OMPA Callsheet for November 2015

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OREGON MEDIA PRODUCTION ASSN Oregon’s Resource for the Media Production Industry

DON’T MISS THIS CELEBRATION OF OREGON’S EXCELLENCE!

Sponsored by Koerner Camera Systems, Oregon Film, SAG AFTRA, APP-NW, PATA & IATSE

MONDAY, NOVEMBER 23 at Portland Center Stage 6pm Doors / 7pm Awards Show

Reception to follow with hors d’oeuvres and drinks.

GET IN THE BOOK! If you work in media production in Oregon, we need you to be listed in SourceOregon... the state’s only vetted resource for promoting our industry and the professionals working in it.

Listings start at just $35!

Visit SourceOregon.com/GetListed before November 30th to add or renew.

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11.2015 Dear Members and Industry Supporters, Since 1982, OMPA has encouraged the growth of Oregon’s media production industry, resulting in more jobs for more Oregonians. OMPA is the collective voice and champion of Oregon’s creative industries, promoting the work of our members, and advocating for our community in state and local government.

SourceOregon is OMPA’s best tool for promoting our industry and your work. The printed publication is our primary way of touting the work of our community to the rest of the world. The SourceOregon.com website is a searchable directory making it easy for producers to find the human resources they need.

When you list in SourceOregon, you aren’t getting a job for yourself—you’re getting a whole industry.

Today, the OMPA opens the call for listings for the 2016 SourceOregon directory. If you’ve listed before, thank you! Please renew your listing now here. If you’ve never listed before, please go here to begin the vetting process and buy your first listing.

We are strongest when we stand together. Our industry needs every professional to list in SourceOregon so we show the world the depth and breadth of Oregon’s talent pool.

The key strength of OMPA is its network, representing every facet of media production throughout the state. OMPA members are Oregon’s media production community, known for their spirit of fellowship and solidarity.

When you join the OMPA, you get a listing in SourceOregon for free!

Listings start at just $35, but you can add a headshot, logo, link to a reel, or your resume for a bit more. To start the listing process or see the full menu of options for listing in SourceOregon, go here.

Thank you for supporting the OMPA and being a part of what makes our community great.

Sincerely, David Cress President Oregon Media Production Association

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OREGON MEDIA PRODUCTION ASSN

11.2015 Board of Directors

Mission The CALLSHEET is published 11 months of the year by the Oregon Media Production Association.

OMPA is a 501(c)6 non-profit trade association dedicated to the development, growth and enhancement of the film, video and multimedia industry in the state of Oregon. Š 2015 Photography & Content: By submission Page Layout: B. Design | www.bdesigncompany.com | 503-737-5158

Board of Directors David Cress, President Producer Mary McDonald-Lewis, 1st V.P. Dialect Coach Jacqueline Gault, 2nd V.P. HotSquatch! Entertainment Dennis Gleason, Treasurer Dark Wing Productions Slater Dixon Creative Director Skye Fitzgerald Director of Photography Roland Gauthier Hinge Digital

Candice Jackson Entertainment Attorney Neil Kopp Filmmaker Greg McMickle Production Designer Gretchen Miller Hive-FX Dennis Noreen Strategy Insurance

Thomas Phillipson NW Film Center Jamie Johnk Clackamas Chapter Chair Jeff Johnston Mid-Oregon Chapter Chair Erica Risberg Portland Chapter Chair

Staff Nathaniel Applefield OMPA Interim Executive Director

Industry Directory

Jessica Beer OMPA Administrative Manager

www.SourceOregon.com

OMPA | 901 SE Oak, Suite 104 | Portland, OR 97214 503-228-8822 | FAX: 503-228-7099 | info@ompa.org |

www.ompa.org

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OMPA Presents the 2015 Oregon Actor Awards OMPA invites you to join us on Monday, November 23rd as we celebrate the brightest rising stars in Oregon. The Oregon Actor Awards recognizes on-camera talent whose work has been featured on network television, award-winning feature films, local and national advertising campaigns, short films and web series. The ceremony will be held at the Gerding Theater at the Armory, and includes a red carpet arrival, awards ceremony and hosted reception. The event is also a fundraiser for APP-NW. APP-NW provides valuable services and support to the Oregon acting community.

