Gallery Collection Catalogue 2021-2022 by Stern Pissarro Gallery

T H E G A L L E RY C O L L ECT I O N Impressionist | Modern | Contemporary Stern Pissarro Gallery

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CHRISTO (1935 – 2020)

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H E N R I M A R T I N (1860 – 1943)

Venise, la Salute Oil on card 43 × 51 cm (167 ⁄ 8 × 20 inches) Signed lower left, Henri Martin Executed circa 1915 illustrated on page 103

T H E G A L L E RY C O L L ECT I O N PART I Post-War & Contemporary

Stern Pissarro Gallery 6 6 S T. J A M ES ’ S S T R E E T, LO N D O N S W 1 A 1 N E , U K TEL: +44 (0)20 7629 6662 EMAIL: STERN@PISSARRO.COM www.pissarro.art

V I C TO R V A S A R E LY (1906 – 1997)

Farbwelt Acrylic on canvas 130.6 × 92.1 cm (513 ⁄ 8 × 361 ⁄ 4 inches) Signed, titled, dated 1963 (HH) Provenance Private collection, France Private collection, Portugal, acquired from the above circa 1995

This work is accompanied by a certificate of authenticity signed by Pierre Vasarely, and will be included in the forthcoming Catalogue Raisonné de l'Oeuvre Peint de Victor Vasarely.

S O N I A D E L A U N AY (1885 – 1979)

Rythme Couleur #1460 Gouache on paper 68 × 56.8 cm (263 ⁄ 4 × 223 ⁄ 8 inches) Signed lower right, Sonia Delaunay Executed in 1967 Provenance The JL Hudson Gallery, Detroit Estate of Mrs. Henry Ford II

This work is accompanied by a certificate of authenticity from Jean Louis Delaunay and Richard Riss.

S A M F R A N C I S (1923 – 1994)

Sklye Acrylic on paper 14.6 × 10.2 cm (53 ⁄ 4 × 4 inches) Signed, Sam Francis and dated on the reverse Signed again, dated and inscribed on the backing board Executed in 1986, Los Angeles Provenance Angles Gallery, Santa Monica Private collection, California, acquired from the above Santa Monica Auctions, 8th June 2014 Private collection, acquired from the above Estate of Paul Coady, thence by descent This work has been registered in the archives of the Sam Francis Foundation under identification number SF86-332.

S A M F R A N C I S (1923 – 1994)

Composition Acrylic and paper collage on paper 57.2 × 81.3 cm (221 ⁄ 2 × 32 inches) Stamped on the reverse with Sam Francis Estate logo Executed in 1990 Provenance Private collection, Netherlands Private collection, USA

Exhibited St. Paul de Vence, Guy Pieters Gallery, Sam Francis, July - August 2003 (illustrated in colour) Amsterdam, Museum Jan Van Der Togt, Sam Francis Remembering, November 2004 - January 2005, pp. 138-139 (illustrated in colour) This work has been registered in the archives of the Sam Francis Foundation under identification number SF90-5PRS.

R O B E R T M OT H E R W E L L (1915 – 1991)

Gauloises on Grey No. 29 Acrylic with paper collage on Upson board 59.7 × 24.8 cm (231 ⁄ 2 × 93 ⁄ 4 inches) Signed lower right, RM Executed in 1972 Provenance Harriet Walker Fitts, acquired from the artist circa 1972

Exhibited Provincetown, Massachusetts, Provincetown Art Association, Drawings and Photography, Summer 1973

Literature Jack Flam, Katy Rogers and Tim Clifford, Robert Motherwell, A Catalogue Raisonné, 1941-1991, Collages and Paintings on Paper and Paperboard, vol. 3, New Haven and London, 2012, p. 165, no. C318 (illustrated) This work is registered under the artist’s studio no. PH 32-11.

YAYO I K U S A M A (b. 1929)

Repetition GL.A Acrylic and collage on canvas 41 × 31.8 cm (161 ⁄ 8 × 121 ⁄ 2 inches) Signed, dated, and titled in Japanese on the reverse Executed in 1996 Provenance Private collection, Japan Private collection, Hong Kong This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.

V I C TO R V A S A R E LY (1906 – 1997)

RENG-MC Acrylic on canvas 111.8 × 58.4 cm (44 × 23 inches) Signed lower center, Vasarely Signed twice, titled and dated 1984 on the reverse

Exhibited

Provenance

This work is accompanied by a certificate of authenticity signed by Pierre Vasarely, and will be included in the forthcoming Catalogue Raisonné de l'Oeuvre Peint de Victor Vasarely.

Circle Gallery, San Francisco Private collection, USA acquired from the above in 1989

Chicago, Circle Gallery, Victor Vasarely: A Retrospective Exhibition - 1940s to Present, Paintings, Collages, Sculpture, Art to Use, Graphic Works, May - June 1989, illustrated in colour on the invitation

YAYO I K U S A M A (b. 1929)

Dots-Obsession Acrylic on canvas 41 × 32 cm (161 ⁄ 8 × 125 ⁄ 8 inches) Signed, title and dated on the reverse, 2005 Provenance Private collection, Japan This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.

A L E X A N D E R C A L D E R (1898 – 1976)

McGovern Gouache on paper 76 × 56 cm (297 ⁄ 8 × 22 inches) Signed and dated lower right, Calder 11-7-72 Provenance Collection of George J. Goodstadt, acquired from the artist

Literature Hal Elliott Wet, George McGovern & The Democratic Insurgents: The Best Campaign Posters of the Last Fifty

Years, University of Nebraska Press, Lincoln and London, 2015 This work has been registered in the archives of the Calder Foundation, New York, under application number A17775.

A L E X A N D E R C A L D E R (1898 – 1976)

Composition Gouache on paper 57 × 77 cm (221 ⁄ 2 × 301 ⁄ 4 inches) Signed, dated and dedicated lower right, à Marie Paule et Jean Leymarie Calder 69 Provenance Studio of the artist, Saché, France Collection Marie-Paule and Jean Leymarie, France, gifted from the artist, 1969 Private collection, thence by descent This work is registered in the archives of the Calder Foundation, New York, under application number A28172.

A N D R É L A N S KOY (1902 – 1976)

Composition Oil on canvas 81 × 54 cm (317 ⁄ 8 × 211 ⁄ 4 inches) Signed lower right, LANSKOY Provenance Private collection, Germany

This work is accompanied by a certificate of authenticity issued and signed by the artist, as well as a certificate of authenticity dated 15th April 2015 from the Comité Lanskoy, confirming its inclusion in the forthcoming catalogue raisonné currently being prepared by the Comité Lanskoy

J E A N - PA U L R I O P E L L E (1923 – 2002)

Territoire Oil on canvas 114.3 × 162.6 cm (45 × 64 inches) Signed lower right, Riopelle Executed in 1967 Provenance Pierre Matisse Gallery, New York Acquavella Galleries, New York Private collection, New York

Exhibited New York, Acquavella Galleries, Riopelle/Miró: Color, October - December 2015, p. 39, illustrated in colour Robert Bernier et al., Riopelle, des Visions d'Amérique, Montréal, 1997, p. 117, illustrated

Literature Yseult Riopelle and Tanguy Riopelle, Jean-Paul Riopelle, Tome 4, 1966 – 1971, Catalogue Raisonné, cat. no. 1967.017H.1967, p. 137, illustrated in colour

C H R I S TO (1935 – 2020)

Wrapped Reichstag (Project for Berlin) Pencil, fabric, twine, charcoal, map, and wax crayon on board 71.1 × 55.9 cm (28 × 22 inches) Signed centre right, Christo 1979 Provenance Alice M. Kaplan Collection Private collection, New York This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.

C H R I S TO (1935 – 2020)

The Gates (Project for Central Park, New York City) Pencil, wax crayon, charcoal, enamel paint, pastel with fabric and map collage, in two parts 28 × 71 cm (11 × 28 inches); 56 × 71 cm (22 × 28 inches) Signed and dated upper right, Christo 1983 Provenance Private collection, Madrid, acquired directly from the artist’s studio in 1984 This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.

C H R I S TO (1935 – 2020)

The Gates (Project for Central Park New York City) Collage, pencil, enamel paint, photograph by Wolfgang Volz, wax crayon and tape 35.5 × 56 cm (14 × 22 inches) Signed and dated lower left and inscribed on the reverse, Christo 1998 Provenance Private collection, Germany This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.

C H R I S TO (1935 – 2020)

The Gates (Project for Central Park New York City) Enamel paint, charcoal, wax crayon, graphite, tape, fabric and photograph by Wolfgang Volz on paper 43 × 55.8 cm (167 ⁄ 8 × 22 inches) Signed, titled, inscribed and dated Signed and dated CHRISTO 2004 on the reverse Provenance Guy Pieters Gallery, Belgium Private collection, UK This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.

C H R I S TO (1935 – 2020)

Running Fence (Project for Sonoma and Marin County State of California) Charcoal, pencil, coloured pen, staples, photograph, glue and fabric collage on card laid on board 29 × 40.4 cm (111 ⁄ 2 × 157 ⁄ 8 in) Signed, titled, dated 1974 and dedicated For Paul Wember Provenance Paul Wember Collection, Germany, gifted from the artist Sotheby's, Paris, Contemporary Art, 28th May 2009 Private collection London, acquired from the above This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.

