LA Art Show 2022 by Palm Beach Show Group

S H O W PA R T N E R S

C U LT U R A L PA R T N E R S

MEDIA SPONSORS

PREFERRED SPONSORS

LAARTSHOW.COM

@l aar t s how

LOCATION Los Angeles Convention Center | South Hall 1201 South Figueroa St. Los Angeles, CA 90015

General Admission | One Day Ticket $30

Thursday, January 20, 2022 12pm – 8pm Friday, January 21, 2022

12pm – 8pm Saturday, January 22, 2022

(Early Entry, VIP Red Card and Opening Night Ticket) 10am – 8pm (General Admission) 12pm – 8pm Sunday, January 23, 2022

(Early Entry, VIP Red Card and Opening Night Ticket) 10am – 6pm (General Admission) 12pm – 6pm

LAARTSHOW.COM

@la a r ts h ow

LA ART SHOW | info310 822 9145 | info@laartshow.com | LAArtShow.com

THE 27TH ANNUAL LA ART SHOW T H E M O S T C O M P R E H E N S I V E I N T E R N AT I O N A L CO N T E M P O R A RY A RT S H OW I N A M E R I C A

Los Angeles has emerged as a global epicenter of art & culture, with a distinct, interwoven multi-cultural influence unique to the city. Diversity is our strength and art is most impactful when it includes or transcends all borders. As LA rises as the world-class destination for art, the LA Art Show continues to lead the way with innovative programming and one-of-a-kind experiences for an expanding collecting audience. LA Art Show is the unparalleled international art experience with over 90 galleries, museums, and non-profit arts organizations from around the world exhibiting painting, sculpture, works on paper, installation, photography, design, video and performance. All works presented by galleries are available for your purchasing pleasure. More than 180,000 square feet of exhibition space is committed to today’s prominent galleries. These domestic and international galleries, beyond their booths, curate special exhibits that are at the forefront of the burgeoning contemporary art movement. The fair offers an extraordinary array of works and experiences in specialized sections.

We welcome you to the January 2022 LA Art Show. In our current ever-evolving, against-all-odds world, here we are. Live and in person. Again! Happy, grateful, excited, humbled, honored and thankful to again present the city of Los Angeles and beyond with an incomparable global showcase of fine art. It takes a great amount of creativity, vision, determination, skill, along with a great village, great galleries, sponsors, partners and collectors and staff to make a great fair. In the six months between our July 2021 show and today, we have brought together an array of unique elements for a renewed, interesting presentation with multiple moving parts that take this far beyond a standard fair experience. In the words of Marisa Caichiolo, our Director of Latin American Art Affairs and DIVERSEartLA Curator, “One of the most powerful things about art is that it brings people together, and transforms the way we communicate.” We are happy you agree and appreciate your support in joining us for this interesting and enjoyable ride. And, we look forward to seeing you again here at the Los Angeles Convention Center for our 2023 show. Enjoy the Show!

Scott Diament President | CEO Palm Beach Show Group

Welcome to LA Art Show 2022! I am both delighted and thankful the LA Art Show has returned to our original time slot after a highly successful summer event in 2021. At the same time, we continue to face myriad challenges when organizing an in-person show in the current climate, given the prevailing uncertainties and complexities. For our 27th edition, the fact that we have managed, yet again, to produce an inperson art fair at the LA Convention Center - our home venue - is a testament to the continuing dedication, passion, and tenacity of our team, our exhibitors, our sponsors, and our partners. I would like to thank everyone who has helped make this possible. Words cannot adequately express my heartfelt appreciation for the support of all the exhibitors in the show, many of whom had to make tremendous financial and personal sacrifices to participate. It has been especially challenging for our international exhibitors, grappling with constantly evolving travel restrictions imposed by both their home country and by ours. Yet, we have all prevailed as we welcome more than 90 exhibiting galleries and museums from North and South America, Asia and Europe. Our show has always been about community and inclusivity, and we strive to be a force for all that is progressive and positive. As the most comprehensive art fair on the West Coast, we have always presented one of the most diverse and engaging programs in the world. We are excited to reinvigorate the show while strengthening our city’s position as the epicenter of art and culture. While my first two years as Director and Producer may not have been the easiest, my commitment to hosting a spectacular and safe event remained unshaken. I am equally grateful to every member of our LA Art Show team, working tirelessly and graciously under pressure. Their optimism for what is possible, and their faith in my leadership, have been an inspiration, and I am thrilled to share the culmination of our collective hard work.

Kassandra Voyagis Producer | Director LA Art Show

LA ART SHOW Gallerist Talks Presented by Citi

LA Art Show Gallerists Talks Presented by Citi is produced, curated and hosted by Consuelo Eckhardt of CeConsulting in partnership with MaryLinda Moss of Source Art

Gallerist Talks and further information are accessible @ https://www.laartshow.com/citi/

Citi is a proud sponsor of the 2022 LA Art Show and host of the LA Art Show Gallerist Talks Presented by Citi. The Gallerist Talks were launched as a platform to support a variety of international gallerists and provide global access to new audiences, art lovers, and collectors. The Citi space on the LA Art Show Floor will exhibit a curated collection of artworks from three featured galleries, extending their physical presence to provide collectors and attendees with new perspectives on the art. The gallerists and selected artists will discuss a number of current topics including finding and nurturing emerging talents, being and succeeding in today’s art world, and the creative process in art throughout generations. They will also discuss how artists inform the global conversation about the environment and a myriad of important topics through their artwork in this interactive format. We invite you to engage in a visual and verbally active experience during these live conversations at the Citi space on the LA Art Show Floor, or visit the Citi procramming page to watch the replays of each compelling gallerist interview.

LA ART SHOW Gallerist Talks Presented by Citi Beatriz Esguerra Art Bogotá, Colombia Gallery Owner Beatriz Esguerra represents a wide array of Colombian artists residing around the globe. She believes that the blend of Colombia’s impressive geography, history, and current events breeds creativity in its artists. Permanence, transcendence, intelligence, aesthetics, harmony, and skill, are the values that BEA looks for in art. Art should enrich both the soul and mind, in that order. As a key dealer in the art world, Esguerra will share her passion for bringing these Colombian artists to the forefront of the international community during her Gallerist Talk. She will also discuss the practices and work of Armando Castro, Pablo Arrazola, Teresa Currea, Pedro Ruiz, Armando Castro-Uribe, Mario Arroyave and Photographer Max Steven Grossman, and touch upon how they each portray and depict their concerns for environmental issues, racial equality, and gender equity in their artwork.

Join the live Gallerist Talk in the Citi space on the LA Art Show Floor Saturday, January 22 at 3pm

Gallerist Talks and further information are accessible @ https://www.laartshow.com/citi/

LA ART SHOW Gallerist Talks Presented by Citi Abend Gallery & Gallery 1261 Denver, Colorado

Family-owned Abend Gallery and Gallery 1261, are managed by siblings David Ethridge and Chris Mileham. The iconic galleries collectively represent an impressive stable of talented artists working in contemporary figurative and landscape styles. Over the past 20 years, the sister galleries have transitioned from being regional exhibition spaces into international digital powerhouses. They are dedicated to presenting work that reflects the artists’ most creative side without the constraints of marketability. For this Gallerist Talk, associate director, Brent Dilworth, will be joined by artists Dan, John, and Danny McCaw. The McCaw father and sons will discuss the challenges they face in retaining individual artistic identities while building a collaborative studio. They will each speak to the unique generational impact on their work.

