Gallery Collection Catalogue 2022

Impressionist | Modern | Contemporary THE GALLERY COLLECTION

Stern Pissarro Gallery

front cover (detail)

CAMILLE PISSARRO (1830 – 1903)

L'Anse des Pilotes, après-midi, temps ensoleillé, Le Havre

Oil on canvas

46 × 55 cm (181 ⁄ 8 × 215 ⁄ 8 inches)

Signed and dated lower left, C. Pissarro. 1903

illustrated on page 9

PIERRE-AUGUSTE RENOIR (1841 – 1919)

Paysage

Oil on canvas 20 × 35 cm (77

× 133

Signed lower right, Renoir Executed in 1916

Provenance

Renoir Estate

Ohana Gallery, London

Arild Wahlstrøm, Oslo

Thence by descent

Literature

inches)

Bernheim-Jeune, ed., L'Atelier de Renoir, Paris, 1931, vol. II, no. 574 (illustrated, pl. 181) Guy-Patrice and Michel Dauberville, Renoir: Catalogue Raisonné des Tableaux, Pastels, Dessins et Aquarelles, 1911-19, 1er supplément, Tome V, 2014 Éditions Bernheim-Jeune, Paris, no. 3814 (illustrated p.120)

PIERRE-AUGUSTE RENOIR (1841 – 1919)

La Baie de Villefranche-sur-Mer

Oil on canvas 45.7 × 55 cm (18 × 215 ⁄ 8 inches) Signed lower left, Renoir Executed in 1899

Full provenance and exhibition list available on demand. This work is accompanied by letter from the Wildenstein-Plattner Institute confirming the work will be included in the forthcoming Renoir digital catalogue raisonné.

HENRI LEBASQUE (1865 – 1937)

Femmes et Enfants dans un Jardin en Été

PIERRE-AUGUSTE RENOIR (1841 – 1919)

Tête de Femme Blonde

Oil on canvas 26.1 × 19 cm (101 ⁄ 4 × 71 ⁄ 2 inches)

Signed upper right, Renoir

Executed in 1908

Provenance

Maurice Gangnat, Paris

Hôtel Drouot, Paris, 1925

Eugène Druet, Paris, acquired at the above Palais Galliéra, Paris, 1969

Private collection, Tokyo, circa 1970

Private collection, Japan, acquired circa 1985

Literature

Guy-Patrice and Michel Dauberville, Renoir: Catalogue

Raisonné des Tableaux, Pastels, Dessins et Aquarelles, 1903-10, Paris, 2012, vol. IV, no. 3347 (illustrated p. 393)

This work will be included in the forthcoming Pierre-Auguste Renoir digital catalogue raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc.

ALFRED SISLEY (1839 – 1899)

Bords du Loing

Oil on canvas 46.1 × 55.7 cm (181

× 217

inches)

Signed and dated lower left, Sisley 90

Full provenance, exhibition list and literature available on demand.

Literature

François Daulte, Alfred Sisley, Catalogue Raisonné de L'Œuvre Peint, Lausanne, 1959, no. 727 (illustrated)

This work is accompanied by a letter of authenticity from the Comité Sisley and will be included in the new edition of the catalogue raisonné of Alfred Sisley by François Daulte.

CAMILLE PISSARRO (1830 – 1903)

Les Coteaux de Thierceville, Temps Gris

Oil on canvas 54 × 72.8 cm (211⁄4 × 285⁄8 inches)

Signed and dated lower right, C. Pissarro - 1888

Provenance

Durand-Ruel, Paris, acquired from the artist on November 10, 1888

Sammarcelli Collection, Paris, acquired from the above on February 4, 1892

Drouot, Paris, 1895, sold by the above

Galerie Alfred Daber, Paris, acquired circa 1965 Maurice Segoura, Paris

Private collection, acquired from the above in 1986

Exhibited

Paris, Galerie Durand-Ruel, Exposition de peintres-graveurs, 1889, no. 220 (titled Temps gris à Thierceville)

Paris, Galerie Durand-Ruel, Camille Pissarro, 1892, no. 34 (titled Les Côtes de Thierceville)

Literature

Charles Saunier, L'Art Nouveau. Camille Pissarro, La Revue Indépendante, April 1892, p. 36

Janine Bailly-Herzberg, Correspondance de Camille Pissarro, vol. III, Paris, 1988, no. 512, mentioned p. 261 (no. 2)

Martha Ward, Pissarro, Neo-Impressionism and the Spaces of the Avant-Garde, Chicago & London, 1996, p. 244, p. 243 (illustrated)

Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, vol. III, Paris, 2005, no. 859, p. 562 (illustrated in colour)

CAMILLE PISSARRO (1830 –

Detail

Provenance

Ludovic-Rodolphe Pissarro, Paris, by descent from the artist, 1904

Sally Falk, Mannheim

Paul Cassirer, Berlin, acquired from the above in April 1918

Norbert Levy, Berlin, acquired from the above in November 1918

Ludwig and Margaret Kainer, Berlin, by descent from the above, 1928

Confiscated from the above by the Berlin tax office, 1935

Auktionshaus Union (Leo Spik), Berlin, May 1935

Günther Quandt, Berlin, acquired at the above sale

Recovered at Jesuiten-Schloss, Baden-Baden, October 1945, and transferred to The Netherlands in 1946

Returned to the Central Collecting Point, Baden-Baden in 1952, by which returned to Günther Quandt in March 1953

Galerie Neuendorf, Frankfurt am Main

Achim Moeller Fine Art, New York, consigned from the above

The Horowitz Collection, Atlanta, acquired from the above in 1994

Exhibited

Atlanta, High Museum of Art, Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection, October 2014 - January 2015

Literature

L-R. Pissarro and L. Venturi, Camille Pissarro: Son art–son oeuvre, Paris, 1939, vol. I, no. 1307, p. 262; vol. II, no. 1307, pl. 254

Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro: Catalogue critique des peintures, Paris, 2005, vol. III, p. 910, no. 1505 (illustrated in colour)

L'Anse des Pilotes, après-midi, temps ensoleillé, Le Havre Oil on canvas 46 × 55 cm (181 ⁄ 8 × 215 ⁄ 8 inches) Signed and dated lower left, C. Pissarro. 1903

EUGÈNE BOUDIN (1824 – 1898)

Dunkerque, le vieux bassin

Oil on canvas 46 × 65.2 cm (181

× 255

inches)

Signed, dated and inscribed lower left, Dunkerque. E. Boudin. 89

Provenance

Galeries Durand-Ruel, Paris, acquired from the artist on the 26th June 1891

Watson Art Galleries, Montréal, acquired from the above Parke-Bernet, New York, 13th May 1970

Private collection, France, acquired circa 2000

Thence by descent

Exhibited

Paris, Galeries Durand-Ruel, Exposition de tableaux par Boudin, December 1926 - January 1927, no. 2

Literature

Robert Schmit, Catalogue Raisonné de l'Oeuvre peint d'Eugène Boudin, 1824-1898, vol. 3, Imprimerie Union, Paris, 1973, illustrated p. 8, no. 2562

CAMILLE PISSARRO (1830 – 1903)

Bords de l’Oise, Environs de Pontoise

Oil on canvas 32.4 × 40.9 cm (123⁄4 × 161⁄8 inches)

