T H E G A L L E RY C O L L ECT I O N Post War & Contemporary Stern Pissarro Gallery
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TOSHIMITSU IMAI (1928 – 2002)
Red Composition Oil on canvas 80.2 × 55.3 cm (315 ⁄ 8 × 213 ⁄ 4 inches) Signed TOSHIMITSU IMAÏ, dated 1963 Paris Inscribed in Japanese on the reverse illustrated on page 31
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YAYO I K U S A M A (b. 1929)
Spirit of Glasses Collage, pastel and ink on paper 39.4 × 54.3 cm (151 ⁄ 2 × 213 ⁄ 8 inches) Signed and dated lower right, Yayoi Kusama 1975 and dated on the reverse, signed again and titled in Japanese on the reverse illustrated on page 5
T H E G A L L E RY C O L L ECT I O N Post-War & Contemporary
Stern Pissarro Gallery 6 6 S T. J A M ES ’ S S T R E E T, LO N D O N S W 1 A 1 N E , U K TEL: +44 (0)20 7629 6662 EMAIL: STERN@PISSARRO.COM www.pissarro.art
A R M A N (1928 – 2005)
Colère de Violon Violin cut, acrylic and ink on canvas 80.08 × 59.6 cm (311⁄2 × 231⁄2 inches) Signed on the lower edge, arman Executed in 2003 Provenance Bugno Art Gallery, Venice Private collection, Italy Private collection, France, acquired from the above
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Exhibited Venice, Centro d'Arte Cultura et Bugno Galerie Arte, Arman: Opere Recenti, June 2004 This work is accompanied by a certificate of authenticity from the artist dated 5th August 2003 and is recorded in the Arman Studio Archives, New York under no. APA# 8021.03.242. It is also listed in the Archives of Denyse Durand-Ruel, who is preparing the forthcoming catalogue raisonné of Arman, under no. 8076.
J I M D I N E (b. 1935)
A Smaller Fortress Oil on board 91.5 × 122.2 cm (36 × 481 ⁄ 8 inches) Titled, signed and dated on the reverse A Smaller Fortress, Jim Dine 1981 Provenance Private collection, Japan The Market Auction, Tokyo, 25th October 2007 Private collection, Hong Kong The Studio of the Artist has confirmed this work is listed in the Artist's inventory records.
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YAYO I K U S A M A (b. 1929)
Teardrop Acrylic on canvas 38 × 45.5 cm (15 × 177 ⁄ 8 inches) Titled, (Namida/Teardrop), dated, 1989 and signed, Yayoi Kusama on the reverse Provenance Private collection, Japan Private collection, Japan Private collection, Asia This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.
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YAYO I K U S A M A (b. 1929)
Spirit of Glasses Collage, pastel and ink on paper 39.4 × 54.3 cm (151 ⁄ 2 × 213 ⁄ 8 inches) Signed and dated lower right, Yayoi Kusama 1975; and dated on the reverse, signed again and titled in Japanese on the reverse Provenance Nishimura Gallery, Tokyo Sakurado Fine Arts, Tokyo Private Collection, USA, acquired directly from the above in 2016
Exhibited Tokyo, Nishimura Gallery, Yayoi Kusama, Message of Death from the Hades, 1st December-13th December 1975 This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.
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YAYO I K U S A M A (b. 1929)
Late Autumn Skies Enamel and ink on paperboard 27.3 × 24.1 cm (103 ⁄ 4 × 91 ⁄ 2 inches) Signed and dated lower left, YAYOI KUSAMA 1978; signed again, titled in Japanese and dated on the reverse Provenance Robert Miller Gallery, New York Victoria Miro, London Private collection, London, acquired from the above This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.
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YAYO I K U S A M A (b. 1929)
Rain on Red Poppies Enamel and ink on paperboard 27.3 × 24.1 cm (103 ⁄ 4 × 91 ⁄ 2 inches) Signed and dated upper left, YAYOI KUSAMA 1978; signed again, titled in Japanese and dated on the reverse Provenance Robert Miller Gallery, New York Victoria Miro, London Private collection, UK, acquired from the above This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.
