notes, transferred in its initial extreme register of the instrument , is converted into a harmonic interval of major second, while the initial interval of the perfect fourth defines the interval distance of descending transposition of the initial group. At the third descending transposition the note group at bar10 is moved down by an interval of perfect fifth. In this way, between the three groups of bar 10, is created a cle ar functional correlation according to standards: tonic (I) - dominant (V) - tonic (I), which is exacerbated by the reverse symmetrical repetiti on of the total formation in the low register of the instrument at bar 11. Is it sarcasm? Intense self-criticism mood? Clear satirical intention? This is surely a pleasantry that surprises the listener, a fact that is supported by the parameter of the dynamics: the contrast of the continuous dynamic changes per bar that accompany the exposition of the clusters in bars 1-9, is followed by the calm static low dynamic level ( piano), which is maintained within the two bars where the unexpected material with the tonal innuendo is exposed (bars 10-11).
The game of clusters with the tonal innuendos continues also to the next bars, while the functional role of the consonant interval of the perfect fourth and its inversion (perfect fifth) becomes more and more clear. In bar 12-13 we observe stepwise motion of 4-note chromatic clusters in total range of perfect fourth. The game of the alternation of the dynamic levels and the tone areas continues to bars 12-13, as well as the game of alternation of the clusters on the white and black piano keys (bars 1519), a game which started in bars 3-9 without becoming particularly apparent due to the simultaneously depressed white and black keys through the simultaneous use of the hands of the performer. The initial components of the clusters, though, remain unchanged. The composer continues to use the same material: melodic and harmonic intervals of second (minor and major) and perfect fourth.
The chromatic movement of bars 21-25 presents, for the first time in parallel motion, harmonic intervals of perfect fourth in groups and appear in alternate succession with corresponding groups of parallel harmonic intervals of fourth augmented and minor third (an intelligent exercise of original use of a highly conventional material, the chro-
302 matic scale). The use of C major scale in bars 27-28, in monophonic texture and glissando speed with pressed pedal, leaves no doubt about the intentions of the composer. The facetious nature of the work is confirmed. His facetious mood poses a dramatic element, which is manifested through the intense confrontations of the successive forms of the tone material. The next three bars (bars 29-31) is bas ed on the parallel motion of quartal chords, while the melodic range of each voice includes all twelve notes. The bars 32-42 restore the use of the material of the chromatic scale to extreme speed and dynamic. The bars 43-45 combine the material of the chromatic scale with the parallel movement of harmonic perfect fifth intervals (inversion of the perfect fourth interval). The first part of the work ends (bars 46-47) with the intruding presence of the main tonal functions through the relation V - I (see also bars 10-11 and 27-28).
The second part of the work is based on the recollection of the typical techniques, structures and forms of the Western music, presented as blemished memories, mixed with the revised uses of the same tone material (i.e. the material of the equally tempered system of the Western music) probably according to the standards of Valses oubliée by Franz Liszt. Perhaps it is no coincidence that the composer begins his reminiscence with a Waltz in C major, where a pure tonal melody is supported by a chordal accompaniment for a traditional waltz in “tempo fantastico” (Adagio), which indicates the painful memory, along with the harmonic intervals of the minor second and of the perfect consonances that distort the harmony of the bass note of the downbeat (bars 48-55). A bridge (bars 56-61) brings us back to a modified recapitulation of the initial material (bars 62-67). In bar 68 starts a second attempt of reminiscence, this time within the 2-voice counterpoint in a neoclassical style (bars 68-82) that could be derived from memories of works written for children (e.g. from Bartók to Kabalevsky). A brief presentation of the initial material (bars 83-86) leads to a third reminiscence, this time in the style of the late romantic idiom. The bars 88-91 could be considered a reference to introductory motifs of Dante Sonata by Franz Liszt, which is also based on similar tone material, that is, intervals of perfect and augmented fourth, chromatic motion and characteristic rhythmic patterns based on combinations of eighth and sixteenth notes. In the same material, which characterizes generally the late romantic idiom, remains the specific part (bars 92-100) until the triumphant majestic major chords that close the second part of the work, which also resemble the corresponding ending part of the aforementioned work of Liszt (bars 101-107).
A short bridge (bars 108-112) leads to a final entry of the initial material, extremely compacted and mixed with the conditional tonal material. The interval of the perfect fourth, developed in the total range of the instrument (bar 113), the alternation of white and black keys in intervals of perfect consonances (bars 114-118), the 5-note clusters in extreme registers (bars 119-120 ), the characteristic o pening motif of gate of hell in Dante Sonata in diminished chords, reminiscence of a pianistic romantic monument (bar 120), complete the work leading to the magnificent sarcastic triumph of C major chord, which initially appe ars as a chord without third (bars 121-122), just as it is used (as D major chord) also during the finale of the aforementioned work of Liszt, and finally the E note will enter in order to ensure the triumph of simplicity of the major chord form.
ORTHODOX CHURCH MUSICAL TERMS
Akathistos A standing prayer, dedicated to the Virgin Mary.
Allelouario Short melody featuring the repeated word “Alleluia”, before or after other hymns.
Anastasimatorio A book of notated music featuring hymns of the Resurrection for Vespers and Matins
Axion Estin (It is truly right to bless you, O Mother of God) A hymn glorifying the Virgin Mary.
Apolytikio (Dismissal hymn) A short hymn specific to a particular festival or Saint’s day.
Archimandrite The head priest of a church
Cherouviko (Cherubic Hymn) A hymn naming the orders of Angels
Dichoron doxastikon A glorifying chant sung by the full choir (right and left) together
Domestikos The third rank of cantor in a church musical establishment, after Protopsaltis and Lampadarios
Doxastiko A hymn beginning with the words Doxa Patri kai Ghio (Glory to Father and Son)
Doxology A hymn beginning with the words Doxa Soi to Deixanti to Fos (Glory to the Shower of the Light). It also refers to a ceremony for national festivals, thanksgiving for miraculous events, and so on.