Signed and dated lower right, C. Pissarro 1872

Full provenance and exhibition list available on demand

Literature

A. Tabarant, Pissarro, Paris, 1924, pl. 13

L-R. Pissarro & L. Venturi, Camille Pissarro Son Art-Son Oeuvre, Paris, 1939, vol. I, catalogued no. 161, p. 102; vol. II, no. 161, pl. 32 G. Jedlicka, Pissarro, Bern, 1950, pl. 8

T. Natanson, Pissarro, Lausanne, 1950, pl. 8 R. Brettell, Pissarro and Pontoise, the Painter in a Landscape, 1990, referenced on p. 158 J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue Critique des Peintures, vol. II, Paris, 2005, p. 218, no. 274 (illustrated)

GUSTAVE LOISEAU (1865

Paysage de neige

Oil on canvas

Signed and dated

Provenance

Galerie Rämi, Zurich Private collection, Switzerland

This work is accompanied by

from

CAMILLE PISSARRO (1830 –

Route Enneigée avec Maison, Environs d'Éragny

Pissarro

Pissarro,

Chez la Modiste (Modiste Garnissant un Chapeau)

Pastel and charcoal on paper

46 × 58.8 cm (181⁄8 × 231⁄8 inches)

Stamped lower left, Degas

Executed circa 1885

Provenance

Galerie Georges Petit, Paris, Atelier Edgar Degas, 2nd sale

11-13 December 1918

Hodier, Paris

André et Olga Wormser, Paris

Private collection, France, thence by descent

Literature

Paul-André Lemoisne, Degas et son oeuvre, vol. III, Paris, 1946, no. 835, p. 483, Connaissance des Arts, mai 1961

This work is accompanied by a letter of authenticity from the Galerie Brame & Lorenceau.

DEGAS (1834 – 1917)

CAMILLE PISSARRO (1830 – 1903)

Porteuse de Fagots

Watercolour, pen and pencil on paper 20.3 × 14.9 cm (8 × 57⁄8 inches)

Signed lower right, C.P. Executed circa 1883

Provenance available on demand.

This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro and will be included in the forthcoming Catalogue Raisonné of Drawings by Camille Pissarro.

Femme de Maison

Peinture à l'essence on board 48.5 × 34 cm (191 ⁄ 8 × 133 ⁄ 8 inches) Signed upper left, H.T. Lautrec Executed in 1894

Provenance

Baumgarten Collection, Paris

Maurice Joyant, Paris M.G. Dortu, Le Vésinet, acquired from the above circa 1930

Private collection, Geneva, acquired after 1959 Collection of Joe & Teresa Long, acquired from the above 13th January 2006

Exhibited

Paris, Galerie Manzi-Joyant, Exposition Retrospective de l'Œuvre de H. de Toulouse-Lautrec, 1864-1901, 1914, no. 77 (illustrated)

Paris, Musée des arts décoratifs, Exposition H. de Toulouse-Lautrec, au profit de la Societé des Amis du Musée d'Albi, 1931, no. 111 London, M. Knoedler & Co., Toulouse-Lautrec, Paintings and Drawings, France, 1938, no. 25

Paris, Galerie M. Knoedler & Cie., Toulouse-Lautrec, 1864-1901, 1938, no. 24

Amsterdam, Stedelijk Museum, Henri de Toulouse-Lautrec, 1947, no. 35 (titled Vrouwenkop)

Brussels, Palais des Beaux-Arts, Toulouse-Lautrec, 1864-1901, 1947, no. 35 (titled Tête de Femme)

Albi, Musée de la Berbie, Toulouse-Lautrec, ses amis et ses maîtres,

commémoration par le Musée d'Albi du cinquantième anniversaire de la mort du peintre, 1951, no. 142 Paris, Musée Jacquemart-André, Chefs-d'oeuvre de ToulouseLautrec appartenant au Musée d'Albi et à des collections françaises, 1959, no. 141

Literature

Arsène Alexandre, Exposition Rétrospective de l'Œuvre de H. de Toulouse-Lautrec, in Les Arts, no. 152, Paris, August 1914, p. 13 (illustrated)

Maurice Joyant, Henri de Toulouse-Lautrec, Peintre, Paris, 1926, p. 285

Pierre Cabanne, Toulouse-Lautrec, Lecture pour Tous, 1959, p. 22 (illustrated)

Raymond Charmet, Arts, 11th March 1959, p. 16 Giorgio Caproni & G.M. Sugana, L'Opera Completa di Toulouse-Lautrec, Milan, 1969, no. 378a, p. 111 (titled Ospite di Una "Casa")

M.G. Dortu, Toulouse-Lautrec et Son Œuvre, vol. III, New York, 1971, no. P.540, pp. 332-333 (illustrated)

MARC CHAGALL (1887 – 1985)

Rêve Nocturne de Deux Clowns en Rouge

Indian ink, gouache, coloured pencil, pastel and pencil on paper 36.5 × 27.2 cm (143 ⁄ 8 × 103 ⁄ 4 inches)

Signed with Estate stamp lower left, Chagall Executed in 1971

Provenance Estate of Marc Chagall

This work is accompanied by a certificate of authenticity from the Comité Chagall.

MARC CHAGALL (1887 – 1985)

Fenêtre Ouverte sur Famille au Village

Oil, Indian ink, coloured ink and pencil on canvas 26.8 × 22 cm (101 ⁄ 2 × 85 ⁄ 8 inches) Signed with Estate stamp lower left, Marc Chagall Executed in 1962

Provenance

Estate of the artist

This work is accompanied by a certificate of authenticity from the Comité Chagall.

MARC CHAGALL (1887

Fête au Village

Gouache and crayon on Japon paper 56.7 × 76.8 cm (223

8 × 301

4 inches)

Signed lower right, Chagall Marc

Executed in 1969

Provenance

A Centro Arte Internazionale, Milan

Private collection, Italy

Stern Pissarro Gallery, London Private collection, Florida, acquired from the above

This work is accompanied by a certificate of authenticity from the Comité Chagall.

MARC CHAGALL (1887 – 1985)

Deux Profils Verts au Cirque

Gouache, pastel, ink and collage on paper 50.9 × 32.8 cm (20 × 127 ⁄ 8 in) Stamped Chagall lower right Executed in 1966

This work is accompanied by a certificate of authenticity from the Comité Chagall.

MARC CHAGALL (1887

Corbeille au Soleil (Gordes)

Gouache, watercolour and crayon on paper 60.5 × 48.6 cm (237 ⁄ 8 × 191 ⁄ 8 inches) Signed lower right, Chagall Marc Executed circa 1938-39

Provenance

Private collection, Switzerland Thence by descent

This work is accompanied by a certificate of authenticity from the Comité Chagall.

MARC CHAGALL (1887 – 1985)

Le Peintre devant “Le Soleil Rouge”

Gouache, pastel, Indian ink and pencil on paper 35.5 × 26.9 cm (14 × 105 ⁄ 8 inches)

Signed with Estate stamp lower right, Chagall Executed in 1965

Provenance Estate of Marc Chagall

This work is accompanied by a certificate of authenticity from the Comité Chagall.

