Imaginative interiors
OUTDOOR ROOMS AND GLASS EXTENSIONS ■
COTTAGE GARDEN IDEAS AND ADVICE
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EVOCATIVE HOMES LAYERED WITH COLOUR AND TEXTURE
A BEAUTIFUL EASTER ITALIAN-STYLE FEASTS BY THEO RANDALL
TABLESCAPES WITH SEASONAL FLOWERS
TIME TO ESCAPE
DAZZLING & EASY DECOR UPDATES
WALLPAPERS AND FABRICS TRANSPORT US TO DREAM DESTINATIONS
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NEWS & SHOPPING
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OBJECTS OF DESIRE Design must-haves, from lighting to furniture
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SMART FINDS Wise buys THE APRIL EDIT Latest launches, products and happenings STYLE REPORT Bobbin pieces and sculptural forms are trending right now COLOUR OF THE MONTH Little Greene’s Travertine is a calming neutral PASSION FOR PATTERN Marvellous fabrics with a folk feel NAME TO KNOW Designer-maker Shannon Clegg and her floral vessels TOP DRAWER Hide everything away in a handsome chest SHINE BRIGHT Statement ceiling lights SITTING PRETTY Eye-catching chairs HOT PLATE Dazzling dinnerware THE COUNTRY FILES Co-founder of House of Hackney Frieda Gormley
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MAKING HISTORY Architect Bernard De Clerck’s updated Belgian farmhouse is a harmonious blend of past and present SOUTHERN COMFORT Designer Cortney Bishop’s relaxed, breezy aesthetic looks perfectly at home in this South Carolina beach house PEACE TREATY Natural hues and fine mid-century pieces bring serenity and elegance to a London townhouse PARADISE FOUND The rustic decor in this Australian cottage reflects its stunning surroundings A BOLD NEW ERA A meeting of minds between designer and client resulted in a striking update for this family home
swapped London for Saltash in Cornwall THE SUSTAINABLE HOME Designer Sebastian Cox on harnessing the power of wind as a renewable energy source
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DESIGN IDEAS 51 THE GREAT ESCAPE Global-influenced 73 80 131 140
designs that take you to faraway lands THE ART OF INTERIOR DESIGN Invaluable insights from designer Henriette von Stockhausen EVERY ROOM SHOULD SING Beata Heuman’s new book uncovers her design principles and favourite projects to date DREAM BIG Inspiring ways of extending your home with a garden room REFRESH & RENEW Ideas to give your home an update, from gallery wall displays to customising your cushions
GARDENS
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give you a modern take on the classic look
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WE LOVE The new Pig Hotel in Cornwall SPRING’S ARRIVAL Table decorations, floral displays and Easter crafts to celebrate the season AN ITALIAN EASTER Theo Randall’s delicious recipes use the best ingredients MY LIFE IN TEN Balineum’s founder Sarah Watson shares her favourite things
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147 PLANT OF THE MONTH Fragrant hyacinths bring some seasonal joy MY GARDEN LIFE Sue Biggs CBE, director general of the RHS GREATEST SHOW Meticulous planning goes into creating the tulip extravaganza at Morton Hall Gardens HOW TO CREATE A COTTAGE GARDEN The plants and materials to
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EDITOR’S LETTER DISCOVER OUR NEW PODCAST SUBSCRIBE TO H&G Your favourite magazine delivered to your door READER AWARDS A chance to feature your own house or garden THE TASTEMAKERS SERIES Join our exclusive events and meet some of the leading creatives in the world of interiors, gardens, floristry and cooking
I cannot be the only one who’s been looking for escapism in the past few weeks. It’s evident in the TV shows I’ve been watching – frothy period dramas and travel shows featuring exotic locations – and in the straw polls I’m conducting: will a summer holiday be possible?; will we enjoy the same glorious spring weather we had last year?; and will we spend Easter with family? Whatever the reality, I’m putting optimism first: escape of some kind is on the horizon, and this issue matches my mood. Our decorating feature, The Great Escape (page 51), kicks off the wishful thinking with a
PHOTOGRAPH IZABELA SMITH FABRIC CONCH FLOWER IN CORAL, £76M, NO.9 JIM THOMPSON AT FOX LINTON
tour of faraway lands through the latest wallpapers, fabrics and F OL L OW US ON
furnishings. Dream Big (page 131) takes a new look at glass
Instagram @homesandgardensuk
extensions and conservatory designs – the perfect addition for
Twitter @homesandgardens Facebook @homesandgardens Pinterest @homesgardensuk
anyone who wants to enjoy the garden. Then there are our masterclasses: interior design with Henriette von Stockhausen (page 73); tulips (page 153); and cottage gardens design (page 162). To celebrate the season, we have spring entertaining ideas (page 168) and gorgeous Italian Easter recipes from Theo Randall (page 175). Did I mention our weekend decorating projects (page 140) and amazing houses? Last, but not least, I ought to tell you about an addition to homesandgardens.com – our new crossbrand TV show, Roost. We cover everything from interior styling to gardens each Wednesday. You can catch it on YouTube, too. It starts on 10 March. Escapism? It’s all right here... LUCY SEARLE, GLOBAL EDITOR IN CHIEF
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EDITORIAL ENQUIRIES 161 Marsh Wall, London E14 9AP homesandgardens@futurenet.com Editorial Director Sarah Spiteri Global Editor in Chief Lucy Searle Group Creative Director Emma Williams Group Chief Sub-Editor Jennifer Spaeth Content & Product Development Director Michael Holmes Homes Content Team Editorial Director Rhoda Parry Houses Editor Vivienne Ayers Interiors Editor Emma Thomas Associate Editor Busola Evans Acting News & Shopping Editor Jo Bailey News & Features Editor Thea Babington-Stitt Gardens Editor Teresa Conway Food Director Elisa Roche Food Editor Samuel Goldsmith Group Art Director Alison Walter Art Editor Meredith Davies Head of Subs Operations Maxine Clarke Hub Chief Sub-Editor Carly Rigley Senior Sub-Editors Marian McNamara and Karen Wiley Head of Art Production Nicola Tillman Art Production Designers Chris Saggers and Phil Dunk Group Production Manager Matt Eglinton Production Manager John Botten Senior Ad Production Manager Jo Crosby Advertisement Copy and Make-up Barry Skinner DIGITAL Brand Development Director Laura Crombie Video Producer Matt Gibbs Editor In Chief – Homes Audience Amy Cutmore Editor In Chief – eCommerce Lindsey Davis Digital Editor Jennifer Ebert SUBSCRIPTIONS Online orders: www.magazinesdirect.com
Homes & Gardens is published 12 times a year by Future Publishing Limited. One-year full subscription rates for 12 issues including postage & packing: UK £61.65; Europe €157.60; Rest of world £157.95. For subscription enquiries please call 0330 333 1113, overseas call: +44 330 333 1113 (lines are open Monday-Friday, 9am-5pm UK time) or email help@ magazinesdirect.com. The US annual subscription price is $157.60. Airfreight and mailing in the USA by agent named Worldnet Shipping Inc., 156-15, 146th Avenue, 2nd Floor, Jamaica, NY 11434, USA. Subscription records are maintained at Future Publishing Limited, 3rd floor, 161 Marsh Wall, London E14 9AP. Air Business Ltd. is acting as our mailing agent. All prices include postage and packaging. US Postmaster: Enquiries and address changes should be sent to: Future Publishing Ltd, Rockwood House, Haywards Heath, West Sussex RH16 3DH or call +44 330 333 1113 (lines are open Monday-Friday, 9am-5pm UK time) or email help@magazinesdirect.com. BACK ISSUES Magazines Direct, help@magazinesdirect.com, +44(0)330 333 1113 EDITORIAL COMPLAINTS We work hard to achieve the highest standards of editorial content, and we are committed to complying with the Editors’ Code of Practice (ipso.co.uk/ IPSO/cop.html) as enforced by IPSO. If you have a complaint about our editorial content, you can email us at homesandgardens@futurenet.com or write to Homes & Gardens, Future PLC, 161 Marsh Wall, London E14 9AP. Please provide details of the material you are complaining about and explain your complaint by reference to the Editors’ Code. We will endeavour to acknowledge your complaint within five working days and we aim to correct substantial errors as soon as possible.
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MARKETING Head of Marketing Sian Cupid (sian.cupid@futurenet.com) Deputy Head of Marketing Laura Timms (laura.timms@futurenet.com) CIRCULATION Circulation Executive Kira Gorman (kira.gorman@futurenet.com) ADVERTISING Commercial Director Rob Biagioni (rob.biagioni@futurenet.com) Publisher and Head of Homes Network Joanne O’Hara (joanne.ohara@futurenet.com) Brand Director Kim Milroy (kim.milroy@futurenet.com) International and Luxury Account Director Carole Bunce (carole.bunce@futurenet.com) Head of Project Management Jocelyn Nish (jocelyn.nish@futurenet.com) Regional Digital and Creative Media Director Alexa Berry (alexa.berry@futurenet.com) Classified Advertising Enquiries Ben Kippin (ben.kippin@futurenet.com) Insert Sales – Canopy Media Michael Davie 020 7611 1062 SYNDICATION Head of Brand Partnerships David Abbott (david.abbott@futurenet.com) Partner Manager Syndication Efi Mandrides (efi.mandrides@futurenet.com) INTERNATIONAL LICENSING Homes & Gardens is available for licensing. Contact the Licensing team to discuss partnership opportunities. Head of Print Licensing Rachel Shaw (licensing@futurenet.com) MANAGEMENT Chief Content Officer Angie O’ Farrell Managing Director of Homes Jason Orme Chief Audience & Ecommerce Officer Aaron Asadi Commercial Finance Director Dan Jotcham Commercial Finance Director Simon Fish PRINTED BY Walstead UK Limited DISTRIBUTED BY Marketforce (UK) Ltd, 3rd Floor, 161 Marsh Wall, London E14 9AP, 020 3787 9001 REPRO BY Rhapsody Media Limited, 109-123 Clifton Street, London EC2A 4LD ISSN 0018-4233
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SHOPPING
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OBJECTS OF DESIRE FEATURE JO BAILEY
B e a u t i f u l p i e c e s w e ’r e c h a m p i o n i n g t h i s m o n t h 1. Our favourite from the new collection: Mancora cushion, £90, William Yeoward 2. Perfect for those awkward spaces: Antrim dining table, £1,895, Oka 3. The indie collaboration: Eight sphere arch candleholder, £65, Mantel x Terra at Mantel 4. Give a nod to nature with: Dunbridge table lamp, £612, Vaughan 5. Artwork from a lockdown series: Tête à Tête III, £500, Abigail Booth for Forest & Found 6. Celebrating raw imperfections: The Whittle Chair, £795, Knowles & Christou 7. Making waves this season: Maiva dancing basket, from £33, The Basket Room &
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W i s e b u y s w e ’r e c o v e t i n g r i g h t n o w 1. Our favourite fair-trade find: Jute chevron mat, £80, Maison Bengal 2. Sustainably sourced from Suffolk: Elm board 2, £46; Ebonised oak board 2, £46, all Hyrst 3. Go for green glass this spring: Glass decanter, £29, Pols Potten at Arket 4. Cane has had a colourful update: Traditional cane chair, £310, Hadeda 5. Decorate your walls with chunky ceramics: Duplum mirror, £190, Nicholai Wiig Hansen for Raawii 6. Handmade on the high street: Abstract vase, £30, Liz Vidal for Toast 7. Illuminate a room for less: Floor lamp, £59.99, H&M Home &
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THE APRIL EDIT RISING TALENT Porada continues to encourage and promote a new generation of designers with its International Design Award. Niccolò Devetag recently won the award with his Pebble sideboard design, which has been introduced to the brand’s existing Twenty collection. Pebble sideboard, price on request, Niccolò Devetag for Porada.
OPENING THIS MONTH: ROGER OATES DESIGN This best-loved flooring brand is opening the doors of a new flagship space. Situated on the second floor of an old flour mill in Chelsea Wharf, the studio benefits from lots of natural light to view the brand’s distinctive stair runners and rug designs, as well as its homeware. Unit 31/31a, Chelsea Wharf, 15 Lots Road, London SW10 0Q, rogeroates.com.
A CLASSIC FOR TODAY With its traditional turned legs and pleated arm detail, Neptune’s Olivia Empress sofa offers a quintessentially English style that combines elegance and comfort. Just in time for spring, Neptune is offering the piece in Isla Fox velvet, a rich tangerine shade to add the perfect colour-pop. Olivia sofa, £3,160, Neptune.
FEATURE JO BAILEY
ON OUR RADAR While studying engineering in the Netherlands, Arjan Van Dal spent weekends learning ceramics. Today, he creates pared-back porcelain in vibrant hues. Vessels, from £200 each, Arjan Van Dal for The New Craftsmen.
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SEEN ON INSTAGR A M @m a r i a l e m e s u r i e r
Tell us about yourself. I’m an interior stylist and creative director of furniture business WoodEdit, based in West Sussex. My husband Paul makes all our pieces in his workshop opposite our house, where we live with our five children. I’m passionate about nature, the sea and living simply, which is reflected in my work. Describe your Instagram account. It’s largely photographs of our home to show how I style and use our furniture. Life is busy with a family of seven, so I like to live quite minimally, but with a cosy feel. I collect branches and use them to bring our brand, and house, alive. It’s all about being real – I use what I see and is in season. What is your account’s USP? The use of nature, a lot of the time large scale. Always seasonal and simple, using materials such as wood, terracotta, linen, jute and grass. Which accounts should we follow? @woodedituk for stylish handmade furniture. @emilyscottfood follows her journey of creating a seaside restaurant and has lots of seascapes and beautiful imagery. @growingthoughts is a chic account of antiques, decorative objects, art, gardens and interiors with a Spanish influence. @sleepydoe_bath offers sleepwear for women and children, incorporating simple interiors.
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IN THE GARDEN: SWEET PEAS
Sarah Raven gives tips on sowing this season: ‘I sow sweet peas in a Rootrainer or similar pot with a long, thin profile. Sweet peas benefit from being sown like this, forming bushier, bulkier plants at twice the pace. Once ready to go out, we grow sweet peas over arches, teepees and trellises made of coppiced hazel, silver birch or willow, making fabulous scented walkways through June and July.’
FOR THE BOOKSHELF The resurgence of craft is set to continue this year, as many of us focus on the handmade. Julius Arthur’s new book, Modern Quilting: A Contemporary Guide to Quilting by Hand, provides a guide on techniques used to make quilts. Out on 27 May, £18.99, Hardie Grant.
PHOTOGRAPH JONATHAN BUCKLEY. BUCKETS OF SWEET PEAS COLLECTION, £16.95 FOR EIGHT PACKS OF SEEDS, SARAHRAVEN.COM
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KEEP PROTECTED These leather gloves are soft but tough enough to tackle your green space safely, £29, Labour and Wait.
GET SOWING Seeds have never looked so good. These packs are the perfect gift for a gardener, £2.99 each, Piccolo at Sous Chef.
SHAPELY STYLES Statement headboards are having a moment, with scallops, waves and curves all on a grand scale. Look for products that can be customised. From top, Samson, from £329 (excl fabric), The Headboard Workshop; Wave, from £590 (excl fabric), David Seyfried.
ESSENTIAL TOOL Made in Japan, this trowel is designed for lighter gardening jobs – perfect for the potting shed. Moko trowel, £59, Niwaki.
STORE SAFELY Protect your plants and free up space in the greenhouse with this Foxmore raised cold frame, £140, Garden Trading.
POTTING UP This pot is suitable for outdoor use, frost resistant and includes a saucer for drainage. Elizabeth pot and saucer, £17, Bergs Potter at Amara.
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CONSIDERED COLLECTION This spring will see Sebastian Cox launch Silviculture, a range of made-to-order furniture. The designs are made from coppiced wood, an entirely renewable material that champions Britain’s under-utilised woodlands. Coppiced hornbeam and elm desk, £2,350, Sebastian Cox.
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IN A SWIRL Marble prints were big last year and look like they are here to stay. For an easy nod to the trend look to the stunning Summerill & Bishop x Matchesfashion collaboration – a tablecloth and napkin design with a playful painterly motif. Marble linen napkin, £25.
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LITTLE BL ACK BOOK Brass hardware PRETTY TOUCH With many of us planning to spend Easter at home, it is the perfect time to indulge in some charming seasonal decorations. We love these glazed Rhombe Easter eggs, £16 each, Lyngby Porcelæn.
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1. Jim Lawrence: a great source of antiqued brass items with a traditional aesthetic, based in Suffolk, jim-lawrence.co.uk. 2. Mark Lewis Interior Design: inspired by vintage finds, this London-based studio offers beautiful bespoke hardware, marklewisinteriordesign.com. 3. Objects of Use: based in Oxford, selling a simple yet thoughtful selection of hooks, rails and brackets, objectsofuse.com. 4. Plank Hardware: a relatively new kid on the hardware-block, offering sleek modern designs at savvy prices, plankhardware.com. 5. Willow & Stone: sells a wide range of modern and classic designs from its workshop in Falmouth in Cornwall, willowandstone.com.
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ST YLE REPORT S S21 i s look i ng fabu lou s – here a re fou r key look s t o k now
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BOBBIN The traditional A merican detail is here to stay
FEATURE LAURA VINDEN
1. Mid-century Picasso lithograph in a bobbin frame, £175, Etalage 2. Tall bobbin lamp base in Clover Green, £195, Hill & May 3. Broughton bobbin chair in Chalk White, £2,160, Vaughan 4. Bobbin large bedside table in Duckling, £995, Turner Pocock for Chelsea Textiles 5. Bobbin bed, £4,680, Julian Chichester ¤
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SEA LIFE Ma k i ng waves – f rom f u r n it u re shapes to decorat ive pat ter ns
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1. Italian, mid 18th century-inspired shell prints on handmade paper, from £50, Becky Wilson at Bohome Interiors 2. Fish & Coral large cushion cover, £85, Raphael Balme at The Shop Floor Project 3. Hobe Sound side table, £2,020, Oomph at Nina Campbell 4. Shell wall sconce, £185, Charlotte Packe 5. Beachcomber fabric, £84m, No.9 Jim Thompson at Fox Linton 6. Venus shell romantic vase, £480, Polly Fern at The New Craftsmen 7. Sephy medium sofa in Husky Ivory, £1,495, Arlo & Jacob ¤
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ORGA NIC MATTER Sculpt ural forms and
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nat ural materials triumph 1. Arthur checkerboard cushion, £45, Daylesford 2. Natural straw underplate, £19.95, William Yeoward 3. Denali mirror, £2,495, Palecek at Paolo Moschino for Nicholas Haslam 4. Prism chair, £1,600, Angus Ross 5. Touch of char bowl, £180, Khayni 6. White ceramic light, £525, Marta Bonilla at A New Tribe 7. Ogan night cabinet in bleached Scottish elm, £4,600, Faolchú ¤
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sees a resurgence 1. Editors chaise, £2,200 plus 10m of fabric, David Seyfried 2. Mini Cep lamp in Blue, £920, Collier Webb 3. Linen napkin in Blue & Burgundy Stripe, £14.50, The Conran Shop 4. Milo doublecloth woven cushion, £76, Midgley Green 5. Still Life weave in Ink, V3467/03, £50m, Villa Nova 6. Love Letter rug in Tibetan wool and pure silk, £1,080sq m, Deirdre Dyson 7. Merinid floor cushion, £395, Oka &
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COLOUR OF THE MONTH We a r e d r a w n t o t h e e a r t h y n o t e s o f L i t t l e G r e e n e ’s Tr a v e r t i n e
FEATURE BUSOLA EVANS
In these unsettled times, embracing colours rooted in nature can be both comforting and grounding. So the unveiling of Little Greene’s new Stone collection, featuring 36 natural colours and continuing its collaboration with the National Trust, could not be more timely. Travertine, with its dune-like hue, is a calming neutral that feels more welcoming than white or grey. Try subtle shade shifts with the Mid and Light tones or contrast it with other colours from the collection, like Nether Red or Baluster, for a more dynamic combination. This gentle colour is like an enveloping hug – very pertinent right now. Upper wall in Travertine Mid 273; lower wall in Travertine Light 272, both intelligent matt emulsion, £48.50 for 2.5ltr; dado rail in Travertine 319 intelligent eggshell, £68 for 2.5ltr, all Little Greene &
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FEATURE JO BAILEY
Fo l k m o t i f s w i t h a f l o r a l e d g e a r e f i n d i n g t h e i r w a y o n t o f a b r i c s (Top row from left) Somerton in Tomato/Blue, £169m, Colefax and Fowler Lalita 4405-05, £130m, Nina Campbell at Osborne & Little Perdana in Emerald, £74.90m, Linwood (Middle row from left) Daisy Chain in Chartreuse, £98.50m, Rapture & Wright at The Fabric Collective Daffodil in Dark Olive, £89m, Morris & Co at Sanderson Design Group Arboreta in Navy, £93.01m, Thibaut (Bottom row from left) Day in Dark Indigo, £125m, Makoto Kagoshima x Chariots on Fire for Christopher Farr Cloth Kumba in White Multico, £127.40m, Casamance Conch Flower in Coral, £76m, No.9 Jim Thompson at Fox Linton &
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NA ME TO K NOW E x plor ing the d if ferent avenues of f lower pressing, desig ner-ma ker Shannon Cleg g craf ts beautif ully textured f loral vessels
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Tell us a little about your background. I grew up among the flora of Table Mountain in Cape Town, South Africa, where I trained to be a tailor. I packed my bags for London with hopes of discovering different contexts for ‘making’. In London, I signed up to evening classes in ceramics and glass-casting to build my confidence and went on to study BA Contemporary Crafts at Falmouth University, Cornwall. →
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Where do you look to for inspiration?
There is a concept that architects use called biophilic design that explains how certain materials can be used to give an indirect experience of nature, which can help boost one’s mood and mental health. I’m fascinated by this idea and how I can build the same sort of connection in my work.
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Who or what has inspired you? I think my biggest inspiration is my South African heritage, in its resourcefulness and culture, as well as its environmental diversity.
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Tell us about your technique and the equipment you use. My first 3D flower-pressed vase Bouquet was my response to a battered wooden antique tie press I bagged for £1 while bargain-hunting at Wimbledon Car Boot Sale. That made me question the craft process of pressing and suddenly I couldn’t stop thinking how do I go from 2D to 3D pressing flowers? I developed a unique hand-moulding technique, inspired by my research in millinery and slip casting moulds. I make the moulds myself then hand-press each vase using real flowers in my studio.