Eirmos The beginning strophe of a sequence of odes (Kanonas), introducing its particular melody
Eirmologion A collection of Eirmoi
Eptaphonos Variation of a mode, in which the final note is seven degrees higher than the usual one. The Grave Mode Eptaphonos corresponds to Makam Evitz in Ottoman music, and The Plagal Fourth Eptaphonos to Makam Mahour.
Fthores Modulation symbols in Byzantine notation, indicating the change from one mode to another.
Grave Mode (Ihos Varys) The Third Plagal Mode, called “Grave” or “Heavy” because of the downward extension of the scale, giving it unusually low final notes.
Ihos/echos Mode or tone
Idiomelo A short chant or Tropario with its own original melody and rhythm
Ison The sung drone supporting the chanted melody, which defines the final tone of the mode – although it may change during the course of the chant.
Kalophonic Eirmos An ornate or embellished vocal piece, sung as the initial hymn of a Kanon or sequences of Odes.
Kanonarch (Kanonarhis) Assistant Psaltis, who reads the verses before the Sticheron.
Katavasia (Descending) The concluding stanza of the last Ode of a Kanon. The name comes from the practice of the left and right choirs descending to sing together in the middle of the church.
Kanonas (Rule) A structured hymn, divided into nine Odes based on the Biblical Canticles. In modern liturgical
304 practice,the Kanon is introduced by an Eirmos (link), and the following stanzas are connected by Troparia sharing a common melody with the Eirmos.
Koinoniko A hymn sung during Theia Koinonia, Holy Communion
Kontakion An extended hymn, constituting a form of musical-poetic sermon. The Kontakion is divided into twenty-four metrically identical stanzas or oikoi (houses), with a prelude or koukou lion.
Kratima pl. Kratimata Piece featuring meaningless syllables (anané, terirem) often incorporated into divine worship, following a Kalophonic Eirmos
Lampadarios Deputy Head cantor, director of the left choir
Mathima pl. Mathimata (Lesson) A melody composed with a teaching or illustrative purpose
Oikos (Stanza) A Tropario or short chanted verse forming part of a Kontakio; there are usually twenty-four of them
Oktaechos/ Paraklitiki The Byzantine modal system is based on the four main modes or tones with their plagal forms, plus their variations and combinations. The Oktaechos or Paraklitiki is the book of the weekly liturgical cycle, which is divided into eight parts, each based on a different mode. (Ihos/echos – mode or tone)
Papadika A book of collected ecclesiastical melodies – Kontakarion, Asmatikon etc.
Pasapnoaria A hymn beginning with the words Pasa pnoi (Let everything that has breath)
Polyeleos (Of Much Mercy) Setting of Psalms 135 and 136 for the all-night vigil (Vespers-Matins) services for high festivals, featuring the repeated phrase oti eis ton aiona eleos avtou (for his mercy endures forever)
Primikirios Assistant psaltis with additional secretarial duties
Prosomoia (Copy ) A Tropario or short chant written to an existing Idiomelo melody – hence “copy”
Protopsaltis Head cantor in a church establishment, and leader of the right choir
Psaltis Church cantor
Sticheron A Tropario preceded by verses from the Psalter, sung for Vespers or Matins
Triodio A collection of liturgies for Lent (Sarakosti)
Tropario A short chant of an individual or specific nature, falling into various categories such as Kontakio, Apolitikio, etc.
AUTHORS’ CURRICULA VITAE
Georgios Constantzos was born in 1950 in Alexandria of Egypt and he is originated from Saranta Ekklisies of Thrace. In 1961, he settled in Athens and attended the 8th High School and the Faculty of Physics in the University of Athens. At the same time he studied music, with scholarship, at the National, the Orfeio and the Apollonian Conservatory, where he got diplomas in Monody and Singing. He has a PhD from the MSD of the Ionian University. He served the secondary education for thirty three years, out of which the twenty two were in the Experimental Musical High School and Lyceum of Pallini, from where he recently retired. He was a founding member of the Early Music Workshop, the Archive of Hellenic Music and the Choral Workshop of Athens, the Athens Voice Quartet and other artistic ensembles. He worked for fifteen years at the Choir of the Hellenic Broadcasting Corporation, since its foundation and he occasionally worked with the choir of the National Opera. As a soloist, he has worked with various Hellenic and foreign orchestras and choirs. He taught Phonetics and Choir at many conservatories.
Since 1980, he is systematicaly engaged in musicological research. He has participated in various conferences, gave many lectures and wrote several articles in journals about the Hellenic literary and traditional music. He edited more than 80 compact discs, doing the musicological research, the recording and the writing of the accompanying booklets. These cds were released by FM Records, The Archive of Hellenic Music and many others institutions. He also wrote five books with scores of songs from Smyrna and Constantinople, which were published by Fagotto publications. He has also completed some other books, most of them with musical scores and recordings of the Hellenic Revolution, the Philhellenism, Rigas Feraios, Constantinos Agathofronas Nikolopoulos, the Music of Thrace, of Sinasos of Cappad ocia, of Rhodes etc., books that he tries to get them published. He also deals with the collection of musical works of Hellenes composers, as well as with the recordings of traditional music. With the cooperation of the other two authors of this book, he has compiled an archive of more than 20,000 works, mainly songs, which are available to any interested party.