MARC CHAGALL (1887 – 1985)

Esther Accuse Aman

Ink wash and Indian ink on Japanese paper 33 × 25.7 cm (13 × 101 ⁄ 8 inches)

Signed with Estate stamp lower left, Marc Chagall Executed in 1958-59

Provenance

Collection of David McNeil, the artist’s son Private collection, Switzerland, acquired from the above in 1986

Exhibited

Bundeskanzleramt Bonn (Federal Chancellery), P. Von Zaberon, Marc Chagall, Die Bibel: Gouachen, Aquarelle, Pastelle

und Zeichnungen, 15th November 1989 – 12th January 1990; later travelled to Landesmuseum Mainz (State Museum), 4th February –22nd April 1990, no. 73, p.99 (illustrated) London, Stern Pissarro Gallery, Marc Chagall: Master of Colour, June – July 2016, pp. 44-45 (illustrated)

This work is accompanied by a certificate of authenticity from the Comité Chagall.

MARC CHAGALL (1887 – 1985)

Profil de Femme et Main au Coq

Gouache, watercolour, pastel, brush and Indian ink and ink wash on paper

76 × 56 cm (297 ⁄ 8 × 22 inches)

Signed lower right, Marc Chagall Executed in 1962

Provenance

Private collection, Monte Carlo

Private collection, Switzerland, circa 1979

Sotheby's London, 8 December 1999 (titled La femme qui donne le sein au monde)

David Findlay Galleries, New York

Private collection, USA, acquired from the above in February 2000

This work is accompanied by a certificate of authenticity from the Comité Chagall.

MARC CHAGALL (1887 – 1985)

Couple Allongé au Grand Bouquet

Gouache, tempera, pastel and Chinese ink on paper 76.1 × 56.9 cm (30 × 223 ⁄ 8 inches) Signed with Estate stamp lower left, Marc Chagall Executed circa 1978

Provenance

Estate of Marc Chagall Stern Pissarro Gallery, London, acquired directly from the above Private collection, Florida

This work is accompanied by a certificate of authenticity from the Comité Chagall.

MARC CHAGALL (1887 – 1985)

Peintre au Chevalet au Bouc Jaune

Gouache, tempera, pastel, coloured crayon and Chinese ink on paper 76.1 × 56.4 cm (30 × 221 ⁄ 4 inches) Signed with Estate stamp lower left, Marc Chagall Executed circa 1976

Provenance

Estate of Marc Chagall Stern Pissarro Gallery, London, acquired directly from the above Private collection, Florida This work is accompanied by a certificate of authenticity from the Comité Chagall.

Statue on a Triangular Base

Bronze

75.6 × 19.7 × 14.9 cm (293 ⁄ 4 × 73 ⁄ 4 × 57 ⁄ 8 inches) Incised with the artist's signature, number and date on the reverse, Archipenko 1914 6/8F Conceived in 1914 and cast in bronze by Sheidow Foundry in 1969

Full literature and exhibition list available on demand.

Provenance

Frances Archipenko Gray (the artist's wife), New York Museum of Modern Art, New York, gifted from the above in 1969

Exhibited

London, Grosvenor Gallery, Alexander Archipenko: Sculpture and Sculpto-Painting 1909-1921, 20 June - 11 July 1961, no. 11

St. Gallen, Galerie «Im Erker», Alexander Archipenko, 17 November 1962 - 10 January 1963, no. 6

New York, The Museum of Modern Art, Archipenko: The Parisian Years, 20 July - 18 October 1970, no. 10 (this cast exhibited)

Saint-Paul-de-Vence, Fondation Maeght, Sculpture of the 20th Century: 1900-1945, 4 July - 4 October 1981 (this cast exhibited)

Madrid, Fundación Juan March, Medio siglo de escultura, 30 November - 23 December 1981, pl. 3 (this cast exhibited and illustrated)

Literature

D. H. Karshan, Archipenko. The Sculpture and Graphic Art, Tubingen, 1974, p. 161 (The Museum of Modern Art, New York, 1970, installation view illustrated, p. 65)

Alicia Legg, ed., Painting and Sculpture in The Museum of Modern Art. Catalogue of the Collection, New York, 1977, p. 10 (this cast listed)

D. H. Karshan, Archipenko: Sculpture, Drawings and Prints, 1908-1963, Danville, Kentucky, 1985, pp. 55, 58, 72, 191

Anette Barth, Alexander Archipenkos plastisches Oeuvre, Frankfurt am Main, 1997, pp. 130-133

M.-R. Bentein-Stoelen, Collection Catalogue of the Open-Air Museum of Sculpture Middelheim, Antwerp, 1987, p. 3-4

Alicia Legg, ed., Painting and Sculpture in The Museum of Modern Art, New York, 1988, p. 8 (this cast listed)

Alexander Archipenko Foundation, ed., Alexander Archipenko Catalogue Raisonné, 2018, fig. S.14-06B, no. 2845 (online)

HENRI MATISSE (1869 – 1954)

Femme Couchée

Pencil on paper 32 × 51 cm (123 ⁄ 4 × 20 1 ⁄ 8 inches)

Signed and dated lower right, Henri Matisse Février 1928

Provenance

Albert Loeb & Krugier Gallery, New York

Virginia Lust, Greenwich, Connecticut

Arnold Herstand & Co., New York

Private collection, USA, acquired from the above in 1988

Literature

Loeb & Krugier, Matisse Drawings, 1967, New York, no. 8 (exhibition catalogue)

This work is accompanied by a letter from Georges Matisse and is numbered W084 in the Matisse Archives.

ISMAEL DE

SERNA

Jeune Fille à l'Accordéon

on masonite

Provenance

Sothebys

Literature

JULES PASCIN (1885 – 1930)

Rebecca Couchée Oil on canvas 73.1 × 91.8

(283

Signed lower right, Pascin Executed in 1927, Boulevard de Clichy, Paris

Provenance

Collection Marcel Bernheim, Palais des Beaux-Arts de Bruxelles, acquired from the artist, 1928 Pierre Blum, Paris, acquired from the above in1952 Perls Galleries, New York, no. 13565

Private collection, Osaka

Sotheby’s, New York, 14th May 1998

Peter Findlay Gallery Inc., New York

Private collection, USA, acquired from the above in June 2011

Literature

Luis Seoane, Pascin, Editorial Poseidon, Buenos Aires, 1944, 1st ed., no. 25, p. 64 (illustrated and titled Mujer Desnuda Tendida)

Y. Hemin, G. Krogh, K. Perls and A. Rambert, Pascin: Catalogue Raisonné, Peintures, Aquarelles, Pastels, Dessins, Paris, 1984, vol. 1, p. 303, no. 597 (illustrated)

JULES PASCIN (1885 – 1930)

Mija

Oil and pencil on canvas 91.8 × 73 cm (361⁄ 8 × 281⁄ 8 inches)

Signed, dated and dedication upper right "à notre charmante camarade Mija Paris 1927 Pascin"

Provenance

Private collection, Paris Private collection, London

Exhibited Paris, France, Fondation Dina Vierny, Musée Maillol, Pascin: Le Magicien du Réel, 14th February - 4th June 2007

Literature

Yves Hemin, Guy Krohg, Klaus Perls, Abel Rambert, Pascin: Catalogue Raisonné, Peintures, Aquarelles, Pastels, Dessins, vol.

2, Paris: Abel Rambert Editions, 1987, pp. 264, 354, no. 921 (illustrated)

This work is accompanied by a certificate of authenticity from Abel Rambert.

