Partime Issue 12
Work Is Part Time Life Is Full Time
Too young to die
WWW.ABOOK.CC
PARTIME 森之意文化事業有限公司 104 台北市內湖區港墘路221巷39-1號 Tel : (02)2657-1666 Fax:(02)2657-1555 Email : joshualin@me.com / ting740802@yahoo.com.tw Website : www.abook.cc 監製 Supervisor | 張艾嘉 執行 Executive | 林炳存 Joshua Lin 創意總監 Creative Director | 尹培袞 Sean Yin
Partime Issue 12 青春不朽 Too young to die
發行人 Publisher | 賀錫敬 Leo Ho 總編輯 Editor in Chief | 廖曉喬 Michelle Liao 副總編輯 Executive Editor | 林特 Chun.P Lin 翻譯編輯 Translation Editor | 姜怡凡 Annie Chang 英國特駐 Overseas Editor | Linda Cooper 採訪編輯 Assistant Editor | 李佾樺 Tim Lee 視覺主編 Design Director | Alex Chang 視覺編輯 Visual Editor | 王培華 Hingis | 陳宛均 kye 攝影總監 Photography Director | 林威呈 Wei Lin 攝影編輯 Photography Editors | 林特 | Eddie Chau | Linda Cooper | Cecile
前衛時尚影像生活誌， 要帶給您最獨特的視野。
造型總監 Styling Director | 林夢薇 Monfi Lin 編輯策劃 Executive Director | 趙欣、桑科 廣告行銷統籌 Advertising Director
長久以來強大的包容力使得這片土地上充滿了異國的色彩， 美言之：就是國際化。各種平面媒體的國際中文版搶灘上 市，打開了我們的視野，但也讓我們更忽略了自己一些些。
蔡詠綸 Diana Tsai
「重新提醒」是PARTIME拓時誌的創辦初衷，提醒我們自己 的存在與價值。我們也試圖將PARTIME拓時誌期許成為一個 創作的平台，使得本土的創作人、設計人、藝術家…等，可 以在這個平台上得到展現，讓我們可以看見自己的力量，也 才能肯定自己的價值。
高見文化行銷股份有限公司
Mobile : 0955-289-298 E-MAIL : dianatsai888@gmail.com
經銷服務 Team | 陳錫龍 TEL : (02)2668-9005 ext. 3134 FAX : (02)2668-9790 E-MAIL : oldblack.ch@mail.wds.com.tw 顧問團隊 | 陽帆 | 廖鎮漢 | 詹仁雄 | 林知佑
PARTIME拓時誌就是你、我的雜誌，我們更希望它成為名符 其實的國際英文版，從這裡出發，走向全世界。
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色彩管理 王振昇 | 行政管理 張騰元 總務管理 李佾樺 | 執行公關 星予公關
Partime Issue 12
目錄 INDEX
006
Too young to die
058
076
COVER STORY _
PARTIME GAZING _
青春不朽 ― Youth
Masayo Matsuda
080
PRECTIVE _ 鳳飛飛音與容，如此的真實宛在…。
TAIWAN TALENTS _
008
南臺灣的大港搖滾 ― They do Rock-n-Roll in South Taiwan 莊士賢的舞蹈青春 ― Shih-Hisen Chuang and his Ballet
PARTIME EXPRESS _ 與時尚結婚的女人 ― A Woman who Married Fashion 倫敦夜生活 ― Modiva Club London
020 PARTIME FASHION _ I wanna see from your eyes 閒暇的騷亂 ― Leisure Riot All Dressed Up and Nothing to Do 關於熱血，揮灑及青春的其他 ―Rebel without a Cause
064 PARTIME ATTITUE _ 我取悅我自己 ― I Amuse Myself 二十一世紀少年 ― Roger 鄭健國
096 PARTIME DESCRIPTION _
124 PARTIME SPECIAL _ ABOOK Studio攝影專欄 3
Partime Issue 12
Too young to die
DEPUTY EDITOR-IN CHIEF 林特 Chun P. Lin
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Partime Issue 12
Too young to die
青春不朽 青春無敵 青澀的春天在某個日出隨著後搖前奏的苦澀感悄悄開始，不 太容易察覺，但你就是知道它來了。 青春是什麼？青春是音樂季裡和著汗水雨水，在台下用盡生 命似地吶喊，喊什麼不知道，喊就對了。 青春是什麼？青春是在夕陽下若有似無地點了煙之後，沒頭 沒腦的就奔跑了起來。 青春是什麼？青春是拿著相機一股腦的衝出門去，漫無目的 地走著，拍路上的腳印，拍昏暗的天際線，自以為要拍出生 命的憂鬱，最後只拍滿了2T的硬碟。 青春是什麼？青春是戀人們的酸甜苦，一顆心晃啊晃的，就 是逃脫不出那張臉孔。 自溺 瘋狂 純真 傻 所有的日子都像沒有明天似的，用力的過。 世界就是現在。
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Perspective
鳳飛飛音與容， 如此的真實宛在…。
文 / 李碧華
「哭完我就在想，如果親人朋友能夠聚在一起，那又為何要分開？如果能相守 在一起，又何必分離…」對著台下鳳迷，她紅著眼說，先生走了以後，你們就是
喪禮中，「音容宛在」是最常見的輓聯，由著白色哀悽縈迴而送走許多不捨，
我的家人，我們要把握每一個聚在一起的時光，分分秒秒都要珍惜。
卻從未感受這四個字的深意，直到在大溪靈堂見到鳳飛飛遺照中親切的笑容， 才知，音與容，是如此的真實宛如在眼前…。
說完，毫不矯情的連講了「好累，好累，好累呀，」三個累字，尾聲未歇， 安可不斷，是鳳迷對鳳姊的疼惜與加油。那一晚，麥可和其他的上千鳳迷
聽到鳳飛飛離世的那個下午，正走在繁華的西門町，那前所未有的寂寞感頓時擁
在國際會議中心留到近午夜，脫下招牌帽子，疲倦已極的纖瘦鳳姊和大家一起
上來，深沉到彷彿沒有盡頭，原來，跟一個熟悉的人道別，會痛，會慌，會那麼
合照，也合唱，唱到嗓子沙啞還不肯停。我們在後台抽空相見，助理送上一盤
的無助，她是我們大家集體的記憶，親而不近，卻那般銘記在心。竟然，從此再
