Dallas International Art, Antique & Jewelry Catalog 2013 by Palm Beach Show Group

DALLAS

International Art, Antique & Jewelry Show

November 7-1 1, 2013 1

DALLAS International Art, Antique & Jewelry Show

November 7-1 1 2013 Show Catalogue

Scott Diament, GG, G.I.A

Robert Samuels, GG, G.I.A

From the Organizers, It is our pleasure to welcome you to the Dallas International Art, Antique & Jewelry Show at the Dallas Market Hall. We are proud to be able to host our show in the beautiful City of Dallas. As show organizers, we strive for excellence, traveling far and wide to the world’s finest art and antiques shows, in addition to attending the most important shows in the United States. As a result, it is our pleasure to be able to present you with a national and international array of unique and highly esteemed exhibitors in each category. A show of this magnitude presents challenges from inception and requires a coordinated effort from a myriad of people. We would like to show our gratitude by congratulating everyone involved in making the Dallas International Art, Antique & Jewelry Show a success. It is truly a team effort requiring seamless production from our hardworking office staff to our technical and creative personnel that bring this event to life. Most importantly, we would like to extend a special thank you to our exhibitors from around the world who travel here so that we might enjoy spectacular works of art, rare antiques and timeless treasures. To each participant, we offer our deep felt appreciation and gratitude. To our visitors, we extend our warmest welcome, and invite you to take advantage of this cultural experience and the opportunity to meet many of the world’s most renowned and respected, fine art, antique and jewelry dealers who are eager to share their knowledge and treasures with you. We are also pleased to welcome you to our other Palm Beach Show Group events: LA Art Show, January 15-19, 2014 Los Angeles Jewelry & Antique Show, January 15-19, 2014 Naples Art, Antique & Jewelry Show, February 6-10, 2014 Palm Beach Jewelry, Art & Antique Show, February 14-18, 2014 Chicago International Art, Antique & Jewelry Show, April 24-28, 2014 Baltimore Summer Antiques Show, August 21-24, 2014 Palm Beach Jewelry & Watch Show, November 13-16, 2014 “It would take a lifetime of travel to see and experience all that the Palm Beach Show Group has to offer.” Please Enjoy the Show!

Scott Diament President/CEO

Robert Samuels Vice President 4

DALLAS

International Art, Antique & Jewelry Show Private Preview Party Thursday November 7 6:00pm-9:00pm Benefiting DIFFA/Dallas

Show Hours Friday Saturday Sunday Monday

November November November November

8 9 10 11

11:00am-7:00pm 11:00am-7:00pm 11:00am-7:00pm 11:00am-6:00pm

DIFFA Designer Showcase Curated by: John Bobbitt Featuring: Ike Isenhour Cathy Kincaid John Marrs Joe Minton

COVER Image The Seamstress by John William Godward, courtesy of M.S. Rau Antiques Back cover Image PIĂ&#x2C6;CE UNIQUE NO 116. The Medici brooch in red gold set with: 6 Pear Shape Amethysts 112.60 Cts, 2 Rubellites 20.10 Cts, Tahitian grey-blue Pearl 18.00 Cts, 8 Rubellites Beads 2.55 Cts, 762 Spinels 7.09 Cts, 181 Diamonds 2.28 Cts, courtesy of Suzanne Syz Art Jewels

DALLAS

International Art, Antique & Jewelry Show A Special Thank You to our 2013 Honorary Opening Night Committee Sami Abboud Angela Auld Simona Beal David Biggar John Bobbitt Lee Borchert Clint Bradley Ron Brady Justin Bundick Angela Choquette Leslie Concors Mikael Coursey Gary Cunningham

Jennifer M. Kolstad Darin Kunz Vivian & Alberto Lombardi Lisa Lowery John Marrs Paul Massey Jerry Miller Matthew Minnick Joe Minton Debra Nelson Greg Nieberding Brittanie Buchanan Oleniczak Carol Quist

Holly Davis Jim DiMarino Ferrell Drum Patrick Esquerre Matt Gilley Rickey Grunden Carol Hatton JoAnn B. Hayes Ike Isenhour Greg H. Johnson Erik Karvonen Cathy Kincaid Dr. Raymond King

Autumn Rich Noel Rodriguez Marcus Spears Chuck Steelman Steve Stodghill Shannon Sturdivant Clarice Tinsley Johnny Wallace Pam & Monk White Matt Wilkerson

Host Committee Tom Addis Heather and Scott Asbury Marilyn Augur Sue and Dan Bailey Jan Baldwin Kim and Blake Barker Carrie and Tom Barron Valerie and Barron Bell Morgan and Barron Bell Jr Faye C. Briggs Pamela and Dan Busbee Meredith and David Camp Connie and Denny Carreker Christie Carter Minnie and Bill Caruth Amy and Corbin Cook Gail and Dan Cook Garry Cox Mary Lee Cox Jill Crotty Nicole Dabbert Barbara and Don Daseke Debbie Denmon and Richard Greagor

Gay and Brad Donnally Patsy Donosky Emily Eisenhauer Tucker and Richard Enthoven Sarah Freeman Susan and John Farris David Feld Patti Flowers and Tom Swiley Joyce Fox Linda Gibbons Nancy Gopez Randall Goss Jennifer and George Grubbs III Margaret and Barry Hancock Sherry Hayslip Karen Mordecai and Peter Hirsch Tres and Patrick Hodges Arundel and George Hunter Sue and Phil John Ramona Jones Olivia and Jeff Kearney

Joyce and Larry Lacerte Susan and Lou Lebowitz Lisa and George Longino Kate Rose and T.J. Marquez Karen and Charles Matthews Alan May Jo Anne and Michael McCullough Geraldine â&#x20AC;&#x153;Tincyâ&#x20AC;? Miller Jan Miller and Jeff Rich Dana and Lee Moore Patty and Bobby Nail Lisa and Dean Niewolny Jeanette and Lamar Norsworthy Michelle Nussbaumer Andy Osborne Pam and Vin Perella Liz and Ralph Perry-Miller Terri Provencal Jennifer Ranson Rice Melinda and William Rathke Lauren Clubb Renfrow Billie Leigh Rippey

Capera Ryan Carol Seay Peggy and Carl Sewell Doug and Ginger Simmons Misty and Steven Smathers Sheldon and Barbara Stein Jan and Dan Strimple Kirby Stuart Rachel and Chris Trowbridge Patty Jo and John Turner Amy Turner Maria and Junior Villanueva Merry and Chad Vose Emy Kay and Dick Washburne Amy Wendt Beth and Richard Wilbins Kendall and Derek Williams Cindy Zelazny

Dear Patrons of the Dallas International Art, Antique & Jewelry Show, It is a great honor for the Dallas Chapter of the Design Industry Foundation Fighting AIDS (DIFFA/Dallas) to be invited by Scott Diament, President of the Palm Beach Show Group, to be the charity partner of the Dallas International Art, Antique & Jewelry Show. It is the perfect fit, bringing together creators and collectors of exquisite beauty in an elegant, festive environment united in this urgent cause. This year DIFFA/Dallas will be presented in two prominent ways during the show: the DIFFA/Dallas Holiday Wreath Collection and Silent Auction on opening night, and the DIFFA/Dallas Designer Showcase. In the DIFFA/Dallas Holiday Wreath Collection, wreaths designed by prominent people, labels and brands are presented in a silent auction on opening night with all proceeds benefitting DIFFA/Dallas. Look for works of art and jewelry paired with some wreath packages and bid, bid, bid! In this year’s Designer Showcase, I am honored to be joined by four of the top interior designers in Texas: Joe Minton, Cathy Kincaid, John Marrs and Ike Isenhour. They have incorporated art and antiques from the exhibitors around the world in each of their extraordinary vignettes representing the very best in design and connoisseurship. The Dallas Chapter of the Design Industries Foundation Fighting AIDS was formed in 1984 to support the fight against HIV/AIDS like no other organization can: by drawing on the contributions of world-renowned creative and corporate leaders representing all branches of the design related industries. By the numbers: The CDC estimates that more than 1.2 million adults and adolescents, from all walks of life and economic backgrounds, are living with HIV/AIDS in the U.S. today. One in five (20%) of those people living with HIV is unaware of their infection. In Dallas County, about 15,000 adults and adolescents are living with HIV/AIDS. Of the approximately 800 new cases of HIV diagnosed in 2012, 25% were between the ages of 13- 24 and 55% were under the age of 34 . Medication and consistent medical treatment are important to saving lives, but just as important is preventative education, transportation to medical services, food and counseling which are all part of the mission of DIFFA/Dallas and our ASO beneficiaries.