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What’s in the pipeline for you this year? I’m gearing up to show at London Craft Week in May and London Design Festival 2021. Also, I have a few craft makers in mind that I plan to approach, as would I love to work with a fashion brand and milliner.
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How would you advise anyone wanting to pursue a career as a designer-maker?
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Make connections with others. Find artist studios or maker-spaces to orientate yourself in. They are your tribe and will be happy to welcome you. Make your bread and
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butter count: you will likely juggle a day job while your practice develops so make it something that adds a skill set that will eventually help your practice – like an admin or marketing role, for example.
organise themselves as a society and build their honeycombs is a wonder I will never tire of. Who knows, maybe my next big project will involve making beehives. & ■ shannonclegg.co.uk
If you weren’t a designermaker, what was plan B? A beekeeper. As a teen I had a small side job in Cape Town re-hiving migratory swarms. Seeing how they
MAKING HISTORY In his farmhouse home in the Belgian countryside, architect Bernard De Clerck skilfully combined the past and the present to form a flowing, harmonious whole WORDS JO LEEVERS PHOTOGRAPHY HENDRIK BIEGS/LIVING INSIDE
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H OUSE S EXTERIOR The grounds were originally all meadow, but have been transformed into a garden that interacts with the house
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DINING AREA Antique and modern styles blend seamlessly, with pieces in milky tones complementing the original patina of the woodwork. The Van Dyck table is by Rodolfo Dordoni for Minotti. For a similar antique chandelier and chairs, try The Hoarde
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H OUSE S SITTING ROOM All the walls in the farmhouse are in a lime paint that has a rustic, loam-like finish. The coffee table was made from an old walnut door. For a similar chair, try George Smith. The artwork is by Jean-Marc Louis
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idway through the renovation of this 19th-century farmhouse, architect Bernard De Clerck struck upon exactly the right colour palette for his historic home. The house came with its original shutters and doors, but they had been concealed by almost two centuries’ worth of paint
glazing has been added to link the spaces with the garden. The roof beams have been exposed and a former hayloft now houses bedrooms and bathrooms. The result is a sequence of living spaces that feel linked, but can also be closed off for privacy, or to retain heat in the winter. Bernard points out that when the old doors are shut, they almost look like wall panelling, adding to a more snug, private
and lacquer. But after plenty of careful scraping, the first layer of paint was revealed. ‘There were all shades of grey, one a bit greener, the other a bit bluer,
mood, set into walls that have been painted in a lime paint that closely resembles the loam-like finish that harks back to the farm’s former life.
but all with a beautiful patina,’ he remembers. ‘These colours formed the basis for the house’s palette.’ As a renowned architect, Bernard already had a reverence for the ‘bones’ of this home, a farmhouse and adjoining barn in Lotenhulle, deep in the Belgian countryside. ‘The house dates from 1833, but architecturally it was still rooted in the 18th century,’
A renovated barn is now joined to the house via a glazed conservatory and this is where Bernard works and meets with clients. In here, too, more generous modern windows look out onto the extensive gardens, which have been transformed into a sequence of equally considered spaces, including a pool area, cultivated areas and then wilder meadows.
he says, with some of the windows resembling an ancient style seen in Brueghel’s paintings. And it was these details – the windows, floorboards, beams, doors and shutters – that captured his imagination. While he has added some modern touches in the form of poured concrete flooring and several pieces of contemporary furniture, Bernard’s overarching aim was to capture the spirit of the property, while sensitively updating it for life in the here and now. ‘When you move into an old house, you don’t need to make it into a museum. But neither do you need to throw everything away,’ he explains. ‘Your own history and the history of the house can combine to create a new harmony.’ Bernard’s subtle alterations mean that the farmhouse’s rooms now have a more opened up feel and a sense of flow that would have been quite unfamiliar to the building’s 19th-century occupants.
Furniture is about comfort as well as integrity and many items have been in the family for years or are antiques that Bernard and his wife Isabelle have bought on weekend visits to French markets. ‘I love the feel of modern and antique objects side by side,’ says Bernard, who has added a classic Arne Jacobsen Egg chair, contemporary art and his own large-scale photography to these rustic spaces. The rural setting was what initially attracted Bernard and Isabelle to this spot. ‘Twelve years ago, we felt the urge to move somewhere with a really open, outdoor feeling. When we stumbled upon this remote farmhouse, we were immediately enchanted,’ he recalls. Bernard’s redesign has retained that sense of enchantment, while adding elements that reflect his own family’s story, creating a home that will continue to inspire for years to come. &
In spring and summer, the doors that lead off the main sitting room are kept open, while modern
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Bernard De Clerck Architects, bernarddeclerck.be
BARN SITTING ROOM Ochre tones and antique finds meet contemporary surfaces. For a brass side table like this one, try Jonathan Adler. Find a vintage sofa at Vinterior
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H OUSE S
BARN RECEPTION ROOM Stripped back beams, a remarkable barn door and the gallery level are reminders of the building’s roots in this space that Bernard uses for client meetings. Roger Oates Design sells rugs in this style. For a similar vintage table, try Original House
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EXTERIOR Bernard is a keen gardener: ‘If I could, I’d buy new plants and flowers every weekend,’ he says
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BAR AREA A barn space that carts once rolled into is now a bar area decorated with plants and photographs. ‘We often sit here for aperitifs with friends and family,’ says Bernard. Find a similar bar stool at Maisons du Monde. Original House can source a table in this style. The photograph is by Bernard
H OUSE S MEET THE HOMEOWNER
Bernard De Clerck shares his style vision and loves
PLACES TO VISIT The Prado Museum
in Madrid and the Museum of Modern Egyptian Art in Cairo.
FAVOURITE BUILDING The Stoclet
Palace in Brussels by Josef Hoffmann, a leading architect of the Vienna Secession movement.
BEST GIFT YOU HAVE BEEN GIVEN Trees for the garden. LAST THING YOU BOUGHT FOR YOUR HOME An ironing board, a rather nice wooden one from Zara Home.
SECRET ADDRESS Vintage lighting store Vergeten Verlichting.
EXTERIOR This enclosed walled space makes the perfect terrace and pool area
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D ES IGN IDE A S
The great escape L et the latest wallpapers, fabr ics and f urnishings ta ke you on a journey to faraway lands STYLING ALYCE TAYLOR PHOTOGRAPHY CHRIS EVERARD
CARNIVAL IN RIO Feel the heat with a warming palette of earthy red, spicy coral and sandy yellow mixed with a riot of pattern. Curtains in Petale, £78.30m, Casamance; backing in Burano var. Multicolore, £113m, Rubelli; border in Kauai embroidered, £70m, Samuel & Sons; fringe in Ombre, £90m, Christopher Farr Cloth. Banquette bench, £4,800, Howe London; seat and cushions in Live It Up, £270m, Kit Kemp for
Christopher Farr Cloth. Cushions in Day, £125m, Makoto Kagoshima x Christopher Farr Cloth; Zinnia, £196m, Clay McLaurin for George Spencer. Palomar Brocade cushion, £510, A Rum Fellow. Waffled linen throw, £160, Oggetto. Mustard metal side table, £115, Graham and Green. Broughton Bobbin
chair, £2,160 (excl fabric),Vaughan. Gingham Ruffle cushion, £110, By Alice x In Casa by Pa Boy. Tambour cabinet, £5,998, Knowles and Christou. Ceramics (on cabinet), Flow tableware by Ferm Living, from £19, Heal’s; Wide Juice striped glass vase, £129, Hay at Amara. Hikira rug, from £1,612, A Rum Fellow →
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JAPANESE GARDEN Meandering florals and block-printed patterns are paired with rattans and jewel-like teals for a living scene with a Far-East twist – it’s like a gentle stroll through the serene gardens of Kyoto. Belgrave 2 seater sofa (on left), £2,720 (excl fabric), David Seyfried; covered in Moorish Maze, £132m, Rapture & Wright. Candy stripe cushion, £49, Heal’s. Katzsic sofa, £6,336 (excl fabric), Max Rollitt; covered in Alpha Velvet, £59.90m, Linwood; seat pad and bolsters in Wilde, £112m, Colefax and Fowler. Cushions (from left), Manade, £80.19, Maison Casamance; Areca
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cushion cover, £60; Contorno cushion cover, £50, both Oka. Lune cushion, £115, Black Edition. Panel in Ogata wallpaper in Rust, £440, Atelier by Fromental; panel behind in Pandan 34105 wallpaper, £169 a roll, Arte; painted trim, as before. Hand-block paper screen, £1,650, Lorfords Antiques. Cornelius mirror, £2,760, Porta Romana. Ardingly cabinet, from £1,635, Neptune. Vases (on cabinet, from
left), Minxian jar, £175; Lvliang jar, £250, both Oka. Rattan side table, £415 for a set of two, Graham and Green. Fowey coffee table, £3,360, Julian Chichester. Ceramics (on coffee table), Poirot vessels, from £275, Jonathan Adler. Tessa armchair, £3,116, by Antonio Citterio for Flexform London. Rider X-bench in Rialto Peacock, £795, Jonathan Adler. Adamento Wheat rug, from £2,808, Tufenkian →
D ES IGN IDE A S
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HOMAGE TO HAVANA The faded grandeur and tropical fauna of a romantic interior in Cuba is depicted here. Glossy tiles are set against soft earthy tones and textures. The combination of fresh, cooling greens and soft, dusty pinks is a delight for the eyes. Main panel in Patio Exotique wallpaper, £160.80m, Pierre Frey; trim in Terracotta Pot matt emulsion, £65 for 5ltr; panel in front in Zeze Blossom wall tiles, £7.49 each, both Claybrook. Hoxton Bottle Green gloss porcelain floor tiles, £46.67sq m, Mandarin Stone. Pawn table, £299, Heal’s. Square vases in Sand, £50 each, 101 Copenhagen at Heal’s. Vintage chair covered in Be Bop A Lula, £188.50m, Dedar. Kyoto pendant shade with Mumford fitting in brass, £109, Pooky
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A TASTE OF VALENCIA Smart stripes and high-gloss lacquers transport us to stylish Spanish gardens. Panel in Royal Jardiniere wallpaper, £165 a roll, Cole & Son; painted trim, as before. The Crayon table, £8,613, Davidson London. Echo dining chairs with loose covers, £225 each, Oka. Three-arm Bird in Flight chandelier, £2,250, Margit Wittig. Dala horses, from £34, Nordic House. Ceramics (from left), Aptera decorative jug, £55; Hadrian decorative jug, £25, both Oka. Broken Maze rug, £5,550, Jennifer Manners →
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DREAMING OF JAIPUR Mimosa yellows and vibrant greens form the palette for this bedroom, with a canopy adorned with trims and fringing for those extra decorative touches. This is a bed made for daydreaming, away from the bustle and heat of the street below. Montague headboard, price on request; Chichester bed base, £635; mattress, £1,870; Eloise ottoman, from £610, all Neptune. Fabric panel in Thistle in Mustard, £264m, Neisha Crosland for Schumacher; pelmet in Oswin Sunflower, £35m, Romo; border in Maui embroidered 59335-10 in Kelp, £64m, Samuel & Sons; fringe in Ombre, £90m, Christopher Farr Cloth. Decorative paintwork created with Faux Bone Inlay stencil, £24.95, Annie Sloan. Quilted velvet throw, £225, Toast. Cushions in Palmetto in Jungle, £320m, Carolina Irving; Najwa Spring, £294m, Alice Sergeant at Tissus d’Hélène; Jungle cushion with velvet piping, £80, Jessica Osbourne. Lazy Linen bedding set, from £245, Loaf. Albus pendant in natural cane, £122, Pooky. Marsh End table, £1,259, Arteriors. Taino chair, £210, Oka →
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SOAK UP THE PROVENCE LOOK The pared-back elegance of the South of France is explored through scenic French panels and antique ceramics. Modern geometric tiles, overlaid on the old flagstone floor, zone the space. Delafon bath, £6,960; waste and overflow kit, £696; Bill deck mounted bath shower mixer in aged brass, £1,403, all The Water Monopoly. 18th-century French
canvas screen, £3,500, Lorfords Antiques. Terracotta Gammon encaustic tiles, £4.80 per tile, Otto Tiles. Octagonal plinth, £480; 19thcentury French urn, £950, both
Maison Artefact. Chair covered in Bovary, £157.90m, Lizzo. Beckett ceiling light in bamboo, £858, Porta Romana. Elland throw, £200, Neptune. Ceramics, stylist’s own &
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FEATURE JO BAILEY
St ylish chests for all your storage needs 1. Willow chest of drawers, £795, Loaf 2. Huron chest of drawers, £1,715, Soho Home 3. Marano dresser, £999, Says Who for Heal’s 4. Vortist chest of drawers, £1,095, Oka 5. Avalon monumental double chest, from £3,050, Trove 6. Padma chest of drawers, £499, John Lewis & Partners 7. Plain chest of drawers, £4,100, Paolo Moschino for Nicholas Haslam 8. Pavia chest of drawers, £379, Made 9. MID046 chest of drawers, £2,445, Chelsea Textiles &
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FEATURE JO BAILEY
Illuminate a room w ith oversized lig ht ing 1. Globe chandelier, H75.3xD66cm, £904.80, Julian Chichester 2. Chiara giant pendant, H32.5xW30cm, £900, Hector Finch 3. Seagrass lampshade, H74xW56cm, £495, Oggetto 4. Merlin pendant, H56xW62cm, £149, Pooky 5. Small Vertigo pendant, H15xD140cm, £805, Constance Guisset for Petite Friture at The Conran Shop 6. Dancing pendant, H58xD95cm, £679.95, Iskos-Berlin for Menu at Do Shop 7. Highgate pendant, H28xW62cm, £385.40, Jim Lawrence 8. Pily suspension, H50xD60cm, £420, Caravane 9. Original 1227 Maxi pendant, H47xD44cm, £150, Anglepoise &
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SITTING PRETTY 1. Tessa armchair, £3,116, Antonio Citterio for Flexform 2. Leonard armchair, £1,225, Rose & Grey 3. Montgomery chair, £3,800 (excluding fabric), Ensemblier 4. Fireside chair, £875 (excluding fabric), Salvesen Graham 5. Monroe armchair in Blush Pure Belgian linen, £1,140, Sofa.com 6. Madeleine chair, from £455, Neptune 7. Vivi Teddy chair, £1,145, Melimeli 8. Esmeralda accent chair, £998, Anthropologie 9. Bobbin chair, £415, Graham and Green &
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FEATURE JO BAILEY
Charming chairs per fect for a bed room corner
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FEATURE JO BAILEY
Ser ve up some colour w ith v ibrant dinner ware 1. Jenny dinner plate, £40, Deborah M Allen for Designers Guild 2. Arlecchino dinner plate, £54, Cabana 3. Scalloped edge dinner plate, £58, KC Hossack Pottery at Liberty 4. Granada dinner plate, £89 for a set of four, Sophie Conran 5. Kintaro dinner plate, £90 for a set of four, Oka 6. Cloud dinner plate, £18.95, Host x Ottoline, Host 7. Terracotta plate, £35, Arket 8. Kyma dinner plate, £75, Themis Z at Matchesfashion 9. Ikat dinner plate, £50, Les Ottomans at Amara &
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THE COU N TRY FILES F r i e d a G o r m l e y, c o - f o u n d e r o f H o u s e o f H a c k n e y, o n g e t t i n g back to nat ure and the hidden gems in her par t of Cornwall TEN years ago Frieda Gormley co-founded
Keveral, which includes a wonderful box of
the luxury interiors and lifestyle brand House of Hackney with her husband Javvy M Royle. They were renovating their Victorian home in east London at the time and wanted to find products in their signature style, but that were manufactured in the UK. The brand has grown to include fabrics, wallpapers and furnishings, with many created
Coombeshead Farm sourdough bread.
working in collaboration with Royal-Warrantholding craftspeople. A decade on and two children later, the couple have moved to the Castle of
farm Melilot. This summer (if Covid allows) I think we’ll see more farm-to-table restaurants opening and putting this area on the map in a beautiful way.
Trematon in Saltash, Cornwall. In 2020, they turned their home into a pop-up B&B and this year they have launched their SS21 collection, The Fantastical World of Flora Fantasia, which is inspired by the fairy-tale gardens surrounding the castle. n
The Tamar Valley was historically one of the most fertile areas of the UK, but because of invasive farming the soil has become overused. People here are committed to changing that, such as Michelinstarred chef Dan Cox, who heads up the regenerative n
At the weekends we like to take our ridgeback dog and two children walking in Rame Head. Up there is The Canteen at Maker Heights, which was started by Nick Platt, an ex-River Cottage chef, and it has the most amazing breakfasts and Sunday lunches. n
Being in Cornwall, surrounded by nature, has
been so nourishing. The beautiful estate we live on is a place of fantasy and escapism, which is what we’ve needed in tough times. It can feel like being in another world. Nature is our biggest muse.
We love Porthcurnick Beach because it’s got this incredible beach café called The Hidden Hut, which does lunches such as fresh mackerel salad and coconut dahl – so not your normal beach food.
I swim in the Tamar Estuary every day of the year, whatever the weather. Actually, it’s even more joyous in the rain. It gives me the most incredible health and wellbeing boost and I just feel so incredibly lucky to be able to do it.
My secret antiques treasure trove is actually in Somerset, but it’s worth the drive. It’s called Wessex Beds, although they sell actually everything. The owner Jeremy has the most amazing eye.
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I love art and there’s a gallery that I go to that has famous Cornish artists called Livingstone St Ives. I particularly love an artist called Henrietta Dubrey. n
When we moved to Cornwall from London, funnily enough our main concern was ‘are we going to be able to get our favourite coffee?’. But we’ve found that Cornwall is actually amazing for coffee; Yallah is roasted in Falmouth. n
Moving here has made us so much more conscious of our environmental footprint. We’re trying to be more plastic-free and also support the local producers. We get a weekly produce delivery from a community of growers called n
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Over the last year I feel that people have become increasingly attached to the idea of having beautiful n
products in their home knowing where they’ve come from and who has made them. It’s the same as caring about the provenance of the food you eat. I believe in the positive energies of an inanimate object. & n
houseofhackney.com
N EWS Frieda and Javvy
The trove at Wessex Beds
Melilot Farm is committed to regenerative agriculture
Porthcurnick Beach’s The Hidden Hut
“THE BEAUTIFUL ESTATE WE LIVE
Sourdough bread from Coombeshead Farm
ON – WITHIN THE CASTLE OF TREMATON – IS A PLACE OF FANTASY AND ESCAPISM, WHICH IS WHAT WE’ VE NEEDED IN
FEATURE JESSICA SALTER PHOTOGRAPHS (TREMATON) PAUL FEXIX PHOTOGRAPHY/ALAMY
TOUGH TIMES”
Livingstone St Ives gallery
The house and gardens in the grounds of Castle Trematon
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N EWS
THE SUSTAINABLE HOME Desig ner Seba st ian Cox char t s the renovat ion of his home, one inspir ing and innovat ively eco -f r iend ly idea at a t ime
W
e’re lucky to live within a shell’s throw of Margate beach. It has been a lifeline offering sea air to clear the mind. Daily, the beach changes. The Westbrook end, nearest our home, can go from being a narrow slither of sand, to a 10-minute walk to the shore over slippery
Wind power is one of the UK’s best sources of renewable energy
chalk, depending on how the moon pulls the water, sand and kelp. On an outing with the toddler and the terrier recently, I received a callback from our energy
PHOTOGRAPH SIMON BELCHER/ALAMY STOCK PHOTO
supplier, Ecotricity. In view of the 13.5 square mile Thanet Offshore Wind Farm, with a hooley blowing my little girl to her knees, and the caller’s charming Gloucestershire accent rolling down the phone, it felt like the kind of brand experience 21st-century marketing can only strive for. I like green energy. Britain is a gentle landscape; no vast wildernesses, extreme temperatures or unconquerable mountains. Reputed for fog, drizzle and pastoral hills rather than snowstorms, surfing or heatwaves, it’s rare to find ourselves top-ranking in macho-natural charts. But we lead on global wind resource potential, with a combination of high wind speeds and large shallow seabeds. Our position geographically means we could be, as Boris Johnson put it, ‘the Saudi Arabia of wind’. Handily, wind blows hardest in winter, when we need more energy. This could give us the backbone of a green energy mix fit for Net Zero, currently targeted for 2050. Some argue, and I believe them, that 2050 is cutting it too fine, so I urge people to switch to a green company, like Ecotricity, to keep green technology improving. Wind saves the day, then. Well, not quite. The effort of powering up our energy must also be balanced by powering down our demand. Despite our renewable energy potential, we cannot meet our current consumption levels with green sources alone. Ten thousand offshore turbines would just about cover half of it, and that’s ambitious. As with all environmental convictions we must reduce too, halving what we use. I’ve written previously about the importance of insulating homes, so here I invite consideration of our
other domestic energy demands via the appliances we buy. Technological efficiencies are making our gadgets more energy efficient and household electricity use is declining, back down to mid 1990s levels. This is a trajectory that must continue. Buying A+ energy rated goods makes a difference, reducing energy use and bills. Importantly, it also casts a vote. Accumulated consumer spending can become more potent than an election ballot when it comes to environmental issues, because companies are listening. Micro-votes like these have been contributing to a feedback loop between consumers, companies and legislators with businesses now so attuned to our preferences and motivations to buy, that the loop is shorter and faster paced than five year electoral cycles. This has formed part of the picture of the recent palpable shifting culture and public mood, and will continue to as we reinforce positive products or services with our green pounds. Whether it’s a fridge or the electricity that supplies it, buying the greenest version you can afford both invests in improvement and signals to the company that makes it that progress matters. &
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THE ART OF INTERIOR DESIGN Each month one ex per t shares their k nowledge on three key topic s. Here, desig ner Hen r iet t e von Stock hau sen helps out ADDING CHARAC TER WITH ANTIQUES
Henriette loves using antiques to give depth to her interiors. ‘Choose anything that you like that represents you in some way to tell a story’
An antique rug is often my starting point for an interior: it ■
might be a client’s existing rug or I might source one and build a scheme around it. Just like a lead fabric, the rug should have at least three colours in the design to draw upon and build upwards. Older furniture pieces are generally incredibly well made with proper materials, such as natural ■
horsehair and quality upholstery, so in the long term they are very good value. But you can pick up a lovely piece for as little as £150. I always try to put something old into a kitchen and bathroom: it helps that not everything is built-in or too ‘matchy matchy’. I might use a dresser or a chest of drawers or adapt a piece, maybe adding glazed doors to a bookshelf or converting a console to make a washstand.
