November CallSheet 2016

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OMPA 503-228-8822

Callsheet

#OMPAMember Winners Membership Updates rose bond creates a new stage

Oregon Media Production Assn november 2016

CONTENTS center of gravity steven richter

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Center of Gravity has been acquired

by China’s streaming service: Go Live

turangalila rose bond

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Highlights

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SAG-AFTRA Sponsors Leonard Dozier’s VO Class Round of Applause

Congrats to OMPA members

sourceoregon INDUSTRY DIRECTORY www.SourceOregon.com

renew your listing now!

Go to sourceoregon.com and renew your listing to guarantee your inclusion in the printed directory. The deadline is November 30, 2016.

Acclaimed animator Rose Bond and her team of PNCA students are creating a new stage for the walls of the Schnitzer.

10 Oregon Film Media Sector Survey 26 SourceOregon FAQ Your participation is requested!

You have until Nov 30 to renew your listing

Contact Us OMPA

901 SE Oak St, Suite 104 Portland, OR 97214 503-228-8822 FAX: 503-228-7099 info@ompa.org www.ompa.org

CallSheet designed by Anne Schuyler-Moon

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Dear

Director’s Letter

OMPA members,

November is the month of reflective gratitude and we are certainly appreciative for you, #OMPAmembers. Many of you have been responsive to our countless requests to update your SourceOregon listings and you have shared with us your accomplishments so we can promote your excellence, thank you! Simply check out the CallSheet’s Round of Applause to see the many accomplishments of #OMPAmembers. Celebrating your excellence is the favorite part of my job. The joy that comes when highlighting your excellence, your generosity, your mentoring knows no bounds.

This month we chose to highlight the outstanding work of #OMPAmember Rose Bond; winner of 2016 Oregon Media Arts Fellowship. Rose’s approach to experiential, animated projection reflects precision and unabandoned creativity. “I don’t do rectangles,” says Rose Bond, see article ‘Creating a New Stage.’ The spirit of stripping away boundaries, in one’s approach to work, oftentimes reveals an unexpected freshness that was before hidden.

OMPA’s mighty staff of two coupled with our dedicated core group of interns, volunteers and professional board has enabled us to surpass our goals, uncover new approaches to our programs and set ambitious goals for our future endeavors. We have an unapologetic declaration for abandoning confined thinking to bring more value to #OMPAmembers to benefit the film, television and interactive community.

We invite you to abandon any staid thinking or assumptions when it comes to OMPA’s events and programs. Our appreciation for past accomplishments of OMPA underscores our daily operations while we push ourselves to elevate each program. Are we there yet? Not yet, but we are on the road of change.

One change that #OMPAmembers might not have read (in our countless emails) is that our November 30th deadline for renewing your SourceOregon listing is a hard deadline.

Please take action for inclusion in SourceOregon 2017. OMPA has partnered with Travel Oregon to publish a directory that will highlight media productions within Oregon’s vast landscapes!

My sincere gratitude to #OMPAmembers, thank you for being a part of our growing community.

Membership matters,

Janice

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MISSION The mission of OMPA is to champion the film, television and interactive media industry. How OMPA achieves our mission rests upon the pillars of advocacy and by being a professional hub; providing resources, promotion and networking for our members. OMPA is a 501(c)6 nonprofit trade association.

BOARD OF DIRECTORS David Cress, President Producer Mary McDonald-Lewis, 1st V.P.

Dialect Coach Jacqueline Gault, 2nd V.P.

The Gault Shop Dennis Gleason, Secretary/Treasurer

Dark Wing Productions Jose Behar

ZUM Media Slater Dixon

Creative Director Skye Fitzgerald

Director of Photography Roland Gauthier

Hinge Digital Candice Jackson

Entertainment Attorney Neil Kopp Filmmaker Devon Lyon

Lyon Films Greg McMickle

Production Designer Shelley Midthun

Oregon Storyboard Gretchen Miller Hive-FX Ben Popp

NW Film Center

STAFF Janice Shokrian

Executive Director Anne Schuyler-Moon

Director of Communications Amanda Decker Intern Sarah Haman Intern Tyler St. Pierre Intern

MEMBER SPOTLIGHT

Thank you Meyer Projection Systems and Pacific Grip & Lighting for your donations to October’s Cameras & Cocktails event.

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Local Motion Pictures Motion Picture Development and Production localmotionpicturesllc@gmail.com GoodKid Creative corporate, Commercial, Music videos, and Film http://www.goodkid.tv Michelle Davis Show Runner, Production Manager michelleanndavis99@gmail.com Scott Almendinger Visual storytelling - cinematography for people, brands, and events. www.ScottAlmendinger.com Scott@ScottAlmendinger.com Charlie Balch Director Of Photography & Camera Operator www.charliebalch.com charliebalch@gmail.com Michelle Boucher www.michelleboucher.com michelle@michelleboucher.com Giant Astronaut

http://giantastronaut.com seth@giantastronaut.com

Sean Conley Human Drive Productions LLC Commercial, wedding, narrative short films, documentaries, music videos and skate videos. http://seanconley.tk seanrconley@gmail.com

+WELCOME

TO OMPA!

