Stern Pissarro Catalogue 2016

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TH E GALLE RY COLLECTION I M PR E SS ION I ST / MODE R N / CONTE M PORARY

St e r n Pissa r ro G a l l e r y

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TH E GALLE RY COLLECTION I M PR E SS ION I ST / MODE R N / CONTE M PORARY

St e r n Pissa r ro G a l l e r y 6 6 S T. J A M E S ’ S S T R E E T, L O N D O N S W1A 1 N E , U K Te l : + 4 4 ( 0 ) 2 0 76 2 9 6 6 6 2

Email: stern@pissarro.com W W W. P I S S A R R O . N E T

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CLAUDE MONET (1840 –1926)

La Seine près de Vétheuil, Temps Orageux Oil on canvas 60.7 x 100.3 cm (23 7 ⁄ 8 x 391 ⁄ 2 inches) Signed and inscribed lower right, à Mr de Bellio son ami Claude Monet 1879 Executed 1878 Opposite: detail

Provenance

Literature

Dr Georges de Bellio, Paris, gifted by the artist in 1879 E Donop de Monchy, Paris,1894 until at least 1920 Galerie Charles Vildrac, Paris Fernand & Beatrice Leval, New York, acquired in 1945 Sale: Christie’s New York, 4 May 2005, lot 14 Collection International Auction Organization, Tokyo The collection of Jeffrey Archer, UK Sale: Christie’s London, 28 June 2011, lot 67 Private collection, USA,acquired at the above sale

R. Niculescu, ‘G de Bellio, l’ami des Impressionnistes’, Revue Roumaine d’Histoire de l’Art, vol. I, 1964, no. 2, p. 264 D. Wildenstein, Claude Monet, Biographie et Catalogue Raisonné, vol. I, Lausanne, 1974, pp. 320-1, no. 478 (illustrated) D. Wildenstein, Monet, Catalogue Raisonné, vol. II, Cologne, 1996, p. 191, no. 478 (illustrated)

Exhibited Paris, Musée Marmottan Monet, À l’apogée de l’Impressionnisme: La Collection de Georges de Bellio, Paris, 2007, pp. 22-23 (illustrated); p. 66, no. 22 (illustrated)

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PA UL GAUGUIN (1848 –1903)

detail

Rouen, L’Église Saint-Ouen Oil on canvas 91.5 x 72.8 cm (36 x 28 5 ⁄ 8 inches) Signed and dated lower right, P Gauguin 84 Provenance Daniel de Monfreid, Paris, 1893 (possibly) French Art Gallery, New York, by 1944 Hugo Moser, New York Pedro Vallenilla Echeverria, Caracas, by 1957 Wildenstein & Co., Inc., New York, by 1968 Acquired by the family of the previous owner in the 1970s

Exhibited Paris, Catalogue de la 8ème Exposition de Peinture, May-June 1886, no. 51 (possibly) Amsterdam, E.J. van Wisselingh & Co., Peintures Françaises, 1940, no. 14 Milwaukee Art Institute, Masters of Impressionism, October-November 1948, no. 13 Caracas, Fundación Eugenio Mendoza, Cien Años de Pintura Moderna, 1840-1940, May 1957, p. 13, no. 19 (illustrated) Caracas, Museo de Bellas Artes, 20 Obras de la Colección Pedro Vallenilla Echeverria, 1959, p. 9, no. 7 London, Wildenstein & Co., Ltd., French Impressionists and Some of Their Contemporaries, April-May 1963, pp. 23-24, no. 64 (illustrated) Corpus Christi, Art Museum of South Texas, Ideas for the Collector, February-March 1968

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Baltimore Museum of Art, From El Greco to Pollock, Early and Late Works by European and American Artists, October-December 1968, pp. 86-87, no. 65 (illustrated, p. 86) Cincinnati Art Museum, The Early Work of Paul Gauguin, Genesis of An Artist, MarchApril 1971, pp. 7 and 11, no. 6 (illustrated, p. 17, fig. 6)

Literature J. Rewald, ed., Camille Pissarro, Letters to His Son Lucien, New York, 1943, p. 48 (illustrated, fig. 8) J. Rewald, The History of Impressionism, New York, 1946, p. 376 (illustrated) G. Diehl, El Arte Moderno Francés en Caracas, Instituto Cultural Venezolano-Francés, 1959, p. 19, no. 18 (illustrated) “Notiziario,” Arte Antica e Moderna, no. 22, April-June, 1963, p. XVI (illustrated, fig. 40) A. Bury, “In the Galleries, Lautrec and Gauguin”, Connoisseur, December 1963, p. 258 G. Wildenstein, Gauguin, Paris, 1964, vol. I, pp. 41-42, no. 103 (illustrated, p. 41) J. Rewald, The History of Impressionism, New York, 1973, p. 494 (illustrated) D. Wildenstein, Gauguin, Premier Itinéraire d’un Sauvage, Catalogue de l'Œuvre Peint (1873-1888), Paris, 2002, vol. I, p. 144, no. 124 (illustrated)“

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ALFRED SISLEY (1839 –1899)

Cabanes au Bord du Loing Oil on canvas 46 x 55 cm (18 1 ⁄8 x 21 5 ⁄8 inches) Signed and dated lower left, Sisley 96 Provenance

Literature

Collection Georges Petit, Paris Private Collection, Paris

F. Daulte, Alfred Sisley, Catalogue Raisonné de l’Œuvre Peint, Lausanne 1959, no. 855

Exhibited Paris, Temps Forts de Drouot Montaigne, 18th - 20th May, 2009 Paris, Galerie Georges Petit, A. Sisley, February 1897, No.126

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This work is accompanied by a letter of authenticity from the Comité Sisley, dated 8 March 2013. It will be included in the new edition of the catalogue raisonné of Alfred Sisley by François Daulte now being prepared by the Comité Sisley at the Galerie Brame et Lorenceau.

