two Chinese Painted Silk Panels 19th century, each panel centered with circular figural scenes painted on silk, mounted within rectangular sectional hardwood screen frames, with carved and pierced giltwood additions. h. 30-3/4”, w. 19-3/4” $800-$1,200 397 Japanese Wood Carving of Sho-Kannon second half 19th century or later, the carved wood body applied with lacquer and cut gold foil (kirikane), modeled standing, wrapped in traditional flowing robes, on a later associated lotus throne base. h. 19-1/2”, w. 8”, d. 6-1/2” $600-$900 398 Four Chinese Hardstone-Inlaid Panels

396

second half 20th century, each inlaid with jadeites, quartzes and other hard stones and molded resins, depicting various birds amid blossoming branches and rockwork, framed. h. 40-1/2”, w. 24”, d. 2-1/4” Provenance: Private collection, Houston, Texas. $600-$900

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398

400

399 Blanc de Chine Figure of Guanyin

400 Group of Four Paintings of the Four Seasons

20th century, elegantly modeled standing on a lotus base, wearing traditional robes and headpiece, hand raised in abhaya mundra, with two impressed studio marks to the reverse. h. 28”, w. 9”, d. 6-3/4”

ca. 1960s, Taiwanese, oil on canvas, each painting portraying a stylized mountainous landscape depicting spring, summer, autumn and winter, respectively, each with calligraphic inscription and seal mark, signed Wang, impressively framed. 48” x 24”, framed 53-1/2” x 30”

$600-$900

$1,400-$1,800

399

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401 Chinese Dali Dream Stone the distinctive stone in various gray tones, inscribed “wanshuiqianshan” in black ink above a single seal mark, framed within a presentation box. overall h. 12-3/4”, w. 12-3/4” $500-$800 402 Pair of Chinese Carved Buffalo Horns the full-length horns elaborately decorated with tigers, phoenixes and dragons, with inlaid glass beads highlighting the eyes of the creatures, mounted on fitted hardwood stands. h. 25-1/4” and 25-3/4”, w. 6-1/8” and 5-3/4” $600-$900

401

403

403 Chinese Tang-Style Terracotta Model of a Horse possibly of the period (618-907 A.D.) or later, modeled standing four-square on a rectangular base, with saddle and bridle, some remnants of red and white painted detail still visible in areas. h. 11-1/2”, w. 12” Provenance: Private collection, Nashville, Tennessee. $500-$800

402

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404 Group of Six Chinese Spinach Hardstone Bowls

405 Totoya Hokkei (Japanese, 1780-1850)

20th century, of various sizes, each with steep, slightly flared sides and flared lip, five with hardwood presentation stands. large bowl h. 4”, dia. 7-1/4”, small bowls h. 2-3/4”, dia. 4”

woodblock print on paper depicting figures walking along a road beside a river, with inscription above, later mounted and framed. 5” x 7-1/4”, framed 9-1/8” x 11-1/4”

Provenance: Bruce McCashin Collection.

$600-$900

$500-$800

405

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406 Anglo-Indian Carved Wooden Plant Stand elaborately carved as a cobra wrapping itself around a bird, with an inset top to hold a plant. h. 36”, w. 15”, d. 15” Provenance: Private collection, Houston, Texas. $600-$900

407 Chinese Export-Style Carved Wood Pedestal second half 20th century, the slightly tapering standard wrapped with a five-claw dragon chasing the flaming pearl, above a square base with floral design, the whole surmounted with a circular top with studded border. h. 48”, w. 15-3/4”, d. 15-3/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000

406

408 Chinese Bronze Model of a Qilin 20th century, modeled in the male form, seated with one paw over a brocade ball. h. 10-1/2”, w. 13”, d. 7-1/2” $600-$900

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409 Collection of Three Martaban-Style Pottery Jars

410 Two Bronze Low Basin-Form Jardinieres

20th century, Chinese, the larger and smaller examples with a matte glaze, the small jar with an incised wavy line. h. 11” to 14-1/2”, dia. 7” to 9-1/4”

20th century, of Middle Eastern inspiration, with leaf-molded handles, the sides with “nailhead” decoration. h. 8-1/2”, w. 31”, d. 28-1/2”

$500-$800

$800-$1,200

409

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411 George Rodrigue (American/Louisiana, 1944-2013) “God Bless America, September 11, 2001” silk screen on paper pencil-signed and numbered “8/1000” and printed title and date lower margin. Matted, glazed and framed. sight 25-3/4” x 24”, framed 36-1/2” x 35” Literature: Illustrated in George Rodrigue Prints: A Catalogue Raisonne, 1970-2007, New York: Abrams, pp. 230-231. $1,500-$2,500 George Rodrigue wrote of the painting and subsequent prints, “On the night of September 11, 2001, like Americans everywhere, I sat in shock in the events of the day. As I’ve done many times in my life, I turned to my easel and painted for comfort... I first thought to paint the dog black, as if in mourning. Instead I painted it without color at all, the blue joy drained by shock and grief. For many years the dog has had yellow, happy eyes. On this day, however, the eyes are red, indicating a heavy heart.”

411

412 Contemporary Bronze Alligator Sculpture 20th century, modeled as an alligator swallowing a fish. h. 21”, w. 17-1/2”, l. 29-1/2” $700-$1,000

412

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413 Silvered Bronze Panther 20th century, the figure poised to attack. h. 12-1/2”, w. 8-3/4”, l. 40-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $800-$1,200

414 Large French Patinated Bronze of a Cougar 20th century, of Japanese inspiration, depicted crouching, preparing to attack its prey. h. 19-3/4”, w. 16-1/2”, l. 47”

414

$600-$900

415 Keith Ingermann (American/Florida, 1929-2012) “Elephant Family” oil on masonite signed upper right. Framed. 11-1/2” x 15-1/2”, framed 18” x 22” $700-$1,000 A native of West Palm Beach, Florida, Keith Ingermann studied art at the Norton Gallery and School of Art and with Louisiana artist Xavier Gonzalez. Renowned Palm Beach dealer Mary Benson featured the artist in a 1951 exhibition at her Worth Avenue Gallery.

415

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416 Zacheus Olowonubi Oloruntoba (Nigerian, 1919-2014) “Mnuo-Spirit Masks” ink on cloth laid down on cardboard signed and inscribed lower right. Framed. 16” x 34”, framed 17-3/4” x 35-5/8” $500-$800 417 Lithographed Tin “Hercules” Toy Ferris Wheel ca. 1930-1950, New York, now mounted as a lamp, made by the J. Chein Company, the wind-up toy featuring sideshow freaks on the lower side panels, mounted with a shade. h. 15-1/4”, w. 16-1/4”, d. 16-1/4” $700-$1,000

417

418 Regency Mahogany Double-Pedestal Dining Table 19th century, with a wide banded inlaid top mounted to two turned pedestals with downswept legs ending in brass paw feet fitted with casters, accompanied by two 23” leaves. h. 29”, dia. 56”, ext. l. 102” $500-$800

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420

419 Late Regency Mahogany Sideboard in the Sheraton Taste

420 William Callcott Knell (British, 1830-1876)

early 19th century, probably Scottish, the serpentine case with a recessed cupboard with tambour doors flanked by inlaid flower and urn panels, the case with a pair of cross-banded bowfront drawers flanked by concave cellarette drawers, raised on reeded legs. h. 44-1/2”, w. 74-1/2”, d. 30-1/4”

“Evening, Fishing Boats...”, 1873

$700-$1,000

oil on canvas signed lower left, signed, titled and dated en verso. Framed and with a brass artist plaque on back. 8-1/4” x 16-1/4”, framed 11” x 19”

419

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421 Diminutive Regency Rosewood Credenza first quarter 19th century, the narrow rectangular top above a conforming case fitted with a plain frieze over two grilled panel doors with fabric backing, raised on turned legs ending in toupee feet. h. 32”, w. 37”, d. 9-1/4” Provenance: Bruce McCashin Collection. $400-$700 422 Pair of Italian Regency-Style Giltwood Eagle Sconces mid-20th century, with pierced bowknot crests, the eagles framed with sprays of wheat, set with spiral-carved candle arms and matching candle sockets, decorated with carved medallions, the backs with “Made in Italy” labels. h. 44-1/4”, w. 12”, d. 10-1/4” $800-$1,200

421

423

423 Giltwood Oval Mirror in the Regency Taste first quarter 20th century, with an eagle crest mounted on a plinth, grasping tassels on chains, flanked by wiremounted giltwood roses, the sides mounted with candle arms terminating in bronze sockets, the bottom with a leaf-carved drop. h. 39”, w. 25” $600-$900

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424 Four Prints of the Coronation of King George IV, July 19, 1821 colored etchings and aquatints after Charles Wild and J. P. Stephanoff, including “The King in His Royal Robes, Wearing a Cap of Estate”, “Procession of the Dean and Prebendaries of Westminster with the Regalia”, “Lord Gwydyr, Deputy Lord Great Chamberlain and Lord Howard of Effingham, Deputy Earl Marshal of England”, and “The Royal Banquet, The Bringing up of the Second Course”. In matching frames and glazed. sights 14-1/2” x 18-1/2” to 12-1/2” x 19-1/2”, framed 18-1/2” x 22-1/2” to 15” x 22-1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $600-$900 425 Late Regency-Style Leather and Giltwood Ottoman the cushion affixed to a molded frame, raised on shaped ribbed legs. h. 18-1/2”, w. 27-1/2”, d. 22” $500-$800

425

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426 Suite of Eight Late Regency Mahogany Dining Chairs

428 Regency Rosewood Credenza

second quarter 19th century, comprised of a pair of armchairs and six side chairs, each with a concave tablet back joined to rounded stiles with carved capitals, a rounded seat rail and turned front legs, the arms with scroll ends. armchair h. 33”, side chair h. 32-3/4”

early 19th century, the superstructure with a raised center section fitted with a three-quarter pierced brass gallery over two glazed panel doors, flanked to either side by a like lower galleried single glazed cupboard door, the lower section with a breakfront top above a conforming case fitted with two glazed cupboards with fabric backing, opening to a shelved interior, flanked to either side by open shelves, raised on a plinth base. h. 48-1/2”, w. 57”, d. 16-1/2”