C H R I S TO (1935 – 2020)

The Mastaba of Abu Dhabi (Project for United Arab Emirates) Wax crayon, pastel, charcoal, pastel, pencil and map on paper on board, in two parts 78 × 67.3 cm (30 3 ⁄ 4 × 261 ⁄ 2 inches) 78 × 31.2 cm (303 ⁄ 4 × 121 ⁄ 4 inches) Signed, titled, dated and annotated Signed and dated and dedicated on the reverse Executed in 2007 Provenance Private collection, France, acquired directly from the artist Private collection, Belgium This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.

PA U L J E N K I N S (1923 – 2012)

Phenomena High Born Acrylic on canvas 91.44 × 50.8 cm (36 × 20 inches) Signed lower left, Jenkins Signed, dated and titled on the reverse Executed in 1964 Provenance Private collection, USA

J I M D I N E (b. 1935)

A Smaller Fortress Oil on board 91.5 × 122.2 cm (36 × 481 ⁄ 8 inches) Titled, signed and dated on the reverse A Smaller Fortress, Jim Dine 1981 Provenance Private collection, Japan The Market Auction, Tokyo, 25th October 2007 Private collection, Hong Kong The studio of the artist has confirmed this work is listed in the artist’s inventory records.

TO S H I M I T S U I M A I (1928 – 2002)

Red Composition Oil on canvas 80.2 × 55.3 cm (315 ⁄ 8 × 213 ⁄ 4 inches) Signed TOSHIMITSU IMAÏ, dated 1963 Paris and inscribed in Japanese on the reverse Provenance Private collection, USA

C H R I S TO C O E T Z E E (1929 – 2000)

Composition Oil, ping pong balls and mixed media on canvas 100 × 80.5 cm (39 × 31 inches) Inscribed on the verso, Christo Coetzee/ Milan. 1960./ October./ 40.F./ Executed in 1960 Provenance Private collection, London

S E R G E C H A R C H O U N E (1888 – 1975)

Composition Inspirée par le Credo de la Messe en C Mineur de Bach Oil on canvas 116 × 73 cm (455 ⁄ 8 × 283 ⁄ 4 inches) Signed and dated lower right, Charchoune 1959 Literature Pierre Guénégan, Charchoune Catalogue Raisonné, vol. 4, 1951-1960, Lanwell & Leeds Ltd., 2011, no.1958/012, p. 208 (illustrated) This work is accompanied by a certificate from Pierre Guénégan.

C É S A R B A L D A C C I N I (1921 – 1998)

Portrait de Compression Collage of newspapers, crayon 96 × 75.6 cm (373 ⁄ 4 × 293 ⁄ 4 inches) Signed lower right, César Executed in 1985 Provenance Gift from the Artist to Mr. and Ms. Bouvard, 1985

D A M I E N H I R S T (b. 1965)

Shark spin Acrylic on card 48.7 × 65.8 cm (191⁄ 8 × 257⁄ 8 inches) Signed on the reverse, D Hirst, blind stamped and dated April 25th - 26th 2009 Provenance Private collection, UK

PA U L J E N K I N S (1923 – 2012)

Phenomenon East of The River Acrylic on canvas 97.2 × 130.2 cm (381 ⁄ 4 × 511 ⁄ 4 inches) Signed lower right, Paul Jenkins Signed and titled on the reverse Executed in 1993 Provenance Private collection, New York, acquired directly from the artist

M O S H E TA M I R (1924 - 2004)

Der Reiter Mixed media and collage on paper 101 × 72 cm (393 ⁄ 4 × 283 ⁄ 8 inches) Signed upper left, M Tamir Provenance Private collection, Switzerland

A R M A N (1928 – 2005)

Colère de Violon Acrylic and violin on canvas applied on board 87.2 × 60.8 cm (343⁄8 × 24 inches) Signed on the lower edge, Arman Executed in 2002 Provenance Private collection, Italy

This work is accompanied by a certificate of authenticity from Madame Denyse Durand-Ruel.

OT TO P I E N E (1928 – 2014)

MyMy Fire gouache on card 67.5 × 47.8 cm (265 ⁄ 8 × 187 ⁄ 8 inches) Titled lower left, MyMy; signed and dated lower middle, O Pienne 75 Provenance Galerie Löhrl, Mönchengladbach Private collection, Germany, acquired from the above

OT TO P I E N E (1928 – 2014)

Wo Alu und Honig Fließen Fire gouache with aluminium on cardboard 99 × 64 cm (39 × 251 ⁄ 4 inches) Signed and dated lower right, O Piene 72 and titled lower left Provenance Private collection, Austria

TO S H I M I T S U I M A I (1928 – 2002)

Vagues “Wave” Acrylic on paper 127 × 95 cm (50 × 373 ⁄ 8 inches) Inscribed in Japanese and English, VAGUES “WAVE”, 19921997 and signed and dated, TOSHIMITSU IMAI août (August) 1992 on the reverse Exhibited Provenance Dr Jean-Paul Coussy (Director of MCAP Museum, France), acquired directly from the artist, March 15th 1998 Dr Giorgio Tosetti, Italy, acquired from the above

Paris, Galerie Chozo Yoshii, Hommage à André Malraux Les voix du Silence, September - November 1997

Literature G. C. Calza, Imaï, Electa, Milan, 1998 (Onde/Waves series)

C H U N KW A N G -YO U N G (b. 1944)

Aggregation (

) S00-204

Mixed media with Korean mulberry paper 97 × 147 cm (381 ⁄ 4 × 577 ⁄ 8 inches) Signed, titled and dated on the reverse Executed in 2000 Provenance Private collection, Seoul

PA U L J E N K I N S (1923 – 2012)

Phenomena Spectrum Guardian Acrylic on canvas 76 × 101.5 cm (297 ⁄ 8 × 40 inches) Signed lower middle, Paul Jenkins Executed in 1970 Provenance Gallerie Iris Wazzau, Davos, Switzerland Private collection, Cologne, Germany

PA U L J E N K I N S (1923 – 2012)

Phenomena Prism Mirror Acrylic on canvas 147.3 × 104 cm (58 × 41 inches) Signed lower left, Paul Jenkins Signed, titled and dated on reverse Executed in 1984 Provenance Private collection, USA

A L E X A N D E R C A L D E R (1898 – 1976)

McGovern

Literature

Gouache on paper 76 × 56 cm (297 ⁄ 8 × 22 inches) Signed and dated upper right, AC 72

Hal Elliott Wet, George McGovern & The Democratic Insurgents: The Best Campaign Posters of the Last Fifty Years, University of Nebraska Press, Lincoln and London, 2015

Provenance Collection of George J. Goodstadt, acquired from the artist

This work is registered in the archives of the Calder Foundation, New York, under application number A26042.

A L E X A N D E R C A L D E R (1898 – 1976)

Spirale Gouache and ink on paper 75 × 110 cm (291 ⁄ 2 × 431 ⁄ 4 inches) Signed and dated lower right, Calder 1969 Dedicated lower middle and lower right à Anne – Marie with an illustration of a hammer Provenance Collection Anne-Marie Marteau, Tours, France, gifted by the artist Private collection, thence by descent This work is registered in the archives of the Calder Foundation, New York, under the application number A27972.

PA U L J E N K I N S (1923 – 2012)

Phenomena like Byron Oil on canvas 74 × 60 cm (291 ⁄ 8 × 235 ⁄ 8 inches) Signed lower left, Paul Jenkins Signed, titled and dated on the reverse and on the stretcher Executed in 1990, Saint Paul Provenance Waterhouse & Dodd Fine Art, London/New York Private collection, Europe, acquired from the above in 2012 Private collection, Austria

PA U L J E N K I N S (1923 – 2012)

Phenomena Prism Shadow Acrylic on canvas 99 × 99 cm (39 × 39 inches) Signed lower left, Paul Jenkins Signed, titled and dated on the reverse Executed in 1986 Provenance Irving Galleries, Palm Beach, Florida Private collection, Florida

S T E P H E N C O N R OY (b. 1964)

Figure (Study) Oil on canvas 183 × 122 cm (72 × 48 inches) Signed and dated on the overlap, Stephen Conroy 2000 Provenance Marlborough Fine Art, London Private collection, London

F E R N A N D O B OT E R O (b. 1932)

El Brindis Charcoal and pastel on paper 35.56 × 41.27 cm (14 × 161 ⁄ 4 inches) Signed and dated lower right, Botero 93 Provenance Private collection, Canada This work is accompanied by a certificate of authenticity signed by the artist and dated 2004.

D A M I E N H I R S T (b. 1965)

Beautiful I Don't Want to be a Dead Artist Painting Household gloss and credit card on canvas 213 × 213 cm (837⁄8 × 837⁄8 inches) Executed in 2005 Provenance Gagosian Gallery, New York Private collection, USA

A R M A N (1928 – 2005)

Accumulation Sliced pitcher, paint tubes and acrylic on canvas mounted on board 81 × 60 cm (317⁄8 × 235⁄8 inches) Signed lower left, arman Executed in 1998 Provenance Private collection, France This work is accompanied by certificate of authenticity from Madame Denyse Durand-Ruel.