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ALFRED SISLEY (1839 –1899)

Les Moulins du Pont de Moret Oil on canvas 55 x 67 cm (215 ⁄ 8 x 26 3 ⁄ 8 inches) Signed and dated lower left, Sisley 89 Provenance Private Collection This work is accompanied by a letter of authenticity from the Comité Sisley, dated 26 April 2013. It will be included in the new edition of the catalogue raisonné of Alfred Sisley by François Daulte now being prepared by the Comité Sisley at the Galerie Brame et Lorenceau.

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PIERRE-AUGUSTE RENOIR (1841–1919)

Paysage du midi Oil on canvas 20 x 30 cm (77 ⁄ 8 x 13 inches) Signed lower left, Renoir Executed circa 1910 Provenance

Literature

Galerie Bernheim-Jeune, Paris, 1947, stock no. 08956 Anon. sale, Palais Galliera, Paris, 17 March 1962, lot 95 Galerie Berri-Saint Honoré, 1968, Paris, (acquired at the above sale) Wally Findlay Galleries, Palm Beach, 1968 Burton D. Salmon, Tulsa, 1970; his sale, Sotheby's New York, 28 November 1973, lot 29 Anonymous sale, Sotheby's, New York, 9 November 1979, lot 911A Private collection, Mexico (acquired at the above sale) Private collection, London

G. P. & M. Dauberville, Renoir, Catalogue Raisonné des Tableaux, Pastels, Dessins et Aquarelles, 1911 - 1919 & 1er Supplément, Vol. V, 2014, no. 3832, p. 129 (illustrated)

Exhibited New York, Wally Findlay Galleries, One Hundred Impressionist and PostImpressionist Masters, 1968, p. 46 (illustrated) Palm Beach, Wally Findlay Galleries, 50 Masters from Renoir to Vlaminck, 1969

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This work is accompanied by a letter from the Wildenstein Institute, dated 30 September 2014. It is to be included in the Renoir catalogue critique being prepared by the Wildenstein Institute from the François Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein archives.

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PIERRE-AUGUSTE RENOIR (1841–1919)

Femme à la Rose, Andrée Oil on canvas 36.5 x 29.8 cm (143 ⁄ 8 x 113 ⁄ 4 inches) Signed with Estate stamp upper right Provenance Private Collection Private Collection (acquired from the above by the present owner in 1993)

Exhibited Bernheim-Jeune (ed.), L'Atelier de Pierre-Auguste Renoir, Paris, 1931, vol. II, no. 656, illustrated pl. 205 (with incorrect dimensions) This work is accompanied by a letter from the Wildenstein Institute, dated 5 December 2013. It is to be included in the Renoir catalogue critique being prepared by the Wildenstein Institute from the François Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein archives.

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CAMILLE PISSARRO (1830 –1903)

detail

Le Chou à Pontoise Oil on canvas 73 x 92 cm (28 3 ⁄ 4 x 36 1 ⁄ 4 inches) Signed and dated lower right, C. Pissarro 1882 Provenance Isadore Montaignac, Paris, sold: Galerie Georges Petit, Paris, December 3-4, 1917, lot 69 Winkel & Magnussen, Copenhagen, acquired at the above sale and sold: American Arts Association, New York, April 6, 1922, lot 52 Durand-Ruel, New York, acquired at the above sale (possibly) Georges Lecomte, Paris, acquired from the above Sam Salz, New York Paul Shields, New York, acquired from the above in June 1958 Barbara Shields Crowley Estate of Barbara Shields Crowley, Sotheby’s, New York, May 17, 1990, lot 14 Connaught Brown, London Acquired from the above in 2009

Exhibited Geneva, Musée d'Art et d’Histoire, 1918, Tableaux Anciens et Modernes: Collections de M. le Conseiller d’État Hansen à Copenhague, no. 116 Neuchâtel, Société des Amis des Arts, 1919, Tableaux Provenant des Collections de M. le Conseiller d’État Hansen à Copenhague, no. 64 Copenhagen, V. Winkel & Magussen, 1919, French Painting, no. 675

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Paris, Galerie Durand-Ruel, 1928, Tableaux par Camille Pissarro, no. 39 Paris, Musée de l'Orangerie, 1930, Centenaire de la Naissance de Camille Pissarro, no. 56 bis Paris, Galerie Durand-Ruel, Pissarro (1830-1903), 1956, no. 46, illustrated in the catalogue

Literature L.-R. Pissarro & L. Venturi, Camille Pissarro, Son Art - Son Œuvre, vol. 1, Paris, 1939, no. 562, catalogued p. 161; vol. 2, (illustrated pl. 116) F. Cachin, Studies on Camille Pissarro, 1987, p. 96 J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue Critique des Peintures, Vol. II, Geneva, 2005, no. 675, (illustrated in colour p. 452)

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CAMILLE PISSARRO (1830 –1903)

Lisière du Bois Oil on canvas 25.5 x 37 cm (10 x 14 9 ⁄ 16 inches) Signed and dated lower left, C. Pissarro 67 Provenance Sale, Versailles, Hôtel Rameau, 9 June 1960, no. 100, ill.