$1,000-$1,500

$600-$900

427

427 Late Regency Mahogany Breakfast Table second quarter 19th century, the tilting, circular satinwoodbanded top raised on a bulbous ribbed and turned standard to a concave square banded base, raised on ribbed up-scrolled feet. h. 29-1/2”, dia. 54” $500-$800 428

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429 Pair of Giltwood Tabernacle Mirrors in the Regency Taste 20th century, the projecting cornices decorated with spherules and stars, the tablets with raised latticework, framed with composite carved pilasters, set with beveled mirror plates. h. 30”, w. 14-1/2” Provenance: Bruce McCashin Collection. $500-$800 430 Pair of Regency Gilt- and Patinated Bronze Candlesticks second quarter 19th century, now mounted as lamps, with urn and ball-form standards over tripartite paw feet mounted with anthemion, set with roses issuing crystal drops and prisms, electrified. h. 21”, dia. 4” $600-$900 431 Pair of William IV Bronze Candelabra second quarter 19th century, now mounted as lamps, with patinated bronze cluster-column standards and reeded bases on scrolled feet trimmed with pierced scrollwork, the reeded candle arms set with lotus-molded drip pans and candle sockets with acanthus-molded bobeches, fitted with dual lamp sockets. h. 40”, dia. 12” $500-$800

431

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432 Pair of Regency-Style Ebonized and Parcel-Gilt Eagle Brackets fourth quarter 19th century, the displayed eagles on carved rocky outcroppings, with serpentine shelves with covemolded edges. h. 7-3/4”, w. 19”, d. 8” Provenance: Bruce McCashin Collection. $500-$800 433 Regency-Style Leather and Mahogany Bench the leather top edged with brass tacks, on a frame with a reeded apron and twist-fluted legs. h. 17-1/2”, w. 63-1/4”, d. 17-1/4” $500-$800 434 British School (Second Quarter 19th Century) “Portrait of a Boy with a Blue and White Jacket and a Lace Collar” oil on canvas unsigned. Framed. 32” x 26”, framed 40-1/2” x 34”

434

Provenance: Estate of Victor and Marie Cascio, Monroe, Louisiana. $500-$800

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435 Pair of Regency-Style Ebonized and Parcel-Gilt Stools each with a “Brunschwig & Fils” label, the plush brocade on a frame with a molded apron and beehive feet. h. 9”, w. 14”, d. 12-1/2” $400-$700 436 Regency Rosewood Parcel-Gilt and Marble-Top Side Table 435

early 19th century, the rectangular marble top above a conforming brass-inlaid frieze, raised on ebonized lion masques to foliate-carved gilt paws on runner feet. h. 38-1/2”, w. 45-1/2”, d. 18-1/2” $500-$800 437 John Faulkner, R.H.A. (Irish, 1835-1894) “Figures by Avoca Bridge, County Wicklow”, 1871 watercolor on paper signed and dated lower left. Frame with artist plaque. sight 26” x 44-1/4”, framed 30” x 49” Provenance: Bruce McCashin Collection. $500-$800

436

437

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438 James Ward (British, 1769-1859) “Tintern Abbey” watercolor on paper Matted, glazed and framed. sight 6-1/4” x 9-1/2”, framed 18-1/2” x 21-1/2” Provenance: Bruce McCashin Collection. $500-$800

439 Regency Mahogany Tripod Table early 19th century, the tilting rectangular top with brass line inlay, and raised on a turned and bulbous baluster standard to three brass-inlaid splayed legs ending in ball feet. h. 28”, w. 26”, d. 19-1/2”

438

Provenance: Private collection, Nashville, Tennessee. $600-$900

440 Late George III Line-Strung and Inlaid Mahogany Games Table early 19th century, the slide-out top with an inlaid chess and cribbage board on one side, the well with an inlaid backgammon board, the frieze with a shallow game-piece drawer on each end, raised on tapering legs with brass cup casters. h. 30-1/4”, w. 30-1/2”, d. 20-1/4” $500-$800

439

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441 Victorian Mahogany Metamorphic Armchair/Ladder in the Regency taste, after a design patented by Morgan and Sanders, with a carved concave back over a reeded splat, reeded scroll arms, front seat rail and legs, folding over to create a step stool, the seat with woven cane. h. 36-1/2” $500-$800

443

442 Regency-Style Mahogany Sofa Table late 19th century, the banded rectangular top with a rounded drop leaf to either end, above a frieze fitted with two drawers to one side and two faux drawers to the other, raised on turned columnar supports joined by a turned and block stretcher and ending in splayed reeded legs to brass caps and casters. h. 27-1/2”, w. 45”, d. 30”, ext. w. 68” $500-$800 443 Pair of Regency Bronze Lamp Stands first quarter 19th century, now mounted as lamps, the bases with faux-marbre-painted plinths set with lion-headed monopodia, and mounted with mid-19th-century conical frosted and star-cut shades. h. 14-3/4”, dia. 6-1/2”

441

$700-$1,000

442

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444 English Parcel-Giltwood and Eglomise Overmantel Mirror second quarter 20th century, in the George II style, the central eglomise panel flanked by small convex side panels. h. 40-1/2”, w. 43” $800-$1,200

445 George III Satinwood Table de Cheveret 19th century, in two parts, the superstructure with an arched handle over two small drawers and one long drawer, the rectangular top banded and above a single drawer opening to a baize-lined easel-backed writing surface, raised on tapering square legs joined by a concave stretcher and ending in ebonized feet. h. 44-1/2”, w. 21-1/4”, d. 16-1/2” $600-$900

444

446

446 Pair of Colonial Revival Cut and Engraved Glass Hurricane Shades 20th century, decorated with diamond-form medallions framed with flowers and wheat. h. 18-1/4”, dia. 6-1/4”

445

Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

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449

447 William IV Mahogany Cabinet second quarter 19th century, the superstructure with a foliatecarved scrolling crest above a single shelf, joined by scrolling supports to a rectangular top with a molded edge, above a case fitted with a single laurel-wreath-carved drawer over two recessed paneled cupboard doors opening to a shelved interior, flanked to either side by Ionic supports, raised on ribbed scrolled toes. h. 54”, w. 37-1/4”, d. 21-1/4” Provenance: Bruce McCashin Collection. $500-$800 448 Late Regency Rosewood Chair and Stool ca. 1825, the chair of tub form, the tufted back extending to closed arms, with serpentine seat and melon-carved turned legs on brass cup casters, h. 30”, the ottoman with an upholstered cushion on a rosewood and faux rosewood base with scroll and reeded supports joined by scroll stretchers, h. 17”, w. 25”, d. 25”, both upholstered in matching cut-velvet fabric. Provenance: Bruce McCashin Collection. $500-$800 449 Chinese Export Rose Medallion Porcelain Vase third quarter 19th century, with gilt salamanders on the neck, decorated with Mandarin scenes alternating with peonies, birds and butterflies. h. 17-1/2”, dia. 7-1/2” $600-$900

447

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450 Maitland-Smith William IV-Style Mahogany Bookcase the projecting top over three open shelves flanked by parcelgilt reeded columns with foliate-carved tops and lotus-carved bases, on carved paw feet, the back retaining a MaitlandSmith label. h. 48-1/4”, w. 40”, d. 17” $500-$800 451 Suite of Four Edwardian Mahogany Nesting Tables early 20th century, each table with a rectangular top with a polychrome raised border, and raised on circular ring-turned legs joined by a back stretcher and ending in splayed feet. h. 29-1/2”, w. 20”, d. 13” $500-$800

450

451

452 After Sir Edwin Henry Landseer, R.A. (British, 1802-1873) “Portrait of a Lady with a Fan” oil on canvas inscribed and indistinctly signed “E. Marrelais”? Framed. 24” x 20-1/4”, framed 33-1/2” x 27-1/2” $600-$900

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453 English Rococo Revival Mahogany Firescreen mid-19th century, with a needlepoint panel depicting Mary and the Baby Jesus. h. 39-1/2”, w. 25-1/2”, d. 14-1/2” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $500-$800 454 William IV Rosewood-Veneered Pole Screen second quarter 19th century, on scroll feet, the standard carved with leaves and mounted with a needlepoint panel depicting three girls in a garden feeding swans. h. 62”, w. 20-1/2”, d. 15” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $500-$800

453

455

455 James Ward (British, 1769-1859) “Study of Mrs. George Morland for the ‘Clean Face Rewarded’”, 1797 graphite on paper monogramed and dated lower left, titled upper right. Matted, glazed and framed. sight 9” x 7”, framed 21-1/2” x 17-1/2” Provenance: Sotheby’s, London, November 28, 2002, lot 218; Bruce McCashin Collection. $500-$800 454

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456 Pair of Handsome English Porcelain Ice Pails first quarter 19th century, decorated with scrollwork and flowers, the scrolled knops modeled with grapes and the handles representing grapevines, marked with pattern “1764” on the base. h. 13”, w. 12”, d. 8-3/4” $400-$700 457 Pair of English Rococo Revival Lamp Standards now mounted as lamps, molded with anthuriums, insects and shells, on paw feet, with later but antique ball shades, electrified. h. 20”, dia. 7-1/2” $500-$800

457

456

458 British School (19th Century) “Floral Still Life with Pink Roses and Daisies” oil on canvas laid down on board signed “L. Douglas” lower right. Framed. 30” x 26”, framed 38” x 36” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $700-$1,000

458

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460

459 William IV-Style Mahogany Partner’s Desk

460 Pair of George III-Style Wing Chairs with Ottomans

the rectangular top with projecting crimped corners and a trisected leather writing surface, above a frieze fitted with three drawers to either side, raised on two pedestals, each fitted, one side with a paneled cupboard door opening to four drawers and the other side with a paneled cupboard door opening to slotted compartments, the whole with carved lionmasque accents and raised on hairy-paw feet. h. 32”, w. 68”, d. 40-1/2”

each chair with a tufted back and seat, closed arms and Marlborough legs, the stools with like upholstery and legs. chair h. 43”, ottoman h. 15-1/2”, w. 22-1/2”, d. 18-3/4” $1,000-$1,500

$1,200-$1,800

459

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461 Pair of English Flint Enamel Stoneware Lions mid-19th century, possibly Rockingham, of Medici form, treacle glazed and on molded bases. h. 8-3/4”, w. 10-3/4”, d. 4-1/2” Provenance: Bruce McCashin Collection. $400-$700 462 John Alfred Wheeler (British, 1852-1932)

461

“Snarling Fox” oil on canvas monogramed lower right. Framed. 10” x 12”, framed 16-1/4” x 18” Provenance: Bruce McCashin Collection. $500-$800 463 Faux Tortoiseshell Oval Mirror of Georgian Inspiration 20th century, set with a beveled mirror plate, the surround framed with molded giltwood. h. 36”, w. 26-1/2” Provenance: Private collection, Nashville, Tennessee.