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C H U N KW A N G -YO U N G (b. 1944)
Aggregation 001-F008 Mixed media with Korean mulberry paper 163 × 131 cm (641 ⁄ 8 × 515 ⁄ 8 inches) Signed, titled, dated and inscribed on the reverse Executed in 2001 Provenance Private collection, Seoul Private collection, London
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C H U N KW A N G -YO U N G (b. 1944)
Aggregation (집합) S00-204 Mixed media with korean mulberry paper 97 × 147 cm (381 ⁄ 4 × 577 ⁄ 8 inches) Signed, titled and dated on the reverse Executed in 2000 Provenance Private collection, Seoul
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A L E X A N D E R C A L D E R (1898 – 1976)
McGovern Gouache on paper 76 × 56 cm (297 ⁄ 8 × 22 inches) Signed and dated lower right, Calder 11-7-72 Provenance Collection of George J. Goodstadt, acquired from the artist
Literature Hal Elliott Wet, George McGovern & The Democratic Insurgents: The Best Campaign Posters of the Last Fifty
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Years, University of Nebraska Press, Lincoln and London, 2015 This work is registered in the archives of the Calder Foundation, New York, under application number A17775.
A L E X A N D E R C A L D E R (1898 – 1976)
Composition Gouache on paper 57 × 77 cm (221 ⁄ 2 × 301 ⁄ 4 inches) Signed, dated and dedicated lower left, à Marie Paule et Jean Leymarie Calder 69 Provenance Studio of the artist, Saché, France Collection Marie-Paule and Jean Leymarie, France, gifted from the artist, 1969 Private collection, thence by descent This work is registered in the archives of the Calder Foundation, New York, under application number A28172.
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PA U L J E N K I N S (1923 – 2012)
Phenomena Prism Shadow Acrylic on canvas 99 × 99 cm (39 × 39 inches) Signed lower left, Paul Jenkins Signed, titled and dated on the reverse Executed in 1986 Provenance Irving Galleries, Palm Beach, Florida Private collection, Florida
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PA U L J E N K I N S (1923 – 2012)
Phenomena Once was Forever is Acrylic on canvas 194.5 × 121.5 cm (765 ⁄ 8 × 477 ⁄ 8 inches) Signed, Paul Jenkins lower left Signed again, titled and dated, 1991 Paris on the reverse Literature Provenance Acquired from the Artist Private collection, New York
Tristan Paul Roux, Paul Jenkins, Oeuvres sur Toile 19841992, Galerie Guy Pieters, Knokke-Zoute, Belgium, 1992 (illustrated in colour)
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A L E X A N D E R C A L D E R (1898 – 1976)
McGovern Gouache on paper 76 × 56 cm (297 ⁄ 8 × 22 inches) Signed and dated upper right, AC 72 Provenance Collection of George J. Goodstadt, acquired from the artist
Fifty Years, University of Nebraska Press, Lincoln and London, 2015
Literature
This work is registered in the archives of the Calder Foundation, New York, under application number A26042.
Hal Elliott Wet, George McGovern & The Democratic Insurgents: The Best Campaign Posters of the Last
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A L E X A N D E R C A L D E R (1898 – 1976)
Spirale Gouache and ink on paper 75 × 110 cm (291 ⁄ 2 × 431 ⁄ 4 inches) Signed and dated lower right, Calder 1969 Dedicated lower middle and lower right à Anne – Marie with an illustration of a hammer Provenance Collection Anne-Marie Marteau, Tours, France, gifted from the artist Thence by descent, private collection This work is registered in the archives of the Calder Foundation, New York, under the application number A27972.