Bought before 1960 by Simon Barbey, Geneva (Switzerland), who was still the owner in 1976

Exhibited Pavia, Italy, Visconti Castle’s Stables, Pissarro, February - June 2014, Cat. No. 7

Literature J. Pissarro and C. Durand-Ruel Snollaerts (Wildenstein Institute), Pissarro Critical Catalogue of Paintings, 2005, No. 113, Vol. II, p.105 (illustrated in black and white)

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CAMILLE PISSARRO (1830 –1903)

Personnages Discutant au Bord d’un Chemin Oil on canvas 32.7 x 45.7 cm (127 ⁄ 8 x 18 inches) Signed and dated lower left, C. Pizarro 1856 Provenance Private Collection, Denmark Private Collection, USA

Exhibited New York, The Jewish Museum, Camille Pissarro, Impressions of City and Country, September 2007 – February 2008, p. 78 (illustrated in color, p. 33, pl. 3)

Literature J. Pissarro and C. Durand-Ruel Snollaerts, Pissarro Catalogue Critique des Peintures, Paris, 2005, vol. II, p. 50, no. 19 (illustrated in color)

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CAMILLE PISSARRO (1830 –1903)

Route de Neaufles Watercolour and pencil on paper 12.7 x 17.8 cm (5 x 7 inches) Signed, inscribed and dated Oct ‘88 This work is accompanied by a certificate of authenticity from Dr. Joachim Pissarro, dated 30 October 2014.

Paysage de Bazincourt Watercolour on paper 21.4 x 26.8 cm (83 ⁄8 x 101 ⁄ 2 inches) Signed, inscribed and dated lower left, C. Pissarro 1890 Provenance Stern Pissarro Gallery, London Private Collection, Atlanta This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro, dated 3 October 2008.

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CAMILLE PISSARRO (1830 –1903)

Paysanne Tricotant Gouache on paper 53.5 x 36 cm (211 ⁄8 x 141 ⁄ 8 inches) Signed and inscribed lower right, C. Pissarro Pontoise Executed circa 1881-1883 Provenance Sale: Maître Pierre Blâche, Grenoble, 10 December 1979, lot 90 Acquired at this sale by the current owner Private Collection, France Private Collection, New York This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro, dated 27 December 2004.

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CAMILLE PISSARRO (1830 –1903)

Femme Assise Charcoal on paper 22 x 27 cm (8 5 ⁄ 8 x 10 5 ⁄ 8 inches) Signed lower right, C. Pissarro Executed circa 1882 Provenance Notanda Gallery, Sydney Acquired by the family of the previous owner in Paris c.1950 Private Collection, France This work is accompanied by a letter of authenticity by Dr Joachim Pissarro, dated 3 June 2007.

Marché au Bétail Ink wash and pencil on paper 20.3 x 16 cm (8 x 61 ⁄ 4 inches) Signed with Estate stamp lower left, C.P. Executed circa 1880-1882 Provenance Sale, A. Bonin, Paris, 26 June 1931, lot 51 Private collection, London

This work will be accompanied by a letter of authenticity from Dr. Joachim Pissarro.

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EDGAR DEGAS (1834 –1917)

Danseuse Black chalk laid on paper 46.5 x 28.7 cm (181 ⁄ 4 x 111 ⁄ 4 inches) Signed with Estate stamp, lower left, Degas Provenance Atelier Edgard Degas Sale: Galerie Georges Petit, Paris, 4th sale, Jul. 2-4, 1919, lot 251 Durand-Ruel (acquired at the above sale) Private collection This work is accompanied by a letter of authenticity from Brame and Lorenceau, dated 24 September 2015 and will be included in their Archives.

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ALBERT LEBOURG (1849 –1928)

Bord de Seine à la Bouille Oil on canvas 46 x 85 cm (181 ⁄ 8 x 331 ⁄ 2 inches) Signed and inscribed lower left, a. Lebourg la Bouille

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ALBERT LEBOURG (1849 –1928)

Village et Promeneurs en Bord de Seine Oil on canvas 39.5 x 72.5 cm (151 ⁄ 2 x 281 ⁄ 2 inches) Signed lower left, a. Lebourg Executed circa 1870s

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GUSTAVE LOISEAU (1865–1935)

Les Falaises (Normandie) Oil on canvas 46 x 65 cm (181 ⁄8 x 255 ⁄8 inches) Signed lower left, G. Loiseau This work is accompanied by a certificate of authenticity from Didier Imbert, dated 27 October 1987 and will be included in the forthcoming catalogue raisonné.

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GUSTAVE LOISEAU (1865–1935)

Rue de Village Oil on canvas 46.4 x 55.2 cm (18 1 ⁄ 4 x 213 ⁄ 4 inches) Signed and dated lower left, G. Loiseau 1909 This work is accompanied by a certificate of authenticity from Didier Imbert, dated 19 September 2014 and will be included in the forthcoming catalogue raisonné.

