OMPA Callsheet - October 2015

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OREGON MEDIA PRODUCTION ASSN Oregon’s Resource for the Media Production Industry

CELEBRATE CENTRAL OREGON’S PREMIERE FILM EVENT at the

Celebrating 12 years of independent cinema!

See the full festival guide online here.

DON’T DELAY...LIST TODAY!

SourceOregon 2016 is open for business. Add or renew listings in the state’s professional directory of media production crew, vendors and services online right now, and they will be included through the end of 2016, online and in print. Visit the SourceOregon website today.

And remember: OMPA members at the Individual level & above get their first listing for free – up to a $120 value!

You can join OMPA while adding or renewing listings to take advantage of the discount immediately.

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10.2015 Dear Members and Industry Supporters, Since 1982, OMPA has encouraged the growth of Oregon’s media production industry, resulting in more jobs for more Oregonians. OMPA is the collective voice and champion of Oregon’s creative industries, promoting the work of our members, and advocating for our community in state and local government.

SourceOregon is OMPA’s best tool for promoting our industry and your work. The printed publication is our primary way of touting the work of our community to the rest of the world. The SourceOregon.com website is a searchable directory making it easy for producers to find the human resources they need.

When you list in SourceOregon, you aren’t getting a job for yourself—you’re getting a whole industry.

Today, the OMPA opens the call for listings for the 2016 SourceOregon directory. If you’ve listed before, thank you! Please renew your listing now here. If you’ve never listed before, please go here to begin the vetting process and buy your first listing.

We are strongest when we stand together. Our industry needs every professional to list in SourceOregon so we show the world the depth and breadth of Oregon’s talent pool.

The key strength of OMPA is its network, representing every facet of media production throughout the state. OMPA members are Oregon’s media production community, known for their spirit of fellowship and solidarity.

When you join the OMPA, you get a listing in SourceOregon for free!

Listings start at just $35, but you can add a headshot, logo, link to a reel, or your resume for a bit more. To start the listing process or see the full menu of options for listing in SourceOregon, go here.

Thank you for supporting the OMPA and being a part of what makes our community great.

Sincerely, David Cress President Oregon Media Production Association

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OREGON MEDIA PRODUCTION ASSN

10.2015 Board of Directors

Mission The CALLSHEET is published 11 months of the year by the Oregon Media Production Association.

OMPA is a 501(c)6 non-profit trade association dedicated to the development, growth and enhancement of the film, video and multimedia industry in the state of Oregon. Š 2015 Photography & Content: By submission Page Layout: B. Design | www.bdesigncompany.com | 503-737-5158

Board of Directors David Cress, President Producer Mary McDonald-Lewis, 1st V.P. Dialect Coach Jacqueline Gault, 2nd V.P. HotSquatch! Entertainment Dennis Gleason, Treasurer Dark Wing Productions Slater Dixon Creative Director Skye Fitzgerald Director of Photography Roland Gauthier Hinge Digital

Candice Jackson Entertainment Attorney Neil Kopp Filmmaker Greg McMickle Production Designer Gretchen Miller Hive-FX Dennis Noreen Strategy Insurance

Thomas Phillipson NW Film Center Jamie Johnk Clackamas Chapter Chair Jeff Johnston Mid-Oregon Chapter Chair Erica Risberg Portland Chapter Chair

Staff Nathaniel Applefield OMPA Interim Executive Director

Industry Directory

Jessica Beer OMPA Administrative Manager

www.SourceOregon.com

OMPA | 901 SE Oak, Suite 104 | Portland, OR 97214 503-228-8822 | FAX: 503-228-7099 | info@ompa.org |

www.ompa.org

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12th Annual BendFilm Festival Kicks Off October 8th - 11th, 2015

BendFilm, Central Oregon’s premiere and celebrated Film Festival, has announced the opening night film and the full film line up as well as pass and ticket sale details for the 12th annual festival, set to take place October 8-11, 2015. In the spring of 2015, Moviemaker Magazine once again included BendFilm in the “Top 50 Film Festivals worth the Entry Fee.” This year’s opening night film will be “Breaking a Monster,” which will screen at the Tower Theater at 5 pm on October 8, 2015.