DIFFA/Dallas has distributed over $5 million to twenty-five frontline AIDS service organizations in North Texas. These organizations currently serve approximately 23,000 men, women and children in our area who are living with or affected by this terrible disease and would otherwise not receive these services. Please come see the DIFFA/Dallas Holiday Wreath Collection and the DIFFA/Dallas Designer Showcase at the show and help us in our mission to support those in need and ultimately defeat HIV/AIDS. With best regards, John Bobbitt DIFFA/Dallas 2013 Holiday Wreath Chairman

Greetings! It is my honor to welcome you to the 4th Annual DALLAS International Art, Antique & Jewelry Show. The City of Dallas is thrilled to serve as the host site for this much anticipated event. We warmly welcome all the exhibitors from around the world to Big Dâ&#x20AC;&#x2122;s Dallas Market Hall. I would like to extend a special thank you to the show organizers Scott Diament and Rob Samuels and the entire Palm Beach Show Group for creating a show experience of this caliber in Dallas. The Palm Beach Show Group is partnered with DIFFA/Dallas to kick off the show with a spectacular Opening Night Preview Party. I applaud their commitment to the Dallas art community and their efforts to become locally involved. In addition to experiencing the amazing collections of art, antiques and all other aspects of the show, I encourage you to explore the many treasures Dallas has to offer. I hope you have a wonderful time in the city and enjoy the show!

November 2013

It is with great enthusiasm that we welcome the return of the Dallas International Art, Antique & Jewelry Show to Dallas. This event epitomizes the meaning of Dallas’ new tagline – “Big Things Happen Here” – and it has quickly become a Fall favorite. We look forward to many future years as event hosts. Dallas is a city where optimism meets opportunity and where dedicated investment in and near downtown has transformed our architecture, cultural venues, retail, transportation, dining, entertainment and quality of life. Not only is Dallas one of the nation’s largest cities, it is definitely the nation’s most vibrant, dynamic and hospitable. Whether you are a visitor or resident, enjoy this event and our great city!

Sincerely,

Phillip Jones President and CEO

325 NORTH ST. PAUL STREET, SUITE 700 DALLAS, TEXAS 75201 VisitDallas.com 10

DALLAS

International Art, Antique & Jewelry Show A Palm Beach SHow Group Event

President, CEO..............................................................Scott Diament, GG G.I.A. Vice President...............................................................Rob Samuels, GG G.I.A. Communications Executive Director of Communications...............Laurie Green Communications Assistant.......................................Danielle Hamilton PR/Media Relations.....................................................Strauss Marketing & PR Community Relations.................................................Valerie Bell & Associates Art Director....................................................................Hanna Isotalo Graphic Designer..........................................................Monica Vargas Event Management Events Managing Coordinator................................Kellie Ross Sales Director................................................................Jaime Moses Exhibitor Relationship Manager.............................Todd Cusumano Show Director................................................................Laurette Lutiger Accounting Office Manager/Finance Division...........................Lisa Solomon Weissman Deputy Financial Services........................................Chere Morales Operations Executive Show Manager..........................................Dale Chlumsky Project Supervisor.......................................................Robert Hann Administration...............................................................Nikki Torres Show Office 500 N. Dixie Highway, Lake Worth, FL 33460 tel: 561-822-5440 fax: 561-837-6651 DallasFallShow.com | CollectorsNet.com | PalmBeachShowGroup.com

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International Art, Antique & Jewelry Show Contents Show Hours & Preview Party................................................. 5 Host Committee......................................................................... 6 Letters of Greeting.................................................................... 7 Collecting 19th Century Art..................................................14 by Bill Rau, M.S. Rau Antiques American Decorative Arts at the Worldâ&#x20AC;&#x2122;s Fairs.............18 by Jason T. Busch and Catherine L. Flutter Participating Exhibitors.........................................................28 Partners........................................................................................76 Advertisements.........................................................................86 Index of Exhibitors.................................................................105

Collecting 19th Century Art By Bill Rau, M.S. Rau Antiques

hances are good that the wonderful landscape your parents bought 30 years ago to hang over the mantel wasn’t purchased as an investment. Chances are even better that this same painting, if painted by a 19th-century artist of even reasonable note, has greatly increased in value. Chances are even better that this same painting, if painted by a 19th-century artist of even reasonable note, has greatly increased in value. Prior to the 1960s, late 19th-century artists like John William Godward, William Bouguereau and John Atkinson Grimshaw were, for the most part, names only the most studied 19th-century art scholars might recognize. It wasn’t until these same scholars and museum curators began to truly recognize and appreciate these talents, along with scores of other great 19th century painters, that the works hailing from this century really came into their own. With that recognition has come a

William Adolphe Bouguereau Jeannie Oil on Canvas Dated 1868 Canvas: 40¾” high x 29” wide Frame: 50” high x 38½” wide

“As the demand for 19th century artwork increases, learn how to start your own collection.”

tremendous boon in the prices for quality 19th-century art. A 2003 article in “Poder, Intelligence for the Business Elite” concluded, “Art has exceeded the markets for stocks, U.S. government bonds and treasury and corporate bonds.” Not hard to believe if you consider that in 1977 the highest recorded price for a Bouguereau painting was $17,000. Just 23 years later, that same artist would achieve a hammer price of $3,450,000, placing him among a group of late 19th-century artists whose works regularly bring prices near or over the million-dollar mark. Despite these incredible prices, much of the attraction of 19th-century art is that there are still so many extraordinary works out there to be had for less than $10,000. Impressionist masterpieces or works by the Old Masters may be out of reach for most collectors, but those looking for superb paintings by respected artists of almost any genre won’t be disappointed with the magnificent and 15

diverse works created during the 19th century, particularly those painted during the second half of that century. Like most worthwhile pursuits, success in building a fine 19thcentury art collection comes with effort and diligence. Look at any great collection and it becomes evident that the key ingredients are love of the art and understanding of the art.

Doing Your Homework “The most important thing to remember is that you need to do your homework”, explains Blake von der Haar, conservationist for the New Orleans Conservation Guild. “It’s important that you can justify such things as price-it has to be something you can love and live with.” Almost every great collection of art resulted from a collaborative effort. Museums, galleries, auction houses, art publications and other collectors are all valuable sources of information. Develop relationships with good dealers and other experts who specialize in 19th century art. Pick one or two areas of interest and study, using all of the tools available. Museums, galleries, auction houses, universities and the Internet can provide a wealth of both scholarly and subjective information, including insight into pricing and popularity

Kees van Dongen Still Life with Chrysanthemums and a View of Montmartre Oil on Panel Circa 19th Century Panel: 18” high by 24” wide Frame: 29⅛” high x 34¾” wide

of artists and their work. These efforts will not go unrewarded. Thorough research not only gives the collector a better grasp of the actual works, but it allows for the formulation of personal opinions and the refinement of individual taste. Bill Rau, president and third-generation owner of M.S. Rau Antiques in New Orleans, feels that by far, the most valuable piece of advice for those interested in art collecting, of any type, is to view similar works firsthand. “The more you expose yourself to the various artists of the period, the better you can recognize their quality and beauty,” explains Rau. “The more exposure a collector has to the genre, the more acute their taste and eye will become. It is by studying the masterpieces in person that one can truly attain an appreciation and understanding of 19th-century art.”