Awards will be given to Best Theatrical Performance in a Female Role, Best Theatrical Performance in a Male Role, Best Commercial Performance in a Female Role, and Best Commercial Performance in a Male Role. There will also be a “Megann Ratzow Above and Beyond” award, celebrating a member of the community who works tirelessly in support of local talent.

Tickets are available now at www.ompa. org/events. Just $15 for OMPA Members. $20 for non-members.

What: Oregon Actor Awards When: Monday, November 23, 2015.

Doors at 6 pm, show begins promptly at 7 pm.

Where: Gerding Theater at the Armory, Portland Center Stage, 128 NW 11th Ave, Portland, OR 97209 The 2015 Oregon Actor Awards are sponsored by Koerner Camera Systems, Oregon Film, SAG AFTRA, APP-NW, PATA & IATSE with the support of local talent agencies and casting directors.

This year’s Masters of Ceremony are Kurt Conroyd and Brooke Totman, stars of the web series “The Benefits of Gusbandry” from director, Alicia J. Rose.

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NW Film Center Presents 42nd Northwest Filmmakers’ Festival November 12-18, 2015

The Northwest Film Center is proud to announce the lineup for its 42nd annual survey of new work by regional media artists, the Northwest Filmmakers’ Festival (formerly the Northwest Film & Video Festival), which takes place November 12-18, 2015.

This year’s Northwest Filmmakers’ Festival (NWFest42) presents 45+ short and feature films from filmmakers across the Northwest, selected by guest Festival judge Steve Anker. Anker is the former Dean of the California Institute of the Arts School of Film/Video and formerly served as director of the San Francisco Cinematheque as well as artistic director of the Foundation for Art in Cinema. He holds an MFA in Filmmaking and Film History from Columbia University and taught for many years as professor of film at the San Francisco Art Institute.

Festival film highlights include director Lewis Bennett’s THE SANDWICH NAZI, a feature-length expansion of his short film, which screened to much audience acclaim at the 39th Northwest Filmmakers’ Festival; Zach Weintraub’s SLACKJAW makes its Portland debut after premiering earlier this year at the Locarno Film Festival; WELCOME TO THE CIRCUS, Courtney Coulson’s

involving portrait of a mobile, cross-cultural circus for children in Palestine; Michael Turner’s THE WAY WE TALK investigates one of medical science’s most baffling and enduring disabilities — stuttering — through the personal experience of its director; Ian Berry’s MAKE MINE COUNTRY uncovers the curious impact of classic country music on the Caribbean Island of St. Lucia; Sasha Snow’s HADWIN’S JUDGEMENT focuses on the non-fiction drama behind the removal of the largest, oldest, and most valuable trees from British Columbia’s forests; and Pam Minty gently unearths her mother’s memories of landmarks remembered from before the loss of her sight in DIRECT ROUTE. In addition to features, the Festival offers three programs of short films. Shorts I: Fantasies and Diversions— a collection of films from makers based in Portland, OR, Seattle, WA, Tacoma, WA, and Vancouver, BC—will kick off the Festival on Opening Night at 7 p.m. with filmmakers in attendance. Shorts II: Tracing Space and Shorts III: Intimate Portraits are collections of films by makers throughout the NW region, ranging from the experimental to animation to narrative and non-fiction.

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Beyond the numerous screenings on offer, the Northwest Filmmakers’ Festival also provides opportunities for aspiring and working filmmakers to interact directly with peers and industry professionals through events such as the Northwest Filmmakers’ Un-Conference, previously BarCamp, an opportunity for the regional filmmaking community to gather together and explore the issues and challenges facing today’s independent filmmaker. Filmmakers whose work did not make it into the Festival have been invited to submit their short film into the popular program, “What’s Wrong with this Picture?,” hosted by Seattle curator Warren Etheredge for a program illuminating the pitfalls of selling your film to a programmer in 2 minutes or less.

To complement the festival, the very first Northwest Filmmakers’ Expo (Thursday, Nov. 12, 10am-5pm) will bring together buyers and users of filmmaking equipment and services with top regional and international vendors offering a hands-on look at their latest technology and the multitude of filmmaking resources available. Already confirmed vendors include Canon, Zeiss, JVC, Panasonic, and Sony among many others.

