ĐA Tổng hợp 63KD. Hà Nội. 220822 Doãn Thế Trung . Phan Tiến Hậu . Chu Ngọc Huyền
Trung tâm Văn hoá – Nghệ thuật / Hội nghị – Triển lãm # ĐỌC & HIỂU # 10 LƯU Ý
ĐỌC & HIỂU : Thể loại công trình AUDITORIUM
A. NGUYÊN LÝ CHUNG ► Nguyễn Đức Thiềm (2006) Kiến trúc nhà công cộng. Hà Nội : NXB Xây dựng.
► De Chiara, Joseph, & Callender, John Hancock. (1980). Time-saver standards for building types (2d ed.). New York: McGraw-Hill.
# Cultural Venues / Auditorium / Theatre / Conference hall / Exhibition / Banquet hall
► Neufert, Ernst, & Neufert, Peter. (2019). Architects' data (5rd ed.). Oxford ; Malden, MA: Blackwell Science.
► Buxton, Pamela (Ed.) (2018). Metric handbook planning and design data (6th ed.). New York: Routledge, Taylor & Francis Group.
► Pickard, Quentin. (2002). The architects' handbook. Oxford ; Malden, MA: Blackwell Science.
B. ĐẶC ĐIỂM CỤ THỂ I Programming ► Hoàng Đạo Cung (2008) Kiến trúc nhà hát. Hà Nội : NXB Xây dựng. ► Phạm Đức Nguyên (2011) Âm học kiến trúc, âm học đô thị. Hà Nội : NXB Xây dựng. ► Appleton, Ian. (2008). Buildings for the performing arts : a design and development guide (2nd ed.). Amsterdam ; Boston ; London: Architectural Press. ► Strong, Judith, & Association of British Theatre Technicians. (2010). Theatre buildings : a design guide. Abingdon, Oxon England ; New York, NY: Routledge. ► Holden, Mark (2016). Acoustics of multi-use performing arts centers. Boca Raton ; London ; New York: CRC Press : Taylor & Francis Group. ► Barron, Michael (2010). Auditorium acoustics and architectural design (2nd ed.). London ; New York: Spon Press, an imprint of Taylor & Francis.
PrefacePrefaceviitonew editionxi Part OneThe Context1 5Building4Types3Audiences132Types1Introduction3ofproduction7ofclient17types21 Part TwoApproach to Design and Development65 6Design and development67 7The 9Stages8Consultants75client69indesignand development77 Part ThreeSpecific Studies95 10Audiences, companies and staff97 11Site 12Initialconsiderations101brief:Auditoriumand platform/stage105 13Initial brief: Support facilities161 14Initial brief: Spaces for children and young persons205 15Initial brief: Existing buildings for the performing arts215 16Building 18Financial17Time-scale255design229appraisal257 Appendix 1 References and sources of information263 Appendix 2 Main consultants and clients’ advisors267 Index273 Contents
FOREWORD BY SIR CAMERON MACINTOSH vi PREFACE viii SECTION 1: PRELIMINARY PLANNING 1.1 Introduction 1 1.2 Two case studies – Copenhagen and Oslo 2 1.3 The project – phases and time 4 1.4 Preliminary planning – the process 6 1.5 Step 1 – Project inception 6 1.6 Step 2 – Project development and studies 12 1.7 Step 3 – Brief writing and design team selection 16 1.8 Conclusion 20 SECTION 2: BROAD PRINCIPLES 2.1 Introduction 23 2.2 Location 24 2.3 Components of a theatre 25 2.4 Planning the building 30 2.5 Mechanical and electrical services 33 2.6 Access for people with disabilities 34 2.7 Fire safety 36 2.8 Sustainability 40 SECTION 3: FRONT OF HOUSE 3.1 Introduction 43 3.2 Basic principles 44 3.3 The journey through front of house 45 3.4 Foyer design and layout 46 3.5 Facilities within the foyer 48 3.6 Bars and catering 51 3.7 Provision for other activities 55 3.8 Routes and signage 58 3.9 Toilets 60 3.10 Support areas 62 3.11 Future technology 63 SECTION 4: AUDITORIUM DESIGN 4.1 Introduction 65 4.2 Factors infuencing size and scale 66 4.3 Auditorium formats 67 4.4 Positioning and seating the audience 73 4.5 Sightlines 76 4.6 Acoustic considerations 79 4.7 Lighting and sound in the auditorium 82 4.8 Ventilation and air handling 83 4.9 Orchestra pit 86 4.10 Adaptability, fexibility and variable formats 88 4.11 Materials and fnishes 92 SECTION 5: THE STAGE AND STAGE MACHINERY 5.1 Introduction 95 5.2 Sets and scenery 96 5.3 Setting out the stage house 99 5.4 Overstage machinery 108 5.5 Understage machinery 111 5.6 Stage machinery for the open stage 113 SECTION 6: LIGHTING, SOUND AND VIDEO 6.1 Introduction 119 6.2 Lighting