NTT What's On 2022 11

心境？如何豁達通透，轉化為人生智慧？且聽本期《歌劇院時刻》幾位藝術創作者怎麼說。 新古典舞團《布蘭詩歌》以華麗的跨界藝術詮釋西方中世紀的文本，指揮簡文彬與藝術總監盧怡全大器展現生命的歡愉； 明華園的金獎編導陳勝國，則以「八仙的不完美」劇透人生，缺憾的解答需用一生來尋覓；歷經罕病的劫難，鋼琴大師 劉孟捷更珍惜「有限的人生做有意義的事」。勇奪臺灣第一座葛萊美唱片設計獎的李政瀚、于薇則說，未來還有太多的 挑戰，認真面對現在的每一件事，才是王道。

走進臺中國家歌劇院，帶走繁盛如花的藝術感動，你會發現，生命如此美好。

Under climate change, typhoon season, which we have anticipated for so long, has finally arrived to soothe the water shortage problem. Conversely, some begin to fear what the pouring water might bring. Have you ever had such a contradiction when facing the capriciously stormy yet enjoyable life? How can we liberate ourselves from calamity and transform hardship into a gem of wisdom? Let’s hear what some artists from the current issue of NTT What's On have to share on this universal topic.

The Neo-Classic Dance Company, Carmina Burana, is devoted to interpreting European Medieval literature with interdisciplinary artistic approaches. The Conductor, CHIEN Wen-pin, and the Artist Director, LU Yi-chuan, unfold the pleasure of life splendidly without reservation. CHEN Sheng-guo, the award-winning Playwright and Director of Ming Hwa Yuan, reveals the “deficiencies of the eight immortals,” conveying that one must spend a lifetime finding the answer to regrets. After suffering from a rare disease, the renowned pianist Meng-Chieh LIU believes we need to “seize the day and do meaningful things within this limited lifespan.” Last but not least, LI Jhenghan and YU Wei, the first Taiwanese designers who won the Best Recording Package award at the Grammy Awards, tell us that there are still many challenges waiting for us in the future. To deal with every problem with care and patience is the only way out.

Step into National Taichung Theater

take away with you

an artistic sense of awakening. You will realize how wonderful life may be.

e three recitals are a culmination of the celebrated pianist MengChieh LIU's playing career. e rst recital presents a selection of Franz Liszt works, such as Années de pèlerinage, Après une Lecture de Dante and Venezia e Napoli while Chopin and Rachmanino make the centerpiece of the second recital. e third recital, the only Taiwan performance of a unique program exclusively for the audience of NTT, includes works by Schumann, Ravel and Messiaen, among others, and explores the range of emotions while experiencing love and facing death. e three recitals together will bring forth a sublime journey of acoustic experience.

of the myth of how HAN Xiang-zi

immortal by National Award for Arts winning playwright

Sheng-kuo

is brought back to the stage by Ming Hwa Yuan Arts & Cultural Group after its successful premiere in 2004. e story starts with how the immortal LAN Cai-he prompts

emperor to kill a pair of fairy cranes, Honey and Hubby. Few centuries of reincarnation see Hubby return as HAN Xiang-zi who still remembers his previous life and he embarks on a journey to his beloved wife, Honey.

藝術總監｜陳勝福　編劇暨總導演｜陳勝國　製作人｜陳昭賢

｜吳明軒　燈光設計｜劉權富　影像設計｜王奕盛 戲劇指導｜陳子豪　武戲指導｜戴立吾　舞蹈指導｜王靉天 執行製作｜林珈安　音樂設計｜呂冠儀、山風、陳建誠 音樂設計暨樂團指揮｜莊家煜　武場領導暨司鼓｜何廷豪 主演｜孫翠鳳、鄭雅升、陳子豪、陳昭婷、陳昭賢

Artistic

招靈歌的吟唱聲在荒煙蔓草的山林間緩緩響起，魯凱族 戰士循聲歸來。《戰士，乾杯！》為作家黃春明文學作

Teresa TENG's Symphonic Night

was a famous singer during the 80's. Her songs are arranged into symphonic pieces by the composer YANG Chen-

songs

Inspired by writer HUANG Chun-ming's work of the same title, To the Warriors! tells the story of a journalist's encounter with Xiong, an indigenous young man, in the wilderness of a far- ung mountain forest. The two's journey back to Xiong's native Rukai community, Kucapungane, unexpectedly reveals the long-forgotten past of Xiong's family. As four generations of men in the family have respectively been drafted to ght in di erent wars and even lost their lives as foreign forces come and go, a sense of losing one's own identity and bitter anger run in the family.