Join the live Gallerist Talk in the Citi space on the LA Art Show Floor Friday, January 21 at 6pm

Gallerist Talks and further information are accessible @ https://www.laartshow.com/citi/

LA ART SHOW Gallerist Talks Presented by Citi Neue Kunst Gallery, Karlsruhe, Germany

Neue Kunst gallerist Michael Oess has been a contemporary art restorer and curator of international corporate collections at his gallery for nearly two decades. He attributes his ongoing success to working with established artists from a wide variety of art directions, aiming to convey what he calls, “the joy of art with convincing quality!” Oess will be joined on stage by artists Kef! and Thitz, to discuss how digitalization is affecting their art practices, and how they manage an international presence in the physical and virtual realm. He will also speak about artist Igor Oleinikov’s enigmatic paintings and how Patrizia Casagranda’s work touches upon intriguing subjects including contemporary women’s issues, community-based practices, and the use of recycled materials.

Join the live Gallerist Talk in the Citi space on the LA Art Show Floor Thursday, January 20 at 6pm

Gallerist Talks and further information are accessible @ https://www.laartshow.com/citi/

2022 OPENING NIGHT PREMIERE

B E N E F I T I N G S T. J U D E C H I L D R E N ’S R E S E A R C H H O S P I TA L

2022 OFFICIAL HOST

KAIA GERBER INTERNATIONAL MODEL AND ACTRESS PAST HOSTS

JANUARY 19 | 7-11PM The LA Art Show & Friends of St. Jude Children’s Research Hospital® invite you to join an evening benefiting St. Jude featuring: Art • Performance Art • Music • Beverages & delicious hors d’oeuvres from select LA restaurants.

THE LA ART SHOW’S FESTIVITIES BEGIN WITH AN OPENING NIGHT PREMIERE TO FURTHER THE LIFESAVING MISSION OF ST. JUDE CHILDREN’S RESEARCH HOSPITAL®. We’re honored that St. Jude Children’s Research Hospital® returns as the exclusive Charity Partner of the LA Art Show in 2021. St. Jude Children’s Research Hospital is leading the way the world understands, treats and defeats childhood cancer and other life-threatening diseases. The purpose of St. Jude is clear: Finding cures. Saving children.®

ABOUT ST. JUDE CHILDREN’S RESEARCH HOSPITAL® St. Jude is leading the way the world understands, treats and defeats childhood cancer and other life-threatening diseases. Our purpose is clear: Finding cures. Saving children.® As the only National Cancer Institute-designated Comprehensive Cancer Center devoted solely to children, treatments invented at St. Jude have helped push the overall childhood cancer survival rate from 20 percent to 80 percent since the hospital opened more than 50 years ago. St. Jude is working to drive the overall survival rate for childhood cancer to 90 percent. And we won’t stop until no child dies from cancer. By freely sharing discoveries, every child saved at St. Jude means doctors and scientists worldwide can use that knowledge to save thousands more children. Families never receive a bill from St. Jude for treatment, travel, housing or food – because all a family should worry about is helping their child live.

OPENING NIGHT PREMIERE PARTY Wednsday January 19, 2022 Benefiting St. Jude Children’s Research Hospital® Opening Night Ticket $ $250

MODERN + CONTEMPORARY

The largest section of programming at the LA Art Show, Modern + Contemporary, exhibits the vast spectrum of contemporary painting, illustration, sculpture and more from galleries in Los Angeles, the Pacific Rim, and from countries all around the world.

A B E N D G A L L E RY

EBUNOLUWA From The ‘Innocence’ Series TOSIN KALEJAYE, 2021 Mixed Media, Oil and Charcoal on Canvas 50 x 42 in

ABEND GALLERY 1261 Delaware St, Denver, CO 80204 303 355 0950 | info@abendgallery.com abendgallery.com

ARC A D I A CO N T E M P ORARY

LE VIE INTERIEURE ANNE-CHRISTINE RODA, 2021 Oil on Panel 35 x 24 in

ARCADIA CONTEMPORARY 421 West Broadway, New York, NY 10012 USA 646 861 3941 | info@arcadiacontemporary.com arcadiacontemporary.com

ART BOND NY

W.T.C: CONCRETE ABSTRACT #13 SHAI KREMER, 2011-2013 Limited Edition | Photography | Archival Pigment Print 60 × 80 in

ART BOND NY 550 West 29th Street, New York. NY 10001 347 575 3948 | info@artbondny.com artbondny.com

ART’E

ROSES PAIK JOO SUNG Oil 40 x 30 cm

ART’E 161-8 Joong ang-ro Magok-dong, Gangseo-gu, Seoul, South Korea 818 963 0679 | fulva123@daum.net art-e.co.kr

ART UNIFIED

YOU’RE ENOUGH JOHAN ANDERSSON Oil on canvas 50 x 42 in

ART UNIFIED 1329 Abbot Kinney Blvd, Venice. CA 90291 310 591 4805 | Johan@artunified.com artunified.com

A R T VA N TA M U S E UM

DOUBLE DOSE OF AMERICAN SMILE BORIS GIULIAN, 2013 Acrylic, aluminum, fiberglass, paper 36 x 60 in

ARTVANTA MUSEUM 23350 Lake Manor Drive, Los Angeles | Chatsworth CA 91311 USA 800 767 8803 | artvantamuseum@gmail.com artvanta.com

A R T VA N TA M U S E UM

ENLIGHTENMENT UNDER SPANISH GUITAR BORIS GIULIAN, 2015 Spanish Cedar wood, guitar strings 36 x 60 x 4 in

THE MASK OF AFRIKAN GOD OF CONNECTEDNESS BORIS GIULIAN, 2013 African Mahogany wood sculpture 36 x 60 x 4 in

ATH E N E SSA G A L LE RY

TWO SPIRIT II YASSINE MEKHNACHE, 2018 Hand embroidery, ink, oil painting on canvas 75 x 75 x 8 in

ATHENESSA GALLERY 616 S La Brea Ave., Los Angeles, CA 90036 USA 323 760 4092 | athenessagallery@gmail.com athenessagallery.com

BE AT R I Z E SG U E R R A ART

HUMAN FABRIC 3 ED. 1/3 MARIO ARROYAVE, 2021 Gicleé print on cellulose paper, plexiglas and LEDs (Lightbox) 100 x 100 cm

BEATRIZ ESGUERRA ART Cra. 16 No. 86A-31, Bogotá, Colombia 346 NW 29th Street, Miami, FL 33127, USA (By appointment) +57310 2495591 / +1305 2606445 / +1941 4480918 | be@beatrizesguerra-art.com beatrizesguerra-art.com

b G G A L L E RY

SACRED LANDSCAPE V #36 HUNG VIET NGUYEN, 2021 Oil On Wood Panel 84 x 48 in

bG GALLERY 2525 Michigan Ave #A2, Santa Monica CA 90404 USA 310 906 4211 | bggallery@bgartdealings.com santamonica.bgartdealings.com

BR U C E LU R I E G A L LERY

CARTOPTROMANCY FRANCISCO VALVERDE, 2020 Pigmented Resin on Panel 48 x 96 in

BRUCE LURIE GALLERY 873 Via De La Paz, Pacific Palisades, CA 90272 USA 424 330 0122 | luriegallery@gmail.com luriegallery.com

BR U C E LU R I E G A L LERY

PHRAGMENTED TODD GRAY 79w x 54h x 13d in

BRUCE LURIE GALLERY 873 Via De La Paz, Pacific Palisades, CA 90272 USA 424 330 0122 | info.luriegallery@gmail.com luriegallery.com

BUILDING BRIDGES ART EXCHANGE

TE AMO LUIS COBELO, 2021 Mixed Media / Collage Photography

BUILDING BRIDGES ART EXCHANGE 2525 Michigan Ave., Unit F2, Santa Monica, CA 90404 USA 310 770 1961 | buildingbridgesax@gmail.com buildingbridgesartexchange.org

