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OREGON MEDIA PRODUCTION ASSN Oregon’s Resource for the Media Production Industry
Welcome Janice Shokrian
as the new Executive Director of the Oregon Media Production Association!
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Why list?
Opportunity - Having your name
listed signals production companies, outside of Oregon, that we have talent ready and willing to work.
Meaningful listings - Did you know that not
everyone can list in SourceOregon? All listings are vetted by OMPA’s office staff using a minimum of 3 references.
Prominence - SourceOregon is delivered to: production
companies, Governor Brown, Oregon’s Legislators and is shipped from coast to coast and internationally.
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See page 5 for more.
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Alliance - Use SourceOregon as your networking tool. Connect with
contacts to further best practices in Oregon.
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Dear Media Professionals, I’m so grateful and excited to be the new Executive Director for the Oregon Media Production Association. Foremost, I thank the Board of OMPA for this opportunity and guidance, Nathaniel Applefield for being such a watchful steward during the interim period, Tom McFadden for his thorough documentation, and most importantly, the incredible team in the office; Sarah Lombardi’s dedication to accuracy and Jessica Beer’s gentle support and depth of knowledge. Identifying my first order of business, it seems most appropriate to take the timeless advice of Anna Leonowens from Rogers and Hammerstein’s The King and I: “getting to know you.” To this end, please know that I am interested in meeting you, learning about your involvement, and understanding your goals as they relate to OMPA. All members will receive multiple opportunities throughout 2016 to meet, network, learn best practices from each other, and to come together in celebration of advancing the mission of OMPA. If you are reading The Callsheet and are not currently a member, I urge you to consider joining today. The strength and power of OMPA lies within our collective voice. Members are key to broadcasting our mission. Together we share the message of championing the film, television and digital storytelling industry for the state of Oregon. Together we celebrate the growth in our state. Together we articulate the need for more incentives. And together we create opportunities for our community. I look forward to “all of the beautiful and new things I’m learning about you, day by day.” Warm regards, Janice Shokrian Executive Director Oregon Media Production Association
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OREGON MEDIA PRODUCTION ASSN
Mission The CALLSHEET is published 11 months of the year by the Oregon Media Production Association. OMPA is a 501(c)6 non-profit trade association dedicated to the development, growth and enhancement of the film, video and multimedia industry in the state of Oregon. Š 2015 Photography & Content: By submission Page Layout: B. Design | www.bdesigncompany.com | 503-737-5158
Board of Directors David Cress, President Producer Mary McDonald-Lewis, 1st V.P. Dialect Coach Jacqueline Gault, 2nd V.P. HotSquatch! Entertainment Dennis Gleason, Treasurer Dark Wing Productions Slater Dixon Creative Director Skye Fitzgerald Director of Photography
Roland Gauthier Hinge Digital Candice Jackson Entertainment Attorney Neil Kopp Filmmaker Greg McMickle Production Designer Gretchen Miller Hive-FX
Dennis Noreen Strategy Insurance Jeff Johnston Mid-Oregon Chapter Chair Erica Risberg Portland Chapter Chair
Staff Janice Shokrian Executive Director
Sarah Lombardi Administrative Assistant
Industry Directory
Jessica Beer Administrative Manager
www.SourceOregon.com
OMPA | 901 SE Oak, Suite 104 | Portland, OR 97214 503-228-8822 | FAX: 503-228-7099 | info@ompa.org |
www.ompa.org
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OMPA Welcomes New Executive Director, Janice Shokrian The Oregon Media Production Association (OMPA) is proud to announce and welcome Janice Shokrian as the organization’s executive director. Shokrian will be responsible for representing the mission of OMPA to members, potential members, legislative bodies and industry stakeholders. “After an exhaustive search, Janice stood out as the executive director who could take us forward in a powerful way,” says OMPA president David Cress. “We’re eager to introduce her to our member and industry stakeholders right away.” Cress noted that the new executive director was already in meetings with key players in Oregon’s film, television and media business. “I’m grateful to be joining OMPA as the new executive director. My predecessors have left large shoes to fill. OMPA’s Board of Directors has set ambitious goals which I’m excited to fulfill.” Janice was recently the managing director at Portland Actors Conservatory where she increased contributed revenue by 140%, reduced expenses by 8% and championed for the successful passing of two bills advocating for the arts. “I foresee 2016 to be a year of strengthening the five key priorities that will benefit all OMPA members: increasing membership and revenue, expanding production opportunities across the state, and strengthening government relations in the media production industry.” Shokrian will be taking over for Nathaniel Applefield, who served as interim executive director since February of 2015. During his 10 month employment as interim executive director, Applefield
championed the organization through a successful legislative session and increased the annual budget to provide for additional programs and staff to better serve the member and organization needs. Says Cress, “We were fortunate to have Nathaniel at the helm during our transition. His work left us positioned to move ahead well.” OMPA is the largest nonprofit association for commercial, film, TV and digital development professionals in Oregon, uniting crew, talent agencies, producers, directors and others who cater to the entertainment industry. The organization’s mission is to grow jobs and business opportunities for Oregon media story-tellers. OMPA contributes to Oregon’s culture of creativity, in a green and economically powerful 21st Century industry.
