Indigo 862

Beating the exam season blues

Deputy Indigo Editor, Melissa Rumbold, considers the little joys during exam season

With a long history of iconic performances, the Eurovision Song Contest is sure to be one of the most unique, colourful, and exciting celebrations of the next month. Having not hosted since 1998, this year’s contest will be held by the UK in Liverpool following our second place ranking last year. After Ukraine’s Kalush Orchestra won with an outstanding lead in 2022, the event will be a wonderful opportunity for the UK to celebrate Ukrainian culture during these di cult times. Cherishing our unique bonds and cultures is exactly what is needed right now.

Don’t let doubt or pressure dominate your mind

Also in the spirit of celebration, this Saturday King Charles III’s Coronation will take place. The streets of Durham will be alive with colour, music, storytelling, and fun activities which will be perfect amongst this incredibly busy exam season. Whilst events and activities provide the perfect distraction, it’s also crucial to keep in mind that this can be an incredibly stressful time of year. Remember to check in on your friends, support one another, and schedule some well-earned breaks. Don’t let doubt or pressure dominate your mind – instead take some time to find little joys in your day, even if it is watching half an hour of Eurovision or taking a look at the weird and whacky Met Gala looks.

You belong here, and you’ll get through these exams

In this first Indigo of the term, I am delighted to share that there is plenty of content to read during vital moments of down-time when a pleasant distraction is required. On page 4, Interview share the ins and outs of Durham Nightline, an invaluable service which is there should you need it this exam

CONTENT

Events (page 3), Interview (page 4), Creative Writing (page 5), Film & TV (page 6), Food & Drink (pages 7 & 8), Style (page 9), Music (page 10), Books (page 11), Features (page 12), Stage (page 13), Visual Arts (page 14), Travel (page 15).

Indigo logo: Adeline Zhao

Cover image: Isobel Warwick

Artwork of the week: Anna Kuptsova

season. Film & TV and Food & Drink give us a marvellous collaborative piece on food in cinema. This edition also includes the return of an Events feature, so there’s plenty to keep you going throughout the next few weeks. Remember, you earned your place here, you belong here, and you’ll get through these exams. For now, good luck and happy reading!

Artwork of the week: Anna Kuptsova

TEAM

Charlotte Grimwade, Cameron Beech, Melissa Rumbold, Roshni Suresh Babu, Siobhan Eddie, Elizabeth Buckley, Theo Mudhir, Amelie LambieProctor, Ayasha Nordiawan, Rae Rostron, Lydia Doye, Lily Lake, Ruhee Parelkar, Annie Pickup, James Macfarlane, Camille Hine, Alice Purves, Jacob Dax Harris, Lotte Micklethwaite, Charlotte Rodney, Isabella Harris, Tom Harbottle, Millie Adams, Eve Kirman, Elif Karakaya, Caitlin Ball.

CONTACT

www.palatinate.org.uk

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Image credit: Adeline Zhao

indigo@palatinate.org.uk

Getting ready for summer

Indigo’s editors look forward to everything culture-based happening around Durham

Get excited – there’s only one month left. With exams nearly in full swing, the next month seems unbearably long. But there’s hope. June is almost upon us, which means the opportunity to enjoy the sunshine Durham is infamous for... More importantly, however, the widely celebrated ‘three weeks of nothing’ provides the chance to fully immerse yourself in all the wonderful arts and culture events on o city and just outside. Whether you’re excited for live gigs, college days or the final DST plays of the academic year, June 2023 will be a month to look forward to!

From college days in the sun to summer balls

Undeniably one of the best parts about staying in Durham during June is all the college events on o college days in the sun to summer balls, they’re a great opportunity to reunite with friends after exams. Other groups and societies also er fun events and formals. is even hosting it’s very own 75th Anniversary ball on 3 June at Lumley Castle. Editors, contributors, alumni readers are all welcome to attend this fun evening in honour of the paper.

After nearly a month of being stuck in Durham doing exams, it’s likely you’ll want some respite. There’s so much on o outside the city. For example, there are plenty of wild swimming opportunities, so there’s no reason to not get outdoors and refresh

Charlotte (Indigo Editor)

Book: Everything is Illuminated –

Jonathon Safran Foer

Film: Aftersun – Charlotte Wells

Album: Waysides – Bedouine

Image credit: Rosie Bromiley

after exams. Durham’s relative proximity to the beach is another wonderful thing about the city’s location. From Seaham to Crimdon, there are many free days you can dedicate to hopping on a bus for a seaside escape. Think fish and chips in the sun, and maybe even a splash in the bracing North Sea. There are some lovely seaside towns around the North-East, all of which are definitely worth exploring.

Save the date...

Thursday 4 May, Friday 5 May, Saturday 6 May Gavin and Stacey Ooook!

After the success of last year’s adaptation of Miranda, this weekend Ooook! are back with their take on the hit British sitcom Gavin and Stacey. Get down to the Assembly Rooms Theatre for what promises to be an evening of laughter and fun. Tickets are available via the DST website. Standard tickets cost £7.50.

Thursday, 18 May (7.30pm)

The Talented Mr Ripley Bede Film Society

Newcastle’s range of shops make it the perfect city for grabbing a co ee and having a good browse with friends.

The best memories in Durham are created over Racecourse afternoons

But take your mind back to Durham. It’s sunny, the back garden of the Swan is packed. Rush to Tesco, grab some snacks and drinks and head to, you guessed it, the Racecourse. Some of the best memories in Durham are created over Racecourse afternoons, especially when it’s getting warmer.

Cameron (Indigo Editor)

Book: Orlando – Virginia Woolf

Film: Good Will Hunting – Gus Van Sant

Album: Muna – Muna

Bede Film Society are hosting a range of screenings over this term. Their first is The Talented Mr Ripley. Head over to the Fonteyn Ballroom in the SU for the chance to watch this classic from 1999. Tickets cost £2 if you’re a member, and £3 if not.

Thursday, 1 June (8-11pm)

Rock on the Hill (Probably Nothing, Possibly Everything)

Rock on the Hill are putting on an allwomen music event in Katie O’Brien’s Irish Bar. Four bands will playing in this opening night of Durham’s biannual Rock on the Hill festival. Tickets cost £4.

Melissa (Deputy Indigo Editor)

Book: We Were Liars – E. Lockhart

Film: Midsommar – Ari Aster

Album: Never Going Under – Circa Waves

Thursday, 4 May 2023

Durham Nightline: here all night to listen

Interview Editor, Charlotte Rodney, talks with the people behind Durham Nightline

Succeeding the establishment of the Nightline association in 1970, Durham Nightline soon saw its own inception in 1973; pioneered by three eager Durham University students following on from their work as Durham Samaritans. Celebrating their 50th anniversary this year, Durham Nightline is All Night. All Term. All Ears.