A . R . P E N C K (1939 – 2017)

Adler und Tänzer 2 Gouache on paper 63 × 87.5 cm (243 ⁄ 4 × 341 ⁄ 2 inches) Signed A.R. Penck lower right and titled lower centre Executed in 1982 Provenance Waddington Galleries, London Hon. Alison Shaw, acquired from the above Private collection, UK, thence by descent

This work is registered in the A.R. Penck archive at Michael Werner Gallery under the reference RPZ 7385.

A N TO N I T À P I E S (1923 – 2012)

Serie "U no és ningú" No. 21 Painting, collage and pencil on cardboard 50 × 65 cm (195⁄8 × 253⁄4 inches) Signed lower right, Tàpies Executed in 1978 Provenance Galeria Joan Prats, Barcelona Private collection, Basel Private collection

Literature Anna Agustí, Tàpies. Obra Completa vol. 4. 1976-1981, Poligrafa S.A., Barcelona, 1995, p. 158, n. 3401.

E D M U N D D E W A A L (b. 1964)

Colourfield Ten glazed porcelain vessels Largest 9.2 high × 19.9 cm in diameter (35 ⁄ 8 × 77 ⁄ 8 inches) Impressed with the artist's seal on the underside of each vessel Executed in 2004 Provenance Private collection, United Kingdom, acquired directly from the artist

Exhibited Kettle's Yard, Cambridge, Edmund de Waal, 26th May-22nd July 2007, later travelled to MIMA (Middlesbrough Institute of Modern Art), 9th August-11th November 2007, pp. 102-103 (illustrated)

A L I N A S Z A P O C Z N I KO W (1926 – 1973)

Ventre-coussin (Belly cushion) Polyester resin, Polyurethane foam 30 × 31 × 16 cm (113 ⁄ 4 × 121 ⁄ 4 × 61 ⁄ 4 inches) Executed in 1968 Provenance Studio of the Artist, Paris Alina Eshkol (Helman), Israel, cousin of the artist, acquired directly from the above in the 1970s Private collection Israel, thence by descent

G E R H A R D R I C H T E R (b. 1932)

Vermalung (Braun) Oil on canvas 27 × 40 cm (105⁄8 × 153⁄4 inches) Signed and dated on the reverse, Richter, 72 Executed in 1972 Provenance Private collection, Germany

Exhibited Gerhard Richter: Printed! Druckgrafik, Foto-Editionen und Künstlerbücher, Kunstmuseum Bonn, Bonn, Germany, 10 June 2004 – 5 September 2004; later travelled to Kunstmuseum Luzern, Lucerne, Switzerland, 16 October 2004 – 9 January 2005; Kunsthalle Emden, Emden, Germany, 19 February 2005 – 24 April 2005; Kunsthalle, Tübingen, Germany, 28 May 2005 – 17 July 2005; Museum der Moderne Salzburg, Salzburg, Austria, 23 July 2005 – 16 October 2005 Gerhard Richter: Die Editionen, Folkwang Museum, Essen, Germany, 7th April – 30th July 2017, pp. 21, 26

Literature Butin, H., Gronert, S., Gerhard Richter: Editions 1965-2004, Catalogue Raisonné, Ostfildern-Ruit, 2004, pp 107, 115 Elger, D., Gerhard Richter: Catalogue Raisonné, vol. 4, 1988-1994, Ostfildern 2015, no. 325-77 Lotz, C., The Art of Gerhard Richter, Bloomsbury Academic, London, 2015, p. 157 Butin, H., Olbricht, T., Gerhard Richter. Unikate in Serie / Unique Pieces in Series, 2017, pp. 104-105

T H E G A L L E RY C O L L ECT I O N PART II Impressionist & Modern

Stern Pissarro Gallery 6 6 S T. J A M ES ’ S S T R E E T, LO N D O N S W 1 A 1 N E , U K TEL: +44 (0)20 7629 6662 EMAIL: STERN@PISSARRO.COM www.pissarro.art

P I E R R E - A U G U S T E R E N O I R (1841 – 1919)

Paysage Oil on canvas 20 × 35 cm (77 ⁄8 × 133 ⁄4 inches) Signed lower right, Renoir Executed in 1916 Provenance Renoir Estate Ohana Gallery, London Arild Wahlstrøm, Oslo Thence by descent

Literature Bernheim-Jeune, ed., L'Atelier de Renoir, Paris, 1931, vol. II, no. 574 (illustrated, pl. 181) Guy-Patrice and Michel Dauberville, Renoir: Catalogue Raisonné des Tableaux, Pastels, Dessins et Aquarelles, 1911-19, 1er supplément, Tome V, 2014 Éditions Bernheim-Jeune, Paris, no.3814 (illustrated p.120)

A U G U S T E H E R B I N (1882 – 1960)

Roses dans un vase Oil on canvas 81 x 65 cm (317 ⁄8 x 255 ⁄8 inches) Signed lower left, Herbin Executed in 1905 Provenance Ludwig Schames, Francfort, acquired from the artist Florence and Martin Flersheim Collection, Germany, 1908, acquired from the above Heriberto Flersheim, Buenos Aires Galerie Janos Peter Kramer, Buenos Aires Private collection, acquired from the above circa 1960 Thence by descent

Literature G. Claisse, Herbin, Catalogue Raisonné de l'Œuvre Peint, Lausanne, 1993, p. 290, no. 65 (illustrated)

H E N R I M AT I S S E (1869 – 1954)

Femme Couchée Pencil on paper 32 × 51 cm (123 ⁄ 4 × 20 1 ⁄ 8 inches) Signed and dated lower right, Henri Matisse Février 1928 Provenance Albert Loeb & Krugier Gallery, New York Virginia Lust, Greenwich, Connecticut Arnold Herstand & Co., New York Private collection, USA, acquired from the above in 1988

Literature Loeb & Krugier, Matisse Drawings, 1967, New York, no. 8 (exhibition catalogue) This work is accompanied by a letter from Georges Matisse and is numbered W084 in the Matisse Archives.

H E N R I M AT I S S E (1869 – 1954)

Woman at the Piano Charcoal and estompe on laid paper laid down on card 32 × 45.4 cm (125 ⁄ 8 × 177 ⁄ 8 inches) Signed lower left, Henri Matisse Executed circa 1923-1924 Provenance Knoedler & Co., New York Private collection, USA This work is accompanied by a certificate of authenticity from George Matisse.

M A R C C H A G A L L (1887 – 1985)

Le Peintre devant “Le Soleil Rouge” Gouache, pastel, Indian ink and pencil on paper 35.5 × 26.9 cm (14 × 105 ⁄ 8 inches) Signed with Estate stamp lower right, Chagall Executed in 1965 Provenance Estate of Marc Chagall This work is accompanied by a certificate of authenticity from the Comité Chagall.

M A R C C H A G A L L (1887 – 1985)

Les amoureux aux deux bouquets et le peintre Gouache, oil, tempera, coloured pencils and pastel on paper 76.4 × 56.6 cm (301 ⁄ 8 × 221 ⁄ 4 inches) Signed with Estate stamp lower left, Marc Chagall Executed circa 1975 Provenance Estate of Marc Chagall This work is accompanied by a certificate of authenticity from the Comité Chagall.

M A R C C H A G A L L (1887 – 1985)

Couple Allongé au Grand Bouquet Gouache, tempera, pastel and Chinese ink on paper 76.1 × 56.9 cm (30 × 223 ⁄ 8 inches) Signed with Estate stamp lower left, Marc Chagall Executed circa 1978 Provenance Estate of Marc Chagall Stern Pissarro Gallery, London, acquired directly from the above Private collection, Florida

This work is accompanied by a certificate of authenticity from the Comité Chagall.

M A R C C H A G A L L (1887 – 1985)

Peintre au Chevalet au Bouc Jaune Gouache, tempera, pastel, coloured crayon and Chinese ink on paper 76.1 × 56.4 cm (30 × 221 ⁄ 4 inches) Signed with Estate stamp lower left, Marc Chagall Executed circa 1976 Provenance Estate of Marc Chagall Stern Pissarro Gallery, London, acquired directly from the above Private collection, Florida

This work is accompanied by a certificate of authenticity from the Comité Chagall.

M A R C C H A G A L L (1887 – 1985)

Chérubin

Provenance

Bundeskanzleramt Bonn (Federal Chancellery), P. Von Zaberon, Marc Chagall, Die Bibel: Gouachen, Aquarelle, Pastelle und Zeichnungen, 15th November 1989 – 12th January 1990, no. 19 p. 44 (illustrated); later travelled to Landesmuseum Mainz (State Museum), 4th February – 22nd April 1990 London, Stern Pissarro Gallery, Marc Chagall: Master of Colour, June – July 2016, pp. 36-37 (illustrated)

Collection of David McNeil, the artist’s son Private collection, Switzerland, acquired from the above in 1986

This work is accompanied by a certificate of authenticity from the Comité Chagall.