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2016 Oregon Media Arts Fellowship Deadline: Feb 1, 2016 Program Supports Outstanding Oregon Moving Image Artists The Northwest Film Center, the Oregon Arts Commission, and the Oregon Media Production Association wish to remind Oregon-based film and video artists that the 2015 Oregon Media Arts Fellowship reaches its submission deadline on February 1, 2016. Oregon Media Arts Fellowships provide financial and other support for production expenses to enable Oregon film or video artists to create or complete new work or works-in-progress. They recognize and assist media artists whose work shows exceptional promise and who have demonstrated a commitment to film or video art. The program is funded by the Oregon Arts Commission and the Oregon Media Production Association and administered by the Northwest Film Center. The program is open to emerging and established individual film and video artists. Applicants must be current Oregon residents and have been an Oregon
resident for one full year prior to the application deadline. Only non-commercial, non-instructional, non-promotional projects for which the individual applicant has overall control and primary creative responsibility will be considered. For a full description of applicant guidelines, and to apply for the fellowship, please see:nwfilm.org/services/ grants/mediaartsfellowship/ The Media Arts Fellowship supports Oregon filmmakers who have demonstrated an ongoing commitment to the media arts. Jurors review submissions from applicants throughout the state, weighing artistic merit, the potential of the proposed activity to advance the artist’s work, and the feasibility of the projects proposed. Information is available from the Northwest Film Center, www.nwfilm.org; or by contacting Ben Popp, ben@nwfilm. org, the Oregon Arts Commission, www. oregonartscommission.org, or the Oregon Media Production Association, www.ompa. org.
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Bent Image Lab tapped to create Magical 4D Rudolph Experience The much-loved animated classic, first televised in 1964, is being recreated in partnership with Bent Image Lab for a Holiday 2016 release as a magical 4-D Experience®. “The story’s focus is on Rudolph’s heroic journey,” commented Chel White, Partner and Director, Bent Image Lab. “To integrate in-theatre special effects, we have embellished scenes to add thrills along the way but overall we are staying very true to the spirit of the original show.” Leading creator of special effects cinematic attractions, SimEx-Iwerks Entertainment, has been awarded exclusive distribution rights for the project. The new production will use a combination of traditional stop-frame animation and
state-of-the-art immersive technology to bring the onscreen action to life. Bent Image Lab’s long-standing association with the Rankin Bass characters ensures the production respects the authenticity of the popular franchise. The new version features all the iconic characters including Rudolph, the Abominable Snow Monster and Hermey the Elf, plus classic songs and familiar dialogue. “Rudolph is a timeless holiday classic and we are excited and honoured to bring it to our clients around the world as an immersive cinematic 4-D experience,” reported Mike Frueh, Senior Vice President, Licensing and Distribution, SimEx-Iwerks Entertainment.
A holiday classic gets a makeover for 2016, thanks to Portland’s Bent Image Lab.