462

$500-$800 464 Large Mahogany Rotating Bookmill first quarter 20th century, the top with a molded edge over four tiers of open shelves. h. 62-1/2”, w. 27-1/4”, d. 27-1/4” $500-$800

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464

465 George III Oak Highboy late 18th century, the upper section fitted with two short drawers over three graduated long drawers, over a lower section fitted with a central long drawer flanked to either side by a short deep drawer, raised on cabriole legs ending in pointed toes. h. 59-3/4”, w. 38-1/2”, d. 20-1/2” $500-$800 466 Tobacco Leather-Upholstered Swivel Desk Chair the domed and tufted back joined by shaped sides and outscrolled arms to the tufted seat, raised on a five-part swiveling mahogany and brass base on casters. h. 44” $1,000-$1,500

465

466

467 Tobacco Leather-Upholstered Swivel Desk Chair the domed and tufted back joined by shaped sides and outscrolled arms to the tufted seat, raised on a five-part swiveling mahogany and brass base on casters. h. 44” $1,000-$1,500

467

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470 After Pierre-Jules Mene (French, 1810-1879) “Cheval” patinated bronze 20th century, cast signature along edge. h. 7”, w. 9”, d. 4-1/8” Provenance: Blount Corporate Collection, Montgomery, Alabama. $600-$900

468

468 After Sir Alfred James Munnings, R.A. (British, 1878-1959) “The Drummer of His Majesty’s First Life Guard” a rare silkscreen on silk after the 1922 painting now conserved and on permanent display at Anglesey Abbey, Cambridgeshire (under auspices of the National Trust), printed by Felix Rosenstiel’s Widow & Sons, Ltd., London. In an attractive carved giltwood frame. sight 34” x 33-7/8”, framed 41-1/2” x 41-1/2”

470

Provenance: Bruce McCashin Collection; previously in the collection of Mimi Dupont Mills Abel-Smith, Middleburg, Virginia. $1,000-$1,500

469 After Henry Thomas Alken (British, 1785-1851) “A Promising Field, Meet of the Essex Fox Hounds”, 1852 engraving in colors engraved by George Hunt and published by J. Moore. Matted, glazed and framed. sight 18-1/2” x 25-1/4”, framed 27-1/4” x 33-1/4” Provenance: Bruce McCashin Collection. $400-$700 469

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471 John Frederick Herring, Jr. (British, 1815-1907) “Pulling the Log” and “At Rest” two watercolors on paper each signed. Glazed and framed alike. each sight 9-3/4” x 13-1/2”, framed 11-1/4” x 15-1/4” Provenance: Morgan Evans & Co., Anglesey, UK, October 26, 2017, lots 560 and 561; Bruce McCashin Collection. $500-$800 472 Victorian Mahogany Bookcase/Cabinet in the Gothic Taste mid-19th century, the projecting cornice over a pair of glazed doors, each with Gothic tracery and carving, on a base with a pair of doors over paneled doors, the doors flanked by beaded panels, on turned feet. h. 84-1/4”, w. 54-1/4”, d. 18” $700-$1,000

471

473 Victorian Eglomise Blown Glass Apothecary Jar mid-19th century, decorated with a pair of reversepainted figures carrying a shield on a tan ground, with a pontil mark. h. 23-3/4”, dia. 11-3/4” $1,000-$1,500

472

473

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474 Four Aesthetic Movement Brass Lamps fourth quarter 19th century, probably English, decorated with glass “jewels”, including a student lamp, h. 17-1/2”, dia. 9-1/2”, a banquet lamp with a duplex burner, h. 21-1/2”, dia. 11-1/2”, a Neo-Gothic candlestick mounted with a shade, electrified, h. 29-1/2”, dia. 9-3/4”, and an assembled table lamp, h. 26-1/2”, dia. 7”. $1,000-$1,500

474

475 Victorian Gothic Revival Oak Armchair in the manner of A. W. Pugin, the back with a molded top rail over a tripartite arch with carved tracery, joined to shaped arms, a plank seat and curule base. h. 38-1/2” $500-$800 476 James William Whittaker (British, 1828-1876) “By the Bridge” oil on canvas signed lower left. Framed and with artist plaque. 14-1/4” x 26-1/2”, framed 20” x 31-1/2” Provenance: Private collection, Houston, Texas. $500-$800

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477

477 Chinese Export Ebonized Work Table mid-19th century, the stepped and shaped rectangular top hinged and opening to a compartmented interior fitted with various bone sewing implements, above a pull-out fabric storage well, raised on lyre-form supports joined by a stretcher and ending in gilt paw feet, the whole richly decorated in gilt figural scenes in the chinoiserie manner. h. 27-1/2”, w. 25-1/2”, d. 17-1/2” $500-$800 478 Pair of Very Large Chinese Famille Noir Porcelain Floor Vases second half 20th century, each of baluster form with flared lip, decorated with phoenix and cranes amid blossoming foliage, having applied pomegranate branch handles. h. 54-3/4”, dia. 20” Provenance: Bruce McCashin Collection. $500-$800

478

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479

479 George III-Style Giltwood Overmantel Mirror ca. 1900, English, in three parts, set with pilasters with leaf-molded capitals, the crest with gilt spheres. h. 28-1/4”, w. 63” $600-$900 480 Two Late Victorian Lacquered Brass and Onyx Stands ca. 1900, one with a square figured onyx top, pierced apron and cabriole legs joined by a stretcher with a circular onyx top, h. 31”, w. 16”, d. 16”, and the other with a rectilinear onyx top, similarly modeled apron and legs joined by a stretcher with an onyx finial, h. 32-1/4”, w. 27”, d. 16-1/2”. Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000

480

481 Fourteen Volumes on French and Spanish Literature, Art and History including: Victor Hugo, Les Miserables, Boston: Little, Brown and Company, 1903, complete in five volumes, boards in half brown leather with marbled paper, spines with gilt lettering and decoration; J. J. Grandville, Les Fleurs Animees, Paris: Garnier Freres, nd, complete in two volumes, boards of marbled paper, spines of red leather with gilt lettering and decoration; Miguel de Cervantes Saavedra, trans. Tobias Smollett, The History and Adventures of the Renowned Don Quixote, London: et al, 1780, boards of brown leather, spines with gilt lettering and decoration, among others. Complete list upon request. $600-$900

481

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482 Rosie Sandifer (American, b. 1946) “Pair of Figural Bookends” patinated bronze each of a young boy reading, each with cast signature, copyright-marked and numbered “20/30” along side, on conforming beveled white marble bases. each h. 6-1/4”, w. 7-1/2”, d. 6-1/2” $600-$900 482

483 Nineteen Volumes on British History, Literature and Culture including: Works by the Brontes, London: Robert Riviere and Son, Ltd., nd, incomplete in six volumes, boards in half green leather, spines with gilt lettering and decoration; The Life and Poems of the Rev. George Crabbe, London: John Murray, Albemarle Street, 1834, incomplete in five volumes (IV-VIII), boards of brown leather with gilt decoration, spines with gilt lettering and decoration; Songs from the Published Writings of Alfred Tennyson, ed. W. G. Cusins, London: C. Kegan Paul and Co., 1880, boards of black leather with gilt decoration, among others. Complete list upon request. from 6-5/8” x 4-1/4” to 12-1/2” x 10” $500-$800

483

484 Large Split Fore-Edge Painted Bible London: Samuel Bagster & Sons, n.d. [mid-19th c.], in full black morocco with beveled edges and tooled panels and dentelle, with gilt-pinpoint edging, the spine with raised bands and lettering, with black endpapers, cut and gilt edges with split fore-edge painting of Jerusalem and the Church of the Holy Sepulchre, with indigo register ribbon. overall 11” x 9” $600-$900

484

167

485 Laristan Mamluk Carpet 9’ x 11’ 10” $700-$1,000

486 Oushak Carpet 9’ 2” x 12’ $500-$800

487 Turkish Angora Oushak Carpet 9’ x 11’ 10” $800-$1,200

485

487

168

486

488

488 Turkish Sultanabad Carpet 9’ x 11’ 10” $800-$1,200

489 Peshawar Sultanabad Runner 2’ 9” x 7’ 9” $600-$900

489

169

490 Agra Serapi Carpet 8’ 10” x 12’ $1,400-$1,800

491 Sultanabad Carpet 6’ 2” x 8’ 10” $600-$900

492 Agra Serapi Carpet 9’ x 12’ $1,200-$1,800

490

491

170

492

493 Agra Carpet 8’ x 10’ 2” $600-$900 493

494 Antique Oushak Carpet 5’ 3” x 8’ 3 $1,000-$1,500

494

171

495 Colonial Revival Mahogany and Giltwood Mirror ca. 1900, American or English, in the Chippendale taste, with an eagle finial and giltwood trim. h. 45-1/2” $600-$900