Corey Crawford http://www.marchelectric.com/ marchelectricpost@gmail.com Aaron Cronan Cronan Law LLC aaron@aaroncronanlaw.com Nora Colie Associate producing, research, music video directing noracolie@gmail.com

YOUR VOICE + YOUR RESOURCE + YOUR COMMUNITY

New Members

Send us your work so we can celebrate you! info@ompa.org

Sally DeSipio Little Black Dog Content development and production sally.desipio@gmail.com Alexander Fattal http://www.alexanderfattal.com alexander.fattal@gmail.com Karl Gerhardt Spec-Script Screenwriter, 1st AD karl.gerhardt@gmail.com

+WELCOME

TO OMPA!

Morgan Hobart morgan.hobart@gmail.com Helen Kozora-Tell Set Decoration, Art Direction Hktell@gmail.com Briauna McKizzie Screenwriter/PR specialist briaunaskyemckizzie@gmail.com Elisabeth Stone Production Management - Motion stoneelisabeth@gmail.com Kenji Sugahara Dronescape Drone Operator http://www.dronescape.tv kenji@dronescape.tv Dante Cuestas-Thompson Video Production Student at Portland Community College http://dantecuestasthompson.com dante.cuestasthompson@pcc.edu Gisele Frederich Multimedia Student at Portland Community College gisele.frederich@gmail.com

Cole McLester Video Production Student at Portland Community College http://sweetpapayacreative.com cole@sweetpapayacreative.com Nadia Shaik Film Student at Portland Community College titlianimations@gmail.com William Whitley Film Student at Portland State University whitley.will@gmail.com

YOUR VOICE + YOUR RESOURCE + YOUR COMMUNITY

New Members

Send us your work so we can celebrate you! info@ompa.org

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#OMPAMEMBER Winners show us what you’re up to! #OMPAMember on Instagram to see your picture in the next CallSheet!

@lensmonger michael koerner koerner camera

@Sleepinghouse sean conley human drive productions

@mattschulte matt schulte lower boom

Y

@loadedimageent aj gordon loaded imageent entertaiment FOLLOW O M P A Fa c e b o o k Linkedin Twit ter Instagram

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Tommy Day's short documentary 'At What Price' was accepted as a finalist at the Banff Mountain Film Festival.

Portlandia crew volunteered for Representative Reardon's Pedestrian PSA Tristan David Luciotti's 1st feature documentary trailer for 'All Around Us' can be seen here

Wieden+Kennedy & Hive FX team up for NIKE's Mag launch benefiting Michael J. Fox foundation. Learn more.

Lower Boom's innovative Warhol-inspired Screen Tests screened at the Portland Art Museum.

Motorized Precision shot a Microsoft Surface Studio release video with their robotic camera arm, KIRA. Shot at Cine Rent West with Coach and Sarge. Camera rentals from Michael Koerner! A beautiful video and OMPA member collaboration.

Katie O'Grady's 'Age of Vanquishment' film was a creative community effort to support kids in the arts.

Neil Kopp’s Certain Women opens strong and to good reviews.

Portland Eco Film Fest wraps to accolades.

Portlandia was included in the Top 100 TV Shows of All Time by Rolling Stone.

David Goldblatt won 1st place in PDX's 48 Hour Film Festival for music composition score for 'Real Jerry' from Paronmedia Benefits of Gusbandry selected for first ever episodic showcase at 43rd NW Filmmakers Summit.

Oregon Film Museum held an Animal House Halloween Party at The Exchange Ballroom.

Portlandia wrapped season 7!

Wieden+Kennedy's global growth brings new structure.

Round of applause OMPA Member Highlights

Steven Richter's 'Center of Gravity' was picked up by China's Go Live, China's largest streaming service! It will be streaming in China and at least twenty other countries in Asia.

OMPA enjoyed visiting our members (Dawn Jones Redstone, Josh Lunden and Will Cuddy) at the Bend Festival. Great job!

Bent Image Lab did some really fun work for el Jimador Tequila. Check it out!

Information shared with OMPA from our members. Send yours to info@ompa.org.

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Inside ompa FOLLOW OMPA

Facebook Linkedin Twitter Instagram

what’s happening?

In addition to OMPA’s daily operations, this office of two is....

• creating content for the 2017 SourceOregon directory • strategizing for 2017 legislative session • reminding SourceOregon listers to renew their listings by November 30th • renewing 2017 film festival sponsorships • collecting board nominee bios for December election • receiving requests for proposal for new SourceOregon online directory and membership system • prepping for an office move in December

november 30th is sourceoregon’s 2017 print edition deadline If you would like to be in the 2017 printed edition of the SourceOregon directory, you must renew your listing by November 30th, 2016. OMPA is aware that this deadline has been extended in the past - there will no deadline extension this year. +This is seperate from an OMPA membership +If you have a current active listing, it will expire online on December 31st 2016. If you renew after November 30th, your listing will only live online until the end of next year +OMPA is available to help you navigate the renewal process, if you need assistance.

At the end of this CallSheet, there is an expanded FAQ sheet. Email info@ ompa.org or call 503 228 8822 - if you have additional questions.