Ink wash and pencil on Japanese paper 51.8 × 33.5 cm (203 ⁄ 8 × 131 ⁄ 4 inches) Signed with Estate stamp lower left, Marc Chagall Executed in 1958-59

Exhibited

M A R C C H A G A L L (1887 – 1985)

Profil de Femme et Main au Coq

Gouache, watercolour, pastel, brush and Indian ink and ink wash on paper 76 × 56 cm (297 ⁄ 8 × 22 inches) Signed lower right, Marc Chagall Executed in 1962 Provenance Private collection, Monte Carlo Private collection, Switzerland (c.1979) Sotheby's London, 8 December 1999 (titled La femme qui donne le sein au monde)

David Findlay Galleries, New York Private collection, USA, acquired from the above in February 2000 This work is accompanied by a certificate of authenticity from the Comité Chagall.

M A R C C H A G A L L (1887 – 1985)

Rêve nocturne de deux clowns en rouge Indian ink, gouache, coloured pencil, pastel and pencil on paper 36.5 × 27.2 cm (143 ⁄ 8 × 103 ⁄ 4 inches) Signed with Estate stamp lower left, Chagall Executed in 1971 Provenance Estate of Marc Chagall This work is accompanied by a certificate of authenticity from the Comité Chagall.

M A R C C H A G A L L (1887 – 1985)

L'Offrande Ink wash and Indian ink on paper 60.1 × 45.5 cm (235 ⁄ 8 × 177 ⁄ 8 inches) Signed lower left, Marc Chagall Executed in 1966 Provenance Galerie Rosengart, Lucerne acquired from the artist, 1967 William Findlay, Chicago Sotheby's, New York, 12 November 1988 Galerie Tamenaga, Osaka Private collection, acquired from the above in 1989

Exhibited Lucern, Galerie Rosengart, Chagall, Coloured WashDrawings, 1967, no. 24 (illustrated) Basel, Galerie Beyeler, Picasso, Werke von 1932-1965, February-April 1967, no. 43 (illustrated) London, Stern Pissarro Gallery, Marc Chagall, Master of Colour, 16 June - 16 July 2016, p. 20 (illustrated) This work is accompanied by a certificate of authenticity from the Comité Chagall.

M A R C C H A G A L L (1887 – 1985)

Elie Enlevé au Ciel Indian ink and pencil on paper 38 × 28.4 cm (15 × 111 ⁄ 8 inches) Signed with Estate stamp lower right, Marc Chagall Executed in 1955-56 Provenance Collection of David McNeil, the artist’s son Private collection, Switzerland, acquired from the above in 1986

und Zeichnungen, 15th November 1989 – 12th January 1990; later travelled to Landesmuseum Mainz (State Museum), 4th February – 22nd April 1990, no. 66, p. 92 (illustrated) London, Stern Pissarro Gallery, Marc Chagall: Master of Colour, June – July 2016, pp. 74-75 (illustrated)

Exhibited Bundeskanzleramt Bonn (Federal Chancellery), P. Von Zaberon, Marc Chagall, Die Bibel: Gouachen, Aquarelle, Pastelle

This work is accompanied by a certificate of authenticity from the Comité Chagall.

M A R C C H A G A L L (1887 – 1985)

La lecture du violoncelliste au village Indian ink, gouache and pastel on paper 32.2 × 18.9 cm (125 ⁄ 8 × 71 ⁄ 2 inches) Signed with Estate stamp lower right, Chagall Executed in 1974 Provenance Estate of Marc Chagall This work is accompanied by a certificate of authenticity from the Comité Chagall.

M A R C C H A G A L L (1887 – 1985)

Fête au Village Gouache and crayon on Japon paper 56.7 × 76.8 cm (223 ⁄ 8 × 301 ⁄ 4 inches) Signed lower right, Chagall Marc Executed in 1969 Provenance A Centro Arte Internazionale, Milan Private collection, Italy Stern Pissarro Gallery, London Private collection, Florida, acquired from the above This work is accompanied by a certificate of authenticity from the Comité Chagall.

M A R C C H A G A L L (1887 – 1985)

Corbeille au soleil (Gordes) Gouache, watercolour and graphite on paper 60.5 × 48.6 cm (237 ⁄ 8 × 191 ⁄ 8 inches) Signed lower right, Chagall Marc Executed circa 1938-39 Provenance Private collection, Switzerland Thence by descent This work is accompanied by a certificate of authenticity from the Comité Chagall.

M O Ï S E K I S L I N G (1891 – 1953)

Le Port de Portofino Oil on canvas 46 × 55 cm (181 ⁄ 8 × 215 ⁄ 8 inches) Signed lower right, Kisling Provenance Private collection, Austria This work is accompanied by a certificate of authenticity from Jean Kisling.

M O Ï S E K I S L I N G (1891 – 1953)

Le port de Sanary Oil on canvas 60 × 73 cm (235 ⁄ 8 × 283 ⁄ 4 inches) Signed lower right, Kisling Executed in 1919 Provenance Jonas Netter collection, Paris Private collection, acquired from the above Private European collection Christie's London, February 7th 2013 Private collection, France

Exhibited Tokyo Metropolitan Teien Art Museum, Kisling, Grande Figure de l'Ecole de Paris, 20 April - 7 July 2019, later travalled to Okazaki City Museum, Japan, 27 July - 16 September 2019; Akita Museum of Art, Japan, 22 September - 17 November 2019; Okuda Genso Sayume Art Museum, Japan, 22 February - 25 October 2020

Literature Jean Kisling, Kisling 1891-1953, vol. II, 1982, p.265, no.38 (illustrated)

L É O P O L D S U R V A G E (1879 – 1968)

Ville Oil and graphite on canvas 73.4 × 60 cm (287 ⁄ 8 × 235 ⁄ 8 inches) Signed and dated lower right, Survage 24 Provenance Private collection, Paris, before 1993 Private collection, France

Exhibited Troyes, Musée d'Art Moderne et Le Cateau-Cambrésis, Musée Matisse, Survage: Les Années Héroïques, January-June 1993, p. 95 (illustrated in colour; titled, Village à l'Oiseau) This work is accompanied by a certificate of authenticity from Anne-Marie Divieto.

A N D R É L H OT E (1885 – 1962)

Les Footballeurs Oil on canvas 64 × 80 cm (251 ⁄ 4 × 311 ⁄ 2 inches) Signed lower left, A. LHOTE. Signed and inscribed on the reverse, André Lhote Football 300 Executed in 1916 Provenance Arthur Fages, France Private collection, France (gifted by the above) Thence by descent

Exhibited Paris, Jove, May 1916 Paris, Galerie Barbazanges, L'Art Moderne en France, Salon d'Antin, 16 - 31 July 1916, no.93 This work is accompanied by a certificate of authenticity from Mrs. Dominique Berman-Martin.

A L B E R T G L E I Z E S (1881 – 1953)

Composition Gouache on paper laid down on cardboard 25.7 × 13 cm (101 ⁄ 8 × 51 ⁄ 8 inches) Signed and dated lower right, Albgleizes 22 Provenance Collection Paul Lombard, Paris

Literature A. Varichon, Albert Gleizes, Catalogue Raisonné, vol. I, Editions Somogy, Paris, 1998, no. 1079, p.357 (illustrated, upside down)

H E N R I H AY D E N (1883 – 1970)

Nature morte avec bouteille de porto Oil on canvas 100 × 65.1 cm (393 ⁄ 8 × 255 ⁄ 8 inches) Signed and dated lower right, Hayden 1921 Provenance

Literature

Private collection, Paris Sotheby's New York, November 5th 1982 Bernstein Galleries, New York, acquired from the above Maxwell Davidson Gallery, New York Private collection, Boston, acquired from the above

A. Winiarski, Mistrzowie École de Paris - Henri Hayden, Warsaw, 2013, p. 50P. Chabert & Christophe Zagrodzki, Hayden, Paris, 2005, p. 55 This work is accompanied by a certificate of authenticity from Laurence Le Cieux.

B E R N A R D B U F F E T (1928 – 1999)

Marseille, Notre Dame de la Garde Oil on canvas 89 × 130 cm (35 × 511 ⁄ 8 inches) Signed and dated upper left, Bernard Buffet 1965 Signed and titled on the reverse Provenance Private collection, Japan Private collection, Japan Private collection, Israel, acquired from the above This work is accompanied by a certificate of authenticity from Maurice Garnier.

M A U R I C E U T R I L LO (1883 – 1955)

Place Jean-Baptise-Clément Oil on cradled panel 51.3 × 76.2 cm (201 ⁄ 4 × 30 inches) Signed towards lower right, Maurice. Utrillo. V. Executed circa 1918

Exhibited Bern, Kunstmuseum, Maurice Utrillo, 19th January - 17th March 1963, no. 67 (illustrated)

Provenance Galerie Marcel Bernheim, Paris Weill Collection, Zürich Galerie Römer, Zürich, no. 53 Private collection, Zürich, acquired from the above in 1963, until at least 1982 Private collection, thence by descent

Literature Paul Pétridès, L'Œuvre Complet de Maurice Utrillo, Paris, 1962, vol. II, no. 739, p.226 (illustrated n.p.) This work is accompanied by a certificate of authenticity from the Comité Utrillo.