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OT TO P I E N E (1928 – 2014)
MyMy Fire gouache on card 67.5 × 47.8 cm (265 ⁄ 8 × 187 ⁄ 8 inches) Titled lower left, MyMy; signed and dated lower middle, O Piene 75 Provenance Galerie Löhrl, Mönchengladbach Private collection, Germany, acquired from the above
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A L E X A N D E R C A L D E R (1898 – 1976)
Composition Gouache on paper 75 × 109.5 cm (291 ⁄ 2 × 431 ⁄ 8 inches) Signed, dated and dedicated lower left, à Ray & Jeanne Sutter, Sandy Calder 70 Provenance Raymond & Jeanne Sutter collection (neighbours of Calder in Saché), gifted from the artist, 1970 Private collection, Paris Galerie Carole Brimaud, Paris Private collection, acquired from the above in 1992 This work is registered in the archives of the Calder Foundation, New York, number A28063.
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C H R I S TO (b. 1935)
Over the River (Project for Arkansas River State of Colorado) Wax crayon, graphite and charcoal on board 35 × 38.5 cm (133 ⁄ 4 × 151 ⁄ 8 inches) Signed and dated, Christo 1999, titled and inscribed with technical notes upper middle; signed, dated and inscribed on the reverse Provenance Baldwin Gallery, Aspen, 2000 Collection of Melva Bucksbaum, New York, acquired from the above, 2000
Exhibition Aspen, Baldwin Gallery, Over The River: Project for the Arkansas River, Colorado, March-April 2000 This work is accompanied by a certificate of authenticity signed by Christo.
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C H R I S TO (b. 1935)
Valley Curtain (Project for Colorado) Collage with coloured pencil, graphite, graph paper, photograph by Shunk-Kender and stapled fabric on board 71.1 × 56.6 cm (28 × 221 ⁄ 4 inches) Signed and dated lower right, Christo 1971 and inscribed with technical notes Provenance Studio di Arti Visive Oggetto, Italy Private collection, Switzerland, acquired from the above This work is accompanied by a certificate of authenticity signed by Christo.
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C H R I S TO (b. 1935)
Wrapped Reichstag (Project for Berlin) Acrylic, wax crayon, coloured pencil and graphite with taped photograph by Wolfgang Volz and printed map collage on board 36.3 × 56.6 cm (141 ⁄ 4 × 221 ⁄ 4 inches) Signed and dated lower right, Christo 1994, titled lower middle and inscribed with technical data on the upper margin; signed and dated on the reverse Provenance Collection of Mary Lippens Private collection, Belgium This work is accompanied by a certificate of authenticity signed by Christo.
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C H R I S TO (b. 1935)
Wrapped Reichstag (Project for Berlin) Collage with pastel, crayon, ballpoint pen, pencil, fabric, photograph by Wolfgang Volz and twine on board, in two parts 28.8 × 71.8 cm (111 ⁄ 4 × 28 1 ⁄ 4 inches) / 56.5 × 71.8 cm (221 ⁄ 4 × 281 ⁄ 4 inches) Signed and dated, Christo 1985, titled and inscribed on the lower edge of the upper part; inscribed with technical data throughout the lower part Numbered 25A and 25B and inscribed on the reverse Provenance Obelisk Gallery, Boston D. Fayman, San Diego Christie's, London, 20th May 1998 Private collection, USA, acquired from the above
This work is accompanied by a certificate of authenticity signed by Christo.
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PA U L J E N K I N S (1923 – 2012)
Phenomena White of the Tiger Acrylic on canvas 97 × 130 cm (381 ⁄ 4 × 511 ⁄ 8 inches) Signed lower left, Paul Jenkins Titled and dated 1987 on the reverse Provenance Private collection, France
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OT TO P I E N E (1928 – 2014)
Wo Alu und Honig Fließen Fire gouache with aluminium on cardboard 99 × 64 cm (39 × 251 ⁄ 4 inches) Signed and dated lower right, O Piene 72 and titled lower left Provenance Private collection, Austria
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M A R I N O M A R I N I (1901 – 1980)
Cavallo e Cavaliere Ink and tempera on paper 56.4 × 42.7 cm (221 ⁄ 4 × 163 ⁄ 4 inches) Signed and dated lower right, Marino 1955 Provenance Galleria II Castello, Capri Private collection, Modena Private collection, United Kingdom, thence by descent This work is accompanied by a certificate of authenticity from the Fondazione Marino Marini and is registered under archive number 514.