FEATURE KERRYN HARPER-CUSS PHOTOGRAPH ALEXANDER JAMES
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It’s important to mix things up. For a contemporary feel, you can add a wacky fabric to repurpose an inherited piece. Alternatively, if ■
WHERE I SHOP I do a lot of auction shopping. Decorative Collective, 1stDibs and The Saleroom are all
good online sources giving access to dealers all over the world. There are amazing dealers in London, too, of course.
You can find almost anything on the Pimlico Road. For lovely quirky pieces I go to Howe London or Tarquin Bilgen.
you have a funky mid-century piece but don’t like the upholstery, use a beautiful antique fabric on it to add new texture and personality. Repurposing new with old or old with new both really work well. →
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D ES IGN IDE A S
MAKING MAGIC WITH MIRRORS
Everyone knows mirrors are good at doubling a sense of space but I love a mirror for how it magnifies ■
light and adds a magical mood. I enjoy nothing more than mirror on mirror – for example, mirror panelling on a wall, with a Venetian mirror hung on top. The reflections are heavenly. And I also love mounting light fittings on ■
mirrors. The mirror reflects the light so that it seems to sparkle – it is never not a complete success. I always use mirrors with an antiqued effect – it softens everything that it reflects. Sadly, it is more expensive but it really is worth it as it makes the room feel immediately more settled. ■
Think carefully where mirrors are positioned, where they end and what will be reflected in them. I don’t use them in a dining room as people don’t like to see themselves reflected while eating or speaking. I wouldn’t place a full-length mirror opposite a shower and never one behind a loo! ■
Henriette found this antique mirror in a market when she was a student. Here, it is especially effective with the silver wallpaper
I have used mirrored splashbacks for a smaller kitchen. In designs that have wall-mounted cabinets with under-cupboard lighting, it can work really well. → ■
Mirrored panelling adds depth to a smaller room and maximises light in a darker room
WHERE I SHOP I tend to use Saligo Design quite a lot; it offers a huge range of antique mirrors. Dominic Schuster is another absolute favourite for antiqued and gilded mirrors – the team are so lovely to work with and the best in the business, in my opinion.
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DE S IG N ID E AS
CREATING A STANDOUT BEDROOM
I love four-poster beds. They act like a room within a room and are wonderful to curl up in. ■
It’s a myth that a small room can’t take a four-poster. I use them in small rooms and they make them feel bigger. I’d avoid curtains to keep a through view but if a four-poster really isn’t right, make a statement with a corona or half tester. ■
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I always use a statement fabric
or darker fabric on the inside to magnify that womb-like feel. I also like to place a footstool at the end of the bed – often it’s an antique settle or upholstered bench – to maximise that feeling of enclosure.
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A half tester bed creates a cosseting sense of enclosure within a large panelled space
Atmospheric bedside lighting is vital. I adore shades in antique silk – the yarn has a natural variation so you see the subtle texture when the light shines through it. ■
Most master bedrooms we decorate have a walk-in dressing room, and sometimes this is part of the bathroom. I find that charming – as long as there is enough space and good air circulation – so don’t be afraid to combine the two. ■
It’s important that the decor enhances the experience of dressing and complements the architecture. It’s a shame to see a standardised modular dressing room that has no connection with the rest of the suite. ■
You need at least three layers of lighting including adjustable spots, dimmable wall washers and lamps in all three spaces: the bedroom, dressing room and en suite. & ■
WHERE I SHOP I have my own range of four-posters, including bespoke pieces in any finish or colour. Max Rollitt also has a campaign bed that I dream of owning. For dressing rooms and bathrooms, I work a lot with Artichoke. They have the same aesthetic as me – we both try to honour the history of the property and the story of the house and the client.
PHOTOGRAPHS ALEXANDER JAMES
The back of this bed has been upholstered with a suzani, providing a bold focal point for the room
EV ERY ROOM SHOULD SING Beat a Heu ma n revea ls how she creat es or ig i na l interiors w ith this ex tract f rom her f irst book
MAKING THE ORDINARY EXTRAORDINARY When it comes to design, I’m always challenging myself to see if there is anything I can add to push the ideas a little further and not stop at the obvious. Some people may think that I take it too far, and of course a certain balance must be observed. If every item is extraordinary, it will take away from the elements you’re trying to highlight, and it will all be too much. The apartment featured in this chapter is a modest space on the lower ground floor of a grand block of buildings. We didn’t have a big budget, so we had to think outside the box to make it work. We took an ordinary object, a marble kitchen backsplash, and created a large circular shape that acts as the focal point as you open the front door. It’s about giving special attention to ordinary things. It’s about being inspirational, not aspirational.
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WHAT IS HOME? Childhood helps to form our understanding of what home is and what we might want it to be; allowing our inner voice to be heard is invaluable when trying to connect with what home means to each of us. Many aspects go into building a home: the architecture, the functionality, the local vernacular, and so on. These are all important, of course, but too often the most intimate and emotionally engaging part of building a home – creating a sense of sentimentality in the space – is neglected. Your home will continue to evolve with you through life, taking in whatever comes your way and reflecting you and your family’s past and present. It needs to be a fold for all the experiences you go through, which is a completely individual journey. That is why any sort of uniform style never seems quite right to me in a residential setting. →
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WHO IS IT FOR? First and foremost, consider who will occupy the rooms now, but take a longer view as well. The reason why there are so many buildings that are over 100 years old is because our ancestors didn’t just think of themselves, but also of future generations. This cottage featured has parts dating from the 1600s. It has an original inglenook fireplace and beautiful half-timbered internal walls. Preserving the old features of the cottage was vital, but the home also needed to work for a modern family. If you are trying to put down roots with the interiors, you should always install floors, fixed joinery, and bathrooms in a style that will stand the test of time, which often means looking to the past for inspiration. Do the interior for your own pleasure first and foremost, but spare a thought for whoever may come after you.
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Extracted from Every Room ■
Should Sing by Beata Heuman (£45, Rizzoli)
UNLOCKING THE IMAGINATION For some reason, people who are usually confident when making decisions, such as what art they like or what clothes they wear, waver in their self-belief when it comes to decorating their homes. Interior design is filled with ideas of how things ‘should be’, which can be daunting when trying to find your own voice. But in order to see the world around you from your own perspective, you have to free yourself from convention. If you want to encourage imaginative thinking, you should do something a little unexpected. It makes people stop and think and ask questions. It helps them form a personal relationship with what they are looking at. I am endlessly putting paw feet on armchairs and embroidering eyelashes onto sofas. I suppose I am trying to get people to connect with seemingly inanimate objects, and see what I see when I look at furniture. &
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READER AWA R D S
We are delighted to announce the launch of our new Reader Awards. In pursuit of the UK’s most beautiful homes and gardens, we would like to invite entries from both passionate homemakers and skilled professionals – as long as we are able to feature the house or garden, we would love to see it. Enter on behalf of yourself, or because you wish to recognise the incredible work of someone else. We are looking for spaces that inspire, resonate and are finished to a high standard. In addition to a stunning magazine feature, the winners will each receive £2,500. Enter today!
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SOUTHERN COMFORT
Interior designer Cortney Bishop has brought refined charm to this South Carolina home with a heady mix of natural textures and rich accents WORDS JULIET BENNING PHOTOGRAPHY KATIE CHARLOTTE
INS PIR H OUSE AT ION S
FRONT PORCH A wide wrap-around porch and cut-out wooden balustrades are typical of the gingerbread-style houses the island is known for. Mbrace rocking chairs, Dedon. Facade in School House White, Farrow & Ball
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hen Sam Easley talks about Sullivan’s Island, his words evoke a timeless enclave of southern charm where neighbours drink cocktails out on their porches and the kids cycle along the roads untroubled by traffic. Sitting at the mouth of the Charleston harbour, the long stretch of land is
interiors but this time we wanted to be surprised by the transformation,’ explains Sam. Having admired Cortney Bishop’s work on Instagram, the couple were unequivocal that she was the woman for the job. ‘We knew she lived on the island and we were excited to meet her. As soon as we did, we hit it off and now we’re friends.’ Known for her breezy, relaxed aesthetic, Cortney
famous for its beaches, restaurants and lazy summer days. ‘It’s a very welcoming and sweet place to live but we had sold our previous house here three years
set to work inspired by the island’s old beach houses of the 1960s and 1970s. Key to conjuring up this bohemian surf character was the mushroom board
previously and missed it so much we knew we had to come back,’ says the Nashville-based founder of a music merchandising company. Sam’s partner, Jason Owen, runs a music and film production company and together the pair have three children Leo, five, and twin girls, Lila and Lane, two. They were tipped off about an 1890s-period house
used throughout – the material being reclaimed from old growing beds. ‘It was the biggest find of the project,’ says Cortney. ‘I loved it as an accent material, putting it on the ceilings of the screened porches and many of the walls. It really brought the house together.’ Chequerboard flooring strikes a clear tone for passageways and bathrooms while white
on a huge corner plot that was about to come on the market and were quick off the starting blocks. ‘The house came up right as we began looking so we were very lucky to get it,’ says Sam. A renovation had been started by the previous owner but Sam and Jason had a vision for an extension and garden overhaul as well as providing a variety of seating areas for entertaining. ‘We added a new master suite and a bunk room above that. To the rear we built a large screened-off porch as well as landscaping the garden and adding a garage,’ explains Sam. Assembling a ‘dream team’ of architect, contractor, interior designer and gardener, the couple gave a strict deadline for the work to be finished in six months, in time for the summer season. In the throes of their intense careers and childrearing commitments, Sam and Jason wanted to hire an interior designer who would take responsibility
shiplap in the large kitchen/living space brings an expansive feeling in comparison to which the woody tones of the bedrooms feel more intimate. In the den, a combination of rattan, cane and exotic wallpaper summons a mood of heady relaxation. Sam and Jason hadn’t visited the house for a month before the ‘big reveal’. ‘We flew in and drove straight there – champagne and a huge cheeseboard were waiting for us. We were delighted by the way Cortney had warmed the space with textures, fabrics and pottery. Where we have had more minimalist tastes in the past, I was surprised at how receptive I was to how she had accessorised the house. We ended up drinking champagne all night and so began our love affair with the house.’ A promising beginning for a second home that will give Sam and Jason’s family many more glorious summer memories to come. &
for choices at the property while they remained in Nashville. ‘I’ve always been very hands on with
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Cortney Bishop, cortneybishop.com
STAIRWELL The use of mushroom board and chequered flooring gives a clear identity to all the transitional spaces. Flooring in Soho marble, Exquisite Surfaces. Melange wall sconce, Visual Comfort
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LIVING AREA The curtain rail high above the window draws attention to the lofty ceiling, while horizontal shiplap creates an expansive feel. Curtains in Conch Shingle fabric, Zinc Textile. Duke sofa, Verellen. Round coffee table in bleached oak, Nickey Kehoe
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MEET THE OWNER
Sam Easley shares his style vision and loves
MOST SUCCESSFUL PART OF THE PROJECT Our team. Along with Cortney, we had a
great contractor and our gardener Mike Kaiser.
SECRET ADDRESS R Hughes (r-hughes.com). They do an incredible job of curating for interiors.
GO-TO COLOUR Right now, it’s Urbane Bronze by
Sherwin-Williams – the perfect blend of a brown shade that blends into a darker colour and stands up well against white.
SMALL CHANGE, BIG IMPACT The kitchen
marble. The large slabs brought everything together and really brightened up the space.
WHERE DO YOU FIND INSPIRATION
Downtown Charleston. I’ve been walking the streets during the pandemic and found an incredible amount of inspiration in the ironwork, the colours and the trees.
WORDS TO LIVE BY If you love it, buy it.
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KITCHEN The dark units inspired accents throughout the house. A full-height marble splashback strikes a luxurious tone. Honed Calacatta Vagli marble; try Marble City. Talisman 4 pendant lights, Apparatus Studio
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DEN Wicker and cane pairs beautifully with a heady print to evoke a glamorous and tropical atmosphere. Arrow pendant light, Apparatus Studio. La Palma wallpaper, Mokum. Petal lounge chairs, McGuire. Rug, Moattar. Elly ottoman, Verellen
MASTER CLOSET The rough grain of mushroom board cabinetry makes a natural companion to the folksy rug. Mushroom board sourced by Renatus Reclaimed Wood. Find a similar vintage rug at Vinterior
MASTER BEDROOM The moody shades of the walls are offset with soft pink tones, while a test tube pendant adds an industrial touch. Erna wallpaper, ABA Interiors. Skirting in Mahogany, Farrow & Ball. Similar pendant light, Trainspotters
KITCHEN A striking artwork prompted many of the rich jewel tones featured in the rooms off this transitional space. Bather Series artwork by Tyler Hays at BDDW. 1960s sculptural chairs, Stephanie Schofield; upholstered in Shide fabric in Nasukon by Zak + Fox. Etnico rug, Pampa
CHILDREN’S BEDROOM The staircase ensures the upper bunks are easy to reach while also providing shelving nooks and lighting. Wood and woven pendant lights, Art and Antique Hunter. Curtains in Hats & Stars fabric in Rustic by Harwood House. Couloire runner, Soufiane Zarib. Dalton throws, Uniq’uity
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EXTERIOR Sam and Jason used their gardener, Mike Kaiser, from Nashville, to help landscape the grounds and pool area
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PEACE TREATY Working with earthy tones, sculptural forms and a smattering of fine mid-century pieces, interior designer Angus Reid has fashioned a serene backdrop for his clients’ busy lives WORDS RACHEL LEEDHAM PHOTOGRAPHY GENEVIEVE LUTKIN
KITCHEN DETAIL A blackened cedar bench and a pair of sculptural feet chime beautifully with a striking painting. Curve bench in vulcano cedar by Brodie Neil for Riva 1920 at Milia Shop. Feet sculptures, Universal Providers by Kokon To Zai. No Country for Young Men VIII oil on canvas, Tesfaye Urgessa
KITCHEN Angus complemented the existing scheme with pieces that bear the patina of age, including mid-century rosewood and leather bar stools and a primitive dough trough from Transylvania. For a similar kitchen, try Aldous Lamont. Rosewood bar stools by Erik Buch for Dyrlund; try 1stDibs
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SITTING ROOM Shearling and linen add a tactile, organic quality. Pelican shearling chair by Finn Juhl for House of Finn Juhl, Twentytwentyone. Sofa, Angus Reid Projects; covered in Artist Canvas linen in Swamp, de Le Cuona. French elm coffee table, Lorfords. Linea Negra triptych, gunpowder on canvas, Tomás Ochoa
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here is a zen-like calm that pervades this Victorian townhouse in London’s Holland Park, encouraging shoulders to descend from ears the moment one crosses the threshold. ‘Someone described being in the house as a decluttering of the mind, which I thought was rather apt,’ says interior designer Angus Reid, who has
linen. ‘The palette is predominantly earthy and neutral, the only exception being an incredible burnt orange velvet on the sofa in the cinema room. This space lies in the basement and it has no natural light, so I felt that it would benefit from some vibrant colour,’ says Angus, who redecorated throughout, swapping white walls for warm off-whites and greys that add to the soothing feel of the spaces.
masterminded the transformation of the property. He adds, ‘The idea was to create a haven where the occupants can completely unwind from the hectic
Intriguing pieces of artwork further enhance the contemplative mood, and were sourced for the project by curator Thyra October Ellicott. The
pace of life in the city.’ He has achieved just that. Angus’ clients are a young Anglo-Swedish couple who were returning to London after a stint in New York, and this property is, in fact, a rental. ‘The house’s minimalist aesthetic really appealed, as did the good flow between the rooms,’ says Angus. ‘The interiors bore the mark of a developer, so they felt in
collection spans the study’s extraordinary abstract desert scene and a rugged piece that was selected to chime with the African influences of a guest bedroom to the sitting room’s arresting photographic triptych, which was forged on canvas with burnt gunpowder. ‘The technique gives an amazing burnt, frosty image,’ notes Angus, who adds, ‘I was
need of more character. My brief was to put back some of the warmth and history that had been taken away, using antiques and sustainable materials.’ The client’s Swedish heritage had oriented the pair towards the idea of investing in classic mid-20thcentury Scandinavian designs, hence the sourcing of pieces such as a rare Bambi lounge chair by Norwegians Adolf Relling and Rolf Rastad. Its sculptural forms work perfectly in the library part of the main sitting room, which overlooks a glazed double-height dining area. ‘This end of the room has amazing light and so it lends itself beautifully to reading,’ Angus observes. Many of the pieces were custom made to suit the spaces, such as the sofa at the opposite end of this space. ‘Most of the key rooms span the width of the house but because of the hallway, the sitting room is relatively narrow,’ explains Angus who mitigated this
keen to emphasise the room’s wonderful ceiling height and this piece does just that.’ The lower ground floor is devoted to the kitchen and dining areas and here it was a question of softening the sleek lines and hard surfaces of the cabinetry. ‘Wood was the obvious choice as it added that warm, organic quality the space was crying out for,’ says Angus of the choice of a hand-crafted pippy oak table and benches, which offer modern interpretations of farmhouse pieces. The mark of the craftsman is prevalent throughout this house, with the imperfections of a hand-thrown pot or a primitive timber bowl balancing its crisp, precise architecture. ‘It’s wonderful to use so much craft and pieces that are rich in history,’ says Angus. ‘They are what give this place soul.’ &
with a slender yet supremely comfortable design that has been upholstered in a muddy green stonewashed
Interior design by Angus Reid Projects, angusreidprojects.com. Art curated by Thyra October Ellicott, @xplorare.art
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KITCHEN Concrete flooring picks up the grey tones in the striking veined grey marble splashback. Similar concrete flooring, Lazenby. Try the SoLong pendant light, Embacco
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LIBRARY A circular rug and shapely chair soften the linear architecture, as does the fig, which is potted in an antique planter found on the Portobello Road. Titus rug, Toulemonde Bochart. Bambi 56/2 chair by Rolf Rastad and Adolf Relling for Gustav Bahus; try Bukowskis. Bespoke walnut table with steel legs, The French House. Endgame II oil on canvas, Sam Lock. Nino bronze bust, Guy Haddon Grant
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MASTER EN SUITE Terrazzo tiling adds just enough decoration in this serene space. Similar tiling, Otto Tiles & Design. Try the Ex.t April bath, C.P. Hart. Bedroom walls in Cornforth White, Farrow & Ball. Ingres VI, 2018, giclée print, Celine Bodin
MASTER BEDROOM ‘I sourced the most sumptuous fabric I could find for the bed,’ says Angus of the deep pile velvet in an inky blue. Bespoke bed and bench, Angus Reid Projects; bed in Vienna velvet in Cha Cha, de Le Cuona. Bench in Opio bouclé wool in Naturel, Pierre Frey. Side table by Haslev Møbelsnedkeri for Severin Hansen; try 1stDibs. One of Them paper on primed jute, Kim Bartelt
MEET THE DESIGNER
Angus Reid shares his style vision and loves
PROJECT TRIUMPH I’m a collaborative
designer and the clients and I enjoyed the process; we developed a fantastic relationship and had great fun.
SMALL CHANGE, BIG IMPACT
I sourced the wooden trough on the kitchen island for next to nothing from a dealer in Transylvania. Its rustic charm works perfectly against the grey marble.
YOUR STYLE IN THREE WORDS Elegant, serene, considered.
GO-TO COLOUR You can never go wrong with Cornforth White by Farrow & Ball. A very subtle, calming grey that adds a hint of warmth to any space.
SECRET ADDRESS Curios sells chic and
unusual antiques. Follow owner Georgie on Instagram @curios.shop for weekly updates – her stock sells fast!
OBJECT YOU WILL NEVER PART WITH My 18th-century oak farmhouse table that’s
been passed down the family through four generations. My granny reminisces about meals around it as a child.
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EXTERIOR The cottage is surrounded by a mix of trees, including Blue gum, Callistemon, Melaleuca (tea tree) and ornamental eucalyptus
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PARADISE FOUND This bucolic Australian retreat was a passion project for owner Amanda Cochran – it also reflects the story of her inspiring business and its connection to the amazing landscape here WORDS ALI HEATH STYLING INSIDE STORY PHOTOGRAPHY MARNIE HAWSON
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SITTING ROOM This space opens onto the back deck and lawn. The rich wall colour and gas fire create a welcoming ambience. Floor cushion, The Grampians Goods Co. Rug, Zebra Home; try French Connection. Walls in Amphibian, Porter’s Paints. Sofa, Provincial Home Living; try Sofa.com. Coffee table, West Elm. Trunk, Nook Vintage
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SITTING ROOM Vintage art creates a statement wall feature. Artwork sourced in conjunction with Inside Story; find similar pieces at The Country Brocante. Hunting cushion in Tally Ho fabric, Sanderson at The Upholstery House. Ticking stripe cushion, French Consul; find one like this at Baileys
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ometimes a place captures your imagination and has a lasting influence. For Amanda Cochran, it was the draw of the Grampians in Australia that took hold. ‘I first came to this area 13 years ago and despite moving away for a time, the magnetic energy of this mountainous region kept pulling me back,’ says Amanda. ‘It is one of the most pure and
‘I created a storyboard, reimagining the interior as a surveyor’s retreat at the foot of our incredible mountain ranges. The Grampians was discovered and named by Major Sir Thomas Mitchell, a Scottish surveyor, and the cottage now lends a fictionalmeets-historical nod to those roots.’ Amanda enlisted Inside Story – run by Lynda Gardener and Belle Hemming – and they assisted her with colour,
undiscovered parts of Victoria.’ Located at the foothills of Mount Sturgeon and Mount Abrupt, 300 kilometres from Melbourne, the early 1900s
sourcing and styling, to create a cocooning escape. At the front of the cottage, two bedrooms flank the hallway, which leads down into a new extension with
weatherboarded cottage is nestled in the village of Dunkeld. It is surrounded by picturesque open land, where roaming kangaroos, wallabies, emus and possums are the norm, yet just a few minutes from the main high street, with the iconic Royal Mail hotel and an irresistible bakery. In 2016, Amanda’s personal journey evolved from
a bright open-plan kitchen, dining and living area. Throughout, the luxurious space juxtaposes the wilderness of the surrounding landscape, layered with covetable textiles and fabrics that are displayed effortlessly alongside antique books and vintage artwork. Rich olive green walls are complemented with foliage picked from the garden and rooms are
full-time mum to Claudia, 11, Elodie, eight, and James, five, to the additional role of business founder – for her new start-up, The Grampians Goods Co. What started as the seed of an idea for the creation of aromatherapy candles has quickly grown into a business that creates homeware, lifestyle products and a bath and body collection, which includes a rich source of locally farmed, natural ingredients. Twelve months ago Amanda had an opportunity to take on Salt Creek Cottage – a newly renovated dwelling, known affectionately as Salty. ‘I had never seriously considered owning a retail store, or a boutique rental property, but after completing Sarah Andrew’s Airbnb Masterclass to meet prospective customers, I knew the cottage would be the perfect way to bring the business to life,’ says Amanda. Although the interior had been beautifully upgraded by the previous owner – whitewashed
filled with the natural scent of Amanda’s candles and soaps, made from certified organic extra virgin olive oil and hemp seed oil, grown on nearby farms. In the bedrooms, moody greys permeate the spaces and lend a sophisticated, yet relaxed ambience, while throughout favourite finds such as the tartan upholstered bedhead, an original survey map of Dunkeld recovered from Parks Victoria archives and precious antiques – including Amanda’s grandmother’s timber chair – add style and authenticity. The cottage has become a place for customers to experience the brand and its connection to the landscape. ‘What began small has grown into something I’m immensely proud of,’ says Amanda. With the boutique rental just 12 months in, it’s easy to imagine that this new part of Amanda’s story is only just unfolding. &
spaces, a contemporary kitchen and chic subway tiled bathroom – Amanda was keen to add depth.