M A X E R N S T (1891 – 1976)

Claire de lune Oil on paper 15.4 × 21.1 cm (61 ⁄ 8 × 81 ⁄ 4 inches) Signed lower right, MAX ERNST Executed in 1947 Provenance Dorothea Tanning, New York Galerie Ernst Beyeler, Basel Collection of Peter Schamoni, acquired from the above

Exhibited Munich, Galerie Schöninger; Munich, Art Select; New York, Cavaliero Fine Arts, Max Ernst. Gemälde – Collagen – Frottagen – Zeichnungen – Grafiken, circa 1982 - 84, p. 7, illustrated Basel, Galerie Beyeler, Max Ernst. Landschaften, June - September 1985, no. 35, p. 58

Kunsthaus Apolda Avantgarde; Hamburg, Ernst Barlach Haus – Stiftung Hermann F. Reemtsma, Max Ernst Traumlandschaften, 13 June - 12 December 2004, no. 37, p. 115, illustrated, p. 71 Max Ernst Museum Brühl des LVR, Entdeckungsfahrten zu Max Ernst / Die Sammlung Peter Schamoni, 24 February – 23 June 2013, p. 176, illustrated, p. 94 Dr. Jürgen Pech has confirmed the authenticity of this work, which will be included in the supplementary volume of the complete work of Max Ernst currently in preparation.

M A X E R N S T (1891 – 1976)

Composition Frottage and coloured pencil on paper mounted on board 22.3 × 17.5 cm (83 ⁄ 4 × 67 ⁄ 8 inches) signed lower right, Max Ernst Executed in 1974 Provenance Collection of Peter Schamoni, acquired directly from the artist

Exhibited Neustadt an der Weinstraße, Villa Böhm, Abfälle vom Werk, Déchets d'oeuvres. Max Ernst, Originale und Grafik aus der Sammlung Peter Schamoni, 9 - 23 December 1978, illustrated, p. 34 Max Ernst Museum Brühl des LVR, Entdeckungsfahrten zu Max Ernst / Die Sammlung Peter Schamoni, 24 February – 23 June 2013, p. 179, illustrated, p. 163

Literature Peter Schamoni, Max Ernst. Maximiliana. Die widerrechtliche Ausübung der Astronomie, Munich, 1974, illustrated p. 55 Edward Quinn, Max Ernst, Paris, 1976, no. 532, p. 437, illustrated, p. 412 Dr. Jürgen Pech has confirmed the authenticity of this work, which will be included in the supplementary volume of the complete work of Max Ernst currently in preparation.

A U G U S T E H E R B I N (1882 – 1960)

Nuit, Voile n. 4 Ink and gouache on paper 26 × 35 cm (101 ⁄ 4 × 133 ⁄ 4 inches) Signed and dated lower right, Herbin 1943 and titled lower left, "nuit, voile no 4" Provenance Private collection, France Private collection, Germany This work is accompanied by a certificate of authenticity from Laurent Claisse.

A U G U S T E H E R B I N (1882 – 1960)

Poire, Pomme, Pêche Gouache on paper mounted on board 32.4 × 47 cm (123 ⁄ 4 × 181 ⁄ 2 inches) Signed lower center, herbin 1941 Provenance Robert Elkon Gallery, New York Private collection, New York Heritage Auctions, 8 November 2014 Blake Byme, Los Angeles, acquired from above sale The authenticity of this work has been confirmed by the late Geneviève Claisse and will be included in the artist’s forthcoming catalogue raisonné, under no. 1292. It is accompanied by a certificate of authenticity from Laurent Claisse.

O S S I P Z A D K I N E (1890 – 1967)

Reclining Nude Gouache on paper 47 × 64 cm (181 ⁄ 2 × 251 ⁄ 4 inches) Signed and dated lower right, O. Zadkine 27 Provenance Private collection, London

LO U I S M A R C O U S S I S (1878 – 1941)

La Seine et la Tour Eiffel, vue d'un balcon Oil on canvas 33 × 66 cm (13 × 26 inches) Signed lower left, Marcoussis Executed in 1925 Provenance Alice Halicka, Paris (Madame Louis Marcoussis, by descent) Blanche Fabry Tézé, New York Stern Pissarro Gallery, London Private collection, Austria, acquired from the above

Exhibited Paris, Galerie Pierre, Peintures, gouaches et fixés de Louis Marcoussis, April-May 1925, no. 20 This work is accompanied by a certificate of authenticity from Alice Marcoussis (née Halicka), the artist's wife, dated July 3rd, 1973

I S M A E L D E L A S E R N A (1898 – 1968)

Jeune Fille à l'Accordéon Oil on masonite 88.9 × 115.6 cm (35 × 451 ⁄ 2 inches) Signed upper right, De La Serna; titled on the reverse Executed circa 1942 Provenance Sothebys New York, 28th September 1994 Private collection, New York

Literature C.R. Aguilera, Ismael de la Serna, Barcelona and Paris, 1977, p. 153, no. 209 (illustrated)

J U L E S PA S C I N (1885 – 1930)

Rebecca Couchée Oil on canvas 73.1 × 91.8 cm (283 ⁄ 4 × 361 ⁄ 8 inches) Signed lower right, Pascin Executed in 1927, Boulevard de Clichy, Paris

Sotheby’s, New York, 14th May 1998 Peter Findlay Gallery Inc., New York Private collection, USA, acquired from the above in June 2011

Provenance

Literature

Collection Marcel Bernheim, Palais des Beaux-Arts de Bruxelles, acquired from the artist, 1928 Pierre Blum, Paris, acquired from the above in1952 Perls Galleries, New York, no. 13565 Private collection, Osaka

Luis Seoane, Pascin, Editorial Poseidon, Buenos Aires, 1944, 1st ed., no. 25, p. 64 (illustrated and titled Mujer Desnuda Tendida) Y. Hemin, G. Krogh, K. Perls and A. Rambert, Pascin: Catalogue Raisonné, Peintures, Aquarelles, Pastels, Dessins, Paris, 1984, vol. 1, p. 303, no. 597 (illustrated)

A U G U S T E H E R B I N (1882 – 1960)

Aoum II Oil on canvas 65 × 100 cm (255 ⁄ 8 × 393 ⁄ 8 inches) Signed and dated lower right, herbin 1944 titled lower left “aoum” 2 Provenance Private collection, Switzerland Private collection, Belgium Galerie Von Bartha, Basel Tajan Paris, November 30, 2004 Private collection, acquired from the above

Exhibited Brussels, Palais des Beaux-Arts, Herbin Rétrospective, 1956, no. 33 Cologne, Galerie Bargera, Abstraction-Création, 1974, no. 22 (illustrated)

Literature G. Claisse, Herbin, Catalogue Raisonné de l'Œuvre Peint, Lausanne, 1993, p. 424, no. 817 (illustrated)

L É O P O L D S U R V A G E (1879 – 1968)

Porteuse Oil on canvas 100 × 81.3 cm (393 ⁄ 8 × 32 inches) Signed and dated Survage. 62. lower right

Exhibited

Provenance

Paris, Galerie Lucie Weill, Survage, 5th March 6th April 1963, no. 8

Estate of the artist Private collection, New York, acquired from the above, 1968

This work is accompanied by a certificate of authenticity from Anne-Marie Divieto.

R A O U L D U F Y (1877 – 1953)

L'Atelier à Vence Gouache, watercolour, ink and pencil on paper 49.7 × 65.5 cm (195 ⁄ 8 × 253 ⁄ 4 inches) Signed lower centre Raoul Dufy, numbered lower right, III and numbered upper right, 3 Provenance Private collection, Switzerland, acquired in the 1950s Private collection, thence by descent

Literature Fanny Guillon-Laffaille, Raoul Dufy, Catalogue raisonné des aquarelles, gouaches et pastels, Paris, 1982, vol. II, no. 1782, illustrated p. 263

J E A N D U F Y (1888 – 1964)

Parade Mexicaine Gouache on Ingres paper 45.1 × 55.6 cm (173 ⁄ 4 × 217 ⁄ 8 inches) Signed lower centre, Jean Dufy Executed circa 1948-1950 Provenance Galerie Käte Perls, Paris/New York (titled Cirques) Christie’s New York, 26th February 1990 (titled Le Cirque) Private collection, Germany

Literature Jacques Bailly, Jean Dufy Catalogue Raisonné de l’OEuvre, vol.1, Paris 2002, no J.473, p. 261 (illustrated)

H E N R I D E TO U LO U S E - L A U T R E C (1864 – 1901)

Femme de Maison Peinture à l'essence on board 48.5 × 34 cm (191 ⁄8 × 133 ⁄8 inches) Signed upper left, H.T. Lautrec Executed in 1894 Provenance Baumgarten Collection, Paris Maurice Joyant, Paris M.G. Dortu, Le Vésinet, acquired from the above circa 1930 Private collection, Geneva, acquired after 1959 Collection of Joe & Teresa Long, acquired from the above 13th January 2006

commémoration par le Musée d'Albi du cinquantième anniversaire de la mort du peintre, 1951, no. 142 Paris, Musée Jacquemart-André, Chefs-d'oeuvre de ToulouseLautrec appartenant au Musée d'Albi et à des collections françaises, 1959, no. 141