money. But keep in mind that financial

Value & Cost

choose your art using your head and your

Collecting 19th-century paintings involves an investment of both time and

be happier in the long run and you will have

gain should not be the motivation for collecting art. How much a collector can afford naturally affects the types of artwork collected, but today’s art market lends itself to great flexibility in terms of price range. Do not become driven by the search for bargains that may lead to the acquisition of mediocre paintings. Art is not immune to fluctuations in the economy and over the long haul, it’s much better to own a finer quality painting that costs a bit more than to have a collection full of bargain basement finds. Core aspects such as artist, subject, paint quality, light and form and condition all effect the value of a painting and should be the foundation of any collection. “Collecting art is a very personal endeavor,” explains Rau. “Don’t throw good business sense out of the window, but do heart first and then your pocketbook. You’ll a much finer collection.” Of course, that’s 16

the beauty of 19th-century paintings. Many of the finest works remain undervalued. For instance, while the price tag on a superior Alfred de Breanski landscape may not be inconsequential, the value of such a work by one of the most respected landscape painters of that period remains incredible. Of course, the first step in finding value in 19th-century paintings is being able to recognize quality and that, again, boils down to research and diligence. While a painting must appeal on the most basic aesthetic level, there are a few considerations that must be addressed before any deals are struck. Once a painting has been selected-step back and look at condition, provenance and authenticity.

Condition & Quality Whenever purchasing a piece of art, especially those created decades ago, it is important to keep a close eye out for retouches or damage caused by mishandling or unprofessional restoration techniques. Of course, restoration work, if done properly, does not necessarily decrease the value of a fine painting. Von der Haar explains that around 80 percent of the works she restores have had prior work done to them, which is part of proper care and maintenance. She warns, though, that collectors should be cautious of pieces that may have been drastically “overdone” due to outdated techniques practiced in the early part of the 20th-century. These early restoration methods tended to be overly aggressive and are no longer considered acceptable. Issues such as these can be avoided with the advice of a professional restorer or art dealer. Don’t be

Pierre-Auguste Renoir Madame Paul Valéry Oil on Canvas Dated 1904 Canvas: 21¾” high x 18½” wide Frame: 29⅝” high x 26⅛” wide

afraid to insist that a painting be checked out by a professional restorer prior to purchase.

Authenticity The resurgence in interest of 19th-century art has also brought with it issues that any collector must address most notably forgeries. Aggressive authentication is standard practice

when seeking out the works of Van Gogh or Rembrandt, making it far more difficult to pass off forgeries. However, the paintings of the 19th century present a much more enticing venue for those intent on deception. The best way to avoid these pitfalls is to work with a reputable dealer. Any good dealer, auction house or gallery should have no trouble providing the necessary information to authenticate or evaluate a 19th century painting. Be cautious if there is no signature on the painting, but not unduly so. An unsigned painting does not automatically signal a forgery or make a painting any less authentic. Often students copied the styles and techniques of the master artist and some masters even tried to imitate their

contemporaries. Once again, the failsafe key to avoiding confusion is research and a great understanding of the particular artist’s style, subject matter and technique. The opportunities for collecting solid 19th-century paintings at reasonable prices remain abundant in today’s market. A collector, armed with a certain degree of knowledge and even greater enthusiasm, can go a long way in assembling a collection worthy of the effort. If recent history is any indication, fine artworks from this century should continue to post healthy gains. And, while monetary appreciation can in no way be guaranteed, the potential for upward gains remains favorable. “Art collecting is a serious and highly rewarding journey that should be taken in stride and with a degree of diligence. But along this sometimes bumpy road, keep in mind that the true nature of art is not so much about dollars and cents but more importantly its power to inspire, give joy, and motivate an appreciation for the world around you,” Rau concludes. “And at the end of the day, a beautiful work of art can be enjoyed on a more personal level every single day whether the market happens to be up or downyou can’t say that about too many stock certificates.” n

John Atkinson Grimshaw The Dockside at Liverpool at Night Oil on Canvas Circa 1886 Canvas: 12½” high x 18½” wide Framed: 16½” high x 23” wide

by Jason T. Busch and Catherine L. Futter Article courtesy of Antiques and Fine Art Magazine

orld’s fairs have served to educate the public in human accomplishments through science and the arts, have forged links between cultures, and have set in motion events that might never otherwise have taken place. After his visit to the 1893 Chicago World’s Fair, Andrew Carnegie was not only inspired to establish Carnegie Museum of Art in Pittsburgh and the museum’s noteworthy cast collections, he also introduced the annual Carnegie International exhibition in 1896. If it were not for the 1933 Chicago fair, James McNeill Whistler’s iconic painting Arrangement in Grey and Black: The Artist’s Mother, also known as Whistler’s Mother, would not have traveled to the Midwest and been the star work at the opening of the William Rockhill Nelson-Gallery of Art (now the Nelson-Atkins Museum of Art) in Kansas City, Missouri, in December 1933. Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851–1939, co-organized by the Carnegie Museum of Art and The Nelson-Atkins Museum of Art, celebrates the scientific and artistic achievements in objects that the nations of the world assembled at these global meeting places and underlines the vital role that the fairs played in creating and disseminating technological and aesthetic innovations. The exhibition also leads the way to a greater understanding of nineteenth- and twentieth-century objects, especially American decorative arts, within their social, political, and economic context.

previous page: Bookcase, Gustave Herter (American, b. Germany, 1830–1898), designer; Ernst Plassmann (American, 1823– 1877), woodcarver; Bulkley and Herter, New York, N.Y. (ca. 1852–1858), maker, 1852–1853. White oak, eastern white pine, eastern hemlock, and yellow poplar with later stained glass. H. 134½, W. 118¾, D. 30¼ in. Shown at the Exhibition of the Works of Industry of All Nations, New York, 1853. The Nelson-Atkins Museum of Art, Kansas City, Missouri (97.35).

This monumental bookcase decorated with intricately carved Gothic spires, arches, buttresses, and figures dressed in quasi-medieval costumes representing the arts of sculpture, painting, music, and architecture was among the essential trappings offered to the most sophisticated and wealthiest clientele in the mid-nineteenth century. Its designer Gustave Herter, who had arrived in New York in 1848, brought with him knowledge of the latest styles from Germany, including the modish Gothic Revival. While ecclesiastical references to Gothic furniture and architecture are apparent, their particular arrangement on the bookcase, as well as its enormous scale and purpose, is anything but medieval. In America, the Gothic Revival style lent a European legitimacy to the young country’s artistic aspirations.

Candelabra, Haviland Brothers and Company (active 1842–present), Limoges, France, 1852–1853. Parian and glazed porcelain with enamel, gilding, and gilded brass. Each: H. 27½, W. 6¼ in. Shown at the Exhibition of the Works of Industry of All Nations, New York, 1853. New Orleans Museum of Art, Gift of Dr. Wayne T. Moore in memory of his wife, Elizabeth Nelms Moore (1927–2004), (2007.26.1-2).

One of the most compelling success stories in adaptation and progress shown at the world’s fairs, certainly from an American point of view, was the enterprise established by American expatriate David Haviland in Limoges in 1842. The firm quickly developed a keen understanding of eighteenth-century French rococo forms, designs, and colors, and a thriving business reinterpreting them for their targeted client, the American consumer. These two recently rediscovered candelabra, displayed at the 1853 Exhibition of the Industry of All Nations in New York (the first world’s fair in America) are typical of the florid naturalism and ostentation of the rococo revival, which persisted in various manifestations in fair after fair into the twentieth century. While the naturalistic decoration and attire of the courting couple are derived from the era of Marie-Antoinette, the lavish gilding, realistic modeling of the figures, boldly contrasting color palettes, and enormous scale of the candelabra are truly modern for the mid-nineteenth century. In addition, parts of the figures are decorated in their bisque state, imparting a marble-like appearance, often referred to as Parian ware. The combination of glazed and bisque porcelain was considered highly inventive at the time. 19

Cabinet, Kimbel and Cabus, New York (1863–1882), 1876. Painted cherry wood with gilding, copper, mirrored glass, and original textile. H. 81⅞, W. 52¾, D. 19⅝ in. Shown at the Centennial International Exhibition, Philadelphia, 1876. Victoria & Albert Museum, London (W.50-1984).