CINQ GALLERY

RED EYE JOHN PERALTA, 2018 Singer Model 66-1 “Red Eye” sewing machine (c. 1941) wood, steel, gold leaf, resin, mono-filament, LED lighting 42 × 30 × 18 in

CINQ GALLERY 905 Dragon St. Dallas, TX 75207 773 742 6115 | scott@cinqgallery.com cinqgallery.com

C M 2 SPAC E

PROJECT II-39 LIU DADI, 2015 Mixed media 58 x 45 in

CM2 SPACE 786 Pinefalls Ave, Diamond Bar, CA 91789 626 999 7919 | cm2space@gmail.com cm2space.com

CO H N A R T G A L L ERY

SUSAN SOFFER COHN SUSAN SOFFER COHN, 2021 Ink on Duralar 18 x 15.5 in

COHN ART 332 Calle Mayor, Redondo Beach, CA 90277 USA 714 702 9799 | cohnart@yahoo.com cohnart.com

CO N S C I O U S C RY P TO CREATO R

ICEBERGS DANIEL IREGUI, IREGULAR Interactive Media using Cursor technology 10x10 ft

CONSCIOUS CRYPTO CREATOR Toronto, Canada 905 999 4122 | hello@artshelp.net artshelp.net/ccc

CO N N E C T CO N T E M P O RARY

INTRICATE ELAPSE CRAIG ALAN, 2021 Mixed Media in Shadowbox with Tulle, Hand-Folded Paper, and Oil on Acrylic Glass 48 x 60 x 5 inches

CONNECT CONTEMPORARY 1616 Huber Street NW, Atlanta, GA 30318 404 350 7193 ext. 365 | info@connectcontemporary.com connectcontemporary.com

CO P R O G A L L E RY

WEIGHT OF SMALL THINGS CARL DOBSKY, 2021 Oil on linen 64 x 64 in

COPRO GALLERY 2525 Michigan Ave. T5, Santa Monica, CA 90404 310 829 2156 | CoproGallery@Live.com copronason.com

DAPH N E A L A Z R A K I F I NE ART

UNTITLED ALEXANDER CALDER, 1963 Gouache and Watercolor on Paper 29 1/2 x 21 1/2 in

DAPHNE ALAZRAKI FINE ART 424 Madison Avenue, 16th Floor, New York, NY 10017 USA 212 734 8658 | fineart@alazraki.com alazraki.com

DE S E R T VA L L E Y G A LLERY

RBG MICHAELA KUECHENHOFF/ GRANT ROSEN Painted with mixed media techniques such as pastels, charcoal, acrylic and 14 K lame pens on 150 years old vintage dictionary pages where the words are related to the image. Framed 24”x 28”

ARTNWORDZ LLC United States, Japan, Australia, Dubai, Mexico, Canada 760 672 3663 | v artnwordz.com

FA B R I K P R OJE C TS

RIOT NEMESIS, 2019 MIXED MEDIA 60 X 40 IN

FABRIK PROJECTS 912 E. 3rd Street, #301, Los Angeles, CA 90013 USA 310 890 8833 | chris@fabrikmedia.com fabrikprojects.com

FA B R I K P H OTO

ABANDONING THE SKY JESSIE CHANEY, 2021 Archival Pigment Print 30 X 40 in

FABRIK PROJECTS 912 E. 3rd Street, #301, Los Angeles, CA 90013 USA 310 890 8833 | chris@fabrikmedia.com fabrikprojects.com

FA B R I K P R OJE C TS II

SEEKER SIAN PROCTOR, ASTRONAUT/ARTIST (Edition of 500) Looped Animation NFT from Sian Proctor’s } original painting set to music by Test Shot Starfish Animated by Cory Shaw 2563x2050 H264

FABRIK PROJECTS 912 E. 3rd Street, #301, Los Angeles, CA 90013 USA 310 890 8833 | chris@fabrikmedia.com fabrikprojects.com

G A L L E RY 1 2 61

FORBIDDEN FRUIT GREGORY BLOCK, 2021 Oil on Board 40 x 30 in

GALLERY 1261 1261 Delaware St, Suite 1, Denver CO, 80204 USA 303 571 1261 | info@gallery1261.com gallery1261.com

G A L L E RY E L I M

ROMANCE HEI MYUNG C. HYUN GILS, 2021 Mixed Media 54 x 44 in

GALLERY ELIM 99 Hudson St #1907 Jersey City, NJ 07302 917 974 8732 | galleryelim@gmail.com galleryelim.com

I N T H E G A L L E RY

TRAMUNTANA TRANSFER JACOB GILS, 2021 Photography (Archival Pigment Print) 47 x 71 in

IN THE GALLERY Copenhagen | Palma 45 33731133 | art@inthegallery.com inthegallery.com

J&J ART INC.

INDRAMANG HAN HYE BIN, 2021 Mixed media on Hanji 50 x 61 cm

J&J ART INC. 3435 Wilshire Blvd. 1040, Los Angeles, CA 90010 USA jinnysuhh@gmail.com jjartinc.com

J&J ART INC.

CONSTRUCT THE PAINTING SUBJECTIVELY LEE DO YUP, 2021 Mixed Media on Canvas 116 x 91 cm

NEW YORK OLDER SISTER SI YOUNG YANG, 2022 Mixed media 45 x 45cm

J&J ART INC.

TE_TINY ESTER, BABY SHEEP, AND BABY WOLF JUNG WON CHUN, 2021 Acrylic on Canvas 40.9 x 31. 8cm

DAFFODIL HAN SUNG SU, 2022 Mixed media 45 x 45cm

J&J ART INC.

MY FASHION SHOW SERIES – BIRTHDAY PARTY SUNG HEE KIM, 2021 Acrylic on Canvas 60.6 x 45.5 cm

LOVE IS … JINNY SUH, 2021 Mixed Media 40 x 40 cm

JAN E KA H A N G A L LERY

LE PRINTEMPS RENE MAGRITTE, c.1965 Original Aubusson Tapestry Conceptualized 2000s 4.3 x 5.3 ft

JANE KAHAN GALLERY 922 Madison Ave. New York, NY 10021 USA 212 744 1490 | info@janekahan.com janekahan.com

JAN E KA H A N G A L LERY

OISEAUX BLANCS SUR FOND BLEU FERNAND LEGER, c.1954 Original Aubusson Tapestry Conceptualized 2000s 6.8 x 4.7 ft

JANE KAHAN GALLERY 922 Madison Ave. New York, NY 10021 USA 212 744 1490 | info@janekahan.com janekahan.com

J O HN N ATS O U L AS G ALLE RY

BEDRIDDEN AVERY PALMER, 2021 Oil on Canvas 27 x 46 in

JOHN NATSOULAS GALLERY 521 First St. Davis, CA 95616 530 756 3938 | art@natsoulas.com natsoulas.com

J OS H U N I V E R S E A R T GALLE RY

MIJOSHSKI JOSH UNIVERSE, 2020 Oil and acrylic on canvas 54 × 48 × 1 1/2 in

JOSH UNIVERSE ART GALLERY Atlanta, GA 251 786 7810 | universejosh1@gmail.com joshuniverse.net

J U DS O N ST U D I OS

PAGODA UMBRELLA JAMES JEAN, 2021 Fused Glass

JUDSON STUDIOS 200 South Avenue 66, Los Angeles, CA 90042 323 255 0131 | info@judsonstudios.com judsonstudios.com

K P P R OJE C TS

LITTLE BEASTS JOHNNY KMNDZ RODRIGUEZ, 2021-2022 A collection of Unique Hand Drawn and Assembled NFT’s 3000 x 3000 pixels at 300 dpi