JEAN LURÇAT (1892 – 1966)

Promenade au Parc

Oil on canvas

100 × 65.3 cm (393 ⁄ 8 × 253 ⁄ 4 inches)

Signed lower right, jl Executed in 1920

Provenance

Whiteford Fine Art, London Private collection, London

This work is accompanied by a certificate of authenticity from Gérard Denizeau.

PABLO PICASSO (1881 – 1973)

Bouquet de Fleurs

Indian ink on cover of the book “Le petit monde de Pablo Picasso” by David Douglas Duncan 28 × 43 cm (11 × 167 ⁄ 8 inches)

Signed upper right, Picasso

Dedicated upper centre, Pour Madame de Sarriac son ami Picasso

Provenance

Madame de Sarriac, France

This work is accompanied by a certificate of authenticity from Claude Picasso.

JOAN MIRÓ (1893 – 1983)

Les Essències de la Terra

Oil on canvas 53 × 40.5 cm (207 ⁄ 8 × 16 inches)

Signed lower left, Miró Executed in 1968

Exhibited

Johannesburg, Lidchi Art Gallery, Picasso / Miró, March 1969

Literature

Jacques Dupin, Ariane Lelong-Mainaud, Joan Miró. Catalogue raisonné. Paintings 1958-1968, vol. IV, 2002, no. 1328, p. 258 (illustrated)

MOÏSE KISLING (1891 – 1953)

Le Port de Sanary

Oil on canvas

60 × 73 cm (235

× 283

Signed lower right, Kisling

Executed in 1919

Provenance

Jonas Netter collection, Paris

Private collection, acquired from the above

Private European collection

Christie's London, February 7th 2013

Private collection, France

Exhibited

Tokyo Metropolitan Teien Art Museum, Kisling, Grande Figure de l'Ecole de Paris, 20 April - 7 July 2019, later travalled to Okazaki City Museum, Japan, 27 July - 16 September 2019; Akita Museum of Art, Japan, 22 September - 17 November 2019; Okuda Genso Sayume Art Museum, Japan, 22 February - 25 October 2020

Literature

Jean Kisling, Kisling 1891-1953, vol. II, 1982, p.265, no.38 (illustrated)

MOÏSE KISLING (1891 – 1953)

Le Port de Portofino

Provenance

MOÏSE KISLING (1891 – 1953)

Fleurs

Oil on canvas 51.4 × 41.1 cm (201 ⁄ 4 × 161 ⁄ 8 inches)

Signed lower left, Kisling

Signed on the reverse Executed in 1916

Provenance

Collection of Ida Kimche, Tel Aviv

Sotheby's London, 29th June 1988

Le Houelleur Scp, 21st August 1992

Martin du Nord & de Bouvet, Paris, 13th February 1994

Private collection, Austria

Literature

Jean Kisling, Kisling 1891-1953, vol. II, 1982, p.190, no.1 (illustrated)

This work is accompanied by a certificate of authenticity from Jean Kisling.

GEORGES BRAQUE (1882 – 1963)

Théière et Citron Oil on panel 22.5 × 25

(87

Signed lower left, G. Braque

Executed in 1947

Provenance

Perls Galleries, New York

Fujikawa Galleries, Osaka, Japan

Private collection, Spain

Literature

N. S. Mangin, Catalogue de l’Œuvre de Georges Braque: Peintures 1924-1927,

(illustrated)

Bouquet de Fleurs

Gouache, ink and India ink wash on paper 34 × 42.8 cm (133 ⁄ 8 × 167 ⁄ 8 inches)

Signed lower right, Raoul Dufy

Executed circa 1926

Provenance

The family of the artist

Galerie Fanny Guillon-Laffaille, Paris

Private collection, France

This work is accompanied by a certificate of authenticity from Mrs Fanny Guillon-Laffaille and will be included in the supplement to the catalogue raisonné.

RAOUL DUFY (1877 – 1953)

RAOUL DUFY (1877 – 1953)

Le Champ de Courses à Epsom

Gouache and watercolour on paper 50.3 × 65.7 cm (193 ⁄ 4 × 257 ⁄ 8 inches)

Signed lower right, Raoul Dufy

Provenance

Galerie de France, Paris

Galerie Stiebel, Paris

Sotheby’s Parke Bernet, New York, 23rd February 1984

Private collection USA, acquired from the above sale

Literature

F. Guillon-Laffaille, Raoul Dufy, Catalogue Raisonné des Aquarelles, Gouaches et Pastels, Paris, 1981, vol. 1, p. 378, no. 1040 (illustrated)

L'Atelier à Vence

Gouache, watercolour, ink and pencil on paper 49.7 × 65.5 cm (195 ⁄ 8 × 253 ⁄ 4 inches)

Signed lower centre Raoul Dufy

Executed in 1945

Provenance

Private collection, Switzerland, acquired in the 1950s

Private collection, thence by descent

Literature

Fanny Guillon-Laffaille, Raoul Dufy, Catalogue raisonné des aquarelles, gouaches et pastels, Paris, 1982, vol. II, no. 1782, illustrated p. 263

RAOUL DUFY (1877 – 1953)

JEAN DUFY (1888 – 1964)

Parade Mexicaine

Gouache on paper 45.1 × 55.6 cm (173 ⁄ 4 × 217 ⁄ 8 inches)

Signed lower centre, Jean Dufy Executed circa 1948-1950

Provenance

Galerie Käte Perls, Paris/New York (titled Cirques)

Christie’s New York, 26th February 1990 (titled Le Cirque) Private collection, Germany

Literature

Jacques Bailly, Jean Dufy Catalogue Raisonné de l’OEuvre, vol.1, Paris 2002, no J.473, p. 261 (illustrated)

Nature Morte et Bateaux

Gouache on paper 49.5 × 65 cm (191

× 255

inches)

Signed lower centre, Raoul Dufy Executed circa 1923

Provenance

Collection of Mr & Mrs Alexander, London & New York

Sotheby Parke-Bernet, New York, 31 May 1972

Dr Henry & Mrs Fannie Levine, Philadelphia, acquired from the above

Literature

M. Guillon-Laffaille, Raoul Dufy, Catalogue raisonné des aquarelles, gouaches, et pastels, vol. II, Paris, 1982, no. 1488, p. 155 (illustrated)

RAOUL DUFY (1877 – 1953)

Fête Nautique

Oil and acrylic on canvas 73.5 × 92.5 cm (29 × 363 ⁄ 8 inches)

Signed lower right, Nadal Titled and stamped with the Atelier mark on the reverse Executed in Spain circa 1989-90

Provenance

Sala Parés, Barcelona, acquired in 1997 Sotheby's London, 2006 Private collection, UK, acquired from the above

Exhibited Madrid, Actual Arte Contemporaneo, Carlos Nadal, 2004 (illustrated in colour)

This work is accompanied by a certificate of authenticity from John Duncalfe, from the Comité Nadal.

CARLOS NADAL (1917 – 1998)

KISLING (1891 – 1953)

Paysage de Provence

Oil on canvas 92.5 ×

(363

Signed lower right, Kisling Executed in 1921

Provenance

Private collection, Paris

Private collection, Austria

Literature

Jean Kisling, Kisling 1891-1953, vol. III, 1995, p. 322, no.71 (illustrated)

Exhibited Tokyo, Mitsukoshi Museum Hiroshima, Kisling, Centenaire, Japon, 1991-1992

The authenticity of the work was confirmed by Marc Ottavi and will be included in the forthcoming catalogue raisonné Tome IV.