equipment and infrastructure 120 6.3 Lighting rigging positions 122 6.4 Lighting control 127 6.5 Sound system infrastructure design 128 6.6 Sound rigging positions 131 6.7 Sound control positions 132 6.8 Video technology in the theatre 136 SECTION 7: BACKSTAGE PROVISION 7.1 Introduction 141 7.2 Circulation 142 7.3 Get-in 143 7.4 Production spaces 146 7.5 Personnel accommodation 148 7.6 Construction spaces 153 7.7 Rehearsal facilities 158 SECTION 8: ADDITIONAL SPACES 8.1 Introduction 161 8.2 Management structures 162 8.3 Functions and requirements 165 8.4 Offce accommodation – specifcations 167 8.5 Education and community activities 168 8.6 Rentals and hires 171 8.7 Storage 175 SECTION 9: RESTORATION, CONVERSION AND IMPROVEMENT OF EXISTING BUILDINGS 9.1 Introduction 179 9.2 Existing stock of theatre buildings 180 9.3 Opportunities and constraints 181 9.4 Some quick hits 186 9.5 Public areas 187 9.6 Within the auditorium 187 9.7 Backstage 192 9.8 Incorporating elements of new build 192 9.9 Other approaches – and some more radical solutions 193 REFERENCE Company,TheTheCopenhagenCalifornia,CerritosThéâtre The TheWexfordTheTrafalgarTheTheLondon,RoyalTheTheMiltonVictoria,MelbourneMahaffeyGreaterTheTheLondon,King’sHackneyGuthrieGlyndebourneFestivalTheTheFOREWORD BY SIR CAMERON MACINTOSH vi PREFACE viii SECTION 1: PRELIMINARY PLANNING 1.1 Introduction 1 1.2 Two case studies – Copenhagen and Oslo 2 1.3 The project – phases and time 4 1.4 Preliminary planning – the process 6 1.5 Step 1 – Project inception 6 1.6 Step 2 – Project development and studies 12 1.7 Step 3 – Brief writing and design team selection 16 1.8 Conclusion 20 SECTION 2: BROAD PRINCIPLES 2.1 Introduction 23 2.2 Location 24 2.3 Components of a theatre 25 2.4 Planning the building 30 2.5 Mechanical and electrical services 33 2.6 Access for people with disabilities 34 2.7 Fire safety 36 2.8 Sustainability 40 SECTION 3: FRONT OF HOUSE SECTION 4: AUDITORIUM DESIGN 4.1 Introduction 65 4.2 Factors infuencing size and scale 66 4.3 Auditorium formats 67 4.4 Positioning and seating the audience 73 4.5 Sightlines 76 4.6 Acoustic considerations 79 4.7 Lighting and sound in the auditorium 82 4.8 Ventilation and air handling 83 4.9 Orchestra pit 86 4.10 Adaptability, fexibility and variable formats 88 4.11 Materials and fnishes 92 SECTION 5: THE STAGE AND STAGE MACHINERY 5.1 Introduction 95 5.2 Sets and scenery 96 5.3 Setting out the stage house 99 5.4 Overstage machinery 108 5.5 Understage machinery 111 5.6 Stage machinery for the open stage 113 SECTION 6: LIGHTING, SOUND AND VIDEO Contents 1.3 The project – phases and time 4 1.4 Preliminary planning – the process 6 1.5 Step 1 – Project inception 6 1.6 Step 2 – Project development and studies 12 1.7 Step 3 – Brief writing and design team selection 16 1.8 Conclusion 20 SECTION 2: BROAD PRINCIPLES 2.1 Introduction 23 2.2 Location 24 2.3 Components of a theatre 25 2.4 Planning the building 30 2.5 Mechanical and electrical services 33 2.6 Access for people with disabilities 34 2.7 Fire safety 36 2.8 Sustainability 40 SECTION 3: FRONT OF HOUSE 3.1 Introduction 43 3.2 Basic principles 44 3.3 The journey through front of house 45 3.4 Foyer design and layout 46 3.5 Facilities within the foyer 48 3.6 Bars and catering 51 3.7 Provision for other activities 55 3.8 Routes and signage 58 3.9 Toilets 60 3.10 Support areas 62 3.11 Future technology 63 4.3 Auditorium formats 67 4.4 Positioning and seating the audience 73 4.5 Sightlines 76 4.6 Acoustic considerations 79 4.7 Lighting and sound in the auditorium 82 4.8 Ventilation and air handling 83 4.9 Orchestra pit 86 4.10 Adaptability, fexibility and variable formats 88 4.11 Materials and fnishes 92 SECTION 5: THE STAGE AND STAGE MACHINERY 5.1 Introduction 95 5.2 Sets and scenery 96 5.3 Setting out the stage house 99 5.4 Overstage machinery 108 5.5 Understage machinery 111 5.6 Stage machinery for the open stage 113 SECTION 6: LIGHTING, SOUND AND VIDEO 6.1 Introduction 119 6.2 Lighting equipment and infrastructure 120 6.3 Lighting rigging positions 122 6.4 Lighting control 127 6.5 Sound system infrastructure design 128 6.6 Sound rigging positions 131 6.7 Sound control positions 132 6.8 Video technology in the theatre 136