While drawing heavily from film and video industry professionals, the Expo— held in the Portland Art Museum’s Sunken Ballroom —will also be a different breed of Expo with many of the top creative agencies in the Northwest also contributing their time and ideas to make this a trade show like no other, one uniquely suited to Portland’s creative film community.

7 This year’s Opening Night party, sponsored by Sierra Nevada Brewing Co. and the Oregon Cultural Trust, will also be held in the Portland Art Museum’s Sunken Ballroom. Both the entirety of the Expo and the Opening Night Party will feature music provided by XRAY.FM’s DJs. With the exception of one film, all Festival screenings will take place at the Northwest Film Center’s Whitsell Auditorium, located in the Portland Art Museum, 1219 SW Park Avenue. MAKE MINE COUNTRY will screen at the Skype Live Studio (1210 SW 6th Avenue), courtesy of KINK.FM, on Tuesday, November 17 at 7pm with a pre-film reception occurring onsite at 6pm.

Festival sponsors and supporters include LAIKA, the Oregon Cultural Trust, the Regional Arts & Culture Council, Chipotle Mexican Grill, Koerner Camera Systems, Pro Photo Supply, Sierra Nevada, McMenamins, Lower Boom, Sokol Blosser Winery, the Oregon Governor’s Office of Film & Television, KIND Healthy Snacks, the Oregon Media Production Association, and Stumptown Coffee Roasters.

Click the images in this article to view festival trailers.

For more information, visit The 42nd Northwest Filmmakers’ Festival microsite, where you can access film descriptions, ticketing links, and more: festivals.nwfilm. org/nwfest42

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Announcing The Northwest Filmmakers’ Expo November 12 at Portland Art Museum The Northwest Film Center is excited to announce an innovative new addition to this year’s Northwest Filmmakers’ Festival.

To complement the festival, the very first Northwest Filmmakers’ Expo will bring together buyers and users of filmmaking equipment and services with top regional and international vendors offering a hands-on look at their latest technology and the multitude of filmmaking resources available. Already confirmed vendors include Canon, Zeiss, JVC, Panasonic, and Sony, among many others.

While drawing heavily from film and video industry professionals, the Expo— built into the 42nd Northwest Filmmakers’ Festival (named one of the top 25 Coolest Film Festivals by Moviemaker Magazine)— will also be a different breed of Expo with many of the top creative agencies in the Northwest also contributing their time and

ideas to make this an Expo like no other, one uniquely suited to the Portland creative film community.

The Expo will wrap up at 5pm followed by the 42nd Northwest Filmmakers’ Festival’s Opening Night program of short films next door at the Northwest Film Center’s Whitsell Auditorium, and closing the day with the Festival’s Opening Night Party with plenty of filmmakers, music, drinks and an out-of-jury premiere screening of Lower Boom’s Joan.

When: November 12, 10am–5pm Where: Portland Art Museum, Fred & Suzanne Fields (aka Sunken) Ballroom 1219 SW Park Avenue, Portland.

Cost: Expo Admission is $10.

42nd Northwest Filmmakers’ Festival Opening Night shorts program is $9.

Opening Night screening + party is $15.

EOFF Announces 7th Annual Film Festival October 20–22, 2016

Eastern Oregon Film Festival is jumping around the calendar. They are developing their operational base and strengthening their partnership with The Liberty Theatre Foundation. Outside of the festival, EOFF will work to create more opportunities and educational programming throughout the year. Keep your eyes peeled for upcoming events!

EOFF is grateful for the ongoing support of its members and sponsors and encourages you to spread the word among your friends, family, and colleagues. They’d love for you to become a vital part to the development and sustainability of EOFF. To join as a member, visit the festival website. Your support of EOFF is key to the vitality and growth of

the festival. Your membership helps bring the best independent filmmakers to the valley to showcase and discuss their work firsthand; it brings exciting performances by new and emerging musicians; it fires the expansion of our audiences locally and regionally; and it makes sure every after-party rocks. In short, EOFF is fueling a rural cultural renaissance… and you can help. As a bonus, if you act now you’ll lock in the 2015 rate!

See you at the 7th Annual Eastern Oregon Film Festival on October 20-22, 2016!

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Lundgrens Release Black Road Their Third Movie Filmed in Southern Oregon Utilizing a vast array of locations, including beaches, mountains, rivers, restaurants, retirement communities, universities, city streets, campgrounds, winding roads, and the Great Cats World Park, Gary and Anne Lundgren have leveraged the beautiful landscape and ease of shooting in Southern Oregon on three feature films.