MAURICE DE VLAMINCK (1876 – 1958)

Le Guéridon au Vase de Fleurs Oil on canvas 64 × 51.5 cm (251 ⁄ 4 × 201 ⁄ 4 inches)

Signed lower right, Vlaminck Executed in 1914-15

Provenance

Floralies, Versailles, 1977

Exhibited

Rueil Malmaison, Maurice de Vlaminck, 1876-1958, 2015, p 89

This work is accompanied by a certificate from the Wildenstein Institute confirming its inclusion in the forthcoming catalogue raisonné as well as a certificate from the “Vlaminck Archives” issued by Madame Godelieve de Vlaminck, in collaboration with Madame Pascale Krausz.

ALBERT GLEIZES (1881 – 1953)

Composition

Gouache on paper laid down on cardboard 25.7 × 13 cm (101 ⁄ 8 × 51 ⁄ 8 inches)

Signed and dated lower right, Albgleizes 22

Provenance

Collection Paul Lombard, Paris

Literature

A. Varichon, Albert Gleizes, Catalogue Raisonné, vol. I, Editions Somogy, Paris, 1998, no. 1079, p.357 (illustrated, upside down)

HENRI HAYDEN (1883 – 1970)

Nature Morte à la Bouteille de Porto

Oil on canvas 100 × 65.1 cm (393 ⁄ 8 × 255 ⁄ 8 inches) Signed and dated lower right, Hayden 1921

This work is accompanied by a certificate of authenticity from Laurence Le Cieux.

LÉOPOLD SURVAGE (1879 – 1968)

Porteuse

Oil on canvas 100 × 81.3 cm (393 ⁄ 8 × 32 inches)

Signed and dated lower rignt, Survage 62

Provenance

Estate of the artist

Private collection, New York, acquired from the above, 1968

Exhibited Paris, Galerie Lucie Weill, Survage, 5th March6th April 1963, no. 8

This work is accompanied by a certificate of authenticity from Anne-Marie Divieto.

LÉOPOLD SURVAGE (1879 –

Ville

Oil on canvas

Signed and dated lower

Exhibited

Troyes, Musée d'Art Moderne et Le Cateau-Cambrésis, Musée Matisse, Survage: Les Années Héroïques, January-June 1993, p. 95 (illustrated in colour; titled, Village à l'Oiseau)

This work is accompanied by a certificate of authenticity from Anne-Marie Divieto.

LÉOPOLD SURVAGE (1879 – 1968)

Les Voiles

Watercolour on paper 23 × 38 cm (9 × 15 inches)

Monogrammed, stamped and dated lower right, LS 45

Provenance

Private collection, London

LÉOPOLD SURVAGE (1879 – 1968)

Composition Onirique

Oil on canvas 46 × 55

Signed and dated lower right,

Provenance

Private collection, France

This work is accompanied by a certificate of

from Anne-Marie

AUGUSTE HERBIN (1882 – 1960)

Poire, Pomme, Pêche

Gouache on paper mounted on board 32.4 × 47 cm (123 ⁄ 4 × 181 ⁄ 2 inches)

Signed lower center, herbin 1941

Provenance

Robert Elkon Gallery, New York Private collection, New York Heritage Auctions, 8 November 2014

Blake Byme, Los Angeles, acquired from above sale

The authenticity of this work has been confirmed by the late Geneviève Claisse and will be included in the artist’s forthcoming catalogue raisonné, under no. 1292. It is accompanied by a certificate of authenticity from Laurent Claisse.

SERGE CHARCHOUNE (1888 – 1975)

Composition Inspirée par le Credo de la Messe en C Mineur de Bach

Oil on canvas

116 × 73 cm (455 ⁄ 8 × 283 ⁄ 4 inches)

Signed and dated lower right, Charchoune 1959

Literature

Pierre Guénégan, Charchoune Catalogue Raisonné, vol. 4, 1951-1960, Lanwell & Leeds Ltd., 2011, no.1958/012, p. 208 (illustrated)

This work is accompanied by a certificate from Pierre Guénégan.

Aoum

Provenance

Private collection, Switzerland

Private collection, Belgium

Galerie Von Bartha,

Tajan Paris, November 30, 2004

Private collection, acquired from the above

Exhibited

Brussels, Palais des Beaux-Arts, Herbin Rétrospective

1956, no. 33

Cologne, Galerie Bargera, Abstraction-Création, 1974, no. 22 (illustrated)

Literature

G. Claisse, Herbin, Catalogue Raisonné de l'Œuvre

, Lausanne, 1993, p.

no.

(illustrated)

LOUIS MARCOUSSIS (1878 – 1941)

La Seine et la Tour Eiffel, vue d'un Balcon

Oil on canvas

33 × 66 cm (13 × 26 inches)

Signed lower left, Marcoussis

Executed in 1925

Provenance

Alice Halicka, Paris (Madame Louis Marcoussis, by descent)

Blanche Fabry Tézé, New York

Stern Pissarro Gallery, London

Private collection, Austria, acquired from the above

Exhibited

Paris, Galerie Pierre, Peintures, gouaches et fixés de Louis Marcoussis, April-May 1925, no. 20

This work is accompanied by a certificate of authenticity from Alice Marcoussis (née Halicka), the artist's wife, dated July 3rd, 1973

MAURICE UTRILLO (1883 – 1955)

Place Jean-Baptise-Clément

Oil on cradled panel 51.3 × 76.2 cm (201 ⁄ 4 × 30 inches)

Signed lower right, Maurice. Utrillo. V.

Executed circa 1918

Provenance

Galerie Marcel Bernheim, Paris

Weill Collection, Zürich

Galerie Römer, Zürich, no. 53

Private collection, Zürich, acquired from the above in 1963, until at least 1982

Private collection, thence by descent

Exhibited

Bern, Kunstmuseum, Maurice Utrillo, 19th January - 17th March 1963, no. 67 (illustrated)

Literature

Paul Pétridès, L'Œuvre Complet de Maurice Utrillo, Paris, 1962, vol. II, no. 739, p.226 (illustrated n.p.)

This work is accompanied by a certificate of authenticity from the Comité Utrillo.

Paysage de Banlieue Boisée

Oil on canvas 65 × 91 cm (255

× 357

inches)

Signed lower right, Metzinger

Executed circa 1924

Provenance

Galerie l'Effort Moderne (Léonce Rosenberg), Paris Mrs. Roger G. Perkins, Cleveland, Ohio, acquired from the above in 1925

Private collection, USA, thence by descent Sotheby's New York, November 2013 Waterhouse & Dodd, USA

Private collection, Austria, acquired from the above

Exhibition

Cambridge, Harvard University, The Fogg Art Museum, 1939-40 Paris, Musée de la Poste & Lodève, Musée de Lodève, Gleizes-Metzinger. Du Cubisme et après, 2012-2013, p. 116 (illustrated in colour)

Literature

Bulletin de l'Effort Moderne, n.8, October 1924, illustrated

Le Bulletin de la vie artistique, Chez les cubiste, 1 December 1924, p. 531

E. Tériade, Cahiers d'art, Documentaire sur la jeune peinture: III. Conséquences du Cubisme, no. 1, Cinquième année, 1930, pp. 22-27

This work is registered in the online critical catalogue by Alexander Mittlemann.