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L U C I O F O N TA N A (1899 – 1968)
Concetto Spaziale, l Quanta Waterpaint on canvas 40 × 30 cm (151 ⁄ 8 × 113 ⁄ 4 inches) Signed, L. Fontana and illustrated with 3 sketches on the reverse Executed circa 1960
Literature Enrico Crispolti, Fontana, Catalogo Generale, vol. I, Electa, Milan, 1986, no. 59 Q 14a, p.343 (illustrated) Enrico Crispolti, Lucio Fontana, Catalogo Ragionato di Sculture, Dipinti, Ambientazioni, vol. I, Milan, 2006, no.59 Q 14a, p. 516 (illustrated)
Exhibitions Provenance Private collection, Viareggio Galleria Angolare, Milan Private collection, Switzerland Private collection, United Kingdom, thence by descent
Milan, Galleria Angolare, Accrochage, 29th October – 14th November 1975 (illustrated) This work is registered under the archive no. 59 Q 14a at the Fondazione Lucio Fontana.
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N O R M A N B L U H M (1921 – 1999)
Jocasta Acrylic on cardboard laid down on wood 59 × 89 cm (231 ⁄ 4 × 35 inches) Signed and dated lower right, bluhm 73 Provenance Martha Jackson Gallery, New York, archive no. 15408 Galleria d’Arte Rinaldo Rotta, Genoa Private collection, Europe
Exhibited Milan, Norman Bluhm, Galleria Il Cerchio and Galleria Rinaldo Rotta, 1974 Venice, Norman Bluhm, Circolo Artistico Palazzo delle Prigioni Vecchie, 19th July – 22nd August 1974 Mrs Carolyn Bluhm (widow of Norman Bluhm) from the Estate of the Artist has confirmed the authenticity of this work. This work is accompanied by a photo-certificate from Galleria d’Arte Rinaldo Rotta, Genoa.
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S A M F R A N C I S (1923 – 1994)
Sklye Acrylic on paper 14.6 × 10.2 cm (53 ⁄ 4 × 4 inches) Signed, Sam Francis and dated on the reverse Signed again, dated and inscribed on the backing board Executed in 1986, Los Angeles Provenance Angles Gallery, Santa Monica Private Collection, California, acquired from the above Santa Monica Auctions, 8th June 2014 Private Collection, acquired from the above Estate of Paul Coady, thence by descent This work is identified by the Sam Francis foundation with the archival identification number of SF86-332 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper.