Exhibited

Literature

Paris, Galerie Manzi-Joyant, Exposition Retrospective de l'Œuvre de H. de Toulouse-Lautrec, 1864-1901, 1914, no. 77 (illustrated) Paris, Musée des arts décoratifs, Exposition H. de Toulouse-Lautrec, au profit de la Societé des Amis du Musée d'Albi, 1931, no. 111 London, M. Knoedler & Co., Toulouse-Lautrec, Paintings and Drawings, France, 1938, no. 25 Paris, Galerie M. Knoedler & Cie., Toulouse-Lautrec, 1864-1901, 1938, no. 24 Amsterdam, Stedelijk Museum, Henri de Toulouse-Lautrec, 1947, no. 35 (titled Vrouwenkop) Brussels, Palais des Beaux-Arts, Toulouse-Lautrec, 1864-1901, 1947, no. 35 (titled Tête de Femme) Albi, Musée de la Berbie, Toulouse-Lautrec, ses amis et ses maîtres,

Arsène Alexandre, Exposition Rétrospective de l'Œuvre de H. de Toulouse-Lautrec, in Les Arts, no. 152, Paris, August 1914, p. 13 (illustrated) Maurice Joyant, Henri de Toulouse-Lautrec, Peintre, Paris, 1926, p. 285 Pierre Cabanne, Toulouse-Lautrec, Lecture pour Tous, 1959, p. 22 (illustrated) Raymond Charmet, Arts, 11th March 1959, p. 16 Giorgio Caproni & G.M. Sugana, L'Opera Completa di Toulouse-Lautrec, Milan, 1969, no. 378a, p. 111 (titled Ospite di Una "Casa") M.G. Dortu, Toulouse-Lautrec et Son Œuvre, vol. III, New York, 1971, no. P.540, pp. 332-333 (illustrated)

G U S TA V E LO I S E A U (1865 – 1935)

Paysage d'Automne à Nesle la Vallée Oil on canvas 65 × 81.2 cm (255 ⁄8 × 32 inches) Signed lower left, G Loiseau Executed in 1898 Provenance Wally Findlay Galleries, Palm Beach Private collection, USA, acquired from the above in April 1975 This work is accompanied by a certificate of authenticity issued by Didier Imbert.

P I E R R E - A U G U S T E R E N O I R (1841 – 1919)

Pré et arbres Oil on canvas 23 × 39 cm (9 × 155 ⁄8 inches) Stamped lower right, Renoir Executed in 1893 Provenance The artist's Estate Sir Charles Clore, Great Britain Private collection (by descent) Sotheby's London, 1985 Private collection, UK Christie's London, 1990 Private collection, UK

Literature Bernheim-Jeune, ed., L'Atelier de Renoir, Paris, 1931, vol. I, no. 68 (illustrated, pl. 26) G.-P. & M. Dauberville, Renoir: Catalogue Raisonné des Tableaux, Pastels, Dessins et Aquarelles, Paris, 2009, vol. II, p. 52, no. 771 (illustrated, p. 53; incorrectly described as signed) This work is accompanied by letter from the Wildenstein-Plattner Institute confirming the work will be included in the forthcoming Renoir digital catalogue raisonné.

G U S TA V E LO I S E A U (1865 – 1935)

Paysage de neige Oil on canvas 54.5 × 65.5 cm (211 ⁄2 × 253 ⁄4 inches) Signed and dated lower left, G. Loiseau 1911 Provenance Galerie Rämi, Zurich Private collection, Switzerland This work is accompanied by a photo certificate of Didier Imbert.

A L F R E D S I S L E Y (1839 – 1899)

Bords du Loing Oil on canvas 46.1 × 55.7 cm (181 ⁄ 8 × 217 ⁄8 inches) Signed and dated lower left, Sisley 90 Executed in 1890 Provenance Galerie Georges Petit, Paris Christie's, New York, 19th November 1986 Mr & Mrs Edward Snider, Bryn Mawr, Pennsylvania, by whom acquired from the above Sotheby's, New York, 9th May 1989 Walter J Johnson, New York, by whom acquired from the above sale; his estate sale, Christie's, New York, 15th May 1997 Private collection, acquired from the above

Exhibited Paris, Galerie d'Art Braun & Cie., Sisley, 30th January - 18th February 1933, no. 30

New York, William Beadleston Inc. Fine Art, Alfred Sisley, May June 1983, no. 14 Hiroshima, Prefectural Art Museum, Monet and Renoir, Two Great Impressionist Trends, November 2003 - January 2004, no. 33, p. 65 (illustrated); this exhibition later travelled to Tokyo, The Bunkamura Museum of Art, February - May 2004 New York, Hammer Galleries, Impressionist Masters, May-August 2013, p. 58

Literature M Gauthier, Hommage à Sisley, L'Art Vivant, March, March 1933, pp. 116-117 (illustrated p. 177) G Besson, Sisley, Paris, 1946, p. 56 (illustrated) François Daulte, Alfred Sisley, Catalogue Raisonné de L'Œuvre Peint, Lausanne, 1959, no. 727 (illustrated) This work is accompanied by a letter of authenticity from the Comité Sisley and will be included in the new edition of the catalogue raisonné of Alfred Sisley by François Daulte.

E D G A R D E G A S (1834 – 1917)

Chez la modiste (modiste garnissant un chapeau) Pastel and charcoal on paper 46 × 58.8 cm (181⁄8 × 231⁄8 inches) Stamped lower left, Degas Executed circa 1885 Provenance Galerie Georges Petit, Paris, Atelier Edgar Degas, 2nd sale 11-13 December 1918 Hodier, Paris André et Olga Wormser, Paris Private collection, France, thence by descent

Literature Paul-André Lemoisne, Degas et son oeuvre, vol. III, Paris, 1946, no. 835, p. 483, Connaissance des Arts, mai 1961 This work is accompanied by a letter of authenticity from the Galerie Brame & Lorenceau.

C A M I L L E P I S S A R R O (1830 – 1903)

Trois paysannes, deux agenouillées et une debout Gouache and pencil on paper 21 × 16 cm (81⁄4 × 61⁄4 inches) Signed lower left, C. Pissarro Executed circa 1890-1891 Provenance Collection of Albert Acrement, France Collection of Alain Lesieutre Private collection, France

Literature Ludovic Rodo Pissarro & Lionello Venturi, Camille Pissarro, Son art - son oeuvre, Paris, 1939, vol. I, listed no. 1460 & vol. II, no. 1460, illustrated pl. 283

C A M I L L E P I S S A R R O (1830 – 1903)

Pommiers, effet d'automne Oil on panel 14 × 20.1 cm (51⁄2 × 77⁄8 inches) Signed lower left, C.P. Provenance Hôtel Drouot, Paris (1934) E.J. van Wisselingh & Co, Amsterdam (1948) H. J. Vermeulen Collection (1948) E.J. van Wisselingh & Co, Amsterdam (1979) D.M. de M. Collection, 1979 (no. S 9022) E.J. van Wisselingh & Co, Haarlem Private collection, the Netherlands, acquired from the above in 2006 This work is accompanied by an Attestation of Inclusion from the Wildenstein Institute, and it will be included in the forthcoming Pissarro Digital Catalogue Raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc.

C A M I L L E P I S S A R R O (1830 – 1903)

Les Coteaux de Thierceville, Temps Gris Oil on canvas 54 × 72.8 cm (211⁄4 × 285⁄8 inches) Signed and dated lower right, C. Pissarro - 1888 Provenance Durand-Ruel, Paris (acquired from the artist on November 10, 1888) Sammarcelli Collection, Paris (acquired from the above on February 4, 1892 and sold: Drouot, Paris, 1895, Galerie Alfred Daber, Paris (acquired circa 1965) Maurice Segoura, Paris Private collection (acquired from the above in 1986)

Exhibited Paris, Galerie Durand-Ruel, Exposition de peintres-graveurs, 1889, no. 220 (titled Temps gris à Thierceville) Paris, Galerie Durand-Ruel, Camille Pissarro, 1892, no. 34 (titled Les Côtes de Thierceville)

Literature Charles Saunier, L'Art Nouveau. Camille Pissarro, La Revue Indépendante, April 1892, p. 36 Janine Bailly-Herzberg, Correspondance de Camille Pissarro, vol. III, Paris, 1988, no. 512, mentioned p. 261 (no. 2) Martha Ward, Pissarro, Neo-Impressionism and the Spaces of the Avant-Garde, Chicago & London, 1996, p. 244, p. 243 (illustrated) Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, vol. III, Paris, 2005, no. 859, p. 562 (illustrated in colour)

C A M I L L E P I S S A R R O (1830 – 1903)

Route Enneigée avec Maison, Environs d'Éragny Oil on canvas 33.5 × 41 cm (131 ⁄4 × 161 ⁄8 inches) Signed and dated lower left, C. Pissarro 1885 Provenance Dr. Störi, Zürich Kunstsalon Orell Fussli-Hof Zürich, 26th November 1927 Hans Wirth, Siebnen, acquired from the above Private collection, Switzerland, acquired from the above in 1954 Private collection, Asia, acquired by 1998