In this musical, coming-of-age documentary, Director Luke Meyer focuses on a band of 12 and 13-year old musicians called Unlocking the Truth. The film chronicles the band’s journey to stardom as well as its childhood obstacles.

“Breaking a Monster” debuted to great acclaim at SXSW this Spring. Variety writes: “What makes Luke Meyer’s documentary interesting isn’t so much the music or even the incipient stardom, but rather the pushpull between high-stakes biz pressure and subjects who — being 13 years old or so — hardly have the attention spans for the drudgery and minutiae a “career” requires.”

In competition for this year’s cash prizes are 9 Narrative Features, 9 Documentary Features and 41 Shorts. The Festival released the names of the films totaling 15 Narratives, 16 Documentaries and 50 Shorts. The full list of films follows below.

Films were selected by Looby, Mimi Brody, Festival Programmer and the BendFilm Selections Committee.

“We feel that this year’s line-up is the best in the history of the festival,” said BendFilm Director, Todd Looby. “We received three times as many submissions as we did last year, which was a record year, and are grateful for the interest and support in this regional festival. Not only do we have a strong showing from the Northwest, but from across the country and internationally as well.”

The full festival program can be found online here.

Brooks Resources Corporation is once again sponsoring the $5,000 cash prize for Best of Show at the BendFilm Festival – an amount unique among four-day regional film festivals. Independent Women for Independent Film will sponsor additional $500 cash prizes in multiple categories as will Jan & Jody Ward and Business for BendFilm. Panavision has also donated an impressive camera package worth $60,000 to go to the Best Narrative Feature.

Tickets and festival passes are available to the general public at bendfilm.org. Or sign up for a Membership and received exclusive access to tickets.

BendFilm Builds Educational “Institute” BendFilm’s signature education program, Future Filmmakers, is alive and well. There is so much more deman in the community, however, for film education and mentoring.

To meet that need, the “BendFilm Institute” is slowly emerging. The Institute is a threepillared program to provide film education to youth and adults; facilitate professional filmmaker retreats and residencies in Central Oregon; and help Central Oregon filmmakers produce films in the region.

Through a new partnership with Caldera Arts, the Institute will be co-hosting a filmmaker Artist-in-Residence in the Winter 2016. In June, BendFilm partnered with Scalehouse and hosted a wildly successful 72-hour Filmmaker’s Scramble where 7 filmmaking teams of all ages and experience levels made 3-5 minute films in less than 72 hours based on the common theme of “Wonder.” There is so much more in store in 2016.

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Zarr Studios Acquires New Grip and Lighting Offers Studio Discount to OMPA Members Zarr Studios, located at 1535 SE Hawthorne in Portland, has a new arrival of grip and electric. This valuable package is available for turn-key use at the 16,000 square foot Zarr Studios Portland stage facility. Producers are welcome to tour the stage and peruse the equipment list and preferred producer rate card on request. Email info@zarrstudios.com.

Zarr Studios is proud to support independent filmmaking by offering reduced rates for independent production during available dark hours at the studio.

Dark hours at the studio are reduced to 50% of rate card, and are available to all OMPA member producers, directors, and coordinators – or anyone you may be mentoring – when you are working on an independent narrative, documentary, or experimental project. Discount does not apply to grip and electric.

Security deposit and insurance are required, as they are for all stage rentals.

“Dark hours” are typically unbooked evenings and weekends, but reduced rates are booked for any times that aren’t otherwise booked with commercial clients.

Zarr values the opportunity to support and encourage the development, growth, and enhancement of Oregon’s filmmaking community. They hope you find this a generous offer.