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ALBERT GLEIZES (1881–1953)

Campements de Bohémiens Oil on canvas 65 x 54.5 cm (255 ⁄ 8 x 211 ⁄ 2 inches) Signed and dated 1902 on the reverse Literature Albert Gleizes Catalogue Raisonné, 1998, Volume 1, no. 35, p. 32

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ALBERT GLEIZES (1881–1953)

Le Petit Sentier Oil on canvas 55 x 46 cm (215 ⁄ 8 x 181 ⁄ 8 inches) Signed and dated lower right, Albert Gleizes 07 Literature Albert Gleizes Catalogue Raisonné, 1998, Volume 1, no. 91, p. 51

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HENRI MANGUIN (1874–1949)

Le Barrage de Suresnes Oil on canvas 60 x 73 cm (23 5 ⁄ 8 x 28 3 ⁄ 4 inches) Signed lower left, Manguin Executed 1939 Provenance Acquired from the Artist in 1939 by Léon Madlyn and has remained in the family since then

Literature L. and C. Manguin, M-C. Sainsaulieu, Henri Manguin, Catalogue Raisonné de l’Œuvre Peint, éd. Ides et Calendes, Neuchâtel 1980, no. 1102, (illustrated p. 346) This work is accompanied by a certificate of authenticity from Lucile Martinas Manguin, dated 27 January 1972.

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MAURICE DE VLAMINCK (1876 –1958)

Le Sausseron à Valmondois Oil on canvas 54 x 66 cm (211 ⁄ 4 x 26 inches) Signed lower right, Vlaminck Provenance Ernest de Frenne, Paris Private collection, France, by whom acquired from the above in 1929, and thence by descent; sale, Christie’s, London, 2 December 1986, lot 389 Galerie Tamenaga, Tokyo Acquired from the above by the present owner in October 1990 This work is accompanied by a letter of authenticity from the Wildenstein Institute, dated 18 September 2014.

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MAURICE DE VLAMINCK (1876 –1958)

Marine Oil on canvas 73.5 x 92 cm (251 ⁄ 2 x 317 ⁄ 8 inches) Signed lower left, Vlaminck This work is accompanied by a letter of authenticity from the Wildenstein Institute, dated 6 October 2000.

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MARC CHAGALL (1887–1985)

Le Violoniste du Mariage Watercolour, ink, gouache and pastel on paper 57.7 x 75.5 cm (22 3 ⁄ 4 x 29 3 ⁄ 4 inches) Signed with estate stamp lower right, Marc Chagall Executed circa 1975 Provenance Private Collection, Paris This work is accompanied by a certificate from Jean-Louis Prat, on behalf of the Comité Chagall, dated 10 July 2015.

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MARC CHAGALL (1887–1985)

Étude pour la Nuit de Vence Oil and Indian ink on canvas-board 28.4 x 34.8 cm (113⁄16 x 13 11⁄16 inches) Signed with estate stamp lower left, Marc Chagall Executed circa 1952-56 Provenance Collection of the artist Timothy Yarger Fine Art, Beverly Hills, California This work is accompanied by a photo-certificate of authenticity from the Comité Chagall, dated 25 April 2012.

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MARC CHAGALL (1887–1985)

Les Fiancés sur Fond Rouge Oil on canvas 54.5 x 65 cm (211⁄2 x 25 5⁄8 inches) Signed with estate stamp lower left, Marc Chagall Executed 1976 This work is accompanied by a certificate from Jean-Louis Prat, on behalf of the Comité Chagall, dated 13 December 2002.

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MARC CHAGALL (1887–1985)

Fleurs dans un Vase Bleu Gouache and watercolour on paper 68.4 x 52.7 cm (27 x 203 ⁄ 4 inches) Signed lower right, Chagall Marc Executed 1936 Provenance Marcel Mabille, Brussels (by 1947) Private collection, Europe (acquired by the family by 1957) Thence by descent

Charleroi, Salon des Beaux Arts, Retrospective Tytgat et Dufy, March-April 1957 p. 450, no. 1104 (illustrated)

Exhibited

This work is accompanied by a certificate from Jean-Louis Prat, on behalf of the Comité Chagall, dated 28 January 2015.

Brussels, Galerie Georges Giroux, Exposition d'art Français Contemporain, February 1947

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GINO SEVERINI (1883 –1966)

Nature Morte aux Jolies Dentelles Oil on board 33.3 x 41 cm (13 1 ⁄8 x 16 1 ⁄8 inches) Signed lower right, G.Severini Inscribed on the reverse, Meudon 8 Executed 1946 Provenance Collection Bourdeillette (Monsieur Bourdeillette was a French diplomat posted to Rome)

Literature Gino Severini Catalogue Raisonné by Daniela Ronti, Arnoldo Mondadori Editore, Editions Philippe Daverio, Milan, 1988, illustrated No. 30, p. 622 Madame Severini, the artist’s daughter, has confirmed the authenticity of this work.