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Oregon Film Media Sector Survey

Your participation is requested in the Oregon Film Media Sector Survey

The Governor’s Office of Film and Television has partnered with the University of Oregon's Community Planning Workshop and the Northwest Economic Research Center at Portland State University to conduct an analysis of the impacts of our incentive programs on Oregon’s media sector.

Part of this project is a survey about your experience as a media industry professional in Oregon.

This survey will help us to understand your experience working in Oregon and to craft strategies to support continued development of the sector.

We will use this information as part of a report on the impact of the incentive programs to Oregon Film. We anticipate the survey should take 10-15 minutes. Please respond by Monday, November 14. Click here to fill out the survey.

If you have any questions about the survey, please contact Bob Parker (rgp@uoregon.edu), Exective Director of the Community Planning Workshop at the University of Oregon. If you have questions about the project, please contact Tim Williams, Executive Director, Oregon Film (tim@ oregonfilm.org).

Thanks in advance for helping with this important project.

Sincerely, Tim Williams Executive Director Oregon Film

Bob Parker Executive Director UO Community Service Center

®

Tasting Room & Pub

807 NE Couch St. s Open Wed-Sun s Food Cart in Patio Cider Flights & Pints s Guest Beers & Ciders s Darts s Trivia Weds. ciderriot.com s 503.662.8275 s Old Portland

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center of gravity After distribution in Latin America and Europe, Center of Gravity, by local filmmaker Steven Richter, gets distribution on Chinese streaming service GoLive.

Center of Gravity, a feature film written and directed by Portland based director Steven Richter, has just been acquired by the Chinese streaming service GoLive through its Brazilian based distributor Elo Company.

Center of Gravity (2011) premiered at the 34th São Paulo International Film Festival in the New Director’s Competition and was in the official selection of the 20th Raindance Film Festival in London in 2011. Since then, the film has been screened in Latin America and Europe on cable TV and public broadcast channels, including the Sundance Channel, MGM, E! Entertainment, A&E, TV Brazil, SPI FilmBox, Film&Arts (AMC/Pramer), among others.

Inspired on the short story Pity for the World, by American writer David Plante, and set in Brazil, Center of Gravity deals with universal questions about love and our expectations toward the beloved, the thin line that simultaneously divides and unites one another. With original music by Erik Blood and cinematography by André Schutz, starring Brazilian actors Julio Machado and Ana Carolina Lima.

Center of Gravity is Steven Richter’s first feature. His second feature, Birds of Neptune (2015), was shot in Portland and premiered at the Slamdance Film Festival in 2015. Festivals and Awards include: Best Dramatic Feature at the Arizona International Film Festival, Best Narrative at the AMFM Fest, Opening Night at the Portland Film Festival, the Northwest Filmmakers Festival, Sao Paulo International Film Festival, the Icaro International Festival de Cine (Guatemala), among others. Distributed

by Brinkvision (U.S.) and Elo Company (Latin America/World).

Steven Richter co-founded with Flavia Rocha the Academia Internacional de Cinema, a film school with locations in Sao Paulo and in Rio de Janeiro, Brazil. He is currently working on the production of his third feature, Solar Synth Pop, and on the PNW TV series The Stags http://stevenrichterfilm.com Center of Gravity. Shot in HDV. 70 min, 2011. A Reverie Films production in co-production with Academia Internacional de Cinema and Leiteria Cinematográfica.

trailer

original score

website

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OREGON SYMPHONY’S PERFORMANCE OF MESSIAEN’S TURANGALÎLA WILL BE A FEAST FOR THE EYES AS WELL AS THE EARS In the second of the Oregon Symphony’s SoundSights concerts, renowned Pacific Northwest College of Art animator Rose Bond and her team of PNCA students will transform the Arlene Schnitzer Concert Hall in this original production. This production follows the recent semi-staged version of Bartók’s Bluebeard’s Castle featuring Dale Chihuly’s striking glass sculptures and precedes the final SoundSights production in May of Stravinsky’s Perséphone, when the Symphony collaborates with Michael Curry of Lion King fame. The SoundSights series is designed to redefine the classical concert experience for the Symphony’s growing audiences by adding the richness of sight to the pleasure of sound.

Renowned video animator Rose Bond and her team transform the ornate walls of the Arlene Schnitzer Concert Hall into a riveting visual stage for Messiaen’s symphonic dance of love and joy. Asked about her part in this production, Rose Bond says: “I saw this project as an immense and moving challenge. It’s a beautiful monster of a symphony, an ode to love that is deeply touched by loss. Messiaen was a synesthete. For him sound evoked color. As a result, Turangalîla invites visualization in a unique way. There’s a branch of animation called visual music. Think of a Kandinsky in motion, a Lucinda Parker in flux, a Sol LeWitt rearranging. Visual music has the immediacy and impact of a painting choreographed to the dynamism and fluidity of music. As film, it has the power to burst from expectation.”

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The Oregon Symphony’s SoundSights series is sponsored by the Oregon Cultural Trust. Turangalîla performances are sponsored by Umpqua Bank.

Rose Bond’s part of the project was supported in part by an Oregon Media Arts Fellowship funded by the Oregon Arts Commission and the Oregon Media Production Association in partnership with the Northwest Film Center. Bond’s efforts are an example of the deep studio work and energizing collaboration that happens throughout the Pacific Northwest College of Art among students and between students and faculty every day.