奇異果為她潤喉，綠色的果，映照她的淡黃薄衫，迷濛燈光下，興起一種今夕
也見不到，聽不到，隨歲月逐漸封鎖進記憶中…我不要呀！不要接受這事實…。
何夕的感懷，…
鳳飛飛在台北的最後一場演唱會，是前年的冬天，我和麥可坐在台下第二排，
這樣的鳳姊走了，麥可，無數個麥可，要為誰年年做生日聚會？
歌與影都看得極為清晰。好幾首歌的高音拉到一半停下來，而「我是一片雲」
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尾音卻拉得好長，像冬日漫漫黑夜無盡頭，含著先生據逝的滄寒，惹得台下好多
麥可是個帥氣攝影師，從鳳飛飛推出第一張唱片「祝你幸福」開始，四十年歲月
人鼻酸淚流，卻也有默契的克制，整體維持著場面的無聲，只有右手邊的麥可，
悠悠，每天照三餐固定幫心中永遠的超級偶像剪貼資料，厚重幾十大本，當寶貝
表情無喜無悲，只一勁癡傻鼓掌與讚嘆。
似的整齊收納在床頭小櫃，無論搬多少次家，都安然無恙。
像麥可這樣的標準鳳迷，台下或坐或蹲的，黑壓壓一大片。鳳飛飛那天在台上深
那一天，是在仲夏八月吧，他又扛起沉重的大背包趕去永和中正橋頭，摩托車騎
情的說，先生走了以後，淚水混著飯粒，哭到吃不下去，不只吃飯哭，走路，
著飛快，說是已有幾百個鳳迷要一起為鳳姊過生日，「過生日？那她從香港來台
看書，買菜…，都在哭，哭到醫生都擔心眼睛會哭壞。
灣了嗎？」我不禁好奇的問。
Perspective
「並沒有哪，我們每年都自己聚會，自己切生日蛋糕，我想，鳳姊可能不知道，
鳳飛飛嫁到香港前住在安和路僑福大廈，經紀人夏玉順去他家找她談事情，
沒關係，沒有壽星的生日聚會也讓我們很高興。」
我也悄悄在身後跟，後來還在周刊寫了一篇「夜探鳳巢」報導，寫的都是台視
像這樣的麥可，要承受住鳳飛飛離開人間而長眠大溪故鄉，應該很崩潰吧！在他
高層要開什麼節目，中視又來攪什麼局，我們這一批影劇記者整天盯著鳳飛飛
的低泣中，我們一起打開剪貼本和電腦，進入對這一代巨星的追憶。
究竟「飛落誰家」。現在回想起來，內容實在無聊極點，但當時時興這類跳槽 挖角新聞 ，還得到我的主任一聲嘉獎，真不好意思。
鳳飛飛出生在大溪關帝廟後巷土砌小屋，爸爸當貨車司機養活一家五口人，還在 唸小學的這位獨生女負責替爸爸送便當，沿著鐵路早晚來回兩趟，四下無人無
那時她真是票房萬靈丹，「一道彩虹」據說有衝到百分之三十的收視率，半個
聲，她就放開嗓子大唱特唱，唱台灣歌，唱日本歌，也唱收音機聽來的零零碎碎
電視台靠她發年終獎金。唱歌吸引觀眾之外，她搞笑功夫扎實，我幫她寫過
旋律，放假就到鎮上收括袖珍歌本勤加練習，是個快樂的無名小歌女。
兩則短劇，好慘呀，一句都沒搬上台，因為她和倪敏然，張菲等「黃金五寶」 脫口而出的都是老早對過的「梗」，熟練得要命，我們這些小編劇那比得上？
唱到有一天，上課竟還偷偷拿出歌本來「做功課」，老師發現後氣得問她， 「月考是考幾分？考這樣，不如去跳大溪河算了，」氣完忍不住又關心問她，
重返舞台的近年幾場演唱會，鳳飛飛都事先去找老師練唱，貴為天后，她願意
「妳是在做歌星夢嗎？」這一問，驚醒了阿鸞久藏的夢想，立志放下半邊紅的
委身就教，就是要跟上時代脈動，還能站在浪頭上。有一回，我們替她送宵夜，
學校成績單，「終於可以整天唱愛唱的歌。」
她有點感傷的說，「現在唱的歌，其實是在唱自己的人生，笑出來的歡樂， 哭過的許多人與事，都如逝水年華，不回來了，不回來…。」她自認口才不好，
她總是告訴我們，青春歌聲永遠追不回來了，那單純唱歌的快樂也隨風而逝，
希望多增長智慧，但，我們這票影劇記者卻認為她說的話都發自內心，誠懇
往後無論唱片賣多好，鳳迷追在身後有多少，都比不上那段鐵道獨唱的樂趣。
真摯，簡單而動人，那需要多加矯飾呢？
唸到小學四年級，外出走唱分擔家計，許多那卡西老師初聽她開口，無不嚇 一跳，訝異於這叫阿鸞的小女孩居然會唱那麼多大人的歌，其實他們不知道，
愛鄉愛土也愛人，回到大溪故土安息的飛飛，妳，要一路好走呀。
她聽力早有缺陷，左耳因為小時候頑皮在水中憋氣而受到損傷，「有天醒來， 枕頭邊一灘刺眼的血水，媽媽嚇壞了。」 7
Partime Express
A Woman who Married to Fashion
與時尚結婚的女人 A Woman who Married to Fashion
Photographer : David Shih Interview : MeiHui Liu Text : 林特 Chun P. Lin Tear Sheet : Diane Pernet
這個永遠都穿著一襲黑紗，有些神祕的女人，近年來在全世界大型時裝周的
Diane Pernet, an American born native, was a coveted fashion designer in New York
前排坐席頻頻出現，巴黎、米蘭、倫敦等，時常都可見到她的身影，Diane
City back in the late 1980s to the beginning of the 1990s, and supermodels like Naomi
Pernet於美國出生，八零年代晚期到九零年代前期在紐約曾經是紅極一時的服裝
Campbell and alike all wanted to wear her collection.
設計師，當時的名模如黑珍珠娜歐米坎貝兒等，都競相穿著她所設計的服裝。 It may be hard to believe that as a little girl, Diane’s room was full of pink and her 總是一身黑衣風格作為個人招牌的Diane，據說小的時候住在滿滿是粉紅色的房
clothes were often an array of different colors, as Diane’s wardrobe now mainly con-
間裡，也常作顏色鮮艷的打扮。而改變她個人風格的時間點，就在她決定結束服
sists of sophisticated black and dark tones. Diane’s image and style change paralleled
裝設計的事業時，就好像在弔唁那段時光一樣，她稱自己為Fashion Widow，即
the time when she decided to end her fashion-design career, and is also when she
便如此，她的黑色風格仍然是非常優雅且不失流行感，而且從未放棄大紅色的唇
started calling herself the “Fashion Widow”. People who do not know Diane may
彩。不認識她的人，可能會覺得她冷酷且有距離感，但其實Diane是一個很會說
think she is cold and distant, but that couldn’t be farther from the truth as Diane is
故事的風趣女人。
actually a very humorous and entertaining story-teller.