KP PROJECTS @LGND.ART | The Metaverse 323 933 4408 lgnd.art/register

K + Y G A L L E RY

APERTURE 14 JEFF ROBB, 2019 3D Lenticular print 30 x 30 in

K + Y GALLERY 1 rue Mollien 75008 Paris, France +33 612103049 | yann@kplusy.com kplusy.com

KA R O ST U D I OS

ARCTIC KARO MARTIROSYAN Glass and Metal Wall Sculpture 71 W x 44 H x 4 D in

KARO STUDIOS 327 Arden Ave. Unit 103 Glendale, CA 91203 818 568 5466 | karo@karostudios.com karostudios.com

K E LLY SU E DA F I N E ART

KA LEINA A KA ‘UHANE TAIJI TERASAKI, 2021 Giclee print on Japanese handmade paper 48 x 61 in

KELLY SUEDA FINE ART 905 Makahiki Way, Honolulu, HI 96826 808 349 3100 | kellysueda@gmail.com kellysuedafineart.com

L P G A L L E RY

CHOO-CHOO TRAIN_RED OR WOMAN OF THE APOCALYPSE HONGSHIK KIM, 2021 Painted Ink & Silkscreen on Embossed Stainless Steel 100 x 40 x 3cm (4 pcs)

LP GALLERY 311 Sorajiro, Paju, Gyeonggi, Republic of Korea (Zip: 10863) +1 818 720 8485 | info@lacphoto.org GalleryLP.com

GREAT RHOMBICOSIDODECAHEDRON ANTHONY JAMES, 2021 powder coated stainless steel, specialized glass, LEDs 80 in

MELISSA MORGAN FINE ART 73660 El Paseo | 73785 El Paseo, Palm Desert CA, 92260 760 341 1056 | info@melissamorganfineart.com melissamorganfineart.com

KENDALL ISLAND WITH GOLD CAP CAROLE FEUERMAN, 2020 oil on resin with 25k gold leaf 60” x 24” 40”

MELISSA MORGAN FINE ART 73660 El Paseo | 73785 El Paseo, Palm Desert CA, 92260 760 341 1056 | info@melissamorganfineart.com melissamorganfineart.com

MI C H A E L G O E D H UIS

ANIMAL NATURE QIU DESHU, 1990 Ink and acrylic on Xuan paper and canvas 67 x 59 in (170 x 150 cm)

M ICHAEL GOEDHUIS 61 Cadogan Square, London, UK,SW1X oHZ +44 077 6062 5375 | london@michaelgoedhuis.com michaelgoedhuis.com

M I C H A E L G O E D H UIS

FLOWER IN SPACE (AFTER BRANCUSI) RICHARD HUDSON, 2011 Polished Bronze 33 1/2 in (85 cm)

LOVE #80 - DISTANCE TOMOKO KAWAO, 2020 Japanese gasen paper and handmade ink 27 1/4 x 53 in (69.5 x 134.5 cm)

M I R U S G A L L E RY

THE HEALER NYCHOS, 1990 M2020 Acrylic on canvas 60 x 60 in

MIRUS GALLERY 1922 E 7th Pl. Los Angeles, CA 90021 925-336-0795 | info@mirusgallery.com mirusgallery.com

M IZ U M A A R T G A L LE RY

EVENING SKY OHATA SHINTARO, 2021 Mixed Media 130 x 97x 30 cm

MIZUMA ART GALLERY Leo Kondo, 2f Kagura Bldg., 3-13 Ichigayatamachi Shinjuku-Ku, Tokyo 162-0843 +81-3-3268-2500 | kondo@mizuma-art.co.jp mizuma-art.co.jp/en/

M O B E R G G A L L E RY

THE FAVORITE SON LARASSA KABEL, 2020 Colored pencil on Paper 52” x 35”

MOBERG GALLERY 2411 Grand Ave. Des Moines, IA 50312 515 279 9191 | info@moberggallery.com moberggallery.com & mobergshop.com

MRG FINE ART

HARMONY ERIC GIBBONS, 2008 Oil on Canvas 30x 30 in

MRG FINE ART 13543 Ventura Blvd Sherman Oaks, CA 91423 818 277 6927 | info@mrgfineart.com mrgfineart.com

NATH I E KATZO F F A R T & D E S IGN GALLE RY

AWAKENING NATHIE KATZOFF, 2021 Cast & fused art glass mural 47” x 70” x 8”

NATHIE KATZOFF ART & DESIGN GALLERY 6327 W Marginal Way SW, Seattle, WA 98106 206 486 3600 | info@nathiekatzoff.com nathiekatzoff.com

N E W A P OST L E G A LLERY

‘BRITNEY’ TEXT: BABY ONE MORE TIME DAVID HOLLIER, 2021 Acrylic On Canvas 24 x 36 in

NEW APOSTLE GALLERY 150 S 4th Avenue, Mount Vernon, NY 10550 917 520 6589 | mail@newapostlegallery.com newapostlegallery.com

PAL E T T E CO N T E M P ORARY

TREE 1 JOAN MITCHELL, 1992 Artist Proof 9/18, Edition 80 + Proofs, Signed and Numbered in Pencil, Color Lithograph 33 (H) x 29.25 (W) Inches, Framed

PALETTE CONTEMPORARY 7400 Montgomery Blvd. NE, Albuquerque, New Mexico 87109 505 855 7777 | Kurt@palettecontemporary.com palettecontemporary.com

PA N A M E R I C A N A R T P ROJE CTS

ETERNITY, FROM ‘WAITING FOR THE RIGHT TIME’ SERIES JOSE TOIRAC, 2019 Oil and Gold leaf on canvas 79 x 118 in

PAN AMERICAN ART PROJECTS 274 NE 67th Street, Miami, FL 33138 USA 305 751 2550 | miami@panamericanart.com panamericanart.com

QUA N TU M CO N T E M P O RARY ART

SHIFTING SPECTRUM CLIFFY BROWN Oil on canvas 49 x 61 in

QUANTUM CONTEMPORARY ART The Imperial Laundry | 87 Warriner Gardens, London SW11 4XW, UK 0044 7900 648 681 | info@quantumart.co.uk quantumart.co.uk

R E BE CC A H OSSAC K A R T GALLE RY

LOGAN Y LUCAS MERSUKA DOPAZO, 2020 fabrics, handmade paper, pigments and oil on canvas 88 x 98 in

REBECCA HOSSACK ART GALLERY London | Miami +44 0 20 7436 4899 | info@rebeccahossack.com | @rebeccahossackartgallery rebeccahossack.com

RE H S CONTEM P OR ARY G A LLE R I E S

IN CONTROL STUART DUNKEL (BORN 1952) Oil on panel 12 X 3 11/16 in Signed

REHS CONTEMPORARY GALLERIES 5 East 57th Street, 8th floor, New York, NY 10022 USA 212 355-5710 | info@rehscgi.com rehs.com

REI S I G A N D TAY LO R CO N T E M P O RARY

LIZ REISIG AND TAYLOR, 2021 Lenticular / 3D print 33 x 41 in

REISIG AND TAYLOR CONTEMPORARY 837 5th Avenue, Los Angeles, CA 90005 323.627.6622 | gallery@reisigandtaylorcontemporary.com reisigandtaylorcontemporary.com

RO B I N R I C E G A L LE RY

THE BOY WHO KILLED GOD TAKI GOLD, 2021 Acrylic on Canvas 68” x 48” x 2.5”

ROBIN RICE GALLERY 325 W 11TH ST, NEW YORK, NY 10014 855 278 0995 | taki@worldoftakigold.com worldoftakigold.com