TURANGALÎLA Dates Saturday, December 3 | 7:30 pm Sunday, December 4 | 2 pm Monday, December 5 | 7:30 pm Tickets to Turangalîla begin at $23 and can be purchased online at OrSymphony. org; in person at the Oregon Symphony Ticket Office located at 909 SW Washington St., in downtown Portland (M-Sa, 10 am-6 pm); by phone at (503) 228-1353 (M-Fri, 10 am-9 pm, Sat 10 am- 6pm); and at the Arlene Schnitzer Concert Hall starting two hours before every performance.

Photo provided by Rose Bond

A New Stage

Photo by Sam Slater

Rose Bond and her team screen Olivier Messiaen’s colorful Turangalîla-Symphonie.

By Samantha Edington Originally published by Skies American Publishing Co. in InSymphony magazine (Nov. 2016)

Turangalîla is coming to a screen near you—on the walls of the Arlene Schnitzer Concert Hall, to be exact.

In this second set of concerts in the Symphony’s SoundSights series, acclaimed animator Rose Bond and her team of PNCA students are creating a new stage for Olivier Messiaen’s complex and sensual piece, using the interior walls of the Schnitzer as their canvas. With their animation, the artists aim to “ignite an internal space, especially with the dynamics of a live orchestra.”

At 75 minutes long and encapsulating themes ranging from love to terror, Turangalîla pushed the boundaries of what a symphony could be when it premiered in 1949 and shocked its audience. In their visual interpretation of this pioneering work, Bond’s team challenges today’s audiences to be active in making their own connections between what they see and hear.

I met with Bond to discuss her experiences so far in designing a visual form of Turangalîla.

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InSymphony: How did you get involved with this project?

Rose Bond: Someone who used to work at the Symphony was aware of my work and was a real fan. They knew about a symphony that had done this in Calgary and had done a projection, and so they thought, “Who could do that?”

So I’m really thrilled to be a part of it [SoundSights series], to be there with [Dale] Chihuly and Michael Curry.

InSymphony: What are the logistics behind projecting animations in the Schnitz?

RB: We’ve done a test. We were in there in March with a 14k projector; I won’t get too techy here. I could see by projecting what works and what doesn’t work—what colors work, what white does, what black does. All of that kind of stuff. I also had to ask: how do you knit these screens together? We have six screens, essentially. So six projectors that are all synched, potentially. And it’s played live. Because you don’t know what Carlos [Kalmar] is going to do every night, it’s kind of like a DJ situation in an orchestra hall [laughs].

InSymphony: How do you think taking animation off of TV screens and book pages makes a difference in how it’s perceived?

RB: I think a good movie pulls me right into that movie space. With this kind of work, you’re aware of your surroundings, and you’re engaged. I think a lot about what that difference is, especially when I go to write a paper or do a presentation. Otherwise, I don’t think about it. I’m very curious to know what it feels like to ignite an internal space, especially with the dynamics of a live orchestra.

Photo provided by Rose Bond

Production maquette with 4 projection zones. The system will be Watch Out control with two 20k and four 26k projectors. The animated piece will be performed live with the orchestra.

To me, it’s a different kind of viewing; it’s an active kind of viewing. It’s not like you’re sitting in the chair and everything is just coming at you. It’s like you have to make choices. You’re an active viewer. It’s really an exciting place to be, I think.

You’re making these connections, and you have to make them yourself. It’s not all laid out.

InSymphony: What resources did you draw on to develop the animation?

RB: I gave that quite a bit of thought in terms of what to research, that I have a student team, and what to guide them toward. I started looking at Olivier Messiaen and the way this symphony is often described as avant-garde. So, then the question is: what is avant-garde? What was avant-garde in music? What was avant-garde in the visual? We’re trying to make that sound-sight connection.

There will be a lot of abstracted elements. I think if you’re talking about animation and symphonies, you’re going to think about Fantasia, right? But there are no dancing hippos in this.

I think of Fantasia as a wonderful movie, but it seeks to illustrate the music with some kind of story. I don’t think that’s necessary. I think there’s a more interesting place to go with material that is more evocative and metaphoric that allows people to enjoy this gumbo that Messiaen has created. They take away more by bringing or engaging more themselves.

Photo provided by Rose Bond

Photo provided by Rose Bond InSymphony: So the animation is not there to supplement the music; it’s there to create a new interaction.

RB: That’s exactly right. What can we make that’s new with this juxtaposition? I’m not going to hit every note, you know. When does the music lag? When does it go forward? What do you do about people’s expectations? In really thinking a lot about the kind of animation I like and my idols in the field, they are the ones that use motion to express things.

Most animation relies on writing. Again, I’m thinking of things that people know, like The Simpsons or South Park. It’s clever writing with limited animation. There’s no dialogue in my work, but there’s story and fragments of story that unfold. So the symphony will unfold in the way that Messiaen [saw it], this synesthesia guy that could see visions.

I remember the first time I did a building installation. It was in Northwest Portland, down on 3rd and Davis. I had seen the images, I don’t know, 100 times, working with them on the computer. I drew them all. I knew it; I knew all the material. And then we were doing a test. I was out on the street, and the projectors were in the building and on the windows. I called Steve and said, “Roll it, Steve,” and he turned it on. I remember looking up at that building and feeling like the images weren’t even mine anymore. They were emanating from the building. It was just a really interesting moment.