Exhibited London, Royal Academy of Art; Washington, D.C., Phillips Collection & San Francisco, Fine Arts Museum of San Francisco, Impressionists in Winter, Effets de Neige, 1998-99, p. 163, no. 45 (illustrated, titled Snow Effect at Éragny, Road to Gisors)

Literature J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue Critique des Peintures, vol. III, Paris, 2005, p. 517, no. 784 (illustrated)

C A M I L L E P I S S A R R O (1830 – 1903)

Bords de l’Oise, Environs de Pontoise Oil on canvas 32.4 × 40.9 cm (123⁄4 × 161⁄8 inches) Signed and dated lower right, C. Pissarro 1872

Wildenstein & Co., Inc., New York, acquired from the above in January 1949 Jacques Guerlain, Paris, acquired from the above in 1951 Private collection, France, acquired from the above

Exhibited

Provenance Hector Brame, Paris Galerie Durand-Ruel, Paris, acquired from the above on 24th October 1921 Terves, acquired from the above on 1st March 1924 Bruno Stahl, Berlin, placed in storage at the Wildenstein Gallery, Paris Confiscated with other artworks belonging to Georges Wildenstein from the gallery by the Einsatzstab Reichsleiter Rosenberg (ERR) in occupied Paris and transferred to the Jeu de Paume, Paris Transferred to Lager Peter in Altaussee, Austria on 15th January 1943 Transferred to the Central Collecting Point, Munich on 20th June 1945 (inv. no. 212/21) Repatriated to France on 18th April 1946 Restituted to Georges Wildenstein on 21st March 1947 and returned to Bruno Stahl

Paris, Galerie Durand-Ruel, Pissarro (1830-1903), 1956, no. 11

Literature A. Tabarant, Pissarro, Paris, 1924, pl. 13 L-R. Pissarro & L. Venturi, Camille Pissarro Son Art-Son Oeuvre, Paris, 1939, vol. I, catalogued no. 161, p. 102; vol. II, no. 161, pl. 32 G. Jedlicka, Pissarro, Bern, 1950, pl. 8 T. Natanson, Pissarro, Lausanne, 1950, pl. 8 R. Brettell, Pissarro and Pontoise, the Painter in a Landscape, 1990, referenced on p. 158 J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue Critique des Peintures, vol. II, Paris, 2005, p. 218, no. 274 (illustrated)

I S A A C I S R A Ë L S (1865 – 1934)

Figures in a Park, Paris Pastel on paper 28 × 39 cm (11 × 153 ⁄8 inches) Signed lower right, Isaac Israels Executed circa 1908 Provenance Private collection, London

I S A A C I S R A Ë L S (1865 – 1934)

Bois de Boulogne Oil on canvas 59 × 42 cm (231 ⁄4 × 161 ⁄2 inches) Signed lower right, Isaac Israels Executed in 1904 Provenance Collection of J.B. van Stolk, 's-Gravenhage, 1906 Collection of W.C. Mees, Wassenaar Mak van Waay, Amsterdam, 13th November 1960, no. 273 (Titled Twee Lezende Meisjes) Kunsthandel G.K. Scherpel, Bussum/'s-Gravenhage B. de Geus van den Heuvel, Nieuwersluis

Art and Antiques Group (AAG), Amsterdam, 28th April 1999 Private collection, London

Exhibited Laren, Singer Museum, Keuze uit de Collectie B. de Geus, 1967, no. 83 (Titled, "Twee Lezende Meisjes in een Parijs Park, Bois de Boulogne") 's-Gravenhage, Pulchri Studio, Isaac Israels en Tijdgenoten, 21st September 1980

Literature H.P. Bremmer, Isaac Israels, Moderne Kunstwerken, 1906, no. 4 (no. 40, afb. 5) H. H. Reisel, Isaac Israels, Portret van een Hollandsche Impressionist, 1967, p. 8

M A U R I C E D E V L A M I N C K (1876 – 1958)

Rue de Village Sous la Neige Oil on canvas 54 × 65 cm (211 ⁄ 4 × 255 ⁄ 8 inches) Signed lower left, Vlaminck Provenance Galerie Nichido, Tokyo This work is accompanied by a letter of authenticity from the Wildenstein Institute confirming its inclusion in the forthcoming catalogue raisonné.

100

M O Ï S E K I S L I N G (1891 – 1953)

Paysage de Provence Oil on canvas 92.5 × 72.7 cm (363 ⁄ 8 × 285 ⁄ 8 inches) Signed lower right, Kisling Executed in 1921 Provenance

Exhibited

Private collection, Paris Private collection, Austria

Tokyo, Mitsukoshi Museum Hiroshima, Kisling, Centenaire, Japon, 1991-1992

Literature

The authenticity of the work was confirmed by Marc Ottavi and will be included in the forthcoming catalogue raisonné Tome IV.

Jean Kisling, Kisling 1891-1953, vol. III, 1995, p. 322, no.71 (illustrated)

101

JEAN PUY (1876 – 1960)

Voilier en Bord de Mer Oil on cardboard mounted on canvas 30 × 45.2 cm (113 ⁄ 4 × 173 ⁄ 4 inches) Signed lower left, J Puy Provenance Private collection, Belgium

102

HENRI MARTIN (1860 – 1943)

Venise, la Salute Oil on panel 43 × 51 cm (167 ⁄ 8 × 20 inches) Signed lower left, Henri Martin Executed circa 1915 Provenance Galerie Cardo, Paris Private collection, France The authenticity of this work has been confirmed by Madame Destrebecq-Martin and will be included in the forthcoming catalogue raisonné currently under preparation.

103

R A O U L D U F Y (1877 – 1953)

Bouquet de Fleurs Gouache, ink and India ink wash on paper 34 × 42.8 cm (133 ⁄ 8 × 167 ⁄ 8 inches) Signed lower right, Raoul Dufy Executed circa 1926 Provenance The family of the artist Galerie Fanny Guillon-Laffaille, Paris Private collection, France This work is accompanied by a certificate of authenticity from Mrs Fanny Guillon-Laffaille and will be included in the supplement to the catalogue raisonné.

104

PA B LO P I C A S S O (1881 – 1973)

Bouquet de Fleurs Indian ink on cover of the book “Le petit monde de Pablo Picasso” by David Douglas Duncan 28 × 43 cm (11 × 167 ⁄ 8 inches) Signed upper right, Picasso Dedicated upper centre, Pour Madame de Sarriac son ami Picasso Provenance Madame de Sarriac, France This work is accompanied by a certificate of authenticity from Mr Claude Picasso.

105

JEAN PUY (1876 – 1960)

Still Life with Fish and Fruit with a Tea Pot and Cup Oil on canvas 15.8 × 34.3 cm (61 ⁄ 4 × 131 ⁄ 2 inches) Signed lower right, J Puy; signed and inscribed on the reverse Provenance Private collection, UK

106

G E O R G E S B R A Q U E (1882 – 1963)

Théière et Citron Oil on panel 22.5 × 25 cm (87 ⁄ 8 × 97 ⁄ 8 inches) Signed lower left, G. Braque Executed in 1947 Provenance Perls Galleries, New York Fujikawa Galleries, Osaka, Japan Private collection, Spain

Literature N. S. Mangin, Catalogue de l’Œuvre de Georges Braque: Peintures 1924-1927, p. 116 (illustrated)

107

J E A N L U R Ç AT (1892 – 1966)

Promenade au Parc Oil on canvas 100 × 65.3 cm (393 ⁄ 8 × 253 ⁄ 4 inches) Signed lower right, jl Executed in 1920 Provenance Whiteford Fine Art, London Private collection, London This work is accompanied by a certificate of authenticity from Gérard Denizeau.

108

J E A N M E T Z I N G E R (1883 – 1956)

Paysage de banlieue boisée Oil on canvas 65 × 91 cm (255 ⁄ 8 × 357 ⁄ 8 inches) Signed lower right, Metzinger Executed circa 1924 Provenance Galerie l'Effort Moderne (Léonce Rosenberg), Paris Mrs. Roger G. Perkins, Cleveland, Ohio, acquired from the above in 1925 Private collection, USA, thence by descent Sotheby's New York, November 2013 Waterhouse & Dodd, USA Private collection, Austria, acquired from the above

Literature

Exhibited

This work will be included in the forthcoming critical catalogue by Alexander Mittlemann.

Cambridge, Harvard University, The Fogg Art Museum, 1939-40

Bulletin de l'Effort Moderne, n.8, October 1924, illustrated Le Bulletin de la vie artistique, Chez les cubiste, 1 December 1924, p. 531 E. Tériade, Cahiers d'art, Documentaire sur la jeune peinture: III. Conséquences du Cubisme, no. 1, Cinquième année, 1930, pp. 22-27

109

M O Ï S E K I S L I N G (1891 – 1953)

Fleurs Oil on canvas 51.4 × 41.1 cm (201 ⁄ 4 × 161 ⁄ 8 inches) Signed lower left, Kisling Signed on the reverse Executed in 1916 Provenance Collection of Ida Kimche, Tel Aviv Sotheby's London, 29th June 1988 Le Houelleur Scp, 21st August 1992 Martin du Nord & de Bouvet, Paris, 13th February 1994 Private collection, Austria

110

Literature Jean Kisling, Kisling 1891-1953, vol. II, 1982, p.190, no.1 (illustrated) This work is accompanied by a certificate of authenticity signed by Jean Kisling and will be included in the forthcoming Catalogue Raisonné de l'Œuvre de Moise Kisling vol.4 currently being prepared by Jean Kisling and Marc Ottavi.