SIM ARD BI LO D E AU CO N T E M P O RARY

LET SOMEBODY GO THAI MAINHARD, 2021 Mixed Media on Canvas 72 x 48 in

SIMARD BILODEAU CONTEMPORARY 1923 S Santa Fe Ave., Suite 300, Los Angeles, CA, 90021 USA The Peninsula Shanghai, 14th Floor, 32 The Bund, Shanghai, China 949 371 7414 | info@simardbilodeau.com simardbilodeau.com

T I ZO C

MOTHER NIGHT JOSE LUIS ZUNO, 2010 Mix Media on Canvas 38” W x 47” H x 1.5” D

TIZOC By Appointment Only, Los Angeles, CA USA 323 543 1194 | info@thetizocartgallery.com thetizocartgallery.com

V EL LUM L A

SPACEMOSQUE SIGHTING #3 SAKS AFRIDI, 2019 Digital Still 2582 x 2794 px

VELLUM LA 7673 Melrose Ave, Los Angeles, CA 90046 info@vellumla.com vellumla.com

V I VA L A CO- L AB

SOMEWHERE OVER THE RAINBOW, 2022 Viva LA Co-Lab Featured Artist, M., with Andre Miripolsky, Co-Creator Of Viva LA Mixed media on canvas 48” x 60” x 1.5

VIVA LA C0-LAB 10880 Wilshire Boulevard # 1101, Los Angeles, CA 90024 646 729 7768 | hello@vivala.us VivaLA.us

WYOMI NG WOR KI NG G R O U P

A1 JACKSON POLLOCK, 1949 Oil on Artboard 39 x 47 in

WYOMING WORKING GROUP GALLERY 124 McFaul Way – Suite 202, (PO Box 444), Zephyr Cove, NV 89448 775 586 8888 | info@WyomingWorkingGroup.com WyomingWorkingGroup.com

ROOTS

Honoring the voices and movements that came before, ROOTS is a dedicated exhibition space for galleries that showcase historical works and contemporary artists following in those traditions.

J SA B RY F I N E A R T

SLEEPING BEAUTY SERGE MARSHENNIKOV, 2020 Oil on canvas 24 x 26 in

J SABRY FINE ART 9410 Dayton Way Beverly Hills, California 90210 310 734 7259 | Info@jsabryfineart.com jsabryfineart.com

PROV I D E N T JE W ELRY

Stunning earring and necklace suite boasting 31 diamonds, 115 carats of near-colorless “Asscher” cut diamonds set in platinum on a pavé chain. Each perfectly matched stone features its own report from the Gemological Institute of America.

PROVIDENT JEWELRY West Palm Beach • Naples • Jupiter • Fort Myers • Palm Beach • Wellington 888.888.GEMS providentjewelry.com

R EH S GAL L ER I E S

L’EPTE À GISORS EMILIO SÁNCHEZ PERRIER Oil on panel 13 x 18.125 inches Signed

REHS GALLERIES 5 East 57th Street, 8th floor, New York, NY 10022 USA 212 355-5710 | info@rehs.com rehs.com

EUROPEAN PAVILION

The European Pavilion showcases curated exhibits highlighting various movements and stylistic developments.

B E A V ILL A M A R Í N A R T G ALLERY

LA LUZ DEL DÍA (DAYLIGHT) DIEGO BENÉITEZ, 2021 Oil on Board 47 x 47 in

BEA VILLAMARÍN ART GALLERY Calle San Antonio 5, 33201, Gijón (Spain) +1 (317) 748-0873 | bea@beavillamarin.com beavillamarin.com

D E O DATO A R T

KISS ME MR. SAVETHEWALL Mixed media on canvas 100 x 70 cm

DEODATO ARTE GALLERY Milan - Pietrasanta - Porto Cervo - Courmayeur - Bruxelles - Lugano +1 323 570 1961 | us@deodato.us | @deodatoartegallery deodato.us

G AL L E R I A ST E FA N O FO RNI

ANCORA INSIEME 2 LUCIANO VENTRONE, 2014 Oil on mixed media on canvas 19.7 x 19.7 in

GALLERIA STEFANO FORNI Piazza Cavour, 240124 Bologna BO, Italy +39.051.225679 | arte@galleriastefanoforni.com galleriastefanoforni.com

N E U E KU N ST G A L LE RY

L.A. LOS ANGELES, URBAN ART THITZ, 2021 Acrylic paints and recycled paper bags on canvas 140 x 180 cm

NEUE KUNST GALLERY Zirkel 32, Karlsruhe 76133, Germany +49 151 1561 3713 | michael.oess@neuekunst.de neuekunst.de

P I G M E N T G A L L ERY

DIBUJO Nº 56 MARCELO FUENTES, 2021 Charcoal and pencil on paper 25 x 35 cm

PIGMENT GALLERY Calle Trafalgar 70, 08010 Barcelona, Spain +34 658850773 | info@pigmentgallery.es pigmentgallery.es

WORKS ON PAPER

Works on Paper is a dedicated exhibition space for showcasing photographs and other works not on traditional canvas.

APOTHEOSIS DANI VINOKUROV, 2021 Paper, Ink, Watercolor, Gouache and Fiber 22 x 30 in

GALLERY 1202 7363 Monterey Street, Gilroy CA 95020 USA 408 206 0018 | info@gallery1202.com gallery1202.com

FRAGMENTS OF MEMORY KATHERINE FILICE, 2020 Sumi ink and Chalk Collage on Paper 40 x 60 in

GALLERY 1202 7363 Monterey Street, Gilroy CA 95020 USA 408 206 0018 | info@gallery1202.com gallery1202.com

ETERNAL DANCE OF NATURE BINAY SINHA , 2019 Watercolor and Acrylic on Handmade Paper 29 x 43 x 1 in

GALLERY 1202 7363 Monterey Street, Gilroy CA 95020 USA 408 206 0018 | info@gallery1202.com gallery1202.com

WHEN I LOOK AT A BODY IT GIVES ME CHOICE RITU SINHA, 2021 Mixed Media on Paper 36 x 29 in

GALLERY 1202 7363 Monterey Street, Gilroy CA 95020 USA 408 206 0018 | info@gallery1202.com gallery1202.com

TO U C H O N G A L L ERY

STEPS ALEX SHER, 2014 Print on aluminum, Limited edition of 12, print #4 48 x 40 x 1 in

TOUCHON GALLERY 702 Arizona Ave., Suite 411, Santa Monica, CA 90401 USA 213 298 5797 | info@touchongallery.com touchongallery.com

VELLUM PROJECTS

PANDORA’S BOX MARCY BRAFMAN, 2021 Crayola crayons and ink on paper 12 x 18 in

VELLUM PROJECTS 164 23 Street, Brooklyn NY 11232 347 523 2441 | stephvelum@gmail.com vellumartzine.com

WO L F & N O M A D G A LLERY

BELLIS PERENNIS SIMON VARGAS, 2021 Mixed media Collage 33 x 35 in

WOLF & NOMAD GALLERY Design District, Miami, FL 510 325 0476 | asa@wolfandnomad.com wolfandnomad.com

PROJECT SPACE

Hailing from around the world, the exhibitors in Project Space showcase a broad array of ideas and talents in the form of solo exhibitions, presented by participating galleries.