Publicity o cer, Gillian, explains that after signing up in June 2020 as part of post-lockdown training, she was looking for something new and a way to gain experience. It soon became clear that she was passionate about volunteering. Likewise, training o cer Dom joined via his college requiring them to do welfare training. After they realised how important the cause was, there was no going back. James told me that he joined Durham Nightline in the first term of his first year. “Once you get involved in it, it’s very easy to become sucked into things… a lot of the more experienced volunteers were incredibly encouraging for you to do more within the organisation.”

What is it like being a public face of Nightline?

Throughout our discussion it became abundantly clear that our Nightline is an all inclusive organisation made up of Durham’s finest individuals. James, Gillian and Dom are part of just a few ‘public faces’ which Gillian explains has the benefits of getting to “interact with a lot of di erent people both inside and outside of Nightline”. James notes that “it is kind of weird when you first start out as a public face” given that many of them were anonymous volunteers to begin with. Nonetheless, despite Nightline probably being “one of the most secretive groups of people in Durham…it’s one of the best.”

What services does Nightline o er?

James explains that “we are open from 9PM to 7AM, Tuesday to Saturday, during term time.

We can be contacted via the instant messaging system which is on our website, or via the number on the back of your campus card.” When asked if there is anything in particular that Nightline wishes to be contacted about, Dom assured us that “you can basically contact Nightline for any reason. For talking when you’re walking home on a night out, or if you’re particularly stressed about anything – any topic really. It’s kind of like we’re there to just talk to you and kind of have an open conversation about things that maybe you couldn’t discuss with anyone else.”

There’s nothing too small for us

Gillian adds that “I guess like academic stress, being students, is quite common…Some people think that their problems are too small for Nightline, but there’s nothing too small for us because if someone wants to talk we’re there to listen.”

How can people get involved with Nightline as volunteers?

Training o cer Dom explained that the training weekends are the best way to get involved with Nightline. By now we should have seen that an upcoming training weekend is taking place post-exam season on the 4 June, with follow up days on the 10 and 11 June. “It will be incredible!” Dom explains.The first day goes through what Dom describes as the “active listening principles”. These apply generally to social and welfare contexts. They add that this will “show you how you can use certain skills to improve the openness of the conversation, and make it more tailored to the person in an emotional sense.” Dom clarified that if you would like more training in a specific area or would like to get more involved with Nightline welfare, then the following weekend of training is for you. Furthermore, Gillian explains that “we do lots of roleplay practice as that’s what the interviews are based on.” The training weekend

provides a helpful avenue to be interviewed for becoming a Nightline volunteer.

Sign up for Nightline’s training weekend:

How should we remember Durham Nightline?

The three Nightline representatives emphasised that, from an internal perspective, becoming a volunteer immerses you in an inclusive and encouraging community. James explained that “it attracts the type of people who are probably going to be quite naturally supportive, so it ends up being this incredibly supportive community where people are actively encouraged to take part, and actively supported through it.”

It’s our choice to be there, and we want to help

Dom added that it is simply “a family of likeminded people that want to give up their time.” Gillian reassured us that “I have never met a Nightliner that I have not liked.” Yet, from an external perspective, and for all of the callers out there, Dom was keen to add that “there is no topic too small, and we’re there all night to listen…You don’t need to feel in any way that you re-burdening us as it’s our choice to be there, and we want to help…that’s why we duty every night!”

Durham Nightline are available when you need them, and can be found on both Instagram and Facebook, as well as on their website. We thank them for their hard work and dedication to Durham University welfare.

Series teaser

An extract from Rae Rostron’s new series, ‘My Fucking Turn’

She had fallen asleep with the window open. Stupid really, you’re not supposed to do that. It’s one of the first things her mother taught her when she was younger; when she was young, and it was hot, and she wanted to feel the breeze on her face. Don’t leave your window open when you turn out the lights, don’t leave the blinds up. Simple advice really, simple advice every child is given: not to let the dark in.

But here was dark. Here existed somewhere in between, here was quiet enough to make you jump.

She didn’t remember falling asleep but she must have; and that’s when it must have come, when her eyes were closed and she couldn’t tell it not to; it must’ve known she’d leave the window open; it must know her so well, though she didn’t know it at all; she couldn’t even tell where it had gone, it had just whispered sour sorries into her ear and sunk into the shadows, or the night, or whatever it was that was making it so, so dark.

How she’d imagined breathing backwards would sound

Sorry. It sounded strange, kind of like how she’d imagine breathing backwards would sound. She wondered if it meant it, she wondered if it could feel anything at all, she wondered what it would feel if it

Rae Rostron’s series will be published weekly online. It follows the story of a girl battling a physical manifestation of depression

Starting Friday 5 May 2023 it will be uploaded onto the Palatinate website.

TW: Discussions of mental health

could. She didn’t imagine it would feel sorry, but there was something pitiful here. Not pity like she’d felt it before, not the kind you feel for sad children or broken birds, maybe the kind you felt for bitter men when you realise how and when that bitterness came to be; the kind you feel for hurt people who hurt people. Maybe, but not quite. It was as though it had taken a peek into her nightmares, asked what they were made of, and weaved that same fabric into this place, a place it had made its home in, and asked her not to fear it. Is that what she was doing? Was she scared? Was she feeling?

It was her own fault. She shouldn’t have left the window open. It must have been so quiet, but if she cast her mind back she could almost remember it. She could almost remember the gentle violence with which it had taken her out; the brief moment where her stomach had dropped, not as if the floor had fallen out from beneath her, but as if the floor had forgotten that it was supposed to be there at all. She must have fallen so far, so down, down, down, until wherever she was falling to had become too narrow and she hadn’t been able to fall anymore. Maybe that’s what this place was, whatever existed when there was no where else for you to fall.

God, as if god wouldn’t be deaf and blind

It had come back into her space, god knows when, God, as if god wouldn’t be deaf and blind, but she could feel it careening, wrapping its hands around her, shoving di erent parts of her out of the way, her legs, arms, her hands, it was all alone.