In addition to great locations, their third feature, the sci-fi thriller BLACK ROAD, benefited from partnerships with members of the Southern Oregon community, including Brammo Electric Motorcycles, the Neuman Hotel Group, and multiple local restaurants and equipment houses.

“When Anne shared the project with me, I knew it was a good fit for Brammo,” said Jennifer Bramscher. “The sleek design and futuristic look of the Empulse are perfect for the film! It was a partnership that just made sense… We are proud to be supporting local film entrepreneurs in our community and hope others will join us.”

The Lundgrens have always been drawn to the area. In 2007, they traveled from Los Angeles to film their first feature, CALVIN MARSHALL (starring Steve Zahn). After a great experience with local crews and locations, Gary and Anne Lundgren moved their production company, Joma Films, to Ashland permanently. In 2012, they made REDWOOD HIGHWAY, the story of a

75 year-old woman walking alone for 80 miles between Grants Pass and the coast.

The Lundgrens’ third film, BLACK ROAD is set in the State of Jefferson, the mythical joining of Northern California and Southern Oregon. It was filmed completely in the Rogue Valley and on the beach at Arcadia Vacation Rentals between Brookings and Gold Beach. Now the Lundgrens are embarking on a screening tour through Oregon to show BLACK ROAD to their fans and to the communities who participated in the filming.

“The community has been incredibly supportive,” says Producer Anne Lundgren who also worked as the Ashland Location Manager for the 2013 production of WILD. “We love living and making movies here.

We have a talented crew we’ve worked with for many years. The people are great, the crews are professional, the landscape is beautiful, the light is perfect, and the clouds billow. There are plenty of great local restaurants and hotels to house guests due to the strong tourism industry.

The community is supportive… And people are still proud that movies are made in their town. It’s a wonderful place to raise our family, and we plan to make movies here for many years to come.”

BLACK ROAD screened at the Ashland Varsity Theatre through November 5th.

Sterling (Simon Templeman) terrorizes Bruce (Danforth Comins) on the Jefferson coast in BLACK ROAD.

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2015 BendFilm Festival Announces Award Winners BendFilm announced its award winners in 11 categories at the festival’s recent awards ceremony.

The Narrative Feature Petting Zoo, directed by Micah Magee, swept the festival, capturing numerous awards, including the Brooks Resources “Best of Show” and the Panavision “Best Narrative Feature.”

The winning films and award amounts are listed below. Jurors included Paul Bernstein, Filmmaker Toolkit Editor at Indiewire, Paula Nix, documentary filmmaker based in LA, who directed The Yes Men Are Revolting, which premiered at the Toronto Film Festival in 2014, and the Berlinale 2015; Anne Thompson, whose blog “Thompson on Hollywood” is on Indiewire; Leah Meyerhoff, award-winning filmmaker whose film I Believe in Unicorns won awards at several top film festivals in 2015; Matt Grady, founder of Factory 25, an independent film distribution company; Mike Ott, award-winning filmmaker; Courtney Sheehan, journalist and leader of Northwest Film Forum’s year-round artistic programs; Landon Zakheim, Short Film Programmer for the Sundance Film Festival and other festivals; Kent Nichols, award-winning online video pioneer.

Award Names and amounts are shown below with the titles of the 2015 Award Winners:

● Best of Show ($5,000 & BendFilm Award Sculpture): Petting Zoo, Directed by Micah Magee ● Best Directing ($500 & BendFilm Award Sculpture): The Birth of Saké, Directed by Eric Shirai ● Best Narrative Feature (Camera Rental Package valued at $60,000 & BendFilm Award Sculpture): Petting Zoo, Directed by Micah Magee ● Best Documentary Feature ($1500 & BendFilm Award Sculpture): The Birth of Saké, Directed by Erik Shirai ● Best Narrative Short ($500 & BendFilm Award Sculpture): Hole, Directed by Martin Edralin ● Best Documentary Short ($500 & BendFilm Award Sculpture): “The Many Sad Fates of Mr. Toledano,” Directed by Joshua Seftel ● Best Student Short ($500 & BendFilm Award Sculpture): “Take With Water,” Directed by Tara O’Sullivan ● Best Animated Short ($500 & BendFilm Award Sculpture ): “Tatuapé Mahal Tower,” Directed by Carolina Markowitz and Fernanda Salloum ● Best Cinematography (BendFilm Award Sculpture): Songs My Brothers Taught Me, Shot by Joshua James Richards ● Best of the Northwest (BendFilm Award Sculpture): “Mothering Inside,” Directed by Brian Lindstrom ● Katie Merritt Audience Award ($500 and BendFilm Award Sculpture): Omo Child: The River and the Bush