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Demo Reel Review in April, 2016:
A Film Fest-Style Screening and Critique, with Prizes 3DPDX has extended the deadline for this year’s demo reel review event. If you missed the last one, don’t make the same mistake, as these are hugely fun and inspirational. The reel event is being pushed to its proper place (as is tradition): Design Week Portland, coming April 15–23. Entered reels have a chance at winning some great prizes, including: VFX category winner: A license of Blackmagic Fusion Studio 3D category winner: A license of SideFX Houdini Motion Graphics winner: A license of Trapcode Tao
All winners will receive three months of training from Lynda.com, and the grand prize winner takes home a year. Grand prize and audience choice winners will also receive a local prize pack containing goodies like passes to OMSI’s Empirical Theater and the like! Start spicing up your reel or submit your existing masterpiece at www.vfxpdx.com. This deadline extension gives you ample time to polish your reel with the redux it needs to move to the top of the stack. Along with the additional prep time, the prize pool and program for the night stands to get even bigger, as does the crowd! More details on the exact dates and times for demo reel submission and the event will be posted soon.
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The 42nd Northwest Filmmakers’ Festival Audience Awards The Northwest Filmmakers’ Festival, presented by the Northwest Film Center in Portland, Oregon, has determined the Audience Award-winning films for this year’s festival. The resounding winner for Favorite Narrative Feature, determined from audience balloting at the festival, is The Tree Inside by Vancouver, B.C.based filmmakers Michelle Kim and Rob Leickner. The Audience Award for Favorite Documentary Feature went to Make Mine Country by Portland filmmaker Ian Berry. The 42nd Northwest Filmmakers’ Festival, which ran from November 12– 18, 2015, hosted 45+ regional filmmakers for screenings, workshops, the very first Northwest Filmmakers’ Expo, a day-long filmmakers’ un-conference, and social events where they could share ideas, inspiration, and resources. The Film Center is in the process of determining the lineup for the Best of the 42nd Northwest Filmmakers’ Festival touring program. The touring program presents a carefully selected cross-section of the state of filmmaking
in the Northwest. The Northwest Film Center presents this showcase to bring the filmmakers wider exposure and offer this independent regional work to venues large and small. Profits from the tour are shared with the filmmakers involved. The Tour can be booked by contacting the Northwest Film Center’s Filmmaker Services Manager, Ben Popp at ben@nwfilm.org. 42nd Northwest Filmmakers’ Audience Awards: ● Favorite Narrative Feature: The Tree Inside (Michelle Kim, Rob Leickner/Vancouver, B.C.) ● Favorite Documentary Feature: Make Mine Country (Ian Berry/Portland, OR) ● Favorite Documentary Short: Beauty and the Sea (Ivy Lin/Portland, OR) ● Favorite Experimental Short: Memory (Stuart Eagon/Portland, OR) ● Favorite Narrative Short: For Jean-Pierre Melville (Ira Flowers/Portland, OR) ● Favorite Animated Short: Night Weaver (Joan Gratz/Portland, OR)
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Introducing Strata, a New Monthly Archaeological Program Produced by 501(c)(3) nonprofit Archaeological Legacy Institute, Strata: Portraits of Humanity is a program unlike any other available on TV today. Strata is a fresh monthly showcase for unique, captivating, and diverse stories about cultural heritage from an archaeological perspective. Program segments are seen for the most part only in this show, which is delivered consistently on the 15th of each month. Some segments are produced by ALI and the rest are acquired from our dozens of producer and distributor partners around the world. Stories come from across the globe, ranging from the United States to Canada, South America, Africa, Europe, Asia, and many other locations. An endless supply of fresh content is in the pipeline. Strata is the direct descendant of the Video News from TAC, which ALI launched in October 2010, and over the span of four years presented 106 program segments on highly varied topics in 16 US states and territories, 27 other countries, and two heavenly bodies (the Earth and the Moon). Since its launch, Strata has presented 25 program segments on 13
countries and 7 US states. Strata now is carried on 35 stations all across the US, including Comcast On Demand in Oregon, Washington, Idaho, and California. To find if it is available in your area, see the station list at http://bit.ly/1NpnzYD. To access the show on Comcast cable, find the Get Local area in the On Demand menu and search “Strata.” Strata is currently looking to expand the show’s audience and find sponsors to help support it. A prospective sponsor pitch is online.
Click to view a preview of an episode of Strata, entitled ”Guam: The Ocean Oasis.”