Anthony Kimbel and Joseph Cabus in New York City were the darlings of the 1876 Philadelphia world’s fair, partly because of their effective display of complete room settings. Referred to at the time as “artistic furniture,” objects created by Kimbel and Cabus balanced mixed materials and decoration from disparate sources into a cohesive, functional work of art designed to complement the architecture in which it was placed. In this 1870s cabinet, ebonized cherry wood evoking Japanese lacquer provides the canvas for gilt and incised lines depicting Egyptianinspired, geometrically rendered palms and other vegetation, interspaced by bold brass Gothic strap hinges. The mixture of motifs spoke to the layering of cultural influences prevalent in the then current Aesthetic Movement in England and America that was influenced by increasing global trade and exchange.

Chest of drawers, Agnes Pitman (American, 1850–1946), 1875. American black walnut, pine, yellow poplar, and nickel-plated brass. H. 54¾, W. 38¾, D. 18 in. Shown at the Centennial International Exhibition, Philadelphia, 1876. Cincinnati Art Museum, Gift of Melrose Pitman (1970.164).

As an important member of a family of artists, Agnes Pitman viewed crafts such as woodworking as a celebration of American materials and traditions. She was heavily involved in the woodworking department of the University of Cincinnati School of Design founded by her father, Benn Pittman, in 1873. Pitman exhibited this chest of drawers, made of North American black walnut, at the Women’s Pavilion at the 1876 Philadelphia fair along with a collection of furniture, painted tiles, and pottery from other students. She carved the fronts of each of the six drawers with designs of local Midwestern plants, each drawer representing the month when the flower is in bloom—selfconscious emblems of American nationalism at the time of the country’s centennial celebration.

Wooton patent office cabinet secretary, William S. Wooton (American, 1837–1907), designer; Wooton Desk Manufacturing Company, Indianapolis, Ind. (1880–1884), manufacturer, 1880–1884. Walnut, maple, white pine, gilded cardboard, and bronze. H. 82½, W. 42½, D. 31 in. Model shown at the Centennial International Exhibition, Philadelphia, 1876. High Museum of Art, Atlanta. Virginia Carroll Crawford Collection (1987.182).

This cabinet secretary is a perfect example of nineteenth-century conspicuous consumption, business acumen, and trompe l’oeil design all wrapped in a late Renaissance revival object. The architectonic cabinet unfolds to reveal an intricate storage system when the doors are swung open, a feat of engineering considering the balance required to cantilever the doors without compromising the structural integrity of the object. With interchangeable drawers and file slots, it represents efficiency and effective mass production. Ever the salesman, William S. Wooton provided four different

grades of his patented desk, Ordinary, Standard, Extra Grade, and Superior Grade, priced between $100 and $750, each level providing more richly decorated surfaces. This Extra Grade desk includes Renaissance revival bracketing on the crest and incised and gilded decoration on the interior. After its appearance at the Philadelphia world’s fair in 1876, desks were shipped to San Francisco, London, and Rio de Janeiro, among other places, while the company could boast of John D. Rockefeller and President Ulysses S. Grant as customers.

Century vase, Karl L. H. Müller (American, 1820–1887), designer; Union Porcelain Works, Greenpoint, Brooklyn (1863–ca. 1922), manufacturer, 1876. Porcelain with enamel and gilding. H. 22½, Diam. 12 in. Shown at the Centennial International Exhibition, Philadelphia, 1876. High Museum of Art, Atlanta, Virginia Carroll Crawford Collection (1986.163).

Manufactured exclusively for the Philadelphia 1876 Centennial International Exhibition, the century vase is embellished with events from America’s past as well as scenes of modern progress and industry. George Washington adorns the center of both sides, seemingly observing such famous scenes as William Penn’s treaty with Native Americans and the Boston Tea Party. Other scenes done in enamel of plowing with a mechanical harvester are placed against fast moving steamboats and sewing machines, the last a

recent invention. An image of a potter using a steam-powered jigger to make a pot unabashedly advertises American ingenuity. Bison heads serve as handles while smaller heads of creatures indigenous to the New World, such as a walrus, act as a conspicuous sign of plenty. This narrative of American nationalism is enlivened by beautifully executed polychrome, gilding, and inventive shallow relief sculpting at the base.

Coffeepot, Tiffany & Co. New York, NY (1837–present), 1893. Silver with enamel, ivory, and jade. H. 10, W. 6⅛, D. 3 inches. Shown at the World’s Columbian Exposition, Chicago, 1893. Carnegie Museum of Art, Pittsburgh (83.16.2).

Tiffany & Company established its reputation through decades of innovation, creating decorative art through such complicated processes as electroplating, damascening, and enameling, many of which were debuted at world fairs. In this silver coffeepot, vivid yellow and blue enamels convey the idea of a leafy marsh, while the muted enamel banding is cleverly mottled to resemble amber. Fluting on the bellied body offers a three-dimensional perspective

of the stylized motifs of lotus and palm fronds. The coffeepot reflects the exoticism popular in the late nineteenth century: the designs are primarily Egyptian in style, while the form of the vessel resembles a traditional Turkish pot with onion-domed lid, here crowned by a piece of Asian jade and an Egyptian cobra-head as a thumb rest.

Dressing table and stool, William C. Codman (American, b. England, 1839–1921), designer; Gorham Manufacturing Company, Providence, R.I. (1831–present), manufacturer, 1899. Silver with mirrored glass, ivory, and modern upholstery. H. 60, W. 50, D. 33 in. Shown at the Exposition Universelle, Paris, 1900. Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc., in honor of Dr. Charles L. Venable (2000.356).

Tiffany’s main American competitor at the international exhibitions was the Providence, Rhode Island based Gorham and Company. The most impressive display by Gorham at the 1900 world’s fair in Paris was this solid silver table and stool promoted by Gorham and its lead designer William Codman as organically rendered, handcrafted compositions. They took over 2,300 hours of labor and 1,250 ounces of silver to make. Decorated with meandering vines and leaves and clusters of floral motifs characteristic of the prevalent Art Nouveau movement, their pronounced cabriole legs with ball and claw feet reference English rococo designs that were popular in colonial America, and which enjoyed a revival of interest following the centennial of 1876.

Vase, Kataro Shirayamadani (American, b. Japan, 1865–1948), designer and decorator; Rookwood Pottery Co., Cincinnati, Ohio (1880–1967), 1900. Glazed earthenware and copper, H. 18¼ x Diam. 5¾ in. Shown at the Exposition Universelle, Paris, 1900. Carnegie Museum of Art, Pittsburgh (2012.1).

One of the most outstanding triumphs of the Rookwood Pottery Company’s chief decorator Kataro Shirayamadani was his perfection of an electrodepositing process in 1897 that enabled unprecedented formal integration of ceramic and metalwork components. This vase, a true masterwork in art pottery, is one of the top extant examples of Shirayamadani’s work in the technique. The expertly conceived copper-coated fish, rendered by relief carving and modeling in the earthenware clay, blend seamlessly into the watery depth on the body, the appearance of which was achieved with a wash of dappled black underglaze oxide and Rookwood’s famed “Sea Green” glaze, itself a major innovation of 1894. Rookwood unveiled its electrodeposited wares to the world at the 1900 Paris fair.