Thomas Tamvakos was born in Ioannina (1955). He is chief electronic engineer of Air Navigation Special Systems of the Civil Aviation Authority and works in Athens International Airport. He attended courses, seminars and symposia on Musical Theory, Musicology and History of Art in Athens and at the Open University of London. He participated, as a rapporteur, in musicological conferences of the MSD of the Ionian and Athens Universities. He is also: a) music writer-researcher and music critic, b) creator / owner of the ARCHIVE OF HELLENES COMPOSERS OF THOMAS TAMVAKOS (since 1980), with material of artistic activities of 3.800 Hellenes and Hellas originated composers of literary (serious) music, since 9th century onwards. The material is used in various ways by different cultural institutions (Athens Concert Hall, Hellenic Broadcasting Corporation, Athens State Orchestra, Conservatories, publishing houses, etc.), c) producer – editor of re cord editions with literary musical works, d) key associate of the seven-volume DICTIONARY OF THE HELLENIC MUSIC by the musicologist-composer Takis Kalogeropoulos, e) key associate of the musical / artistic journals JAZZ and TZAZ, EXANTAS, MULTITONE (ex. ANTIPHON), THESSALONIKEON POLIS, etc., f) associate of the Hellenic Composers’ Union, of the Greek Composers Artistic Forum (G.C.A.F.)., of various ensembles and musicians, g) co-founder and director of the Voice Quartet FILODOS and the Chamber Music Ensemble KELADOS, h) honorary member of the Hellenic Composers’ Union (since 2003), of the Greek Composers Artistic Forum (since 2000) and of other musical and artistic institutions, h) founding member and ex member of the Board of the Association of Friends of Dragatakis, j) member of the Theatrical and Musical Critics Union, i) organizer-editor of musical events, co ncerts and exhibitions using the material from his Archive, j) producer of radio
306 broadcasts and k) writer of approximately 2.300 articles, studies and critics on Hellenes composers, some of which have been published in two volumes (1995-1996).
Athanasios Trikoupis was born in Alexandroupolis in 1969. He is a postdoctoral researcher at the School of Music Studies in Aristotle University of Thessaloniki (AUTH). He has successfully completed a postdoctoral fellowship of three years at the Faculty of Music Studies in National and Kapodistrian University of Athens in cooperation with the University of Music and Performing Arts in Graz (KUG), Austria, and has authored the monograph Western Music in Hellenic Communities. Musicians and Institutions . He received his PhD in musicology at the School of Music Studies in AUTH. He is composer (MA of KUG), pianist (graduate from the Conservatoire Européen de Musique de Pa ris) and Mechanical Engineer of National Technical University of Athens (NTUA). He was a founding member of the Alexandroupolis Music Sosiety and of the Music Teachers Association of East Macedonia and Thrace and a member of the Prefectural Committee of Education in Evros and the Committee of Cultural Development of the Municipality of Alexandroupolis. He has taught at the Music Department of NTUA, at the Educational Department of Primary Education of Democritus University of Thrace, the Department of Music Science and Art of the Macedonia University and the School of Music Studies of AUTH. His works include The Evolution of Harmony of Western Music (ed. Disigma, 2010) and educational softwares: Phaeton / Ear Training I and II (ed. AMS, 2004 and 2006). Since 2011, he has been a member of the Gesellschaft für Musikforschung (Society for Music Research).
Artistically (as a director of choir, orchestra and chamber music ensembles, as a soloist of piano, harpsichord and organ, as well as a composer), he has worked with various institutions, such as: Academic Symphony Orchestras of the University of Thrace in Adrianople and the NTUA, the Municipal Symphony Orchestra of Eskişehir, with the University of Bielefeld, the Hellenic Ensemble of Contemporary Music, the Ensemble Neuer Musik of KUG, the Musik forum and the Hörfest of the city of Graz, with the Association of Academic Hellenes in Berlin, the Greek Composers Union, the Athens and Thessaloniki Concert Halls, the International Fair of Thessaloniki, the French-Hellenic Association of Athens, the Goethe Institute in Athens, the American College in Athens, as well as several German-Hellenic Associations . He was the first who performed nationwide works of Berlioz, Liszt, Brahms, Dutilleux and Walter Zimmermann, as well as works of several contemporary Hellenes composers, performed for the first time, while he has recorded for “Lyra” record company.
The writers, during a break, at HMA, November 2013.PERFORMERS’ CURRICULA VITAE
Antonia Kalogerou was born in Athens. She studied piano with Max Hallecker and song with Yolanda Di Tasso. After winning the MARIA CALLAS scholarship, she continued her studies at the Royal Conservatory of Liège in Belgium and in Italy. She studied with John Modinos, George Pappas and Varvara Gavakou. She has participated in seminars with Gh. Dimitrova, Anna Tomowa-Sintow, D. Chorafa, as well as at the opera studio of the Academy of Santa Cecilia in Rome. She has earned distinctions in international competitions and the first prize at the Maria Callas competition, in the Oratorio-Lied category. She has starred in Dido and Aeneas, Mystical Marriage , The Magic Flute, Nabucco, Othello, Dance disguised, La Boheme, Carmen, Pagliacci, La Traviata , etc. She deals with the interpretation of works of church music, especially works by C. S. Bach. She teaches monody at the conservatory PHAETHON, in Alexandroupolis.
Evangelos Kapsalis was born in Veria of Imathia in 1978. He got his degree in classical guitar with 'Excellent' grade and his professor was E. Asimakopulos. He continued his studies at the "Athenaeum" Conservatory, where he got the diploma of classical guitar with 'Excellent' grade unanimously. His solo career contains concerts in Cyprus, at the Manchester Metropolitan University, at the Friends of Antiquities Museum in Alexandroupolis etc. He was a member of the Choir of Thessaloniki participating in Festivals, such as the Corale internationale and Langollen International in Athens. During 2001 he took lessons on the introduction to the psychology of musical pre-education and child p sychology at Manchester Metropolitan University. He has been living in Alexandroupolis since 2002, where he firstly worked at the "Mousicotr opia" Conservatory and at the Municipal Conservatory of Alexandroupolis, while today is exclusive associate of the "Phaethon" Conservatory. He also taught at the musical High School in Xanthi. He is a professional singer and he performs at various musical scenes all over the country. An important moment during his singing career was the winning of the third prize at the Song Festival of Thessaloniki in 2008, with the song "A thousand years". He performed together with famous Hellenes singers, such as Alkinoos Ioannidis at the Festival of Tychero in 2009, as well as with Lakis Papadopoulos and Giannis Plutarchos at Ardas festival in 2009.
Dimosthenis Fistouris was born in Constantinople. As a student of the Great Scho ol of Nation, he studied Byzantine music with Vasilios Nikolaidis, protopsaltis (first Cantor) of the Great Church of Christ and then, in Athens, with Constantinos Mafidis, protopsaltis from Constantinople, as well as with the protopsaltis Dimosthenis Paikopoulos, the Archon B’ Domesticos. He holds diplomas of vocal art, harmony, counterpoint, fugue and Byzantine music. Thanks to a scholarship from the Alexandros Onassis Foundation, he continued his studies of opera and vocal technique in Italy with various opera masters, such as Luigi Alva, Renata Scotto and especially with maestro Enzo Spatola. He has collaborated as soloist - tenor with the National Lyric Theatre of Athens, the Megaron Mousikis of Athens, the Opera and the Festival of Thessalonici, the Municipal of Athens etc.