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Portlandia Art Department Wins Emmy

Congratulations to Portlandia’s Art Department! on its Emmy win! Tyler Robinson (Production Designer) Schuyler Telleen (Art Director), and Katherine Isom (Set Decorator) took home an Emmy in the “Outstanding Production Design For Variety, Nonfiction, Reality or Reality-

Competition Programming” category for their work on the sketch entitled “Dead Pets.” We’re happy to report that Portlandia was also nominated for an Emmy in the Outstanding Sketch Variety Series category this year.

AIFF Receives Chamber of Commerce Award The Ashland Independent Film Festival is pleased to announce that it has been awarded the Ashland Chamber of Commerce Service Business of the Year Award. The festival is especially grateful to Jim Teece for his moving speech and never-ending loyalty and support of AIFF. As Executive Director Cathy Dombi said, this award is because of the festival’s volunteers, and AIFF shares it with all of them!

AIFF Executive Director Cathy Dombi accepts the award from Ashland Chamber of Commerce.

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Portland Community Media Collaborates with PDX Tech4Good On September 2nd, PCM was honored to collaborate with PDX Tech4Good to deliver a seminar on video content creation to almost forty nonprofit professionals.

A joint Meetup group sponsored by the Nonprofit Technology Network (NTEN) and TechSoup’s NetSquared Local, PDX Tech4Good events connect nonprofit staffers and community activists to the tech tools they need to succeed in the digital age.

Presenters included MetroEast Community Media Education Director Jen Dynes, who spoke about POWGirls, a filmmaking workshop for young women that MetroEast helped create. In her presentation, Dynes spoke to the power of digital media in helping these young

women share their stories.

PCM Public Access Coordinator Mark Ruskamp showcased PCM’s equipment and facilities, demonstrating how easy it is to create attractive video content with PCM’s HD cameras and green screen studios. Finally, PCM Media Education Coordinator Ben Popp described PCM’s educational offerings, explaining how PCM can help even the most technologically inexperienced nonprofits learn how to make their own crowdfunding videos or documentary videos about their work.

Join PDX Tech4Good’s Meetup Group here. If you’d like to be alerted of future PCM events like this, you can subscribe to PCM’s events page here.

Spin Film’s “50 Feet from Syria” on Short List for Oscar Nomination Congratulations to Spin Films for its recent inclusion on the short list for Academy Award nomination for “50 Feet from Syria.” The film, along with nine other documentary short films, is up for nomination at the 88th Academy Awards.

Nominations will be announced Thursday, January 14. The winner will be announced February 28. We’ll keep our fingers crossed for you, Spin!

To see the original announcement in Variety, visit the magazine’s website.

Click to view the trailer for Spin Films’ short documentary, “50 Feet from Syria.”

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Blacktop Films Promotes Uber & Special Olympics Blacktop Films is proud to announce that they have created the video to help launch Uber’s partnership with Special Olympics Oregon to inspire athletes to pursue their goals and live the lives they want to everyday. Uber has teamed up with Special Olympics Oregon to donate money for the Special Olympics Oregon Fall 2015 Games. In addition, every time a rider selected “Inspire” on your Uber ride, they donated $1 to the cause through October 28th. Uber is also developing Uber Assist to create specialized services for people with accessibility needs such as Katie Dunn, a featured Special Olympics Athlete, in order to enhance their independence.

