Architectural Portfolio 2020 - Patrick-John Sandberg

PATRICK JOHN SANDBERG ARCHITECTURAL PORTFOLIO 2020

K

AR

M

ER

AT

W

Patrick John Sandberg psandberg @ryerson.ca 705 715 667

Punctual, Hardworking, and always looking for new opportunities.

Driven to design architecture that performs well and act in accordance to its concept. Ready to learn and further expand my experience.

W

Education

2016 - 2020

Skills

Illustrator CC Photoshop CC Indesign CC Rhinocerous 5 Revit 2018 V-ray 3.0

Ryerson University, Toronto, ON Bachelor in Architecural Science

AT GPA 3.0

Work Experience Oct - Present 2020

Architectural Intern I frontofficetokyo, Toronto, Canada

Aug - Present 2020

ER

Currently working on an international project, residential design developemnt and urban planning,

Residential permit and construction drawings

Fishing Swimming Ping Pong Sketching

Student Intern I Hudson Architecture, Toronto, Canada

References

M

Jan - Apr 2020

Hobbies

Freelance Designer I H2M INC, Toronto, Canada

Available upon request

Awards

AR

Residential permit and construction drawings, working alongside principal architect

Microsoft Office AutoCad 2019 Model Making Laser Cutting Woodworking

DWA ‘How Bright is Our Future?’ Installation

May - Aug 2018

Student Intern I MVSA Architects Amsterdam, Netherlands Digital design studies and modeling, physical model making, presentation and graphic design

Build Team I DWA Architects Toronto, ON, Canada Fabricated and erected installation at the 2018 Toronto Interior Design Show

2

German Design Awards 2020 Honorable Mention, Interior Design: Exhibits, Pavilion and Exhibitions, 12th International Design Awards 2019 Best Exhibit, 21st Annual Best of Canada Design

K

Jan 2018

Winner, Excellent Architecture: Fair & Exhibition,

Competition, Canadian Interiors 2018 Special Mention, Architecture+Art, Architizer Award, 2018

ER

AT

W TABLE OF CONTENTS 4

ART FACTORY MODEL

12

CAMP WINSTON // DESIGN PROPOSAL

14

CAMP WINSTON // NATURE PAVILION

20

For the Boat

24

KINDERHAUS // PANDEMIC HUT

28

UNION STATION HYPERLOOP

35

DWA ‘How Bright is Our Future?’ INSTALLATION

38

AIAS FORUM 2020 STAGE

41

TETRASHELL // WINTERSTATIONS 2021

44

K

AR

M

ART FACTORY

3

ART FACTORY PHASE III

OCAD UNIVERSITY SATELLITE CAMPUS PROPOSAL

AT

W

ARC520 Integration Studio I September 2018 - December 2018 Rhino 5, Revit, V-ray, Illustrator, Photoshop Partner: Gabe Garofalo

K

AR

M

ER Situated in the lower junction triangle, Art Factory aims to teach students using the architectural elements of the building, in a framework that emulates the design process. From unrefined to refined, areas of the building both exterior and interior are designed to express the program inside. In addition, master planning efforts to revitalize the lower junction into a cultural hub via the integration of a public corridor from Bloor to the museum of contemporary art, and mixed-use buildings north of the building.

4

ER

AT

W OAD

K

AR

R LING

STER

M

RUTTAN STREET

SITE PLAN 1:500

5

RUTTAN STREET

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15

UP

W

4

5

AT

6

Lobby Student/Public Activity Space Student Courtyard Gallery Wood Working Shop Steel Working Shop Primary Work Shop Tool Crib Welding Space Service Room Washrooms Wet Labs/Ceramics Studio Outdoor Kilns/Informal Classroom Reception Administration UP DOWN