Zarr Studios offers reduced studio rates for OMPA members working on narrative, documentary, and experimental films Grip & lighting package now available at Zarr Studios

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POWMonthly Presents Horror Classic Pet Sematary directed by Mary Lambert In Pet Sematary (1989), the Creeds have just moved to a new house in the countryside.

Their house is perfect, except for two things: the semi-trailers that roar past on the narrow road, and the mysterious cemetery in the woods behind the house. The Creed’s neighbors are reluctant to talk about the cemetery, and for good reason too.

Doors open at 6:30pm. No one will be turned away due to lack of funds. Attendees will also be entered into a drawing for a POWFest Membership!

Screenings benefitting POWFest take place on the fourth Monday of every month at Clinton Street Theater, and proceeds fund POWFest’s efforts to increase the number of women in leadership roles in media by providing resources, education, and visibility.

When: Monday October 26, 7pm Where: Clinton Street Theater.

2522 SE Clinton Street, Portland Cost: Tickets available at the door, sliding scale $5.00 - $10.00 (no one turned away due to lack of funds)

Click to watch the trailer for Pet Sematary

POWFest Celebrates Success of POWGirls Summer Workshops In August, POWFest hosted two weeklong workshops for girls ages 15-19 with MetroEast Community Media. In the Intro to Filmmaking workshop, a group of ten girls concepted, wrote, filmed and edited two narrative films. In the Advanced Filmmaking workshop, five girls produced two promotional videos for client The Portland Kitchen, a non-profit that teaches culinary techniques, social skills and healthy disciplines to low-income and atrisk youth.

The mission of POWGirls is to help girls realize their power, creativity and voice in media production and encourage them to explore opportunities as future filmmakers.

The project aims to encourage girls to be creative, tech-savvy leaders.

Watch their work here:

Click to watch the Portland Kitchen Fundraising Video

Click to watch the Portland Kitchen Recruitment Video

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Memory and Observation at The Northwest Film Center

by Portland Filmmaker Pam Minty This program of old and new explores memory, observation, and film’s unique and varied abilities to visualize the act of remembering. Portland filmmaker Pam Minty’s “Direct Route” (2015) observes a blind woman navigating her domestic surroundings alongside landscapes and recollections prior to losing her vision.

Through conversations and word puzzles with her daughter, a story emerges about the relationship between memory, sense of direction, and the texture of experience.

Complimenting her film is Bruce Baillie’s classic “Roslyn Romance” (1974), a correspondence and collage film of family photos and superimposed imagery that invoke the cycle of the life; Ute Aurand’s “Maria” (2011), an observational portrait of the filmmaker’s dear friend; and fellow German filmmaker Maria Lang’s “Family Crypt - A Love Letter to My Mother” (1981), through which the filmmaker as daughter speaks about herself, her family, and their love, despite invisible walls and barriers.

Director Pam Minty will be in attendance.

When: Tuesday, October 20 at 7pm Where: Whitsell Auditorium in the Portland Art Museum (1219 SW Park Ave in Portland) Cost: $9 General / $8 Students, Seniors / $6 Child Purchase your advance tickets online here.

Director Pam Minty’s short film, “Direct Route,” screens Oct 20 at the Whitsell Auditorium in Portland.

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ASMP Presents Judy Herrmann in Portland on Oct 8 “Earning a Living When Everyone Has a Camera in Portland” It’s a crowded marketplace out there. With over 500 billion photographs taken each year, the same old, same old just doesn’t cut it any more. To grow a successful photography business, you need to be as creative in how you think about your business, your skills and your value as you are on set. In this lively and thoughtprovoking program, Judy Herrmann, ASMP past president and creator/host of ASMP’s Business as unUsual webinar series, shares tips, tools, strategies and case studies to help you build an innovative business that can compete more effectively in established markets and attract new markets for your creative work. Ideal for students and emerging photographers who want to hit the ground running and established professionals eager to adapt to this changing world.