Corsage ornament, Tiffany & Co., New York, N.Y. (1837–present), 1900. Montana sapphires, diamonds, demantoid garnets, topaz, blued steel, gold alloys, and platinum. H. 9½, Diam. 2¾ in. Shown at the Exposition Universelle, Paris, 1900. The Walters Art Museum, Baltimore, Acquired by Henry Walters (1900, 57.939).

The uneasy coexistence of historicism and modernism, manifested in the contrast between the appearance of objects and the methods used to make and decorate them, reached its apex at the 1900 Paris Exposition Universelle. The Tiffany & Company stand at the fair was replete with splendid jewels and silver designed by Paulding Farnham, who advocated the use of traditional, indigenous gemstones to propel inventive combinations of color and composition, with the emphasis remaining the lovely stones. The firm’s clientele in America favored expressions of wealth, yet the sumptuous display at the fair of glittering jewels and large corsage ornaments was also a hit with the international visitors. The greatest of these baubles was assuredly the blue iris brooch purchased by Henry Walters of Baltimore, and remains in his museum today. With a nine-inch stem of gold, it rises to a flower completely covered in Montana sapphires.

Long chair, 1936, Marcel Breuer, American (b. Hungary), 1902–1981, designer. Isokon Furniture Company, London, England, 1935–1939, manufacturer. Plywood. H. 30¾, W. 51, D. 24¼ in. Model shown at the Golden Gate International Exposition, San Francisco, 1939. Carnegie Museum of Art, Pittsburgh, (90.19).

Four angled intersecting planes imply a human shape in this chaise, the design for which was shown at the 1939 San Francisco Golden Gate International Exposition. Based on Marcel Breuer’s earlier designs in aluminum, the object represents a contemporaneous interest in the organic materiality of wood and the processes of plywood and bentwood construction. The chair also creates the illusion of suspending the sitter in space. The

English firm that manufactured Breuer’s designs, Isokon Furniture Company, highlighted this long chair in their 1937 catalogue, claiming it gave “scientific relaxation to every part of the body, immediately creating a feeling of well-being. It is even a better aid to digestion than any medicine under the sun. Admirable for those who take forty winks after dinner.”

Chair, design attributed to Louis Dierra (American, active ca. 1939); Pittsburgh Plate Glass Co., Pittsburgh, Penn. (1883–present), manufacturer, ca. 1939. Glass with synthetic upholstery. H 29¼, W. 23¼, D. 22¾ in. Model shown at the New York World’s Fair, 1939. Carnegie Museum of Art, Pittsburgh (83.78.2).

The Glass Center Pavilion at the 1939 World’s Fair in New York exhibited a technological triumph, a model dining room by Pittsburgh Plate Glass Co. containing a glass-topped table, a glass-paneled sideboard, and glass-framed chairs. This chair is a rare survival and an innovative composition in advanced slumped plate glass it was originally upholstered in self-referential fiberglass fabric. Heralded by House and Garden magazine as one of “the decorative prophecies that will shape our World of Tomorrow,” glass furniture did not capture the public imagination; its weight and fragility were too impractical for daily use.

Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851–1939 was co-organized by the Carnegie Museum of Art in Pittsburgh and The Nelson-Atkins Museum of Art in Kansas City. The exhibition is currently on view at the Mint Museum in Charlotte through January 19, 2014. The accompanying exhibition catalogue was the basis for this article. For more information call 412.622.3131 or visit www.cmoa.org.

Jason T. Busch is Deputy Director for Curatorial Affairs and Museum Programs at Saint Louis Art Museum, Saint Louis, Missouri. Catherine L. Futter is Helen Jane and R. Hugh “Pat” Uhlmann Senior Curator of Architecture, Design and Decorative Arts at the Nelson-Atkins Museum of Art, Kansas City, Missouri.

afrodit Antique & Decorative Carpets, Kilim & Central Asian Textiles contact: Mustafa Bulguroglu Acin Cad No: 15/1, 06670 GOP-Ankara, Turkey tel: +90 312 436 2129 cell: 917 855 1355 fax: +90 312 447 5948 email: afrodit@ada.net.tr website: www.galleryafrodit.com

Antique Persian Serapi rug 9’5”x10’5” Perfect condition.

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YURI KROTOV Russian 20th Century â&#x20AC;&#x153;Sailboats, the Luxembourg Gardens, Parisâ&#x20AC;? Oil on Canvas - 20 x 24 Inches - Signed Ll.

Alexander gallery Important 18th and 19th Century American Paintings and Historical Items, 15th Through 19th Century European Paintings and oriental works of art 115 East 72nd Street Suite 1B New York, NY 10021 tel: 212-472-1636 fax: 212-249-2306 website: www.alexandergallery.com

Robert Peake Portrait of a Boy 1596 oil on panel 46½ x 34 inches

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A fine bamboo carving of Shoulao China, Qing dynasty, 18th century 4 ¼ in. (10.7 cm) high Ex. Charles A Greenfield Collection

Benchmark of Palm Beach Signed pieces, Bold and Unusual Gold Jewelry 678 East Main Street, Blue Ridge, GA 30513 tel: 800-790-9033 / 706-258-3553 email: benchmarkofpalmbeach@hotmail.com website: benchmarkofpalmbeach.com

Impressive wide, David Webb black enamel and diamond cuff.

Brenner valdez antiques & interior design contact: Richard Brenner or Robert Valdez 3109 West Barcelona Street, Tampa, FL 33629 tel: (Richard) 813-244-7120 / (Robert) 813-245-4708

Brenner Valdez Antiques is Central Floridaâ&#x20AC;&#x2122;s premier source for fine 18th to 19th Century Antiques. Conveniently located close to Bayshore Boulevard in Palma Ceia, we are Floridaâ&#x20AC;&#x2122;s most diverse resource for antiques and unique accessories. Our antiques have been hand selected in Europe and the U.S.

Charles Edwin Puckett Medieval and Renaissance Illuminated Manuscripts, Antique Maps and Classical Antiquities contact: Charles or Teresa Puckett 3867 West Market St. #253, Akron, OH 44333 tel: 330-668-0032 cell: 330-730-3202 fax: 330-668-0037 email: charles@cepuckett.com website: www.cepuckett.com

David in Prayer and John on Patmos. Two miniature paintings from a manuscript Book of Hours, c. 1460-80. Northern France or Flanders. Tempera and gold on vellum.

Charles L. Washburne Antiques Victorian Majolica Pottery Shows & Online Only tel: 215-794-7584 email: info@majolica.netâ&#x20AC;&#x201A; website: www.majolica.net

Rare Large Majolica Absinthe Stork Decanter Origin: Germany Circa: 1880

Chas Schwartz & Son Fine and Exceptional New and Vintage Jewelry 5300 Wisconsin Ave NW, Washington, DC & 1400 F Street NW, Washington, DC tel: 202-363-5432 email: Info@ChasSchwartz.com website: www.ChasSchwartz.com

A Rare Seaman Schepps ring with over 27 carats of Sapphires In 18k Yellow Gold. Circa 1945

A 5.16ct Colorless Cushion Diamond set in a Handmade Platinum Ring

colm rowan Fine Art the masterworks of ken hamilton SCULPTURE BY NNAMDI OKONKWO contact: Colm Rowan Philadelphia, Pennsylvania tel: 610-256-3256 email: rowan.colm@gmail.com website: www.colmrowan.com

Ken Hamilton (Irish, 1956“Morning Glory” Oil on board 10” x 8” Monogrammed

)

david dike fine art 19th & 20th century american & european paintings with an emphasis on texas regionalists & landscape painters 2613 Fairmonut St., Dallas, TX 75201 tel: 214-720-4044 email: ddfa@mac.com website: www.daviddike.com