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MARIE LAURENCIN (1883 –1956)

Suzanne au Foulard Rose Oil on canvas 33 x 24 cm (13 x 9 1 ⁄ 2 inches) Signed upper right, Marie Laurencin Executed 1942

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Provenance

Literature

Galerie Bénézit, Paris by 1963 Anon. sale, Palais Galliéra, Paris, 12 December 1973, lot 70 A. Audry, Lyon Galerie de la Présidence, Paris Acquired from the above by the late owner, January 1978 Property from the estate of Liliane M. Stewart

D. Marchesseau, Marie Laurencin, Catalogue Raisonné de l'Œuvre Peint, Tokyo, 1986, vol. I, p. 450, no. 1104 (illustrated)

Exhibited Kunsthalle Düsseldorf, Marie Laurencin, 1957 Paris, Galerie Bénézit, Hommage à Marie Laurencin, June-July 1963, no. 7

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MOISE KISLING (1891–1953)

Jeune Italien Oil on canvas 83 x 65 cm (32 5 ⁄ 8 x 255 ⁄ 8 inches) Signed lower left, Kisling Executed 1924 Provenance

Literature

Collection Brooks, Paris Galerie Van Leer, Paris Collection Eva Greenspan, London

J. Kessel & J. Kisling, Kisling 1891-1953, Turin, 1971, vol. I, p. 107, no. 46 (illustrated)

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JULES PASCIN

(1885 – 1930)

Nu, le Bras Levé Oil and pencil on canvas 72.4 x 59.1 cm (281 ⁄ 2 x 231 ⁄ 4 inches) Signed upper right, Pascin Executed 1916 Literature Jules Pascin: Catalogue Raisonné by Krohg, Hemin, Perls and Rambert, Éditions Abel Rambert, vol. I, illustration No. 236, p. 133

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KEES VAN DONGEN

(1877 – 1968)

Portrait de Madame Van Der Velde Oil on canvas 126 x 96.5 cm (49 5 ⁄ 8 x 38 inches) Signed centre left, van Dongen Executed circa 1920-23 Provenance Private Collection Private Collection, acquired from the above in 2001

Literature E. des Courières, Van Dongen, Paris, 1925, (illustrated p. 24) Kees van Dongen (exhibition catalogue), Fondation Pierre Gianadda, Martigny, 2002, no. 72, (illustrated in color p. 122)

This work will be included in the forthcoming catalogue raisonné being prepared by Jacques Chalom des Cordes under the sponsorship of the Wildenstein Institute.

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MAX LIEBERMANN (1847 –1935)

Gastzimmer-Dekorentwurf zum IV. Akt von Gerhart Hauptmanns Drama Gabriel Schillings Flucht Pastel and pencil on paper laid down on board 31.3 x 49.8 cm (12 3 ⁄ 8 x 19 5 ⁄ 8 inches) Signed lower right, M Liebermann Executed 1912 Provenance

Literature

Max Liebermann, Berlin (1914) Anon. sale, Berlin, Paul Cassirer and Hugo Helbing, 17 May 1927, lot 85 Mr. and Mrs. Ernst Eichenwald, Berlin and New York (circa 1935) Dr. Heinz F. Eichenwald Collection

E. Hancke, Max Liebermann, Sein Leben und seine Werke, Berlin, 1914, p. 546 M. Eberle, Max Liebermann, Werkverzeichnis der Gemälde und Ölstudien, Munich, 1996, vol. 2, cat. no. 1912/9 H. Rischbieter, ed., Bühne und bildende Kunst im XX Jahrhundert, Maler und Bildauer arbeiten für das Theater, Hannover, 1968, p.287

Exhibited Kunsthalle Mannheim, Moderne Theaterkunst. 13. Ausstellung des Freien Bundes, January-February 1913

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This work is accompanied by a letter of authenticity from Drs. Margaret Nouwen, dated 5 March 2014.

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MAURICE UTRILLO (1883 –1955)

Château de Nangis (Seine-et-Marne) Gouache on paper 34 x 50 cm (133⁄8 x 19 5 ⁄8 inches) Signed lower right, Maurice, Utrillo, V, Inscribed lower left, Château de Nangis (Seine-et-Marne)

Provenance Galerie Moos, Switzerland Private Collection, Basel This work is accompanied by a certificate of authenticity from Jean Fabris and Cédric Paillier, dated 17 January 2014.

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ARMAND GUILLAUMIN (1841–1927)

La Roche de l’Écho, Creuse Oil on canvas 73 x 92 cm (28 1 ⁄2 x 36 1 ⁄4 inches) Signed lower right, Guillaumin Executed 1895 Provenance Private Collection Arthur Tooth & Sons Ltd, London Christie's, Sydney, 3 October 1973, lot 454, (illustrated) Private Collection, Sydney

Literature E. des Couneres, Armand Guillaumin, Paris 1924, p. 61 G. Senet et D. Fabiani, Armand Guillaumin: Catalogue Raisonné de l’Œuvre Peint, 1971, no 346

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This work is accompanied by a letter of authenticity from Stéphanie Chardeau-Botteri, of the Comité Guillaumin, dated 10 May 2011. It will be included in the second volume of the catalogue raisonné currently in preparation by the Comité Guillaumin.

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MAXIMILIEN LUCE (1858 –1941)

Printemps Saint-Ay de la Loire Oil on canvas 64.8 x 50.5 cm (251 ⁄ 2 x 197 ⁄ 8 inches) Signed lower right, Luce Inscribed as titled on the stretcher Executed circa 1910 Provenance

Literature

Hammer Galleries, New York Private collection, New York

J. Bouin-Luce, D. Bazetoux, Maximilien Luce: Catalogue Raisonné de L'Œuvre Peint, Paris, 1995, vol. 3, p. 177, no. 745, (illustrated)

Exhibited Paris, Galerie Dru, M. Luce, Apr. 11-30, 1921, no. 36 (as La Loire à Saint-Ay), (possibly)

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FERNAND LÉGER (1881–1955)