Salt Creek Cottage, saltcreekcottage.com.au. The Grampians Goods Co, grampiansgoodsco.com. au. Inside Story, insidestorystudio.com.au
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H OUSE S KITCHEN-DINER Contemporary white units are juxtaposed with earthy green walls and antique pieces. Table, chairs and kettle, Nook Vintage; find similar at Amy Perry Antiques
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BEDROOM The wall mural is reminiscent of the landscape surrounding the cottage. Arcadia mural, Anthropologie. Bedding, I Love Linen; Piglet sells similar. Throw, L&M Home; try Larusi for an alternative. Find a vintage alabaster table lamp at Brownrigg BEDROOM A display shelf that slots neatly above the door frame provides a showcase for art and books, adding personality to the space
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BATHROOM Dark grout brings definition to the white metro tiles and a similar tone is picked up in the wall and accessories. Walls in Oyster Grey, Sibella Court for Murobond. Wall and floor tiles, Zenith Tiles & Lighting; try Tile Boutique for similar. Stool and ladder, Provincial Home Living; try The Fig Store. Bath products, The Grampians Goods Co. Black mirror, Ikea. Towels, Aura Home
H OUSE S BEDROOM Tartan fabric in a grey and monochrome colourway gives this traditional design a modern update. Headboard and cushion in plaid fabric, Romo at The Upholstery House. Duvet cover, I Love Linen; Piglet sells similar. Wall in Stormy, Porter’s Paints. For a wall light like this, try Streett Marburg
MEET THE DESIGNER & HOMEOWNER Amanda Cochran shares her style vision and loves
BIGGEST INDULGENCE The grey tartan bedhead – and
in life, Bollinger, Netflix marathons and lie ins!
SMALL CHANGE, BIG IMPACT Painting the sitting room ceiling the same green colour as the walls.
WHERE DO YOU FIND INSPIRATION From everything, but especially nature, people and the past.
WHAT YOU’D LOVE TO CREATE NEXT Another
Airbnb; and I’m excited to launch an apparel collection next year.
FAVOURITE BUILDING It’s fictional, but it’s the house
in the film Practical Magic.
YOUR STYLE IN THREE WORDS Classic, practical, low-key.
OBJECT YOU WILL NEVER PART WITH My grandmother’s dressing table.
A BOLD NEW ERA Quick decisions and a shared taste between designer Katharine Paravicini and homeowner Georgie Coleridge Cole contributed to this exciting interior overhaul WORDS JULIET BENNING PHOTOGRAPHY ANNA STATHAKI
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DRAWING ROOM The house needed complete modernisation. New panelling brought an authentic sense of period character. Sofas, Lorfords; upholstered in Savoie in Bois de Rose by Nicole Fabre, available through Tissus d’Hélène. Ottoman, David Seyfried. Curtains, Claremont Furnishing. Walls in Green Blue, Farrow & Ball
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he word both Georgie Coleridge Cole and her interior designer Katharine Paravicini use to describe each other is ‘decisive’. Given Georgie’s hectic lifestyle as the founder of online fashion and lifestyle magazine SheerLuxe, she is a woman for whom time is of the essence. When it came to renovating the southwest London home she
much glass it was like being in a greenhouse so we added walls, a new roof with skylights and traditional garden doors and window seat, which felt more in keeping with the period of the house,’ says Georgie. Jamie urged Georgie to retain the secondary ‘butler’s pantry’, where the hard-working aspects of the kitchen are neatly tucked away. The handleless cabinetry features elegant frames of
had bought with her corporate financier husband Christopher – where they now live with Coco, 10, Otto, eight, and Mimi, four, plus Mouse the dog –
beading that offer a sense of continuity with the panels in the hall and drawing room. The showstopping blue-veined marble island is unique and
there were just too many plates to keep spinning. ‘Our builder is a man in a hurry. He wants everything on site yesterday and is known for finishing projects early so there was no time to procrastinate and it was amazing to have Katharine helping me. We have very similar taste and I really trust her,’ Georgie explains.
a real talking point of the kitchen. Katharine was a strong guiding hand when it came to fabrics and furnishings. ‘She has a real eye for balancing the old and the new. My new-found passion for antiques is largely down to her,’ Georgie enthuses. Originally learning her trade at Colefax and Fowler, Katharine brought a sophisticated,
The move came about rather unexpectedly when Christopher noticed a property in the same area in which they were living that had been on the market for some time. ‘He has a good eye for a deal and, although we weren’t quite ready to move, he could see an opportunity. The house had the space we were after with the owners having dug a basement five years before, but it still needed modernising from the ground floor up,’ says Georgie. ‘We did the children’s rooms first and then slept in them using the basement as our living space while the building work was going on. It was chaos, but we were project-managing everything ourselves so every day there were questions to answer and it made sense to be here, not to mention the money we saved by not renting somewhere else.’ The kitchen was a particular challenge where Jamie Blake of Blakes London contributed his design
calming touch that was sensitive to the house’s age, though Georgie acknowledges that at times Katharine pushed her out of her comfort zone. ‘I was quite bossy and she made some brave decisions, such as the Pierre Frey wallpaper in the dining room and the yellow interiors of the glass cabinets there. But it was a fun and collaborative relationship,’ says Katharine. ‘I also encouraged her to really go for it and upholster the walls in the master bedroom. There’s nothing more cosy and luxurious for a bedroom,’ she adds. With its gentle pinks and warming neutral tones, this serene enclave is the perfect antidote to both Georgie and Christopher’s fast-paced careers. The house is now completely finished and has been confirmed as the family’s ‘forever home’ so at least the couple can be confident that one thing they can take off their packed future agendas is further renovations. &
wisdom to create a strikingly chic, organised and welcoming living space. ‘Previously there was so
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Katharine Paravicini, katharineparavicini.co.uk
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DINING ROOM The colours in the wallpaper were used in the drawing room alongside, creating a visual connection. La Pannonie wallpaper, Pierre Frey. Montferrat Leaf chandelier, Vaughan. Antique chairs upholstered in Giza in Vaux/Ecru by The Silk Gallery, available through Tissus d’Hélène
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KITCHEN A floor-to-ceiling bar cabinet is a much admired talking point. Dated archway entrances were squared off for a more timeless look. Cabinetry, designed and supplied by Blakes London. James bar stools, Cheeky Chairs. Tap, Quooker
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CLOAKROOM The black frame of the mirror responds to the bold monochromatic wallpaper. A period-style basin was chosen to suit the age of the house. Nuvole wallpaper, Cole & Son. Wall light, Pooky. Flora mirror, Balineum
HALLWAY Chequerboard-style tiling is classic but gives a dramatic flourish, too. Floor tiles, Artisans of Devizes. Scalloped console table, Oka. Table lamp, Pooky. Walls in Slate IV, Paint & Paper Library
STUDY Bespoke joinery offers a practical solution for working from home. Wallpaper behind gives a characterful backdrop. Sunburst Green wallpaper, Robert Kime. Cabinetry by Wellington Joinery; painted in Squid Ink, Paint & Paper Library. Picture lights and Stella pendant light, Pooky. Chairs, Cult Furniture
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MASTER BATHROOM Gently gathered blinds strike a romantic mood. Walls in Setting Plaster by Farrow & Ball. Paris bath by The Water Monopoly, sourced at Bathroom Discount Centre. Bobbin side table, Alfred Newall at The New Craftsmen. Blinds in Nancy in Ivory by Colefax and Fowler. Scallop mini rug, Salvesen Graham
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MASTER BEDROOM Upholstered walls create a cosy sense of luxury. Hints of muted grey offer a gentle contrast to the pinks in the scheme. Bed, Button & Sprung. Walls upholstered in Soundess in Pink, Veere Grenney. Velvet cushions, Oka. Rosanna Lonsdale lamp with shade in Fermoie fabric
MEET THE HOMEOWNER
Georgie Coleridge Cole shares her style vision
SECRET ADDRESS Bathroom Discount Centre – they offer amazing value.
GREATEST INDULGENCE Either
my Samuel & Sons trims or the upholstered walls in the master bedroom.
GO-TO COLOUR You can’t beat the Slate series from Paint & Paper Library.
SMALL CHANGE, BIG IMPACT The
panelling in the hall and drawing room. We used a supplier called Orac Decor who make beading that is flexible and moves with the walls.
YOUR STYLE IN THREE WORDS
Elegant, calm, warm.
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& THE TASTEMAKERS SERIES Joi n ou r exclu sive event s , cr e at e d i n c ol labor at ion w it h Ma r t i n Moore k it chens, t o d iscover the joys of de sig n, f lor ist r y a nd M i c h e l i n - s t a r c o o k i n g w i t h s o m e o f t h e w o r l d ’s l e a d i n g n a m e s FOR unprecedented access to a group of the most interesting creatives and the chance to learn from the best, take
part in our masterclasses, created in partnership with Martin Moore kitchens. This six-part series features florist Simon Lycett, interior designer and architect Guy Goodfellow, garden designer Stephen Woodhams and Michelin-starred chefs Brett Graham and Rafael Cagali. Starting from 18 March, the webinars will take place on Thursdays at 6pm. Filmed in stunning Martin Moore showrooms, these events are the perfect opportunity to take a closer look at the brand’s classic English style with a refined contemporary look.
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THE PROGRAMME Simon Lycett Thursday 18 March: A stunning floral centrepiece Guy Goodfellow Thursday 25 March: Interior design masterclass Brett Graham Thursday 1 April: A Michelin-starred Easter menu Stephen Woodhams Thursday 8 April: Garden design decoded Simon Lycett Thursday 15 April: Arrangements for spring Rafael Cagali Thursday 22 April: A culinary journey
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INTELLIGENT SOUND DEEZER HIFI IS A SMART ADDITION TO A WELL-THOUGHT-OUT HOME, DELIVERING A HIGH-END AUDIO EXPERIENCE ALWAYS
H& G P R OMOT IO NA L FE ATU R E
DURING the past year, our homes have become so much more than a roof over our heads. They’ve become our sanctuaries, our workspaces and our playgrounds. All this extra time at home has afforded many of us the chance to rediscover music and there’s no better way to do this than with the high-fidelity sound you’ll get with Deezer HiFi.
What is Deezer HiFi?
Deezer’s streaming service has just launched a new, superior music experience that will give your sound devices – whether you tune in via your smartphone, Sonos system, the kids’ Xbox or even a smart speaker – the ability to play an almost endless catalogue of music with ease, all with crystal-clear audio.
How is it different from other services?
Deezer HiFi learns as it plays, adapting and tailoring your options according to your listening habits. Select the Flow feature and you’ll receive a never-ending stream of personalised music, from your all-time favourites to tunes you’ve never heard before. Deezer HiFi is also extremely simple to use – even the most ardent of technophobes will find the interface easy to navigate and use.
What else does Deezer HiFi do?
So much more than just a music streaming service, Deezer HiFi offers a wide range of extra features, too. The Lyrics feature provides you with the means to sing along on your smartphone or TV if you have a Chromecast. If you tend to play music more in the evenings, Dark Mode lets you adjust the brightness of the screen in the evenings to give your eyes a break from the glare. Don’t recognise a song? SongCatcher tells you exactly what it is, saving you the hassle of launching a separate app on your phone to find out.
FEATURE GINEVRA BENEDETTI PHOTOGRAPH ANNA STATHAKI
Any other extra features?
Curated by Deezer’s music editors, HiFi Room is ideal if you want to listen to something a little different. It offers a selection of hand-picked tunes, playlists and albums across every genre, from pop to rock, reggae, hip-hop and more.
FIND OUT MORE
So if you’re looking for a hassle-free way to listen to music that doesn’t cut corners on useful functionality or superior audio quality, then why not take Deezer HiFi out for a spin with its three-months free trial. You won’t regret it.
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H&G PR OM O T I O NA L F E AT U R E
Exposed beams and rafters highlight the beauty of an Oakwrights oak frame
Oakwrights tailors the design of every frame it crafts to its clients’ needs
BE SPOK E BE AU T Y IT’S EASY to get swept up in dreams of the ideal home, a picture-book house that’s always warm and inviting, where everything is just the way we like it. At oak frame specialist Oakwrights, the experienced in-house team of architects and designers will listen to your initial ideas, crafting them into a distinctive house that’s perfectly suited to you and your lifestyle. Every Oakwrights home is bespoke, so the design can be as contemporary or traditional as you choose. If, as a first-time self-builder, you need some inspiration and reassurance, take a look at the Woodhouse, Cottage and Barn ranges comprising oak frame templates. From your initial design concept, through planning permission to construction, every aspect is carefully considered by its teams, with the same level of detail applying to oak frame extensions, outbuildings and garages. Now more than ever it’s important that we have a care for the environment. Oakwrights’ frames are crafted from green oak, a natural, renewable and
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sustainable resource with one of the lowest carbon footprints among building materials. Prized for its strength and character, this heritage building material lends itself equally to traditional craftsmanship skills and cutting-edge technology. Oakwrights has been creating beautifully bespoke oak frames since 1999. Operating nationwide from its offices and workshops in Hereford, the company prides itself on excellence in design, the quality of its oak frames and its professionalism. Homes come in many guises, but when it comes to building with Oakwrights you’ll have absolute confidence that your dream is in safe hands.
FIND OUT MORE Visit oakwrights.co.uk to explore the possibilities for your oak frame, or call 01432 353353 to book a complimentary online design consultation.
WORDS CAROLINE RODRIGUES PHOTOGRAPHS MARK BOLTON
A MEASURED BLEND OF STYLE, FORM AND FUNCTION ENSURES THAT EVERY OAKWRIGHTS HOME IS ENTIRELY UNIQUE
D ES IGN IDE A S
DREA M BIG
FEATURE YVETTE MURRELL PHOTOGRAPH DAVIDE LOVATTI/FUTURECONTENTHUB.COM
CONSIDERING EXTENDING? FROM CLASSIC CONSERVATORIES TO CONTEMPORARY ADDITIONS, THESE PROJECTS WILL INSPIRE
GLASS ACT A garden room extension can not only transform how your home looks from the outside, but how it functions internally, too. Whether you have a traditional or modern property – like this contemporary house in north London designed by architects Finkernagel Ross, with a vast multi-level extension geared for entertaining – it’s important to focus on the glazing element of the new design. ‘Homeowners are increasingly looking to add light and space to their homes with contemporary glazing structures,’ says Ryan Schofield, managing director at Thames Valley Window Company. ‘The trend for adding large areas of glass continues with the mix of old and new grabbing the attention.’ →
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“A GARDEN ROOM CAN BE POSITIONED ON NORTH, SOUTH, EAST AND WEST ELEVATIONS AND WILL WORK EQUALLY ON ALL IF DESIGNED CORRECTLY, INCORPORATING ADEQUATE VENTILATION” LIZ MORTON, director, Vale Garden Houses
SENSITIVE APPROACH
DINE IN
JOINED UP
Period properties all too often feature small windows, resulting in dark rooms. This project by Prime Oak has maximised light with large glazing panels and French doors, while ensuring it sits harmoniously with the existing property by opting for matching roof tiles.
‘Often, the simple geometry of a building can be transformed by adding an architectural feature such as a conservatory,’ says Liz Morton, director at Vale Garden Houses. This structure was designed for a Georgian property and provides a spacious dining room.
A dynamic connection between your house and garden can be achieved with large bifold doors. Here there is a level change, but where possible look to run the same flooring inside and out for a seamless finish. This garden room is by David Salisbury.
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D ES IGN IDE A S
RELAXED LIVING How you wish to use your garden room can depend on the layout of your existing home, as well as where the extension will be added. This Westbury Garden Rooms design acts as a relaxing living space, with comfortable sofas and a beautifully landscaped vista to look out onto. This type of layout is great for those with large families or visiting guests. Similarly, it is a popular choice to turn a garden room into a sociable dining area off the back of a kitchen, so that there’s no disconnect between those cooking with others who are chatting at the table. To achieve this fluid dynamic, you can opt for French doors connecting the house with the new extension, and mirror this again with wide doors opening out onto the terrace. →
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D ES IGN IDE A S
NATURAL CHOICE This light-filled oak garden room by Julius Bahn maximises natural light and offers near-panoramic views of the garden. Glazing on three elevations, a glazed gable and bifold doors together create a light and spacious entertaining room that truly brings the outdoors in all year round. But it is the use of sustainably-sourced oak that makes this extension a standout design. Oak is both a natural and sympathetic material and is often the go-to choice when extending period properties. Furthermore, these types of garden rooms can be built as almost stand-alone buildings, with wellinsulated and simple underfloor electrical heating systems keeping the space warm and inviting. →
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D ES IGN IDE A S
“A WELL-DESIGNED CONSERVATORY OR ORANGERY WITH A SYMPATHETIC STRUCTURE CAN COMPLEMENT THE EXISTING ARCHITECTURE OF THE HOUSE WHILE ADDING TO SALEABILITY AND VALUE OF THE PROPERTY ”
PHOTOGRAPHS (CLEAR WINNER) JAN BALDWIN/FUTURECONTENTHUB.COM; (GREEN VISION) PAUL RAESIDE/FUTURECONTENTHUB.COM
MARK WILD, designer, Malbrook Conservatories
CLEAR WINNER
GREEN VISION
BLEND IN
Garden rooms can benefit city townhouses, too. In this property in southwest London, sliding doors on the lower ground floor extend the relaxed living area into the garden, designed by landscape designer Luciano Giubbilei.
In the home of designer Louise Bradley, the new, light extension with floor-to-ceiling windows was built to make the most of surrounding views of greenery. ‘I wanted an indoor-outdoor space that I could enjoy all year round,’ says Louise.
Set within the picturesque Cotswolds area, this kitchen-diner extension by Malbrook Conservatories measures around five square metres and is sympathetic to the original property. The heritage paint colour blends with the honeyed Cotswold stone. →
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When embarking on a garden room extension, start by designing from the inside-out. How you want the space to function will largely dictate the structural changes needed. Will it be a dining area, a living space or perhaps a home office? Moving elements such as electrics can be a costly process, so will need to be considered early on. Your architect or build team may also need to apply for planning permission if you are making large changes or live in a conservation area, which can take time. At the end of it though, it’s important to allow for the budget of landscaping your garden, too. After all, with the building work and upheaval this type of project entails you’ll want to be able to enjoy your garden once it is complete.