劇作家暨創作顧問｜黃春明　導演｜鍾伯淵　戲劇構作｜吳緯婷 魯凱文化顧問｜台邦・撒沙勒

表演者｜柯玉玲、韋以丞、Arase 阿拉斯、鄭詠元、陳家誼、 李廷羿、謝承瑜、張婉庭、陳再輝（聲音演出）、李保康（聲音演出） 製作人｜李孟融、葉育伶

執行製作｜李雅涵　魯凱族語劇本翻譯｜馮玉如　排練指導｜曾珮 排練助理｜張家嘉　舞台監督｜陳立婷　音樂設計｜陳明儀 舞台設計｜林仕倫

Playwright & Creative

Performer

Program:

be performed by Dreamphony Orchestra

composer

also composed

the

e melody of the best-known

same-name

Chen-te.

OPENTIX

本次音樂會的節目均為一時之選，集合了音樂系教授、

D 小調小提琴協奏曲及帕格尼尼

D 大調第一號小提琴協奏曲等樂曲。

e program of this concert is of the highest quality that brings the professors of the music department and the orchestra together. All of the performers require both professional performer skills and also show cooperation and great chemistry with each other. is performance will be performed by the well-known young Russian violinist Lev Solodovnikov as the violin soloist, performing Jean Sibelius Violin Concerto Op. 47, D minor and Niccolò Paganini Violin Concerto No.1 Op.6, D major.

around the world,

high-speed society

but to pause. Now, we present to you a modern

of The Decameron that belongs to the Taiwanese The Prawning Decameron. It portrays that in the gloomy life haunted by the plague, a bunch of people are goo ng around for ten days in a prawn- shing farm in rural Chiayi, trying to have fun by telling lust stories that no one can tell if they were true or not.

指揮｜王雅蕙　小提琴｜ Lev Solodovnikov 國立臺北教育大學音樂學系管絃樂團

曲目： 理查・華格納：〈眾神進入瓦哈拉〉，選自歌劇《萊茵的黃金》 尚・西貝流士：D 小調小提琴協奏曲

Conductor

Violin

Program:

Richard

&

Paik Paino Recital

韓國國寶級鋼琴家白建宇說：「夢想，是對未來的想像， 它往往從現實堆裡生出匱乏感，指引自我砥礪的方向。」 自嘲是夢想家的他，從葛拉納多斯《哥雅畫冊》聽見自

己的不足。50 年前隻身赴往紐約，聆賞拉蘿佳的現場演 奏後，便明白指下功力的不足，也因此心中有了錄製專 輯的想法。超越半世紀的琢磨與想像，屆齡 76 歲的白建 宇，將以畫對話，詮釋哥雅筆下的庶民階層「瑪哈」、「瑪 霍」，因生命太多缺憾，所以歡樂當下的芳華年代。

South Korean pianist Kun-Woo Paik believed that dream is the imagination of the future, and it generates a sense of deficiency from reality, which guides us toward the direction of selfimprovement. 50 years ago, he went to Alicia De Larrocha's live performance in New York. After listening to her rendition of Goyescas, he found his rooted shortcomings; therefore, he made up his mind to advance himself by practicing the piece and plan to have a recording in the future. Now, 76-year-old Kun-Woo Paik has already prepared, performing the piece with a deeper investigation into Goya's painting, and a colorful reflection of youthful Madrilenians "Maha" and "Maho" in the 18th century, whose lives with many regrets; hence, they tend to seize the happiness in the present.