496 American Queen Anne Cherry Tea Table 18th century, the rectangular top with an applied molded edge, and raised on cabriole legs ending in slipper feet. h. 26-1/2”, w. 31”, d. 20” $700-$1,000

495

496

497 American Colonial Mahogany Slant-Lid Desk 18th century, the top opening to reveal a segmented interior fitted with niches, shaped drawers and a work slide, the case with two-over-two drawers, all with molded edges, raised on bun feet. h. 41-1/4”, w. 38-1/4”, d. 22” $500-$800

497

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498 Daniel MacMorris (American, 1893-1981) “Clipper Ship Race”, Paris, 1929 oil on canvas signed, titled and dated localized en verso. Gilt stenciled framed. 24-1/4” x 33”, framed 31-3/4” x 40-5/8” $800-$1,200 499 American Federal-Style Mahogany Secretary Bookcase late 19th/early 20th century, in two parts, the upper section with a marquetry-inlaid broken-arch pediment over a pair of doors with eglomise panels, on a base with a fold-out desk with a fitted interior over three drawers, raised on flare feet. h. 82”, w. 38”, d. 19-1/4”

498

$600-$900 500 American Queen Anne Cherry Slant-Lid Desk on Stand third quarter 18th century, with a dovetailed case, the slant lid opening to a fitted interior with a central shellcarved document door, flanked by small drawers and cubbies, the lower section with four graduated long drawers and fitted on a scalloped base with Queen Anne legs. h. 45-1/2”, w. 41”, d. 19” $700-$1,000

500

499

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501 Pair of Colonial Revival-Style Giltwood and Brass TwoLight Sconces mid-20th century, with polished brass arms. h. 13-3/4”, w. 18”, d. 4-1/4” $1,000-$1,500 502 Maple Butcher’s Block ca. 1900, the joined tenened boards supported by four chamfered legs. h. 32”, w. 35-3/4”, d. 24-3/8” $500-$800 503 Vernacular American Pine “Apothecary” Cabinet ca. 1900, the case with three banks of a dozen drawers, all with porcelain knobs. h. 62-3/4”, w. 23-1/2”, d. 15-1/2” $800-$1,200

502

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504 Anglo-American Blown and Cut Glass Hurricane Shade second quarter 19th century, with a folded glass foot, decorated with cut and etched grapes and flowers. h. 24-1/2”, dia. 8-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 505 American Classical Mahogany Tilt-Top Stand early 19th century, the shaped single-board top on a balusterform tripodal pedestal with reeded legs. h. 30-1/4”, w. 24-1/2”, d. 17-1/2” $500-$800

504

506

506 Colonial Revival Giltwood Convex Mirror first quarter 20th century, American or English, with a displayed eagle crest flanked by pierced scrollwork, the covemolded surround set with gilt spherules, the edge decorated with ribbon-bound reeding, the bottom with a bellflower drop. h. 42”, dia. 24-1/2” $800-$1,200 505

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508 Two Pairs of J. & I. Cox-Retailed Argand Lamps second quarter 19th century, English, with “J. & I. Cox” labels on their burner tubes, mounted with frosted and cut glass shades, h. 17”, w. 10”, d. 5-1/2”, together with a pair of Colonial Revival Argand-style lamps, ca. 1900, originally hung with prisms, electrified, h. 14-1/2”, w. 8”, d. 10-1/2”. $1,000-$1,500

509 American Classical Mahogany Drop-Leaf Table ca. 1825, the rectilinear top flanked by deep drop leaves, the apron fitted with a single drawer on a beehive-turned pedestal joined to four reeded legs with brass paw cup casters. h. 28-3/4”, w. 47-3/4”, l. 28”, ext. l. 57-3/4” $800-$1,200

507

507 Victorian Parcel-Gilt Mahogany Music Stand third quarter 19th century, double-sided, each sheet music holder with a lyre back, on a fluted gilt-metal rod joined to a baluster-form tripodal base. h. 55-1/2”, w. 24”, d. 16” $500-$800

509

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510 American Late Classical Mahogany Secretary Bookcase second quarter 19th century, probably New England, in two parts, the upper section with a projecting cornice over a pair of glazed doors with reeded mullions and a bank of drawers below, the base with a fold-out tooled leather writing surface over a molded projecting drawer and a pair of drawers below, flanked by figured columns. h. 81”, w. 44-1/8”, d. 20-1/4” $600-$900 511 American Classical Mahogany Games Table

511

second quarter 19th century, Boston, the fold-over top with a reeded edge and canted corners, above a conforming apron with a molded lower edge, raised on a ring-turned and leafcarved pedestal supported by reeded saber legs ending in brass cup casters. h. 29-3/4”, w. 34”, d. 16-3/8”, ext. l. 32-3/4” $600-$900

512

512 American Classical Mahogany Drop-Leaf Table ca. 1830, Philadelphia, the figured single-board top flanked by like-shaped drop leaves, the molded frieze with a single drawer, raised on a leaf-carved pedestal above a concave base, on carved paw feet. h. 29”, w. 4-3/4”, d. 40”, ext. w. 21-1/2” $600-$900

510

177

513 Pair of Signed Messenger Argand Lamps second quarter 19th century, English, with a patinated and gilt-bronze finish, labeled “Messenger & Son 20 Greville St., London & Birmingham”, set with reproduction cut and frosted glass shades, electrified. h. 13”, w. 5-1/2”, d. 9-3/4” $1,000-$1,500

514 American Classical Mahogany Breakfast Table

513

second quarter 19th century, the figured single-board top flanked by like-shaped drop leaves, the frieze with a molded drawer, raised on a turned and carved pedestal, above a concave base with leaf-carved paw feet. h. 28-3/4”, w. 21”, d. 39-3/4”, ext. w. 49-1/2” $700-$1,000

514

515 Sinumbra-Style Bronze and Glass Table Lamp 19th century, with American and English elements, the leafmolded base set with a cut glass prism ring hung with spearpoint prisms and a Colonial Revival frosted glass lamp shade. h. 38-1/4”, dia. 12-1/4” $500-$800

515

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516 Attributed to Frederick William Watts (British, 1800-1862) “Boaters on the Mill Pond” oil on canvas unsigned. Unframed. 36” x 30” $800-$1,200

516

517 American Federal Mahogany Drop-Leaf Table and Six Chairs the table, ca. 1825, with shaped leaves, one end fitted with a drawer, and raised on a platform base supported by hairy-paw legs, h. 28”, w. 24”, d. 35”, ext. w. 48”; and the chairs, late 19th century, in the manner of Duncan Phyfe, New York, each with a drapery swag-and-ribbon-carved crest rail, and raised on turned and reeded legs, h. 37”, w. 19”, d. 19”. 517

$600-$900

517

179

518 After John James Audubon (American, 1785-1851) “Purple Martin”, pl. 45 chromolithograph from The Birds of America, Bien edition, 1860. Matted, glazed and framed. sight 31” x 23”, framed 44” x 34” $500-$800

518

519 After John James Audubon (American, 1785-1851) “Pileated Woodpecker”, pl. 257 chromolithograph from The Birds of America, Bien edition, 1860. Matted, glazed and framed. sight 38” x 25”, framed 51-3/4” x 38-1/4” $500-$800

519

180

520 American Late Classical Mahogany Armoire mid-19th century, the cyma-molded cornice over a pair of paneled doors, raised on bracket feet. h. 89-1/2”, w. 59”, d. 21-1/2” $500-$800 521 Two Pieces of American Late Classical Mahogany Furniture comprised of a work table and a center table, both second quarter 19th century, the work table with a pair of molded drawers supported by scroll legs joined to a low concave platform with paw feet, h. 29”, w. 21”, d. 16-3/4”, and the center table with a circular top on a tapering pedestal with scroll feet, h. 28”, dia. 36”. $800-$1,200 521

522

522 Two Cornelius Patinated Bronze Astral Lamps mid-19th century, Philadelphia, including a reeded example with a label on the tank, electrified, but retaining the original 19th-century flame spreaders, mounted with a later engraved glass ball shade, h. 33-1/2”, dia. 8-1/2”, and a “Cornelius & Co.” lamp, signed in script on the iron weight, unelectrified, but converted to kerosene, mounted with a frosted and cut glass ball shade, h. 25-1/2”, dia. 7-1/2”. $1,000-$1,500

520

181

523 Joan Potter (American, b. 1945) “Still Life with Flowers and Ceramics” oil on canvas signed lower right. Framed. 28” x 25”, framed 34-1/2” x 31-1/2” $700-$1,000 524 William Posey Silva (American/Tennessee, 1859-1948) “Wooded Park”, 1908 oil on canvas signed lower left and monogrammed, dated and localized “Paris” en verso. Framed. 25-1/2” x 21-1/2”, framed 32-1/2” x 28” Provenance: Butterfields, San Francisco, California, June 25, 1998 , lot 5264 $800-$1,200 Encouraged by his wife, William Posey Silva retired from his retail business in 1907 and pursued a career as an artist. He enrolled at the Academie Julian in Paris where he studied with Jean-Paul Laurens and American artist Chauncey Ryder. The emerging artist achieved critical acclaim and was given his first one-man show in 1909 at the Georges Petit Gallery in Paris. The charming painting “Wooded Park” was painted during his time in Paris.