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PHOTOGRAPH ALICIA TAYLOR/FUTURECONTENTHUB.COM
BACK TO BASICS
D ES IGN IDE A S
INSIDER INSIGHT WHAT THE EXPERTS WANT YOU TO KNOW BEFORE EXTENDING PLANNING PERMISSION ‘The two main
considerations for garden rooms are size and aesthetic, and unless your home is located on “designated land”, such as an Area of Outstanding Natural Beauty, or has had them removed, permitted development rights provide huge opportunities to personalise your garden room,’ explains James Owen Webster, director at Alexander Owen Architecture. ‘In terms of size, up to 50% of the land surrounding the “original” house can be used up and in terms of materiality the world is your
elements such as roofing and joinery, we recommend you ensure the necessary trades are waiting in the wings to add the finishes to your extension,’ says George Allen, Outbuildings and GreenRooms design consultant at Oakwrights. ‘Depending on the purpose of your new space, you may need to set money aside for associated costs, such as plastering, flooring, electrics and heating. All that is then left to budget for is any exterior landscaping and interior design, if required.’
oyster. This enables people to personalise their space and tailor how they want it to work, look and feel and so it’s worth taking the time to really consider the detail
ADDING VALUE ‘If designed and planned well,
of what you want and need from the garden room.’
as making an aesthetic enhancement to a home,’ says James Ackerley, partner at Knight Frank Guildford. ‘The most useful garden rooms are typically added to the kitchen/dining room, extending the living space in warmer weather with easy access to a good-sized terrace and the garden beyond. Its value can be directly correlated to the extra square footage added, but the
BUILDING WORKS ‘Most of our garden
rooms are supplied as a handmade oak frame kit, so we are able to get around many access limitations and do not need a large working area, but drains and cables can be expensive to move so you really need to bear these in mind from an early stage,’ says Merry Albright, creative director at Border Oak. ‘As an oak frame garden room can be entirely self supporting it doesn’t need to be tied into the host dwelling, which can often make the work a lot simpler, particularly on old and listed buildings, but also looks very good from the inside and out. Ideally we would use an existing opening to connect the garden room, but if this is not possible a structural engineer will be able to provide options to create new openings.’
any extension should add value to a property but the additional square footage needs to be functional as well
expanse and quality of the doors and windows and other fixtures and fittings and the type of flooring will provide the ‘wow factor’ and give an added premium.’ &
“FOR AN ON-TREND INDUSTRIAL LOOK, OPT FOR ALUMINIUM FRAMES FOR YOUR GARDEN ROOM” RYAN SCHOFIELD, managing director, Thames Valley Window Company
FINISHING TOUCHES ‘Once a site team
has erected your frame and any additional structural
THE SOURCEBOOK: GARDEN ROOM SPECIALISTS DAVID SALISBURY These award-winning orangeries and garden rooms are all made bespoke in the UK. You can even visit the factory in Somerset and see how they manufacture the timber products first hand. davidsalisbury.com
WESTBURY GARDEN ROOMS For over 30 years the brand has been offering a complete architecturally-led design service, creating kitchen extensions, conservatories, orangeries and pool houses. westburygardenrooms.com
VALE GARDEN HOUSES
PRIME OAK
Based in Lincolnshire, this family-run business continues to honour the distinguished design of orangeries, which date back to the 17th century, and produce timeless constructions that will last for years to come. valegardenhouses.co.uk
Founded in 1999, the brand specialises in the production of oak frame garden rooms and orangeries in the UK, and the team has a wealth of experience working with listed buildings and conservation areas. primeoak.co.uk
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REFRESH & RENEW GIVE YOUR SPACES A SPRINGTIME SPRUCE UP WITH SMART UPDATES ANYONE CAN PUT THEIR HAND TO
FASHION A DISPLAY If your best china is too good to eat off, or perhaps you have decorative antique plates hidden away in a cupboard, make a gallery wall display with them. Select a few of varying sizes and patterns and measure up the placement of each piece on the wall before you go in with a hammer and nails, to make sure you get the spacing right. Once you’re happy, attach the plates to hanging wires – you can get ones especially designed for plates that will hold them firmly without damage – and hook onto the walls. Plates, from £45 each, Lucy Ogden. Tall Asker lamp in Poppy Red, £205; Improvisation shade in Green, £85, both Rosi de Ruig. Dallas Multi mobile in Green, £139, Volta at The Conran Shop. Bobbin table, £540, Alfred Newall at The London Workshop. Wall and panelling in Oval Room Blue estate eggshell, £67 for 2.5ltr, Farrow & Ball
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D ES IGN IDE A S
FEATURE YVETTE MURRELL, EMMA THOMAS PHOTOGRAPHS (CREATE A DISPLAY) JAN BALDWIN/FUTURECONTENTHUB.COM; (FRESH COAT) JON DAY/FUTURECONTENTHUB.COM; (GIVE IT AN EDGE) POLLY WREFORD/FUTURECONTENTHUB.COM
LIVING ROOM FRESH COAT
GIVE IT AN EDGE
Think about a fresh lick of paint, but in small
Swapping out your soft furnishings is a quick and easy way to keep rooms feeling refreshed
doses. ‘Most of us have an old chest, chair or table that has seen better days,’ says Helen Shaw, director of Benjamin Moore UK. ‘Painting the inside or the legs in an eye-catching colour can make it feel like you have a brand-new piece at a fraction of the cost of buying new furniture.’ Remember to clean down the surface before you begin, followed by a smooth sanding and
season to season. But how about going one step further and adding a little extra detail to your cushions with new trimmings? If you have a sewing machine, then it’s a relatively simple look to achieve. Pick up your beading, braids, piping and tassels – we love Samuel & Sons – then pick out a colour that matches the fabric for a
a repair of any cracks. ‘We recommend two coats for a flawless finish,’ adds Helen.
sophisticated finish or opt for a contrasting tone for a contemporary twist. →
Mia wallpaper in Poudre, £156 a roll, Pierre Frey. Molly dresser, £1,195, Loaf. Orkney Spool chair, £1,450, Nina Campbell. Seat cushion in Penelope in Ocean, £166m, Teyssier. Kimono B floor tiles in Pea Green/Pure White, £139sq m, Marrakech Design. Thando wall lights with cables, £410 each, Ilala. Vintage creamware, from £48-£375 per piece, Nick Jones. Short gourd basket, £365, As’Art at SCP
For similar trimmings, try Jane Clayton & Company
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DECORATIVE OVERHAUL
STEP IT UP A NOTCH
A patterned floor can really lift the look and feel of hallways and opting for a flooring such
Stencilling or even tiling the side of each step
as luxury vinyl tiling (LVT) works well in high-traffic areas as it is highly durable against water and moisture, as well as being stain and scratch resistant. Take the flooring into under-stair cupboards and cloakrooms. A built-in bench seat to take shoes on and off is also good usage of an alcove. Make it
on a staircase will bring an unsuspecting splash of pattern. Look to use similar colours or shapes found elsewhere on your landing or hallway to create cohesion. You may even want to introduce wallpaper for extra impact. ‘Wallpaper is seeing another renaissance, as people seek out colour and pattern that injects joy into an interior,’ explains Ruth Mottershead, creative director at Little
comfy with a padded cushion and reflect light with a landscape mirror.
Greene and Paint & Paper Library. ‘Green and blue tones are becoming increasingly popular,’ she adds.
For similar flooring, try Amtico
For similar wallpaper, try Paint & Paper Library. For similar tiles, try Otto Tiles & Design
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PHOTOGRAPHS (DECORATIVE OVERHAUL) RICHARD POWERS/FUTURECONTENTHUB.COM; (STEP IT UP A NOTCH) JAN BALDWIN/FUTURECONTENTHUB.COM; (BRING IN THE GREEN) CAROLYN BARBER/FUTURECONTENTHUB.COM
H A L LWAY
D ES IGN IDE A S
BRING IN THE GREEN ‘Spring is a great time to get into indoor plants,’ says Dr Katie Cooper, founder of online indoor plant store Bloombox Club. ‘As the weather gets warmer and daylight hours increase, houseplants enter their active growing phase and come out in full force.’ Previously a practising therapist and psychology lecturer, Katie explains it is important to research your plants to ensure they sit in the best light. ‘It’s nice to bring together plants of varying shapes and sizes, but maintain a theme throughout, whether that’s jungly and rugged or neat and ornamental,’ she adds. → For a similar table, try Perch & Parrow. For similar indoor plants, try Bloombox Club
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DE S IG N ID E AS
BOUTIQUE LOOK A matching upholstered headboard and footboard may sound like a luxurious hotel-chic look, but is actually quite easy to achieve. You’ll need plywood for the board, wadding to pad the piece out, fabric of your choice, as well as trim or edging – plus a staple gun to bring it all together. Small panels with patterned fabric add a subtle amount of detail, such as in this framed bed, but it can be fun to play around with dimensions too. Consider creating an extra wide or tall headboard for dramatic effect, as it’ll bring the focus on the room straight to the bed. Waterloo double four poster bed frame, £899, The Original Bed Co; painted in Marine Blue 95 intelligent satinwood, £73.50 for 2.5ltr, Little Greene. Head and footboard in Psycho Sprig in Tropical Blue, £74m, Kit Kemp at Andrew Martin
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PHOTOGRAPHS (MAKE A MURAL) SIMON BEVAN/FUTURECONTENTHUB.COM; (DESIGN A DESK) DAVIDE LOVATTI/FUTURECONTENTHUB.COM
BEDROOM MAKE A MURAL
DESIGN A DESK
You don’t have to put your artistic nature to the
Whether we are working from home or the kids
test when it comes to picture walls. There are plenty of wallpapers that are designed to do just that with trompe l’oeil illustrations that can quickly add an extra dimension even in small spaces. For a relaxing bedroom scheme, turn to images of escapism, like this tropical pictorial wallpaper that evokes the memory of faraway shores. Complete the look by choosing furniture,
need to do their schoolwork, these days there’s always a need for a dedicated workspace. It needn’t be imposing, so it’s a good idea to make the most of an unused corner or alcove. We love how this floating desk doubles as a dressing table with a sleek round mirror, and the design doesn’t take up any unnecessary floorspace while still providing plenty of room to work. Soften up the space with
bedding and cushions in earthy ochre and a pinch of ginger for a fully immersive design.
a lamp, flowers and a suitable chair or stool that fits in with the rest of your room’s existing decor. &
Tana Grisaille wallpaper panel, 220 x 200cm, €260, Ananbo. Harrington headboard, £2,300 plus 4m fabric, 5m piping and 2m border, Kitesgrove at Ensemblier London. Headboard in Alto Straw linen, £110m; Christopher Farr Cloth; edged in Onyx leather piping, £34m; Frida border in Obsidian, £67m, all Samuel & Sons. Padma sconce with rattan shade, £604, Arteriors
JWDA table lamp, £280, Jonas Wagell for Menu at The Conran Shop. Georg stool, £275, Skagerak at Skandium. Similar metal framed round mirror, £150, John Lewis & Partners
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H&G PR OM O T I O NA L F E AT U R E
DESIGNED FOR LIFE GREAT design isn’t just about beautifully crafted
furniture or finely drawn patterns. It’s also about the little things that make a big difference to how your home looks and functions.
Take, for example, the rubber glove. A
well-made pair will help make daily clean-ups effortless while protecting your hands and nails, too. Marigold’s gloves are the number one selling brand in the UK* for a reason: triple-layered for longevity, they have an anti-slip pattern for gripping delicate glassware and a fitted wrist and soft cotton flock lining for comfort.
For keeping shower screens sparkling,
choose Marigold’s Longer Bathroom Gloves, which are designed to prevent water running inside and protect your sleeves. They also have a unique coating that can withstand harsh domestic cleaning fluids.
Marigold’s range of brilliant products also
includes the Squeaky Clean Microfibre Cloth. This is the next generation of microfibre, with a unique rubber-effect coating that makes light work of cleaning any surface – including glass.
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Alternatively, try the extra-thick Let It Shine! Microfibre Cloths. Perfect for everyday
wipe-overs, they come in a box of four different colours so you can assign one to each task or room. The cloths can be used wet or dry without detergents and they remove over 99% bacteria with just water**. Plus, you can simply wash and reuse them.
Finally, keen cooks will be interested to know
that Marigold’s Cleaning Me Softly Non Scratch Scourer is approved by Teflon for use on non-stick coatings***. The pad is foam-backed, with a unique surface that lifts up and breaks away burnt-on food.
Made with innovative materials and considered
design, Marigold’s range of helpers are sure to bring a little joy and sparkle into the everyday.
FIND OUT MORE
Visit marigold.co.uk to discover more about Marigold and its full range of gloves, cloths and scourers.
WORDS VANESSA RICHMOND *SOURCE: IRI, TOTAL UK MARKET VALUE SALES FOR THE HOUSEHOLD GLOVES CATEGORY, FOR THE PERIOD COMPRISING 52 WEEKS ENDING 5 DECEMBER 2020. **REMOVES E. COLI AND S. AUREUS FROM LAMINATE COUNTERTOPS AND CERAMIC TILES AS TESTED AT A THIRD PARTY LAB. ***ALWAYS TEST ON AN INCONSPICUOUS AREA BEFORE USE
INNOVATIVE PRODUCTS FROM MARIGOLD CAN HELP KEEP STYLISH INTERIORS LOOKING FRESH AND SMART
GAR DE NS
PL A NT OF THE MONTH
FEATURE CLARE NOLAN PHOTOGRAPH CATHERINE GRATWICKE
GRAPE HYACINTH – A LITTLE BLUE JEWEL TO USHER IN SPRING
The classic heroes of the season – tulips and narcissi – might be on the top of your list when ordering spring bulbs, but there’s magic to behold in some of the more delicate, miniature marvels. Grape hyacinth (muscari) is best appreciated up close and personal, where you can admire its highly packed clusters of flowers and fragrance. Dot a few pots of bulbs down the centre of your table for a quick display that will last weeks. Then plant them out in your garden afterwards. &
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GAR DE NS
Sue outside the Lab at RHS Garden Wisley, the contents of which are currently being moved to the new RHS Wisley Hilltop building
MY GARDEN LIFE Sue Big g s CBE , d i rec t or genera l of the RHS, ex plains how her garden has helped her through the pandemic a n d t h e p l a n s f o r t h i s y e a r ’s R H S Chelsea Flower Show
Q
Who inspired your love of gardening? My mum was a passionate gardener, though I’ve no idea how she had time for it – she worked as a nurse and brought up six children largely on her own. My first memories are paddling around in the mud outside while she planted bulbs, and my seventh birthday when she gave me a packet of dusty looking seeds and a trowel. Since then I was hooked! →
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GA RDEN S
Q
How has your garden helped over this difficult time?
My garden has been my sanctuary. I live on my own and missed seeing my team every day over lockdown, but tending my plants and sitting on the front bench sipping wine and chatting to my neighbours have really kept my spirits up.
Q
What have been your biggest challenges over the last year? The worst day was when we had to cancel Chelsea. At the time, we hoped to hold some of our later shows but it soon became apparent that none could go ahead. I’m just so pleased that we managed to put on a virtual Chelsea, which helped to support our nurseries, as well as entertaining viewers with highlights from past shows. We also had to postpone the opening of the new RHS Garden Bridgewater near Salford last year, but I’m delighted to say that the
Q
How did you feel then when RHS Chelsea Flower Show 2021 had to be postponed? It was a difficult decision, but we’re incredibly excited to be planning a different kind of Chelsea in September. It’s a chance to celebrate the best of autumn horticulture for the first time and I can’t wait to see the spectacular displays our wonderful exhibitors will pull together. We’re so proud of the platform Chelsea offers to the whole industry and hopeful we can bring the show back safely to help inspire and uplift millions of people around the world, at a time when we need gardening more than ever.
Q
What we can look forward to at this autumn event?
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Sue is excited about the opening of RHS Garden Bridgewater, featuring the Paradise Garden, here, by Tom Stuart-Smith
“WHETHER IT’S A TIME OF CELEBRATION OR GRIEF, GARDENING IS ALWAYS A JOYOUS AND LIFE-GIVING EXPERIENCE” The main theme is the ‘Power of Plants and Gardens’, with designs focusing on their healing power and
‘Sanctuary Gardens’, Naomi FerrettCohen’s ‘Finding Our Way – An NHS Tribute Garden’ is among the designs
sheer beauty, which transforms us, both on a physical and emotional level. One person who knew this only too well was Florence Nightingale and Robert Myers’ garden will be celebrating her life and our incredible nurses today – what could be more apt? And in our new design category,
showing how plants can provide solace during difficult times.
For more information and tickets for the RHS Chelsea Flower Show and other RHS shows, or to visit one the RHS Gardens, visit rhs.org.uk &
FEATURE ZIA ALLAWAY PHOTOGRAPHS RHS/NEIL HEPWORTH
gates will now open on 11 May.
GAR DE NS
GREATEST SHOW
Morton Hall’s synchronised tulip display is exceptional – the brilliance of thousands of blooms heightened by months of meticulous planning and planting by owner Anne Olivieri WORDS JACKY HOBBS PHOTOGRAPHS CLIVE NICHOLS
In the South Garden, the arrangement of tulips is heightened by a verdant backdrop of new spring foliage and expanse of lawn. Clean-clipped trees afford geometry and height in contrast to the softness of the border
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The ornamental planting style of the South Garden flows into the adjoining Kitchen Garden, either side of the dividing brick wall. A few prize, versatile tulips like Tulipa ‘Amazing Grace’ also make the transition, joining the sun-inspired, hotter-hued heads next door
GAR DE NS
E
ver since the heady days of tulip mania in 17th-century Holland, the blooms have maintained an uncanny allure. ‘They have not lost their power over people,’ explains Anne Olivieri, whose vibrant and intricate 6,000-strong display draws visitors to the annual Tulip Festival held in the gardens of her Worcestershire home, Morton Hall.
of the garden’s permanent plantings are recorded on a map. I overlay this with a matrix involving over 4,000 tulips, using 15 different cultivars. A different symbol denotes their colour, height and form.’ In the adjoining Kitchen Garden, ahead of the edibles, the perimeter beds and grouped terracotta pots burst with colour. They follow the path of the sun; a spectacular fusion of sunrise colours flushes
Almost 15 years ago, with the help of garden designer Charles Chesshire, Anne began the process of transforming the eight acres of parkland into seven
the eastern beds, pitted against a striking bonfire of sunset flames in the west. ‘The arrangements are simpler than the South Garden’s matrix, 1,500 bulbs
diverse, but connected, seasonal gardens. ‘When my husband René and I viewed the property, in spring 2007, the parkland and meadow were awash with naturalised fritillaria and narcissi,’ says Anne. She introduced snowdrops, scilla and camassias to intensify the display and extend the season. Clouds of Japanese flowering cherries complemented the
with fewer varieties, but colour intensity compensates for reduced density. Impact is enhanced by frontplanting with ‘stout, big-headed, peony-flowered tulips ‘Uncle Tom’ and ‘Amazing Grace’ and the multi-headed ‘Antoinette’. Tulips are systematically arranged in classical height order, ‘short to the front, taller to the back, with subtle mingling of changeover
delicate planting, softening the skyline of majestic estate trees. South of the curving driveway, secreted by trees, lie two new gardens. A Japanese Stroll Garden, planted with flowering cherries, magnolias and tree peonies, incorporates reflective pools and a teahouse. Beyond lies the Rockery, its immense stone stairway clad with woodland vegetation. There is year-round interest in these naturalistic spaces, but come late spring the emphasis shifts to the more overtly designed formal gardens. The Tulip Festival is a show of extravagant colour, pattern and form, designed to kick-start this new momentum. The geometry of South Garden is softened by lush green borders, sprung with box spheres, and ringed with willow supporting emerging peonies and roses. Tulips flood and fill in the gaps, weaving in and out of the perennial shrubs, right down to the lower fountain terrace. The effect is artistic and the planting
heights creating movement and avoiding awkward, soldier-like rows’. The planting is meticulously orchestrated, but in the past the effect has been ‘ruined by substitute or rogue bulbs’. A partnership with Bloms Bulbs resolved such issues and, in 2019, led to the first annual Tulip Festival. Anne plans the gardens while Bloms provide an assortment of ‘weird and wonderful’ tulips for the cutting-garden, and bring armfuls of cut-blooms to display in the Orangery. ‘It’s so important to see tulips in the flesh,’ enthuses Anne, delighted to share her finely-tuned kaleidoscope of glorious colour with visitors. &
plan itself resembles an impressionist painting. Anne explains the intricate design process. ‘Coordinates
Tulip Festival 1-3 May 2021. Pre-booked tickets only via mortonhallgardens.co.uk and rsc.org.uk/ morton-hall (please check Morton Hall Gardens
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website for any Covid-19 updates). Open for group visits by prior arrangement from April to late September. NGS open day 28 August 2021. Admission proceeds donated to RSC costume design.
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RECREATE THE LOOK Here’s how to achieve Anne’s Sunrise tulip border (shown above) in your own garden (Bulb quantity per 1.5x 2.5m rectangle) 15 pink, peony-flowered ‘Amazing Grace’ (height 38cm) 15 multi-headed yellow-maturing-pink ‘Antoinette’ (height 50cm) 15 late double ‘Black Hero’ (height 60cm) 15 single late orange ‘Avignon’ (height 70cm)
In a sunny border, create ample space for tulips to flow in-between existing perennials and herbaceous plants. Set out and repeat bulbs in their planting positions, in loosely grouped drifts of 5-6. Intermingle a few bulbs where heights transition,
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avoid straight lines and isolated groups. ■ Using a trowel, plant 5cm deep, and cover, working from back to front, planting tall to short. Shallow planting eases lifting later. Dust finished planting area with hot chilli powder, 2 tablespoons per m2, an effective squirrel deterrent not harmful to birds. Reapply as necessary, until shoots appear. Mulch with wood bark or compost, to improve drainage. ■ Post flowering, lift and compost all tulips. Large, healthy and fresh bulbs produce the best blooms.
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“TULIPS ARE VERSATILE AND SCALABLE, ANYONE CAN GROW THEM – IN POTS OR PARKLANDS, TOWN OR COUNTRY, BUT DENSITY IS KEY ”
The lower fountain terrace is a focal point designed to draw you through the South Garden. The bronze fountain’s cascade has been finely tuned to create a veil of beaded droplets rather than amorphous lapping falls
Anne plants a mass of unusual snowwhite, crystalline fringed tulips, Tulipa ‘Signature’ in a stone planter in the West Garden
GARDEN GUIDE ORIENTATION The formal gardens face
south, but the overall open aspect and size of the estate ensure most spaces enjoy good light.
SOIL TYPE Heavy clay, regularly mulched
to improve drainage.
SPECIAL FEATURES Tulip Festival
1-3 May 2021, informal spring bulb meadow and parkland, Japanese Stroll Garden, Rockery, formal Fountain Garden, walled Kitchen Garden, Mediterranean Garden.
GARDEN DESIGN Charles Chesshire
(charleschesshire.co.uk, 07967 127877) original framework further developed by owner Anne Olivieri and former head gardener Harry Green
The pathway sweeps through concentrated borders that are planted with pink, lemon, white and black tulips
In the Kitchen Garden, terracotta pots are planted with a single tulip type then grouped together to create a border effect
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“WHAT I LOVE MOST ABOUT GARDENING IS THAT IT ALLOWS ME TO PAINT WITH FLOWERS. The ancient bulb meadow is filled with myriad bulbs. The spectacle begins in February, peaks in April with narcissi and fritillaria, while crocuses and camassias carry it right into May
AN ART WHICH I STRIVE TO PERFECT”
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View across the South Garden where evergreen box balls, Buxus sempervirens, roll towards fresh-foliaged pyramidal ornamental silver pear trees, Pyrus elaeagnifolia ‘Silver Sails’. Behind the arbour is clothed in Clematis koreana ‘Broughton Bride’, planted to flower simultaneously with the tulips that are budding below
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PL A NT PROFILE Fa v o u r i t e f e s t i v a l t u l i p s f r o m M o r t o n H a l l G a r d e n s 1. Best for catching the eye ‘Huis Ten Bosch’, which despite its delicate appearance is hardy and long-lasting. 2. Best lily-flowered A real classic, ‘Ballerina’ is one of the closest to the original tulips that came out of Persia. 3. Best for creating contrast ‘Flaming Spring Green’ is good for borders or pots, in full sun or part shade. 4. Best for colour-changing ‘Slawa’ becomes coppery orange before its edges fade to silvery-white with maturity. 5. Best white Peony-flowered ‘Mount Tacoma’ opens into full swansdown-white blooms on sturdy stems. 6. Best for height At 60cm and intensifying colour as it ages, ‘Sauternes’ is a standout in the mid/back border. 7. Best for fullness ‘Blue Diamond’ is ideal for the front of the border and makes an excellent cut flower. 8. Best black One of the darkest, glossiest blacks available is bold, late, single tulip ‘Café Noir’ 9. Best for bi-colour pattern ‘Banja Luka’ is reminiscent of the flamed specimens of 17th-century tulip mania.