Composition Mécanique Pen, ink and pencil on paper 27.1 x 21.2 cm (103 ⁄4 x 81 ⁄4 inches) Signed with initial and dated lower right, F.L. 1918

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Provenance

Exhibited

Galerie Louise Leiris, Paris Kunsthalle, Basel Saidenberg Gallery, New York B.C. Holland, Chicago Richard Grey Gallery, Chicago James Francis Trezza, New York Acquired by 2007 by the previous owner

Paris, Galerie Louis Leiris, F. Léger, Dessins et Gouaches 1909-1955, 1958, no. 11 (illustrated)

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PABLO PICASSO (1881–1973)

Guitare sur une Table Pastel and pencil on paper 32.5 x 25 cm (123 ⁄4 x 97 ⁄8 inches) Signed and dated upper left, 5/5/21 Picasso Provenance Collection Paul Chadouren Private collection, France Private collection, France

The work is accompanied by a certificate of authenticity from Monsieur Claude Ruiz Picasso, dated 19 April 2015.

Literature Christian Zervos, Pablo Picasso, Supplement to 1920 to 1922 Years, Paris, 1975, vol. XXX, no. 252, p. 80 (illustrated)

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ANDRÉ LANSKOY (1902–1976)

Sans Titre Gouache on paper 50 x 65 cm (193 ⁄4 x 255 ⁄8 inches) Signed lower right, Lanskoy This work is accompanied by a certificate confirming its inclusion in the forthcoming Catalogue Raisonné de l’Œuvre de l'artiste, being prepared by the Comity Lanskoy and it is also accompanied by a photo certificate from the artist.

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FERNAND LÉGER (1881–1955)

Étude pour Gaz de France Mixed media and gouache on paper Sight size: 38.5 x 49 cm (15 1⁄ 2 x 19 1⁄ 8 inches) Sheet size: 52 x 76 cm (20 1⁄ 2 x 29 3 ⁄ 8 inches) Signed with the estate monogram stamp, F.L. This work is accompanied by a photo certificate from Irus Hansma, Paris, dated 4 October 2012.

Written on the verso of the work is an authenticity statement by the artist's widow, Nadia Léger.

On the reverse of the backing is an authentication statement from the Fondazione Pagora di Legnano, dated 1 October 1972.

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AUGUSTE HERBIN (1882 –1960)

Composition Oil on canvas 130 x 60 cm (511 ⁄ 4 x 231 ⁄ 2 inches) Signed lower right, Herbin Dated on the stretcher, Février 1930 Provenance Galerie de l’Effort Moderne (Léonce Roseberg), Paris Karl Ströher, Darmstadt Sotheby's, London, December 8, 1999 Acquired at the above sale by a private USA collector

Exhibited Hanover, Kestner Gesellschaft, Auguste Herbin, 1967, no. 66 Dusseldorf, Kunsthalle, Auguste Herbin, Rétrospective, 1967-68, no. 63

Literature G. Claisse, Herbin, Catalogue Raisonné de l’Œuvre Peint, Paris, 1993, p. 397, no. 667 (illustrated)

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AUGUSTE HERBIN (1882 –1960)

Composition sur les Noms Communs: Ange, Lion, Fauvette Oil on canvas 160 x 80 cm (63 x 311 ⁄ 2 inches) Signed and dated lower right, Herbin 1942 Provenance Kunstmuseum, Basel Galerie Chalette, New York Donna Josey, Houston Private Collection, Alon Zakaim Fine Art, London (acquired 1994) Private Collection, Florida

Exhibited Paris, 54th Salon des Indépendants, 1943, no.1547 Dallas Museum of Fine Arts, Geometric Abstraction of the 1930s, 1972, no. 73

Literature Degand L., Auguste Herbin, Privatdruck der Basler Druck und Vergsanstral, 1955, pl. 4 G. Claisse, Herbin, Catalogue Raisonné de l'Œuvre Peint, 1993, Lausanne, no. 798, p. 420 (illustrated)

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AUGUSTE HERBIN (1882 –1960)

Bijou No. 2 Gouache on paper 44.5 x 35 cm (171 ⁄ 2 x 133 ⁄ 4 inches) Signed and dated lower right, Herbin 1958 Provenance Private Collection, Caracas, Venezuela Private Collection, Paris Private Collection, New York This work is accompanied by a certificate of authenticity from Geneviève Claisse, dated 25 May 2015.

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AUGUSTE HERBIN (1882 –1960)

Composition, Abstraction Oil on canvas 89.1 x 116.1 cm (35 x 453 ⁄ 4 inches) Signed lower right, Herbin Executed 1925 Provenance Galerie L’Effort Moderne (Léonce Rosenberg), Paris Galerie Zlotowski, Paris Private Collection, Europe

Literature A. Jakovski, Auguste Herbin, Paris, 1933, p. 48 (illustrated) R. Massat, Auguste Herbin, Paris, 1953, p. 17 (illustrated) G. Claisse, Catalogue Raisonné de l’Œuvre Peint d’Herbin, Lausanne, 1993, no. 570, p. 379 (illustrated)

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MARINO MARINI (1901–1980)

Pomona Oil, gouache, ink and pencil on paper laid down on canvas 49.4 x 33.4 cm (191 ⁄ 2 x 131 ⁄ 8 inches) Signed and dated lower right, Marino 1948 Provenance Artcurial, Paris Galerie d’Art Moderne, Basel This work is accompanied by a certificate of authenticity from Maria Teresa Tosi of the Fondazione Marino Marini, dated 24 September 2015.