523

525 Clyde Clifton Clack (American/Texas, 1896-1955) “Wooded Landscape” oil on board signed lower left. Matted, glazed and framed. sight 11-1/2” x 8”, framed 16” x 12” $600-$900

182

524

525

526 American School (Second/Third Quarter 20th Century) “Floral Still Life with Daffodils” oil on masonite unsigned. 39-1/2” x 27-1/2”, framed 47-1/2” x 35-1/2” Provenance: Private collection, Nashville, Tennessee. $600-$900

526

527 Attributed to Ernest Lawson (American, 1873-1939) “Villa in a Garden” oil on canvas board unsigned. Framed. 12” x 9”, framed 15” x 12” $700-$1,000

527

183

528 Bohemian Cased, Cut and Enameled Glass Banquet Lamp second quarter 20th century, with a white-plated cut-to-green font and standard, enameled with scattered flowers and set with a matching ball shade, mounted on a molded and pierced brass-plated base. h. 34”, dia. 7-1/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

529

528

529 American Victorian Bronze and Glass Hall Lantern fourth quarter 19th century, the polished bronze frame decorated with scrollwork and set with a swirled opalescent glass shade, now with three electric light sockets. h. 36”, dia. 6” $500-$800 530 American Rococo Revival Rosewood Piano Stool third quarter 19th century, the rotating and extending seat with a medallion back with a floral-carved crest, the circular seat with a foliate- and shell-carved apron on a turned base with four cabochon-carved cabriole legs. h. 36-1/2” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $500-$800

184

530

533 American Giltwood Oval Mirror mid-19th century, in the Rococo Revival taste, the pierced, scroll-molded crest with acanthus leaves and fruit. h. 57”, w. 25-3/4” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $500-$800

531

531 Pair of Franco-Bohemian Porcelain Fan Vases mid-19th century, hand-painted with morning glories and roses. h. 19-1/2”, w. 9”, d. 5” $500-$800

532 American Rococo Revival Rosewood and Marble-Top Console third quarter 19th century, attributed to J. H. Belter, New York, the shaped white marble top over a conforming frieze with a projecting drawer flanked by concave panels, raised on cabriole legs with leaf and fruit carving above the leaves and joined by a floral- and scroll-carved stretcher. h. 32-1/4”, w. 49-1/4”, d. 18” $500-$800

533

532

185

534 Moser-Type Overlay Glass Cut and Gilded Decanter and Glasses first quarter 20th century, Czechoslovakian, consisting of a decanter, h. 14-1/4”, dia. 4”, the base signed with a letter or numeral, likely the gilder, seven goblets, h. 7”, dia. 3”, and five goblets, h. 5-1/2”, dia. 1-3/4”. $500-$800 534

535 American Rococo Revival Rosewood Armchair third quarter 19th century, the corset-form back with a cabochon- and fruit-carved crest, with open arms, serpentine front seat rail and cabriole legs, now upholstered in tufted claret damask. h. 41-3/4” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $500-$800 536 American Rococo Revival Walnut Settee third quarter 19th century, of tripartite form, the back with shelland foliate-carved crests, joined to open arms, serpentine front seat rail and cabriole legs, now upholstered in tufted claret brocade. h. 42-1/2”, w. 65”, d. 32” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $500-$800

535

186

536

537 American Rococo Revival Walnut Etagere third quarter 19th century, the shaped mirror with an elaborate carved and pierced crest and separated by a medial shelf, the base with a serpentine marble top over a conforming frieze with cabochon, shell and scroll carving, raised on cabriole legs with foliate and cabochon carving, the legs joined by a stretcher with an open leaf- and scrollcarved finial. h. 85”, w. 47”, d. 19-1/4” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $600-$900

537

538 Rococo Revival Giltwood Oval Mirror mid-19th century, American, the anthemion-molded crest decorated with grapes, the surround molded with ribbonbound floral garlands. h. 61-1/2”, w. 27-1/2” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $500-$800

538

187

539 Pittsburgh Lamp Company Piano Lamp fourth quarter 19th century, American, the brass base set with an onyx top and a hand-painted ball shade, the oil filler cup marked “SUCCESS”. h. 62-1/2”, w. 12”, d. 12” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 540 Pair of Bohemian Cranberry Glass and Enameled Mantel Lustres mid-20th century, hung with spear-point prisms, the raised enameled flowers on scroll-framed gilt panels. h. 12-3/4”, dia. 7-1/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

539

540

541 American Rococo Revival Rosewood Cabinet-Base Etagere third quarter 19th century, probably New York, the upper section with a pierced floral-carved crest over a pair of graduated shelves, each on S-scroll carved brackets and backed by a looking glass, on a marble-top base with projecting rounded corners, the case with a pair of drawers over a pair of doors with glazed panels. h. 63”, w. 45-1/2”, d. 22” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $700-$1,000

188

541

544

542 American Rococo Revival Rosewood Triple-Back Settee third quarter 19th century, New York, with pierced and carved floral crests above the padded backs, open arms and a serpentine seat frame, raised on cabriole legs ending in brass casters. h. 45”, w. 67”, d. 27”

543

544 Three Table Lamps

Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana.

fourth quarter 19th century and later, including a French figural lamp with a gilt-metal standard and art glass font, mounted with a quilted shade, electrified, h. 24-1/2”, dia. 4-1/2”, an English banquet lamp with an enameled glass font and an engraved shade, h. 28-1/2”, dia. 7”, and a neoclassical table lamp assembled from parts, h. 25-3/4”, dia. 10”.

$700-$1,000 543 American Brass and Glass Gas Hall Lantern fourth quarter 19th century, with a cranberry “coinspot” pattern shade mounted with piercework and suspended in a hanging frame, now with four electrical sockets. h. 29-1/2”, dia. 7-1/2”

$1,000-$1,500

$500-$800

542

189

545 American Rococo Revival Giltwood Oval Mirror mid-19th century, with a ripple-molded surround, the crest and base decorated with scrollwork and flowers. h. 47-1/2”, w. 36” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $500-$800 546 Pair of American Colonial Revival Glass, Brass and Marble Sinumbra-Style Lamps fourth quarter 19th century, probably made by Pairpoint, with stepped marble bases and tapered fluted brass standards terminating in lotus-molded capitals, the frosted and cut glass shades resting on prism-hung holders. h. 31-1/2”, dia. 10-3/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

545

546

547 Two Polished Bronze Sinumbra Standards, Mounted as Lamps second quarter 19th century and later, one example with a faceted base and leaf-molded capital, set with a rare frosted sinumbra shade with a folded lip and a ground lower edge, probably period, h. 31-1/2”, dia. 9-3/4”, and the other example with a square base, mounted with a frosted and cut Colonial Revival shade, h. 30-1/2”, dia. 12-1/2”, each electrified and hung with prisms. $1,000-$1,500 547

190

548

549

548 Bohemian Blown Cranberry Glass Epergne fourth quarter 19th century, the ruffled base set with conical posy holders, and three rope-twist scrolled arms hung with posy baskets. h. 23”, dia. 11” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 549 American Rococo Revival Rosewood and Faux Rosewood Stool third quarter 19th century, the serpentine seat on a rotating and extending shaft to adjust height for organ or piano, the apron with foliate- and cabochon-carved mounts, on an octagonal column joined to carved cabriole legs with French toes. h. 21-3/4” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $700-$1,000 550 Rococo Revival Giltwood Oval Mirror mid-19th century, probably Baltimore, the pierced crest decorated with grapes and grapevines, with a grape-molded surround. h. 54”, w. 26-1/2” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $500-$800

550

191

552

552 American Rococo Revival Walnut Armchair third quarter 19th century, the back with a pierced grape-, floraland leaf-carved crest, joined to open arms, serpentine seat and cabriole legs, now upholstered after the period fashion in tufted crimson brocade. h. 43-3/4” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $500-$800

553

553 American Rococo Revival Rosewood and Marble-Top Etagere

551 Pair of Cast Iron “Gothic Arch and Rose” Garden Benches 20th century, after the original cast in New York, the backs with arches and molded rose trim, the seats with pierced scrollwork, on pierced cabriole legs. h. 36-1/2”, w. 61”, d. 17”

third quarter 19th century, probably by Thomas Brooks, Brooklyn, New York, the upper section with a pierced foliate crest above a central mirror, flanked by narrow mirrors to each side and shaped shelves, the base with its original white marble top above a serpentine drawer and cabinet below. h. 98”, w. 60”, d. 21”

$600-$900

Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $1,000-$1,500

192

551

554 Suite of Four Victorian-Style Bleached Mahogany Armchairs in the Rococo Revival taste, each with a floral-, scroll- and leafcarved crest on a medallion back, open arms, serpentine front seat rail and cabriole legs. h. 42-1/4” $600-$900 555 Pair of Neoclassical Silvered Metal Table Lamps first quarter 20th century, Continental, with faux marbre bases, the standards in the form of a pair of putti, mounted with ruffled blue glass shades. h. 20-1/2”, dia. 9” $1,000-$1,500

556

556 American Rococo Revival Giltwood Oval Mirror mid-19th century, with a pierced scroll-molded crest, the surround molded with gadrooning. h. 69”, w. 30-1/2” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana.