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HOW TO CRE AT E A COTTAGE GA RDEN CLASSIC ENGLISH COUNTRY-STYLE SPACES ARE BACK ON THE DESIGN AGENDA AS WE CONTINUE TO FIND BEAUTY IN SIMPLE THINGS The ‘Cottagecore’ movement embracing the outdoors and slow living is having a big influence on our aesthetic and lifestyle choices. We are yearning for simplicity in a world fraught with complication, so it is no surprise that a traditional approach is now popular for both country and urban gardens. According to garden designer Tracy Foster MSGD, plants in a
think right plant, right place,’ says garden designer Rosemary Coldstream. Your plants have the best start possible when in their ideal soil and sun
cottage garden earned their place by being easy to grow, useful, edible or a mix of all three. All qualities high on our agenda in 2021. Tracy also claims that ‘the
conditions, so bear this in mind when selecting plants. From there, Rosemary recommends deadheading regularly to prolong flowering. If your
resulting symphony of shape, texture, colour and scent can bring bucolic charm to any plot, even one in the heart of a city.’
border is either heavy or very dry, mulch it with a good quality compost. When perennials get too big, lift and divide them to grow your plant collection and prevent overcrowding.
authentic cottage look there will be a variety of different shapes and forms. Landscape and garden designer Ana Mari Bull MSGD recommends using the past as a guide. ‘Where possible look at modern cultivar equivalents of the plants that would have grown in a Victorian cottage garden,’ she says. ‘Roses are the obvious choice but they must be scented.’ Tracy Foster adds height with hollyhocks, foxgloves and delphiniums. For other flower shapes, try the flat panicles of achillea, ball-shaped inflorescences of globe thistle or cheerful daisy flowers of leucanthemum or rudbeckia.
WHEN TO GET PLANTING Garden
landscape designer Fi Boyle MSGD explains that there are two key times of year to plant. The first is the early autumn when the soil is still warm and not waterlogged. For Fi, the advantage of planting in the autumn is that the plants settle into warm earth and start to establish their roots before the winter months. This means that when spring comes they are ready to get going. However, if you have missed the autumn window, you can also plant in spring. Bear in mind that you may need to keep a bit more
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CARING FOR YOUR BORDER ‘Always
BRING IN THE BEES There are plenty of
nectar-rich plants but not all will be attractive to
bees. Ana Mari Bull avoids plants that are windpollinated as they don’t need the help of insects. She advises that double flowers, though attractive in a cottage border, should be avoided as bees can’t get into the plants and many are sterile. For summer, Ana likes Geranium ‘Rozanne’ for small gardens and lavender for low hedging to edge a path. Late winter and early spring supplies of pollen are important. She suggests hellebores, cyclamen, primroses, crocus, lamium, galanthus, eranthis and winterflowering clematis as good options. →
“BORAGE FLOWERS REFILL THEIR NECTARIES EVERY FEW MINUTES SO ARE IDEAL FOR BEES AND OTHER POLLINATORS. THE FLOWERS CAN BE ADDED TO PIMM’S, TOO!” ANA MARI BULL, garden designer
FEATURE TERESA CONWAY PHOTOGRAPH EVA NEMETH
THE RIGHT FLOWERS For a truly
of an eye on your plants at this time of year as in recent years we have had some very dry springs.
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Libby Russell of Mazzullo + Russell Landscape Design has brought a quintessentially English look to this Somerset space, complete with grand herbaceous borders and a kitchen garden
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KEY ELEMENTS FOR THE LOOK
Debbie Roberts of Acres Wild on what you need to introduce a cottage-style aesthetic to a contemporary garden
IDEAL PLANTING The traditional cottage garden encapsulates a handmade, do-it-yourself
style of gardening so when it comes to planting go for a mix of pretty flowers and edible plants – scented, herbal and healing varieties will by definition be beneficial to butterflies and bees. Hardy’s Cottage Garden Plants, Sarah Raven, Jekka’s Herbs and Claire Austin all offer a good selection.
Ana Mari Bull of Ana Mari Bull Landscape & Garden Design uses evergreen structural plants to ground borders
FUNCTION AND FORM A cottage-style
garden still needs to perform in terms of successful design, so pathways and destinations need to be considered: somewhere to sit in sun or shade, good views to exploit and eyesores to screen, perhaps with a carefully located blossom tree for bees that will also provide berries for birds later in the season.
MATERIAL CHOICES Locally sourced,
used in the past. Nearby salvage yards and local stone suppliers are a good starting point for paving materials and consider searching out your local craftspeople for furniture and ornamental additions. For terraces and pathways, reclaimed stone is ideal, along with brick, if this chimes in with the locality, and gravel (cinder would have been used in the past).
FEATURING WATER Water could be used to
animate the space. A salvaged stone trough with a hand pump, for instance, wouldn’t look out of place in a cottage garden. If a pond is part of the plan, it should ideally be designed to encourage wildlife. &
“MATERIALS SHOULD IDEALLY BE LOCALLY SOURCED AND NATURAL. SMALL ORNAMENTAL PIECES MAY BE SALVAGED AND RANDOMLY ARRANGED” Debbie Roberts, Acres Wild
THE SOURCEBOOK: STOCKISTS TO CONSIDER BRIDGMAN Quality garden furniture that celebrates the best in British manufacturing fits the brief for stylish seating. bridgman.co.uk
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MUNTONS TRADITIONAL PLANT SUPPORTS A world away from massproduced, plastic-coated plant supports, these traditional styles are mostly handmade, always in Britain. muntons.net
HARDY’S COTTAGE GARDEN PLANTS A staple at RHS Chelsea, where many Gold Medalwinning displays have lit up the floral marquee. A great source for all your plant needs. hardysplants.co.uk
BLACKMORE & LANGDON Expert British growers who have exhibited at every Chelsea Show since its inauguration in 1913. Delphiniums are a speciality. blackmore-langdon.com
PHOTOGRAPHS (ANA MARI BULL LANDSCAPE & GARDEN DESIGN) JIM DONAHUE, (TRACY FOSTER GARDEN DESIGN ) TRACY FOSTER, (FI BOYLE GARDEN LANDSCAPE DESIGN & CONSULTANCY) FI BOYLE, (ROSEMARY COLDSTREAM GARDEN DESIGN) ROSEMARY GOLDSMITH
natural materials and building techniques set a garden in its place and echo what would have been
Tracy Foster of Tracy Foster Garden Design says the cottage style is all about informal layouts. Her design, above left, illustrates this with generous mixed planting that creeps over the edges of the borders
Borders that feel full and voluptuous are a key feature in the look, as shown in this farmhouse garden, above, by Fi Boyle of Fi Boyle Garden Landscape Design & Consultancy
Rosemary Coldstream of Rosemary Coldstream Garden Design incorporates rustic materials such as steel plant supports, left, to add to the charm of a cottage garden look
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We love
The lat e s t P ig Hot el – a C or n i sh ret re at t o e sc ape t o for its delig ht f u l inter iors and ref reshing sea air ANYONE who has stayed at a
Pig Hotel knows to expect a special experience. The newest arrival is the Grade II-listed Harlyn Bay House, which dates back to the 15th century. A stone’s throw from the village of Harlyn, it has panoramic sea views with nearby Constantine Bay a real highlight. All rooms have been meticulously designed and brought to life by co-founder of The Pig Hotels, Judy Hutson,
FEATURE SAMUEL GOLDSMITH PHOTOGRAPHS JAKE EASTHAM
whose aim is to create a relaxed home from home that feels opulent but is not overly formal. The Morning Room is the perfect example: cosy furniture but so beautifully executed that you feel spoilt. Each communal area is a new experience that is delightful to the eye, yet also a functional part of the hotel. The Dining Room is reassuringly grand but not stuffy, while eating in The Scullery is like being in your dream cafe. There are 11 bedrooms in the main house and a further 15 in the Stonehouse (a traditional Cornish build). As with any home, The Pig has the kitchen at its heart. The menu is guided by the garden and all produce is found within a 25-mile radius (hence the 25-Mile Menu). The Pig’s The Lobster Shed – an outdoor dining terrace where a wood-fired oven and charcoal-fired grill are used to roast local lobster, char veg and grill Cornish meat – is where you’ll find us. & NEED TO KNOW ■■ Rooms from £150 a night, thepighotel.com
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L I FES T YLE
Spring’s arrival Embrace the new sea son w ith pret t y tablescapes,
These matching vintage vases, found by florist Willow Crossley at a flea market, are filled with stunning Fritillaria persica. The wallpaper design – Hummingbirds, £115 a roll from Cole & Son – makes a charming backdrop
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FEATURE ALISON DAVIDSON PHOTOGRAPH TAKEN FROM FLOURISH BY WILLOW CROSSLEY (£19.99, OCTOPUS BOOKS)
simple f loral arrangements and Ea ster craf ts
CREATE A FLORAL DISPLAY Arrange flowers and foliage – we’ve used narcissi, grasses and ferns – in vases of different shapes and sizes. Position along the length of the table before cutting the stems varying heights to suit each holder. There are no rules, but aim to balance the width and
PHOTOGRAPH HELEN CATHCART/FUTURECONTENTHUB.COM
height of the displays – it helps to stand back occasionally to make sure the overall look works. →
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For an individual place setting idea, decorate an egg. Choose a leaf or flower – this is a parsley leaf – and attach to the egg. Using water-based or acrylic paint, stipple on colour and leave to dry. Simply remove the leaf and you have your design. Attach a simple tag for the name or write straight on to the egg.
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PHOTOGRAPH HELEN CATHCART/FUTURECONTENTHUB.COM
PRETTY PLACE SETTING
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1. ESTABLISH A THEME Take inspiration from your plates or tablecloth to set a theme for your tablescape. To recreate these place cards, cut a 10x10cm square of thin card and fold in half. Then, use a stamp (try Hobbycraft) or draw a design. Write the name on, then punch a small hole and push a tiny flower or two through.
2. BLOOMING CENTREPIECE
PHOTOGRAPHS (1) JAMES MERRELL/FUTURECONTENTHUB.COM; (2) HELEN CATHCART/FUTURECONTENTHUB.COM
Dress your Easter table with a large bowl of fragrant narcissi – the scent really is the epitome of spring. Buy enough plants in pots to fill your bowl. Line the bowl with newspaper, followed by compost mixed with grit to keep them upright, then add the plants. Cover the top with white pebbles or similar.
3. SERVING SPOT The White Company’s Moreton Kubu trolley makes a great serving station for indoor or outdoor dining.
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‘Think of interesting ways to decorate the space, too – if you’re outside hang up a string of paper lanterns or swathes of bunting to define the serving area,’ says The White Company’s founder Chrissie Rucker. →
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1. IN ONE BASKET Baskets are synonymous with Easter and make a lovely table decoration filled with different real eggs – mix duck, hen, quail and Bluebell Araucana eggs. For a similar basket, try the Marimekko Oiva Pikku Koppa serving bowl at Nordic Nest. Add flower heads to the bowl for a nice touch.
‘The tablecloth is the star of the show and sets the tone for the whole table,’ says Seb Bishop, CEO, Summerill & Bishop. ‘Add a charger plate, beneath a slightly smaller plate and follow with the napkins, matching with the tablecloth. Glassware comes next with white wine closest followed by red and water.’
3. POSY PERFECTION ‘Choose a handful of seasonal flowers and foliage, preferably those that are semi flat-sided so that they rest with their faces looking up,’ says florist Kitten Grayson. ‘Here I used ‘Black Knight’ and ‘Wiltshire Ripple’ sweet peas and Diablo foliage. Have a little bud vase nearby to pop them into while dining.’ &
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PHOTOGRAPHS (1) HELEN CATHCART/FUTURECONTENTHUB.COM; (2) EMMA LEE/FUTURECONTENTHUB.COM; (3) KITTEN GRAYSON FLOWERS
2. LAYERED LOOK
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Theo’s delicious family recipes celebrate the best of Italian ingredients
An Italian Easter
T h e o R a n d a l l ’s T h e I t a l i a n D e l i C o o k b o o k t a k e s y o u o n a g a s t r o n o m i c j o u r n e y o f o n e o f t h e w o r l d ’s c u l i n a r y h o t s p o t s
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BRUSCHETTE WITH MIXED HERITAGE TOMATOES AND BURRATA SERVES 4 AS A STARTER 250g mixed heritage tomatoes 1 small garlic clove, crushed to a paste with a pinch of salt 6 basil leaves, torn 4 tbsp good olive oil 4 large, thick slices of sourdough, toasted 200g burrata Freshly ground black pepper
Cut the tomatoes in half across their middles and squeeze them like an orange to remove the seeds. Roughly chop the deseeded tomato halves, then place in a bowl with
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the seasoned garlic, torn basil and 2 tbsp of the olive oil. Divide the tomato mixture equally between each slice of toasted sourdough, pushing down so the tomato mixture is firmly embedded
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in the bread and will not fall off. Drain the liquid from the burrata and chop to a chunky paste. ■■ Spoon equal amounts of the burrata on top of the tomatoes. Drizzle over the remaining oil and finish with a generous grinding of black pepper.
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MELANZANE PARMIGIANA SERVES 4 4 tbsp olive oil, plus extra for oiling 1 garlic clove, finely sliced 8 basil leaves 600g (1lb 5oz) tomato passata 4 aubergines, half peeled to give stripes 3 organic eggs, beaten 200g tipo 00 flour 100ml sunflower oil 200g mozzarella, chopped 100g Parmesan, finely grated Sea salt, freshly ground black pepper
Place a saucepan over a medium heat. When hot, add 3 tbsp of olive oil and the garlic and fry for 30 seconds.
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Add 4 basil leaves and cook for 30 seconds, then add the passata, reduce the heat and cook for 15 minutes, until the sauce has reduced by half. Tear in the remaining basil and add the rest of the olive oil. Season and set aside. Slice the aubergines into 1cm rounds. Place in a colander, sprinkle with salt and leave for 20 minutes to draw out the liquid, before patting dry with kitchen paper. ■■ Have ready the eggs in one bowl and the flour in another. Heat the sunflower oil in a frying pan and dip the aubergine slices into the egg, then the flour. Fry, in batches, for 3 minutes on each side then drain on kitchen paper. ■■ Preheat the oven to 180°C/Gas 4. Lightly oil a baking dish with olive oil. Arrange a layer of aubergines, spoon over one third of the tomato sauce, sprinkle over one third of the ■■
COOK’S TIP Half peeling the aubergines to give them stripes helps them cook more evenly
mozzarella and one third of the Parmesan. Repeat twice more. Bake the parmigiana for 35 minutes, or until the top is golden and crispy. →
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SPAGHETTI ALLA PUTTANESCA SERVES 4 3 tbsp olive oil, plus extra to serve 6 salted anchovies in oil, drained 1 garlic clove, finely sliced 1 tbsp miniature capers in vinegar, drained Pinch of good-quality dried oregano 10 Taggiasca or Niçoise olives, pitted 300ml tomato passata 500g spaghetti Sea salt, freshly ground black pepper
In a warm, non-stick frying pan, add the olive oil, anchovies, garlic, capers, oregano and olives. Cook gently on a low heat for about 2 minutes, so that the anchovies melt. Add the tomato passata and cook gently until reduced by half (about 5 minutes).
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Bring a large pan of salted water to the boil. Add the spaghetti and cook for 2 minutes less than the packet cooking time. Using tongs, remove from the water and place in the frying pan with the sauce. ■■ Add 2 ladlefuls of the pasta cooking water and cook on a medium heat, giving the pan a shake from time to time, for about 2 minutes, until the pasta and sauce come together. Swirl the pan to emulsify the pasta and sauce, then divide between 4 warmed bowls. ■■
Drizzle with a little extra olive oil, sprinkle with black pepper and serve immediately.
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ASPARAGUS AND SUGAR SNAP PEA RISOTTO SERVES 4 300g trimmed asparagus, chopped 300g sugar snap peas 4 mint leaves 200g frozen peas 1 garlic bulb, cloves separated, skins on 4 tbsp olive oil, plus extra to serve 2 celery sticks, finely chopped 1 shallot or small onion, finely chopped 350g Carnaroli risotto rice 75ml dry white wine 1.5ltr hot vegetable stock 4 basil leaves Sea salt, freshly ground black pepper
Bring a pan of salted water to the boil and add the asparagus, sugar snap peas, mint and peas. Cook for 3 minutes, then scoop out a cupful of cooking water. Drain the remainder and set aside. Pour the cooking water back into the pan and bring to the boil.
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Boil the garlic for 10 minutes then put in a pan with 2 tbsp olive oil. Reserve the cooking water. Fry the garlic gently for 10 minutes. Using a blender, blitz
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TO SERVE Top the risotto with the peeled garlic, sprinkle with freshly ground black pepper and drizzle with more olive oil
half the cooked veg with a splash of cooking water to a purée. Set aside. ■■ Place a large pan on a medium heat. Add the remaining olive oil, celery and onion and cook for 3 minutes. Add the rice and cook for 3 minutes, then the wine, cooking until absorbed. Gradually add the stock, a ladleful at a time, for about 15 minutes, stirring from time to time, until the rice still has a bite but is not crunchy. ■■ Add the remaining veg and cook for 5-6 minutes, then add the purée and basil. Cook and stir for 5 minutes. Place a tight-fitting lid on the pan; turn off the heat. After 2 minutes, remove the lid and give the risotto a good stir. →
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SPAGHETTINI WITH GARLIC, CHILLI AND PARSLEY SERVES 4 4 tbsp olive oil 1 garlic clove, finely chopped 2 mild red chillies, deseeded and finely chopped 2 tbsp finely chopped flat-leaf parsley leaves 500g spaghettini Sea salt, freshly ground black pepper 100g Parmesan (optional), finely grated, to serve
Heat the olive oil in a large nonstick frying pan on a low heat. When hot, add the garlic and chillies and cook gently for 30 seconds, until the garlic is soft but has no colour. Add the chopped parsley and cook for a further 1 minute. Remove from the heat and leave to one side. ■■ Bring a large pan of salted water to the boil. Add the spaghettini and boil ■■
for 2 minutes less than the packet cooking time. Using tongs, transfer the pasta to the frying pan with the garlic, chilli and parsley. Add a ladleful of the pasta cooking water, place the frying pan back on a low heat and cook for a further 2 minutes, until the pasta is coated with the garlic, chilli and parsley. Check the seasoning. Serve in warmed pasta bowls sprinkled generously with grated Parmesan, if you wish. →
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TIRAMISÙ SERVES 6 100g caster sugar 4 organic eggs, separated 500g mascarpone 125ml cold, strong black coffee 50ml sweet Marsala 300g savoiardi biscuits 50g unsweetened cocoa powder
Add the sugar and egg yolks to the bowl of a stand mixer and beat on a medium speed for about 4 minutes, until the mixture is pale. Add the mascarpone and beat for a further 3 minutes until light and fluffy. ■■ In another bowl, whisk the egg ■■
whites until stiff, then fold them into the mascarpone mixture until fully combined, light and creamy. ■■ Combine the coffee and Marsala in a shallow dish. One by one, dip one third of the savoiardi biscuits into the liquid and use them to line the bottom of a medium-sized, deep serving dish. Using a spatula, spread one third of the mascarpone mixture on top to create an even layer. ■■ Repeat this layering process twice more. Sift over the cocoa powder and refrigerate for at least 3 hours before serving. &
THE ITALIAN DELI COOKBOOK by Theo Randall with photographs by Lizzie Mayson (£26, Quadrille)
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Sarah Watson MY LIFE IN TEN... FOUNDER OF BATHROOM BRAND BALINEUM REVEALS HER LOVES 1.
Italian style icon Marella Agnelli (1927-2019) is my design heroine. She worked with the world’s best designers to create the interiors of her houses but clearly had great personal taste.
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It’s impossible to choose just one favourite fabric but I do really love Malabar in Blue Brown on Beige by Bennison.
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My essential small luxury is a proper espresso coffee machine with foaming milk capabilities.
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I enjoy visiting Riccardo Barthel’s warehouse shop in Forte dei Marmi, Italy, where bold settings mix the antiques, new pieces and reclaimed items they sell.
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I’ve noted the work of Suleïma Ben Achour and Antoine Lallement, the young French architecture and interior design duo behind Studio Classico. They create interiors both
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I own a pair of antique tiles I adore. I believe they were designed by Reginald Till in the 1950s for Carter Poole Pottery.
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The chef ’s test kitchen at L’Enclume in The Lakes is probably where I had my best meal.
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There have been some great interiors books published in recent months and among them I’d pick out Rattan by Lulu Lytle (£50, Rizzoli) for the impeccable edit of images.
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We’ve had an amazing holiday at Il Convento di Santa Maria di Costantinopoli in Puglia, a former monastery, now a private house. With only eight rooms for visitors, it’s overflowing with art and books and is insanely stylish.
1 0 . A garden I’ve only seen in photos and would love to experience in person is in Formentera in Spain, designed by Luciano Giubbilei. &
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1. Sarah Watson 2. Bathroom by Studio Classico 3. Interior at Il Convento, Puglia 4. Sarah’s favourite tile 5. Malabar fabric by Bennison 6. Inside Riccardo Barthel’s warehouse 7. Haute cuisine at L’Enclume in the Lake District
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FEATURE CELIA RUFEY
restrained and playful.