Portland Community Media Equipment Sale PCM recently upgraded their equipment, so they’re selling off their older HD cameras. They have a number of JVC 100s for sale. JVC 100s are lightweight HD cameras that are perfect for documentary makers, theatres, churches, wedding videographers, concert videographers,
journalists, and other folks who need cameras that allow them to “run and gun.” They also have several JVC 700s, HD cameras with incredible image quality that record straight to swappable SDHC cards. See the full list of available equipment here.
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Oregon Actor Awards Attracts Glitz and Glamour A Film Fest-Style Screening and Critique, with Prizes On November 23rd, members of Oregon’s quickly growing media production industry gathered at Portland Center Stage for the Oregon Actor Awards. Presented by the Oregon Media Production Association, the event honored the best local performances for dramatic and commercial work, as well as giving a community service award to an individual or entity for going above and beyond the call of duty to support, promote, or elevate actors in Oregon. “Oregon is one of the best places in the country to shoot theatrical or commercial work,” said Lana Veenker, Casting Director for many Oregon productions including NBC’s Grimm and TNT’s The Librarians. “Our depth of talent is one of the reasons producers love to work here. We truly have some of the best performers in the country.” The ceremony and gala had all the glitz and glamour you might expect from an awards show honoring actors. Oregon performers dressed to the nines and walked the red carpet for photos upon arrival. “Tonight we honor Oregon actors by rolling out the red carpet and giving awards to those with performances at the highest level of professionalism,” said Jacqueline Gault, Vice President for the Oregon Media Production Association. “We are proud of our local actors and production community, and we want to congratulate all the nominees for their outstanding work this year.” Congratulations also to all of the nominees and to the lucky folks who took home $8000 worth of raffle prizes. Many thanks to MCs Brooke Totman and Kurt Conroyd, writer Jason Rouse, and all of the sponsors and volunteers. It was a star-studded night!
2015 Oregon Actor Award Winners:
Best Commercial Performance in a Female Role: Katie Michels (HP)
Best Commercial Performance in a Male Role: Jason Rouse (Oregon Lottery)
Best Theatrical Performance in a Male Role: Matthew Schur (Portlandia)
Best Theatrical Performance in a Female Role: Lorraine Bahr (Wild)
Megann Ratzow Community Service Award: Mary McDonald-Lewis
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Call for Submissions for Kids’ Film Festival Plus: Youth Classes at PCM to Prepare On February 21, 2016, Portland Community Media will host a kids’ film festival, the 90-Second Newbery. Kid filmmakers are invited to create and submit 90-second film adaptations of Newbery Award-winning books. Workshops are available to help prepare a submission. Upcoming Classes for Youth at Portland Community Media:
Feb. 3–17: In Adventures in Editing, youth can learn how to use Final Cut Pro—and how to incorporate green screens into their productions. March 21–25: In the intensive daily Spring Break camp, So You Think You Want to Be a Filmmaker, youth will learn the magic of film production, creating film shorts from script to screen!
Jan. 6–20: In the Newbery in 90 Seconds workshop, youth 8 to 12 can craft submissions for the Newbery in 90 Seconds film festival that PCM is hosting in February. With a team of fellow kid filmmakers, make your own short adaptation of a Newbery Award-winning book. Jan. 19–Feb. 2: In the 3-session Field Production class, youth learn how to use PCM’s field equipment, so they’re certified to check it out for use in productions outside our studios.
Youth who are interested in entering the Newbery Film Festival should take a PCM workshop now so that they have the tools they need to craft their submissions!
HoloLens Class Announced at Clackamas Community College Clackamas Community College (CCC) is partnering with Intel, Sprocketship, and Object Theory to offer augmented reality development and research opportunities in the 2016 Winter term. CCC, with support from a dream team of industry partners, has landed one of 5 HoloLens research grants awarded by Microsoft for initial research for its augmented/mixed
reality system. This is an unprecedented opportunity to be in on the cutting edge of this new tech. The classes are forming now; if you are a Unity, C#, or CG Modeling guru with an interest in AR/VR, contact Andy Mingo at andym@clackamas.edu or call Kelly White at 503-594-3034 to express your interest in this class. More information is online at www.vfxpdx.com.