It was lonely, maybe that’s why she was here; maybe they were the same; maybe it was something that was happening for her and not to her; maybe it just wanted to talk to someone; maybe it really was gentle because it didn’t really feel like violence, not if she thought about it, not now she was here. Not now that she settled and it was just getting comfortable. Not that she was comfortable. It felt as though it was kind of ripping her open, as though it was squeezing her flesh, ripping her away layer by layer, maybe to nestle in somewhere inside: cocooned, warm, safe, and entirely unwanted. Not even because it wanted to, but because it was supposed to. But it didn’t feel like it was touching her either. It wasn’t just taking each layer it was changing it, chewing it up, spitting it out and letting the rags piece themselves back together, or watching as they failed to. Whatever it was doing and however it was doing it, she didn’t think that it was finished. It was waiting, or was it doing something else? She could smell it, but she couldn’t feel it. Whenever she reached out, whenever she went to tear it away, to loosen its grip or fight back it would slide down her palms and something like dust would tickle her fingers instead.

film@palatinate.org.uk

A feast for the eyes

Our editors give us a taste of their favourite uses of food in cinema

From incredible feasts of grandeur to humble homemade dishes, food in film can enchant, amaze and even disgust audiences.

Unpicking this relationship, our Editors from Film & TV and Food & Drink will take you through some of their favourite pieces of film and discuss the role of food.

The Menu

By Alice Purves

Mark Mylod’s 2022 epic dark satire, The Menu, starring Anya Taylor-Joy as the eccentric Margot, Nicholas Hoult as the star-struck fanboy Tyler and Ralph Fiennes as the enigmatic and contentious head chef, Julian Slowik, crafts a devastating portrait of greed and corruption at the highest level of restaurant culture. Disillusioned by the environment of upperclass gluttony and over-indulgence, Slowik’s island-restaurant champions the minimalism and artistry of food, celebrating its function as a communal engagement, and simultaneously critiques the hyper-exclusivity of fine-dining. What better way to say “f*** the rich” than by putting on our plates the absurdity of commodifying our basic desires.

atmosphere founded in the exemplification of class divides in the kitchen and the dining room. Will Tracy and Seth Reiss’ writing is at once funny and real, with the brilliance of Fiennes as the centrepiece of the film, comically stoic and inexpressive. His food similarly takes centre stage, and if one ignores the backdrop of the “thigh meat” chicken or the “passard egg”, the film does indeed showcase the beauty that fine dining can be.

The twists and turns of the film are encouraged by the slow degradation of the courses. The “breadless bread plate” is the first indicator of the film’s real motivation, the crux of which relies on the greed and arrogance of the guests. Far from subtle in its critique of privilege, the customers are either angered or impressed with the play on convention, and one thing is for sure, the line “do you know who we are” certainly finds its place in much of the dialogue.

well as Aster’s ability to push the boundaries of traditional horror with his unflinching approach to violence and gore. However, one aspect of the film that is often overlooked which adds to this sense of unease, and even alludes to the characters’ fate, is the use of food.

At its core, Midsommar tells the story of a group of American graduates who journey to a remote Swedish Hårga commune to partake in a long-celebrated festival with their Swedish friend. But what they discover is far from a festive occasion, as they become unwitting witnesses to the sinister rituals of a pagan cult. The film centres on Dani (Florence Pugh) and Christian (Jack Reynor), a troubled couple who find themselves drawn deeper into the escalating violence and depravity of the cult’s traditions.

night tasting course, each dish presented to the customers, who include finance-bros, a film star and his mistress, “Lilian goddamned Bloom”, and a pompous older couple, heightens the tense

No one is likeable, yet I found myself lured into revering the mastery of Chef Slowik, despite him and his workforce being a collection of miserable and tasteless appetisers. The film is absurd in its own right and no character escapes being convicted of their vices, perhaps most oblique in the satire of Tyler’s “bullshit”, in which he burns some leeks, followed by the dark aftermath, which provides the plot its real

For me, it was one of those films that I couldn’t stop thinking about. Weird, fantastical, yet also horrifyingly real. It is one I hope to see recreated and shine in the next generation of filmmakers, in its fusing of social commentary and utter madness. I look forward to what these writers have in store for us in the future.

What they discover is far from a festive occasion, as they become unwitting witnesses to the sinister rituals of a pagan cult

Ari Aster’s 2019 film Midsommar is arguably best known for its disturbing depictions of fictional Swedish rituals, as

Throughout the film, food plays an essential role in keeping the tone ominous while reflecting on real Scandinavian traditions. Midsommar’s food stylist and chef Zoe Hegedus aimed to present food that was “naturalistic and rustic” by “using elements from the traditional Swedish cuisine.” For authenticity, produce was used that could have been grown on the farm-style set. Furthermore, Hegedus implemented traditional cooking techniques such as marinating or smoking, inspired by Francis Mallmann, an acclaimed chef known for his nomadic-style cooking.

The “breadless bread plate” is the first indicator of the film’s real motivation, the crux of which relies on the greed and arrogance of the guests

Dani and Christian regularly dine with the Swedish Hårga cult and consume various hallucinogenic teas and foods, blurring the line between what is real and imagined. One scene in particular sees Dani being o ered a full fish to swallow, a gesture that further underscores the unsettling nature of the cult’s traditions. Meanwhile, her boyfriend Christian eats a pie that contains pubic hair and drinks juice that is spiked with menstrual blood, emphasising the repulsive and perverse aspects of the cult’s o erings.

It is not just the content of the food that was a critical driver of the film’s narrative however. When it comes to eating with others a level of trust is involved whereby one doesn’t typically question the meal given to them. Thus, Aster subverts the typical symbolism of food as a gesture of goodwill and hospitality. As the film progresses the characters become more distrustful of their hosts which is shown through how they begin to question the content of the food and drink they are presented with.

The events of the film build to the crowning of the festival’s May Queen and subsequent final dinner scene which includes several grotesque and fantastical dishes. This scene, a cyclical allusion to an earlier dinner scene, serves as a resolution to Dani’s character arc and reinforces the idea of the Hårga cult’s belief in the cyclical nature of life and death, further emphasising the importance of food to Aster’s narrative.

food@palatinate.org.uk

drumsticks, Christmas dinners, and platedghost’s-heads, along with all of its pupils.

Cakes

Animated sugar might as well be on the Harry Potter cast list as Honeydukes, with its exploding baboons and fudge flies, manages to make a character out of food. Sugar plays an important role elsewhere in the franchise too as Dumbledore’s sweet-tooth sees him use the names of his favourite treats as passwords for his o ce. I’m not sure how secure “lotus bisco Kit Kat” is but maybe I’ll give it a go… Sugar not only keeps Dumbledore’s stationery secure but also revives the students after a sneaky attack from dementors in the third movie. As a diabetic I felt seen when Lupin handed chocolate out on the train to boost everyone’s mood (and blood sugar?) after the confrontation.