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KITCHEN NEWS 8 Inspirational designs, the latest launches and new products in the world of kitchens
KITCHEN SHOPPING 18 ROCK SOLID Bringing glamour into the kitchen with durable quartz
27 BEYOND THE CURVE Stylish taps combining function and form
CASE STUDIES 14 SMOOTH OPERATOR Serene looks to reflect a period interior
19 RISING TO THE OCCASION Luxury and classical details combine
22 LASTING IMPRESSION The perfect modern-meets-classic kitchen
24 DECO GLAMOUR Old and bold come together in an opulent setting
29 RAW AMBITION Industrial meets
EXPERT ADVICE 39 DESIGN MASTERCLASS Pulling together all-important elements that help you achieve your perfect kitchen
DECORATIVE DESIGN IDEAS 49 IN THE DETAIL Invaluable tips for adding those elegant accents
33 VARIETY SHOW A stunning kitchen
ME & MY KITCHEN 55 Willow Crossley on her vintage finds
with layered metallics and timbers
and beloved cookbook collection
traditional, with striking results
Editorial Director Sarah Spiteri Global Editor in Chief Lucy Searle Supplements Editor Busola Evans Group Creative Director Emma Williams Group Chief Sub-editor Jennifer Spaeth Words Linda Clayton, Amelia Thorpe, Arabella Youens, Amy Moorea Wong Homes Content Team Editorial Director Rhoda Parry Art Editor Elizabeth Chung Sub-editors Seán O’Connell and Catherine Law Editorial Production Manager Nicola Tillman Managing Director of Homes Jason Orme Commercial Director Rob Biagioni Publisher and Head of Homes Network Joanne O’Hara Brand Director Kim Milroy APRIL 2021 Published by Future PLC, 161 Marsh Wall, London E14 9AP. Printed by Walstead UK Limited. Distributed by Marketforce (UK) Ltd, 3rd floor, 161 Marsh Wall, London E14 9AP. ©Future PLC 2021
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KITCHEN NEWS THE LATEST LAUNCHES, INSPIRING TRENDS AND INNOVATIVE DESIGNS
THE NEW COLOUR: POWDER BLUE Neutral shades are perennially popular, thanks to their timeless, easy-to-live-with tones. But this year, powder blue is reinvigorating the look. Claire Birkbeck, kitchen designer at Neptune, describes the colour as ‘easy to use, creating a restful space that won’t shout for attention – just like a neutral, but also injecting a little more colour and liveliness to your kitchen cabinets’. Chichester kitchen, painted in Flax Blue, from £8,000, Neptune.
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LET IT GLOW Designed and made in Britain, the Nova pendant is a new take on the classic Art Deco globe light and emits a soft, warm glow. Produced from mouth-blown matt opaline glass, it is finished with a solid machined-brass tapered stem. Nova Globe, H43xDia30cm, £468, is by J. Adams & Co.
EASY ON THE EYE With its remote-control motorised lift system, the Levante extractor hood, H100xW117.5xD60.2cm, comes in Graphite satin glass with a frame of polished steel. It can be lowered over the hob when cooking and raised out of your sight line when not in use. It costs £3,450, from Falmec.
ALL IN ONE
THE NEW TILE: MARBLE INLAY Luxe materials have long been making waves in kitchens and bathrooms, but this latest iteration takes glamour to the next level. This chic geometric design is created and inlaid by artisans in India using Bianco Dolomiti, Nero Marquina and Yellow Macaubas marbles. Ideal for a striking splashback or border, it is available in bespoke sizes and made to order, £2,520sq m, from Fameed Khalique.
The Pronteau ProPure 4 in 1 Monobloc Quad tap delivers filtered 98C steaming hot water, filtered cold water, and ‘regular’ hot and cold water. Shown here in Brushed Brass finish, it is also available in Chrome, Brushed Nickel, Urban Copper and Matt Black, H36.6x20.1cm reach, from £849, Abode.
HOMESANDGARDENS.COM 9
STU DI O K ITCHE N DESIGN by CH AR LI E SMALLBONE
The Metallics Collection 4b Ledbury Mews North Notting Hill London W11 2AF 020 7566 6794
ledburystudio.com
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THE NEW WORKSURFACE: SINTERED STONE A technique known as sintering has brought us a new generation of mineral materials, fused at high temperature to create ultra-durable surfaces, including MDI by Inalco in Devon Light Grey. Scratch and stain resistant, it’s made from 50% recycled materials and uses waterbased digital technology to create beautifully defined veining. Kitchens, from £50,000, Boffi.
HOME STORE LochAnna Kitchens has extended its range to include this Tavole Lifestyle larder, £1,816, with stepped shelves and door racks for easy-to-access household or laundry room storage with a touch of farmhouse chic. Solid 18mm back panels allow you to hang hooks to make full use of the space, while doors are available in a choice of seven stained oak veneers.
DOUBLE DUTY You can wash two loads simultaneously with the LG Signature TwinWash washing machine, H120xW60xD67.5cm, £2,599. With a front-load washer above a top-load mini pedestal washer, this super-silent machine also allows you to control everything via the Smart ThinQ app using your smartphone or tablet.
BRONZE BEAUTY Designed in collaboration with Italian lifestyle brand, Diesel Living, Scavolini’s Diesel Open Workshop kitchen collection combines Garden Walnut textured melamine doors with Bronze profiles and ribbed-glass drawers and units. The Stock Rack open shelving system accentuates its industrial edge. Kitchen prices from £15,000.
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THE NEW SPLASHBACK: DRAMATIC VEINING A marble splashback with pronounced natural veins can add impressive beauty to the simplest kitchen design, creating a focal point and sense of movement that is hard to beat. Here, the dramatic natural beauty of Calacatta Viola honed marble slab, from £522sq m plus fabrication costs, contrasts with understated Lyon Provence limestone floor tiles, free length x W60cm, £82.80sq m, both from Mandarin Stone.
THE NEW STORAGE SOLUTION: BOX SHELVES On the versatility of box shelves, designer Jack Trench says, ‘This shelving has integrated LED channels with ambient display lighting to create a feeling of space.’ Bespoke kitchen prices start from £35,000.
COUNTER PRODUCTION Its wide, cup-shaped seat makes Wicker Cone counter stool, H91.5xW49xD52.5cm, £295, a comfortable perch, so ideal for long evenings spent at an island or breakfast bar. Its simple, slender dark metal frame contrasts elegantly with the natural texture of the tightly woven seat, from Cox & Cox.
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Some furniture is made for the here and now. Some is built to stand the test of time. At Neptune, we believe that the best can do both. Because good design never grows old.
neptune.com
KI TCHEN CAS E S T U DY
SMOOTH OPERATOR THIS SERENE KITCHEN BY ROUNDHOUSE DESIGNER SAM HART WORKS HARD BEHIND THE SCENES TO DELIVER SEEMINGLY EFFORTLESS BEAUTY
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SIMPLE ELEGANCE
The Danish owner of this Notting Hill cottage wanted to host brainstorming sessions around the island that could effortlessly flow into lunch or supper. He asked for an elegant Nordic feel with pale finishes and simple lines. The classic Shaker-style doors were chosen in honour of the property’s period architecture.
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SPLASHBACK STYLE
The book-matched marble splashback helps accentuate the room’s depth and ensures the island doesn’t steal the show. Deciding where to stop the marble was determined by the height of the first shelf. Besides, the owner wanted to fill the shelves with shapely ceramics and rustic treasures, which stand out against a plain backdrop.
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ISLAND DETAILING
We worked in collaboration with 23 Architecture on the island and aimed to create a statement piece with almost sculptural qualities. The cantilever sections are supported by a steel internal structure. Slim strips of bronze between the top sections enhances the floating appearance, as if two slabs of stone are merely balanced together.
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MATERIAL MATTERS
The sink is stone clad around the sides with a base formed from high-grade gunmetal. From a distance it appears as if the marble flows seamlessly into the bowl. If we had used an undermounted steel sink, the switch in materials would have interrupted the veining, spoiling the line. Moving to metal for the base makes it more resilient to stains and scratches, and kinder on crockery than stone.
SOURCEBOOK
PHOTOGRAPHS MARY WADSWORTH
Architectural design and project management by 23 Architecture. BOP 210 112 Single oven in Metallic, £2,577; BSP 251 110 steam combi oven, £4,945; WS 221 110 warming drawer, £1,063; VG491 211 Vario gas hob, £4,688; Vario 400 RF463306 freezer, £9,559; Vario 400 RC462305 fridge, £8,269; all Gaggenau; Calacatta Manhattan marble, from £720sq m, all supplied by Roundhouse. Tara classic mixer tap in bespoke Gunmetal finish, £1,725, Dornbracht. Ashworth cabinet handles in Mid Antique Brass; Montgomery cabinet pull in Mid Antique Brass, from £91 each, Joseph Giles. CH20 Elbow dining chair in Oiled Oak and Sif Leather, £873 each, The Conran Shop.
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Founded by architects with a passion for materials and finishes, Roundhouse’s reputation for developing
innovative surfaces puts it at the forefront of British kitchen design. Each kitchen is made-to-measure in Malvern and benefits from the company’s award-winning signature style – understated, contemporary and designed to last.
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K ITC H EN S H O P PI NG
Rock solid
D U R A B L E Q UA R T Z B R I N G S E A SY G L A M O U R TO YO U R K I TC H E N
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1. Caesarstone 4033 rugged concrete worksurface, from £550sq m, Caesarstone 2. Highland White, from £480sq m, Gemini Worktops 3. Lugano, from £400sq m, CRL Stone 4. Pluto quartz, from around £500sq m, Quartzforms at MKW Surfaces 5. Mermaid quartzite, from £600sq m, Solid Nature 6. Eternal Calacatta, £672.25sq m, Silestone at Purple Granite 7. Taurus Terrazzo White, price on request, Technistone 8. Mariposa Buff, from £280sq m, Radianz 9. Oakmoor by Cambria, from £230sq m, The Marble Group
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RISING TO THE OCCASION MARTIN MOORE DESIGNER DAVID SANT INTERWOVE LUXURY FINISHES AND CLASSICAL DETAILS TO CREATE A KITCHEN WORTHY OF ITS GRAND SETTING
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STATELY UPGRADE
Set in private farmland, this Georgian hall is home to influencer Fleur Bell (@fleurdeforce), her husband, Mike, and their young daughter, River. Fleur wanted to replace the modest cabinetry with a grander kitchen that included space for dining. For Mike, an enthusiastic cook, professional-grade appliances were essential.
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SEPARATE DINING
Initially Fleur wanted a dining table attached to the island but it would have made the unit far too long – and created a possible obstruction rather than a feature. Instead, we went for a separate dining table, improving the flow in the room and also allowing the family to dine together in more comfort.
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PRIME POSITION
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SINK STYLING
The large Wolf range cooker needed to be the prime focus, so we created a generous chimney breast-style surround with a mantel in the same deep Railings shade as the cabinetry, to help it stand out. The chimney was flanked by two tall cupboards for groceries and small appliances. They feature bifold doors that sit neatly out of the way while accessing the contents of the cupboard.
We designed the sink area with a ‘break front’ detail, which essentially steps the sink unit out by seven centimetres. This has two effects; it breaks up the tedium of a long, straight run of units and also provides a more generous working area around the sink. Two wall shelves embolden the sink area without stealing light. It is a common mistake to hang wall cupboards near windows as it always looks slightly incongruous.
SOURCEBOOK
PHOTOGRAPHS DARREN CHUNG
The New Classic kitchen range in Farrow & Ball’s Railings, from £35,000, Martin Moore. ICBDF60669 range cooker, £25,440; warming drawer with stainless steel front, £3,360, both Wolf. ICBIC-30RID fridge, £10,740; ICBIC30-FI freezer, £10,500; ICBIW-18 wine cooler, £8,160, all Sub-Zero. 6584-0 Iron/Tones double sink, £506; 5832-5U-0 Bakersfield single sink, £1,103, both Kohler. Alsace tap and spray, £635; Celeste hot tap, £1,177, both in nickel, Perrin & Rowe, all supplied by Martin Moore. Goia marble worktops (main), £480sq m, and Icarus granite (island and table), £720sq m, both Yes Granite. Molina dining chairs in Navy Blue, £695 for two, Soho Home. Large Zurich lantern lights, £1,512 each, Vaughan Designs. Large Oscar lantern (above dining table), £2,310, Charles Edwards.
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Uniquely defined by individuality and outstanding British craftsmanship, all of Martin Moore’s furniture is
traditionally custom-built in its Yorkshire workshops. Perfectly encapsulating the company’s signature English style, heritage and workmanship, each kitchen has a classic, timeless quality that transcends fashion. Martin Moore has eight showrooms in the UK, including London.
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LET IN LIGHT
Extending the space and bringing more light in has completely changed the feel of this five-bedroom Edwardian property in Barnes belonging to interior designer Lily Paulson-Ellis (lpedesigns.co.uk). Even on a dark, rainy day this L-shaped family hub is bright and light thanks to the contemporary flat glass roof light.
L ASTING IMPRESSION HUMPHREY MUNSON’S KATE COUNIHAN STRUCK THE PERFECT MODERN-CLASSIC NOTE IN THE FAMILY HOME OF INTERIOR DESIGNER LILY PAULSON-ELLIS
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MODERN TOUCHES
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PRACTICAL PANTRY
Lily chose Brolly Blue from our own H|M paint palette for the island. It is a lovely navy with plenty of depth. H|M Tailored Grey provides warmth on the perimeter cabinetry. The Marton handles are a bespoke design by Peter Humphrey, made by Joseph Giles, in a finish called ‘mid aged brass waxed’, which gives the classical cabinetry a modern twist.
We reconfigured the walls slightly to build the walk-in pantry, which is simply shelved out to provide one-stop food storage. It’s easy to get carried away when fitting out pantries but there is nothing more practical than open shelves; everything can be seen at a glance and is immediately accessible. Lily and her husband love to cook Pan-Asian influenced dishes, which means lots of ingredients. This pantry can host them all, and more.
SOURCEBOOK The Nickleby kitchen in H|M Brolly Blue (island), H|M Tailored Grey and Berkeley oak, from £40,000; Blakeney dining table with quartz top, £10,500, Humphrey Munson. 2 x H2860BP ovens, £1,199 each; 2 x G4263SCVi dishwashers, £599 each, Miele. T58FD20X0 induction hob, £1,089, Neff. RF540ADUX4 fridge freezer, £2,395, Fisher & Paykel. 6625-0 Iron/Tones Smart Divide sink, £1,202, Kohler. Phoenician tap and rinse, £759.48; Parthian, instant hot tap, £1,158, both Perrin & Rowe. Verona quartz worktops, from £450sq m, CRL Stone. Moita limestone flooring, £130sq m, Artorius Faber. Form high barstools, from £790 each, Amode.
Founded in 1995 by Peter Humphrey, Humphrey Munson uses traditional joinery techniques to produce handmade cabinetry at its Essex-based workshops. Working with residential clients in the UK and overseas, the H|M brand combines heritage with innovation, bringing a fresh, clean look to classic English cabinetry design.
PHOTOGRAPHS PAUL CRAIG
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H O M E S A N D G A R D E N S . C O M 23
DECO GL A MOUR CHISELWOOD’S FOUNDER AND DESIGN DIRECTOR MARTIN HOLLIDAY SENSITIVELY BLENDS OLD AND BOLD IN THIS OPULENT STATELY HOME
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BOLD DECISION
The owners of this 400-year-old stately home in Nottinghamshire spent eight years pondering whether to buy it, unsure their contemporary, colourful style would work in an historical setting. The sheer scale and grandeur of the room called for a brave design approach – their love of bold colours and glamorous yet modern fixtures would sing against the original ornate panelling and plasterwork.
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DOUBLING UP
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SOLID SURFACES
The idea of two islands stemmed from my intention to avoid interfering with the panelling in any way. They provide plenty of worksurface without touching the walls and I’m proud there are only six screws into the panelling to stabilize the cabinetry. The double island idea also supports the owners’ enthusiasm for entertaining, with the teppanyaki hob positioned as a showpiece around which guests can gather.
The main worktops are Strata Argentum sintered stone, which is man-made and incredibly resilient. It has a textured finish called Riverbed that makes it appear naturally formed by years of pummelling underwater. The chunky look is achieved by mitring deep strips around the perimeter. I wanted it to look like two large slabs of limestone, similar to those on the house’s stone exterior.
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Founded more than three decades ago by Martin and Mel Holliday, Chiselwood has a flair for creating bespoke
kitchens that are instantly recognisable for their flamboyant elegance, yet each one is entirely unique.
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PHOTOGRAPHS DARREN CHUNG
Kitchen, around £55,000, Chiselwood. Strata Argentum sintered stone, from £600sq m, Neolith. H7890BP 90cm oven, £6,999; DGC7865X steam oven, £5,399; H7840BMX microwave oven, £3,199; 2x ESW 7020 warming drawers, £1,249 each; CVA 7845 coffee machine, £3,699, all Miele. Professional 2.0 Cooktop extractor, from £7,356, Bora. ICBIC-30RID fridge, £10,740; ICBIC-30FI freezer, £10,500, Sub-Zero. Stages sink, £2,632, Kohler. Pro3 tap in custom brass finish, £2,040, Quooker. Signature Manor Oak flooring in French Weave, from £70sq m, Amtico. Stemmed round pendant lights, £970 each, Curiousa & Curiousa. David Knight bespoke bar stools, from £780 each, Stocktons.
K IT CH EN SH OP PING
Beyond the curve
O P T FO R A TA P T H AT C O M B I N ES B OT H F U N CT I O N A N D FO R M
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1. Clearwater Rossi twin cross-head lever C swivel spout tap, from £112, East Coast Kitchens 2. Art 60010 rotating sink mixer with extractable single-jet hand shower, from £885, Gessi 3. Cory single-control tap, £127, Caple 4. Atlas monobloc kitchen tap in Matt Black, £515, Abode at John Lewis & Partners 5. Single lever brass tap with curved gooseneck spout and lobo lever, £2,652, Officine Gullo 6. Easton Vintage two-hole bridge gooseneck kitchen faucet with oak handles, £1,812, Waterworks 7. Elegance pull-out kitchen mixer tap in Brushed Gold, £185, Lusso Stone 8. FL 1530 La Chapelle lever kitchen bridge mixer in Silver Nickel, £1,250, Lefroy Brooks 9. Minoan sink mixer with cross-top handles, £544, Perrin & Rowe
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K I TCH EN CA SE S TU DY
R AW A M B I T I O N TOM HOWLEY’S DESIGNER JENNY THOMAS FUSES CLASSICAL CABINETRY AND INDUSTRIAL TOUCHES WITH STRIKING RESULTS
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CREATIVE CHOICE
The owners of this Liverpool home had a vision that was based on a ‘modern industrial meets bespoke cabinetry’ vibe. They knocked through walls and added metal-framed doors and brick-slip feature walls to achieve the perfect backdrop for our Butler collection in deep-blue Lithodora.
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KIT CHEN CAS E S T U DY
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BALANCING SPACE
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AVOIDING CLUTTER
This was definitely a client-led design, in that the owners had a clear concept of the look, but they needed guidance spatially, not least because the kitchen is fairly narrow at just 3.9m wide. I started by helping them prioritise. They wanted a breakfast bar and wine fridge on the island. There was only room for one without compromising the room’s flow and the wine won. Built-in window seats ensure the kitchen is still sociable.
Unless you never leave a single dirty pan or plate waiting by the sink, then installing a sink in the island should be avoided. Kitchens should be easy to keep tidy, so putting the sink against a wall, where a few dirty dishes will be less obvious, is always preferable. Hobs are far more island-friendly in general tidiness terms, and it’s also nice to have a view while you stir-fry.
SOURCEBOOK
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Established in 2004 and with 17 showrooms nationwide, Tom Howley kitchens is a luxury brand specialising
in classical in-frame designs in its own paint colours and top-quality timbers. Now part of the BHID Group, alongside Neville Johnson and the London Door Company, Tom Howley is a popular destination for high-end clients seeking prestigious bespoke furniture.
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PHOTOGRAPHS DARREN CHUNG
The Butler Collection painted in Lithadora, from £20,000, Tom Howley. Quartz worktops in 4600 Organic White, from £450sq m, Caesarstone. B57CR22N0B single oven, £779; C17MR02N0B microwave combi oven, £928; T48FD23X2 induction hob, £899; S511A50X0G dishwasher, £478; KI1813F30G integrated fridge, £719; GI7813E30G integrated freezer, £978, all Neff. WCD30S-700 wine cave 30D Dual Zone, £749, mQuvee. Stratus 90cm extractor, £1,529, Westin. Pro3 Fusion Round Chrome boiling water tap, £1,150, Quooker. Kubus 2.0 bowl undermount sink, £419, Franke. Sleek Edison wall lights in Pewter, £29 each, Industville.
150 years ago, Joseph and George Armstrong built locomotives for the Great Western Railway in Wolverhampton. Just a short walk from their former works, we still employ those same skills today. Inspired by the Armstrongs, Perrin & Rowe’s new kitchen tap forges an industrial aesthetic with a craftsman’s attention to detail.
www.perrinandrowe.co.uk
TRULY UNIQUE KITCHENS THAT DEFY CONVENTION E XTREM E- D ES IGN. C O.U K 02 0 336 9 6 02 8
K I TCH EN CASE S TU DY
VA R I E T Y S H O W CHARLIE SMALLBONE, FOUNDER OF LEDBURY STUDIO, LAYERED METALLICS AND TIMBERS TO CREATE THIS EXUBERANTLY ECLECTIC KITCHEN
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STRIKING STYLE
To achieve a ‘furniture’ feel with the look of a living space we mixed a variety of heights, scales and finishes. So the worktops are lower beneath the copper cupboards flanking the sink to provide an extra design difference. We also added our signature ‘Top Hats’ to the tall units – this dark shadowline elongates the cabinetry, making the ceiling appear higher.
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INFORMAL AIR
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TEXTURAL TOUCH
The owners of this Sussex farmhouse fell for our Metallics collection after spotting it in a magazine. As a result, they came into the studio and declared it was exactly what they had been seeking; something informal and eclectic, relaxed but interesting. One owner works in an auction house, so loves antiques, and they both enjoy entertaining – there’s a 12-seat dining table just beyond the island.
On the base of the breakfast cupboard and also on the tall unit that hosts the ovens, we introduced our Choppy Water finish. This is oak that has been hand carved by one of our artisans into a pattern that represents the natural undulations of water. It lends an interesting, deep texture to our cabinetry. The oak is stained dark, with accents picked out in gold-leaf appliqué.
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Charlie Smallbone has been pushing kitchen design boundaries for more than 40 years, first as founder of
the iconic brand Smallbone of Devizes and now as the driving force behind Ledbury Studio. Established in 2019, this Notting Hill-based company focuses on kitchens that harness the beauty of original materials without neglecting function and ease, utilising the skills of artisan craftsmen.
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PHOTOGRAPHS CHRISTOPHER HORWOOD
The Metallics kitchen starts from £50,000; Valdena antiqued mirror splashbacks, £450sq m, Ledbury Studio. Arabesque Quartz worktops and integrated sink, £840sq m installed, Stone Italiana. H7260 BP Pureline single oven, £1,449; DGC7440 Pureline XL steam combination oven, £2,499; KM7575 FR induction hob, £1,949; G7150 SCVi fully integrated dishwasher, £1,249, all Miele. Heaven 2.0 SLIM ceiling extractor, from £1,265, Faber. Cascata Square Spout Copper-and-Black mixer tap, £230, The 1810 Company. ICBN3386 Premium integrated fridge freezer, £2,299, Liebherr.