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Photo provided by Rose Bond

InSymphony: Did you have ideas right after hearing Turangalîla?

RB: Right away. I knew it was really rich ground and that it could allow for these various directions, that it was actually crying out for variations in style and media.

That’s where the idea of having a student team came in—that this could be a rich experience made richer. Messiaen brings all these influences; he had all of this stuff he was into, like birds and Catholicism.

I think people will be astounded by the student work and the originality. The originality that you’re going to see in this piece will be really mind blowing.

InSymphony: What roles do the students and the rest of your team play in preparing the animation?

RB:They’re animating. I do have a couple of students that are into video mapping and what’s called generative effects. Do you know what a generative effect is?

InSymphony: No idea.

RB: It’s an interesting thing because when you have to make a movie, you have to make a movie to a soundtrack that’s going to be slightly different every time. So, what about synch? What’s important? What has to start when? There’s this thing called generative effect within the software. You can set some parameters so that when the computer hears a certain frequency, x will happen. Like you hear a drum boom, and when the drum happens, this piece of video will play.

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InSymphony: Like cues?

RB: Yes, like cues. And I’ll be sitting up there. I think my job will be that I have a slider board with those kinds of controls to be able to control what’s happening.

And we’ll do a mock-up at PNCA of the Schnitzer and set up my projectors and computers. We’ll have those there a couple months, and we’ll be practicing and then deciding what we need here and there, which is not usually what happens with video projection.

InSymphony: What has it been like working on such a long and complex piece?

RB: It’s really different. This is longer than anything that I’ve done. It’s almost like—it is like—I’m making a feature. It’s feature length, a feature-length animated film, in a very short timeline.

Read the extended interview here.

The Turangalila projection was supported in part by an Oregon Media Arts Fellowship funded by the Oregon Arts Commission and the Oregon Media Production Association in partnership with the Northwest Film Center. It’s a great feeling knowing we have arts and advocacy organizations supporting independent work that pushes the boundaries of screen.

Photo provided by Rose Bond

Photo by Sam Slater

Special Panel Discussion: Illuminating TurangalĂŽla

The Oregon Symphony, Portland Art Museum, and Pacific Northwest College of Art present a special evening exploring a unique convergence of art forms— symphonic music and video animation. The panel features Oregon Symphony Music Director Carlos Kalmar, Pacific Northwest College of Art media artist Rose Bond, and Portland Art Museum Director and Chief Curator Brian Ferriso for a uniquely Portland panel discussion.

Tuesday, November 15, 2016, 6-8 pm Fred and Suzanne Fields Ballroom, Mark Building Portland Art Museum 1119 SW Park Avenue Tickets for the general public are $10. Tickets are free for Oregon Symphony subscribers and Portland Art Museum members. To order, call the Oregon Symphony Ticket Office at 503-228-1353 or visit: OrSymphony.org/panel 20

SAG-AFTRA SPONSORs LEONARD DOZIER VO CLASS IN PORTLAND Submitted by Mary Mcdonald-Lewis

Thanks to the support of National SAG-AFTRA, union member and VO coach Leonard Dozier held a sold-out voice acting workshop on October 2nd at Portland’s Black Diamond Studios. Themed a “big tent” event, for union and non-union actors alike, the course was an introduction to the skills required to work, and the nuts and bolts of breaking in to the business. Mr. Dozier reported afterwards that it was one of the best groups of actors he'd ever taught, as regards professionalism, interest, and “whip-smart" questions during the Q&A process. Attendees ranged from union actors to non-union actors to folks just curious to know more. Members from the Oregon Media Production Association were also in attendance.

SAG-AFTRA member Lucy Paschall said of the teacher, "There's so much to learn from Leonard... Not only about the voiceover industry, but how to be an exceptionally patient and kind individual. I'd highly recommend him as a teacher, mentor and artist.”

Harold Phillips is both a SAG-AFTRA and an OMPA member, and said the class was a winning combination of theory and technique. “Leonard mixed his real-world experience with some great behind-the-mic opportunities for everyone in attendance, no matter what their level of experience. And along the way, he’s able to put faces with names and really tailor what he’s saying to each individual in the room. Truly remarkable – and a measure of the drive for service that is such a big part of the man!”

Continued...

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OMPA member Suzanne Owens-Duvall attended and said, "It truly was an excellent workshop which was full of such useful up-to-the-moment information that Leonard generously and merrily shared with us all, going way over the designated ending of the class time. It didn't bother him at all. I didn't leave until 3:30pm and the class should have finished at 2:00pm. It was worth every minute.”

National board member for SAG-AFTRA and VP of OMPA Mary McDonald-Lewis helped promote the workshop, and said “It’s always beneficial to have fresh voices teaching in town. Leonard’s approach is modern, empathetic and chock-full of information. He was inspiring to watch.” McDonald-Lewis says if there is interest, a program featuring more LA and NY VO coaches may be in the works.