Judy will cover: - How advertising and marketing have evolved - Industry trends and how they affect professional photographers - That 99% of Millennials are more likely to engage with a friend than a brand - What’s next?

- How the value proposition has changed - That quality is not an absolute measure When: Thursday, October 8, 2015, 7pm to 9pm. (Social time starts at 6:30pm) Where: Pro Photo Supply. 1801 NW Northrup St., Portland.

Cost: $10.00 ASMP member / $20.00 Non-member / $5.00 — Student Registration is available here.

APP-NW and Portland SAG-AFTRA present “Self-Inflicted Auditions”

How to self-produce your auditions and get them where they need to go When: October 10, 2015, 1 - 4pm Where: Oregon AFL/CIO Main Hall, 3645 SE 32nd Ave, Portland, OR 97202 Cost: $5 suggested donation Your agent tells you that it’s a great opportunity but you have to produce your own audition and put it on the internet for the client. How do you do that? What equipment will you need? What software do you use? How do you edit the piece? How do you upload it to the right place?

Bring your laptop (optional) and join APP-NW, SAG-AFTRA and a bevy of industry professionals (see list below) brought together just for you, for a soupto-nuts primer on what you’ll need and how you’ll use it to get a quality, self-produced audition that will showcase your best to book the job.

Because it wouldn’t be an APP-NW event without a raffle, when you check in at the workshop, you’ll be given an opportunity to enter a raffle to be selected as the actor who will get to participate in the live demo.

Register for the workshop by emailing info@app-nw.org. Put “Workshop” in the subject line and give us your name and contact information. All members of our extended community are welcome to participate.

Presenters include Eryn Goodman (Cast Iron Studios), Taylor Harris (Ryan Artists), Dennis Troutman (Option Model & Media), Damon Jones (Actors In Action), Harold Phillips (actor, APP-NW member), SAG-AFTRA, APP-NW.

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The Northwest Film Center Presents “50 Feet from Syria” and The Wanted 18 Oct 8, 7pm at Whitsell Auditorium in Portland Syria. The word likely resonates for many of us who are following the tragic situation there. But what if it resonates because it was your home? This is the case for Dr. Hisham Bismar, the central character of director Skye Fitzgerald’s 50 Feet from Syria. A successful hand surgeon in the United States, Hisham decides he cannot continue to watch images of wounded Syrian refugees flow across international borders without acting on his impulse to help. At the heart of the film, Hisham’s journey serves as a portal into one of today’s most brutal, dehumanizing conflicts and into the lives of remarkable people working to save lives at great personal risk. (39 min.) Skye Fitzgerald will introduce the film.

The Wanted 18 Through a clever mix of stop motion animation and interviews, The Wanted 18 recreates an astonishing true story: the Israeli army’s pursuit of 18 cows, whose independent milk production on a Palestinian collective farm was declared “a threat to the national security of the state of Israel.” In response to the Israeli occupation of the West Bank, people from the town of Beit Sahour decide to start their own milk co-operative. Their venture is so successful that the collective farm becomes a landmark — and the cows local

celebrities — until the Israeli army takes note. Consequently, the dairy is forced to go underground, with the Israeli’s in relentless pursuit of the “Intifada milk.” Recreating the story with creative flair, Sahour and Cowan fashion an enchanting, inspirational tribute to the ingenuity and power of grassroots activism. In Arabic, English, Hebrew, and French with English subtitles. (75 mins.)

When: Thursday, October 8 at 7pm Where: Whitsell Auditorium at 1219 SW Park Avenue.