JEAN

– 1956)

ALBERT GLEIZES (1881 – 1953)

Creation

Oil on canvas 132.1 × 91.4 cm (52 × 36 inches)

Signed and dated lower right, Alb Gleizes 1924-1934

Provenance

Maurice Gremeret Collection, Champdôtre, acquired directly from the artist circa 1950-1951

Henri Gremeret Collection, Menton (by descent from the above)

Ansley Graham 19th & 20th Century Art, Los Angeles

Feingarten Galleries, Los Angeles, acquired from the above on June 30, 1981

Gail Feingarten Oppenheimer Collection, Beverly Hill, acquired from the above

Private collection, USA (by descent from the above)

Exhibited

Roslyn Harbor, Nassau County Museum of Art, European Art

Between the World Wars, 9th May - 1st August 2004

Roslyn Harbor, Nassau County Museum of Art, Picasso and the School of Paris, 19th November 2006 - 4th February 2007

Literature

B. Adams, Rustic Cubism, Anne Dangar and the Art Colony at Moly-Sabata, Chicago, 2004, illustrated p. 72

D. Robbins, P. Georgel & A. Varichon, Albert Gleizes catalogue raisonné, vol. II., Paris, 1998, illustrated p. 469

This work is accompanied by a certificate of authenticity by Anne Varichon.

GUSTAVE CARIOT (1872 – 1950)

Paysage aux Bottes de Blé Devant la Montagne

Oil on canvas

59.5

Signed and dated lower right, G. Cariot 1925

Provenance

Private collection, Paris

GUSTAVE LOISEAU (1865 – 1935)

Paysage d'Automne à Nesle la Vallée

Oil on canvas 65 × 81.2 cm (255 ⁄ 8 × 32 inches)

Signed lower left, G Loiseau Executed in 1898

Provenance

Wally Findlay Galleries, Palm Beach Private collection, USA, acquired from the above in April 1975

This work is accompanied by a certificate of authenticity issued by Didier Imbert.

PISSARRO

1903)

Auvers-sur-Oise Étude

Ink and pencil on paper

30.8 × 46.8 cm (121 ⁄ 8 × 183 ⁄ 8 inches) Stamped with initials lower right, C.P. Executed in 1890

Provenance

Private collection, Switzerland

This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro and will be included in the forthcoming Catalogue Raisonné of Drawings by Camille Pissarro

CAMILLE PISSARRO (1830 – 1903)

La Roche Guyon

Pen, ink and sepia wash on paper 30 × 47.2 cm (113⁄4 × 185⁄8 inches) Signed, dated and inscribed lower left, après midi C Pissarro 1859 La roche Guyon Titled and dated again lower right

Provenance Collection of Mrs. Ludovic-Rodo Pissarro, the artist’s daughter-in-law, Paris Christie's London, 3rd December 1996

Condylis Collection, Greece

Private collection, UK, by descent

This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro and will be included in the forthcoming Catalogue Raisonné of Drawings by Camille Pissarro

GUSTAVE CARIOT (1872 – 1950)

Schlangenbad

Oil on canvas 50.3

Signed and

Provenance

Private collection, Spain

Private collection,

PART

Post-War & Contemporary

YAYOI KUSAMA (b. 1929)

Glass

Acrylic on canvas

22.8 × 16 cm (9 × 61 ⁄ 4 inches)

Signed, titled and dated 1981 on the reverse

Provenance

Private collection, Japan

Private collection

Private collection, Hong Kong

This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.

© YAYOI KUSAMA

YAYOI KUSAMA (b. 1929)

Red River Inside my Eyelids

Ink, pastel, felt pen on paper 55 × 39.8 cm (215 ⁄ 8 × 155 ⁄ 8 inches) Signed, titled and dated lower left, Yayoi Kusama 1975 This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.

Fire (3)

Gouache and pastel on paper 27.7 × 20.3 cm (107 ⁄ 8 × 8 inches) Signed, titled and dated 1952 on the reverse

This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.

YAYOI KUSAMA (b. 1929)

Dots-Obsession

Acrylic on canvas 41 × 32 cm (161 ⁄ 8 × 125 ⁄ 8 inches) Signed, titled and dated 2005 on the reverse

This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.

YAYOI KUSAMA (b. 1929)

YAYOI KUSAMA (b. 1929)

Dress (A)

Acrylic, collage and fabric on canvas 22.8 × 16 cm (9 × 61 ⁄ 4 inches)

Signed, titled and dated 1996 on the reverse

This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.

ANDRÉ BRASILIER (b. 1929)

Soir en Tardenois

Oil on canvas

61 × 38 cm (24 × 15 inches)

Signed upper right, André Brasilier Executed in 2017

This work is accompanied by a certificate of authenticity from the artist's studio.

VICTOR VASARELY (1906 – 1997)

Le Jongleur

Acrylic on canvas 137.5 × 80.5 cm (541 ⁄ 8 × 313 ⁄ 4 inches)

Signed lower centre, vasarely. Executed circa 1985

This work is accompanied by a certificate of authenticity from Pierre Vasarely.

PIENE (1928

2014)

MyMy Fire gouache on card

Provenance

Galerie Löhrl, Mönchengladbach

Private

OTTO PIENE (1928 – 2014)

Wo Alu und Honig Fließen

Fire gouache with aluminium on cardboard 99 × 64 cm (39 × 251 ⁄ 4 inches)

Signed and dated lower right, O Piene 72 and titled lower left

Provenance

Private collection, Austria

ANISH KAPOOR (b. 1954)

Untitled

Gouache and pastel on paper 50.2 × 67 cm (193 ⁄ 4 × 263 ⁄

inches) Executed in 2000

Provenance

Regen Projects, Los Angeles Estate of an Italian Philanthropic Family

ANTONI TÀPIES (1923 – 2012)

Serie “U no és ningú” No. 21

Painting, collage and pencil on cardboard 50 × 65 cm (193⁄4 × 255⁄8 inches)

Signed lower right, Tàpies Executed in 1978

Provenance

Galeria Joan Prats, Barcelona Private collection, Basel

Private collection

Literature

Anna Agustí, Tàpies. Obra Completa vol. 4. 1976-1981, Poligrafa S.A., Barcelona, 1995, p. 158, n.

Territoire

Oil on canvas 114.3 × 162.6 cm (45 × 64 inches)

Signed lower right, Riopelle Executed in 1967

Provenance

Pierre Matisse Gallery, New York

Acquavella Galleries, New York Private collection, New York

Exhibited

New York, Acquavella Galleries, Riopelle/Miró: Color, October - December 2015, p. 39, illustrated in colour

Robert Bernier et al., Riopelle, des Visions d'Amérique, Montréal, 1997, p. 117, illustrated

Literature

Yseult Riopelle and Tanguy Riopelle, Jean-Paul Riopelle, Tome 4, 1966 – 1971, Catalogue Raisonné, cat. no. 1967.017H.1967, p. 137, illustrated in colour

JEAN-PAUL RIOPELLE

– 2002)

SAM FRANCIS (1923 – 1994)

Composition

Acrylic and paper collage on paper 57.2 × 81.3 cm (221 ⁄ 2 × 32 inches) Stamped on the reverse with Sam Francis Estate logo Executed in 1990

Provenance

Private collection, Netherlands Private collection, USA

Exhibited

St. Paul de Vence, Guy Pieters Gallery, Sam Francis, July - August 2003 (illustrated in colour)

Amsterdam, Museum Jan Van Der Togt, Sam Francis Remembering, November 2004 - January 2005, pp. 138-139 (illustrated in colour)

This work has been registered in the archives of the Sam Francis Foundation under identification number SF90-5PRS.