Mr. Dozier is a SAG-AFTRA member and voice actor with close to 20 years of experience. He is a principal actor alongside Lea Michele, Jim Belushi and Patrick Stewart in the Hollywood animation movie Legends of Oz: Dorothy’s Return. Voice credits include American Idol Ruben Studdard’s national promo for the album Love Is, Centerlight Healthcare and the NCAA Recyclemania Campaign for Coca-Cola. He is also the official voice of Boomtown Casino in Louisiana. On screen, Dozier can be seen in the film Turning Point with Ernie Hudson and Todd Bridges. He co-starred in the Emmy-winning Fever: 1793 which premiered on ABC in April 2012. Dozier is featured in the new apocalyptic thriller Phaesporia, out in 2016.

Events nov 3 Resources For A Life In The Biz: Onstage & Backstage at Every Stage

OMPA Members receive industry events, workshops and conference information weekly! Keep up to date with the industry by becoming an OMPA member.

nov 10 nw filmmakers fest summit

Festivals

6pm - 7:30pm Register & More Info Portland SAG-AFTRA is pleased to host The Actors Fund, a national organization helping actors and others handle the demands of a career in the entertainment industry.

10am - 5pm Tickets Join NW Film Center for a day of guest speakers, panels, and the latest equipment as we kick off the 43rd Northwest Filmmakers’ Festival.

nov 10 Watch Make Learn

nov 10 -15 nw filmmakers festival

Portland, OR

nov 17 pdx latin american film fest

Portland, OR

7:30pm Tickets Join NW Film Center on the opening night of the 43rd Northwest Filmmakers’ Festival.

nov 10 ovla winter mixer

6PM-9PM Learn more Russo Lee Gallery 805 NW 21st Ave, Portland, OR 97210 Join OVLA to celebrate Oregon’s creative community and mingle with the attorney’s who support their work at our FREE winter mixer.

nov 11 - 13 indie game con

Eugene, OR Learn more Indie Game Con connects mainstream audiences with game creators.

dec 6 Meals for Monologues

11AM - 6PM Learn more Come to Cast Iron Studios for an open general audition call, where you can be seen by a casting director in exchange for three (3) non-perishable food items benefiting the Oregon Food Bank.

Workshops nw FILM CENTER WORKSHOPS portland community media workshops

SAVE THE DATE JAN 23 OMPA ANNUAL MEETING MAR 20 OMPA ANNUAL AWARDS SHOW 23

november Showtimes

Nov 8 Repressed Cinema Surprise Film Noir @ 7:30PM Hollywood Theatre

Nov 3 An American Ascent @ 6PM Patagonia Portland Tony Conrad: Completely in the Present @ 7:30 PM Hollywood Theatre VEEPS: Profiles in Insignificance @ 9PM Laurelhurst Theatre & Pub

Nov 4 Answering the Call @ 7PM Hollywood Theatre

Nov 5 The Great Dictator @ 2PM Hollywood Theatre Mr. Holland’s Opus @ 7PM Hollywood Theatre

Nov 6 Superstar: The Life and Times of Andy Warhol @ 2:00 PM Whitsell Auditorum The Great Dictator @ 2PM Hollywood Theatre A Face in the Crowd @ 4PM Whitsell Auditorum

Nov 7 Modern Times @ 6:30 PM Whitsell Auditorium Do You See What I See? No @ 7PM Hollywood Theatre Letters Home @ 8:30 PM Whitsell Auditorium

Nov 9 Superstar: The Life and Times of Andy Warhol @ 7:00 PM Whitsell Auditorum Shelter @ 7:30PM Hollywood Theatre

Nov 10 The Earth Is Alive @ 7PM Hollywood Theatre Shorts I: Known and Unknown (or Unknowable) @ 7PM Whitsell Auditorium

Nov 11 Finding October @ 5PM 5th Ave Cinema The Village of Middlevale @ 5:10PM Whitsell Auditorium Finding Bosnia @ 5:20PM Skype Live Studio If There’s a Hell Below @ 7:15 PM 5th Ave. Cinema Shorts II: Visions of Reality @ 7:35PM Whitsell Auditorium

Nov 12 The Devout @ 2:30PM 5th Ave. Cinema Finding Bosnia @ 2:30PM Whitsell Auditorium What Seperates Us @ 3PM Skype Live Studio The Pearl @ 5PM Whitsell Auditorium Customer 152 @ 5PM 5th Ave Cinema Finding October @ 5:20 PM Skype Live Studio Woodsrider @ 7:30PM Skype Live Studio