Credits: Blacktop Films: Director - Alex Jones, Producer - Cintamani Calise, Executive Producer - Carolann Stoney, Lead Editor - Daniela Repas, Editor - Alex Jones, Camera - Matthew Walsh, Camera - Alex Jones, Camera - Daniela Repas, Additional Camera - Cintamani Calise, Sound Matthew Walsh, Audio Post Production - Josh Millman, Colorist - Chris Hackett, Music - “On My Way” by Count The Stars, Music Licensing - Marmoset

Uber: Producer & Marketing Manager - Gabriela Baiter, Uber General Manager Bryce Bennett, Producer - Arianna Pilram, Driver - Muktar Special Olympics Oregon: Starring - Katie Dunn, Featuring - Jim Dunn, Featuring - Chloe Hammond-Bradley, Chief Development Officer - Torre Chisholm, Marketing Director - David Warner, Field Services Director - Kelly Coates

Click to view Blacktop Films’ video promoting the partnership between Uber and the Special Olympics.

AIFF Varsity World Film Week Report The 26th Annual Varsity World Film Week, co-presented by AIFF and Coming Attractions Theatres, Inc. took place October 2–8, 2015. Attendacne was up 40% from last year. Many patrons took advantage of the awesome Passport discount cards, to see at least six films during the week.

Enthusiastic, engaged crowds filled the theaters to enjoy live music from the New Autonomous Folksingers, to meet our visiting filmmakers—Jeremy Teicher,

director of TALL AS THE BAOBAB TREE and Beth Harrington, director of THE WINDING STREAM, and to join Elizabeth Giamatti, co-director of A WOMAN LIKE ME, for her wonderful Skype Q & A. Many thanks to Marla Estes for her lively workshop about The New Girlfriend—what a great turnout at Standing Stone. Most of all, thanks to all who attended for supporting the nonprofit AIFF while coming out to see great cinema from around the world.

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Ashland Independent Film Festival Celebrates 15th Anniversary

Become a member by November 15, and receive a free gift!

Fall is in the air and AIFF has kicked off the AIFF16 Membership drive. To celebrate its 15th anniversary, April 7–11, 2016, the festival is offering a couple of great gifts for new and returning members who sign up before November 15.

Membership benefits include advance ticket ordering before the general public, $1 discount on (additional) film festival tickets, first entry to theaters, discounts on year-round screenings, and more. As a small nonprofit arts organization, ticket sales cover only a portion of the annual operating expenses. Member support makes the presentation of the 5-day annual festival possible and supports the presentation of independent film year

round. And don’t forget, a portion of your membership is tax-deductible.

Become an early bird member and get a special gift; a unique tote bag just for you! Sign up for a Director Pass or above

by November 15 and you will receive a beautiful, sturdy, one-of-a-kind eco-friendly canvas bag made in Ashland by festival sponsor, the Deluxe Awning Company.

Everyone who signs up for a Friend through Fan Pass by November 15 will be entered into a drawing to win two vouchers for any movie at Coming Attractions Theatres. There will be 10 lucky winners!

Ready to sign up? Renew or become a new member online now. Thank you for your support!

Launch Student Film Competition Accepting Submissions

Now Including the PridePrize for LGBTQ+ Themed Films Do you have a great story to share?

Are you a student—elementary, middle, high school, or college undergraduate? Do you live in Coos, Curry, Douglas, Jackson, Josephine or Klamath counties in Oregon; Del Norte or Siskiyou counties in California?

Have you made a film that is 5 minutes or less? Made a film that was completed in 2015 or before January 15, 2016? Made a film by yourself or with friends? (Some adult help is okay, but over half the film must be student-produced.)

If you said “yes” to all of those questions, you are eligible to enter the free Launch Student Film Competition.

No entry fee—it’s free! Simply fill out the Launch Entry Form today!

This year, Launch is pleased to introduce the PridePrize. To celebrate

diversity, identity, and discovery through the art of film, it now offers a special prize for outstanding student-made films that speak to the LGBTQ+ experience. All regional student filmmakers, grades 9-12 and college undergraduates, are eligible for the $500 PridePrize if:

● You are eligible for the LAUNCH competition

● Your film complies with LAUNCH guidelines

● Your film is LGBTQ+ themed Have a question? Check out the Launch FAQs. Watch winning films from past festivals on the website. The deadline to submit is January 15, 2016.

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New OMPA Workspace Sought Our OMPA is growing and we need new space. Here are the specs: • In the city core, defined by NW Thurman/NE Broadway on the North side; NW 23rd/NE 33rd on the West/East sides; John’s Landing/Division on the South side.

• Approximately 1,000 sq. ft. with its own conference area; 500-600 sq. ft if there is a shared conference area.