Cost: $9 General / $8 Students, Seniors / $6 Child Purchase advanced tickets here: http://bit.ly/1V5WN0P

Skye Fitzgerald’s film “50 Feet from Syria” will screen Oct 8 at 7pm at the Portland Art Museum’s Whitsell Auditorium

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Tag Team Audio Adds Jake Ayres as Their New Team Player Portland area audio production facility Tag Team Audio has provided A-list sound since 1999, and the team is stronger than ever. Principle engineers Richard Moore and Randy Johnson have added a new freelance engineer, Jake Ayres, to their roster.

Jake is an enthusiastic young engineer out of Ithaca, NY and graduated from Ithaca College as a television/radio major with a concentration in audio production and engineering. Having experience in music, film, TV, radio, and voice-over, he brings a diverse skill set to the combined 50 years of expertise that make up Tag Team.

He will also be ramping up the Team’s social media presence via Facebook and Instagram. No cat videos here; expect information and updates on current projects, very cool clients, and of course, some gear talk. But don’t be surprised if the studio Dachshund shows up.

Size doesn’t matter. For a small studio, Tag Team’s talent in creating voice-over, music production, and audio engineering is second to none. “We like the boutique size of the business,” says owner Richard Moore. “It allows for very personal service and a loose, happy work space.”

That comment is underscored by Red Door Films owner, David Poulshock: “Whether it’s comedy (Spirit Mountain Casino TV Spots— vimeo.com/ album/3564512), heartfelt, “real people” mini-docs (Goodwill), corporate product launches (SawStop), or feature length

docs (Raw Materials), Tag Team has been our go-to audio HQ for a very long time and for very good reasons—the first of which is that working with Tag Team is a scream.

Not only do we get their creative genius and expertise, we get to have a good time!”

Tag Team worked this summer with Trooper marketing agency on the Oregon State Fair TV and radio campaign, supplying original music and sound mix. The firm has also been in conversation recently with local VR producers currently in pre-production on a virtual-reality documentary on the Colorado River.

Jake Ayres is the new engineer at Portland’s Tag Team Audio

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Red Flags Raised at APP-NW September Meeting September’s Actors Happy Hour! was a great start to the fall season with a lively discussion of Red Flags—what should alert you to problems on set and how you should react. APP-NW member and actor, Elizabeth Zimmerman, regaled us with some scary, some amusing “audition” ads from Craigslist and other sources, and some good sense tips about recognizing when an audition or offer might be too good to be true, or even dangerous.

Here are the tips sheets that were the result of Elizabeth’s great research: ● Everyone on a production may be a newbie, but the AD is never new. ● Auditions held in hotel rooms are to be avoided. If you must go, take someone with you. ● Always let someone know where you are going and when you expect to be back, especially if the audition or gig doesn’t go through an agent. ● Read the whole script before you accept the job so there are no surprises about what you’ll be expected to do. ● Raise concerns if the location is changed at the last minute. ● Raise concerns if asked to do something that wasn’t in the script you were furnished. ● Never be afraid to bring a concern to the AD and work with the production team to solve the issue. If a situation can’t be corrected on set, you can always refuse to participate.

● Read your contract before you sign it, no matter how close to shooting it comes to you. If it doesn’t reflect your understanding, don’t sign until you get clarification. ● Trust your gut—if you’re prepared, and know your rights and responsibilities, you can trust your instincts. ● If the script calls for a scene with sexual content, you are entitled to a blocking rehearsal of the scene so you will know just what to expect when you get in front of the camera. Ask for it.

One of our members, an experienced actor, related a very recent experience on the set of a series where two colleagues reported to her that they’d been kissed by another actor in a crowd scene during a scripted black-out. She convinced these young women to report the behavior to the AD. Her story led to a lively discussion about the tendency of younger actors, accustomed to the greater lack of privacy inherent in our lives today via FB, Instagram, etc., to be unaware of what constitutes inappropriate or abusive behavior that is not to be tolerated.

That, coupled with a lack of knowledge about what to do in such a situation, timidity, and a reluctance to “rock the boat,” underlines the importance of knowing your rights and responsibilities before you get on set.