M A U R I C E D E V L A M I N C K (1876 – 1958)

Le Guéridon au Vase de Fleurs Oil on canvas 64 × 51.5 cm (251 ⁄ 4 × 201 ⁄ 4 inches) Signed lower right, Vlaminck Executed in 1914-15 Provenance Floralies, Versailles, 1977

Exhibited Rueil Malmaison, Maurice de Vlaminck, 1876-1958, 2015, p 89 This work is accompanied by a certificate from the Wildenstein Institute confirming its inclusion in the forthcoming catalogue raisonné as well as a certificate from the “Vlaminck Archives” issued by Madame Godelieve de Vlaminck, in collaboration with Madame Pascale Krausz.

111

H E N R I L E B A S Q U E (1865 – 1937)

Grand Nu (Marinette), Le Cannet Oil on canvas 73 × 92 cm (283 ⁄ 4 × 361 ⁄ 4 inches) Signed lower right, Lebasque Executed in 1934 Provenance Mme Henri Lebasque Stramezzi collection, 1938 Klopfer Fine Art, Geneva, 1999 Stair Sainty Matthiesen Gallery, New York Private collection, Europe, acquired from the above in 2000

112

Christie's, Amsterdam, 17th June 2014 Private collection, Austria, acquired from the above by the present owner

Exhibited Venice, La Biennale di Venezia XXI, 1938, no. 32 Paris, Musée Galliera, Exposition Rétrospective Henri Lebasque, 16 June - 9 July 1952, no. 100 (illustrated)

Literature D. Bazetoux, Henri Lebasque, Catalogue Raisonné, Neuilly-surMarne 2008, vol. I, no. 1070 (illustrated, p. 268)

G U S TA V E C A R I OT (1872 – 1950)

Paysage aux Bottes de Blés Devant la Montagne Oil on canvas 59.5 × 80.5 cm (233 ⁄ 8 × 313 ⁄ 4 inches) Signed and dated lower right, G. Cariot 1926 Provenance Private collection, Paris

113

C A M I L L E P I S S A R R O (1830 – 1903)

Le Marché Black and blue pencil on paper 25 × 20.5 cm (97 ⁄8 × 81 ⁄8 inches) Signed, lower left with initials, C.P. (inverted) Provenance Private collection, France This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro and will be included in the forthcoming Catalogue Raisonné of Drawings by Camille Pissarro.

114

C A M I L L E P I S S A R R O (1830 – 1903)

Auvers-sur-Oise Étude Ink and pencil on paper 30.8 × 46.8 cm (121 ⁄8 × 183 ⁄8 inches) Stamped with initials lower right, C.P. Executed in 1890 Provenance Private collection, Switzerland This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro and will be included in the forthcoming Catalogue Raisonné of Drawings by Camille Pissarro.

115

R A O U L D U F Y (1877 – 1953)

Le Champ de Courses à Epsom Gouache and watercolour on paper 50.3 × 65.7 cm (193 ⁄ 4 × 257 ⁄ 8 inches) Signed lower right, Raoul Dufy Provenance Galerie de France, Paris Galerie Stiebel, Paris Sotheby’s Parke Bernet, New York, 23rd February 1984 Private collection USA, acquired from the above sale

Literature F. Guillon-Laffaille, Raoul Dufy, Catalogue Raisonné des Aquarelles, Gouaches et Pastels, Paris, 1981, vol. 1, p. 378, no. 1040 (illustrated)

116

R A O U L D U F Y (1877 – 1953)

Nature Morte et Bateaux Gouache on paper 49.5 × 65 cm (191 ⁄ 2 × 255 ⁄ 8 inches) Signed lower centre, Raoul Dufy Executed circa 1923 Provenance Collection of Mr & Mrs Alexander, London & New York Sotheby Parke-Bernet, New York, 31 May 1972 Dr Henry & Mrs Fannie Levine, Philadelphia, acquired from the above

Literature M. Guillon-Laffaille, Raoul Dufy, Catalogue raisonné des aquarelles, gouaches, et pastels, vol. II, Paris, 1982, no. 1488, p. 155 (illustrated)

117

J O A N M I R Ó (1893 – 1983)

Les Essències de la Terra Oil on canvas 53 × 40.5 cm (207 ⁄ 8 × 16 inches) Signed lower left, Miró Executed in 1968 Provenance Sala Gaspar, Barcelona Lidchi Art Gallery, Johannesburg Private collection, South Africa, by whom acquired from the above circa 1968

Exhibited Johannesburg, Lidchi Art Gallery, Picasso / Miró, March 1969

Literature Jacques Dupin, Ariane Lelong-Mainaud, Joan Miró. Catalogue raisonné. Paintings 1958-1968, vol. IV, 2002, no. 1328, p. 258 (illustrated)

118

V I C TO R B R A U N E R (1903 – 1966)

Accouplement d'Éléments Oil on canvas 81 × 65 cm (317 ⁄ 8 × 25 inches) Signed Victor Brauner, dated 1962 lower right and titled lower left Provenance Alexander Iolas, New York Galleria L'Attico, Rome Dino Fabbri, Milan Private collection, Europe Private collection USA, acquired from the above in June 1990 This work is accompanied by a certificate of authenticity issued by Samy Kinge.

119

A M É D É E O Z E N FA N T (1886 – 1966)

Ville Nocturne Oil on canvas 92.1 × 73 cm (361 ⁄ 4 × 283 ⁄ 4 inches) Signed lower right, Ozenfant Provenance Collection of Ezra & Cecile Zilkha

120

LÉON GISCHIA (1903 – 1991)

Composition Oil on canvas 73 × 54 cm (283 ⁄ 4 × 211 ⁄ 4 inches) Signed and dated lower right, GISCHIA 49 Provenance Collection of Madame P., Paris Private collection, France

121

B É L A K Á D Á R (1877 – 1956)

Mother and Child Gouache on paper 86 x 56.8 cm (337 ⁄ 8 x 223 ⁄ 8 inches) Signed lower right Kádár, Béla Provenance Private collection, Israel

122

INDEX ARMAN

29, 43

BOTERO FERNANDO

KUSAMA YAYOI KWANG-YOUNG CHUN

7, 9 33

BRAQUE GEORGES

107

LANSKOY ANDRÉ

BRAUNER VICTOR

119

LEBASQUE HENRI

112

BUFFET BERNARD

CALDER ALEXANDER CARIOT GUSTAVE

113

CÉSAR CHAGALL MARC

10, 11, 36, 37 25

LHOTE ANDRÉ LOISEAU GUSTAVE LURÇAT JEAN MARCOUSSIS LOUIS

69 88, 90 108 79

54, 55, 56, 57, 58, 59, 60,

MARTIN HENRI

103

61, 62, 63, 64, 65

MATISSE HENRI

52, 53

CHARCHOUNE SERGE CHRISTO

24 14, 15, 16, 17, 18, 19

METZINGER JEAN

109

MIRO JOAN

118

COETZEE CHRISTO

MOTHERWELL ROBERT

CONROY STEPHEN

OZENFANT AMÉDÉE

DE LA SERNA ISMAEL

PASCIN JULES

DE WAAL EDMUND

PENCK A.R.

DEGAS EDGAR

PICASSO PABLO

DELAUNAY SONIA DINE JIM DUFY RAOUL

3 21 84, 104, 116, 117

DUFY JEAN

ERNST MAX

74, 75

PIENE OTTO

6 120

105 30, 31

PISSARRO CAMILLE 93, 94, 95, 96, 97, 114, 115 PUY JEAN RENOIR PIERRE-AUGUSTE

102, 106 50, 89

RICHTER GERHARD

FRANCIS SAM

4,5

RIOPELLE JEAN-PAUL

GISCHIA LÉON

121

SISLEY ALFRED

GLEIZES ALBERT

SURVAGE LÉOPOLD

HAYDEN HENRI

SZAPOCZNIKOW ALINA

68, 83

TAMIR MOSHE

HIRST DAMIEN

26, 42

TÀPIES ANTONI

IMAI TOSHIMITSU

22, 32

TOULOUSE-LAUTREC (DE) HENRI

ISRAËLS ISAAC

98, 99

UTRILLO MAURICE

JENKINS PAUL

20, 27, 34, 35, 38, 39

VASARELY VICTOR

HERBIN AUGUSTE

KÁDÁR BÉLA KISLING MOÏSE

51, 76, 77, 82

122 66, 67, 101, 110

VLAMINCK (DE) MAURICE ZADKINE OSSIP

2, 8 100, 111 78 123

Stern Pissarro Gallery www.pissarro.art