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Showtimes Nov 13

Nov 20

Three Days Drowning @ 1:15PM Whitsell Auditorium

The Commisar @ 4:30M Whitsell Auditorium

NW Episodic Showcase @ 2:30PM Skype Live Studio

The Anonymous People @ 7:30PM

Shorts II: Visions of Reality @ 3PM 5th Ave Cinema

Henry: Portrait of a Serial Killer @ 9:30PM Holly-

Woodsrider @ 3:10PM Whitsell Auditorium

wood Theatre

The Pearl @ 5:30PM 5th Ave Cinema

Nov 21

The Devout @ 6PM Whitsell Auditorium

Generation Found @ 7PM Whitsell Auditorium

RiverBlue @ 7PM Skype Live Studio

Nov 21

The Village of Middlevale @ 8PM 5th Ave Cinema

Kate Plays Christine @ 7PM Whitsell Auditorium

What Seperates Us @ 8:25PM Skype Live Studio

Nov 23

Nov 14

Kate Plays Christine @ 7PM Whitsell Auditorium

RiverBlue @ 5PM Whitsell Auditorium

The Last Waltz: 40th Anniversary @ 7:30 PM Holly-

If There’s a Hell Below @ 5:15 PM Skype Live Studio

wood Theatre

Three Days Drowning @ 7PM Skype Live Studio

Nov 25

Beware the Slenderman @7:15 Whitsell Auditorium

Tampopo @ 7PM Whitsell Auditorium

Nov 15

We Are X @ 7:30 PM Hollywood Theatre

A Morning Light @ 5PM Whitsell Auditorium

Nov 26

Customer 152 @ 7:15PM 5th Ave Cinema

Tampopo @ 4:30PM Whitsell Auditorium

Nov 17

Tampopo @ 7PM Whitsell Auditorium

Panoramas @ 6:45PM Hollywood Theatre

Nov 27

Queer Horror: Addams Family Values @ 9:30 PM

Kate Plays Christine @ 3:30PM Whitsell Auditorium

Hollywood Theatre

Intolerance @ 7PM Whitsell Auditorium

Nov 18

Les Blank Celebration: Cultural Rarities @ 7PM

Cleo 5 to 7 @ 5:30 Whitsell Auditorium

Hollywood Theatre

The Love Witch @ Hollywood Theatre (opens) sur le nom de Sacher @ 7PM Whitsell Auditorium

tune in...

Henry: Portrait of a Serial Killer @ 9:30PM Hollywood

Check your listings for Rollin’ On TV

Rue Mallet-Stevens, Hôtel Monterey & Trois strophes

Theatre

Nov 19 Saute ma ville & Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles @ 7PM Whitsell Auditorium Henry: Portrait of a Serial Killer @ 9:30PM Hollywood Theatre

OMPA MEMBERS CAN SHARE their UPCOMING SCREENING WITH OMPA! We want to help spread the word. CONTACT INFO@OMPA.ORG

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SourceOregon

listing questions What is the difference between OMPA AND SOURCEOREGON? OMPA is a non-profit trade association for the film, television and interactive media industry.

Individuals and businesses join OMPA to support their industry, attend networking events, receive industry news and exclusive promotional opportunities.

SourceOregon is an OMPA publication. There is an online SourceOregon directory and an annual printed directory. SourceOregon serves as Oregon’s industry directory and it is how we promote Oregon as a production and post-production location. Your listing makes a first impression with every project that considers producing in Oregon and keeps you in touch with the crew and producers of Oregon’s industry.

As an ompa member, what are my sourceoregon benefits?

OMPA members receive one free listing. Any additional listing is $35 minimum.

The price increases depending on word count, logo and reel. The free listing for OMPA includes max word count, logo and reel. Individuals can pay for a listing without being an OMPA member.

am i automatically listed if i join ompa or renew my membership?

OMPA does not automatically list you or your company on SourceOregon when you join or renew your membership. You must go to SourceOregon.com to list yourself in your desired category. The listing owner is in charge of updating that information when necessary or at renewal. Listings expire on December 31st, 2016. This may differ from your membership. Any listing that is new or renewed after August 1st will expire December 31st, 2017. November 30th is deadline to be included in the 2017 printed directory.

how do I get listed or renew my listing?

Go to SourceOregon.com/GetListed to list or to renew your listing. If you forgot your password - the process to retrieve it is very easy. Email info@ompa.org if you are experiencing technical issues.

26

SourceOregon

listing questions WHY DO I NEED TO RENEW MY LISTING RIGHT NOW?

All listings expire on December 31st, 2016. In order to be included in the 2017 SourceOregon printed edition, you must renew your listing by no later than November 30th, 2016. Once you have renewed your listing(s), they will be available online until December 31st 2017.

OMPA will not be extending any deadlines to be included in the printed directory. This is to ensure that the directory will be available as early as possible in 2017.

HOW DO I LIST IF I QUALIFY FOR MULTIPLE CATEGORIES? A seperate listing must be made for each category. Each listing is a minimum of $35. If you are an OMPA member - we suggest utilizing your free listing with the one that could benefit from a longer description and reel.

Listing Categories sTAGES & sTUDIO sERVICES Advertising Agencies Broadcasters Business Affairs Consulting Producers Distribution Finance Legal Marketing Motion Picture Studios Payroll Services Product Placement Production Offices Production Relocation & Logistics Publicity Script Coverage/Analysis Stages/Sound Stages Trade Associations Unions & Guilds

Production companies Commercial, Digital & Web Documentary Feature/TV Animation

Directors, producers & wRITERS Directors Producers Motion

Live Event

Still Photography Writers Corporate General Copywriter

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SourceOregon Listing Categories crew