• Two private offices • Waiting area with room for desk • Own or shared bathrooms • Internet ready

Vision We want to be in a building, and possibly a shared space, with creative folks in our industry. We are happy to share a conference area, kitchen, lobby. Our own space needs to be “closed floor plan” in that we can’t work in an open work environment with other organizations or companies, and it does need to have two (2) private offices.

A safe area is required, and windows would be amazing. Parking too, at all possible.

Please contact office@omp.org if you have that perfect space or leads to one!

Thank you for helping OMPA cross the threshold into a bigger, better program to serve all of Oregon’s industry workers.

NW Documentary Seeks Documentary Production and Post-Production Intern This position will split time between work for NW Documentary in-house projects and working with the resident filmmaker of the Indie Doc Incubator program.

The Indie Doc Incubator program at NW Doc is currently hosting journalist and filmmaker Cornelius Swart, the producer of Priced Out, a documentary on gentrification and affordable housing in Portland, OR. More on that project at www.PricedOutMovie.com.

Intern position will assist Resident with pick-up photography and basic post production editing—logging and importing of footage, creation of basic sequences and assisting the principal editor. Other half of time will be spent on various documentary projects of NW Documentary, which may include shooting, editing, or helping with events, educational programs, and the day-to-day behind the scenes of running an arts non-profit.

Position requires a 10-hour a week minimum commitment, and college credit may be possible for enrolled students. Basic understanding and experience with DSLR video, and editing recommended. Position runs to January 15.

Please email resume, cover letter and reel (or work sample) to Cornelius Rex at cornelius.rex@gmail.com. Position open until filled.

Be Noticed. Be Creative. Be Design. · Website Design · Custom Logos · Business Collateral · Invitations & Announcements

B.Design - 503.737.5158

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Women in Film at Portland Community Media On Wednesday, October 7, PCM was very proud to host Women in Film PDX’s October Meetup! Talented female filmmakers from Portland’s filmmaking community joined us in Studio A for a networking session, as well as presentations by PCM Programming Manager Jenelle Neill and April Jones, producer of the PCM TV show “Slayed in Oregon.” PCM was thrilled by the great turn-out and excited to make new connections with women in Portland’s artistic community.

A large crowd gathered at Portland Community Media for Women in Film PDX’s October Meetup.

¡Portland Community Media en Español!

To better serve all of Portland, PCM has added Español programming to the line-up on their channel Pulse of Portland (POP) Xfinity/Comcast CH 29.

They’ll be airing five new shows from RompeViento weekly, beginning October 2015.

RompeViento Shows: Cero Decibles Tuesdays & Thursdays at 11pm A cutting-edge music program.

El Chamuco TV Sundays at 10pm & Tuesdays at 6pm An interview show about cartoonists from Mexico and beyond.

Lo Que Rompeviento Se Llevo Sundays at 9pm & Tuesdays at 5pm A show about current box office hits, classic film, and independent film.

Portland Community Media Equipment Sale PCM recently upgraded their equipment, so they’re selling off their older HD cameras and lighting. They have a number of JVC 100s for sale. JVC 100s are lightweight HD cameras that are perfect for documentary makers, theatres, churches, wedding videographers, concert videographers, journalists, and other folks

who need cameras that allow them to “run and gun.”

They also have several JVC 700s, HD cameras with incredible image quality that record straight to swappable SDHC cards.

See the full list of available equipment here.

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Opera Theater Oregon: Big Changes & the Big Screen Screening of The Umbrellas of Cherbourg at Clinton St. Theater November 20 Former Artistic Director Katie Taylor has rejoined Opera Theater Oregon, taking back the hot seat from Erica Melton, who replaced Taylor in 2011. Melton will stay on as Music Director, a role she previously held from 2008 to 2011. Jen Wechsler remains with the company as Film Director.

Taylor, Melton and Wechsler collaborated on some of the company’s most memorable productions, including the Baywatch Das Rheingold, Out of Eden (an original adaptation of Jules Massenet’s Werther), Hercules vs. Vampires and the film short “Dick’s In Space.”

Taylor previously led Opera Theater Oregon as Artistic Director from 2006 to 2011 and was the artistic visionary behind the development of the company’s novel approach to opera, which emphasizes radical accessibility and playful experimentation.