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MARINO MARINI (1901–1980)

Cavallo e Cavaliere Gouache and ink on paper 25.4 x 33.6 cm (10 x 131 ⁄ 4 inches) Signed lower right, Marino Executed circa 1945 -1949 Provenance Sale: Sotheby’s New York, November 1989 Gallery Umeda, Osaka, Japan Private collection, Japan This work is accompanied by a certificate of authenticity from Maria Teresa Tosi of the Fondazione Marino Marini, dated 24 September 2015.

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PA UL JENKINS (1923 –2012)

Phenomena Winter Harth Oil and sand on canvas 66 x 122 cm (26 x 48 inches) Signed, titled and dated on the reverse, Paul Jenkins “Phenomena Winter Harth” 1978

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GEORGES BRAQUE (1882–1963)

Pomme et Pichet Oil on paper laid down on canvas 16.9 x 25.8 cm (65 ⁄ 8 x 10 1 ⁄ 8 inches) Signed lower right, G. Braque Executed 1955 Provenance Alexander Iolas, New York Pierre Schlumberger (acquired from the above) Acquired from the estate of the above in 1988

Literature Maeght Éditeur, ed., Catalogue de l’Œuvre de Georges Braque : Peintures 1948-1957, Paris, 1959, (illustrated pl. 100, with incorrect medium)

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ANDRÉ MASSON (1896 –1987)

Chute du Rêveur (Suite des Entrevisions) Oil on canvas 100 x 73 cm (39 3 ⁄ 8 x 28 3 ⁄ 4 inches) Signed lower right, Masson Signed, titled and dated 1973 on the reverse Exhibited Parma, Palazzetto Eucherio Sanvitale, André Masson Opere dal 1925 al 1974, no. 65 This work is accompanied by a certificate of authenticity from Diego Masson on behalf of le Comité André Masson, dated 21 Novembre 2012.

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JEAN-PAUL RIOPELLE (1923 –2002)

Antibes Oil on canvas 119.3 x 91.4 cm (47 x 36 inches) Signed and dated lower right, Riopelle 66 Signed and dated on the reverse Provenance

Literature

Galerie Maeght, Paris

Y. Riopelle and T. Riopelle, Jean-Paul Riopelle, 1966-1971 Catalogue Raisonné, Tome 4, 2014, no.1966.032H.1966, p. 96

Exhibited Riopelle, Galerie Maeght, Paris, 1966 (illustrated in Derrière le miroir no. 1960, no. 13)

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SERGE POLIAKOFF (1906 –1969)

Composition Oil on canvas 100 x 81 cm (39 3 ⁄ 8 x 317 ⁄ 8 inches) Signed and dated lower right, Serge Poliakoff 68 Provenance Private collection, Paris This work is registered in the Serge Poliakoff archive, under registration number 968024 and will be included in the 5th volume of the catalogue raisonné being prepared by Mr. Alexis Poliakoff.

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ISMAEL DE LA SERNA (1897–1968)

La Luna Desde mi Cuarto Oil on board 90.2 x 69.2 cm (351 ⁄ 2 x 273 ⁄ 8 inches) Signed and dated lower right, ISMAEL/ DE LA SERNA 1951 Inscribed and dated on the reverse Provenance

Exhibited

I. Oscar Herner, Galerías Iturbide, Mexico City Private Collection, USA (acquired 1963)

Mexico City, Museum of Modern Art, Arte Francés Contemporáneo, October – November 1956

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LÉLIA PISSARRO (b. 1963)

Mysterious and Sexy Acrylic, oil and resin on canvas 146 x 114 cm (571 ⁄ 2 x 45 inches) Signed Executed 2009 Literature Lélia Pissarro, The Colours of Silence, London, 2010, p. 54 (illustrated)

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A.R. PENCK (b. 1939)

The Right Point Mixed media on canvas 96 x 78.2 cm (37 3 ⁄ 8 x 30 3 ⁄ 4 inches) Signed lower left, A.R. Penck Inscribed and dated 1993 on the upper overlay

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HENRY MOORE (1898 –1986)

Maquette for Reclining Figure: Cloak Bronze Length: 12.1 cm (43 â „ 4 inches) Signed and numbered on the back, Moore 9/9 Executed 1966 Provenance Wildenstein & Co., Inc., New York (acquired from the artist) The Arthur and Anita Kahn Collection, purchased in 1974

Literature R. Melville, Henry Moore, Sculpture and Drawings, 1921-1969, London, 1970, no. 720 (another cast illustrated) A. Bowness, ed., Henry Moore, Sculpture and Drawings, 1964-1973, London, 1977, vol. 4, p. 49, no. 564 (another cast illustrated, p. 48 and pl. 66b)

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CHANA ORLOFF (1888 –1968)

Deux Danseuses Bronze 78.5 x 18.7 x 20 cm (30 7 ⁄ 8 x 73 ⁄ 8 x 77 ⁄ 8 inches) Signed and inscribed on base, Ch.Orloff 4/8 Executed 1914 Literature F. Marcilhac, Chana Orloff, Les éditions de l’amateur. 1991, p. 204, pl. 11 (illustrated)

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DAMIEN HIRST (b.1965)

Spin Household gloss on paper Diameter: 45.8 cm (18 inches) Signed with the Artist’s stamp and dated 2001 on the reverse

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ALEXANDER CALDER (1898 –1976)

Sans Titre Gouache on paper 75 x 110 cm (291 ⁄ 2 x 431 ⁄ 4 inches) Signed, inscribed with dedication and dated lower right, à Jacqueline & Daniel, Sandy Calder 69 Provenance Private collection, USA This work is registered in the archives of the Calder Foundation, New York, number A22204.