SECTION I: BUILDING BLOCKS. Making the Case for a Multi-Use Hall. The Building Block of Reverberation. Requirements for Excellent Acoustics. Creating the Acoustic Program. SECTION II: CREATING THE BUILDING. Translating Program into Bricks and Mortar. Myths and New Halls Myths and Renovations Running the Acoustic Model. SECTION III: ARCHITECTURAL DETAILS. Orchestra Pit. Acoustic Design of the Stage. Orchestra Seating, Balconies, Boxes, and Parterres. Wall SECTIONSeatsCeilingShaping.Designs.andFinishes.IV:MEASURING RESULTS. Making It ElectronicMulti-Use.Architecture Systems. Tuning the Hall. CASE STUDIES.
1. Introduction 2. Sound and Rooms 3. Acoustics for the Symphony Concert Hall 4. The Development of the Concert Hall 5. British Concert Halls and Conclusions for Concert Hall Acoustics 6. Chamber Music and Recital Halls 7. Acoustics for Speech 8. Theatre Acoustics 9. Acoustics for Opera 10. Acoustics for Multi-Purpose Use 11. Multi-Purpose Halls in Britain 12. The Art and Science of Acoustics Appendix A: Sound Reflection and Reverberation Calculation Appendix B: Objective Measures for Music Auditoria Appendix C: Further Objective Results in Concert Halls Appendix D: Objective Measures for Speech Auditoria
#. VĂN BẢN PHÁP LÝ ► QCVN 01:2021/BXD Quy hoạch xây dựng ► QCVN 06:2021/BXD An toàn cháy cho nhà và công trình ► QCXDVN 05:2008/BXD Nhà ở và công trình công cộng - An toàn sinh mạng và sức khoẻ ► QCVN 10:2014/BXD Xây dựng công trình đảm bảo người khuyết tật tiếp cận sử dụng ► QCVN 13:2018/BXD Gara Ô-Tô ► QCVN 09:2017/BXD Các công trình xây dựng sử dụng năng lượng hiệu quả ► TCVN 9369:2012 Nhà hát – Tiêu chuẩn thiết kế ► TCVN 4319:2012 Nhà và công trình công cộng – Nguyên tắc cơ bản để thiết kế
#. PHÂN TÍCH ĐỊA ĐIỂM XÂY DỰNG l Context ► LaGro, James A. (2013). Site analysis : informing context-sensitive and sustainable site planning and design (Third edition. ed.). Hoboken, New Jersey: Wiley. ► White, Edward T. (1983). Site analysis : diagramming information for architectural design. Tucson, Ariz.: Architectural Media.
Phân tích địa điểm xây dựng Architecture Site Analysis
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… Hiểu về cộng đồng, hiểu về nơi chốn …
LƯU Ý : Tiếp cận đồ án 1. BỐI CẢNH & Vị thế 2. Cảm hứng thiết kế 3. Cấu trúc không gian 4. Tiếp cận: Kịch bản & lưu tuyến 5. Phòng Khán giả 6. An toàn (Safety) 7. Biểu hiện : Tự thân & kết nối 8. Thống nhất: kết cấu & lớp vỏ & mặt đứng 9. Công nghệ 10. Bền vững: thiên nhiên & tính bản địa 10
BỐI CẢNH & vị thế Đối thoại với bối cảnh ? Thờ ơ, thiếu nhạy cảm & lạnh nhạt ? 1
CASA MUSICA PORTO # OMA
CASA MUSICA PORTO # OMA
CASA MUSICA PORTO # OMA
Book_“Manual of Section"
CASA MUSICA PORTO # OMA
CẢM HỨNG thiết kế Trách nhiệm với cộng đồng? 2
ELBPHILHARMONIE HAMBURG # Herzog & de Meuron
OSLO OPERA HOUSE # Snohetta
TJIBAOU CULTURAL CENTER # Renzo Piano
CẤU TRÚC & không gian Linh hoạt & đa dạng Không gian đa năng 3
being merged together within contemporary buildings. Fully fitted with multimedia technology and facilities to serve a variety of functions, these modern structures can cater for most performances,muisic storage other facilities scenery/costume workshops, and workshops educational rooms and storage facilities; can be either on site or in a buildingclose by; photographystudio easy access loading boys conference and recording studio near to storage area function suites __ -arts and crafts studios and storage oreas education rooms;sound/lighting and multi-media facilities sound proof music rehersal rooms and storage areas exhibitionspace in foyers, or in a separate
I I I I I
2
Stagehackstage: main stage, wings, back stage area, dressing rooms. Optional: scenery shop, wardrobe/costume shop, workshops and education rooms, and kitchedstaff room.