ACOSTA A R TS

LOVE CENTIPEDE TEX HAMMOND, 2022 Mixed Media 24 x 48 in

ACOSTA ARTS Glendale, CA 424 702 7438 | carmen@carmenacosta.com texhammond.com

AM B L E SI D E G A L LERY

MESA VERDA BRAD AND BRYAN CAVINESS, 2021 Ceramic 18” x 16” x 16” in

AMBLESIDE GALLERY 528 South Elm St. Greensboro, NC 27406 336 275 9844 | jackson@amblesidearts.com amblesidearts.com

G AL E R I E B R U N O M ASSA

ABSTRACT N°410 HARRY JAMES MOODY, 2019 Oil on canvas 72 x 60 in

GALERIE BRUNO MASSA 12 Rue Vivienne, 75002 Paris, France +33 6 61 00 10 33 | contact@galeriebrunomassa.com galeriebrunomassa.com

MATT E R ST U D I O G ALLE RY

THE PASSIONATE MATCH JONMARC EDWARDS, 2021 20” x 16”

MATTER STUDIO GALLERY 5080 W Pico Blvd, Los Angeles, CA 323 697 4988 | karla@matterstudiogallery.com matterstudiogallery.com

P E AC E WAT E R S

SEA SWAY SHIMA SHANTI, 2021 Encaustic: Painting with Beeswax and Fire 36 x 36 in

PEACE WATERS San Diego — Dallas — High Point 619 920 1954 | shima@peacewaters.com PeaceWaters.com

P I N TO G A L L E RY

WANT TO HOLD YOU TAKASHI MURAKAMI, 2016 Offset lithograph 31 x 31 inches

PINTO GALLERY Online Art Gallery, Los Angeles, CA 90010 USA 213 284 2515 | info@pinto.gallery pinto.gallery

DIVERSE art LA

DIVERSEartLA

DIVERSEartLA is a special programming section devoted to nurturing the creative energy of international collectors, artists, curators, museums and non-profits by connecting them directly with audiences in Los Angeles. The LA Art Show donates 50,000 square feet of exhibition space to participating organizations each year as our civic engagement, and the featured work is not for sale. Overall curation by Marisa Caichiolo with individual curators from institutions around the world.

D I V E R SE ar t L A

“One of the most powerful things about art is that it brings people together, and transforms the way we communicate. The goal of DIVERSEartLA 2022 is to view this sector of art within the show through ecological glasses. To take a closer look at how the environment is represented in art installations and objects, and also, how humans’ place in the world is depicted in saving the planet and documenting change in our environment (Past – Present – Future). This topic is at the heart of a growing number of art narratives, including exhibitions built with high-tech innovations, designed to inspire artistic appreciation and the desire to respond to environmental challenges reinforcing the value of translating environmental advocacy into art. The installations, immersive experiences, and performances represent our present day and the looming impact we will all face if the planet continues to warm. DIVERSEartLA 2022 will encourage visitors to confront the complex challenges of our global climate crisis and imagine potential solutions.”

- Marisa Caichiolo -

DIVERSEartLA is back with a new ecological lens. Curated by Marisa Caichiolo, this year’s edition will examine not just how the environment is represented in art, but how humanity’s place in the world is depicted. This exhibition will open up an important dialogue about the Earth’s past, present, and future, uniting the community around discussions of the global climate crisis and potential solutions. This topic is already at the heart of a growing number of art narratives and DIVERSEartLA is honored to provide it with an additional platform. For this year’s edition of the highly popular element of the LA Art Show, the curator decided to invite art museums and institutions to partner with Science and Environmental Museums. Together, they will create an entire world of immersive experiences focusing on the looming impact we will all face if the planet continues to warm.

DOX CONTEMPORARY - PRAGUE | CZECH CENTER NEW YORK & THE GENERAL CONSULATE OF THE CZECH REPUBLIC IN LOS ANGELES PRESENTING

THE SIGN (PART OF THE REAL NEWS SERIES)

Highway signs are always right. Not in a political way but in the way of conveying a fact. We believe them, take their truth for granted. In our time of social-media-fed competing narratives, “alternative facts” and fake news, the road sign seems to be one of the last anchors of truth that everyone can agree on, left and right. At the same time it is a true icon of Los Angeles, a city of freeways and cars, of people commuting to and fro, many hours a day, each day. Arguably, the road signs are the most read and trusted literature of Los Angeles, if we can call them that. On the one hand, they are a powerful symbol of progress of the last century, of mobility, power and transitivity. On the other hand, however, they can be read as compromising evidence of our technological rampage that has lead us into a real climate crisis.

The installation The Sign plugs into this a-priori factuality by mimicking the iconic freeway signage, while communicating an unexpected message: “Your children WILL hate you – eventually”. The text is a speculation about the future of our society as well as a deeply disturbing existential thought that had crossed the mind of most parents. Their kids are the ones who will pick up the tab of our celebrated economical progress – a religion of economical Growth at all costs. The installation is a site-specific artwork, placing the iconographic freeway sign into the interior of the LA Convention Center, creating an absurd situation for the viewer, conveying a disturbing message in the matter-of-fact form they have recently seen in their car getting off the freeway to get to see the LA Art Show. And the message stands, after all, highway signs are always right.

A SITE SPECIFIC INSTALLATION BY: SWEN LEER AS PART OF DIVERSEartLA SECTION CURATED BY MARISA CAICHIOLO

E N V I R O N M E N TA L D I G I TA L E X P E R I E N C E

Climate change is a significant threat that has raised concerns all over the world. From shifting weather patterns to rising sea levels, the impact of climate change is global, and at an unprecedented scale.

Concerns about global warming have increased significantly since 2073. Climate activists across the world are now organizing protests and nonviolent civil disobedience to raise awareness around the crisis.

Be that as it may, there are people who are not concerned about the effect of climate change and it is divisive topic all over the world. We hope this installation can bridge the gap and instill a sense of urgency about the threats facing our planet so we can mend the issues that divide us and come together to heal the Earth.

BY A.ORDOÑEZ DELIVERED BY RAUBTIER PRODUCTIONS & UNICUS CURATED BY MARISA CAICHIOLO

MUSA MUSEUM OF THE ARTS OF THE UNIVERSITY OF GUADALAJARA AND MCA MUSEUM OF ENVIRONMENTAL SCIENCE PRESENTING

T H E O T H E R WAT E R FA L L & C H A PA L A A L S O D R O P S I T S E L F

The Universidad de Guadalajara, through the University of Guadalajara Foundation | USA, presents their most relevant museum projects: MUSA Museum of the Arts of the University of Guadalajara and MCA Museum of Environmental Science.

MUSA is a museum with 27 years of history. Their exhibition program includes activities in which arts become an impulse to motivate social transformation. Their compromise with the environment was consolidated with the state certification that recognizes the process and actions of the institution to protect the natural environment. The MUSA Museum of the Arts was one of the first university properties that implemented sustainable actions related to the management and recycling of waste, as well as the rational use of water and energy.

The MCA Museum of Environmental Science is an upcoming project of the university. It will be a space projected along with their community in order to foster a sense of belonging through empathy and closeness that will lead the community to initiate actions of ecology preservation. These are the three main visions that constitute the vocation of this museum; to understand the urban dynamics and their impact in nature, the equal disclosure of science and the generation of emotions that lead to learning.

This time, the MCA presents two installations of the artist Claudia Rodríguez: La otra cascada —The Other Waterfall— and Chapala también se-a-gota

—Chapala also Drops Itself—, where is reflected the

contamination and lack of water that has affected the state of Jalisco, Mexico the last decades.