7

10

ER 8

UP

9

3

UP

2

M

1

14

15

AR

UP

UP

6

4m

UP

K

UP

2m

UP

13

12

1m

11

DOWN

GROUND FLOOR PLAN 1:250

RUTTAN STREET

1 2 3 4 5 6

DOWN

W

UP

Gallery Material Storage/Display Storage Quiet Spaces Library Administration

1

AT

DOWN UP

2

3

4

ER DOWN UP

UP

DOWN

6

K

AR

M

5

1m

2m

4m

SECOND FLOOR PLAN 1:250

7

STUDIOS Foundational Studio Communication Design

FOURTH FLOOR

Tool Crib Welding Space

Informal Classrooms

THIRD FLOOR

GALLERY + CRIT ROOMS

AT

W

MAKER SPACES

SERVICING

ADMINISTRATIVE DEPARTMENT

SUPPORT SPACES Library

ER

Classroom Support

SECOND FLOOR

Aboriginal Gathering Space Classroom Support

Design Computer Lab

Student Lounge/ Public Activity Space

MAIN ENTRANCE Elevators Stairs

TOTAL GROSS FLOOR AREA : 7820m² TOTAL GROSS FLOOR AREA : 6516m²

GROUND FLOOR

AR

Washrooms

M

Lecture Theatre

K

UPPER BASEMENT LEVEL

PROGRAM EXPLODED AXONOMETRIC

8

LOWER BASEMENT LEVEL

ER

AT

W NORTH ELEVATION 1:200 1m

2m

4m

K

AR

M WEST ELEVATION 1:200 1m

2m

4m

9

K

AR M

ER

AT W

10

AR

M

ER

AT

W K

SECTIONAL PERSPECTIVE

11

ART FACTORY PHASE I

1:200 PHYSICAL MODEL STUDY

W

ARC620 Integration Studio II January 2019 Lasercutting, Woodcutting, Modelmaking, Crafting

A continuation of the previous semesters work, myself and a partner built a 1:200 scale model of the OCAD U Satellite Campus Proposal: Art Factory, however with new ideas implemented in the overall design. A jagged atrium throughout the floors and sawtooth roofs that face north were explored within the model.

The idea was to bring more diffused light into the lower floors as well create opportunities for the different programs within the building to collaborate around the jagged atrium, via the sight lines and unique space.

K

AR

M

ER

AT

Partner: Gabe Garofalo

12

M

ER

AT

W Back Section Perspective

K

AR

Front Section Perspective

13

NATURE PAVILION PHASE I

NATURE PAVILION PROPOSAL

AT

W

ARC720 Design Build Studio May-August 2019 Rhino, Illustrator, Photoshop, Modelmaking, CNC Partner: Sara Lee

K

AR

M

ER

Nature Pavilion was designed to blur the lines between the exterior and interior environments. The projects intended usage was to be a learning space for children with neurological diseases attending a camp specifically for nurturing and safe growth. With that in mind, the interior space aims to let the children experience the outside environment but within a safe, protected shell. The larger openings created by the aluminum sheets bent into ovals allow for maximum discrepancy from the outside environment, while Accoya wood structure and decking add softer tones to balance the space and cultivate a natural learning space.

14

K

AR M

ER

AT W

15

K

AR M

ER

AT W

16

K

AR M

ER

AT W

17

5mm folded aluminum sheets

1/4” x 3” hex bolt and nut 1/2” washer

aluminum bug mesh

W 2”x12” accoya lumber

detail axonometric

ER

AT

5mm kerfed aluminum sheets

sand

2”x4” accoya lumber decking

K

AR

M south elevation

west elevation 0m

18

8m

Tongue and Groove Connection

ER

AT

W Exterior Perspective

Interior Perspective

Closeup on Hardware + Detail

Closeup on Hardware + Detail

Closeup on Steel mesh + Bug screen

K

AR

M 19

CAMP WINSTON NATURE PAVILION PHASE II

NATURE PAVILION

AT

W

ARC720 Design Build Studio May-August 2019 Rhino, Illustrator, Photoshop, Modelmaking, CNC

Designed by Patricia Diaz and Bernadette Rosano, Nature Pavilion is a study/ learning space for Camp Winston, a camp for children with neurological diseases. As part of the studio, we planned and constructed the Nature Pavilion within 4 months.