Chocolate isn’t always a force for good in the movies, however, as in The Half-Blood Prince (2009) Ron is essentially spiked by Romilda Vane’s box of chocolates. The ‘course’ of true love never did run smooth… Unlucky Ron has another troublesome encounter with food and drink in this movie as he is later poisoned by Slughorn’s whiskey. This misfortune is unusual in the pumpkin pastie, butter beer glory that is Hogsmeade and Hogwarts.

None of the eight movies neglect the taste buds as they sing to the senses, realising the magical world. As cakes float, chocolate jumps and beans taste of farts, the unreal becomes real, and the boring, fantastical.

Ponyo

By Jacob Dax Harris

It’s incredible to me that Studio Ghibli films – typically packed full of regional folklore, talking pigs and magical sootballs – are described as ‘slice of life’. Whose life?

him. I’d already seen most Ghibli films by nine years old and remember going to see Ponyo in the cinema – to me, Ponyo still feels like a new film, as it will always be the first Ghibli film I watched on the big screen. I faintly remember being overwhelmed by the stormy scenes of crashing waves and flooding roads as Ponyo’s father tries to bring her back to the ocean. But this fades away into a cosy scene indoors, where a mother prepares bowls of ramen for her son and the strange little red-haired girl

Harry Potter

By Millie Adams

The cinematic universe of Harry Potter goes down with a spoonful of sugar. The gentle of Hagrid’s giant is first seen in the bright green frosting of “Happee Birthdae Harry”. The friendship between Ron and Harry is kickstarted by a trolley-load of chocolate frogs and Every Flavour Beans. Dobby’s mischievous loyalty to Harry is played out in the ominous floating cake, smashed over the Dursley’s guests. We get to know the characters as they get to know each other, in the sociable world of fantastical food. The Great Hall hosts chicken

But whether it’s the quaint, quiet moments where a wandering character looks out over the European town they find themselves in; gracefully animated frames of grassy hills rippling with gusts of wind; or two unlikely new friends sitting down and sharing a bao bun, Ghibli films embody so much life and beauty that it’s no surprise they’re so widely loved. Food in particular holds a special place in Hayao Miyazaki’s artistic vision.

Ponyo (2010) is the story of a magical goldfish who falls in love with the five-year-old boy, Sōsuke, and transforms into a human to find

Image credit (from left ): Romie Bromiley, Isobel Warwick

It’s no wonder this scene is so adored, with 40 million views on YouTubes and countless re-enactments on TikTok and YouTube shorts –it’s peaceful and comforting, brimming with life and familial love. Like many other Ghibli films, there is no music to accompany the preparation of food. Instead, you hear the faint thundering rain outside their dark windows, the steady footsteps of Sōsuke’s mother walking around the room, the smooth sound of a steaming kettle pouring water into instant noodles. This scene is a small source of pure warmth and comfort, like a good bowl of ramen.

An end note – I really recommend learning to put together a good ramen recipe as a student. Take inspiration from this scene: it doesn’t have to be fancy, and it doesn’t have to be expensive. Just a nice instant ramen, a few chopped veggies, maybe add an egg or some ham, and you have a great meal in less than ten minutes, guaranteed to fill you up and keep you warm. It’s exam season, and you deserve to take a minute to stop, breathe, and make this slice of your life a comfortable one.

float, chocolate jumps and beans taste of farts, the unreal becomes real, and the boring, fantastical

This scene is a small source of pure warmth and comfort, like a good bowl of ramen

food@palatinate.org.uk

Annie Pickup and Sophie Sherratt evaluate which instant noodles are the best Never

Oor a Sunday roast for the household, culinary skills are part of grasping independence and preparing for life after university. However, cooking is not always feasible and often does not fit into the university schedule, especially in the midst of this term’s busy exam season. In this case, something quick, easy and delicious is the most fitting option… One thing comes to mind: instant noodles. A step up from the potnoodle, instant noodles arrive in a packet containing seasoning oil, a seasoning packet, and, of course, the noodles themselves. In this article, the five noodles are described and assessed by two of the most noodle-ravenous girls in Durham.

Cooking is not always feasible and often does not fit into the university schedule

To kick o evaluation is the Nissin Demae Chicken Noodles. These have become a staple in our cupboard, for they are not only extremely flavourful, but a brilliant comfort food. The warming broth is the perfect addition to the filling noodles, creating a delicate but enjoyable dish. For the cost of less than a pound, these noodles aren’t to be missed. On a similar note, the Nissin Demae Black Garlic Oil flavour is another favourite. Though they are similar to the Chicken Noodles, they are

a (noo)dull moment

a little more palatable, especially because of the hint of green onion in the seasoning that compliments the garlic flavour nicely. Both the Chicken and Black Garlic Oil Nissin Noodles are worth an eight out of ten, for they have an enjoyable balance of textures, with the light soup and the dense noodles creating a delicious taste sensation.

If you’ve got a craving for something spicy, we would highly recommend both the NongShim Shin Ramyun noodle cups and, the fan favourite, Buldak Samyang Spicy Chicken Noodles. The Nongshim Shin Ramyun Noodles have an ideal thick and springy texture which perfectly captures the broth in every mouthful. The broth has a real depth of flavour, and just the perfect amount of spice. The addition of the vegetable sachet, featuring mushrooms, carrot, bok choy, and green onions, help balance everything together. If you’re really interested in

as soon as the spice have worn o Indomie Mi fry Noodles perfect simple These Indonesian a delicious base for a dinner. It is unsurprising that these noodles are so greatly loved, considering Indofood is the largest instant noodle producer in the world. However, what makes these particular noodles so special is that they have four flavour packets as opposed to two, meaning they are bursting with complex flavours. Indeed, the slightly sweet soy sauce is particularly noticeable, though not overpoweringly so. There is a balance of this sweetness with the savoury nature of the garlic and onion that creates a wonderful umami

the Buldak Samyang Noodles a go, though we warn that it is not for the faint-hearted. ‘Buldak’ is a popular street food in South Korean, coming from the words ‘bul’ meaning ‘fire’, and ‘dak’ meaning ‘chicken’. This turns out to be an apt description, as these noodles pack a serious punch in both flavour and heat. Each mouthful is packed with a perfectly spicy, mildly sweet, smoky, garlicky depth of flavour that will leave you craving

the job of glue) acting as the bun that encompasses a beef

Though we are yet to try this technique, it sounds like a brilliantly innovative IndoAmerican fusion!

These have become a staple in our cupboard, for they are not only extremely flavourful, but a brilliant comfort food

What makes these particular noodles so special is that they have four flavour packets

Martha Powell explains, no Durham wardrobe is complete without it An ‘ode’ to Durham stash...