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PA U L J E N K I N S (1923 – 2012)
Phenomena Winter Harth Oil and sand on canvas 66 × 122 cm (26 × 48 inches) Signed, titled and dated on the reverse, Paul Jenkins “Phenomena Winter Harth” 1978 Provenance Private collection, California
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PA U L J E N K I N S (1923 – 2012)
Phenomena like Byron Oil on canvas 74 × 60 cm (291 ⁄ 8 × 235 ⁄ 8 inches) Signed lower left, Paul Jenkins, titled, signed and dated Paul Jenkins 1990 Saint Paul on the reverse and on the stretcher Provenance Waterhouse & Dodd Fine Art, London/New York Private collection, Europe, acquired from the above in 2012 Private collection, Austria
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J E A N - PA U L R I O P E L L E (1923 – 2002)
Abstract Composition N Acrylic on paper laid down on canvas 89.7 × 49.5 cm (351⁄4 × 191⁄2 inches) Signed with initial lower right, R and titled, AC (Abstract Composition) N Executed in 1972 Provenance Christie's, London, 1st July 1999 Galerie Roche, Bremen, Germany Kaspar Gallery, Toronto, Canada Private collection, Italy
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J E A N - PA U L R I O P E L L E (1923 – 2002)
Carros Oil on canvas 89.5 × 116 cm (351 ⁄ 4 × 455 ⁄ 8 inches) Signed and dated lower right, Riopelle 66 Signed and dated, Riopelle 66 and titled, Carros on the reverse Provenance Galerie Maeght, Paris Collection Mme M. Godard Galerie Samuel Lallouz, Québec Private collection, USA, acquired from the above in 1987 Christie’s Paris, 5th June 2013 Private collection, Paris, acquired from the above sale
Literature P. Schneider, Riopelle: Signes Mêlés, Maeght Éditeur, Paris, 1972, no. 134, pp. 142 & 174 (illustrated) Y. Riopelle, T. Riopelle, Jean-Paul Riopelle: Catalogue Raisonné, vol. IV, 1966-1971, Hibou Éditeurs, Montréal, 2014, no. 1966.031H.1966, p. 98 (illustrated) This work is accompanied by a certificate of authenticity issued by Yseult Riopelle under the reference 366-FR-CP, dated 20th May 2013.
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M O S H E TA M I R (1924 – 2004)
Der Reiter Mixed media and collage on paper 101 × 72 cm (393 ⁄ 4 × 283 ⁄ 8 inches) Signed upper left, M Tamir Provenance Private collection, Switzerland
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TO S H I M I T S U I M A I (1928 – 2002)
Red Composition Oil on canvas 80.2 × 55.3 cm (315 ⁄ 8 × 213 ⁄ 4 inches) Signed TOSHIMITSU IMAÏ, dated 1963 Paris Inscribed in Japanese on the reverse Provenance Private collection, USA
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TO S H I M I T S U I M A I (1928 – 2002)
Vagues “Wave” Acrylic on paper 127 × 95 cm (50 × 373 ⁄ 8 inches) Signed lower right, IMAI Inscribed in Japanese and English, VAGUES “WAVE”, 1992-1997 Signed and dated TOSHIMITSU IMAI août (August) 1992 on the reverse Provenance Studio of the artist Dr Jean-Paul Coussy (Director of MCAP Museum, France), acquired directly from the artist, March 15th 1998 Dr Giorgio Tosetti, Italy, acquired from the above
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Exhibited Paris, Galerie Chozo Yoshii, Hommage à André Malraux - Les voix du Silence, September - November 1997
Literature G. C. Calza, Imaï, Electa, Milan, 1998 (Onde/Waves series)
R O B E R T M OT H E R W E L L (1915 – 1991)
Gauloises on Grey No. 29 Acrylic with collage on board 59.7 × 24.8 cm (231 ⁄ 2 × 93 ⁄ 4 inches) Signed lower right, RM Executed in 1972 Provenance Harriet Walker Fitts, acquired from the artist circa 1972
Literature Jack Flam, Katy Rogers and Tim Clifford, Robert Motherwell, A Catalogue Raisonné, 1941-1991, Collages and Paintings on Paper and Paperboard, vol. 3, New Haven and London, 2012, p. 165, no. C318 (illustrated)
Exhibitions Provincetown, Massachusetts, Provincetown Art Association, Drawings and Photography, Summer 1973 This work is registered under the artist’s studio no. PH 32-11.