Remember, your career success does not rest on one job. Be prepared; be aware; be sure of your rights and responsibilities.

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Uncage the Soul Reveals New Website and Video Projects Uncage the Soul has no shortage of amazing and beautiful video content and projects to share, and it has all been elegantly packaged in their brand new website. Take a look under the hood, kick the tires, click some links, and connect with Uncage the Soul through the spiderweb of social feeds. It’s web and mobile friendly so you can share videos on your phone and in many other formats.

Some of the latest projects completed

by Uncage the Soul include the following: Yesterday’s Tomorrow Put the resourceful and dynamic minds of The Oregonian, TEDx Portland, and Uncage the Soul in a room together and you get Yesterday’s Tomorrow, a reflective and historical narrative on the transformation of Portland. The short film was unveiled at TEDx Portland in May in front of packed 3000 person Keller Auditorium audience. Uncage the Soul pioneered some animated overlay treatments of old archival photography with modern compositions of the same locations and then found the wise and wonderful spirit of 99 year old Katherine Livingston to tie it all together. Where else could this concept be Uncaged?

Click to watch Yesterday’s Tomorrow

Discover Newport Uncage the Soul was approached by the City of Newport to help put this charming Oregon Coast town on the national map as a premiere vacation destination. Newport has an abundance of visual eye candy, from kids crabbing to picturesque lighthouse vistas, to octopus petting (seriously!) but in classic Uncage style, they wondered what truly unexpected visual scenario they could create. Check out the results along with a behind-the-scenes look at how it was all put together!

Click to watch Discover Newport

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11th Annual DisOrient Asian American Film Festival Calls for Submissions The DisOrient Asian American Film Festival of Oregon is a community, grassroots, and volunteer-run film festival committed to presenting honest portrayals of the diversity of Asian American experiences. The festival promotes the power of film to educate, positively transform community, and challenge the negative stereotypes of the ‘Oriental’ presented by mainstream media and uses the W.E.B. DuBois standard of “for us, by us, or about us” when selecting new and exciting films for the festival.

Categories for submissions, and their respective lengths, include: ● Feature Narrative - between 40 minutes and 135 minutes. ● Feature Documentary - between 40 minutes and 135 minutes. ● Short Narrative - between 1 minute and 39 minutes.

● Short Documentary - between 1 minutes and 39 minutes. ● Music Video - between 1 minutes and 30 minutes. ● Experimental Short - between 1 minutes and 39 minutes.

Submissions can be made here.

Submission Deadlines: ● Early Deadline: Postmarked by October 15, 2015 ● Regular Deadline: Postmarked by November 21, 2015 ● Late Deadline: Postmarked by December 5, 2015 The festival runs from April 29 to May 1, 2016.

If you have any questions, please contact Pamela Quan, Associate Director at pam@disorientfilm.org.

The Hollywood Theatre Presents The Wild Bunch in 70mm November 6-8 at 7pm

After sold-out screenings of 2001: A Space Odyssey in March and Vertigo in July, the Hollywood Theatre is continuing on a 70mm hot streak. The next 70mm film screenings will be of Sam Peckinpah’s classic western The Wild Bunch this November.

Hollywood Theatre enthusiastically claims (and hopes that you’ve experienced first hand) that 70mm is the ultimate way to see a movie. 70mm film features a greater aspect ratio and higher resolution than traditional 35mm film—the image is sharper, richer, more immersive, and the sound will blow you away. Thanks to the support of its members and donors, the Hollywood Theatre is now the only film venue in the state of Oregon that can project 70mm film. It’s an experience not

to be missed!

Sam Peckinpah’s The Wild Bunch, starring William Holden, Ernest Borgnine, and Robert Ryan, will screen November 6-8 at 7pm. Want to secure your tickets? Become a Hollywood Theatre member for special pre-sale access to tickets, starting Sept. 29 through Monday, Oct. 5 at noon (after which ticket sales will open up to the general public). Membership supports the theatre’s festivals and programs, its education programs, and its work preserving the historic 1926 theater in which all screenings are held.