十五年前Diane Pernet遷到巴黎居住，成為自由時尚記者和評論家，遊走世界各
Fifteen years ago, Diane moved to Paris and travelled the world as a freelance fashion
地。2006年Diane開始了她的部落格，並且一躍歐洲當時最受歡迎的時尚部落格
writer. In 2006 she started her own blog (http://www.ashadedviewonfashion.com/)
之一。這個部落格就如同她的日記，紀錄了她近年在世界各地參與的大大小小時
which quickly became one of Europe’s most popular fashion blogs. Diane established
尚活動，這些內容都令歐洲時尚界的年輕人趨之若鶩，也讓Diane成為如同icon
herself as an iconic figure in Europe’s fashion industry while documenting fashion
一般的指標性人物。
events from around the world.
http://www.ashadedviewonfashion.com/ Recently Diane’s busy setting up a fashion short-film festival ASVOFF (A Shaded 最近Diane開始籌辦一個時尚短片影展ASVOFF(A Shaded View on Fashion Film) ，集合許多新的、年輕的獨立製片和電影人，以他們的想像力為時尚界建立一個 全新的交流平台，設計師們將能夠以更豐富的方式，展示他們的作品。 http://www.ashadedviewonfashionfilm.com/
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View on Fashion Film) aimed at bringing together young and new independent producers and moviemakers to establish a brand new platform for designers to showcase their work.( http://www.ashadedviewonfashionfilm.com/)
DP poster
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A Woman who Married to Fashion
三個最難忘的回憶？ 1972年與第一任丈夫的邂逅 | 1987年Brian Beker（電影製片，Diane多年的好友）為了和我握手而投資了50000美 金在我的品牌裡。 | 2011年到澳洲伯斯(Perth)拜訪Liza Blakiston，從此愛上了無尾熊，並想為它們的絕種做些什 麼。http://dianepernet.typepad.com/diane/2011/08/liza-blakiston-arrives-in-sydney-direct-from-perth-and-takes-us-fora-visit-to-the-anna-schwartz-gal.html
有什麼收藏？ 來自世界各地有關宗教的各式物件，像是聖母像。有一個瓷製的聖母像是三十年前從法國取得，另外也有從聖保羅和墨 西哥市購得。有一個友人贈送Christian Astugevieille設計的鮮粉紅色神像，也是我很喜歡的收藏之一。
經歷了這麼多城市的生活，哪一個城市最讓你難忘？ 雖然我到過許多城市，但經過這些年，巴黎仍然是我的最愛，它雖然不如倫敦來得有活力，人們也不太有幽默感，但總 有某些原因使我感覺巴黎是最好的。我喜歡威尼斯，但以氣候和來說，和水上的生活方式，它並不是個容易生活的地 方。
在你看來，倫敦和巴黎的時尚的差別在哪裡？這兩個城市靠得這麼近，卻天差地遠。 倫敦的時尚在於創造和發明，著重於圖案的印製與來自街頭的靈感。英國人把打扮當作一種樂趣，並且也比巴黎更醉心 於時尚與原創，當我提到巴黎的時尚，並非指法國設計師，因為巴黎是一個全球性的時尚平台，巴黎著重的是奢華和高 雅，和倫敦走的方向完全不同。不過這一切還是與城市文化有很大的關係。
停止時裝設計以來，對於時尚界的變化有什麼看法？成衣品牌又如何影響著獨立設計師？ 1990年底我結束了設計生涯。時尚在九零年代很理所當然的改變了，這都因為解構主義的緣故，八零年代的時尚是迪斯 可和極簡主義的混合體，某種程度現在的設計師們仍然對八零的風格著迷，因此要前進到2012的現在，似乎有些困難。 而現在的時尚說的是科技，紡織業可以帶來的影響，當然還有環保的關聯性，當我還是設計師的時候，那時並不會考慮 到我做的事情和這個地球的相關性。 成衣品牌，所謂的high street fashion，對時尚界有相當大的衝擊，這是毋庸 置疑的，有好也有壞，一方面所有的人都負擔的起「時尚」是好的，就拿H&M和Lanvin的合作來舉例，那些喜愛Lanvin 卻從來無法夢想去購買的人，現在則因為這兩個品牌的合作而有機會可以擁有。問題在於獨立設計師在價格上沒有 競爭的空間，所以他們只能在創意上競爭，提供成衣品牌無法提供給消費者的設計。
空閒時會做些什麼與時尚無關的事？ 時尚和電影幾乎佔滿了我生命的全部，但有空閒時我會見見朋友，一起午餐或是下午茶，看部片，看展覽，或是待在家 看本好書。
在巴黎和倫敦最喜歡的地方？ 在巴黎是les Deux Abeilles，我經常和朋友在這裡午餐和午茶。而倫敦我最喜歡Dover Street Market 頂樓的Rose Bakery咖 啡。
雖然總是一身黑，但你始終喜愛色彩的美，你以後有無可能再作有色彩的造型？
Partime Express
我懷疑。
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五個每天不可缺少的東西？ 我的Ozoma太陽眼鏡 | Michel Perry厚底鞋 | 紅色的唇膏，品牌不限，因為我喜歡的顏色老是會停產 | 我的黑莓機 | 我的蘋果筆電
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Kim Bassinger in DP
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How do you maintain a youthful heart and attitude in your work? When I first stepped into the industry, I remember hauling my makeup box around to different jobs and locations; now people look up to me as a mentor but I maintain a very prudent and modest attitude because I know there is so much talent out there, and that I am so lucky to be able to continue to do what I love. As people grow older, life and things around you change; what comes with age is the financial ability and experience to do things you couldn’t have done when you were young. However maintaing a cautious and conscientious mind and attitude is one principle that’s very important to me.
As people grow older, emotional changes are inevitable though, isn’t it? Staying young is an attitude; it’s answering to that urge inside of you without thinking too much about it. I don’t think I am limited by my age at all, but rather if you maintain an innocent heart, the more you will be able to see things with clarity, and the more you will be able to take that first step to do what your heart tells you to do. A lot of people ask me how I gathered enough courage to create my brand “CITTA”, but you know, I really didn’t think too much about it, I just knew I wanted to get it done.
1990 09 DP
Learning from experience is something we all go through and that purity we had as a child are replaced. It’s when you come to a fight or flight moment in your life that you realize as you age, you are able to overcome each obstacle without depressing over it like you used to as a child. Maintaining a youthful heart is rather maintaining that determination and drive to succeed and that drive is a very powerful and positive at-
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Partime Express
A Woman who Married to Fashion
titude to have.