Melton, leading the company from 2011 to 2014, continued this approach with genre-bending productions that interwove opera with film, dance, cuisine and fashion, including the company’s first outdoor production, The Cunning Little Vixen, performed at Wild Goose Farm on Sauvie Island.

Hercules vs. Vampires, an original OTO production conceptualized by Taylor and Galen Huckins of Filmusik and composed for OTO by Patrick Morganelli, was remounted by LA Opera in April this year.

To celebrate 10 years of making opera safe for America, OTO will screen the sensually ravishing 1964 film that made opera safe for France. Jacques Demy and Michel Legrand’s pop art operatic masterpiece, The Umbrellas of Cherbourg,

stars a young Catherine Deneuve in the role that made her an international star—the beautiful Cherbourg shopgirl swept up in the delirium of doomed first love.

OTO is proud to be the first in Portland to bring the lovingly meticulous 2013 2K digital restoration, led by Demy’s widow and fellow filmmaker Anges Varda, to the big screen. Come early for some live French cabaret music from OTO’s yeh yeh girls and a sneak peak at what’s ahead for OTO. When: Friday, November 20 | Doors at 6:00; Live French cabaret show and sneak preview of what’s ahead at OTO at 6:30.

Movie at 7:00. In French with English subtitles.

Where: Clinton Street Theater (SE 26th and Clinton). All ages.

Cost: $10. Available through Box Office Tickets or at the door the night of the screening. Service fee applies.

Opera Theater Oregon will screen Jacques Demy and Michel Legrand’s pop art operatic masterpiece, The Umbrellas of Cherbourg, on Nov 20 at 7pm at the Clinton Street Theater in Portland.

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New OMPA Members Katie Daly

kdaly32@gmail.com 425-269-0808 Student studying Film & Video at the University of Washington, PCE

Bob Dungay

rpdungay@hotmail.com 267-973-0279 Audio post production, VO/ADR recording, audio book, and radio production. Also experienced as a live studio sound engineer.

Diggable Monkey Kevin Balmer, Producer

kevin@diggablemonkey.com 503-998-0365 www.diggablemonkey.com/ Freelance video media production

Lucas Brehm

lbrehm03@gmail.com 734-834-9205 Student studying Video Production at Portland Community College lbrehm03.wix.com/index

Molly Broder

mos.broder@gmail.com 201-421-5795 mollybrodermedia.com Student studying Digital Film and Video at the Art Institute of Portland

Anda Cross

andajcross@gmail.com 765-891-1122 andajean.com Student studying Photography and Art History at the Herron School of Art and Design

Breakbeat Films, LLC Matthew Fremstad

mfremstad@gmail.com 516-524-3499 Director of Photography/Editor/Producer

Chris Goodson

chris.j.goodson@gmail.com 714-222-2147 Production Coordinator, APOC, 2nd AD, 2nd 2nd AD

Noelle Henderson

noelle.g.henderson@gmail.com 503-278-6402 Student studying Digital Film and Video at The Art Institute of Portland

Tommy Hestmark

Tommyhestmark@gmail.com 503-309-1140 Actor

Teejay Jacoby

teejayjacoby17@gmail.com 360-281-3153 www.teejayjacoby.com/ Student studying Video Production at Portland Community College

11.2015

19

Hive Productions Kim Johnson, Producer/Owner

Jessica Teuscher

kim@hiveproductions.net 503-703-8951 www.hiveproductions.net/ Still photography and video production

jessicateuscher@sbcglobal.net 415-335-8564 Show runner/producer, director, writer for TV

Jorie Kopy

lweissman74@gmail.com 626-497-3611 Student studying Film and New Media at Wheaton College

jorie.kopy@me.com 619-993-5679 Production Manager/UPM

Saul Lapidoth

saulydl@gmail.com 917-535-5983 vimeo.com/sauldlapidoth Student studying Motion Pictures and Television and Editing at the Academy of Art University

Erik Stanfill

sulk47@hotmail.com 503-236-8290, 971-207-2817 Director

Nick Stoll

nickstoll@hotmail.com 503-475-0765 Student studying Sound Arts at Ex?pression College

Lindsey Weissman

Lila Yanow

lilayanow@gmail.com 415-271-6604 Student studying Design at Portland Community College

Bullseye Jib Eric Young, Owner/operator bullseyejib@yahoo.com 512-799-5598 bullseyejib.com