He is also a doctor of musicology. His doctoral dissertation was The melodic line and the vocal writing in the operas of Spyros Samaras (Musical and dramaturgical analysis - aesthetical interpretation) , in the Faculty of Music Studies of the University of Athens. He has considerably participated in international music conferences, ranging from Italian and French operas to Byzantine music and Ottoman music as
well. He is a scientific affiliate of Faculty of Music Studies of the University of Athens, teaching a course of lessons titled “The History of the New-Greek Opera, 1815-2015”.
He is currently a professor of vocal training, Byzantine chant and History of Music in conservatoires and private superior faculties of Dramatic Arts in Athens.
ARCHIVAL RESOURCES
Alekos Andrikakis’ Archive, Athens.
Archive of Alexandroupolis Music Society, Alexandroupolis.
Archive of Artistic Union of Alexandroupolis, Alexandroupolis.
Archive of Central Library of Aristotle University of Thessaloniki, Thessaloniki.
Archive of Educational Association of Adrianople, Orestiada.
Archive of Faculty of Music Studies of Aristotle University of Thessaloniki, Thessaloniki.
Archive of Hellenes Composers by Thomas Tamvakos, Athens
Archive of Hellenic Music (Administrator: George Constantzos), Athens.
Archive of Institute for Balkan Studies, Thessaloniki.
Archive of Nikos Terzis and Pavlos Almpanoudis, Thessaloniki.
Archive of the Association of Friends of Music, Vienna
Archive of the Hellenic Orthodox Community of Saint George in Vienna
Archive of the Hellenic Orthodox Community of Saint Trinity in Vienna
Archive of the MLLV (Great Music Library of Hellas “Lilian Voudouri”), Athens.
Archive of the State Conservatory of Thessaloniki, Thessaloniki.
Dimitrios Gentsidis’ Archive, Orestiada.
Spyridon Kapsaskis’ Archive, Athens.
Nikolaos Koursoumtzoglou’s Archive, Xanthi.
Ioannis Metallinos’ Archive, Tripoli.
Constantinos Michakopoulos’ Archive, Xanthi.
Spyros Motsenigos’ Archive, National Library of Hellas, Athens.
Michalis Patelis’ Archive, Soufli.
Performing Arts and Music Documents Collection of the Hellenic Literary and Historical Archive of National Banks of Hellas Cultural Foundation, Athens.
Giannis Prantsidis’ Archive, Aeginio.
Constantinos Psachos’ Archive, Library of the Faculty of Music Studies of National and Kapodistrian University of Athens, Athen s.
Faidon Priftis’ Archive, Athens.
Athanasios Salamanis’ Archive, Komotini.
Dimitrios Tatarakis’ Archive, Athens.
Kimon Tzintzis’ Archive, Alexandroupolis.
Elpida Veiliktsidou’s Archive, Lyceum of Hellenes Girls, Serres.
Constantinos Vogiatzis’ Archive, Athens.
Christos Zalios’ Archive, Naousa.
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Global Biographical Dictionary, Athens Publishing House, Athens 1991
Takis Kalogeropoulos, The dictionary of Hellenic Music, Giallelis, Athens 1998.
Aleka Symeonidou, Hellenes composers‘ Dictionary, F. Nakas, Athens 1995.
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WEB SITES
http://analogion.com
http://asiaminor.ehw.gr
http://oisapes.mysch.gr
http://panagiotisandriopoulos.blogspot.gr
http://polyphonic-music.blogspot.gr
http://www.24grammata.com
http://www.academia.edu
http://www.apostoliki-diakonia.gr
http://www.e-kere.gr
http://www.cretalive.gr
http://www.ec-patr.net
http://www.impantokratoros.gr
http://www.tosoufli.gr
http://xronos.gr
http://argolikivivliothiki.gr
Aaron Vasile 222
Abraham Paul 204
Adam Akritas 134
Adosidis Constantinos 77
Agapios the Paliermos 49
INDEX OF NAMES
Apostolos Konstas or Croustalas or Constalas 57 Berg Alban 180
Argyropoulos Athanasios 227
Aristoklis Theodoros 52, 84
Aristoxenos 135, 183, 311
Armand Bitalis 219, 310,
Agathoklis Panagiotis 49, 80, 312 Asikis Grigoris 47, 52
Aggelis 43, 50, 73
Agrafioti Efi 12, 231, 253, 310
Akritas Rigas 135
Alexander Byzantios 84, 96
Athanasios of Jerusalem 59
Athanasios, the Hierarch of Seleucia 52, 62
Avanzi Giacomo 254
Avgeris Markos 210, 245
Alexiou Zacharias 138 Avlonitis Vassilis 175, 230
Amiras Peter 135
Anastasios the Violinist 49 Bach Johann Sebastian 147,187, 149, 163, 219, 262,
Andrikos Nikos 78, 134 263, 273, 274, 307
Anemogianni Akrivi 136
Anemogiannis Charalambos 136
Anestis Hanende from Adrianople 49, 85, 93
Balasios or Valasios the Priest 37, 42, 52, 64
Baldi N. see Baldis Nikolaos
Baldis Nikolaos 116, 137
Angelidis Georgios the Tagkos 50, 314 Baltas Alkis 173, 208
Anogeianakis Fivos 163, 268, 269 Bartók Bela 179, 302
Anthimos Ephesiomagnes the arcdeacon 50 Batzanos Alekos 53
Antonellis Panagiotis 72, 265, 310 Batzanos Charalambos 46, 53
Antoniadis Dimitrios Byzantios 50-51 Batzanos George 46, 53