555

$700-$1,000

554

193

557 American Brass and Glass Banquet Lamp mid-19th century and later, the caryatid-molded standard with a lotus-molded breather, possibly Cornelius, Philadelphia, now fitted with a later 19th-century pierced brass font and a frosted and cut shade. h. 36”, dia. 9” $700-$1,000

558 Pair of Rococo Revival Gilt-Bronze Gasolier Arms mid-19th century, probably Philadelphia, now mounted as sconces, with later etched glass shades, with sockets for side arms, now lacking. h. 13”, w. 8”, d. 23-1/2” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $500-$800

557

558

559 Brass-Mounted Brilliant-Style Blue-Plated Glass Urn third quarter 20th century, cut with hobstars and Gothicarch panels, the tapered cover set with a brass eagle finial, the sides with pierced and scrolled handles, the brass feet decorated with lion’s head masques. h. 26”, w. 10”, d. 6” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

194

559

560 American Cast Iron Tree Surround 20th century, in the “Vintage” pattern, the circular bench with a pierced seat and grape-leaf-molded back, raised on legs in like decor. h. 26-3/4”, dia. 62” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

561 Queen Anne Oak Highboy 18th century, the molded and dentillated cornice above three short drawers and three graduated long drawers, the lower section fitted with a long drawer over a short drawer to each side, raised on cabriole legs ending in spade feet. h. 22”, w. 39-1/2”, d. 21-1/2” $600-$900

561

560

195

563

562 Queen Anne-Style Mahogany Wing Chair 20th century, with rolled armrests, reversible cushion and raised on short Queen Anne-style legs. h. 51”, w. 33”, d. 31” $800-$1,200

563 Jane Wells Loudon (British, 1807-1858) Glazed, matted and framed alike. “Eight Botanical Hand-Colored Lithographs” from British Wild Flowers, 1846-1849 including plates 15, 24-25, 32, 35-36, 41 and 43. Each matted, glazed and framed alike. sight 10-1/2” x 7-3/4”, framed 19” x 16” $700-$1,000

562

196

564 Carved Giltwood Oval Mirror mid-20th century, of English rococo inspiration, carved with birds and flowers, the crest with an urn of flowers. h. 47”, w. 29” $600-$900 565 George II-Style Mahogany Corner Chair 19th century, in the Queen Anne taste, the concave back with a molded top rail over ribbon-form splats, raised on cabriole front and rear legs. h. 32-3/4” $500-$800

564

567 Associated Pair of Chinese Blue and White Porcelain Lidded Bowls each with a Guangxu mark (1875-1909) and possibly of the period or later, the bowls of shallow form with everted lip, cradling the conforming covers, decorated to the exterior with floral and foliate sprays, one cover with a calligraphic inscription. h. 3-1/4”, dia. 6-1/2” $700-$1,000

565

566 Group of Three Chinese Blue and White Porcelain Items second half 19th century and later, comprising a small, steepsided bowl decorated with qilin amid broiling waves in blue and copper red, the base with an apocryphal six-character Kangxi mark, h. 2-3/4”, dia. 5-1/4”, a blue and white raised dish with figural design within foliate borders, h. 2-1/4”, dia. 6-3/4”, and a covered box decorated to the exterior with mountainous river scenes, the interior of the cover with an apocryphal fourcharacter Qianlong mark, h. 2-1/4”, w. 5”, d. 3-1/4”.

567

$500-$800 566

197

568 Chinese Export Blue and White Porcelain Partial Tea Set fourth quarter 19th century, comprising eight tea cups and saucers, each decorated with scenes of pagodas in a river landscape, complete with lined presentation box. cups h. 2-1/4”, dia. 2-1/4”, saucers dia. 4-5/8” $500-$800 569 Chinese-Style Blue and White Porcelain Tree Tub 20th century, the sides decorated with dragons and phoenixes, with Chinese characters. h. 14-3/4”, dia. 14-1/4” $600-$900 568

569

570 George III Mahogany Chest-on-Chest fourth quarter 18th century, the molded rectangular cornice above a conforming case fitted with two small drawers over three graduated long drawers, all flanked by an engaged rounded pilaster, the lower section fitted with two graduated long drawers, flanked en suite, raised on bracket feet. h. 65-1/2”, w. 43”, d. 21” $600-$900

570

198

571

572 Carved Mahogany Console Table in the Manner of William Kent

571 Pair of George II-Style Burr Walnut and Parcel-Gilt Mirrors

20th century, the rectangular overhanging top above a blind fretwork frieze centered with a carved lion’s masque, and raised on cabriole legs ending in paw feet. h. 29”, w. 55”, d. 21-1/2”

20th century, each with a giltwood swan’s-neck crest on a latticed ground. h. 58-1/2”, w. 31-1/2”

Provenance: Private collection, Houston, Texas.

$600-$900

$700-$1,000

572

199

573 British School (Fourth Quarter 18th Century) “Portrait of an Unidentified Member of the Spencer Family, Althorp House, Northamptonshire” oil on canvas unsigned. Presented in an elaborate antique gesso and carved giltwood frame. 30” x 25”, framed 43-1/4” x 38-5/8” Provenance: Althorp House, Northamptonshire, England; The Althorp Attic Sale, Christie’s, London, July 7, 2010, lot 459; Private dealer, London, England; Collection of James Harris, PhD, Oklahoma City, Oklahoma. $1,000-$1,500 According to the catalogue entry from the Christie’s sale, this is a copy of a portrait conserved in the Billiard Room at Althorp House. 574 Decorative British Framed Canvas of “The Battle of Trafalgar”, 20th century, depicting the pivotal moment of The Napoleon Wars, when the vastly outnumbered British Navy led by Admiral Nelson defeats the French and Spanish fleets. Framed. 48” x 72”, framed 62-1/2” x 87”

573

$500-$800

200

574

575 Cut Glass Chandelier in the Anglo-Irish Taste 20th century, the scalloped prism-hung canopy overhanging the cut standard, set among three glass scrolls, the cut glass scrolled arms terminating in glass prism rings, the lower portion with a cut glass prism-hung canopy and pendant ball finial. h. 28”, dia. 24” $700-$1,000

575

577 Irish Chippendale Mahogany Swing-Leg Drop-Leaf Table 18th century, the oval top raised on cabriole legs with shell-carved knees and ending in ball-and-claw feet. h. 29”, w. 53”, d. 19”, ext. l. 54” $600-$900 576

576 School of John Martin (British, 1789-1854) “Northumberland” oil on panel bears a signature and title en verso. Frame with artist plaque. 14-1/2” x 19-1/4”, framed 18-1/2” x 23-1/4” Provenance: Bruce McCashin Collection. $500-$800

577

201

578 George III Carved Mahogany Armchair late 18th century, the crest rail with foliate carvings and pinwheel rosettes at the ears, above a central pierced and carved splat, the curved armrests ending in a scroll, the front lower seat frame with a gadrooned edge, and raised on cabriole legs ending in ball-and-claw feet. h. 38-1/2” $500-$800 579 George III Rosewood Lowboy 18th century, the rectangular top banded and above a shaped frieze fitted with two short drawers, raised on cabriole legs ending in ball-and-claw feet. h. 32”, w. 48”, d. 29” $800-$1,200

578

579

580 George III-Style Carved Mahogany “Gainsborough” Chair late 19th century, with a shaped back, carved arm fronts and acanthus-carved cabriole legs ending in ball-and-claw feet. h. 43”, w. 30”, d. 30” $600-$900

580

202

581 Pair of Unusual Chinese Export Porcelain Vases fourth quarter 19th century, the handles molded as cranes, the bodies decorated with peonies, dragonflies and foo dogs on a celadon ground. h. 22-1/2”, dia. 10” $700-$1,000

581

582 Large Japanese Imari Porcelain Charger 582

first quarter 20th century, with asymmetric panels containing a landscape scene and chrysanthemums within geometric borders, the reverse with floral motifs surrounded by a fluid scrolling foliate design. dia. 24” $500-$800 583 Associated Pair of Japanese Imari Porcelain Dishes first half 20th century, each with a central design of birds fluttering around a tree, the surround with alternating panels depicting Shishi and blossoming peonies amid geometric patterns, one example with a four-character Arita mark to the base. dia. 16”

583

$500-$800 584 Associated Pair of Large Japanese Imari Porcelain Chargers first half 20th century, each decorated with hexagonal and floral panels containing children playing in a garden setting and a basket of auspicious objects beside the sea, all within dense floral and foliate borders, the reverse with a continuous blossoming vine design. dia. 22” and 22-1/2” Provenance: Bruce McCashin Collection. $500-$800

584

203

585 British School (Fourth Quarter 18th Century) “Portrait of a Lady in a Red Silk Dress” oil on canvas unsigned. Framed. 30” x 25”, framed 35-3/4” x 30-1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $600-$900

585

586

586 Pair of Georgian Mahogany Side Chairs 18th century, in the Queen Anne taste, each shaped back with a baluster-form splat, slip seat and cabriole front legs on pad feet. h. 37-3/4” $500-$800 587 George III Mahogany Secretary fourth quarter 18th century, the dentillated broken swan’sneck cornice above a like frieze over two doors, each inset with a mirrored panel and opening to a shelved interior, the lower section fitted with a slant front opening to a variety of drawers and cubbyholes, centering a cupboard door over four graduated long drawers, raised on bracket feet. h. 91”, w. 42”, d. 22-1/2” Provenance: Private collection, Nashville, Tennessee. $1,000-$1,500

204

587

588 Queen Anne Mahogany Games Table late 18th century, the rectangular top with turreted corners, hinged and opening to a leather-lined surface with corner and side dished compartments, above a frieze fitted with a single drawer, raised on cabriole legs ending in pad feet. h. 29”, w. 36”, d. 17-1/2” (closed) $1,000-$1,500 589 Chippendale-Style Mahogany Stool by Baker with the firm’s Historic Charleston Collection label, the upholstered cushion on shell- and bellflower-carved cabriole legs ending in ball-and-claw feet. h. 20-1/2”, w. 32”, d. 22”

588

$400-$700 590 Six Hand-Colored Copper Engravings from Richard Blome (British, 1660-1705), The Gentleman’s Recreations: In Three Parts, London, ca. 1710 including “The Setting Dogg & Partridge”, “Horse Racing”, “Brook Hawking”, “The Manag’d Horse”, “Hunting y Wild Bore”, and “Hunting y Hare with deep mouthed hounds”. In matching black and gilt eglomise frames. sight 13-1/2” x 8-1/2”, framed 19-1/2” x 14-1/2” 589

$1,000-$1,500

590

205

591 Chippendale-Style Giltwood Mirror 20th century, the ogee surround decorated with carved scrollwork, the pierced crest with carved scroll and rocaille work, the scrollwork corners with flowerheads, set with a beveled mirror plate. h. 57”, w. 34” $600-$900

592 George III-Style Mahogany Sideboard 20th century, the long rectangular top with a slight serpentine front, above a conforming case fitted with a central cutlery drawer, flanked to one side by a single shallow drawer over a deep drawer and to the other by a single deep drawer faced as two, raised on chamfered tapering square legs ending in spade feet. h. 36”, w. 86”, d. 27” Provenance: Manheim Galleries, New Orleans, Louisiana; Private collection, Houston, Texas. $700-$1,000