Have you fallen victim to Durham stash culture? Do you reach for your college fleece whenever you need something quick to throw on to put the bins out? Do you live in crest embroidered Canterburys despite never wearing them for sport? Has your er been sighted on Overheard on the floor of Jimmy’s? (Why would you take it with you?) Stash is a staple of Durham culture, and comes with both benefits and drawbacks when it comes to originality, college spirit, and a desire to fit in amongst our peers. But why is Durham so

The collegiate system is, in my opinion, the greatest contributor to this fatal lack of individuality in Durham’s fashion scene. I find myself seeing more college stash than generic Durham ones, such as Team Durham or the

dominance in this regard from what I assume must have been a combination of great marketing on the college’s part and a very heavy pu sense of community transfers across all aspects of university life, and is heavily impacted by college pride. For example, take a walk to Maiden Castle for a floodlit fixture, and all of a sudden wearing college stash mimics wearing your favourite football team’s shirt.

Outside of college, Team Durham stash also proves incredibly popular,acting as the equivalent of a jock’s letterman jacket in a 1980s film. In my understanding, the acquisition illicit ‘old’ fleeces bought from Team Durham appear to be in the highest demand. In this case, stash not only acts as a uniting front between clubs, but also exudes a sense of exclusivity as not only are these not available to the everyday student, but they also require sourcing through external means.

If I were to break it down, it is clear the sense of identity and community found in the college crest is what encourages a student’s preference for college stash over university ones; I was buying into having something in common with my friends.

Has your pu been sighted on Overheard on the floor of Jimmy’s?

The aesthetics of a college and its community are also heavily reliant upon the ability to identify others within your college in public. If you take a trip down Church Street on a weekday, you’ll be ambushed by crests and logos. John Snow, for whatever reason, assert

Despite the lack of individuality I feel wearing my Durham stash around the city, coming home changes that entirely. Although no longer surrounded by other students, the sense of community does not entirely vanish. My friend and I had a running joke that he was taking his college fleece skiing in the hopes that he would no doubt run into your average Durham stereotype. Away from finding something as recognisable as a intriguing rather than repetitive and I don’t think that there is anything wrong with stash, other than feeling uninspired with my fashion choices wear it. However, stash isn’t about a fashion statement; it’s instead a statement of identity. Despite all stash’s flaws, there is something nice about feeling a part of something, be it a sport, a college, or a society. However, I will draw the line at wearing a sports club tie on a night out, even if it’s a Wednesday.

As

Stash isn’t about setting a fashion statement, it’s instead about a statement of

Image credit: Anna Kuptsova Thursday, 4 May 2023

I’ve heard rap music at its best

Ryan Liu explores the genuis behind the mask of the late hip-hop icon, MF DOOM

Music is a subjective joy for all. Whether you’re a fan of pop, R&B, or house, music of all genres can be enjoyed by anyone. Personally, I am a fan of rap. Originating in the predominantly black Bronx suburb of New York in the 1970s, music characterised by hard drums over booming instrumentals is my favourite. Whether it be Dave, Drake, or older tunes by Skepta and OutKast, I will always have a soft spot for rap. Having said this, I think I have heard the pinnacle. I’ve listened to multiple subgenres of rap and eras spanning decades, but I believe the best comes from a man shrouded in mystery, springing from tragedy under the guise of a masked comic book supervillain to leave an indelible mark on rap, MF DOOM.

with one of rap’s greatest producers, Madlib, widely seen as DOOM’s magnum opus, and still one of the most celebrated rap albums ever. According to DOOM, the album came together spontaneously, “[Madlib] would give me another CD, and I’m writing... We might stop, and he’ll burn one and listen to the beat, and that’s it... We hardly spoke. It was more through telepathy. We spoke through the music.” Dumile would release four more collaborative albums from 2005-2021, and one more solo album, Born Like This, in 2009. These releases would be supplemented by six volumes of self-produced instrumentals, the Metal Fingers Presents: Special Herbs series.

Vaughn experiences when he discovers the woman he loves cheating with himself, MF DOOM. Finally, to marry it all, was his voice. A gru , gravely utterance that added atmosphere and rammed home the feeling of being in the presence of a supervillain.

Born Daniel Thompson Dumile in Hounslow on 13th July 1971, he grew up in New York, earning the nickname ‘DOOM’, a phonetic play on his name, due to his love of comic books. He formed the rap group KMD alongside his younger brother DJ Subroc, releasing their first studio album, Mr. Hood, in 1991. On 23rd April 1993, just before the release of their second album, Black Bastards, tragedy would strike. His younger brother DJ Subroc was struck and killed by a car, with KMD then being dropped by their label due to their controversial cover art. Following his brother’s death, Dumile would disappear from 1994-1997, becoming ‘near homeless.’ He swore his revenge ‘against the industry that had so badly deformed him.’

Dumile would return under the moniker MF DOOM, named after Marvel supervillain Dr. Doom, releasing his debut solo album Operation: Doomsday in 1999. The ‘MF’ in his name would stand for Metal Fingers when producing, and Metal Face when rapping. He released two albums in 2003 under di erent names, Take Me To Your Leader by King Geedorah, and Vaudeville Villain by Viktor Vaughn. Dumile would then release two albums in 2004 under the MF DOOM name, MM...FOOD, an anagram of his name based on using food puns to critique themes common in rap at the time, and Madvillainy, a collaboration

Now, why do I think MF DOOM’s music is the best rap music I will ever hear? Firstly, his character. DOOM was famous for never taking o his Marvel-inspired mask, explaining that he felt rap music was becoming more about the artist than the art. To counteract this trend, as well as build the supervillain persona, he adopted the mask, forcing the listener to appreciate his rapping skill rather than his admittedly portly appearance. He stayed underground for his entire career, focusing on his music and avoiding the public, hedonistic lifestyle of his mainstream contemporaries. Secondly, his choice of instrumentals and use of samples. Heavy use of old comic book cartoons throughout albums such as Doomsday and Madvillainy helped to create a world of a supervillain, his machinations for world domination and dastardly doings of destruction. His instrumentals featured incredibly obscure samples ranging from guitar ri s from 60s and 70s bands, Brazilian piano chords on the song ‘Raid’ from Madvillainy or Bollywood samples. All these samples were procured through constant vinyl crate digging.