Antonios Lampadarios of Great Church 51, Baud-Bovy Samuel 189
56, 62, 74
Beethoven Ludwig van 95, 147, 187, 204, 262, 263,
Antonis the Violinist 51 286, 312
Antonoglou Christos 136, 267 Behrend Siegfried 191
Aphthonidis Germanos 51 Bekatoros Spyridon 111, 137-139 , 144, 191
Bergson Henri 157
Betsos Georgios from Kastoria 108
Beyer Ferdinard 140
Blatsios Charilaos 258, 313
Bobowski Wojciech 43, 86
Bock Richard 183, 201
Boutzouvi Aleka 264, 313
Brahms Johanes 279, 306
Brecht Bertolt 166
Brusselmans Michel 238
Bustindui Joseph 254
Carikiopoulos Constantinos 139, 287
Carikiopoulos Joseph 140
Carulli Ferdinardo 260
Cavadias Loukianos 6, 117, 140-142, 295, 296,
311, 312
Çelebi Ahmed 43, 73
Cemal Rasit Rey (Rasit el Abed) 273
Çemil bey 46, 77
Cerha Friedrich 194
Chalkoutsaki Titika 173
Chamoudopoulos D.A. 240, 243, 244, 314
Charalambidis Theodoros 228
Chatzi-Panagiotis 74
Chatzitheodorou Georgios I. 246, 247, 249,
Apostolos Konstas 44, 57 Belik Andreas 203 250, 314
316
Chatzitheodorou Th. 232, 251
Chaviaras Ioannis 213
Chelmi Elisabeth 143
Choremi A. 239
Dellios Vassilis 185
Demetriadis Tetos (Theodore) 47, 59, 295, 311
Deniz Kızı Eftalya 59
Diamantidis Antonios (Dalkas) 47, 58, 78
Christaki effendi see Kyriazidis Christos Doinet Victor 283
Christodoulidis Nikolaos 143 Donizzetti Gaetano 46, 95
Christopoulos Athanasios 41, 54
Chrysanthos of Prousa 25, 54, 227
Donizzetti Giussepe pasha 95
Dorotheos Agiotaphitis 59
Chrysaphis Manouli (Doukas) theOld 56 Doumanelis Georgios 62
Chrysaphis Panagiotis the new 37, 41, 42, 56
Conomos Dimitri 42, 94, 310
Constantinidis Athanasios 72
Constantinidis Dinos 199
Constantinidis Yannis 167, 173
Constantinidis Theocharis 221
Constantinidou Mary 210
Constantinidou Zenobia 279
Dounias Minos 171, 200, 237
Dragatakis Demetris 205, 305
Dragatsis Aemilios 174-176
Dupré Sophie 240
Eckert Georg 149
Economidou Lily 143
Efthalia (Anastasia Georgiadou) 59
Constantinos Byzantios the Cantor 56 Elias (Illya) 70
Constantinos from Aghialos 57
Copland Aaron 272
Cornello Michele 161
D’Indy Vincent 238
Dafas Athanasios 220
Dafnomilis Alekos 210
Damianos from Vatopedi 68, 88
Daniil from Tyrnavos, Protopsaltis 57
Dapontes Constantinos 58
Deligiannis Athanasios 218
Dellas Christos 147
Enternidis Vladimiros 61
Eptaminitis Antonios 144
Eskenazi Roza 47, 60, 78
Eustathiadis Alexander 145
Evaggelatos Antiochos 173
Florou Angela 149
Formozis (Panteleimon) 149-150, 211-213,
215, 314
Fortner Wolfgang 180, 181
Frantseskopoulou Marika the Politissa47, 60,78
Garmiryan Kainik 53
Gastoue Amedéé 238
Gazis Anthimos 92
Gazis Manouil 42, 60
Gennadios monk from Raidestos 61
Gennadius Scholarius 41
Georgiadis Christodoulos Kessanieus 62
Georgiadis Eleftherios 104
Georgiadis Themistocles 72
Georgiadis Theodosios 61, 118
Georgiadis Thrasyvoulos 201
Georgiadis Triantafyllos 61
Georgios the Cretan 50, 62, 63, 79, 91
Georgios, of Lesbos 50, 62-63, 80, 101, 107
Georgiou Eftyhios 63
Georgiou Nikolaos 50, 63, 71
Germanos of New Patras 64, 67
Germanos of Old Patras 64-65
Fenerli Yorgi Efendi see Giorgis from Phanar Gheorgiou Angela 225
Ferdinand (Ferdi) von Statzer 273
Filanthidis Peter 45, 91, 120, 311
Filopoulos John 157, 162, 213, 215, 234, 235,
314, 350
Floros Epameinondas 145-150, 312
Giagkos Theologos 44
Gianidis Elisha 151-158, 211, 235, 250
Giannakakis Georgios 144
Giannopoulos Emmanuel 223, 311
Giapalakis Vasilios 159
317
Gilson Paul 238
Hitler Adolf 254
Giorgis from Phanar 65 Hourmouzios (Georgios or Georgiou) 68
Giorgis or Stravogiorgis 44, 65
Hugo Victor 186, 254
Giovaniskos of Moldovlachia 43, 44, 49, 65 Hugo Wolf 288
Gkirtzis Alekos 273
Gottfried Michael Koenig 191
Gottfried Preyer 6, 213, 283
Gounaropoulos Nikolaos 66
Humperdinck Engelbert 145
Iakovos (Giakoumakis) the Peloponnesian 69, 311
Ieronymos Tragoudistis (Singer) 42
Gounaropoulos Vasileios 6, 31, 66, 159-160, Illya see Elias
292, 293
Greck Alexander 200
Greck Sotirios 112
Grieg Edvard 187, 202, 262, 275
Grigoriadis Stavrakis 45, 50, 51, 66
Grigorios Bounis the Alyates 66
Grigorios Levitis 22, 63, 67, 78, 79, 87, 100,
108
Grigorios metropolitan of Vize 67
Grigorios Protopsaltis 67, 11, 282
Grigorios the Chios, deacon 67
Haci Arif bey 46
Hadjidakis Manos 162-167 , 179, 193, 312,
313
Halatzoglous Panagiotis 57, 68, 71
Hatzhathanasiou Michael 69
Hatziafentoulis the Sarantaekklisiotis 68
Ingenito Giovanni 6, 167-168, 294, 298
Ingenito Giovanni see Ingenito Giovani
Ioannidi Alexandra 264
Ioannidis Alkinoos 307
Ioannidis Nikolaos 70
Ioannidis Stefanos 32, 257, 312
Ioannikos Vatopedinos 79
Ioannis Byzantios 56, 91, 100
Ioannis from Silivri 71
Ioannis Kavadas 74, 91
Ioannis the Sweet 39
Jugdman A. 276
K(H)arikiopoulos Constantinos see.