Wu, the hottest musical actor, died one week before his performance in the classic musical directed by an internationally acclaimed director. Wu, who turns into a ghost, could not recall

cause of his death. us, he turns to his triplet brothers, HSIA Yu-tien and HSIA I-tien, for help, asking them to dress like him, substitute his place, and ful ll his dream on stage. In the following week, how could Yu-tien, a virtual idol, and I-tien, a policeman without any performing experience, conquer all the quest of rehearsals?

Shunske Sato, Artist Director of the Netherlands Bach Society. Sato, who is well-known for his playing on baroque instruments, engaging with modern music language. is is the rst time that Sato performs in Taiwan with Baroque Camerata, we proudly presents to you a refreshing, enlighting and splendid Baroque music celebration.

the only Electronic Organ Symphonic

by Professor KUO Tzong-kai,

many concertos, musicals, and operas.

of piano majors

well as electronic organ majors,

students with valuable experience reading

an opportunity to learn important works in

｜郭宗愷　鋼琴｜羅芳華、艾嘉蕙　薩克斯風｜王裕文 琵琶｜邱心悅　馬林巴琴｜孫名箴　電子琴｜洪宇軒、王仁君、陳為元 東海大學電子管風琴交響樂團

曲目：

巴赫：C 小調雙鋼琴協奏曲，作品 1060 古曲：《雲想花想》 洪宇軒：《物理學的素描》為電子管風琴三重奏創作的組曲 張鈞量：《長平公主》，六支琴槌木琴協奏曲 威格寧：中音薩氏管狂想曲

Conductor ｜ KUO Tzong-kai Piano ｜ Juanelva Rose, AI Chia-huei Saxophone ｜ WANG Yu-wen Pipa ｜ CHIU Hsin-yueh

Program:

團與星光兒童少年合唱團一起復刻經典。

Carmina Burana is choreographed by LIU Feng-shueh based on the cantata of the same title by German composer Carl Or . e work portrays the struggle between faith and demonic lust of a group of young monks who are attracted to the world outside the monastery. After re nement of three decades, Neo-Classic Dance Company is going to reenact this classic work together with conductor CHIEN Wen-pin, NTSO and Taichung Artist Chamber Choir, Department of Dance at National Taiwan University of Sport, Taichung Artist Children's Choir and Starlight Children's Choir on the stage of NTT.

舞蹈創作｜劉鳳學　音樂作曲｜卡爾・沃夫

燈光設計｜安東尼・鮑恩　服裝設計｜靳萍萍 指揮｜簡文彬 藝術總監｜盧怡全　行政總監｜陳勝美　 舞蹈顧問｜張麗珠、羅雅柔　音樂顧問｜李和莆、黃鈞偉 燈光復刻顧問｜李俊餘　獨唱｜黃莉錦、王典、趙方豪　 演出｜新古典舞團、國立臺灣交響樂團、台中藝術家室內合唱團、 國立臺灣體育運動大學舞蹈學系、台中藝術家兒童合唱團、 星光兒童少年合唱團

old neighborhood is about to be closed. e honori cs of the

forced to return.to the brother who is reluctant to move.

girl, who always bringing in rotten peach, meet the app calls

Sherry, who screwed up the job again,

became a stubborn teacher helper to clean the house. e war between the Strawberry Generation and the retiree is about to explode. But the house's going to be torn down. How can they throw away the past and regain control of life?

區鄉野傳說「大莆林水鬼」為本，結合布袋戲精妙技藝 與現代劇場，詮釋人鬼共感的執念與迷惘。傳藝金曲獎 入圍最佳導演伍姍姍、最佳編劇周玉軒聯手打造布袋戲 全新力作。

Water ghosts invite a theater troupe to perform all through the night. e water ghosts see their own stories in the show and nd answers to their obsessions. Inspired by a local folklore, Taipei Puppet eater interweaves the spectacular skills of the traditional puppet theater and elements of modern theater to tell a story of the dead and the living.