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Upcoming Adult Classes at Portland Community Media Intro to Editing, Dec. 17 and Feb. 11: Want to learn Final Cut Pro in a friendly, positive workshop atmosphere? This 3-session workshop gets you started, and it certifies you to check out PCM’s MacBook Pro laptops for free if you’re working on content for our channels.
Intro to YouTube, March 16: Want to use YouTube? Not sure how—or how to make your videos go viral? Take this class! Computer Animation, March 28: Learn how to use the program Toon Boom, so you can make your own animations.
Portable Green Screen, Dec. 22: Get Remember, if you have any questions, certified to use PCM’s portable green screen attend a monthly info session. Schedule in your field productions. This class is free here. (for certified producers). MCU Certification, Feb. 27: Learn how to use PCM’s mobile camera unit, so you can get studio-quality results—in the field. Advanced Editing, March 3: Take your Final Cut Pro knowledge to the next level! Activist iPad Filmmaking, March 7: PCM has created special iPad camera kits so you can easily document local events like protests, strikes, and demolitions, where larger camera set-ups are infeasible. Learn how to shoot in exciting conditions!
Opportunities abound for furthering your knowledge of media production at Portland Community Media. See the full calendar of offerings from PCM here.
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AIFF Film Festival Flashback As the 15th anniversary of AIFF approaches next April, you’re invited to take a peek into the past with highlights from all the previous Ashland Independent Film Festivals. In this installment: AIFF 9 & 10. The 9th AIFF: April 8–12, 2010 A I F F 9 featured a record 21 films made in Oregon including Calvin Marshall from Gary and Anne Lundgren ( R e d w o o d H i g h w a y , AIFF13), The River Why starring Zach Gilford and Amber Heard, and documentaries The Adults in the Room by Andy Blubaugh, and Greenlit about the efforts to make The River Why a “green” film. After a scaled back festival a year earlier, the 9th Annual AIFF had more filmmakers in attendance and more filmgoers—16,800—than ever before. Elvis Mitchell was welcomed back as Awards Celebration emcee. Ed Hardy, subject of the documentary, Ed Hardy: Tattoo the World, was in attendance and presented a selection of his artwork at a local gallery (as well as on his body!). Film festival favorites included Oscar winner Music by Prudence by Roger Ross Williams (God Loves Uganda, AIFF13, Juried Best Doc), Audience Award winners Bag It by Suzan Beraza (Uranium DriveIn, AIFF14) and Entre Nos by Gloria La Morte and Paola Mendoza; and Jury Award winners Garbage Dreams by Mai Iskander, and Obselidia from Rebel Heart filmmakers Diane Bell and Chris Byrne. Other highlights included Marwencol from Jeff Malmberg & Chris Shellen, Convention from AJ Schnack and Nathan Truesdell,
and the first documentary by the RossBros, Bill and Turner, 45365, which screened with Theo Rigby’s first AIFF short doc, Close to Home. The 10th AIFF: April 7–11, 2011 For AIFF’s 10th anniversary, much fun was had with two Rogue Award honorees: Harry Shearer, screening his documentary about New Orleans after Katrina, The Big Uneasy; and prolific documentarian Morgan Spurlock with POM Wonderful Presents: The Greatest Movie Ever Sold, accompanied in-person by his fabulous slogan-covered suit. A slew of alumni filmmakers and even more made-in-Oregon films were welcomed to AIFF10, including How to Die in Oregon, Juried Best Doc, by Peter Richardson (Clear Cut: The Story of Philomath, OR, AIFF06); and If a Tree Falls: A Story of the Earth Liberation Front, filmed in Southern Oregon by Marshall Curry (Street Fight, AIFF06, Best Juried Doc). Irene Taylor-Brodsky returned with the world premiere of her account of the BP Gulf oil spill, Saving Pelican 895, which won the AIFF11 Audience Award: Best Short Doc. Two Ashland filmmakers graced the festival with the Oregon premiere of Hot Coffee by Susan Saladoff, and a special screening of The Welcome, filmed in Southern Oregon by Kim Shelton. Many of the cast of veterans in the film returned for a moving Q&A after the screening. The Welcome won the Rogue Creamery Audience Award: Best Documentary.