What did you do ‘back in the day’? Dance parties and bowling were all very ‘in’ back in the day. There were a lot of popular bowling alleys back then like “Yuan-shan”, “Xing Xing”, and “Jia Jia”. Day time rates were always the cheapest so I’d often skip class to go bowl. I still held up average grades though. Nightclubs back then were a lot different than the ones today. Around 1974, the hippest spots in Taipei were “Diana”, “The Hilton Hotel”, “Kiss”, and the “Mandarin Crown Hotel”. All the young people back then would look forward to the weekend to go dancing; no-one went to nightclubs to drink or to meet girls, but rather to just purely have a good time dancing. I used to go to IR Cafe and TU Cafe as well. We’d all dress up and just sit there all day, chatting with good friends. It used to be a fashionable hangout, literally. It feels a lot different than the East Side today.
Speaking of fashion, how is the fashion and music of today different than that of the past? Bell bottoms. No matter what, you had to have bell bottoms or flared pants. There weren’t many name brands back then, and young people would just take what they see on TV or in foreign magazines and get it mimicked and tailor made at Ximending; they’d then wear it to nightclubs to show it off.Grunge was very popular back then as well. Everyone had their own unique style and they weren’t afraid to mix and match. Nowadays the styles you see in the market are not very different from each other and
DP WWD cover
everyone looks pretty much the same. The interesting and fun parts of fashion have sort of disappeared. Unlike the informational age of today, if you wanted news of the latest Western music or the latest tracks, you had to go to Ximending’s record stores to find it or hit-up the nightclubs to hear what the DJs are playing. I used to spend tons of money buying vi-
1986 DP Swiss Jardins du Mode
nyls by artists like Tom Jones, Donna Summer, KC and the Sunshine Band, Diana Ross, and Elton John. People can get everything too easily now, and thus indulge in wasteful and unappreciative behavior. This is what I do not like about the youthful attitude of the modern day.
Beauty and youth never seem to leave each other; what do you think about plastic surgery? Just know when to stop. I believe people naturally are attracted to beauty, and as technology advancements are made, it’s becoming easier and easier to seemingly make time stop. However before you make any surgical changes to yourself, you should ask whether it is necessary, as I believe that what makes you unique is what makes you beautiful. 13
Partime Express
Movida Club London
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I Amuse Myself
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Leisure Riot
Leisure Riot 閒暇的騷亂 Photographer : Linda Cooper Stylist : Tommy Pang Model : Grace Gray , Samanta Engelbrecht, Berty the dog Make Up : Samm.m Agnew Make Up Assistant : Never Mind Bag : Jas MB Blue Mini Bomber Satchel Clothing : Mimic Fashion
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All Dressed Up And Nothing To Do
All Dressed Up And Nothing To Do Photography & Text Mikey Piliero Hair & Make-up by Li-wen Liu 劉俐妏 LA PERLA, Halley & Sasha, JEpoque - Linda Farrow, Dsquared2
一個人最珍愛與美好的回憶，是在世界上沒有任何憂 慮的生活著，無論活在當下意味著試圖征服宇宙或是 和朋友鬼混無所事事，這是一個選擇，一個被為數不 多的寶貴青春所限制的選擇。 An individual’s most dear and fond memories are not having any care in the world and living life in the moment. Whether living life meant trying to conquer the galaxy or hanging out with friends doing nothing. It was a choice that is limited to only a few precious years of our youth.
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關於熱血，揮灑及青春的其他 Rebel without a Cause
photography & Text : 林特 Hair & Make Up : 劉俐妏 Star : 黃志瑋 Fat Boy Special
Fat boy Special bike by Harley Davidson vest, gloves, necklace, leather wristband by Harley Davidson
青春是徜徉而奔放的，從電影「養子不教誰之過 Rebel Without a Cause」詹姆斯迪恩的經典叛逆，到「飛車黨 The Wild One」馬龍 白蘭度的輕狂標記，每個男孩，甚至男人，心目中的夢想之一，除 了擁有一部帥氣拉風的座騎，似乎已經別無所求了。而哈雷似乎和 這一切劃上等號，如同自由、粗獷及青春美好的代名詞，不但是一 種生活方式的指標，也常在電影中扮演描述形象的角色。 鍾愛哈雷的黃志瑋，也曾是個熱血少年，高中時是個不折不扣的籃 球控，也有一度迷上改裝50cc的小機車。在他的年代裡，屬於青春 的關鍵字不出灌籃高手、Air Jordan球鞋、西門町、日本流行樂、 撞球、飆車，還有永遠的少男女神鍾麗緹，他笑著說。「青春是 活力亢奮，執行力高，什麼事都不想太多，作就對了，就像小時候 會特地早起去鞋店排隊買最新的Jordan球鞋、為了買日版原裝唱片 跑到西門町的唱片行，或是覺得去天母逛街買衣服很棒，特地把自 己打扮得像小時候的偶像劉德華一樣、花很多錢去把小50改到滿意 的樣子，這些事情現在想起來會覺得好好笑，卻又覺得那時的自己 很精彩。」雙眼迸出雀躍的黃志瑋這麼說著。 「旅行的時候，放眼望去都是新鮮，就像回到小時候的感覺。」 黃志瑋說，他喜歡旅行，可以讓他保持活力。如果可以的話，相 信許多人都想乘著風上山下海到處走走，然後回想著自己的青春 時光，想像著又再次回到那個年代。 48
Rebel without a Cause
Partime Fashion
Rebel without a Cause
Fat boy Special bike Harley Davidson 49
Fat boy Special bike Harley Davidson leather jacket Harley Davidson T-Shirt Affliction 50
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關於哈雷與Fat Boy Special 一個世紀以來，哈雷一直是自由、粗獷及美好的代名詞，一群又一群的哈雷 人，以追求絕對自由，貼近飛翔及釋放靈魂的信念，打造出一個只有自我， 沒有國界的品牌傳奇。跨上哈雷，手機、報表、工作的壓力、生活的煩惱， 都在這兩輪移動的極樂世界中消失地無影無蹤，剩下的只有縱馬馳騁大地般的 舒暢和遨遊天際的自由。不管是充滿明星風采的貓王、威嚴高壓的醫生、平凡 不起眼的老奶奶，騎上哈雷就可以感受到最真實的自我。Fat Boy Special融合 了讓人無法抗拒的Softail造型以及調低的車台，創造出全新的騎乘體驗。黑色 塗裝的車架、滑順光亮的鍍鉻細部裝飾、訂製的黑色輪圈，結合將人體工學納 入考量的低把手，為哈雷重車增添令人驚喜的變化。