Samsara

story of a pair of twin sisters, Scarlet

they see a male puppeteer manipulating various puppets.

the ghostly romance unfolds on stage, Scarlet and Red enact the haunting love entanglement lasting a millennium. This coproduction between Taiwan and Hong Kong brings together puppetry and live actors, traditional and modern theater elements

broaden the horizon of contemporary glove puppetry theater.

製作人｜林永志　導演｜伍姍姍　編劇｜周玉軒 布袋戲演師｜吳聲杰、陳思廷、廖群瑋、林瑞騰 布袋戲助演｜王祥亮、林凱翔　光影演師｜林彥志 司鼓｜林永志　鑼鈔｜林璟丞　主弦｜劉士聞 唱曲、洋琴、通鼓｜謝琼崎　OS、和弦、空靈鼓、嗩吶

Producer

are dazzling buildings and department stores in Taichung's 7th Redevelopment

However, few know that the zone possesses rich archaeological sites and cultural heritages.A ousand-year ago, the old river owed through Huilai village, cultivating a splendid civilization. Although things change with the passing of hundreds of years, an endless stream of worshipers continues to ow into the area. To this day, the site still serves as an essential spiritual comfort among the neighbors. Public Artworks stand along beautifully on the corner of the bustling street, waiting quietly for an unexpected appreciation from the passers-by. Why not explore this stunning city with a walk? Start from the National Taichung eater, wander within the breeze, trace back into the course of time, hear the mesmerizing tales scattered among the neighborhood, and end this dreamlike journey with a delicious picnic box. Let us take a walk and wander in Huilai!

tradition of

Taiwan's south-central region an essential base for its development. Beigang Chaotian Temple, which holds

activities

competitions annually, has become the most crucial site, and why the artistry of Yi-ge can pass down to this day. In the lecture, artist YEN San-tai will introduce the making, features, and transformation of Beigang's Yi-ge. He will also discuss how the decorations of Yi-ge took on their new look from traditional elements. What is the origin and evolution of the 'throwing

the parades, and how did the modern electric ower cars in uence the overall designs of Yi-ge?

International Animation Festival，簡稱 TIAF）合作，本場次將放映 2022 TIAF

影展以「蛻變．新生」為題，自海內外上千件報名作品中，評選出年度得獎動畫短片。

the Art

loves wine tasting, the energetic

to what little secrets they are going

聚光燈下

the Spotlight

劉孟捷： 是音樂治癒了我

從一根手指重新練起的鋼琴大師

文｜張雅琳　攝影｜詹朝智、郭芳維

舞台上，鋼琴師修長手指遊走於黑白鍵上，行雲流水般，流洩出時 而澎湃激昂，時而輕柔低鳴的琴音。他的人生經歷，比任何一首樂 曲都來得更高低起伏。從風雨中走來，劉孟捷用琴音傳遞他對生命 的吟詠。

劉孟捷的音樂之路，早在青少年時期已嶄露鋒芒。 13 歲獲臺灣區音樂比賽少年組 第一名， 14 歲獲得亞太少年鋼琴大賽冠軍，自此廣受國際樂壇矚目。隨即負笈美 國寇蒂斯音樂學院（ The Curtis Institute of Music ），跟隨多位大師學習。

童年薰陶 享受音樂

音樂走進劉孟捷的生命，彷彿是再自然不過的事情。母親從事音樂教學，在媽媽 的啟蒙下半玩半學，讓他學習讀譜毫不費力。年幼的孩子往往引以為苦的練琴， 劉孟捷總能用超乎常人的毅力完成。直到 6 歲正式師事李金里老師 ，已有一定的 程度。 他笑笑提起父母說兒時的自己喜歡去有聲音的地方，「也不知道是我的個性還是 星座使然，對音樂真的有種特殊的情感。」母親常帶著他欣賞芭蕾、獨奏會等藝 文盛宴。在一次維也納兒童合唱團來臺的演出中，表演者投入的神情、營造的音 樂氛圍，讓劉孟捷深受觸動，在童稚的心靈埋下種子，「希望自己也可以成為傳 達那種美好氣息的人。」