Mid-century painting by: DeForrest H. Judd (Am. 1919-1993) Cactus Flower, 1961 Oil on masonite 24 x 20 Singed lower left: Deforrest Judd 61

eve stone antiques, ltd. contact: Susan Stone - Eve Stone Woodbridge, CT tel: 203-466-6665 email: sstone@evestoneantiques.com website: www.evestoneantiques.com

English, brass, swirl, square, and petal base pairs of candlesticks, circa 1750

Frederic Got contemporary art, sculptures in bronze, photos & original paintings 66 Rue Saint Louis en Lâ&#x20AC;&#x2122;ile, 75004 Paris, France tel: +33 635423215 email: artprio@gmail.com website: www.artchic.com

Name of the sculpture: Idylle Media: Bronze Artist : Jacques Lebescond Year 2012 Size : height 260 cm

French Country Living Antiques 18th & 19th Century French Italian and Swedish Original Painted Furniture and Garden Antiques contact: Douglas Hill 7C Penywern Road, London S-W-59TT tel: 011 33 613 237 084 email: jeananddoughill21@gmail.com website: www.frenchcountrylivingantiques.com

A French nineteenth century sculpture of a horse called â&#x20AC;&#x153;Amazonâ&#x20AC;? in plaster, mounted on iron stand. Circa 1880

Haynes Fine Art of broadway 19th – 21st Century British & European Paintings contact: Mark Shaw Broadway, Worcestershire tel: +44 1386 852649 / +44 7710 108891 email: markshaw@haynesfineart.com website: www.haynesfineart.com

Arthur John Elsley British 1860-1952 “Much Better” Oil on canvas 30 x 22 inches

imperial fine books Specializing in leatherbound sets, fine bindings, childrenâ&#x20AC;&#x2122;s, Illustrated, Sporting, Color Plate, Americana, Travel, First and Rare Editions 790 Madison Avenue, New York, NY 10065 tel: 212-861-6620â&#x20AC;&#x201A;fax: 212-249-0333 email: info@imperialfinebooks.com website: www.imperialfinebooks.com

5 Volumes. John Marshall. Writings of George Washington. Large Paper Extra - Illustrated. Published 1804 - 1807 FIRST EDITION

j.s. fearnley Fine & Estate Jewelry contact: Steven Fearnley or David McKeone 87 West Paces Ferry Road, Atlanta, GA 30305 tel: 404-812-6464 fax: 404-812-6463 email: steven@jsfearnley.com website: www.jsfearnley.com

Rare “Arrow Head” Rose-Cut Fancy Colored Diamond and Demantoid Garnet Victorian Pin

jacobâ&#x20AC;&#x2122;s diamond and estate jewelry Antique, estate & contemporary estate jewelry 607 S. Hill Street, Suite 304 Los Angeles, CA 90014 tel: 213-627-0072 email: jacobsjewelry@sbcglobal.net website: www.jacobsestatejewelry.com

Harley Motorcycle Brooch Faithfully reproduced in exacting detail with diamond headlamps and ruby tail lights, articulated handle bar and spinning wheels.

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One-of-a-Kind Ring in 18.5k yellow gold with a catâ&#x20AC;&#x2122;s-eye platinum moonstone and fine paveâ&#x20AC;&#x2122; diamonds.

Jesse Davis Antiques 19th century English majolica, french and portuguese palissy, rare staffordshire animal figures, epergnes and decorative objects contact: Jesse Davis 10 Mina Road, London SW19 3AU, United Kingdom tel: 011 44 7831 496 516 (UK) cell: 201 232 7189 (US) email: jessedavis@talk21.com website: www.jessedavis-antiques.co.uk

An extremely rare pair of mid 19th century Staffordshire lion motif spill vases

John Atzbach Specializing in Imperial Russian objects including faberge, silver, enamels and porcelains contact: John Atzbach 15127 NE 24th Street, Suite 118, Redmond, WA 98052 tel: 425-271-8950 cell: 206-618-2684 fax: 425-271-8940 email: john@atzbach.com website: www.atzbach.com

A extremely large Faberge gilded silver and green translucent enamel photograph frame, workmaster Anders Nevalainen, ST Petersburg, circa 1899-1908, with scratched inventory number 15679. Size: 14½” x 9”.

Joyce Groussman Estate & Fine Jewelry Antiques & Fine Jewelry contact: Joyce & Steve Groussman 7201 East Camelback Road, Suite 285, Scottsdale, AZ 82501 tel: 786-972-4485 email: joycegroussman@gmail.com website: www.joycegroussmanjewelry.com

A Unique 18k. Gold Coral, Diamond Necklace and 18k Gold Coral, Diamond and Emerald Earrings, Circa 1960â&#x20AC;&#x2122;s

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An outstanding turn of the XX century “wedding” pair of Russian Orthodox icons by an Imperial Court maker in gilt silver cover embellished by cloisonné enamel and river pearls.

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Outstanding mahogany ceremonial table circa 1820 with mahogany veneer. Its polychrome wood bears gorgeously chiseled and gilded bronze ornaments. This exceptional piece by many standards has belonged to The Earl De Lafarge. Dimensions when fully extended: 17’ x 6.56’. Its exceptional quality is enhanced by a rich bronze decors including palmetto leafs, badges and stars. With exceptional rich features such as ’’ Lion’s head’’ and ‘’Lion’s paws’’ polychrome gilded legs.

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Jadeite & Tsavorite Diamond 18K Ring. Designed by Lydia Courteille.

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Hand-made Art Deco platinum and diamond bracelet with 27.5 carats of diamonds.

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Mihail Chemiankin (b. 1943) Dreams of Nejinsky, 1992 100 x 80 cm (45 x 35â&#x20AC;? in) Oil on Canvas Signed M. Chemiakin (lower left) Signed, dated, titled and inscribed (verso) 61

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Sea Pearl and Amber Bracelet with Cabochon Sapphire and Baguette Diamond, by Boucheron Paris, Circa 1980’s

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The Royal Blue Diamond, 10.06 carats One of the worldâ&#x20AC;&#x2122;s rarest and most extraordinary natural gemstones, this magnificent Natural Fancy Blue diamond is in an extremely exclusive class. Named the Royal Blue, this stunning, radiant-cut jewel weighs 10.06 carats and reflects the clear blue sky, and is certified by the Gemological Institute of America (GIA) as being Natural Fancy Blue with outstanding VVS1 clarity. It is also certified as being a Type IIb diamond. This means that it contains no nitrogen, producing a rare stone of extraordinary brilliance. Monumental in size, significance and beauty, the Royal Blue is the finest blue diamond for sale in the world. 63

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EugĂ¨ne Louis Boudin (1824 - 1898) Village aux Environs de Dunkerque Oil on canvas 16 1/4 x 21 3/4 inches Signed 64

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Royo En El Campo Oil on Canvas 29â&#x20AC;? x 24â&#x20AC;?

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Camille Pissarro “Entree du Village D’Eragny” circa 1884 Oil on canvas - 18 x 15 Included in catalogue Raissone with museum history

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18 kt gold and enameled necklace, which represents the traditional medieval ceramic plates.

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FORT MASON CENTER FESTIVAL PAVILION

THE 28TH ANNUAL

SAN FRANCISCO

TRIBAL & TEXTILE ARTS

SHOW / FINE ART OF ASIA, AFRICA, OCEANIA & THE AMERICAS

100 INTERNATIONAL DEALERS EXHIBITING FOR SALE TEXTILES & TRIBAL ARTS

PREVIEW GALA FEBRUARY 6TH, 6–9 PM To benefit Textiles and the Art of Africa, Oceania, and the Americas in the de Young Museum

SHOW HOURS Fri & Sat 11am–7pm Sun 11am–5pm Admission $15 includes illustrated catalogue

SPECIAL EXHIBIT Masks Then and Now: Inspiration and

Interpretation Tribal masks of the Himalayas and Indonesia will be presented with contemporary works from the "Shamanic Mask Series" by sculptor Mort Golub that share common themes of Animism and Transformation. Curated by Thomas Murray.