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COVER STORY HUBING 青春不朽 Youth Photorgahy : Joshua Lin Styling : Monfi Lin Text : 林特 Chun P. Lin
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Cover Story
「青春不是人生的一段時光，青春是心情的一種狀況。 青春不是柔美的膝，朱紅的唇粉嫩的面龐。 青春是鮮明的情感，豐富的想像，向上的願望，像泉水一樣的清冽激揚。 青春是勇敢戰勝了怯懦 冒險代替了苟安 這種心情在二十歲所有的，常不如五十之中年。 歲月並不能使人老邁，使人老邁的是捨棄了理想與信念。 無情的日月可以使皮膚鬆弛下來， 而使靈魂頹唐的，卻只有熱情上的認敗。 疑慮與困惑，恐懼與絕望， 失去了自信與對未來的想像，才真正是日月循環的折磨， 壓低了頭，壓彎了背，把精神帶上死亡。 不論是七十，或是十七， 每個人都有些對世間的好奇。 天上的星光，無限神秘，哲人的思維，別開天地。 四面圍來的挑戰，古今堆起的難題， 使人像孩子一樣追問、探索。 像孩子一樣的捕藏，捉迷， 像孩子一樣的，在遊戲中， 帶來狂喜。 你的信仰象徵著你的年輕， 你的疑慮表現了你的齒增， 你的希冀描繪出你的茁壯， 你的絕望刻劃出你的頹齡。 在你心中有一座電台，大地上幽美的、勇敢的、有力的聲音從八方播來。 只要你收聽這些青春的消息 那麼你的青春即是存在。 當電台的天線一旦塌壞，譏諷的冰與悲觀的雪，在你心靈上層層覆蓋。 那麼你的青春已逝去，你的年齡確已老邁。」 這是一首由山繆烏爾曼所寫，陳之藩翻譯的著名青春詩作。據說麥克阿瑟將軍在 太平洋戰爭時，隨身帶著這首詩作，時時提醒自己保持青春的心態，這首詩也是 許多有成就者的座右銘。 在胡兵自信的眼神和談吐裡，不難發現他在演藝，時尚，和個人品味中，仍然帶 有孩子般的玩心，和少年熱情的衝勁與活力，他熱愛著周遭的一切，用認真的態 度投入，給予最真摯的意見，在這次與PARTIME的拍攝當中，我們也接收到胡兵 誠摯且熱烈的交流，感受到他認真的一面，從造型，化妝，到自己的狀態，都展 現了專業且敬業，又不失幽默的態度。胡兵總有源源不絕的有趣想法和創意，而 放手去做的執行力似乎也會同時萌發，維持對自己的高度要求，因此我們覺得， 山繆烏爾曼的這首詩作，刻畫的正是胡兵，與他青春不朽的外表與態度。 60
Too young to die
Samuel Ullman Youth is not a time of life; it is a state of mind; it is not a matter of rosy cheeks, red lips and supple knees; it is a matter of the will, a quality of the imagination, a vigor of the emotions; it is the freshness of the deep springs of life. Youth means a tempera-mental predominance of courage over timidity, of the appetite for adventure over the love of ease. This often exists in a man of 60 more than a boy of 20. Nobody grows old merely by a number of years. We grow old by deserting our ideals. Years may wrinkle the skin, but to give up enthusiasm wrinkles the soul. Worry, fear, self-distrust bows the heart and turns the spring back to dust. Whether 60 or 16, there is in every human being’s heart the lure of wonder, the unfailing childlike appetite of what’s next and the joy of the game of living. In the center of your heart and my heart there is a wireless station: so long as it receives messages of beauty, hope, cheer, courage and power from men and from the Infinite, so long are you young. When the aerials are down, and your spirit is covered with snows of cynicism and the ice of pessimism, then you are grown old, even at 20, but as long as your aerials are up, to catch waves of optimism, there is hope you may die young at 80.
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I Amuse Myself
我取悅我自己 I Amuse Myself - Olivia Rose Suitcase Print Blazer : Asos Black Corset : Carolina Turner Stinger Platform Creeper : Jeffrey Campbell Aqua Tutus : Top Shop
Olivia Rose是蘇格蘭與牙買家混血的插畫藝術家，身體裡留著
不同的血液也讓她的作品風格具有反差的美感，獨特的漫畫感混 合著西方藝術，其中又含有黑暗且強大的力量，是她作品顯著的 特點。Olivia總是把可愛的事物和黑暗的感覺混合表現，在欣賞 她作品的時候，能夠很明顯的感受到她對外在和內在兩面性的矛 盾，卻同時會不確定該覺得可愛還是可怕。Olivia使用許多各種 不同材料和工具，從水彩，麥克筆到photoshop。 Olivia Rose born in the UK but originally of Scottish and Jamaican descent is an illustrator and concept artist, most well known for her unique manga inspired artwork mixed with modern western art. Olivia focuses most if not all of her attention on creating dark yet powerful illustrations. She often juxtapose’s cute things with dark things. When looking at her artwork it is obvious that she has a lot of love for both cute and dark things, often leaving the viewer slightly confused and unsure as to whether they should be giggling or feeling slightly terrified. Olivia uses a number of materials to create her illustrations ranging from watercolours, photoshop, markers and acrylic paints.
Partime Attitue
Hearts Print Yellow Sweater : Ryuk Punk Stinger Platform Creeper : Jeffrey Campbell Turquoise Faux Fur Short Cuffs : Asos
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Lets Kiss Large
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Partime Attitue Military Uniform Jacke Vintage Black Legging Camden Black Platform Shoes Sella
I Amuse Myself
Partime Attitue
Black White Fur Coat Vintage Black Red Strip Sweater Ryuk Punk
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Roger
二十一世紀少年 Roger 鄭健國
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Photographer & Text : Linter
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擁有少年之心，和直接，無造作的態度，像是把一個小孩的 靈魂塞進自己的身體裡，永遠期待著冒險，永遠有用不完的 好奇心，這是 Roger 鄭健國定義的青春。有人說，人生的 旅程，就是用半輩子的時間去變成熟，再用另外半輩子的時 間反璞歸真，如果這是真的，那麼人生應該要有兩次以上的 青春期。 Youthfulness should not be determined through physical attributes or the absence of wrinkles on one’s face, but rather it should be epitomized through a constant anticipation for adventure, an infinite amount of curiosity, and having a child-like spirit installed into one’s everyday life. This is Roger Zheng’s definition of being “forever young”. Some people say, we spend half our lives trying to mature ourselves, but then spend the other half trying to get back our childhood innocence. If this is true, then everyone’s life should consist of “two” periods of adolescence, right?