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D A M I E N H I R S T (b. 1965)
Spin Household gloss on paper Diameter: 45.8 cm (18 inches) Signed with the Artist’s Stamp and dated 2001 on the reverse Provenance Private collection, London, employee of the artist, gifted from the artist Private collection, England, acquired from the above
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A N TO N I T À P I E S (1923 – 2012)
Abstract Composition Oil on canvas 30.4 × 21.1 cm (12 × 81 ⁄ 4 inches) Signed, Tapies and illustrated on the reverse Provenance Private collection, USA Private collection, New York, acquired from the above
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A N D R É L A N S KOY (1902 – 1976)
Lecture Pour un Sourd-Muet Oil on canvas 81 × 54 cm (317 ⁄ 8 × 211 ⁄ 4 inches) Signed and dated lower right, Lanskoy 64 Titled and dated on the reverse Provenance Galerie Verrière, Lyon, 1982 Alexia Goethe Fine Art Private collection, London This work is accompanied by a letter of authenticity signed by André Schoeller and dated 28th January 2002.
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A N D R É L A N S KOY (1902 – 1976)
Composition Oil on canvas 81 × 54 cm (317 ⁄ 8 × 211 ⁄ 4 inches) Signed lower right, LANSKOY Provenance Private collection, Germany This work is accompanied by a certificate of authenticity issued and signed by the artist, and by a certificate of authenticity dated 15th April 2015 from the Comité Lanskoy, confirming its inclusion in the forthcoming catalogue raisonné currently being prepared by the Comité Lanskoy.
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G É R A R D S C H N E I D E R (1896 – 1986)
Composition Gouache on paper laid down on canvas 74.4 × 103.8 cm (291⁄4 × 407⁄8 inches) Signed and dated lower right, Schneider 74 Provenance Private collection, Brussels This work is registered in the Gérard Schneider Archives under the number GS-P-74-017 and will be included in the forthcoming catalogue raisonné.
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L É L I A P I S S A R R O (b. 1963)
Transparency of Mental Content Acrylic, oil and resin on canvas 160 × 120 cm (63 × 471 ⁄ 4 inches) Signed lower right, Lélia Pissarro Executed in 2009 Provenance
Literature
Studio of the Artist, London
Lélia Pissarro, The Colours of Silence, London 2010, p.56
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E N R I C O D O N AT I (1909 – 2008)
Curtain Call II Oil and sand on canvas 110.5 × 99 cm (431⁄ 2 × 39 inches) Signed Donati (lower right); signed, titled and dated Curtain Call II 1971 Enrico Donati (on the stretcher) Executed in 1971 Provenance Staempfli Gallery, New York Christie's, New York, 14th February 1989 Private collection, France Private collection, gifted from the above circa 1998
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V I C TO R V A S A R E LY (1906 – 1997)
Saluces Oil on board 53 × 47.4 cm (207 ⁄ 8 × 185 ⁄ 8 inches) Signed and inscribed, Vasarely - n.n. Signed again and titled on the reverse Executed in 1947 Provenance Private collection, Europe Private collection, acquired directly from the above by the present owner
Exhibited Holte, Søllerød Kunstforening, Kunst Fra 50'erne, 9th November 2nd December 1983, no. 62, n.p. (incorrectly titled) This work is accompanied by a photo-certificate of authenticity issued by Pierre Vasarely and will be included in the forthcoming Catalogue Raisonné de l'Oeuvre Peint de Victor Vasarely currently being compiled by the Fondation Vasarely.
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D A M I E N H I R S T (b. 1965)
Shark spin Acrylic on card 48.7 × 65.8 cm (191⁄ 8 × 257⁄ 8 inches) Signed on the reverse, D Hirst, blindstamped and dated April 25th - 26th 2009 Provenance Private collection, UK
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B E R N A R D A U B E R T I N (1935 – 2015)
Dessin de Feu sur Table Rouge Burnt matches on cardboard 50 × 50 cm (193⁄ 4 × 193⁄ 4 inches) Signed and dated lower right, Bernard Aubertin 2010 Provenance Private Collection, France The authenticity of this work has been confirmed by Giancarlo Rovetta and it is recorded in the Bernard Aubertin Archive.