591

592

206

593 George III-Style Mahogany Tiered Dumbwaiter 19th century, having three graduated circular dished tiers with decorative inlaid edges, supported by spiral-fluted turned uprights, raised on a graduated cylindrical standard to three splayed cabriole legs ending in pad feet. h. 43-1/2”, dia. 23-1/2” $500-$800

594 George III-Style Mahogany Dining Table the rounded rectangular top with a molded edge and raised on three pedestals, each with a stop-fluted standard to three splayed legs, all with floral and foliate carving to foliate scrolled toes, with three leaves. h. 29”, w. 48-1/2”, l. 108”

593

$800-$1,200

595 Giltwood Overmantel Mirror in the Chippendale Taste fourth quarter 19th century, carved with scrollwork and rocaille work, accented with carved tendrils and eight brackets for displaying china. h. 42”, w. 55-3/4” $700-$1,000

595

594

207

596

596 British/American School (Fourth Quarter 19th/First Quarter 20th Century)

597 Regency Mahogany Bowfront Chest first quarter 19th century, the bowed top above a conforming case fitted with two short drawers over two graduated long drawers, raised on splayed bracket feet. h. 32-1/2”, w. 41”, d. 21-1/2”

“Landscape with Town Nestled in the Foothills of Mountains and Lake” oil on linen unsigned, two partial labels en verso, “Buckingham Art Department” and “Property of Mrs. I. D. Brainard, Waterville, NY”. Framed. 12” x 16”, framed 22-3/4” x 26-5/8”

$400-$700

$500-$800

597

208

598 George III-Style Mahogany Side Table 19th century, the rectangular top with a shaped front above a conforming frieze, raised on fluted tapering square legs ending in spade feet. h. 34-1/4”, w. 46-1/2”, d. 24” Provenance: Private collection, Nashville, Tennessee. $700-$1,000 599 Pair of George II-Style Walnut Veneer and Parcel-Gilt Mirrors 20th century, each with a parcel-gilt swan’s-neck pediment and set with a beveled mirror plate. h. 64-1/2”, w. 31-1/2” $700-$1,000

599

598

600 Irish Georgian-Style Mahogany Armchair 19th century, the carved eagle-head crest above a shaped shield-centered splat with foliate and shell carving and flanking eagles’ claws, joined by scrolling arms to the shaped slip-in seat, raised on cabriole legs headed by a grotesque masque and ending in claw feet. h. 39-1/2” $800-$1,200

600

209

601 602

601 Queen Anne-Style Mahogany Drop-Leaf Table 19th century, with a single-board top and like demilune leaves, the frieze with a single drawer, the extended top supported by fly legs with pad feet. h. 27-1/2”, w. 36-1/2”, l. 18”, ext. l. 53-1/2” $700-$1,000

602 George III Mahogany Side Chair mid-18th century, possibly Irish, in the Queen Anne taste, with a scroll-carved top rail over a shaped splat, compass seat and cabriole legs on pad feet, the seat rail and front legs with shell carving. h. 39” $500-$800

603 Pair of Rococo-Style Giltwood Mirrors ca. 1900, each with a pierced scrollwork surround decorated with flowerheads, the crest with lovebirds perched on scrollwork. h. 41-1/2”, w. 20-1/4” $500-$800

210

603

604

604 Sidney Richard Percy (British, 1821-1886)

605 Edwin Cole (British, b. 1868)

“Evening near Glencoe by the Trossachs”, 1877

“Cottage by the Lake”, 1890

oil on canvas signed and dated lower left, titled on frame. Framed. 10” x 18”, framed 19-1/2” x 27-1/4”

oil on canvas signed “E. Cole Jnr.” and dated lower right. Framed. 12” x 24”, framed 15” x 27”

$1,000-$1,500

$500-$800

605

211

607

608

606 Uzbek Sultanabad Runner 2’ 11” x 26’ $800-$1,200 607 Antique North West Persian Carpet 3’ 2” x 8’ 2” $1,000-$1,500 608 Semi-Antique Bakhtiari Runner 3’ 6” x 10’ 10” $800-$1,200

606

212

609 Heriz Carpet 3’ 8” x 4’ 5” $500-$800 610 Semi-Antique Kashan Carpet 8’ 8” x 5’ 6” $700-$1,000 611 Antique Malayer Runner 3’ x 11’ 2” $500-$800

609

611

610

213

613

612

214

612 Semi-Antique Karaja Runner

613 Semi-Antique Karaja Runner

3’ 4” x 14’

3’ 3” x 14’ 6”

$500-$800

614 Kazak Carpet 4” x 6’ 9” $500-$800

614

615 Kazak Carpet 5’ 9” x 6’ 2” $500-$800

615

215

616 After Frederic Sackrider Remington (American, 1861-1909) “Mountain Man”, 20th century patinated bronze cast signature along proper left side of base. h. 64”, w. 40”, d. 22” $1,000-$1,500 617 After Frederic Sackrider Remington (American, 1861-1909) “Mountain Man”, late 20th century patinated bronze cast signature on self-base, mounted on a stone base. h. 28” $700-$1,000 618 After Frederic Sackrider Remington (American, 1861-1909) “Mountain Man”, late 20th century patinated bronze cast signature on side of self-base, mounted on a composite marble base with a brass artist plaque. h. 29”, w. 17-1/2”, d. 11” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa.

616

$700-$1,000

216

617

618

619 After Frederic Sackrider Remington (American, 1861-1909) “Scalp”, late 20th century patinated bronze cast signature on side of self-base, mounted on a composite marble base with a brass artist plaque. h. 24-1/2”, w. 23”, d. 12” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000 620 Two “Old West” Bronzes late 20th century, including: “End of the Day”, after James Earle Fraser (American, 1876-1953), on a stone base, and “Bronco Buster”, after Frederic Sackrider Remington (American, 1861-1909), on a stone base with brass name plate and base marked “copyright Frederic Remington” overall h. 18-1/4”, w. 17”, d. 6” and overall h. 8”, w. 6-3/4”, d. 4-1/2” respectively $700-$1,000

619

620

217

621

621 Jerry Venditti (American/California, b. 1942)

622 After Charles Marion Russell (American, 1864-1926)

“Indian Blanket”, 1984

“Changing Outfit”, ca. 1982

oil on canvas signed and dated lower right, verso with multiple “Altermann & Morris Galleries” labels. Framed. 19” x 26”, framed 24” x 31-1/2”

patinated bronze cast signature on self-base, mounted on a shaped wood plinth with brass artist plaque with artist, title and date. h. 13-1/2” w. 33-1/2”, d. 9” $700-$1,000

Provenance: Altermann & Morris Galleries, Dallas, Texas; Hancock Whitney Bank Collection; Acquired through American Bank, Houston, Texas. $700-$1,000

218

622

623 After Frederic Sackrider Remington (American, 1861-1909) “Rattlesnake”, late 20th century patinated bronze on a composition marble base with a cast signature, and a plate marked “Rattlesnake by Frederic Remington”. h. 22-3/4”, w. 14”, d. 12” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $600-$900

623

625 Pair of American Art Nouveau Silverplate Sconces first quarter 20th century, by the Lawrence B. Smith Co., Boston, Massachusetts, each with a shaped, rounded rectangular backplate decorated with embossed floral scroll cartouches around the edge and maiden’s masque crest with “whiplash” locks, fitted with three scrolling arms with thistleform sockets and faux candle electric fittings. backplate 8-1/4” x 8-1/2”, overall h. 8-1/2”, w. 12-1/2”, d. 8-3/4” $500-$800 624

624 Francis Marion Tuttle (American, 1839-1910) “Trout Brook”, 1885, probably Wyoming County, Western New York oil on millboard signed lower left, signed, titled and dated en verso with “F. Devoe and Co., New York” supplier label. Framed. 16-1/8” x 12”, framed 22” x 18” $1,000-$1,500

625

219

627 American Brass and Glass Electrolier first quarter 20th century, the seven-light electrolier with a faceted standard supporting scrolled arms, three electric and three gas, over a faceted umbrella-form textured milk glass shade, the edges set with polychrome glass beading, with an electric socket in the center. h. 41”, dia. 20” $500-$800

627

626 American Late Victorian Quarter-Sawn Oak Lift-Seat Hall Tree ca. 1900, with a carved and molded cornice above an arched beveled mirror, flanked by large cast brass butterfly coat hooks, the base with a hinged seat and large carved griffins as armrests, raised on carved paw feet. h. 100”, w. 60”, d. 19” $700-$1,000

626

220

628 Brilliant-Style Cut Glass Table Lamp 20th century, cut with hobstars and fitted with two sockets above the matching cut standard. h. 15”, dia. 12” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

629 American Brilliant Period Cut Glass Punch Bowl on Stand first quarter 20th century, with scalloped edges, the sides decorated with flowers and sprays of leaves, the borders cut with hobstars. h. 13”, dia. 14” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

628

629

630 Molded Crystal “Russian” Punch Bowl on Stand 20th century, in the Brilliant style. h. 17-1/2”, dia. 11-3/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 630

221

631 Victorian-Style Majolica Jardiniere on Stand 20th century, with a mottled green, cobalt and brown glaze, and molded with putti. h. 51-1/2”, dia. 13-1/2” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $600-$900

633

632 Continental Cut Glass Banquet Lamp fourth quarter 19th century, possibly Baccarat, mounted with a ball shade and a duplex burner. h. 41”, dia. 9” $1,000-$1,500

633 Pair of Caldwell Patinated Bronze Sconces in the Baroque Taste first quarter 19th century, French, the cabochon-form backplates framed in bold scrollwork, issuing conforming arms set with acanthus leaves and shell-form bobeche, signed “Caldwell”. h. 16”, w. 13”, d. 8” $600-$900

222

631

632

634 George III Mahogany Secretary Bookcase fourth quarter 18th century, the molded and modified Greek-key-carved frieze above two astragalglazed doors, the lower section fitted with a banded drop front opening to a variety of drawers and compartments around a central cupboard, over four graduated long drawers, raised on ogee-molded bracket feet. h. 88”, w. 42-1/2”, d. 22” $700-$1,000

634

635 Frances Challenor-Coan (American, b. 1872) “Haystacks” oil on canvas signed lower right. Framed. 15-1/4” x 24-1/2”, framed 26” x 35” $600-$900

635

223

636

638 Nelson-Wiggen, Chicago Walnut Piano Orchestration model 8, number 215008, the nickelodeon with a lift-top over a frieze with three stained glass panels, and a pair of doors below, the pilasters with ormolu mounts and retaining its brass plate, reading “Nelson-Wiggen Piano Co. Chicago. U.S.A.”, the interior xylophone mechanism labeled “Deagan”, comes with 11 player rolls. h. 56-3/8”, w. 38-3/4”, d. 24-1/4” $1,000-$1,500 Nelson-Wiggen produced coin-operated nickelodeons from about 1822 to 1829. The principals had previously been superintendants at the J. P. Seeburg Piano Co. The model 8 was introduced in 1927.