INFORMATION Caskey Lees, Inc. 310 455 2886 Photos: Brant Mackley Gallery, Michael Hamson, Andres Moraga, Chinalai Tribal Antiques, Mort Golub

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LA ART SHOW 2014 Historic | Modern | Contemporary

January 15-19

LA Convention Center | Hall J K

From Rembrandt to Ruscha and Beyond. Painting, Sculpture, Works On Paper, Photography, Video the most diverse art show in the world. Over 100 prominent Galleries from around the globe. In tandem with THE 29th Annual IFPDA Los Angeles Print Fair

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Los Angeles Jewelry & Antique Show

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Los Angeles Convention Center South Hall H A Prestigious Event Featuring Over 100

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International Exhibitors Showcasing:

TOJ Gallery

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Oriental Treasure Box

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a The Silver Fund

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Stephen Kalms Antiques

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Willow Gallery

Charles L. Washburne Antiques

Gallery Of Amazing Things

Stephen Kalms Antiques Guarisco Gallery

Jewels By VIGGI

Art Link International Only Authentics

A n n ua l

Naples Art, Antique & Jewelry Show save the date february 6-10, 2014

McColl Fine Art

Featuring Over 75 International Exhibitors

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Yafa Signed Jewels

NaplesShow.com antique & estate jewelry • silver • watches • americana porcelain • objets D’ART • ceramics & pottery • clocks Vendome

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John Atzbach Antiques

paintings • asian art & antiques • oriental carpets other antiquities & 20th century design

a The Englishman Fine Art & Antiques

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Lion Heart Autographs

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Georg Jensen Antiques

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M.S. Rau Antiques

Rehs Galleries

Hirschl & Adler

Butchoff Antiques

Mallett Antiques

Cohen & Cohen

A.B. Levy

Betteridge Jewelers

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Palm Beach Palm Beach Jewelry, Art & Antique Show

Camilla Dietz Bergeron Chris Beetles Gallery

Jewelry, Art & Antique Show

save the date February 14-18, 2014

Hyland Granby Antiques

Featuring Over 180 International Exhibitors Sylvia Powell Decorative Arts

Palm Beach County Convention Center

PalmBeachShow.com Asian Antiquities • Major Works Of Art Furniture • Fine Prints & Manuscripts • Sculpture Majolica • Porcelain • Textiles • Glass

TK Asian Antiquities

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Macklowe Gallery Fred Leighton

American & European Silver • Textile Art

a M.S. Rau Antiques

Lillian Nassau

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The Englishman Fine Arts & Antiques

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Lion Heart Autographs

Yvel

Imperial Fine Books

Douglas Rosin Decorative Arts and Antiques

Nally Jewels

Benchmark of Palm Beach

Rehs Galleries Wimpole Antiques

th e i naug u r a l

Chicago

International Art, Antique & Jewelry Show

Made in Russia

Santos

save the date APRIL 24-28, 2014 Featuring Over 100 International Exhibitors

Michael S. Haber

Navy Pier

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Only Authentics

Furniture • Fine Prints & Manuscripts • Sculpture

The Silver Fund

Majolica • Porcelain • Textiles • Glass Antique & Estate Jewelry • Contemporary Art American & European Silver • Textile Art

a M.S. Rau Antiques

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Nula Thanhauser

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Buccellati

g r o u p Ophir Gallery

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Orley Shabahang Stephen Kalms Antiques

Steven Kalms Antiques

Dean Borghi Fine Art

Philip Chasen Antiques Pampillonia Jewelers

Samuel Saidian & Son

Egon Teichert Fine Prints Zane Moss

3 4 T H a n n ua l

Baltimore Summer Antiques Show

save the date August 21-24, 2014

Santos

Featuring Over 575 International Exhibitors

Linda Bernell Gallery

Gallery 47

Baltimore Convention Center

BaltimoreSummerShow.com Asian Antiquities • Major Works Of Art Furniture • Fine Prints & Manuscripts • Sculpture

TK Asian Antiquities

Majolica • Porcelain • Textiles • Glass

Les Enfants Du Paradis

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William Jeffrey Gallery Ophir Gallery

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Sue Brown

M.S. Rau Antiques

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Thomas French Fine Art

William Cook

Yvel

M.S. Rau Antiques

Alexander Gallery

Imperial Fine Books

Asiantiques

Rehs Galleries Joyce Groussman

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Dallas

International Art, Antique & Jewelry Show

Haynes Fine Art

Santos

save the date November 6-10, 2014 Featuring Over 80 International Exhibitors

French Country

J.S. Fearnley

Dallas Market Hall

DallasFallShow.com Asian Antiquities • Major Works Of Art Furniture • Fine Prints & Manuscripts • Sculpture

Rumi Antiques & Fine Art

Colm Rowan Fine Art

Majolica • Porcelain • Textiles • Glass Antique & Estate Jewelry • Contemporary Art American & European Silver • Textile Art

a Marc Ravet Antiquaire

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Benchmark of Palm Beach

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Queen Fine Arts

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Jesse Davis Antiques

Estate Jewelry • Watches • Bracelets • Rings • Precious Stones • Brooches • Necklaces • Earrings

The World of Diamonds, Jewelry & Watches

SAVE THE DATE

November 13-16, 2014

Palm Beach County Convention Center

PalmBeachJewelryAndWatchShow.com A

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Alphabetical List of Exhibitors AFRODIT Contact: Mustafa Bulguroglu Acin Cad No: 15/1, 06670 GOP-Ankara, Turkey Tel: +90 312 436 2129 Fax: +90 312 447 5948 Cell (USA): 917 855 1355 E-mail: afrodit@ada.net.tr Website: galleryafrodit.com ALAN BARNES FINE ART Contact: Alan Barnes 2800 N. Henderson Ave. Dallas, TX 75206 Tel: 214-828-1311 E-mail: alanbarnesfineart@sbcglobal.com Website: alanbarnesfineart.com ALEXANDER GALLERY 115 East 72nd Street Suite 1B New York, NY 10021 Tel: 212-472-1636 Fax: 212-249-2306 Website: alexandergallery.com ASIANTIQUES P.O. Box 1707, Winter Park, FL Tel: 407-362-1025 fax: 407-358-5161 E-mail: questions@asiantiques.com Website: asiantiques.com BENCHMARK OF PALM BEACH 678 East Main Street, Blue Ridge, GA 30513 Tel: 800-790-9033, 706-258 3553 E-mail: benchmarkofpalmbeach@hotmail.com Website: benchmarkofpalmbeach.com BRENNER VALDEZ ANTIQUES & INTERIOR DESIGN Contact: Richard Brenner or Robert Valdez 3109 West Barcelona Street, Tampa, FL 33629 Tel: (Richard) 813-244-7120 / (Robert) 813-245-4708 CHARLES EDWIN PUCKETT Contact: Charles or Teresa Puckett 3867 West Market St. #253, Akron, OH 44333 Tel: 330-668-0032 (office), Cel: 330-730-3202 Fax: 330-668-0037 E-mail: charles@cepuckett.com Website: cepuckett.com CHARLES L. Washburne antiques Contact: Charles L. Washburne P.O. Box 486 Solebury, PA 18963 Tel: 215-794-7584 E-mail: info@majolica.net Website: majolica.net