Featuring cedar lumbar and polycarbonate sheets, the design manifests a warm, comfortable and sheltered experience that both gives views to the garden nearby as well shade the users from direct sunlight.

K

AR

M

ER

Team: Anna Oh, Arash Ghafoori, Batoul Al, Bernadette Rosano, Chantal Shahmooradian, Curtis Reason, Elena Teimouri, Haleigh McLeod, Julia Krulicki, Keanu Salimi, Patricia Diaz, Patrick John Sandberg, Rui Batista, Sara Lee.

20

K

AR M

ER

AT W

21

K

AR M

ER

AT W

22

K

AR M

ER

AT W

23

For the Boat P4

BOATHOUSE ASC856 The Small Building September - December 2019 Rhino, Illustrator, Photoshop, V-ray, Enscape

AR

M

ER

AT

W Anchored and floating off the shore on Lake Joseph, For the Boat is designed just as the name suggests, the building is built around the boat. Featuring a skillion (shed, lean-to) roof design and a large opening in the center of the building, with the use of industrial materials in an architectural application such as aluminum sheets, steel trusses and steel mesh, and large apertures with thin steel trimming, the design aims to contemporize the idea of a vernacular residential home, and bring its typology onto a different plane, water. For the Boat also utilizes traditional wood frame steel construction, allowing for a light system.

K

No longer burden by a physical context, For the Boat aligns its composition to the water level and plays with views of the lake unobstructed by vegetation and natural topology. The supporting structure to allow it float on the water is an array of pontoons, this

Roof Plan

24

W

allows for the building to float, and depending on the various water levels of the lake, can create different views throughout all seasons. The penetration of sunlight into the project is another main objective, with the use of clerestory windows along the south faรงade, and east facade, these glazing locations stream light into the center of the building.

K

AR

M

ER

AT

Because of the skillion roof design, a high ceiling condition is possible, opening the space, and allowing for the focus to be on the water and too allow the floor of the building to bleed into the lake, as if the spaces are connected, and that you are merely in an enclave.

Taking all these elements together, For the Boat contemporizes the traditional vernacular home by bringing it to the water lev - el, using steel elements in exchange to wood elements, and the penetration of sunlight into the building open the space to water, and most importantly is designed around the boat

Exploded Axonometric

25

WEST ELEVATION

NORTH ELEVATION

M

ER

AT

W EAST ELEVATION

SOUTH ELEVATION

K

AR

SECTION EW

26

SECTION NS

K

AR M

ER

AT W

27

KINDERHAUS PROJECT P2

PANDEMIC HUT DESIGN

AT

W

ARC820 Design Build Studio April - July 2020 Rhino, Illustrator, Photoshop, V-ray, Enscape

Friends can reduce stress and navigate challenging developmental experiences. In the pandemic, measures have been put into place to limit social interaction, the closing of playgrounds and selfisolation and quarantining when you have COVID-19.

AR

M

ER

For children, making friends is a vital part of growing up and an essential part of their social and emotional development. Attributes such as social competence, altruism, self-esteem, and self-confidence have been found to be positively correlated to having friends.

K

These conditions have adverse affects on children who are sick with COVID-19. Quarantining and self-isolation may be easier to handle mentally and physically when you are an adult, however for children they do not have the same mental strength and perseverance.

Kinderhaus aims to give all children a safe space to play, interact and have fun with their friends while they are in quarantine, to continue their growth both mentally and physically.