罹患罕病 從零開始

開刀，第二次在右手食指第二支指節植入鋼釘。避免角度有誤差，「醫生手術到一半把我叫醒， 拿著血淋淋的手指說你看這樣可不可以。」他大笑著比手畫腳說道。

歷經生命的搏鬥，劉孟捷將難以言喻的感悟，透過音樂直搗靈魂深處。

第一套曲目以李斯特的《巡禮之年》開場，劉孟捷說，很多小孩子學鋼琴常以李斯特的作品來練習 技巧或參加比賽，他也因演奏〈但丁讀後感〉奏鳴曲式幻想曲而成名；李斯特人生中確實有風光的 大演奏家這一面，但也有非常哲學化、對人生感受的闡述，像是〈孤寂時領受神的恩典〉，是李斯 特晚年當神父時的作品，曲子裡講了很多對神的看法、對恩典的領悟，其實是很動人的，需要鋼琴

家也經過這樣的歷練，才能理解曲中所想要訴說的。

去年劉孟捷在高雄演奏過整場的蕭邦夜曲，這 次的第二套曲目，會選一些之前沒有彈過的。

他說，李斯特作曲想的都是史詩的結構，蕭邦

則是寫了很多小品，很多作曲家為謀生而寫小

品，但蕭邦寫下的是詩，21 首夜 曲裡面包含

各種背景及不同感情，故事性非常豐富，希望

打破大家的誤解，不只作為一些零碎的小品來 詮釋。

同場也加入鋼琴家、作曲家拉赫瑪尼諾夫的作 品，劉孟捷說，拉赫瑪尼諾夫繼承蕭邦的鋼琴 寫作中，有一點憂愁的部分，專注在氣氛、情 緒上的，這次選入的作品都有這樣的感覺，也 安排了蕭邦主題變奏曲。

第三套曲目探討的是愛，劉孟捷說，所有的能 量都是從愛開始的，甚至死亡也是愛必經的過 程，從印象派、浪漫派、或是現代的楊納傑克 等不同的作曲家，對於愛跟死的看法，有著感 受上非常極端的描述，希望能表達愛的不一樣 的面目。

最後以梅湘的作品結束，劉孟捷說，2008 年

在芝加哥聽法國鋼琴家 Jean-Yves Thibaudet 的 獨奏會，彈梅湘的《聖嬰耶穌二十凝視》最後 一首當結尾，聽完突然開啟了不一樣的宇宙； 他認為如何帶觀眾進入音樂的狀態，取決於演奏家對曲子的理解，期望帶領大家從音樂中的靈性、

每十天謄寫一次劇本。沒有影印機代勞，一切都是自己動手抄。一式九份的劇本厚厚一疊，而且 日場、夜場演出劇碼還不一樣。抄寫的過程裡，逐漸對前輩編寫的劇本產生興趣，並且認真閱讀。

昔日少年奮筆疾書時，正親身經歷一幕幕劇中人的精采生命，也因此積累出生命的厚度。

國家文藝獎得主編導陳勝國，與劇團排演現場。

如此的執著，不免讓人聯想起陳勝國筆下的韓湘子。法力高強又有音樂造詣的韓湘子，若是決意 割捨前世，未必不能海闊天空。前世註定的緣分是機運，也可能是包袱。陳勝國說，「若從人的 角度來看，怎能允許帝王拆散愛侶，又怎能同意佛、道兩派各自度化夫妻？與世無爭的飄逸白鶴， 也許在人間狀況頻出，但越是有外力的介入，越是要堅持追尋。這是凡人面對世事無常的吶喊。」