box/studio theatre. w
staff canteen performance: cleaninglounge facilities and toilets workshop space studio/experimentalandtheatre I easy access facilities: main stairway, lifts and side stairs, corridors and disabled access front of house entrance foyers and access to street Multifunction theatres and arts centres: organisational diagram Pickard, Quentin. (2002). The architects' handbook. Oxford ; Malden, MA: Blackwell Science.
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WINSPEAR OPERA HOUSE / Foster + Partners
TT HN Tỉnh Bình Định / Studio Milou
TIẾP CẬN kịch bản & lưu tuyến “Vẻ đẹp của dòng chuyển động” Khán giả, diễn viên, phục vụ… 4
WINSPEAR OPERA HOUSE / Foster + Partners ELBPHILHARMONIE HAMBURG # Herzog & de Meuron
CASA MUSICA PORTO # OMA
WINSPEAR OPERA HOUSE / Foster + Partners
TT HN Tỉnh Bình Định / Studio Milou
TT HN Quốc gia Việt Nam / GMP
TT HN Quốc gia Việt Nam / GMP Ilag
AUDITORIUM Phòng khán giả Hình thái, cảm xúc & ấn tượng Vẻ đẹp không gian 5
BERLIN PHILHARMONIC # Hans Scharoun
TT HN Quốc gia Việt Nam / GMP
https://divisare.com
Book_“Manual of Section"
SouthBank Centre in London # FCB Studio
… Đọc kỹ hướng dẫn sử dụng trước khi dùng …
TT HN TỈNH BÌNH ĐỊNH # Studio Milou
AN TOÀN Sử dụng, thoát nạn & PCCC 6
NHÀ QUỐC HỘI VIỆT NAM / GMP
NHÀ QUỐC HỘI VIỆT NAM / GMP
BIỂU HIỆN Tự thân & kết nối Đóng & mở Vẻ đẹp bên ngoài phòng khán giả vai trò của đại sảnh Trình diễn không gian 7
WALT DISNEY CONCERT HALL # Frank Gehry
WINSPEAR OPERA HOUSE / Foster + Partners
CASA MUSICA PORTO # OMA
OSLO OPERA HOUSE # Snohetta
CASA MUSICA PORTO # OMA ELBPHILHARMONIE HAMBURG # Herzog & de Meuron
TT HN TỈNH BÌNH ĐỊNH # Studio MilouTT HN QUỐC GIA VN # GMP
THỐNG NHẤT Kết cấu, lớp vỏ & mặt đứng Công trình như một chỉnh thể thống nhất 8
Heydar Aliyev Centre in Baku, Azerbaijan # Zaha Hadid
Heydar Aliyev Centre in Baku, Azerbaijan # Zaha Hadid
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TSURUOKA CULTURAL CENTER # SANAA
TSURUOKA CULTURAL CENTER # SANAA
TSURUOKA CULTURAL CENTER # SANAA
CÔNG NGHỆ Trình diễn & vận hành Thế mạnh của công nghệ 9
STAVANGER CONCERT HALL # Ratio Arkitekter AS
ELBPHILHARMONIE HAMBURG # Herzog & de Meuron
ELBPHILHARMONIE HAMBURG # Herzog & de Meuron
BỀN VỮNG Thiên nhiên & tính bản địa Thiết kế thụ động 10
Book_“Manual of Section"CASA MUSICA PORTO # OMA
Book_“Manual of Section"NHÀ QUỐC HỘI VIỆT NAM / GMP
TT HN TỈNH BÌNH ĐỊNH # Studio Milou
TT HN TỈNH BÌNH ĐỊNH # Studio Milou
Cung văn hoá thiếu nhi, TP.HCM 2016, HCM city, Vietnam Architects: Nguyễn Trường Lưu
… Những hành trình dài, từ bước đi nhỏ nhất …
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