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U.S. Commercial Service to Present TV Makers at Rio Content Market March 8-11, 2016 in Rio de Janeiro, Brazil Scott Goddin, Director of the U.S. Commercial Service office in Portland (part of the U.S. Department of Commerce), works with small and medium–sized companies throughout Oregon and SW Washington to help them get their products and services into international markets. The office provides counseling, advocacy, and matchmaking programs through its global network in U.S. embassies and consulates around the world. More information on the agency and programs is at www.export.gov/oregon. Goddin and his counterparts in the U.S. Embassy in Brazil are supporting U.S. firms participation in the Rio Content Market (RCM) next March and are currently recruiting U.S. firms. Who: Producers of content for television: companies which produce TV series, individual shows, animations, documentaries, independent productions, feature length movies for TV, reality shows, stage or movie adaptations, complementary TV digital media, scripts. What: Meet with Brazilian & international broadcast & cable network executives to pitch your programs to their networks in 1-on-1 meetings & learn about the market in keynotes, lectures, & roundtables. When: 8–11 March, 2016
Where: Rio de Janeiro, Brazil Why: Brazil is the largest TV market in Latin America (54M pay-V subscribers & growing quickly, 24% CAGR 200713), & there are opportunities to pitch to broadcasters in many other countries too. Other countries have been bringing foreign delegations to Rio Content Market for years & successfully selling their content & negotiating co-productions. Americans should too. How: Sign up with the program (see below) to take part in at Rio Content Market. The Program In addition to taking advantage of all the Rio Content Market offers, local experts based in Rio de Janeiro will be assisting U.S program participants with : ● Arranging meetings with the right decision-makers; ● A day-long industry & Rio Content Market briefing the day before the event to maximize your success at RCM; ● A networking reception to get-toknow industry leaders the evening before the event; ● Local assistance with follow-up after Rio Content Market concludes.
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New OMPA Members Thomas Hauser
hoozaudio@gmail.com 919-357-2614 www.hoozaudio.com Production sound, post sound, film scoring
David King
david@davidkingfilms.com 503-608-2256 www.davidkingfilms.com Director
Keith Lancaster
American Benefits Inc. Justine Avera
justine@abipdx.com 503-467-4934, 503-292-1580 www.abipdx.com Production Insurer
siignal@gmail.com 310-349-7444 www.siignal.com Director, DP, narrative editor, Colorist in documentary & feature film production.
Alexander Lyon
Scott Ballard
alexlyoned@gmail.com 541-598-4561 Student studying Cinema Studies at University of Oregon
Melanie Bowman Clark
elle@pendulumpictures.net 415-637-2557, 503-227-8509 Freelance producer
scottballardfilms@gmail.com 360-510-1601 www.scottballardfilms.com Director, DP, Freelance Producer
melaniebowmanclark@icloud.com 360-609-5895 Costumer
John Gardner
johngardner50@gmail.com 206-498-4849 Hairstylist for stage, film, and print
Elle Martini
Going Street Films, LLC
Michael Parisien mike@goingstreetfilms.com 503-816-9580 www.goingstreetfilms.com Director with independent production company
Lisa Gildehaus
ldgildehaus@gmail.com 312-344-0015 www.lisagildehaus.com Executive Producer
Festive Fun Productions Jamison Proctor JProctor.Ferros@outlook.com 971-275-2719
12.2015
17 Bob Sterry
thebobsterry@gmail.com 503-887-4588, 503-266-2442 www.bobsterry.com Narrator/Voice Talent
Christopher Taylor
Christopherwtaylorii@gmail.com 503-816-3235, 503-625-9120 Student studying Digital Film and Video at The Art Institute of Portland
Dan Volz
dan@danvolzvoice.com 541-610-9879 Narrator/Voice Talent
ColorHaus PrintCo
Lori Weatherwax or Phillip Gelfand info@colorhauspdx.com 503-740-5683, 503-265-8566 www.color.haus Digital large and small format printing
Cabin 22 Productions
Caitlin Wilbert caitlin@caitlinwilbert.com 503-758-4177 www.caitlinwilbert.com Editor, motion graphic artist
Jenifer Yeuroukis
jenifer.rom@gmail.com 323-691-5781 Director