Then there was his flow and rhyme schemes. A lazy, o -kilter flow that had the e ect of a supervillain following his own rules. Throw in his mesmerising, often ridiculous rhyme schemes, with entire lines rhyming with entire lines, stringing together entire verses, filled with double-entendres, puns, and self-deprecating humour. He showed his range on Madvillainy, with the brilliantly concise anti-War On Terror song ‘Strange Ways’, flowing over a booming 70s string-sample instrumental, and ‘Fancy Clown’, a song about the heartbreak Viktor

Daniel Dumile passed away on Halloween, 31st October 2020, at the age of 49. His death was not announced until 2 months later. The legacy he left behind was revolutionary. Being active during a period where braggadocio and the glorification of violence was, and still is, the norm, DOOM subverted this expectation. He proved that being slightly weird could garner success. Multiple modern-day rappers ranging from Tyler, The Creator and Joey Bada$$ show appreciation for his work and cite DOOM as a major musical influence.

I was recommended MF DOOM three years ago, and now proudly display the Madvillainy vinyl above my desk. ‘All Caps’, the zenith of the Madvillainy album, stands irreplaceably at the top of my Spotify most-streamed list. For me, the universe that DOOM created through his timeless music, his cartoonish character and his infallible ability is incomparable to any other. His absurd, comedic artistry and lyricism are the best bar none. His ability to produce, rhyme, collaborate, and create characters is incredible. Listening to his music invokes the feeling of being immersed in the universe of a cartoon or comic book, and perhaps that’s what he set out to achieve with his music. He’s certainly achieved this, and in doing so, I have had the privilege of hearing rap music at its very best.

Just remember: all caps when you spell the man name

books@palatinate.org.uk

Do we really need a Harry Potter reboot?

Isla Leadbetter shares her thoughts on the recently announced adaptation

It’s o cial – a Harry Potter reboot adapted by Warner Bros. Discovery is coming to Max (previously HBO Max). One season for each of the golden trio’s seven years at Hogwarts. The public’s reaction to this news has been nothing short of mixed, and the subject of fierce online discourse. Whilst some die-hard fans are excited to see a new take on this beloved series, many are not happy with the announcement. I grew up loving both the Harry Potter books and movies, re-watching the films countless times, but I feel conflicted over this remake and believe that certain aspects should be reconsidered. Nonetheless, if the series goes ahead, I do believe that Warner Bros. have the chance to embrace several opportunities.

JK Rowling’s involvement in the series as an executive producer is one of the most contested aspects of this reboot, given her provocative comments about the transgender community. It is almost impossible to suggest that the series could go ahead without her association whatsoever given her creation of the world, plots, and characters. Still, I believe that Warner Bros. should seriously reflect upon the contentious feelings surrounding the production of this show and the extent of Rowling’s participation.

This raises another point of discussion – would this reboot cut short the legacy of the revered eight-film franchise? For many millennials and early Gen-Z’ers who grew up with Daniel, Rupert, and Emma as their golden trio, the answer is a resounding yes. The nostalgia towards the original cast means that for some, the idea of a new group of actors taking on these iconic characters is too much to bear. After all, who could rival Alan Rickman’s cold yet tortured embodiment of Snape, or Maggie Smith’s stern but fair portrayal of McGonagall? As someone who also grew up loving and relating to these characters as portrayed by the original cast, I can understand this perspective. Nonetheless, I disagree that a new take on the series would ruin their legacies. Those of us who grew up with this cast will always have the original films to go back to. With this new series, there is an opportunity for the next generation to grow up with this story and become equally attached to a new group of young actors who portray these much-loved characters.

Would this reboot cut short the legacy of the revered eight-film franchise?

That’s not to say that this is the only reason that the show should be reconsidered. Warner Bros. is missing a great opportunity by not giving in to a high demand among fans for several spin-o ideas, especially given the positive reaction towards Max’s Game of Thrones spin-o series House of the Dragon. Some of my favourite ideas relate to a prequel detailing the lives of the Marauders as they move through Hogwarts or a show that delves deep into Voldemort’s backstory. A series telling either of these stories would provide an engaging insight into some of the original series’ most beloved or most complex characters. If not these prequels, then how about an origin story surrounding the founders of Hogwarts or an exciting tale about Madeye Moody’s missions as an auror? For me, covering one of these stories that the fans have been begging to see on screen would be more enthusing than retelling the same story still fresh in our minds. After all, the final movie was released only eleven years ago.

Furthermore, if the show is to go ahead, I do believe the creators could take advantage of some exciting opportunities which could appease some of my reservations and others hesitant about this reboot. Most obvious is the chance to include some interesting details from the books that were missed in the film series, as a TV show better facilitates the subplots that the movies did not have time for. For example, the reboot could incorporate Hermione’s campaign against the mistreatment of house elves with the creation of S.P.E.W., Tom Riddle’s full backstory, or how Neville Longbottom could have been The Chosen One Harry Potter. I would also love to see some unknown actors cast in main roles to open the door for new talent, which could even be a chance to increase the diversity within the cast (echoing the Percy Jackson remake) so that more young people have a chance to see themselves represented on screen.

Overall, whilst I believe that Warner Bros. would be better o creating a series based on a story in the Wizarding World that has yet to be told, I would still be interested in this remake if new elements and opportunities were embraced on screen. However, I would personally find it di cult to watch this reboot with JK Rowling’s significant association, as I find her views to be problematic.

I feel conflicted over this remake and believe that certain aspects should be reconsidered

Image credit: Anna Kuptsova Thursday, 4 May 2023

The finale to my Durham degree

Dherran Titherington-Bragg shares her expectations for her final term at Durham

There have been many moments over the last three years where I have simply abhorred my degree, the city, and life in Durham. But still, I find myself reeling at the notion that soon it’ll all be some distant memory. Even typing Epiphany term in past tense feels odd. Part of me feels as though I should have slowed down a bit. It’s so easy with the absolute carnage that is one’s dissertation, summatives and looming postgraduate life, to simply forget to look up, and thus miss the final months.

Part of this feeling, I would suggest, stems from the fear of the unknown – not knowing what is next. There is nothing remotely soothing about the limbo phase of needing to have plans for after graduation, and yet possessing none. It’s scary, and it feels as though this limbo phase has crawled and snuck up on me in the night like an intruder.

taken place here. Sure, I notice a friend’s new haircut or di erent sense of style - those changes are instant. It’s the gradual and incremental alterations to people’s work ethic, their accent, their social circles, their social habits, their hopes for the future: that all encapsulate how powerfully short yet potent these three years are.

It’s interesting, because the time spent here feels short, but the change in those around me is drastic. Three years is such a short period of time in the grand scheme of our lives, and yet a large part of our development has so subtly

Editor’s Note

Roshni Suresh Babu

As a finalist myself, I feel as though I am caught in between wanting my tiring degree to end immediately, and wanting to make the most of my precious few weeks at Durham. Post-exams, I anticipate that my calendar will be full and my bank account will become empty to fulfill my Durham bucket list!