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Roger
對於目前的工作和生活，是如何保有青春的心態去看待？ 從剛進入這一行，提著化妝箱到處工作的時期，一直到現在被稱作「老師」，其實我一直都覺得可以這樣的方式，以自己的興趣作為工作，是很榮幸且 幸福的一件事，畢竟可被選擇的人太多，所以我總是抱著知足且愉快的心情。隨著年齡增長，生活形態總會有些變化，會有足夠的金錢和經驗去作小時候 作不到的事，但保持少年般的兢兢業業，對我來說是很重要的原則。
保有赤子之心，但人長大了總有些心境的變化？ 青春是一種心態，是一種不會想太多的衝勁，理想上和年齡大小無關，我也自認不太受年齡的困擾，相信人心越是單純就越容易把事情看清楚，越容易踏出那一步去 作。許多人問我，到底哪裡來的勇氣來創造citta這個品牌？我想 就是如同少年般的那份衝勁和熱情，沒有想太多，只想著要去作。 只是人總會從經驗中成長，不會一直停留在青澀的狀態。遇到挫折阻礙，要選擇放棄或是挑戰時，我會不認輸地選擇挑戰。小時候遇到挫折，很容易花很多時間在 沮喪和後悔上，而現在我知道那些沮喪只是需要時間，它們是會過去的，雖然當下很難，只要憑著經驗一一解決，就會破關，一破關，你會發現自己可以跑的很快。 所以保持青春的心態，是要保持那種熱血的程度，「衝」的速度，和一種很 正面的態度。
記憶中的青春年華，都在哪裡作些什麼事？ 開舞會，打保齡球都是那時很流行的事情。台北那段時期有很多經典的保齡球館，圓山，欣欣，還有佳佳保齡球館，通常是早場最便宜，會特地蹺課去打保齡球，說 是蹺課，還都努力保持著及格邊緣的學校成績。 說到舞廳，那時大概 1974 年左右，正好是所謂的八零年代，台北不用說，最流行的地方就是黛安娜舞廳，希爾頓飯店，和環亞旁邊的 Kiss，中泰賓館等等，許多 年輕人會期待一整個星期，就為了週末可以去舞廳跳舞，而且當時的舞廳和現在的夜店很不一樣，在舞廳玩單純地只想跳舞，不太喝酒也不會去把妹，可以玩得很盡 興也很舒服，但舞廳文化會如此流行，也和當時愛聽西洋音樂有關。 另外一個很愛去的就是台北東區的IR咖啡和 TU Cafe，會特地打扮，然後坐在那一整天和朋友聊天，喝東西，那裡簡直可說是當時的時尚聚集地，只是現在的東區感 覺也已經不太一樣了。
說到時尚，青春時期的流行時尚和音樂是什麼樣子的，和現在的有什麼差別？ 喇叭褲，無論如何一定要有喇叭褲。當時的成衣品牌不如現在的多，年輕人在外國雜誌或是電視上看到喜歡的服裝樣式，會拿著照片跑到西門町定做，做好了就穿 到舞廳去愛現，加上當時很流行 Grunge 風格的樂團，所以年輕人對於自己的穿著很有想法，當時走在街上年輕人的穿著，並不像現在那麼一窩蜂，而且很有個人 特色，很有趣，大家都很敢穿，搭配衣服像是一種遊戲。而現在的時尚應該要稱作「國民時尚」，是一種符合大眾流行市場的成衣運作模式，每個人看起來都差不 多，也不太有趣。 從前的資訊獲取不如現在的容易，要想知道更多西洋音樂的情報，就到西門町的唱片行找，或是到舞廳跳舞時，聽DJ播最流行的唱片。那時總是花一筆錢買黑膠 唱片，會買排行榜上很受歡迎的，像是Tom Jones算是當時耳熟能詳，或是一些因為過於露骨而被禁賣的唱片，如 Donna Summer 的 Love to love you baby ，還 有 KC and sunshine band，Diana Ross，和 Elton John，都在當時的必買名單裡。從前在舞廳工作的 DJ，要對音樂非常熟悉，才能知道該在哪個段落接歌，聽歌的 人也因為聽久了，感覺起來音樂素養相對都比較好。 現代人或許是得到太容易，一不小心就會變成放縱和浪費，而這就不是我所欣賞的青春精神了。
青春和美總脫離不了關係，許多人為了青春永駐而選擇整型，你的看法是？ 一句話，「適可而止」。 我相信人都是追求美的，憑藉著科技的進步，要讓時間停下腳步的困難度也越來越小，但使用過度的手術去改變容貌，還是要再三考慮有沒有必要性，因為 我相信「你好看，是因為你不一樣」。
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Partime Attitue
Roger
How do you maintain a youthful heart and attitude in your work? When I first stepped into the industry, I remember hauling my makeup box around to different jobs and locations; now people look up to me as a mentor but I maintain a very prudent and modest attitude because I know there is so much talent out there, and that I am so lucky to be able to continue to do what I love. As people grow older, life and things around you change; what comes with age is the financial ability and experience to do things you couldn’t have done when you were young. However maintaing a cautious and conscientious mind and attitude is one principle that’s very important to me. As people grow older, emotional changes are inevitable though, isn’t it? Staying young is an attitude; it’s answering to that urge inside of you without thinking too much about it. I don’t think I am limited by my age at all, but rather if you maintain an innocent heart, the more you will be able to see things with clarity, and the more you will be able to take that first step to do what your heart tells you to do. A lot of people ask me how I gathered enough courage to create my brand “CITTA”, but you know, I really didn’t think too much about it, I just knew I wanted to get it done. Learning from experience is something we all go through and that purity we had as a child are replaced. It’s when you come to a fight or flight momentin your life that you realize as you age, you are able to overcome each obstacle without depressing over it like you used to as a child. Maintaining a youthful heart is rather maintaining that determination and drive to succeed and that drive is a very powerful and positive attitude to have. What did you do ‘back in the day’? Dance parties and bowling were all very ‘in’ back in the day. There were a lot of popular bowling alleys back then like “Yuan-shan”, “Xing Xing”, and “Jia Jia”. Day time rates were always the cheapest so I’d often skip class to go bowl. I still held up average grades though. Nightclubs back then were a lot different than the ones today. Around 1974, the hippest spots in Taipei were “Diana”, “The Hilton Hotel”, “Kiss”, and the “Mandarin Crown Hotel”. All the young people back then would look forward to the weekend to go dancing; no-one went to nightclubs to drink or to meet girls, but rather to just purely have a good time dancing. I used to go to IR Cafe and TU Cafe as well. We’d all dress up and just sit there all day, chatting with good friends. It used to be a fashionable hangout, literally. It feels a lot different than the East Side today. Speaking of fashion, how is the fashion and music of today different than that of the past? Bell bottoms. No matter what, you had to have bell bottoms or flared pants. There weren’t many name brands back then, and young people would just take what they see on TV or in foreign magazines and get it mimicked and tailor made at Ximending; they’d then wear it to nightclubs to show it off.Grunge was very popular back then as well. Everyone had their own unique style and they weren’t afraid to mix and match. Nowadays the styles you see in the market are not very different from each other and everyone looks pretty much the same. The interesting and fun parts of fashion have sort of disappeared. Unlike the informational age of today, if you wanted news of the latest Western music or the latest tracks, you had to go to Ximending’s record stores to find it or hit-up the nightclubs to hear what the DJs are playing. I used to spend tons of money buying vinyls by artists like Tom Jones, Donna Summer, KC and the Sunshine Band, Diana Ross, and Elton John. People can get everything too easily now, and thus indulge in wasteful and unappreciative behavior. This is what I do not like about the youthful attitude of the modern day. Beauty and youth never seem to leave each other; what do you think about plastic surgery? Just know when to stop. I believe people naturally are attracted to beauty, and as technology advancements are made, it’s becoming easier and easier to seemingly make time stop. However before you make any surgical changes to yourself, you should ask whether it is necessary, as I believe that what makes you unique is what makes you beautiful.
