IV CATCHING UP

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catching up time


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nhaka cartography of animist body and radical black african presences *** methodologies for research driven practices and processes


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butterflying grazing toubab | ing vaulting spirit catching GIFing the eights becoming time labbing hacking hesitation

catching up time | grazing bolting catapulting spirit catching


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grazing brushing of feet in parallel position side front back repeat adding complex torso and arm gestures figure eighting exaggerating the operating sphere but always mindful of ecology and economy of effort this series is extended and ends with investigation of falls into the ground and rebounds out of the ground 



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virtuosity front time back time side time up time down time past time parallel time future time celestial time ancestral time present time

just time labor value reparate propriate


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el organismo entero

estรก implicado


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grazing method of feeding


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forage

constant state of physical externality

skim


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nguwa time survival cross dimensional presence GIFing unstable time boiling point glitch non articulated beyond steady non mathematics additions divisions multiplication subtractions time a form of speaking in tongues infinity suspension escalation | acceleration GIFing spyware technology

warming up - opening the organism to life - animating the human organ into receptivity and creating

grazing not only with the feet


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break

sound + light barrier

did

freedom

do

done


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black holes


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time is matter SAN division time is all body


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marking time making rhythm

body does moves acts animates space time and weight


time related to who + how + when occupies space.

time


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suspend hold exclaim hesitate catch up keep up writing erasing nowhere and everywhere once


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ifesto plus

nhaka confronts and returns virtuosity without compromise or apology to live art nhaka is monument living archive liberatory practice decoded

animist technology declares experimental and contemporary art dance to be dead on life support stagnant a museum artifact

animist technologies


de code IV nhaka animist technologies

bhuku

nora chipaumire

aïda colmenero dïaz

thinking africa | 2017

centro de residencias artísticas matadero madrid

jesus robisco images | principales

otros

+ can felipa barcelona

2018

pre bhuku

research learning embodiment

nora chipaumire +

shamar wayne watt

4company nora chipaumire

shamar wayne watt-artist

shika mohamed yousry

javier sánchez salcedo

aïda colmenero dïaz

+ gerard casas


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