K(H)arikiopoulos Constantinos
K(H)arikiopoulos Joseph see K(h)arikiopoulos
Joseph
Kalagiannis Grigorios 72
Kalfagiannis Constantinos 72
Kalfoglou Alexander 41
Kalogeropoulos Takis 47, 138, 149, 151, 171, ,
174, 178, 185, 187, 209, 220, 226, 229, 235
237, 247, 262, 271, 274, 306, 309
Kalogiannis Antonis 183
Kalomatis Iossif 167-168
Kalomoiris Manolis 142, 147, 149, 155, 172,
173, 203, 221, 249
Kalouta Anna 174, 230
Kalvos Andreas 167
Kamarados Georgios Byzantios 72, 312
Kamarados Neleus 72-73, 74, 76, 102, 103,
Ioannis Trapezountios 43, 44, 57, 67 272, 312
Ismail Dede efendi 46
Jens Walter 182
Joachim Andreas 101, 311
Joachim Joseph 45
Joasaph priest the Russian 45, 51, 71-73, 101,
Kamarados Vasileios 72
Kanellidis Gerasimos 72
Kanellos Stefanos 73
Kanellos Vassos 249
Kantemiris Demetrios 73
Kantouniaris Nikiforos from Chios, arcdeacon
Haydn Joseph 95, 140, 271, 307 108 of Antioch 81-82
318
Kapnisis Costas 230
Karakasis Achilles 169
Karatzas Giagkos 44
Kleffel Arno 145
Koca Angeli see Aggelis
Kokkinos Nikolaos 170, 267
Karatzolas Constantinos 170 Kolasis Byron 170-173, 242
Karipis Costas or Karipopoulos 47, 74
Karrer Pavlos 31, 138
Konstantas Grigorios 56, 93, 105
Konstantinidis Grigoris 174-178, 297, 312
Katakouzinos Alexander 159, 216, 234, 235, Konstantinidis Rigas 178
237 Konstas Apostolos 44, 57, 62
Katchen Julius 163 Konstas from Chios 44
Katzias Joseph 170
Kazantzis Alexander 146, 158
Konti Kiki 232
Kontis Alekos 172, 173, 245
Kazantzis George 210 Kontodaemon Venizelos 273
Kazantzis or Perdikis Georgios 234 Kopsida Antigone 254
Keilmann Wilhelm Martin 199
Korn Peter Jona 201
Kemani Anastasios see Anastassios the Kosmas Efmorfopoulos from Madytos 75
Violinist Kotzageorgi Xanthippe 27, 31, 33, 159, 292, 312
Kemani Andon see Konstas Apostolos Kougioumtzoglou Victoria 187
Kemani Corci see Giorgis or Stravogiorgis Kounadis Argyris 128, 131, 132, 165, 173, 178-183,
Kemani Todoraki Ağa see Thodorakis the 311, 312, 314
Violinist Kours(i)oumtzoglou Constantinos 184
Kemani Zafiraki see Zafeirakis
Kemençeci Vasilaki see Vasilakis
Kerykou Constantinos 75
Khatsatourian Aram 179
Kiltzanidis (Georgiadis) 28, 38, 45, 69, 72,
74, 84, 96, 100, 312
Kemani Zafiraki see Zafeirakis
Koursoumtzoglou Nikolaos 126, 184-185, 309
Kyriazis John 51, 77
Kyriazis or Kyriazidis Antonis 76, 83, 103
Lambrinhidis G. 263
Landis Antonis 137
Lavragkas Dionysios 138, 149
Lavtaci Anton see Kyriazis Antonis
Lavtaci Vasilaki see Vassilakis the lute player
Lelakis Anastasios 185-186
Leonardos A. A. 117, 186
Leontaridis Anastasios 46, 77
Leontaridis Lambros 47,77, 78
Leontaridis Paraschos 77, 78
Leontaritis Anastasios 103
Leontief Euthalia 147
Leotsakos George 171, 179, 181, 182, 237,
244
Limpritis Fragkiskos 78
Liszt Franz 147, 187, 203, 233, 302, 306
Logotheti-Merlie Melpo see Merlie
Logothetis Anestis 129, 131, 132, 165, 190-
Koutsogiannopoulos Stephanos 76 195, 310, 313, 314
Krenn Franz 288
Krones Hartmut 190, 191, 310
Krystallidou Zoumpoulia 263, 312
Kydoniatis Constantinos 171, 173
Kyfiotis G. Demetrios 76
Kiltzanidis (Georgiadis) 28, 38, 45, 69, 72, Kyriakos Philoxenis 52, 72, 92, 99, 107, 108
Kitromilidis P. M. 189
Kyriazidis Agathaggelos 76, 96
Klavvas (Kyriakou) Constantinos 75, 81, 105 Kyriazis Christakis 77
Lorca Federico Garcia 163
Lotos Demetrios 64, 189
Luigini Alexandre 251
Lykoudi Alice 242
Lykoudis G. 242
Mahler Gustav 163, 288
Maletsidis Athanasios 196
Manas Edgar 273
Manas(e)idis Symeon 78-79
Mantakas John 6, 148, 149, 312
Manuel Byzantios 79
Manuel Chrysaphis 37, 41
319
Michaelidis Demetris 203-206
Michaelidis K.N. 207
Michaelidis Solon 173, 208
Michakopoulos Constantinos 207-208, 309
Michalakis Georgios 103
Manuel Protopsaltis Byzantios 44, 56 Mikes 46, 80
Marchot Alfred 238
Margaritis Loris 146, 147
Mascagni Pietro 205
Massenet Jules 172, 276
Mateescu Constantin 225
Mathaios Vatopedinos 79
Matsas Pericles 6, 196-197, 284, 285, 286
Mavrokordatos Alexander 79
Mavropoulos D. Ch. 251
Mavropoulos Demetrios 79-80
Mavropoulos Nikolaos 221
Mavros Georgios 198