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J E A N - M I C H E L AT L A N (1913 – 1960)
Composition Pastel on paper 54 × 46 cm (211 ⁄ 4 × 181 ⁄ 8 inches) Signed and dated lower left, Atlan 58 Executed in 1958 Provenance Private collection, New York Artcurial, Paris, 7th December 2005 Private collection, France
Literature Jacques Polieri, Atlan, Catalogue Raisonné de l'Oeuvre Complet, Milan, 1996, no. 1534, p. 565 (illustrated in colour)
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J E A N - M I C H E L AT L A N (1913 – 1960)
Composition
Provenance Galerie Arditti, Paris, 1958
Oil on canvas Private collection, France 100.2 × 65.3 cm (391 ⁄ 2 × 253 ⁄ 4 inches) Signed lower middle-left, Atlan This work is accompanied by a certificate Executed circa 1958 of authenticity from Mr Jacques Elbaz. 47
N A M T R A N (b. 1988)
Just Wing It Porcelain with 22-carat gold lustre and paint splatter Right shoe: 14 × 10.4 × 22.8 cm (51 ⁄ 2 × 41 ⁄ 8 × 9 inches) Left shoe: 14.5 × 9.2 × 22.8 cm (53 ⁄ 4 × 35 ⁄ 8 × 9 inches) Initialled and numbered 1/1 on each base Executed in 2019 Provenance Studio of the Artist, London This work is accompanied by a certificate of authenticity from the artist.
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N A M T R A N (b. 1988)
Poached Lustre Egg Glazed porcelain with 22-carat gold lustre 28.4 x 27.5 x 26.1 cm (111 ⁄ 8 × 107 ⁄ 8 × 101 ⁄ 4 inches) Initialled and numbered 1/1 on each base Executed in 2019 Provenance Studio of the Artist, London This work is accompanied by a certificate of authenticity from the artist.
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N A M T R A N (b. 1988)
Luna Ball Glazed porcelain with 22-carat gold lustre 21 x 23.4 x 23.5 cm (81 ⁄ 4 × 91 ⁄ 4 × 91 ⁄ 4 inches) Initialled and numbered 1/1 on each base Executed in 2019 Provenance Studio of the Artist, London This work is accompanied by a certificate of authenticity from the artist.
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N A M T R A N (b. 1988)
Small Delft Ego Porcelain with delft design and 22 karat gold lustre 17.2 x 8.7 x 7.1 cm (63 ⁄ 4 × 33 ⁄ 8 × 2⁄ 4 inches) Initialled and numbered 1/1 on each base Executed in 2019 Provenance Studio of the Artist, London This work is accompanied by a certificate of authenticity from the artist.
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R A ' A N A N L E V Y (b. 1954)
Studio Feature Pastel on paper 32.5 × 47.5 cm (123 ⁄ 4 × 183 ⁄ 4 inches) Signed, R. Levy, dated, 93 and dedicated lower right Provenance Guy and Marian Nagar Crane Kalman Gallery, London Private Collection, London
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D A V I D N A S H (b. 1945)
Charred Oak Sheaves Oak wood, charred 45.5 × 31 × 21.5 cm (177 ⁄ 8 × 121 ⁄ 4 × 81 ⁄ 2 nches) Executed in 1998 Provenance Collection of Lutz and Hannelore Teutloff, Bielefeld, Germany (Founder of Teutloff Museum)
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E D M U N D D E W A A L (b. 1964)
Colourfield Ten glazed porcelain vessels Largest 9.2 high × 19.9 cm in diameter (35 ⁄ 8 × 77 ⁄ 8 inches) Impressed with the artist's seal on the underside of each vessel Executed in 2004 Provenance Private Collection, United Kingdom, acquired directly from the artist
Exhibited Kettle's Yard, Cambridge, Edmund de Waal, 26th May-22nd July 2007, later travelled to MIMA (Middlesbrough Institute of Modern Art), 9th August-11th November 2007, pp. 102103 (illustrated)
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