28

ER

AT

W EAST ELEVATION

SECTION EW (FACING EAST)

SECTION EW (FACING WEST)

K

AR

M WEST ELEVATION

29

K

AR M

ER

AT W

30

K

AR M

ER

AT W

31

K

AR

M

ER

AT

W

Prefabricated Plywood Modu

Inflatable Structure + Compressor System

32

AT

W Moveable Wood Shading System

ER

Modular Construction Extendable Floor Component

K

AR

M

ules

Washroom + Backwall Unit

33

K

AR M

ER

AT W

34

UNION STATION HYPERLOOP P3

POST-PANDEMIC DESIGN

Union Station Hyperloop project is a study on what transportation will evelove into after the COVID-19 pandemic. This project brings ideas of health safety, proper social distancing and individual transportation as the new way of travel after the pandemic. The tube sytem and pods speak about inviduial transporation, the many divisons in spaces point to proper social distancing and the robustness of the station itself point to a more evolved and organized means of travel now that publioc spaces have been eliminated.

K

AR

M

ER

AT

W

ARC820 Pandemic Studio May - August 2020 Rhino, Photoshop, V-ray

35

K

AR M

ER

AT W

36

K

AR M

ER

AT W

37

DWA ‘How Bright is Our Future?’ INSTALLATION

W

January 2018 Heavy Machinery, Woodworking, Painting, Carpeting, Construction

AR

M

ER

AT K

I worked alongside fellow ryerson students to help construct and erect this installation at the Interior Design Show 2018 Toronto. We were tasked to take drawings and craft the structure and foundation with the use of cosntruction tools. Erection at the show invloved planning a safe work environment and effecient workflow as their was a time constraint.

38

K

AR M

ER

AT W

39

K

AR M

ER

AT W

40

CONTRA AIAS FORUM 2020 STAGE INSTALLATION

W

September -December 2019 Rhino, Illustrator, Photoshop, Modelmaking, CNC

To celebrate hosting the FORUM conference in Toronto, this design takes the city’s footprint and draws attention to the most significant area, the downtown core, through the use of topography contours accentuated by artificial LED lighting. Physically, the stage installation creates contrast through a bold black background for land contours and a more natural finish for the area representing the lake south of the city. The most

K

AR

M

ER

AT

Team: Haleigh McLeod, Julia Krulicki, Keanu Salimi, Patrick John Sandberg, Sara Lee, Liane Werdina, Natalie Chan .

41

AT

W

outset areas of topography are also given contrast through the use of artificial lights to highlight key nodes of the city.

This design highlights areas with high densification or activity, creating a dialogue for the contrast between the densification of the downtown core compared to the outward sprawl on the edges of the city. Density data in the form of an architectural installation from the city hosting the conference ties the host city to the conference as well as its theme, in order to provide information to attendees that are not native to Toronto.

Through using visual effects such as contrasting painted elements with natural finishes as well as artificial lighting of significant points, this stage installation design displays contrast while clearly associating the CONTRA theme with the host city of Toronto.

5mm komatex

ER

2” x 4” structural support

M

2” x 4” framing

1/4” plywood

AR XPS foam panels (1.5” & 2”)

Exploded Axonometric

K

42

K

AR

M

ER

AT

W Early Iteration Exploded Axonometric

43

TETRASHELL WINTERSTATIONS 2021 October 2020 Rhino, Illustrator, Photoshop, V-ray

W

Partner: Lourdes Narciso

K

AR

M

ER

AT Tetrashell aims to provide shelter and security in light of the covid-19 pandemic. Held together by wood arches and structure, the tetrapod’s sit on top of each other creating a semi-transparent wall.

There are three variations of tetrapod’s, steel, steel and mesh and steel and polycarbonate sheets. Each variation alludes to the varying degrees of security and protection however as a whole project solidity and fortification.

The transparency allows for dynamic interactions throughout the design.

Exploded Axonometric

44

K

AR

M

ER

AT

W Material Diagram

45

K

AR

M

ER

AT

W Plan

Front Elevation

46

K

AR

M

ER

AT

W Side Elevation

47