In addition to getting pre-sale access to tickets for 70mm screenings, members also receive benefits like free or discounted admission to films, free popcorn, invitations to special events, and more.

Previous 70mm film screenings have sold out, so buying tickets early is recommended.

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David Bee Seeks Funding for “Frank’s Song” For several years, OMPA Member David Bee has been making a film, “Frank’s Song,” about Frank Wesley, a 97-year-old man who has lived an incredible life. As a German Jew in the 1930’s, Frank went through dark days, yet he emerged from it all with an enthusiasm for living that is rare for any person at any age. Frank’s positivity inspires others and this is why David wants to bring his life story and his passion for living to a broad audience.

He wants to ensure Frank’s legacy of connection, music, laughter, and warmth for years to come. His humanity is needed in today’s world—not because we lack it, but because humanity is hard to practice.

Together, Frank and David made a film. It’s the result of many years, many discussions, and lots of music. “Frank’s Song” is a story David wanted to tell, but the direction and focus of what happened when the two were together and the camera was on was all Frank. In this way it really is Frank’s song, using the medium of film in much the way he plays saxophone—with intention and reverence.

Jazz music, and Frank’s interpretation of the songs he remembers is important to the film. Speaking with people about

“Frank’s Song,” David realized more and more the educational potential of the film.

Frank offers a rare perspective on world events and anchors it all with some of the greatest melodies in jazz music. As we gear up for the school year, David will be arranging community screenings of “Frank’s Song” in hopes that Frank’s story and his love of humanity will touch the hearts of many. The first of these screenings will take place at 6:30pm (doors at 6pm) on Friday, October 9 at TaborSpace (5441 SE Belmont St, Portland). Recommended donation at the door is $10 and free coffee will be available. After the show, Frank and David will be around to chat.

Now, however, David is facing the costs of licensing the compositions that Frank plays in the film. This summer David took steps to reduce these licensing costs, including: replacing the master tracks from the rough cut with royalty-free tracks, recording original compositions with local musicians, and negotiating—successfully—with companies such as SONY, Warner Chappell, Universal, BMG, etc. Those negotiations have brought costs down significantly, but it is still necessary for David to fundraise.

If you can lend a hand in bringing “Frank’s Song” to festivals and educational screenings, please visit the fundraising site.

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New OMPA Members Alyecia Higgins

alyeciahiggins@gmail.com 360-742-9321 Student studying Film at Portland State University

Stephen McDaniel

stephenjmcdaniel@mac.com 310-699-1912 cargocollective.com/stephenmcdaniel Freelance Producer

Matt Miller

Kenny Allen

kenzvideo@gmail.com 503-828-2409 www.kennyallenvideo.com Camera Operator

Todd Baize

todd.baize@gmail.com 810-623-7667 vimeo.com/user28425455 Camera Operator & Editor

Jon Bebe

jon.bebe@gmail.com 503-358-8931 Actor represented by Q6 Talent & Literary

Nicholas Becker

nryanbecker@gmail.com 541-550-6415 Production management, art department

Jayme Gantz

jayme.gantz@gmail.com 819-550-8888 Production coordinating, editing, directing, assistant directing, sound recording and sound editing/design, assistant camera

mmillerfilms@gmail.com 503-490-6779 Student studying FIlm at Portland State University

Stephanie Sousa

zephadoeshair@me.com 360-609-2310 Student studying Business Marketing at Portland Community College

Violet Wild

violetjanewild@gmail.com 971-506-5724 Event management, media liaison, marketing, public relations, general organization, and Production Assistant

Nicholas Yeiter

nicholasyeiter@gmail.com 503-830-1671 nicholasyeiter.wix.com/nicholasyeiter Student studying Digital Film & Video at Art Institute of Portland