Abstract Composition N

Provenance

Vermalung (Braun)

Oil on canvas 27 × 40 cm (105⁄8 × 153⁄4 inches)

Signed and dated on the reverse, Richter, 72

Exhibited

Gerhard Richter: Printed! Druckgrafik, Foto-Editionen und Künstlerbücher, Kunstmuseum Bonn, Bonn, Germany, 10 June 2004 – 5 September 2004; later travelled to Kunstmuseum Luzern, Lucerne, Switzerland, 16 October 2004 – 9 January 2005; Kunsthalle Emden, Emden, Germany, 19 February 2005 – 24 April 2005; Kunsthalle, Tübingen, Germany, 28 May 2005 – 17 July 2005; Museum der Moderne Salzburg, Salzburg, Austria, 23 July 2005 – 16 October 2005

Gerhard Richter: Die Editionen, Folkwang Museum, Essen, Germany, 7th April – 30th July 2017, pp. 21, 26

Literature

Butin, H., Gronert, S., Gerhard Richter: Editions 1965-2004, Catalogue Raisonné, Ostfildern-Ruit, 2004, pp 107, 115 Elger, D., Gerhard Richter: Catalogue Raisonné, vol. 4, 1988-1994, Ostfildern 2015, no. 325-77 Lotz, C., The Art of Gerhard Richter, Bloomsbury Academic, London, 2015, p. 157 Butin, H., Olbricht, T., Gerhard Richter. Unikate in Serie / Unique Pieces in Series, 2017, pp. 104-105

GERHARD RICHTER (b. 1932)

JIM DINE (b. 1935)

A Smaller Fortress Oil on board

Titled,

A

Provenance

Private collection, Japan

The Market Auction, Tokyo,

Private collection, Hong Kong

The studio of the

the reverse

DAMIEN HIRST (b. 1965)

Beautiful I Don't Want to be a Dead Artist Painting

Household gloss and credit card on canvas 213 × 213 cm (837⁄8

inches) Executed in 2005

Provenance Gagosian Gallery, New York Private collection, USA

CHRISTO (1935 – 2020)

The Gates (Project for Central Park New York City)

Collage, pencil, enamel paint, photograph by Wolfgang Volz, wax crayon and tape 35.5 × 56 cm (14 × 22 inches)

Signed and dated lower left and inscribed on the reverse, Christo 1998

Provenance

Private collection, Germany

This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.

CHRISTO (1935 – 2020)

The Gates (Project for Central Park, New York City)

Pencil, wax crayon, charcoal, enamel paint, pastel with fabric and map collage, in two parts 28 × 71 cm (11 × 28 inches); 56 × 71 cm (22 × 28 inches)

Signed and dated upper right, Christo 1983

Provenance

Private collection, Madrid, acquired directly from the artist’s studio in 1984

This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.

Running Fence (Project for Sonoma and Marin County State of California)

Charcoal, pencil, coloured pen, staples, photograph, glue and fabric collage on card laid on board

29 × 40.4 cm (111 ⁄ 2 × 157 ⁄ 8 inches)

Signed, titled, dated 1974 and dedicated For Paul Wember

Provenance

Paul Wember Collection, Germany, gifted from the artist

Sotheby's, Paris, Contemporary Art, 28th May 2009

Private collection London, acquired from the above

This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.

CHRISTO (1935 – 2020)

Wrapped Reichstag (Project for Berlin)

Pencil, fabric, twine, charcoal, map, and wax crayon on board 71.1 × 55.9 cm (28 × 22 inches)

Signed centre right, Christo 1979

Provenance

Alice M. Kaplan Collection Private collection, New York

This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.

SAM FRANCIS (1923 – 1994)

Sklye

Acrylic on paper

14.6 × 10.2 cm (53 ⁄ 4 × 4 inches)

Signed, Sam Francis and dated on the reverse Signed again, dated and inscribed on the backing board Executed in 1986, Los Angeles

Provenance

Angles Gallery, Santa Monica

Private collection, California, acquired from the above Santa Monica Auctions, 8th June 2014

Private collection, acquired from the above Estate of Paul Coady, thence by descent

This work has been registered in the archives of the Sam Francis Foundation under identification number SF86-332.

PAUL JENKINS (1923 – 2012)

Phenomena Prism Mirror

Acrylic on canvas

147.3 × 104 cm (58 × 41 inches)

Signed lower left, Paul Jenkins Signed, titled and dated 1984 on the reverse

PAUL JENKINS (1923 – 2012)

Phenomenon East of The River

Acrylic on canvas

97.2 × 130.2 cm (381 ⁄ 4 × 511 ⁄ 4 inches)

Signed lower right, Paul Jenkins

Signed, titled and dated 1993 on the reverse

Provenance

Private collection, New York, acquired directly from the artist

Phenomena Solar Way Journey

Acrylic

PAUL JENKINS (1923 – 2012)

ALEXANDER CALDER (1898 – 1976)

McGovern

Gouache on paper 76 × 56 cm (297 ⁄ 8 × 22 inches) Signed and dated upper right, AC 72

Provenance Collection of George J. Goodstadt, acquired from the artist

Literature

Hal Elliott Wet, George McGovern & The Democratic Insurgents: The Best Campaign Posters of the Last Fifty Years, University of Nebraska Press, Lincoln and London, 2015

This work is registered in the archives of the Calder Foundation, New York, under application number A26042.

CALDER

–

McGovern

Gouache on paper 76 × 56 cm (297 ⁄ 8 × 22 inches)

Signed and dated lower right, Calder 11-7-72

Provenance Collection of George J. Goodstadt, acquired from the artist

Literature

Hal Elliott Wet, George McGovern & The Democratic Insurgents: The Best Campaign Posters of the Last Fifty Years, University of Nebraska Press, Lincoln and London, 2015

This work is registered in the archives of the Calder Foundation, New York, under application number A17775.

Composition

Gouache on paper 57 × 77 cm (221

CALDER (1898 –

× 301

inches)

Signed, dated and dedicated lower right, à Marie Paule et Jean Leymarie Calder 69

Provenance

Studio of the artist, Saché, France Collection Marie-Paule and Jean Leymarie, France, gifted from the artist, 1969 Private collection, thence by descent

This work is registered in the archives of the Calder Foundation, New York, under application number A28172.

ALEXANDER CALDER (1898 – 1976)

Spirale

Gouache and ink on paper 75 × 110 cm (291 ⁄ 2 × 431 ⁄ 4 inches)

Signed and dated lower right, Calder 1969 Dedicated lower middle and lower right à Anne – Marie with an illustration of a hammer

Provenance Collection Anne-Marie Marteau, Tours, France, gifted by the artist Private collection, thence by descent

This work is registered in the archives of the Calder Foundation, New York, under the application number A27972.