637

636 Set of Four Baronial-Style Steel and Bronze Two-Light Sconces second quarter 20th century, in the manner of E. F Caldwell, New York. h. 16-1/2”, w. 13”, d. 5-3/4” $1,000-$1,500 637 American Reverse-Painted Glass and Metal Table Lamp first quarter 20th century, probably Phoenix, set with textured glass panels painted with violets, set with one light in the base and two in the top, with a scrolled and leaf-molded nickelplated brass frame. h. 22-1/2”, dia. 15-3/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

224

638

639 American Brass Five-Light Chandelier first quarter 20th century, the tiered canopies suspended on molded chains, the sockets set with handsome Quezal gold and white iridescent glass shades. h. 47”, dia. 18” $700-$1,000 640 Ansonia Walnut, Gilt-Metal, Brass and Glass Figural Clock fourth quarter 19th century, the walnut base mounted with giltmetal figures of a hunter and a fisherman flanking clockworks with an enameled and molded bezel, the dial with an Ansonia mark, all under a glass dome. h. 18-3/4”, w. 12-3/4”, d. 6” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

639

640

641 Carved Hardwood Figural Pedestal 20th century, the tapered standard carved with a female bust over panels of carved vines and scrolled feet. h. 55-1/4”, w. 19”, d. 19” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

641

225

642 Three Aesthetic Movement French Longwy Pottery and Brass Banquet Lamps fourth quarter 19th century, English and American, each with similar pottery standards and hobnail or coinspot shades, electrified. h. 23-1/4” to 25-3/4”, dia. 8” $1,000-$1,500

644

644 Victorian Bronze and Glass Chandelier mid-19th century, supported on chains, the ruby glass pan set into a bronze bezel decorated with rococo pierced trim, the leaf-molded and scrolled arms set with tulip-shaped candle cups and pierced rococo drip pans. h. 25”, dia. 30-1/2” $600-$900

642

643 Four Pieces of American Aesthetic Lighting fourth quarter 19th century, mounted with French Longwy pottery and brass, including a pair of sconces, h. 11-3/4”, w. 4-1/4”, d. 5-3/4”, a gas table lamp, h. 18-1/2”, dia. 5-1/2”, and a banquet lamp, h. 20-1/2”, electrified. $1,000-$1,500

643

226

645 American Rococo Revival Giltwood Oval Mirror mid-19th century, the fluted surround with a pierced crest decorated with scrollwork, oak leaves and acorns. h. 63-1/2”, w. 32-1/2” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $600-$900 646 American Renaissance Revival Walnut Music Cabinet third quarter 19th century, the top with a display plinth flanked by scroll supports, the case with a single door with an oval panel, adorned throughout with gilt ormolu mounts, raised on a cheval base with hoof feet. h. 39”, w. 20”, d. 14” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

645

647

647 Two American Renaissance Revival Walnut Oval Center Tables third quarter 19th century, comprised of one table, school of Jelliff/Schrenkeisen, with an inset marble top over a burlwood panel, on a base with a central incised column, joined to four shaped brackets with like carving, h. 30-1/4”, w. 38”, d. 27-1/2”, and another walnut table with a marble top and molded edge, over a conforming frieze mounted with roundels, on a base with molded legs joined to a central turned column, h. 30-1/4”, w. 33-1/2”, d. 25”. Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800

646

227

648 Rococo Revival Giltwood Oval Mirror mid-19th century, the pierced scroll-molded crest set with a bird, the ogee-molded surround with contrasting bright and matte gilt. h. 60”, w. 27” Provenance: The Estate of Frank Fasullo, New Orleans, Louisiana. $700-$1,000

648

649

649 American Renaissance Revival Cherry Pedestal third quarter 19th century, the oval top joined to incised shaped brackets, the standard with a gilt-bronze and copper plaque depicting a classical maiden in the Neo-Grec taste, on a stepped base with incised carving. h. 31-1/2”, w. 18”, d. 15” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 650 American Renaissance Revival Parcel-Gilt Walnut and Marble-Top Pier Mirror third quarter 19th century, the top with a heavily molded overhanging molding centered by a molded Minerva head, the base with applied ornamentation and raised on turned legs. h. 104”, w. 70”, d. 14” $600-$900

228

650

651

651 American Neo-Grec Gilt-Bronze Gasolier

652 American Renaissance Revival Figural-Carved Walnut Sofa

third quarter 19th century, the fluted standard decorated with anthemia and medallions, and supporting curved, incised arms set with urn-form finials, the burner holder molded to resemble classical oil lamps, set with molded ruffled glass shades decorated with flowers and arabesque scrollwork. h. 36”, dia. 29”

third quarter 19th century, New York, the back with a carved crest with a Columbia head, the cushions framed by burled walnut panels, wrapping around to closed arms and supported by atlantes in the form of a helmeted warrior’s face, the shaped apron supported by trumpet legs with incised carving on the top surface. h. 49-1/4”, w. 78-1/4”, d. 34-1/2”

$600-$900

Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $700-$1,000

652

229

653

655

653 Forrest King Moses (American, 1893-1974) “Winter Day” oil on canvas signed lower center. Framed. 16” x 20”, framed 21” x 25” $600-$900 654 Painted Metal Figural Newel Post Lamp fourth quarter 19th century, American or European, depicting a classical water carrier, now adapted for use as a garden fountain. h. 60-1/2”, w. 12-1/2” $700-$1,000 655 Franco-Bohemian Gas Hall Lantern ca. 1850-1870, with a bell-form glass frame, set with frosted, quilted glass fittings and a smoke bell, a ruffled blown prismhung pan under the burner, fitted with an engraved shade. h. 34”, dia. 18” $600-$900

230

654

656 “Roman Centurion” Astral Lamp, Attributed to Henry Hooper, Boston mid-19th century, mounted with a cut and frosted ball shade, electrified. h. 28-1/2”, dia. 8-1/4” $1,000-$1,500 657 American Cherrywood Easel late 19th century, in the Renaissance Revival taste, of tripodal form, the crest with a carved leonine masque, the shelf to support the painting with a steel adjustment apparatus. h. 72-1/2”, w. 25-1/2”, d. 18” to 48” $600-$900

657

658 Suite of Six American Renaissance Revival Walnut Dining Chairs ca. 1865-1875, each with an upholstered seat and tufted scroll back, supported by shaped, carved and incised legs with burlwood panels. h. 34”, w. 24” $500-$800 656

658

231

659

661

659 Bronze and Marble Figural Mantel Clock ca. 1860-1874, retailed by Ball, Black & Co., New York, the black marble base supporting a patinated bronze jeune fille with a gilt bird on her shoulder, leaning on a molded Neo-Grec bronze clock case, a shawl on the top and an urn to one side, set with signed Samuel Marti works. h. 15-3/4”, w. 19-1/2”, d. 6” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 660 American Renaissance Revival Faux Rosewood and Walnut Pedestal second half 19th century, the rotating circular top on a substantial standard with a central column joined to four molded and shaped brackets, on a stepped octagonal base. h. 40-1/2”, dia. 18” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $500-$800 661 Pair of Griffin-Molded Bronze Sconces

660

mid-19th century, English or American, the gas arms mounted as sconces and set with ribbed, etched gas shades. h. 7-1/4”, w. 7-3/4”, d. 14-3/4” $1,000-$1,500 662 Neo-Renaissance Griffin-Carved Pedestal in the Manner of R. J. Horner fourth quarter 19th century, of mixed woods, the circular top with shallow foliate carving, above a conforming carved frieze, and supported by a turned column with four winged griffincarved standards with paw feet, above a base with ball feet. h. 34-3/4”, dia. 19-3/4” Provenance: The Estate of Donald J. Hurst, Waterloo, Iowa. $600-$900

232 662

663 Isfahan Carpet 5’ 3” x 8’ 4” $700-$1,000

664 Kerman Carpet 5’ 2” x 8’ 3” $600-$900

665 Sarouk Carpet 3’ 5” x 4’ 11” $600-$900

664

663

665

233

666 Silk Tabriz Carpet 5’ 4” x 7’ 8” Provenance: Successions of Lois Chalona Hawkins and H. Lloyd Hawkins, Jr., New Orleans, Louisiana. $500-$800 667 Silk Tabriz Carpet 5’ 6” x 9’ 7” Provenance: Successions of Lois Chalona Hawkins and H. Lloyd Hawkins, Jr., New Orleans, Louisiana. $500-$800 668 Kashan Carpet 10’ 2” x 14’ 3” $700-$1,000

666

234

668

667

669 Semi-Antique Kerman Carpet 4’ x 6’ $700-$1,000

669

670 Kerman Carpet 8’ 7” x 12’ 1” $600-$900

670

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Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17