臺中國家歌劇院對面的夏綠地公園，由西班牙拉夫拉前衛劇團演出的《布蘭詩歌》，獨唱跳進水 中的畫面，至今仍讓不少觀眾津津樂道。

指揮簡文彬（右）、新古典舞團藝術總監盧怡全，攜手重現《布蘭詩歌》經典，碰撞出新時代的火花。

詩歌樂舞的震撼交響

簡文彬分析，布蘭詩歌是中世紀的文學作品，像唐詩、宋詞一樣有韻可以唸唱，最初版的句構和 後來不太一樣，但作曲家卡爾．沃夫還是掌握其中語法，運用簡單的旋律素材、強烈鮮明的節奏， 將樂句反覆堆疊，序曲有點像後來的極簡音樂，看似單調乏味，和聲進行卻非常緊湊、有層次， 營造出源源不斷的能量，驅動聽者亢奮的情緒，同時又有很柔美的篇章，令人印象深刻。 此次共同演出的國立臺灣交響樂團、台中藝術家室內合唱團、台中藝術家兒童合唱團、星光兒童 少年合唱團，都是臺中在地的團，對《布蘭詩歌》樂曲皆不陌生，而男高音王典更在新古典舞團 1992 年首演時即擔綱獨唱。簡文彬說，這次每位獨唱者都是一時之選，很高興能與他們共同演出。 「男中音的部分尤其困難，很多錄音的版本甚至要請到

除了個人指揮風格、統整音樂詮釋外，簡文彬說這次最大的任務就是搭配舞蹈，「就像是指揮歌 劇時，必須配合每位獨唱家在舞台上的狀況，這次所有的音樂發揮都是在能配合舞者的範圍內來 呈現。我會以『服務為快樂之本』的精神來服務舞團。」簡文彬笑道。

談到劉鳳學老師，簡文彬和盧怡全的印象都是「非常嚴格！」盧怡全回憶，劉老師非常重視準時， 很多學生經常被她關在門外；有次演出《布蘭詩歌》，一名舞者請南部的家人北上看舞，集合時 遲到 5 分鐘

並召回當年的排練指導仔細進行比對。盧怡全說，由於 1992 年和 2006 年的舞者接收到的指令可能是不同的 ，現場甚至有些爭論，最終才決定出舞作每 個細節的呈現。

此外， 2022 年版的舞者人數規模提升 ，包括曾參演過的資深舞者、現今團員，以及國立臺灣體育 運動大學舞蹈學系學生，都將同台演出。除了增添舞台上畫面豐富層次，不同世代的合作，讓經 驗傳承激盪出不同火花。

盧怡全說：「劉老師編舞強度極高，講究身體的控制力。我自己 30 幾歲時還在跳這支舞，換場時 一邊換裝、一邊吸氧氣瓶準備再上，對舞者來說是身體控制力與體力的大考驗。」在忠實重現原 創的理念下，純淨舞台上沒有布景或繁複的多媒體科技運用，連合唱團的位置也盡量安排在非舞 台區，避開觀眾視線。

跨越時空的情感共鳴

《布蘭詩歌》的文本是依據中世紀同名的文學作品，描述一名修士到外闖蕩，經歷喜怒哀樂、飲 酒、愛情等感官上的刺激愉悅，最終沉靜回歸到修行的道途。作品主軸圍繞人類共通的七情六慾， 音樂平易動聽，「有宗師級的舞蹈，有好聽的音樂──如果聽得懂歌詞會更爽快，因為那些描述

李政瀚

然點設計工作室創辦人， 適者生存樂團吉他手，曾

榮獲 2019、2020 年全美獨

立音樂獎最佳包裝設計獎、 第 64 屆葛萊美獎最佳專輯 設計包裝獎。

環顧被紙箱包圍的四周，彷彿仙人閉關修煉的山洞，誰也沒料到這裡竟出了一名讓臺灣人

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2022 年 4 月美國葛萊美獎公布消息 ，由董事長樂團及蔣進興與第二代馬蘭吟唱隊合作的專 輯《八歌浪 Pakelang 》奪得最佳唱片包裝設計，這個振奮人心的消息傳來，證明臺灣設計實

力足以登上世界舞台。而在背後操刀的，正是從事設計產業多年的李政瀚，以及擁有平面 設計專業、年紀輕卻也獲獎無數的于薇。

玩團仔的命運交叉路

臺中土生土長的李政瀚，從小對漫畫特別的喜愛，使他在高中選讀美工科，並在同班同學 的邀請下，開始組團玩音樂。身任樂團「適者生存」的吉他手以及設計師，這兩條看似不 相干的路卻在十多年後交叉，成為他踏上專輯設計的契機。