BY CLAUDIA RODRIGUEZ

MUMBAT MUSEUM OF FINE ARTS OF TANDIL AND MUSEUM OF NATURE AND SCIENCE |ANTONIO SERRANO OF ENTRE RIOS ARGENTINA PRESENTS

THE EARTH’S FRUITS

The artists have explored new perspectives on approaching “creative doing” by using environmental art. They create from an ethical perspective and use ecological activism, which seeks to convert into the work itself those elements that lead us directly to awareness about the damage we cause that needs a call to action. In this sense, Guillermo shows us the huge colossal amounts of waste that we add to every day and it is from his own work, in line with the community, that he dedicates his hours collecting from the same environment he inhabits, which he calls Fruits of Progress. He aims to heal the footprint of contemporary man, which at present it seems irreversible. The real and the artificial landscape are mixed, but the artist strives to separate each element that he painstakingly weaves into large textiles arranged to challenge ourselves though installations on a human scale - not with words, but through the emotionality of the senses looking for a depository in each permeable visitor to take that message: “perhaps art cannot change the world, but it must try”. The Earth’s Fruits is thus constituted as a scientific research project whose ideology culminates with an installation work of a specific ephemeral site, where the waste that takes on a second life is dignified. Although tin cans may not leave this planet so easily, by confronting them with nature and creating a dialogue between them, we increase the chance of an enlivening sustainability education. In a fluid time where “the past itself is just as truly conditioned by the first present, as conversely the present is by the past” (Schopenhauer), rethinking stimulates us by putting into debate the individual, nature, and social structure. The construction of possible scenarios where a product of introspective inquiries are always subject to new orders. The immersive installation invites us to reconsider that we are part of a whole with nature - a complex whole in constant mutation and adaptation. It challenges us to examine our most recondite thoughts and induces us to take a departure to, in the words of the artist, questioning ourselves about who we are and the links that unite us to our habitat. In this way it proposes the visitor to act on new imaginaries, creating an illusion of time and place, where he is the protagonist.

BY GUILLERMO ANSELMO VEZZOSI CURATED BY INDIANA GNOCCHINI

THE SKID ROW HISTORY MUSEUM AND ARCHIVE PRESENTING

R E CO G N I Z I N G S K I D R OW AS A NEIGHBORHOOD : S K I D R OW CO O L I N G R E S O U R C E S

Recognizing Skid Row As A Neighborhood is how DTLA 2040 (Department of City Planning) formally presented Skid Row this year to City Hall as part of updating the Downtown Community Plan. Community Plans set Land Use Policy and zoning regulations. DTLA 2040 continues through 2022. Skid Row is a dynamic, primarily African American, residential neighborhood - not a problem to be fixed. The brutal heat waves of September 2020 created Skid Row Cooling Resources, a collaborative planning effort and think tank to ensure the summer of 2021 and beyond was better for Skid Row residents. Skid Row is a unique Urban Heat Island in the larger Heat Island of Downtown Los Angeles.

- Tom Grode -

Tom moved from Santa Monica to 5th and Main in May 2012, not realizing he was a block from Skid Row. Since then, he’s focused on advocacy around Skid Row as a Community. Tom is an original member of the Skid Row Cooling Resources coalition, the Skid Row Now and 2040 coalition, the Skid Row Community Improvement Coalition, and the Skid Row Arts Alliance. He is heavily engaged with Skid Row as a powerful arts community, in particular a part of the Los Angeles Poverty Department (LAPD) and Urban Voices Project.

CURATED BY TOM GRODE

MUSEUM OF NATURE OF CANTABRIA SPAIN PRESENTS

O U R T U R N TO C H A N G E

Video-installation presented by Museum of Nature of Cantabria, Spain based on environmental issues.

The video installation appeals to the viewer, through images, to awaken to an increasingly worrying reality. It deals with climate change and the consequences that these changes produce in our habitat. Nature speaks to us, screams at us .....

One small drop fell and then another and another and another. Thus, drop by drop, large amounts of ice are lost every second. The poles are melting. Meanwhile, we continue on with our lives, with our dreams, as if this could never affect us. The dripping continues and vast frozen expanses have already been lost. The Arctic is at minimum levels, Antarctica has lost ice shelves, glaciers have retracted and the oceans levels continue to rise.

Forest fires, droughts, tidal waves, floods.... This is our turn to change. We can still do it.

BY ANDREA JUAN AND GABRIEL PENEDO DIEGO

TAM TORRANCE ART MUSEUM PRESENTS

M E M O R I A L TO T H E F U T U R E A large-scale Brutalist architectural sculpture, 20 (h) x 30 (w) x 30 (d) feet, with photographs (vinyl stickers), installed on various faceted walls of the structure. The base sculpture will be built by artist Daniela Soberman. 6-8 artists will be invited to include photographs which will be printed on vinyl and placed on the structure. The structure will have an interior that the visitor can pass through. The utopianism of modernity that led to scientific and technological developments also led us towards forms of capitalism that have endangered the planet. Exploitation, excess, and greed have driven this while an ostrich-head-in-the-sand has characterized our approach to engaging with climate change, and the problems and potential solutions that await us in the present as much as the near future. Based upon the conceptual architectural structures of Brutalism, as both visual aesthetic of Power and as a metaphor, reflecting Modernist idealism without humanistic realities - concerning how we might actually live with the conceits of the architect – this project brings together 6-8 artists, in conjunction with Soberman, to explore the situation within the historical context that led us to this point of environmental catastrophe but with contemporary takes on our current position. The formalist structure, created by Daniela Soberman, acts as the historical link to the project of Modernity and its aspirations while simultaneously reminding us of its perils and failures. Using Brutalist architecture as a reference point that encapsulates both the idealism and abject failure of this model, the collaborations, via photograph and video, highlight the need for immediate action. They do this not by way of propaganda, but rather via a diversity of photographic concerns that by physical proximity in their installation on a single structure, bring together various viewpoints and interpretations of warning, of caution, of danger in respect of our environment, nature and climate.

SCULPTURE: DANIELA SOBERMAN. VIDEO INSTALLATIONS CURATED BY: KISITO ASSANGNI WILFRIED AGRICOLA DE COLOGNE PHOTOGRAPHIC ELEMENTS: OPEN SOURCE VIA TAM STAFF CURATED BY MAX PRESNEILL, TORRANCE ART MUSEUM (TAM)

FEATURED FEATURED EXHIBITIONS EXHIBITIONS

F E AT U R E D E XH I B I TIONS

Expanding beyond the confines of booth spaces, Featured Exhibitions create immersive experiences to engage audiences through thought-provoking artworks, performances and other exhibitions offered by participating galleries, highlighting works that will be talked about for years to come. Highlights this year include works by Art Bond, bG Gallery, Building Bridges Art Exchange, Connect Contemporary and Fabrik Projects.

W.T. C : C O N C R E T E A B S T R A C T

For younger Americans born after the attacks, 9/11 is not a memory lived, but history learned. Twenty years later, we remember those who were killed, as we honor the service and sacrifice of the brave first responders who ran toward danger to save others. By showing this body of work, we want to encourage reflection and help ensure that a new generation learns how, together, we met unimaginable tragedy and unfathomable loss with hope, resilience, and unity.

An evocation of site, a remembrance of tragedy, a progression towards healing – Shai Kremer’s Concrete Abstract series at once aims for individual and universal response to the destruction and rebuilding of the World Trade Towers following September 11th, 2001. Kremer describes his Concrete Abstract series as a means to “pay homage to America, to New York, to their trauma and their recovery.” The artist evokes the renovations and rebuilding of a once devastated sight as representative of a fresh start and ongoing therapeutic process for New York City. Like his past series, Kremer maintains “a post-traumatic gaze to the cityscape of Manhattan and by extrapolation, to the sociological landscape of America.” Kremer combined copious images to illustrate the site’s former self as well as its years of reconstruction. In the most recent works *The Tribute in Light*, a memorial installation of 88 searchlights forming two columns of light in place of the towers, brings new life to the hopeful images. The strength of the façade of the Freedom Tower is a testament to how far we have come in the rebuilding process. Kremer records a compelling interpretation, in which a process linking “accumulation, destruction, and reconstruction” become “the paradigm of modernity.” The zenith of that modernity, the now tallest building in the United States, is a proud symbol of our strength.