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TOM WESSELMANN (1931–2004)

Study for Sunset Nude 3-D Ink and coloured pencil on rag tracing paper 11.1 x 13.7 cm (43 ⁄ 8 x 5 3 ⁄ 8 inches) Signed and dated lower centre Wesselmann 04 Provenance Robert Miller Gallery, New York Acquired from the above by the present owner This work is recorded in the archives of The Wesselmann Studio under number D0424.

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ARMAN (1928–2005)

Sans Titre Gouache on paper 29.2 x 17.8 x 6.3 cm (111 ⁄ 2 x 7 x 21 ⁄ 2 inches) Signed, dated 67 and numbered 1/1 Provenance Acquired by the previous owner directly from the artist This work is recorded in the Arman Studio Archives, New York, under number APA♯1003.67.001.

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ANISH KAPOOR (b. 1954)

Untitled Acrylic and gouache on paper 67 x 101 cm (263 ⁄ 8 x 39 3 ⁄ 4 inches) Signed and dated on the reverse, A Kapoor 2008 Provenance Regen Projects, Los Angeles

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SAM FRANCIS (1923 –1994)

Los Angeles Gouache on paper 121.5 x 161.5 cm (47 7 ⁄ 8 x 631 ⁄ 2 inches) Signed, dated 1970 and stamped by The Estate of Sam Francis on the reverse Provenance Galerie Delaive, Amsterdam Private Collection, Europe Acquired directly from the above by the present owner This work will be included in the forthcoming catalogue raisonné edited by Debra Burchett-Lere and published by the University of California Press, and is registered with the Sam Francis Foundation as archive number SF69-047.

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YAYOI KUSAMA (b. 1929)

Flower Wood, canvas, spray paint, synthetic fibre and mixed media 18 x 45 x 32 cm (71 ⁄ 8 x 173 ⁄ 4 x 125 ⁄ 8 inches) Signed, titled and dated 1985 on the underside Provenance OTA Fine Arts, Tokyo This work is accompanied by a registration card from Yayoi Kusama Studio’s database, under the number 2536, dated 30 October 2015.

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PAOLO SCHEGGI (1940 –1971)

Struttura Modulare (Interlinea Curvo) Violet die-cut paper in plexiglass 103 x 103 x 11 cm (401 ⁄ 2 x 401 ⁄ 2 x 43 ⁄ 8 inches) Signed and dated ‘69 on a label affixed to the reverse Provenance Galleria del Naviglio, Milan VAF Stiftung Collection, Frankfurt am Main Private collection, Europe

Literature Bologna, Galleria d’Arte Moderna, Paolo Scheggi, 1976

This work is registered at the Archivio Paolo Scheggi, Milan under number APSM117/0002 and is accompanied by a certificate of authenticity from Franca Scheggi Dall’Acqua, dated 07 January 2015.

This work will be included in the forthcoming publication of the Catalogue Raisonné of the Works by Paolo Scheggi by Luca Massimo Barbero.

Exhibited Parma, Galleria d'Arte Niccoli, La Breve e Intensa stagione di Paolo Scheggi, 2002-03, 9.194 (illustrated in colour)

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ZHANG DALI (b. 1963)

68

AK-47

AK-47

Acrylic on vinyl 100 x 80 cm (39 5 ⁄ 8 x 311 ⁄ 2 inches) Signed on the reverse Executed 2011

Acrylic on vinyl 100 x 80 cm (39 5 ⁄ 8 x 311 ⁄ 2 inches) Signed on the reverse Executed 2011

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INDEX

ARMAN

63

LOISEAU Gustave

BRAQUE Georges

51

LUCE Maximilien

39

CALDER Alexander

61

MANGUIN Henri

24

CHAGALL Marc

27,28,29,30

MARINI Marino

DALI Zhang

68

MASSON André

DEGAS Edgar

17

MONET Claude

DE LA SERNA Ismael

55

DE VLAMINCK Maurice FRANCIS Sam

25 ,26 65

GAUGUIN Paul

4

GLEIZES Alber t

22 ,23

GUILLAUMIN Ar mand

48 ,49 52 3

MOORE Henr y

58

ORLOFF Chana

59

PASCIN Jules

34

PENCK A.R.

57

PICASSO Pablo

41

38 PISSARRO Camille

HERBIN Auguste

20 ,21

10 ,12,13,14,15,16

44 ,45,46,47

HIRST Damien

60

JENKINS Paul

50

KAPOOR Anish

64

KISLING Moïse

33

KUSAMA Yay oi

66

LANSKOY André

42

LAURENCIN Marie

32

PISSARRO Lélia

56

POLIAKOFF Serge

54

RENOIR Pierre-Auguste

8 ,9

RIOPELLE Jean-Paul

53

SCHEGGI Paolo

67

SEVERINI Gino

31

SISLEY Alfred

6, 7

LEBOURG Alber t

18 ,19

UTRILLO Maurice

37

LÉGER Fer nand

40,43

VAN DONGEN Kees

35

WESSELMANN Tom

62

LIEBERMANN Max

36

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