Meletios Sinaites the Cretan 62, 97
Melhisedek of Raidestos 80, 95
Mendelssohn Felix 235, 267
Mentzou Olga 198-199
Merias Stamos 200
Merlie Melpo 187-189
Merlier Octave 187, 241, 310
Mertzianidis Costas 148
Messiaen Olivier 243
Metallinos Telemachus 6, 112, 200-202, 300,
301
Metroulia Eugenia 145, 312
Mimikos Theodoros 207-210
Misaelidis Chariton 211, 279, 312
Misailidis Georgios 80, 210-211
Misailidis Michael 80, 93, 210
Morfoniou Kiki 205
Moschovou Ekaterini 273
Motsenigos Spyros 33, 258, 309, 312
Moulinos Arsenios monk 80
Mourina Anna 176
Moysiadis Stefanos 80-81
Mozart Wolfgang Amadeus 204, 225, 267, 307
Murat Antoine 98
Musset Alfred 241, 255
Mustafa Itri 46
Mylonas Costas 178, 229, 313
Mertzianidis Costas 148
Messiaen Olivier 243
Metallinos Telemachus 6, 112, 200-202, 300, 301
Metroulia Eugenia 145, 312
Michaelidis Demetris 203-206
Myronis 43, 49, 65, 81
Naftouniaris Nikiforos the Chios, arcdeacon of
Antioch 41, 65, 81-82
Nafpliotis Iakovos 81, 82, 94, 103, 104,
105
Nazos Georgios 226, 250
Nezeritis Andreas 172, 173
Nikaki Marietta 211
Nikisch Arthur 145
Nikolaidis Anthimos 75, 82, 211-215, 283
Nikolaidis Aristidis 46, 82
Nikolaidis Vasileios the Cantor 46, 82, 282,
307
Nikolakis 46, 76, 83, 103
Onciul George 225
Onouphrios Byzantios 45, 83
Pacheidis Polychronios 74, 84
Pachtikos Georgios 6, 133, 134, 135, 140,
160, 170, 187, 211, 216-221, 259, 272, 275,
276, 293, 294, 311
Paderewski Ignaz 174
Paftounou Sophia 163
Pagana Anna 47
Paganas Nikolaos 82, 118
Pagonis Alkis 176
Paisios-Xeropotamenos 84
Palamidis Alexander 274
Palasis Ioannis 73, 84-85, 99
Paleologos Andreas 273
Pallatidis Anastasios 214
Panagiotou Thesia 210
Pann Anton see Pantoleon Antonios Perseus Athinaeos 206
Pantoleon Antonios 93, 128, 222-225
320
Peter Byzantios the Fugitive 88, 121
Pantzoglous Georgios the Hanende 85, 105 Peter Ephesios 89, 222, 225
Papachristodoulou Polydoros 18, 85 Peter Symeon Agiotafitis 56, 74, 89
Papadakis Panagiotis 85
Papademetriou Constantinos 226-227
Papadopoulos Christoforos 228
Papadopoulos Efstratios 86, 246
Papadopoulos Georgios 86, 242, 313
Papadopoulos Theodoros 229-230
Papadopoulos-Gkrekas Joseph 255
Papaioannou John A. 178, 181
Papaioannou John G. 194, 244, 313
Papamichali B. 163
Papamoschou Ourania 231
Papamoschou Yioula (Ioulia;) 231
Papas 86
Papathanakis Stavors 264
Papathanasiou Eugenia see Salpa Papa
theodorou Agathaggelos 87
Paraschos 78
Paraschos Achilles 160, 279, 292
Paraskiadis Georgios 224
Paridis Andreas 173, 179
Parthenios from Melos 87
Parthenios Mikrostomos 87
Patelis Michael 24, 127, 144, 309, 313
Pavlidis Michael the Second 87
Perdikidou A. 197
Pernot Hubert 187, 188
Peter the Peloponnesian 90
Peter the Sweet 37, 88-89
Petrakis 87
Petrescu Ian 225
Pfeffer Walter 203
Phardys Nikolaos 90-91
Pharlekas Emmanouil 73, 82, 91
Philoxenis Kyriakos, priest, Ephesiomagnes 52, 92
Photinos Dionysios 93, 99, 222- 225,
310, 311
Phragkomihali Assanio 90
Pilelis Georgios Constantinou 94
Pindios Theseus 26, 31, 231-232, 262, 311
Pipkov Panagiotis 232-233
Pirro Andre 187
Platon Georgios 171, 173, 232
Plousiadinos Ioannis 42, 92
Polychroniadis Georgios Em. 204
Polycrates Themistocles 6, 110, 215, 235-237, 290,
291, 292, 313
Poniridis Georgios 128, 130, 132, 167, 173, 237-244,
310, 313, 314
Poulakis Nikolaos 94, 105
Prasinos Georgios 94
Prestrau Alfred 185
Priftis Phaedon 245-251, 309
Priggos Constantinos 45, 81, 82, 84, 94-95,104
Prokopios metropolitan of Sozoagathoupolis 95
Provelengios Ar . 236
Psachos Constantinos 86, 154, 246-251, 272,
309, 314
Psaroudakis Constantinos 95
Puccini Giacomo 172, 203, 204, 276, 307
Ragkavis Alexander Rizos 95, 279, 312
Raidis Panagiotis 251
Raptis Michael 204, 313
Ratz Erwin 190
Ravel Maurice 197, 239, 242
Rentzeperi Anna-Maria 210
Rhaedestenos Georgios the A' 42, 55, 95
Rhaedestenos Georgios the Second 45, 76,
82, 94, 96
Riadis Aemilios 146
Rifat bey 46
Rigopoulou D. 90
Ritsiardis Joseph 173
Romagnoli Ettore 220
Romano Isaak Fresco 43, 83
Rombotis Anastasios 184
Roussel Albert 238
Roussopoulou Agni 264