PRESENTED BY ART BOND

T H E I N S TA L L AT I O N “ P E R S O N A L A R T I FA C T S ” BY ARTIST ALEXANDRA DILLON

In this project, artist Alexandra Dillon explores character, personality and emotion by painting imagined portraits on used tools and other implements - recycled from swap meets and flea markets.

Tools such as axes and cleavers, hint at hidden and repressed feelings of rage and revenge, while her tiny lock and key sculptures offer hope that each of us can find the solution to our personal struggles. Her old master style faces on coal shovels, cleverly employ the ruffled base as an Elizabethan collar, and circular saw blades carry similar faces of strong women - badass babes whose time has come.

Her installation piece “Mood Swings” is a kinetic sculpture on two large shovels that are balanced on a mount that allows the viewer to manually move them revealing a face that changes from a smile to a frown as it swings on its axis.

PRESENTED BY bG GALLERY

N AT U R E O F P R O V I D E N C E S É V E R I N G U E L PA CURATED BY LAURA AYALA | MARISA CAICHIOLO

BBAX’s Artist in Residence Program provides artists’ with a unique challenge by offering them the opportunity to create, in record time, a site specific body of work which requires a full time commitment. The program is an invitation for experimentation and research, which is carried out with curatorial accompaniment that supports the artist’s concepts, and provides different ways of exploring their own work.

For this year’s residency, artist Séverin Guelpa worked in a wide range of mediums: installations, objects, sounds, and photography, while exploring ideas of documentation, gathering, and analyzing life in the desert, an area he has worked in since 2014. This exhibition is the result of the artist’s exploration during the residency period, and deals with an unnamed phantom, a specter that haunts or perhaps shines a ghostly light onto the inner soul behind “the desert”. This mirage confuses and fascinates him; but despite this, he decides to explore the physical and emotional territory. Throughout the residency Guelpa plunged into the wild, untamed landscape of the desert, the boulders, the iconic Joshua trees, and the vast terrain opening onto the Milky Way above. As a conceptual artist, Guelpa focused on a survey of the territory, its geography, and the underlying tensions and fragility of living systems in the desert.

The high desert has long been a refuge for intrepid creative characters and stories. It’s a place that attracts dreamers, undeterred by the inhospitable environment. Séverin Guelpa’s artistic proposal gives us the opportunity to access multiple layers of interpretation but, above all, to see the effects on people who decide to experience the desert’s apparent emptiness. With this exhibition, Guelpa connects the undeniable and surreal vistas of freestanding home structures with the relationship between the land, nature’s resources, and private property. He gives new meaning to the debris that has been cleansed by the desert, and brings new possibilities of composition that explores the forces of balance in chaos.

PRESENTED BY BUILDING BRIDGES ART EXCHANGE

S H I N I N G L I G H T I N T H E DA R K N E S S “A G I N G O U T ” : A C O M M U N I T Y PROJECT BY J.P. GONCALVES

Aging Out seeks to visually capture the reality of a social injustice that, too often, lies hidden in the shadows. Viewers are invited to consider seven portraits -- each portraying someone who, upon turning eighteen years old, has either “aged out” of foster care or would be “aging out” if a family had not gotten involved.

Each portrait is made of 3,000 squares. Each square is uniquely placed and angled either towards or away from the light source. The image created is only made of reflected light or shadows cast. In total, the 21,000 squares represent the amount of youth who age out of the American foster care system each year. Every eighteen seconds, the central light source is extinguished, revealing the face of a youth who’s endured a journey in this system, along with a poignant statistic illuminated by a smaller light. This cyclical lighting and extinguishing temporally represents the dreaded moment where, upon turning eighteen years old, our nation’s most vulnerable young adults are abandoned by the state and rendered subject to the mercy of the unjust societal forces that create these sobering statistics.

Gonçalves’ distinct technique uses shadow and light to expose the image, the message, and ultimately, a social inequity that deserves a well-defined place in the minds of compassionate and justice-oriented people with a heart for leveling the playing field so that all young people, regardless of their origins, have a fair chance at creating a meaningful life for themselves.

PRESENTED BY CONNECT CONTEMPORARY

M E M O R Y O F A S PA C E AN IMMERSIVE EXPERIENCE PHOTOGRAPHY BY JESSIE CHANEY EXHIBITION DESIGN BY CHRIS DAVIES

Jessie Chaney’s ongoing series Memory of a Space brings into focus numerous forlorn and overlooked sites the artist has encountered in her travels. These abandoned spaces are remnants of progress and change, empty buildings which provide evidence of previous inhabitants. Whether changes of fortune or the construction of new nearby highway leaves such places cut off and ultimately deserted, they still hold many telltale pointers to the lives and loves that once filled them.

Chaney finds beauty within the ruins and detritus that society leaves behind. Rather than mourn what has been lost, she celebrates the little details that provide glimpses into the past. This immersive installation both houses and echoes her artworks. Glimpses of other artworks appear as one navigates the space, and scrims provide veiled views though grimy windows, like those the artist encounters when peering into longoverlooked rooms. While Chaney’s photographs are essentially devoid of people, they still evoke an aura of humanity. The images tell stories through what has been left behind, fallen into ruin and often subsequently unofficially re-adorned with contemporary imagery. If her imagery conveys an air of nostalgia, it is not intended to be facile. Memory of a Space draws attention to the rapid changes in modern life, while celebrating small mementos of civilization.

Chaney began this body of work in earnest before the term ‘COVID-19’ was coined. Since then, as the global pandemic has continued, the series has assumed an additional gravitas, not influenced by prevailing political views or conspiracy theories. Focusing on the impact of societal change, Chaney’s abandoned spaces now might be seen as possible safe havens for the future.

PRESENTED BY FABRIK PROJECTS, LOS ANGELES

P I C A S S O/C H AG A L L /C A L D E R : CONCEPTUAL TRADITIONS

Jane Kahan Gallery is pleased to present CONCEPTUAL TRADITIONS, featuring a selection of artworks from its collection of 20th century art by Pablo Picasso, Marc Chagall, and Alexander Calder.

This exhibition brings together five works that highlight the collaborative process of creating art in specialized mediums such as tapestry, printmaking, and ceramic.

Known for creating powerful images inspired by the beauty of the natural world, these artists often shared their artistic drives with artisan workshops that guided their visions to realize large-scale concepts.

With methods and materials sourced directly from the earth, the featured works give viewers a chance to observe stylistic similarities and technical skill across mediums.

“We are thrilled to be participating in the 26th annual LA Art Show, which means we move forward with the tête-à-tête contact necessary for all human creatures. Kassandra did tremendous work for the 2021 edition and I’m so glad that she is continuing to lead the show.” - Jane Kahan

PRESENTED BY JANE KAHAN GALLERY

C A R LO M A R I A M A R I A N I BY DONALD KUSPIT BIENNALE DI VENEZIA CATALOG 1990

“There is a strange lucidity to Carlo Maria Mariani’s paintings, a beauty and radiance of surface and figure that seems more than the sum of their art historical parts. Mariani is a surrealist: his art is a kind of argument. All of his pictures involve a manipulation of symbols of ideality, presented with sensuous perfection, which gives them an ideality beyond reproach – in a sense beyond interpretation. Mariani‘s painting is thus a celebration of the ideal in art – the seemingly perfect – wherever it occurs. He isolates instances in which it appears.”

The present painting Flying in Spatial Atmosphere, 1989 is an autobiographical leap into space based on Yves Klein’s Leap into the Void (1960), and thus rendered in Klein’s famous blue.

Carlo Maria Mariani “Flying in Spatial Atmosphere” (1989) Oil on canvas, 72 x 60 in, 182.88 x 152.4 cm

PRESENTED BY PAN AMERICAN ART PROJECTS

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