My personal wishlist consists of: going to the cat cafe, watching the sunrise from observatory hill, successfully completing the full bar crawl, doing a barbecue in the summer, and more!

My outlook, for instance, has changed exponentially during my time in Durham. I recall my attitude in first year: someone who was perpetually scared of this new city, daunted by the prospect of making an entirely new group of friends, and attempting to flee classist comments about where I came from. Now, I feel a sense of gratitude for being granted the privilege of living in this city, and meeting the people I have. I understand the purpose and importance of participating in groups outside of studies, of building my skillset and genuinely just doing things for the sake of enjoyment. I spent my first-year yearning to get involved in various societies but lacking the guts to just get out and do it. I see now how detrimental that was, and wholeheartedly appreciate my decision to get involved.

Eighteen-year-old me wanted nothing more than for these three years to breeze past in a flash. I wanted to get it over with and return to my comfortable routine (whatever that was). How long it seemed back then, and now how short these final months ahead of me look. Now, more than I ever did as a fresher, I cherish my walks by the river and through the forested areas throughout Durham. Back when I was too scared to venture far from college or central areas, I regrettably missed out on moments such as this. I cherish the beauty of living with my best friends, as chaotic and nightmarish as it often can be. I know now that every time I look at a pile of mounting dirty dishes, and miscellaneous items sprawled across the living room, that one day I won’t have this same burden, and I’ll probably, in a weird way, miss it. So, as I look back on my time with a severe nostalgia, not to mention discomfort at its imminent conclusion, I realise that there is nothing inherently scary about what is next.

Before I reach the end of my degree, I’d like to do a few more night outs before I pack it in for adult life. I wouldn’t mind experiencing a few more late nights of Jimmy’s Woodgates, bad dancing and shit music: followed by greasy food and a debrief the next morning with my equally dishevelled, violently hungover housemates. I suppose I want to act like a student a bit more, just for a bit longer, until I’m not one anymore.

I want to act like a student a bit more, until I’m not one anymore

As I enter my final term of university, I want to remain grateful for the fact that I am here for a limited amount of time. Instead of getting caught up in a countdown of sorts, or a reflection on wasted time, I want to appreciate the moment right now, and benefit from what is left.

As I look back on my time, I realise that there is nothing \ inherently scary about what is next

stage@palatinate.org.uk

Exam, eat, watch play, repeat

Stage Editor, Amelie Lambie-Proctor, shares upcoming pieces from two local theatres

With exam season in touching distance, it is crucial to make time for yourself and have a break from revision. Two local theatres are showing a pleathora of mind transporting plays that can distract from the pressure of current exams or be used as something to look forward to after the exam period. Below are some highlight performances from both venues as well as an exciting opportunit for scriptwriters that could be taken advantage of after exams!

Gala Theatre

Right on our doorstep, the Gala Theatre has an adundance of upcoming shows. If in the mood for some escape in a show but can’t quite find the time to look up upcoming performances, then look no further! Below are some of the upcoming shows at the Gala Theatre

At the end of exam season, this play will have your belly aching from laughter

Best of Enemies

When: Thursday 18th May

Price: £15 or £13 concession

This will be a screening of the recent West End tenant Best of Enemies. The play is set in 1968 America in the lead-up to a presidential election and focuses on one debate between two politically opposing party members. Receiving stellar

reviews and two Olivier Award nominations has earned an impressive reputation. Catch it at the Gala Theatre!

Right on our doorstep, the Gala Theatre has an adundance of

experiences of young dads. The play focuses on Alfie whose life is about to get turned upside down when he finds out he is going to be a dad while studying GCSE geography.

Door-to-Door Poetry: Nationwide

When: Thursday 18TH May 2023

Price: £12 or £10 concession

Door-to-Door Poetry:

attempts to win back her ex, (whom she lost to her only friend), all while building a soapbox car, which she will drive down a hill!

Two local theatres o ering such great

The unique opportunity the theatre provides is one all hopeful scriptwriters should consider! The ‘Response Writing’ competition is open to anyone age 16 or older. How it works is you will go and see one of Alphabetti’s shows in its first week of production. Then you have until midnight on Friday of the same week to write a 15-minute play responding to one aspect of the play. You can collect a Writers Pack from the box o ce for guidance The winning play will be performed professionally by the theatre immediately after the original play’s performance, and will

friend. At the end of exam season, this play will have your belly aching from laughter.

Father Unknown

When: Thursday 15th June

Price: £10

Father Unknown has collaborated with both Newcastle University and the young dads from The North East Young Dads and Lads and is inspired by the real-life

at its heart, The Alphabetti Theatre was established to nurture the performing arts in the North East. As well as an upcoming show, they have a unique writing opportunity.

Soapbox Racer

When: 25th April- 13th May

Price: £3-£15

Written by Ben Schwarz and directed by Rosie Bowden, Soapbox Racer follows Kay’s

This term, this opportunity is available for the play Chop, Dissolve, Burn and the deadline for the response piece is on Friday 23rd June. For aspiring writers, this is not one to miss!

With two local theatres o ering such great viewing, an escape from exams or having something to look forward to, does not have to be di cult to achieve and I would highly recommend loosing yourself in a show to do this!

Image credit: Simon Ray via Unsplash

visual.arts@palatinate.org.uk

Bare-assed: escaping the male gaze

Rae Rostron celebrates the history of life drawing and women’s freedom

Life drawing has long been stigmatised; inspiring fears of vulnerability and discomfort where, rather, it should be promoting freedom and enlightenment. The form found its roots in 18th century France, where it was considered a compulsory exercise for student to master. But if it’s been around for so long, why is the concept of posing in the nude still cause for alarm? Our bodies house intricate subtleties designed to prod at our fascination, so why should they not encourage our artistic expression?

The female body is done being censored – and many others agree. For International Women’s Day the St. Chads, FEMSOC hosted a life drawing class to raise money for Strut Safe, in memory of Durham Alumni Sarah Everard, and Lets Get our Knickers in a Twist, a charity supporting vulnerable women set up by Durham student Serena Chamberlain. In conversation with organisers and models, I got to hear from change-makers themselves about how they view freedom and feminism.

Have you life modelled before?

“I’ve life modelled a couple of times before since I’ve really started embracing body neutrality as a concept! I think for me that stems from a place of healing and has just been something which has come from growing up, maturing, and finding peace with the way I look.” (Dite Bagdonaite, Life Model)

“I’ve never life-modelled before!.. Applying to take part was definitely a toss-up between the physical vulnerability of having my tits out in front of a paying audience, and the liberation of just existing in my body, and how empowering that would feel. And I’m so glad I took the leap; it was so rewarding!” (Anonymous Life Model)

Life modelling is a reminder that our bodies can exist for more than just sexual satisfaction, instead, it can be about performance, conveying emotion, creating shapes, excelling pride.