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Masayo Matsuda
Masayo Matsuda
自日本的藝術家 Masayo ，以攝影作為創 作媒介，使用光影對比作為其語言，畢業 於英國皇家藝術學院後，從 2002 年始創 作至今，曾在倫敦大大小小美術館展覽作 品，其中也包括著名的泰德美術館，目前 居住於倫敦並持續創作中。 關於Florish，是用Photogram的黑影照片 手法，以日本文化背景為靈感，表現出人 的個性和植物成長變化的視覺化。人的成 長和植物的成長相似，受到天候空氣四季 許多外來因素的影響，而植物的生長彷彿 是靈魂的影子，彷彿是青春年華的象徵。
Biography: 1980 Born in Japan 2002 Awarded Merit Award at The Month of Photography Tokyo Woman’s Exhibition then started her career 2010 Graduated BA ( HON ) Photography ( London College of Communication ) 2011 Pending Royal College of Art, MA Photography Currently based in London Masayo is Japanese fine art based photographer who work with the aspects of the light and shadow on photography. Masayo have been exhibiting her work internationally includes; After we arrive, before we leave … (May-July 2011) at The McAulay Gallery, Tate Modern London, For Japan (August 2011) at Hotshoe Gallery London, Edge of Extinction (June 2011) at Lo & Behold gallery Space London. She was also the one of the contributing artist for the RCA Secret 2011 (December 2011).
About ‘Flourish’ Set of four images : Fiber based photographic paper : size 16”× 20” : Photogram the paper cutting from the archival illustrations on to the photographic paper. This piece visually illustrates the correlation between the growth of identity and growth of a plant. Inspired by the Japanese cultural background. I used a paper cut to create a photogram of the illustrated
Partime Gazing
plants on to the photographic surface.
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They do Rock-n-Roll in South Taiwan
They do Rock-n-Roll in South Taiwan 南臺灣的大港搖滾 Photographer : 林特 Chun P. Lin Text : 林特 Chun P. Lin
春天到，三月的南臺灣早已是流汗的季節，高雄港都聚集了想要盡情搖滾吶喊的人們，於是我 們和萬能青年旅店，和濁水溪公社，和所有青春的靈魂，一起開啤酒，一起大聲唱歌。 As the smell of spring begins to surround us, March in southern Taiwan is already sweaty-season. Kaoshiung Harbor anticipates the gathering of crowds ready to scream for spring, and yours truly with the holy duty of representing the youthful spirit, pop open a can of beer and prepare to shout out in song and dance.
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They do Rock-n-Roll in South Taiwan
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They do Rock-n-Roll in South Taiwan
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They do Rock-n-Roll in South Taiwan
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They do Rock-n-Roll in South Taiwan
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小王子與他的玫瑰 莊士賢的舞蹈青春 La Rose du Petit Prince Shih-Hisen Chuang and his Ballet Photographer : Chun P. Lin Stylist : Monfi Lin
一頭王子般卷髮，清爽的笑容，舞者美妙的體態，這是莊士 賢給人的第一印象。十二歲起獨自到英國，開始了懵懵懂懂 的摸索，十四歲進入英國皇家芭蕾舞蹈學院，十九歲畢業， 然後匈牙利國家芭蕾舞團，最後回到台北。沒有小留學生的 口音和氣燄，從他的微笑和開朗的談吐中，很難想像在他的 青春年華裡，前前後後在歐洲習舞十年，過著每天十數小時 練習，近乎苦行僧的修煉生活。 少年時倫敦的八年生活中，有些顛沛流離，但練就了莊士賢 的獨立精神，「剛去到的時候，英文不太會，卻什麼都得 自己作，但這些事情其實很簡單，因為肚子餓了，很直接的 就會自己去買食物，自己煮，沒有辦法想太多，只是畢竟還 小，不知道該怎麼照顧自己。」除了學舞練舞以外的時間， 幾乎都只是休息，在學校練習花去的時間很多，偶爾去看表 演，音樂劇或是舞蹈相關的。 幸好國外的生活相對比較有層次，同時期許多人會關心不同 的事，周遭的人會特地打扮起來到劇院看戲，會盯著電視嘶 吼加油看足球，也會在院子喝茶聊天，所以對莊士賢來說， 歐洲的藝術是融入生活的，觀賞藝術表演是生活習慣的一 種，自己就讀的英國皇家芭蕾舞蹈學院，也是許多人心儀的 著名藝術殿堂，因此，青春的那段時光是充實而豐富的。 回到台北的莊士賢，在母親歐淑珍的舞蹈教室擔任教學工
Partime Talents
作，也常有許多表演，繼續將青春投入舞蹈這件事裡。在摸
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索中度過了青春，那些辛苦並沒有奪去莊士賢清爽的微笑， 這是，他對芭蕾舞的愛，然而帶著王子般氣質的他，或許芭 蕾舞，就是他的玫瑰。
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With the curly-do of a prince, a fresh-crisp smile, and the physique of a magnificent dancer, Chuang Shih-Hsien leaves a bold and lasting impression on everyone he meets. At the age of 12, Chuang ventured to England where he began self-discovering the art of dance. At age 14 he entered London’s Royal Academy of Dance, and at age 19 graduated and joined the Hungarian National Ballet. Chuang never fails to surprise everyone with his vitality and optimism, which is especially rare considering the countless hours of intense practice and physical endurance that he has undergone. Having spent 8 years of his youth in London, Chuang learnt to be independent and to do things on his own. “I didn’t know how to speak English at first, but had to do everything myself. It was simple things though, like if I were hungry, ofcourse I’d have to go find food and cook. I didn’t have much time to think too much about things then, but looking back now I was so young but had to quickly learn how to survive on my own.” Besides the occasional venture to the theatre or musical show, Chuang spent most of his time rehearsing at school. It may seem like a mundane life to most people, but to Chuang life abroad was full of color. Everyone in Europe seemed to find joy in dressing up for a performance, or to have tea with friends. Even just watching TV and cheering for your favorite football team seemed as an embrace to the simple joys of life. In Europe, art is engrained in people’s lives and has become a habitual part of their daily routine; To Chuang, merely living in Europe made him feel like life was rich and full of adventure. After 10 years in Europe, Chuang returned to Taipei and now teaches at his mother’s dance studio He still participates in many performances and continues to bring a young and motivated spirit to his craft of dance. Ballet to Chuang is like a rose to a prince, it defines who he is and everything he continues to strive to be.