CHAS SCHWARTZ & SON 5300 Wisconsin Ave NW Washington, DC & 1400 F Street NW Washington, DC Tel: 202-363-5432 E-mail: Info@ChasSchwartz.com Website: ChasSchwartz.com COLM ROWAN FINE ART Contact: Colm Rowan Philadelphia, Pennsylvania Tel: 610-256-3256 E-mail: rowan.colm@gmail.com Website: colmrowan.com david dike fine art 2613 Fairmonut St., Dallas, TX 75201 Tel: 214-720-4044 E-mail: ddfa@mac.com Website: daviddike.com EVE STONE ANTIQUES, LTD. Contact: Susan Stone - Eve Stone Woodbridge, CT Tel: 203-466-6665 E-mail: sstone@evestoneantiques.com Website: evestoneantiques.com FREDERIC GOT 66 Rue Saint Louis en L’ile 75004 Paris, France Tel: +33 635423215 E-mail: artprio@gmail.com Website: artchic.com FRENCH COUNTRY LIVING ANTIQUES Contact: Douglas Hill 7C Penywern Road, London S-W-59TT Tel: 011 33 613 237 084 E-mail: jeananddoughill21@gmail.com Website: frenchcountrylivingantiques.com HAYNES FINE ART OF BROADWAY Contact: Mark Shaw Broadway, Worcestershire Tel: +44 1386 852649, +44 7710 108891 E-mail: markshaw@haynesfineart.com Website: haynesfineart.com IMPERIAL FINE BOOKS 790 Madison Avenue, New York, NY 10065 Tel: 212-861-6620 Fax: 212-249-0333 E-mail: info@imperialfinebooks.com Website: imperialfinebooks.com 108

J.S. FEARNLEY Contact: Steven Fearnley or David McKeone 87 West Paces Ferry Road, Atlanta, GA 30305 Tel: 404-812-6464 Fax: 404-812-6463 E-mail: steven@jsfearnley.com JACOB’S DIAMOND AND ESTATE JEWELRY 607 S. Hill Street, Suite 304 Los Angeles, CA 90014 Tel: 213-627-0072 E-mail: jacobsjewelry@sbcglobal.net Website: jacobsestatejewelry.com JERRY SZOR CONTEMPORARY JEWELRY 6131 Luther Lane, Suite 210, Dallas, TX 75219 Tel: 214-691-5400 E-mail: jerry@jerryszor.com Website: jerryszor.com JESSE DAVIS ANTIQUES Contact: Jesse Davis 10 Mina Road, London SW19 3AU, United Kingdom Tel: 011 44 7831 496 516 (UK), 201 232 7189 (US, at show) E-mail: jessedavis@talk21.com Website: jessedavis-antiques.co.uk JOHN ATZBACH Contact: John Atzbach 15127 NE 24th Street, Suite 118 Redmond, WA 98052 Tel: 425-271-8950 Cel: 206-618-2684 Fax: 425-271-8940 E-mail: john@atzbach.com Website: atzbach.com JOYCE GROUSSMAN ESTATE & FINE JEWELRY Contact: Joyce & Steve Groussman 7201 East Camelback Road, Suite 285, Scottsdale, AZ 82501 Tel: 786-972-4485 E-mail: joycegroussman@gmail.com Website: joycegroussmanjewelry.com Ken Riney ANTIQUES 3241 Throckmorton, Dallas, TX 75219 Tel: 214-850-9973 E-mail: kenrineyantiques@gmail.com

Alphabetical List of Exhibitors LR ANTIQUES 2230 Bissonnet Street Houston, TX 77005 Tel: 713-524-3272 E-mail: lrantiques@lrantiques.com Web: lrantiques.com

R & A INTERNATIONAL DESIGN Contact: Rosaria Varra 36 NE 1st Street #365, Miami, FL 33132 Tel: 305-532-1210 Fax: 305-924-0122 E-mail: rnaintldesign@yahoo.com

SUZANNE SYZ ART JEWELS Contact: Christopher Lopez-O’Ferrall Geneva, Switzerland Tel: +41 22 310 20 84, +41 79 212 16 31 E-mail: christopher@suzannesyz.ch Website: suzannesyz.com

MADE IN RUSSIA Contact: Dennis Easter P.O.Box 3075 Palm Beach, FL 33480 Tel: 561-723-3131 E-mail: dennis@russianstore.com Website: russianstore.com

M.S. RAU ANTIQUES 630 Royal Street, New Orleans, LA 70130 Tel: 1-800-544-9440 E-mail: info@rauantiques.com Website: rauantiques.com

TENENBAUM & CO. 1801 Post Oak Blvd., Houston, TX 77056 Tel: 713.629.7444 E-mail: sales@tenenbaumandco.com Website: tenenbaumandco.com

REHS GALLERIES, INC. Contact: Howard L. Rehs 5 East 57th Street, New York, NY 10022 Tel: 212-355-5710 Fax: 212-355-5742 E-mail: howard@rehs.com Website: rehs.com

TIMEKEEPERS 9495 Olive Blvd., St Louis, MO 63132 Tel: 314-991-0994, 314-749-5223 E-mail: alinailyashov@yahoo.com Website: timekeepersstl.com

MARC RAVET France Tel: +33 674 061 194 E-mail: anticravet@orange.fr MARLENE ALVARADO ANTIQUE & ESTATE JEWELRY Contact: Marlene Alvarado 3636 So. Alameda, Ste. B-131, Corpus Christi, TX 77027 Tel: 361.855.4250 Fax: 361.855.4401 E-mail: mlalvarado@stx.rr.com MAYFAIR ANTIQUES 3601 W. Barcelona St., Tampa, FL 6910 S. Dixie Hwy, West Palm Beach, FL Tampa: 813-254-6111 Palm Beach: 561-588-5868 E-mail: crhanlon@hotmail.com Website: mayfairantiquedealers.com palmbeachantiquesanddesigncenter.com ONLY AUTHENTICS New York, NY Tel: 917-685-6115 E-mail: charlesvirgil@gmail.com Website: onlyauthentics.com PAST ERA ANTIQUE JEWELRY 3433 West Alabama, Houston, TX 77027 Tel: 713-621-3433 Website: PastEra.com

RUMI ANTIQUES & FINE ART Contact: Richard Rumi 55 Woodlawn Avenue Mississauga, Ontario L5G 3K7 Tel: 905-274-3616 E-mail: richardrumi@gmail.com Website: rumiantiques.com RUSSELL COLLECTION 1137 West 6th Street, Austin, TX Tel: 512-478-4440 E-mail: info@russell-collection.com, sales@russell-collection.com Website: russell-collection.com S.R. BRENNEN GALLERIES Santa Fe, NM; Scottsdale, AZ; Palm Desert, CA Tel: 505-699-2425. E-mail: srbrennen.palm@verizon.net Website: srbrennengalleries.com SANTOS -LONDON Contact: Alberto Santos 21 Old Court House, London W84PD, UK Tel: +44 207 937 6000 Fax: +44 207 937 3351 E-mail: santos@santoslondon.com Website: santoslondon.com

PROVIDENT JEWELRY West Palm Beach tel: 561-833-7755 Jupiter tel: 561-747-4449 Boca Raton tel: 561-488-7737 Naples tel: 239-649-7737 Naples II tel: 239-649-7200 Fort Myers tel: 239-274-7777 Website: providentjewelry.com

SHERRY’S gift of gilt Contact: Sherry Fehr and Gail Fehr 21090 Saint Andrews Blvd., Boca Raton, FL Tel: 561-338-9100 E-mail: ijtman@aol.com

QUEEN FINE ARTS Miami Tel: +1 (786) 514-7417, +1 (786) 355-2344, +1 (786) 660-3106 E-mail: sales@queenfinearts.com Website: queenfinearts.com

SONNY IDEKER BOOKSELLER Private Gallery, Atlanta, GA Tel: 770-853-3311 Fax: 678-829-0788 E-mail: rekedi@aol.com Website: sonnyideker.com 109

Tomlinson Antiques 757 Siesta Key Circle Sarasota, FL 34242 Al Tomlinson Tel: 941-400-8811 Fax: 941-955-8444 E-mail: tomlinsonantiques@yahoo.com VICENTE GRACIA International Art Jewellery Valencia, Spain Tel: + 003 461 911 5162 E-mail: sergiokarrion@gmail.com Website: vicentegraciajoyas.com

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