Do you think art is a good way of expressing freedom?

“For sure, even if you don’t end up getting (nearly) naked. On a small scale, there’s freedom in art’s ability to convey something innate and personal and that’s why I write and paint – and

that desire to do so exists within everyone... Art is being heard and that’s freedom.” - (Dite) “...the very essence of the craft is to embrace the human form in whatever way it exists, and this has to be synonymous with freedom, for both subject and artist.” (Anonymous)

The liberation of just existing in my body

The rise of pornography has also contributed negatively to the stigma of the naked body, replacing the natural with the idealisation of the male gaze.

Do you think we will ever fully be able to escape the “male gaze”, and is life modelling/ life drawing one of the ways to do that?

“...I think we can do our best to tackle our own thoughts and behaviours and those of our friends, but I feel like it being truly eradicated would take some unprecedented upheaval.” (Dite)

“If we reprimand life modelling, are we not falling into the trap of labelling women as those who need to protected etc and reenforcing misogynist rhetoric? I’m not sure there’s any right answer, but certainly an issue I will be thinking on.” (Anonymous)

“...I think escaping the “male gaze” is a di cult thing, for many men see femalepresenting bodies as intrinsically sexual... life drawing can aid the appreciation of the body as just a projection of sexuality.” (Sophie)

My, hands, my waist to my hips

What is your favourite part of your body?

“I think art is a great way of expressing freedom, because... we do not have to work within the confines of any artistic margins, Art can be whatever one wants it to be.”

(Sophie Sherratt, FEMSOC)

Women have been conditioned to think that their bodies are inappropriate, and the oversexualisation and oppression that the body, particularly the female body, has faced has led to a mistaken assumption that the drawing is of a naked body, and not a naked person. At first, women were not allowed to be involved in life modelling.

The female body is done being censored

What was supposed to be a celebration of the human form excluded the female body; the body responsible for creating new bodies.

“Maybe weird to say but probably my hands? I like to experiment by wearing di erent rings and nail varnish, (Dite)

“My waist to my hips. They are big, soft and curvy and I love the way my favourite trousers rest on the top of my hipbone.” (Anonymous)

“My favourite part of the body is the hands. There is a certain delicacy and elegance to the hands, especially displayed in artistic forms like ballet.” (Sophie)

Self-expression should not be criticised or villainised and owning the rights to use and appreciate our bodies as we see fit should not be a debate. Life-models should not be classified as victims or whores but as art. So, give me a warm room and an eager artist and I’ll bare it all. I’ll let you feast on my form and then, when you’re done, maybe you can tell me what language my body is speaking.

travel@palatinate.org.uk

Ramadan, to travel or not to travel

Travel Editor, Lydia Doye, shares her experience of Ramadan in Cairo

Egypt is a destination that has historically captivated travellers with its ancient history, stunning architecture, and bustling cities. But for those who choose to visit during the month of Ramadan the experience is transformed into so much more than this. Living in Egypt’s capital, Cairo, during this time, I was welcomed into the local culture and encouraged to immerse myself in the festivities.

As Ramadan approaches, the city transfigures into a sea of vibrant colours and beautiful decorations. Intricately designed lanterns hang from every doorway, lighting up the night sky. This tradition dates back to the Fatimid era around a thousand years ago when lanterns were used to light the way for processions of people wishing to observe the crescent moon which marks the beginning of the Ramadan. The lantern has become iconic, it is the equivalent of the Christmas tree, and it rare to see a home without one. Where fancy decorations cannot be a orded, communities come together in harmony to create colourful banners and garlands out of recycled materials, which are strung from wall to wall, adding a festive and welcoming atmosphere to the city. In addition to lanterns and banners, there are also incredible displays of calligraphy and artwork that are common during Ramadan. These decorations are a testament to the beauty and diversity of the country’s rich cultural heritage, but they are not simply about their aesthetic value. Instead, they embody the spirit of togetherness, signifying the coming together of family and friends and have left a lasting impression on me.

The city transfigures into a sea of vibrant colours and beautiful decorations

Ramadan must-trys

Dates

Dates are traditionally eaten to break the fast in Egypt. They ease hunger and prepare the stomach to receive food after being inactive throughout the day.

Wandering the streets in the morning you may wonder what all the hype is about. Restaurants and cafes are closed for business, local bars stop serving alcohol and tourist attractions may close early. It is almost as though the city is asleep. The normally chaotic roads descend into silence and transform into a ghost town, as families break their fast together at home. Once the call to prayer sounds, however, the city awakes from its slumber and returns to its bustling state. Shops and restaurants open at night as people eat and drink into the early morning hours, with happy groups of people smoking shisha whilst playing endless games of dominoes. You can also find buzzing night markets which come to life later. These are packed full of vendors who sell everything from traditional clothing to handmade crafts and souvenirs. The atmosphere is infectious and it is easy to be swept up in the excitement.

The city awakes from its slumber and returns to its bustling state

If you stroll through the streets of Downtown Cairo as the sun sets you might just get to witness the magic of Iftar, the meal where Muslims break their fast together. Throughout the city you can find long banquet tables set up in the streets in di erent neighbourhoods at this time to provide free food and drink for their inhabitants. If you are lucky, you will be invited to pull up a chair and join the festivities, which is undoubtedly an unforgettable experience. Traditionally, Muslims break their fast with dates and water, which are then followed by a meal of feast-like proportions including a multitude of delicious Ramadan desserts.

In the run up to Ramadan, I was apprehensive to say the least. I was unsure of what to expect and had so many unanswered questions. Would I be able allowed to eat or drink in public?

Knafeh

Would I have to become nocturnal? As I am writing now and I reflect on the last month, I hope that you have a caught a glimpse of the magic of Ramadan that I have tried to capture. One thing I have noticed throughout my time here is the kind-hearted nature of the Cairenes. During Ramadan, this kindness is magnified ten-fold and nothing could have prepared me for the immense hospitality I have experienced. So if you are putting o travelling anywhere to avoid the enchanting chaos that celebrations like this can bring then I urge you not to, they only come around once in a crescent moon.

Knafeh is a popular dessert during Ramadan. It is made with spun pastry called kataifi, soaked in a sweet, sugar-based syrup called attar, and typically layered with cheese.

Image credit: Matilda Hubble

A group of friends sharing Iftar together in Downtown Cairo

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