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莊士賢簡介 Shih-Hisen, Chuang 1995 _ 前往英國留學 1996 _ 英國倫敦藝術教育學校 Arts Educational London School 1997 _
Royal Ballet Upper School - London 2002 _ 英國皇家芭蕾舞蹈學院高級部表演藝術科畢業 2003 _ 英國蘭伯特芭蕾和現代舞學院舞蹈系畢業
Rambert School of Ballet and Contemporary Dance - London 2003 _ 匈牙利國家芭蕾舞團兩年 Hungarian National Ballet 2005 _ 德國賀瑪桑德斯導演與公視拍攝舞蹈紀錄片 / 黑蝴蝶擔任主角演出 臺北國家音樂廳 / 聖誕情話 / 愛之歌演出 / 獨舞演出 2007 _ 服義務兵役一年 2008 _ 歐淑珍舞蹈教室的班主任 2009 _ 臺北國家戲劇院 / 大觀舞集【胡桃鉗】飾演 胡桃鉗王子 2010 2011 台北市內芭蕾舞團 【門】/【吉賽爾】 鶴英舞蹈團 【帕吉達】/ 【卡門】
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Description
來稿登錄 Too Young to die一詞取自Too fast to live, too young to die，意為歲月出匆匆，青春早逝，是No Man's Land這 首歌的歌詞。 假使一生只有那麼一次，就讓想作的事情毫無顧忌地，從 靈魂深處迸發出來吧！
Livin' it up In No Man's Land Tonight's the night Gonna get to heaven Livin' it up In No Man's Land Too fast to live Too young to die
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youth |yoōθ| noun ( pl. youths |yoōθs; yoōðz|) 1 [in sing. ] the period between childhood and adult age : he had been a keen sportsman in his youth • the state or quality of being young, esp. as associated with vigor, freshness, or immaturity : she imagined her youth and beauty fading • an early stage in the development of something : this publishing sector is no longer in its youth. 2 [treated as sing. or pl. ] young people considered as a group : middle-class youth have romanticized poverty | [as adj. ] youth culture. • a young man : he was attacked by a gang of youths. ORIGIN Old English geoguth, of Germanic origin; related to Dutch jeugd, German Jugend, also to young . Too young to Die
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林峻世
Photographer : Mike Lin 林峻世 Make Up & Hair : Yuman Ng Model : Tony + Kris @ Nevs Models
與香港設計品牌Languageism設計師Yuman合作，主題為表現出 年輕的叛逆使用Languageism的超大尺碼T-Shirt以及造型極具叛 逆感的頭盔、短皮靴。T-Shirt上的圖案類似街頭的塗鴉也加入 年輕叛逆的色彩。場景則是設定在廢棄的地下停車場以及廢墟。
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林峻世
Photographer : Mike Lin 林峻世 Stylist : Nickque Patterson Model : Benjamin Ashley + Sean Fox @ M+P Models
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在加油桶旁抽菸、墓園鬼混，充分表現出不可一世並且漠視死亡 的態度。與造型師Nickque Patterson合作，利用他的強烈的街 頭風格搭配出年輕頹廢的氛圍。
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Too young to die
林峻世
Photographer : Mike Lin 林峻世 Stylist : Nickque Patterson Make Up : Philipp Ueberfellner Model : Andrea Chavanova @ Premier Models
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模特臉上黑暗的妝加上憂鬱的天氣和童年的元素，與頹廢的態度 在孩童的遊樂場裡面徘回，好像在冷冷地說：「I’m too young to die」。人類從一出生就開始死亡，離開短暫的童年後心更開始 衰老漸漸死去。
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Too young to die
杜昭慧
Photographer : 杜昭慧 Stylist : 胡佳欣 / 時雯俐
處於花甲之年的女人擁有如花般的少女心 使用鮮豔的紅色於背景於唇上展現青春 沉浸在少女愛美情懷中 自信的眼神和甜美笑容在歲月痕跡的臉龐上 印證_ 青春不朽
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Too young to die
林柏緯
Photographer : 林柏緯
遠到生，外宿生，夜間部的學生。晚上月亮高掛時才回家是他們 的相似處。遠到生常常提著很重的工具箱，或是作業來回通勤， 留校把作業做完再回家可以少提好幾公斤。外宿生也許要自己 賺點生活費，大夜班之後再回宿舍補眠，夜間部的學生總是天黑 的時候上學，月亮最高時回家。在夜裡獨自走在大街上、一個 人等車、陪著自己的影子、周圍寧靜的空氣夾帶涼意，慢慢轉為 孤寂.被黑暗壟罩的八方。
比狂雨打在雨傘上還沉重許多。開始害怕四周隱藏的危機，每盞 116
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Too young to die
路燈下方是換氣的地方。路燈與路燈之間那短短幾公尺距離的 黑暗，足以讓人窒息。每天回家都要被這股不安又沉重的氣氛 壓在胸口上，不如撐著一把抗黑暗的傘，在夜裡輕盈的踏著步 伐。照亮四方隱藏的危險。把他們驅離。趕走孤單，寂寞點亮 回家的路。
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Too young to die
郭耿毓
Photographer : 郭耿毓
憑藉著歲月 顯影 靈魂 水藍色的吻 急制 愛恨 記憶的浪潮 定影 青春
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是謂青春不滅定律
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Too young to die
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攝影專欄 利用家中現有材料作出專業攝影棚的 拍攝效果 http://abook.cc/video_content.php?id=PVx16hmsx16rv05Al LvekJ2diRWbBv
準備工作如下：
1. 鋁箔紙一捲
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2.將鋁箔紙揉出摺痕再小心展開
ABOOK
6.把燈放在模特兒正面45度角上方
3. 噴膠一罐
4.把鋁箔紙貼在大塊寶麗龍板上，作成反光板
5.開始佈燈了，因為光源的位置不同，會產生不同的視覺效果。
7.ISO 800 時的拍攝效果
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Partime Special
8.在模特兒臉的下方45度角加上反光板
ABOOK
11. ISO 1000 時的拍攝效果
9. ISO 800 時的拍攝效果
10. 把燈移到模特兒正上方，並放置兩塊反光板在模特兒正前方
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12. 兩塊反光板不動，把燈移到模特兒的正後方
Partime Special
ABOOK
15. 把燈放在模特兒正面45度角上方
13. ISO 1200 時的拍攝效果
16. 將反光板移到模特兒的兩側
17. ISO 1200 時的拍攝效果
14. 將反光板移到模特兒的右邊45度
利用一個光源和幾個反光板，就能在家實驗出許多不同的效果組 合，ABOOK Studio建議可以把燈光配置和得到的效果照片放在一起， 就能作成屬於自己的佈燈寶典喔！
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TOO YOUNG TO DIE