Accountants

Accountants

Payroll Clerks Animal Trainers/Wranglers Animation

2D Animator

CG Animator

Stop-Motion Animator

Ink & Paint Artists

Clean Up Artists

Concept Artists

Character Designer

Color Artists

Storyboard Artists Art Department

Art

Production Designers

Art Directors

Art Coordinators

Graphic Artists

Set Designers

Props

Prop Masters

Assistants

Set Dress

Set Decoraters

Lead Person

Set Dressers

Set Decoration Buyer

Set Construction Construction Coordinators

Set Construction/Prop Makers

Scenic/ Painters

Greensman

Scenic Artists/Muralists Assistant Directors

First AD

Second AD

Second Second AD

Camera

Director of Photography

Camera Operators

Drone Operators

Steadicam

Digital Imaging Technician (DIT)

1st Assistant Camera

2nd Assistant Camera

Loader

Data Utility/DUT

Speciality

Underwater Specialists

Aerial

Videographer

VTR/Playback

Still Photography

Aerial Stills

On Set Photographer Choreographers Craft Services Electricians

Gaffers

Best Boy Electricians

Electricians

Dimmer Board Operators

Rigging First Aid/Medics Food Styling Grips

Key Grips

Best Boy Grips

Dolly Grips

Grips

Rigging Hair Location

Assitant Location Managers

Location Managers

Location Scouts Makeup

Makeup Artists

Special F/X Makeup Artists

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SourceOregon Listing Categories crew

Production

Line Producers

Production Managers/UPM

Production Coordinators

Assistant Coordinators Production Assistants Researchers Script Supervisors Sound

Sound Mixers/Recordists

Boom Operators Utility Special Effects Stunt Coordinators Teacher/Welfare Workers Transportation

Transportation Captains

Trasportation Coordinators

Picture Car Coodinators

Drivers Wardrobe

Costume Designers

Supervisors

Costumers/Stylists

Sewing, Seamstress

talent

Acting Workshops & Coaching Actors Agents & Managers Casting Directors Dialect Coaches Extras Casting Headshot Photographer Stunt People/Stunt Drivers Narrator/Voice Talent

equipment

Camera Support

Camera & Car Mounts

Camera Cars Cranes

Dollies

Drones

Jib Arms

Motion Control

Stabilizers/Steadicams Camera Trucks/Vans Expendables Camera

Electirc

Grip Hair

Makeup

Sound

Production

Location Grip Equipment Trucks Layouts Lighting Equipment Lifts and Condors Marine Mobile Video Facilities Motorhomes/Trailers Cast

Hair and Makeup Honeywagon

Motorhomes

Storage Wardrobe Playback/Video Assist Production Supplies Sound Equipment Stunt Equipment Theatrical Equipment Video Projection Equipment Walkie Talkies/Communication Water Trucks

29

SourceOregon Listing Categories Props, Fabrication & Set Dressing

POST PRODUCTION

Sound & Music

INTERACTIVE TECH

Antiques & Collectibles Art Rental Backdrops Costume/Uniform/Wardrobe Rental & Sales Furniture /Carpet/Upholstery Mechanical Props Painting Supplies Picture Vehicles Plants/Greens/Florists Prop & Set Fabrication Prop Rentals/Display Houses Puppets Signs Weaponry

Composers/Music Producers Music Supervisors Post

Audio Sweetening

Looping/ADR/Foley

Music Libraries/Sound F/X Recording

Mobile Location Recording

Music Recording Studios

Sound Recording Studios

Voice-Over Facilities Sound Designers Sound Editors

Closed Captioning & Transcription Color Correction Facilities Editing Equipment Editorial Facilities / Post Houses Editors Graphics/Motion Graphics Lab: Motion Picture Lab: Still Photography Post Supervisors Robo Paint Slide Services Standards Conversions Stock Footage/Images Video Duplication Visual Effects

CD-ROM/DVD Duplication Game Developers Interactive

Animation

Audio

Graphics

Multi-Image Producers Training

Video Writers Video Capture & Encoding Web Site Developers Webcasting/Streaming

Props, Sound, Post and Interactive Tech are four categories that OMPA still needs assistance reviewing. Please contact us at info@ompa.org if you have thoughts and suggestions. We are open to shifting categories to meet the needs of the current industry. These suggestions may not make the 2017 directory but will be utilized moving foward.

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SourceOregon Listing Categories SUPPORT SERVICES & VENDORS Accountants/Bookkeepers Air Conditioning & Heating Air Transportation

Air Freight

Airlines

Airports Helicopters

Pilots Animal Daycare / Dog Walking Barricades/Traffic Control Building Supplies Catering Community Groups Delivery/Shipping Destination Management Services Dry Cleaners/Laundry Education/Production Courses Facilities

Meeting

Screening Festivals/Workshops Film Museums & Attractions Financial Services Gifts/Flowers Ground Transportation Trucks

Vans

Auto

Limousinces/Town Cars

Taxis/Shuttle Vans Guides Health & Wellness

Acupuncture

Doctors/Cast Physicals

Massage/Chiropractic

Nurses

Personal Fitness/Trainers

Spas/Skin Care Hotels & Lodging

Furnished Rentals Hotels

Other Lodging

Insurance Marketing Printers / Printing Services Publicity Real Estate Security Technical & Medical Consultants Trade Publications Translators & Interpreters Travel Agents Water Transportation

LIASONS

Chambers of Commerce & Visitor Bureaus Federal Offices Permits

Airport

City/County Permitting & One-stops

Commercial Vehicle Highway

Parks & Public Land State Offices Weather & Road Reports

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