Sagkounov Georgios 251-253
Sakellaridis I. Th. 141, 204, 227, 235, 250, 251
Sakellarios Alekos 174, 230
Salpa-Papathanasiou Eugenia 253 Sozopoulos Β. 198
Santorineos Notis 131, 254-256, 298 Spanoudi Sophia 28, 187, 257
Sarantaekklisiotis Giorgis 96, 246
Sarantakos Demetris 237
Sauraly-Thivet A. 244
Savvaidis Lambros 45, 95
Savvidis Aemilios 230
Savvopoulos Constantinos 97
Schizas Ierotheos 139, 142
Schubert Franz 24, 95, 163, 175, 226, 227
Schumann Robert 149, 274, 279
Schwertmann Hermann 190
Seferis George 163, 180, 210, 242
Seiler Andreas 138
Senart Maurice 240
Sevki bey 46
Siempis Costas 210
Sigalas Antonios 97, 313
Sikelianos Aggelos 163, 164, 240, 242, 248
Sivelioglou Giorgakis 98
Skarvelis Costas or Pastourmas 47, 98
Sklavos Georgios 205, 231, 263
Skrekos Georgios 97
Solomos Alexis 163, 164
Solomos Dionysios 209, 210, 216, 255, 298,
299
Soutsos Alexander 62, 105
Soutsos Georgios 41, 256, 283, 284
Soutsos Michael 256
Soutzos Georgios 44, 98-99
Spathis Athanasios 257
Spathis Constantinos 31, 32, 127, 184, 207, 257-259
Spilios (Spiliotopoulos) Emilios 137, 262
Spyropoulos Vassilis 175, 176, 230
Staggali Stefano 259
Stagkalis Stefanos 259-260
Stahlich Maria 191
Stamatiadis Stamatis see Gianidis Elisha
Stanitsas Thrasyvoulos 45, 69, 82, 84, 99
Stavenhagen Bernhard 187
Tapinos Anastasios from Hydra 100
Tatsis Apostolidis 199, 205
Tatyos Efendii see Kyriazis John
Teiner Anton 26, 31, 231
Tendi see Demetriadis Tetos
Terzimanzades Georgakis 99
Terzoudis Leonidas 266, 314
Thallidis Constantinos 261
Themelis Gennadios 101
Theocharidis K. 261
Theodoropoulou Aura 240-242, 262-264, 311
Theodoros papa-Paraschou Phokaeus 44, 49,
Stavrakis Constantinou Byzantios 45, 99, 107 56, 62, 63, 79, 92-93, 97, 99, 105, 107, 108,
Stefanidis Vasileios 44, 99
Stefanos Michael Domesticus 100
Stefanos the Violinist 100
Stogianis (or Stogianovich) Nikolaos 100
Stoikidis Platon 76, 251
Stoikos Giagkos 69
Strauss J. II 147, 271
Strauss Josef 142
Stroux Christoph 179, 181, 182, 183, 314
Stylianou Vicky 206
Swarowsky Hans 190
Swoboda August 212-215
Symeon Theodoros 100
Symeonidou Aleka 206, 209, 211, 309
Tanburi Angeli see Aggelis
Tantalidis Elias 100, 159
119
Theophanis A' Karykes 101
Theotokis Vatopedinos 101
Therou Aura see Theodoropoulou Aura
Thodorakis the Violinist 101
Thoidis Theodoros 102
Tiannidis Efstratios 102
Timonidis Efstathios 73
Tompoulis Agapios 47, 72, 97, 102
Trakas A. 251
Tsalapatanis Orestis 6, 113, 265-266, 296, 297
Tsantalis Sotiris 46, 113
Tsehof Anton 31
Tsitsipapas Georgios 24, 126, 266-267, 273
Tsitsopoulos A. 138
Tsolakidis Stylianos 103
Tsolakoglou Marcos 103
Ueter Karl 180
Uhl Alfred 190
Vâlcea Râmnicu 223
Valentin Carl 182
Vanou Jenny 183
Varnalis Costas 209, 210
Varnis Zacharias 106
Vasilakis 103
Vassilakis the lute player 47, 103
Vassiliadis Demetris 174
Vassiliadis Gaggios 99
Vassiliadis Sotos 185
Vassiliadis Spyridonas 236
Vembo Sophia 175, 176, 267
Verdi Giuseppe 147, 169, 172, 182, 204, 254,
276, 307
Viggopoulos Efstathios 104
Violakis Georgios 28, 45, 56, 81, 82, 84, 93,
99, 105, 108
Vitalis Armandos 294
Vitalis D. 167, 265
Vizyinos Georgios 86
Vlachopoulos Nikolaos 72
Vlachopoulos Sotirios 105, 119
Vlachos Nektarios 106
Voutsinas Demetrios 72, 99
Vrachamis Stavros 24, 136, 248, 266, 267, 271-273
Vretos Papachristou Margaritis 106
Vrettakos Nikiforos 210, 275
Wagner Richard 181, 189, 262, 263
Wilde Oscar 255
Williams Tennessee 263
Xanthopoulos Elias 6, 273-275, 299
Xanthopoulos Georgios 135, 275-276
Xanthopoulos Nikolaos 117, 277
Xenakis Ioannis 165, 193
Xepapadakou Aura 137
Zachariades Pierre 6, 117, 277-279, 281, 288
Zachariadis Kleopas 106
Zacharias Hanede 106-107, 108
Zachariou Basileios 56
Zafiropoulos Apostolos Zafirios 57, 65, 319
Zaharya, see: Zacharias Khanende
Zaphirakis 46, 107
Zattas Dimosthenis 142
Zehelein Alfred 201
Zervanos G. 173
Zikidis Christos 279
Vogiatzis Constantinos 126, 266, 267-271, Zinovios monk 107
309, 311
Vogiatzis Phoibos 268
Voulgarakis Demetrios, the Macedonian 106
Zographos Ioannis Keivelis 108, 119