LÉLIA PISSARRO (b.1963)

Everything you Touch Turns to Gold

Acrylic and gold powder on canvas 146 × 114 cm (571⁄2 × 447⁄8 inches)

Signed and titled on the reverse Executed in 2018

This work is accompanied by a certificate of authenticity from the artist.

CHRISTO COETZEE (1929 – 2000)

Composition

Oil, ping pong balls and mixed media on canvas 100 × 80.5 cm (39 × 31 inches) Signed and dated on the verso, Milan. 1960. October

Provenance

Private collection, London

Phenomena High Born

Acrylic on canvas 91.44 × 50.8 cm (36 × 20 inches)

Signed lower left, Jenkins

Signed, titled and dated 1964 on the reverse

Provenance

Private collection, USA

PAUL JENKINS (1923 – 2012)

PAUL JENKINS (1923 – 2012)

Phenomena Spectrum Guardian

Acrylic on canvas 76 × 101.5 cm (297 ⁄ 8 × 40 inches)

Signed, titled and dated 1970 on the reverse

Provenance

Gallerie Iris Wazzau, Davos, Switzerland

Private collection, Cologne, Germany

Der Reiter

Mixed media and collage on paper 92 × 63 cm (361 ⁄ 8 × 243 ⁄ 4 inches) Signed upper left, M Tamir

Provenance

Private collection, Switzerland

MOSHE TAMIR (1924 - 2004)

ANDRÉ LANSKOY (1902 – 1976)

Composition

Oil on canvas

81 × 54 cm (317 ⁄ 8 × 211 ⁄ 4 inches)

Signed lower right, LANSKOY

Provenance

Private collection, Germany

This work is accompanied by a certificate of authenticity issued and signed by the artist, as well as a certificate of authenticity from the Comité Lanskoy, confirming its inclusion in the forthcoming catalogue raisonné currently being prepared

Soleil Fendu

Oil on canvas 73 ×

Signed TOSHIMITSU IMAÏ, dated 1963 Paris and inscribed in Japanese on the reverse

Provenance Private collection, Japan

TOSHIMITSU IMAI (1928 – 2002)

TOSHIMITSU IMAI (1928 – 2002)

Red Composition

Oil on canvas 80.2 × 55.3 cm (315 ⁄ 8 × 213 ⁄ 4 inches)

Signed TOSHIMITSU IMAÏ, dated 1963 Paris and inscribed in Japanese on the reverse

Provenance Private collection, USA

TOSHIMITSU IMAI (1928 – 2002)

Vagues “Wave”

Acrylic on paper

127 × 95 cm (50 × 373 ⁄ 8 inches)

Signed in Japanese and English lower right, inscribed and dated 1992 on the reverse

Provenance

Dr Jean-Paul Coussy (Director of MCAP Museum, France), acquired directly from the artist, March 15th 1998

Dr Giorgio Tosetti, Italy, acquired from the above

Exhibited

Paris, Galerie Chozo Yoshii, Hommage à André MalrauxLes voix du Silence, September - November 1997

Literature

G. C. Calza, Imaï, Electa, Milan, 1998 (Onde/Waves series)

STEPHEN CONROY (b. 1964)

Figure (Study)

Oil on canvas 183 × 122 cm (72 × 48 inches) Signed and dated on the overlap, Stephen Conroy 2000

Provenance

Marlborough Fine Art, London Private collection, London

EDMUND DE WAAL (b. 1964)

Colourfield

Ten glazed porcelain vessels

Largest 9.2 high × 19.9 cm in diameter (35 ⁄ 8 × 77 ⁄ 8 inches)

Impressed with the artist's seal on the underside of each vessel Executed in 2004

Provenance

Private collection, United Kingdom, acquired directly from the artist

Exhibited

Kettle's Yard, Cambridge, Edmund de Waal, 26th May-22nd July 2007, later travelled to MIMA (Middlesbrough Institute of Modern Art), 9th August-11th November 2007, pp. 102-103 (illustrated)

ALINA SZAPOCZNIKOW (1926 – 1973)

Ventre-coussin (Belly cushion)

Polyester resin, Polyurethane foam 30 × 31 × 16 cm (113 ⁄ 4 × 121 ⁄ 4 × 61 ⁄ 4 inches)

Executed in 1968

Provenance

Studio of the Artist, Paris

Alina Eshkol (Helman), Israel, cousin of the artist, acquired directly from the above in the 1970s

Private collection Israel, thence by descent This work is registered in the archives of the Galerie Loevenbruck

RA'ANAN LEVY (b. 1954)

Studio Feature

Pastel on paper 32.5 × 47.5 cm (123 ⁄ 4 × 183 ⁄ 4 inches)

Signed, R. Levy, dated, 93 and dedicated lower right

Provenance

Guy and Marian Naggar

Crane Kalman Gallery, London, circa 1993 Private collection, London

Exhibited

London, Marion Naggar and Crane Kalman Gallery, Ra'anan Levy, 26th October - 27th November 1993

Literature

Giles Auty, The Spectator, Whiff of Paint, 13th November 1993

INDEX

ARCHIPENKO ALEXANDER 28

BOUDIN EUGÈNE 10

BRAQUE GEORGES 39

BRASILIER ANDRÉ 74

CALDER ALEXANDER 94, 95, 96, 97

CARIOT GUSTAVE 62, 66

CHAGALL MARC 18, 19, 20, 21, 22, 23, 24, 25, 26, 27

CHARCHOUNE SERGE 56 CHRISTO 86, 87, 88, 89

COETZEE CHRISTO 99

CONROY STEPHEN 107 DE LA SERNA ISMAEL 30 DE TOULOUSE-LAUTREC HENRI 17

DE VLAMINCK MAURICE 47

DE WAAL EDMUND 108

DEGAS EDGAR 14 DINE JIM 84

DUFY RAOUL 40, 41, 42, 44 DUFY JEAN 43

FRANCIS SAM 81, 90 GLEIZES ALBERT 48, 61 HAYDEN HENRI 49

HERBIN AUGUSTE 54, 55, 57

HIRST DAMIEN 85

IMAI TOSHIMITSU 104, 105, 106

JENKINS PAUL 91, 92, 93, 100, 101

KAPOOR ANISH 78

KISLING MOÏSE 36, 37, 38, 46

KUSAMA YAYOI 69, 70, 71, 72, 73 LANSKOY ANDRÉ 103

LEBASQUE HENRI 4

LEVY RA'ANAN 110

LOISEAU GUSTAVE 12, 63

LURÇAT JEAN 33

MARCOUSSIS LOUIS 58

MATISSE HENRI 29

METZINGER JEAN 60

MIRÓ JOAN 35

NADAL CARLOS 45

PASCIN JULES 31, 32

PICASSO PABLO 34 PIENE OTTO 76, 77

PISSARRO CAMILLE 7, 8, 9, 11, 13, 15, 64, 65 PISSARRO LÉLIA 98

RENOIR PIERRE-AUGUSTE 2, 3, 5 RICHTER GERHARD 83 RIOPELLE JEAN-PAUL 80, 82

SISLEY ALFRED 6

SURVAGE LÉOPOLD 50, 51, 52, 53

SZAPOCZNIKOW ALINA 109

TAMIR MOSHE 102

TÀPIES ANTONI 79

UTRILLO MAURICE 59

VASARELY VICTOR 75