Art inspires technology
Invite nature to flow into your home, harmonising with the textured steel finish of the LG SIGNATURE Wine Cellar and Refrigerator.
Breathing nature into a room is an art form. This is why LG SIGNATURE partnered with B&B Italia, an Italian modern furniture pioneer, to enhance the livability of homes without sacrificing style. The essence of LG SIGNATURE is a passion for craftsmanship and pushing the limits of innovation for a better life.
Technology completes art
The Art of Essence
Explore the limitless possibilities of DESIGN by
Simply Beautiful
roundhousedesign.com
E XP ERT ADVIC E
Design masterclass WE DELVE INTO THE PRACTICAL DETAILS TO REVEAL HOW TO CREATE THE PERFECT COOK SPACE
H O M E S A N D G A R D E N S . C O M 39
FINDING YOU R PERFECT L AYOU T SMALLBONE’S DAMIAN WRIGHT ON MAKING THE MOST OF YOUR SPACE
STARTING POINT First, think carefully about how you wish to use the space and also your needs. Today’s kitchens are the core of the house, so we approach the design by thinking of the layout in terms of moments, with places to cook, to eat, to entertain and sometimes a spot to sit and work. But even in a large room, try to keep the prep, cook and
The Iconic kitchen by Smallbone, kitchen prices from £70,000
wash areas close together for efficiency.
APPLIANCE CHOICE While ‘standard’ built-in ovens, fridges and dishwashers are 60cm wide, there are also wider appliances that may need to be factored into the planning, such as 76cm-wide ovens, 90cm-wide American-style fridge freezers (even bigger if you plan to create a cooling wall with side-by-side fridge, freezer and wine cabinet) and range cookers at up to 1.5m wide. You may also want a warming drawer that you can use to slow cook, a steam oven, combination microwave and a vacuum drawer to prepare food for sous vide cooking. Consider fridge drawers in place of or in addition to an upright fridge, plus dishwasher drawers, a wine cooler and a series of 40cm-wide barbecue grill, teppanyaki, gas and induction domino hobs in place of a ‘standard’ 60cm- or 90cm-wide hob. Technology in extractor systems has also advanced considerably, so you can now choose between wall- and ceiling-hung hoods, discreet flush-fit ceiling designs, hoods concealed in cabinetry or in a chimney breast, down-draught extractors built behind a hob, and hobs with integrated extractors.
WORKING HARD The amount of worksurface depends on individual needs, but be sure to have worktop space of at least 600mm either side of the sink and hob to wash and prepare food. Also include a space close to the oven for hot dishes.
VERSATILE ISLANDS
ON THE BOIL
If there is enough space, an island can be an ideal addition. It has so many uses, from extra prep surface, a place for the sink, a spot for the hob, somewhere for drinks and a place to cook in front of guests. A good-size island can range from about 2m to 3m long and 1.1m to 1.4m wide (any
For many, the all-in-one boiling-water tap is the kitchen’s must-have item and is often chosen to replace the standard mixer. Tanks vary in size, but the popular Quooker PRO3 model requires 480mm height and is 150mm in diameter, and needs to fit under the sink.
wider tends to create wasted space in the centre). Allow at least 1m of space around the island, and if you have seating at the island, remember that not all bar stools tuck right in, so take this into account when measuring from the back of the island to the nearest wall or cabinet.
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E XP ERT ADVIC E
Bespoke kitchen by Blakes London, kitchen prices from £45,000
LIGHTING DESIGN LESSONS JAMIE BLAKE OF BLAKES LONDON ON HOW TO ENSURE THE RIGHT MOOD CREATING AMBIENCE From low illumination for a dinner party through to brighter light for cleaning and working, lighting creates the mood and sets the scene. The kitchen has become a beautiful as well as practical space, and good lighting is vital.
you may need to adjust it to accommodate things like steel joists, skylights, TV screens and so on. Nor do you want to put a downlight right next to a pendant or hard up against a wall cabinet. Use the grid merely as a starting point.
ON TRACK
PLAN FIRST
Black track lights are becoming popular as they
As the layout develops, start thinking about the lighting, not only for wiring purposes, but also so that you can problem solve as the plans unfold. For example, I would usually use LEDs under the
can provide plenty of light and add a little 1970s style. Use them in place of a pendant, or opt instead for a single pendant over the island. A large spectacular pendant, perhaps suspended
cupboards to light the worktop or perhaps wall lights on swing arms that can be angled.
over the island to one side or over a breakfast bar, can look like a piece of art.
STARTING POINT
PRACTICAL EXTRAS
Dimmable ceiling downlights are a popular solution for general lighting in a kitchen. While it may help to start by drawing up a grid of downlights to create an even spread of light,
Also consider handy lighting inside pantries, breakfast dressers and wall cupboards, ideally on switches that automatically turn on the light when the door is opened and turn off when shut. →
H O M E S A N D G A R D E N S . C O M 41
E XPE RT AD VI C E
CHOOSING THE RIGHT CA BINETRY DESIGNER TIFFANY DUGGAN REVEALS THE SECRETS OF INSTALLING UNITS PLAN THE LOOK
such as a chimney breast framing a range cooker,
Start by considering the style and feel you want for your kitchen. Think about how it might relate not just to the living and dining areas, especially if it is part of an open-plan space, but how it also fits with your overall plan for the house. Gather images of kitchens that inspire you and start to hone your ideas, thinking about how they
as a central statement piece. It goes without saying that the specifics are always going to be determined by the size and height of your room. A ‘standard’ kitchen cabinet is usually 600mm wide (although there are plenty of other options and of course bespoke allows for anything you want); we often start out by plotting the room
might suit your space, the joinery elsewhere in your home and the period of your property.
in terms of 600mm-wide sections simply to get some sense of scale.
CLASSIC OR CONTEMPORARY
HEIGHT MATTERS
A hand-painted kitchen works particularly well for its timeless appeal and because it is so useful to be able to repaint it every now and then to create a different look and feel. I’ve seen 20-year-old classic Shaker kitchens be repainted and look amazing. With a contemporary flush
It’s probably best to run tall units up to the ceiling or just below if they have coving. Stumpy units with a metre or more of empty space above in a high-ceilinged room look very unbalanced and it is usually better to fill the empty space with more cupboards, which can be used for
(flat-fronted) kitchen, think about whether you see yourself liking it in the future. Given its cost, cabinetry is usually the one thing you don’t want to change in a hurry, whereas you can alway repaint the walls or replace the splashback if you wish.
storing those infrequently used items such as vases, jugs and terrines. →
CREATE INDIVIDUALITY When our studio first opened in 2011, kitchens all seemed to be neutral in colour, whether they were classic or contemporary. Now we are seeing more demand for kitchens with colour, pattern and personality, which is probably another reason why the Shaker style is so popular. It can be customised easily: the interiors of a glassfronted cabinet can be painted in one colour, the door frames in another, or the handles changed as you wish. I also recommend adding an antique china cupboard or sideboard to the room, so the fitted cabinetry doesn’t look too ‘samey’.
SCALE AND SYMMETRY Alongside the style of cabinetry you’re installing, try to consider its proportions and aim to create some sense of symmetry by placing key features,
42 H O M E S A N D G A R D E N S . C O M
Interior design by Studio Duggan
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Breakfast cupboard with bi-fold doors; interior design by Sims Hilditch
THE SECRETS TO SUCCESSFUL STOR AGE DESIGNER EMMA SIMS-HILDITCH SHOWS HOW TO MAXIMISE YOUR SPACE STORE WELL
LARDER LOVE
To get the most out of your kitchen, start by thinking about the amount and type of storage you need. This is the place where you’ll probably spend most of your time, so it’s important to be able to find what you need quickly and easily.
A larder cupboard is worth its weight in gold for storing dried and tinned goods, arranged to suit your routine. I use the cupboard door racks for different boxes of herb teas, and the shelves for pulses, nuts and seeds in recycled glass jars.
IN THE ZONE
READY TO HAND
Consider your space as divided into areas for specific functions, planning appropriate storage for each area and creating an easy sense of flow around the room. In larger spaces, for example, you might plan a dresser on a wall between the kitchen and dining areas, linking the two zones.
A breakfast cupboard can be used to store all the things you need in one place, including cups, coffee machine and biscuits. Bi-fold doors also make it easy to access what’s inside.
USE DRAWERS A 1290mm-wide drawer will likely allow you to store all your pans in one readily accessible space rather than delving into the back of a cupboard to retrieve a heavy casserole dish.
44 H O M E S A N D G A R D E N S . C O M
BE ECONOMICAL Make use of every inch of space, especially in a smaller room. While base unit cupboards are typically 540mm deep, you might add more shallow ones at 380mm deep to make use of space on the ‘non-working’ side of an island, behind bar stools, or for items used occasionally.
E XP ERT ADVIC E
THE RIGHT WORKTOP FOR YOU R ROOM MELISSA KLINK OF HARVEY JONES HELPS CHOOSE YOUR KITCHEN SURFACE ALL THE OPTIONS
GRANITE
While every aspect of a kitchen design is important, the choice of worktop material is particularly so, as it has such a visual impact. Consider the characteristics of each material to make the best choice for your lifestyle.
As a natural material, each slab of granite will be unique, ideal if you want an individual look with a timeless sense of beauty. It is also durable and relatively low maintenance once sealed.
SOLID SURFACE
THE LOOK
Made from acrylic resin and minerals, a solid
There are no longer any rules: go with what connects with you personally – having said that, balance in your design is important. Some of
surface, such as Corian, is non-porous, durable, smooth and warm to the touch. It can be moulded into organically curved shapes with a seamless
the heavily veined marble-effect materials are awesome, but also strong, so avoid too many competing looks. As an example, if you choose an intense Verde Green granite for the island surface, it may be best to pair it with a more understated material for the other worktops.
finish, in contrast to quartz, granite and porcelain.
QUARTZ
types of timber and range of washed, oiled and stained effects make it ever popular. →
Also containing pigments and polymers, quartz surfaces are more durable than most natural stone, and impervious to stains and scratches, resistant to heat and easy to maintain. Real marble is porous and will stain, whereas with quartz there are many great marble effects on offer. Quartz is also consistent in appearance: what you see in the sample is pretty much what you are going to get in your home, which is particularly useful if you have a large kitchen and want a uniform surface. It is also worth noting that some of the newer ranges are made using a significant amount of recycled material.
TIMBER Many of our kitchens have a combination of worktop materials, often including wood. As a natural material, it will require some maintenance, but its warmth, host of options in
PORCELAIN Another man-made option, porcelain is a ceramic material fired at extremely high temperatures to create a durable, non-porous surface with a high resistance to heat and stains. It is also available in book-matched and vein-matched looks for extra impact, and comes in thinner formats, from 12mm, as opposed to quartz which is 20mm-30mm thick.
Porcelain Statuario marble-effect worktop; kitchens from £20,000, Harvey Jones
H O M E S A N D G A R D E N S . C O M 45
E XPE RT AD VI C E
FOCUS ON KITCHEN FLOORING JULES ARCHARD OF DOMUS ON CHOOSING THE BEST MATERIALS UNDERFOOT
FIRST CONSIDERATIONS While a kitchen floor, with its heavy use, needs to be durable and preferably easy to maintain, it can also be a feature that enhances the style and success of your room. The choice of material depends on your budget and attitude towards character, beauty and practicality.
Puzzle patterned porcelain tiles by Barber & Osgerby, from £185sq m, Domus
PORCELAIN TILES By far the most popular material for kitchen floors these days, porcelain tiles are robust, non-porous and highly stain and scratch resistant. They work well with underfloor heating, plus they tend to come in a huge variety of designs, colours and formats.
STONE-LOOK We are seeing a move towards kitchen floors with a reassuring warmth, and soft, matt limestoneeffect porcelain tiles fit the bill well. This finish is also easier to keep clean than polished or very textured tiles. Consider large format tiles, such as 1.2mx2.4m, if you want to create a sense of scale and drama, even with a neutral tile.
WOOD-LOOK Timber-effect plank-shaped porcelain tiles are also popular, not least because they introduce a sense of character and movement. Previously, their totally flat printed surface used to give away the fact that the planks were not made of real wood, but these days, a woodgrain is pressed into the surface of the tile for extra realism.
PATTERN PLAY If you want the soft powdery colours and pattern of encaustic (concrete) tiles without any maintenance, consider an encaustic-look porcelain, such as Puzzle. Or create a kitchen bespoke floor by combining shapes: it is amazing how many different designs you can create with a triangular format in a range of colours.
46 H O M E S A N D G A R D E N S . C O M
STONE AND WOOD If you prefer the natural beauty of real stone, such as limestone, you need to embrace the fact it is porous and may stain and weather over time, requiring regular maintenance to keep it looking its best. The same applies to wood, attractive for its unique characteristics and warmth.
MORE CHOICE Other options include laminate (wood particle board with sealed and protected printed paper over the top), which is cheaper, from about £35sq m, and also durable and stable. However, it may be less attractive to those wanting a natural look. LVT (Luxury Vinyl Tiles) are worth considering as they are waterproof, durable, cost from about £15sq m and thinner at 4mm, so useful when build-up is an issue. Generally, all these materials can be used with underfloor heating, but always check with your supplier.
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In the detail
FROM GLOWING COPPER SURFACES TO NATURAL WOOD CABINETS – THE WAYS TO INJECT DECORATIVE ACCENTS INTO A KITCHEN ARE ENDLESS
PHOTOGRAPH (MIX IT UP) CHRIS SNOOK
MIX IT UP Maximise the impact of your kitchen units, as demonstrated in this stunning design by Huntsmore, with exquisite finishing touches. The simple lines of the Shaker-inspired joinery are enhanced here with elegant brass handles that accentuate the tapered-edge door detailing as well as providing tactility. The metallic theme is followed through in the normally unnoticed brackets that support the two eye-level shelves, accentuating the richness of the solid walnut and the daring green of the ceiling colour, courtesy of Little Greene’s Hopper. And tying it all together beautifully is the simply styled but all-important kitchen tap, in a brushed brass that gives it a practical and visual beauty. →
H O M E S A N D G A R D E N S . C O M 49
OFF THE SHELF
GLAMOUR GLOW
The plate rack is traditionally viewed as a practical storage solution across much of southern Europe where the warmer weather allows plates to dry quickly, whereas in this
For real impact, think about investing in a copper sink and worksurface. With its patina and gentle colour, it introduces a soft glow to a kitchen. This design is the Sebastian Cox Kitchen by deVOL.
country this approach is more about showing off your best crockery. An item that’s made the move from a country-house scullery into the kitchen, the plate rack doesn’t actually save on cupboard space as stacked shelves are the most efficient way of storing them, but there’s a pleasing sense to having them all lined up at the
‘This complete run of aged copper is quite incredible to look at and its reaction with water makes an ever-changing surface that’s not only practical but dramatic,’ explains creative director Helen Parker. ‘Beauty and practicality in worktops can be a contradiction and often applies to a man-made material, but this natural
ready. This design by Charles Yorke also introduces a welcome note of warm wood to the cream-painted joinery.
metal is quite the loveliest thing we have used in our kitchens in recent years.’ Sebastian Cox Kitchen by deVOL, from £15,000.
“ZINC STRIKES A DIFFERENT TONE AS A SURFACE IN THE KITCHEN. A MATERIAL THAT IS OFTEN USED FOR BAR TOPS, IT WEARS WELL, AGES BEAUTIFULLY AND ADDS A CRISP DETAIL” BRUCE HODGSON, creative director, Artichoke
50 H O M E S A N D G A R D E N S . C O M
PHOTOGRAPH (OFF THE SHELF) DARREN CHUNG
D ECOR ATI VE DES I GN IDEA S
TEXTURED APPROACH When the overall design language of a scheme is modern and muted, it’s important to bring in texture or highlight certain architectural details to add interest and warmth, to prevent the end result from looking too clinical. To emphasise the focal point of this kitchen, namely the stunning bespoke banquette, Irene Gunter of Gunter & Co used whitewashed oak slatted panelling. She then added seating using a pleasing variety of curves. ‘There’s something comforting about being reminded of the human form – it taps into your subconscious and it’s also a nice break from the straight and square angles that can usually be found in a kitchen environment,’ explains Irene. →
H O M E S A N D G A R D E N S . C O M 51
SURFACE GLAMOUR To create a kitchen with a luxurious edge, use the highest-quality materials. The versatility of marble and the enormous breadth of choice in colours and veining make it the surface of choice among many leading decorators. Interior designer Natalia Miyar used a heavily veined Carrara marble for the island and splashback in this kitchen and created a textural interplay with polished copper for the oversized cooking hood. ‘The marble island is the show-stopper piece in the room and allows the exquisite marble to take centre stage,’ says Natalia. ‘The copper hood adds drama and contrast to the rest of the kitchen and introduces a new texture and finish to the room.’
52 H O M E S A N D G A R D E N S . C O M
PHOTOGRAPHS (HANG IT ALL) DARREN CHUNG; (TOUCH WOOD) BETH DAVIS
D EC OR ATI V E D ESI G N IDE AS
HANG IT ALL
TOUCH WOOD
Open and suspended shelving is a current kitchen trend. An eye-catching addition, they bring functionality as well as a decorative flourish to a kitchen. Walls of shelving work well to zone
While many of us are tempted to have painted kitchen joinery for its wipe-clean ease, varnished natural wood, with its innate beauty, sets an artisanal and interesting tone. ‘Wood has been used
spaces within an open-plan layout while hanging shelves from ceilings enable curated collections to be displayed in a central position, as demonstrated in this scheme by Roundhouse. ‘The art of designing a kitchen is to make it as clutter-free as possible to enhance the space,’ says designer Allison Lynch. ‘It’s important to
to make furniture for kitchens for hundreds of years,’ says designer Sebastian Cox. ‘Seeing how a piece of furniture is made and understanding its form makes it incredibly beautiful.’ Here, the elegant free-standing cabinet and island unit are made from walnut carcasses and drawers suspended in an English ash frame – drawing
utilise every inch and that’s where suspended shelving like this really comes into its own.’ Roundhouse kitchens start from £30,000.
distinct definitions between the natural characteristics of the wood. The green marble surface on the island adds a complementary note.
“I ENCOURAGE CLIENTS TO LET THEIR PERSONALITY SHINE THROUGH WITH DISPLAYS OF DECORATIVE ANTIQUE OR VINTAGE JUGS AND VASES, BOOKS AND ARTWORK THAT MAKE THE SPACE FEEL MORE PERSONAL” LOUISA EGGLESTON, creative director, Humphrey Munson
H O M E S A N D G A R D E N S . C O M 53
Süperior simplicity. www.kutchenhaus.co.uk
L IFE S TY L E
Willow Crossley ME & MY KITCHEN
THE FLORAL STYLIST ON HER VINTAGE FINDS AND COOKBOOK COLLECTION 1.
The kitchen makes me feel at home, it’s where I spend most of my time. We inherited the kitchen table and sit around it for eating, homework and drawing, and it’s where I write my books. It’s always covered in pretty little trinkets.
2.
I replaced the old wooden worktop with very veined Arabescato marble a couple of years ago. I love it more than anything, it makes me so happy. It’s very dramatic and punchy, so not everyone’s cup of tea.
3.
We painted our units and the dresser in Farrow & Ball Studio Green. The dark colour is quite impactful and works with the Aga. Our new Taino chairs from Oka are lovely woven things. I’m very drawn to nature. I had the upholstered chairs covered in vintage Suzani fabric I bought in Uzbekistan.
4.
Sanderson’s Swallows wallpaper was in our old home in London and I wanted it in our Oxfordshire cottage, too. People come in and say: ‘I wouldn’t put wallpaper in a kitchen’ but it’s magical and looks a bit like the sky.
5.
I collect antique jugs and have glassware by Nina Campbell and Anthropologie, as well as
1.
2.
PHOTOGRAPHS (KITCHEN) PAUL RAESIDE
mugs from Emma Bridgewater and Burleigh. For plates I go to Daylesford, Ralph Lauren and my brother Ned’s company Not Another Bill for its speckled designs.
6.
I go to bed reading cookbooks! I love Donna Hay, Amelia Freer and Nigel Slater – easy, simple recipes with very beautiful images. My absolute favourite is A Love Of Eating by Jemima Jones and Lucy Carr-Ellison. I just don’t have the headspace or time to cook fancy technical things so it’s right up my street. Healthy and light, but very delicious.
1. Swallows in Pebble wallpaper, £56 a roll, Sanderson Design Group. 2. A Love Of Eating by Jemima Jones and Lucy Carr-Ellison (£25, Wild by Tart). 3. Italian Splatter plate, £14, Not Another Bill
3.
H O M E S A N D G A R D E N S . C O M 55
BATHROOMS NEW DESIGNS TO KNOW, BEAUTIFUL PROJECTS, HOW TO PLAN YOUR SPACE & STYLE-FIRST FLOURISHES
www.cphart.co.uk | 0345 600 1950
CONTENTS
8
16
BATHROOM NEWS 4 Inspirational designs, the latest launches and new products in the world of bathrooms
BATHROOM SHOPPING 18 WATER COLOURS How to add zing with splashproof wallpaper
20 IN THE ROUND Circular countertop basins to add character
CASE STUDIES 8 FRENCH ELEGANCE Rich detailing and studied symmetry create an air of majesty in this Parisian en suite
12 DELICATE DECOR Tasteful pattern
EXPERT ADVICE 23 DESIGN MASTERCLASS Pulling together the all-important elements to achieve your perfect bathroom
and classic fittings are just two of the key ingredients in this artful retreat
14 PICTURE PERFECT An eclectic style with vintage touches mark this
DECORATIVE DESIGN IDEAS 31 IN THE DETAIL The flourishes that lift your space to another level
bathroom out as unique
16 LESS IS MORE A combination of three sumptuous materials created sheer elegance in this en suite
ME & MY BATHROOM 36 Designer Nina Campbell walks us around her powder-pink haven
Editorial Director Sarah Spiteri Global Editor in Chief Lucy Searle Supplements Editor Busola Evans Group Creative Director Emma Williams Group Chief Sub-editor Jennifer Spaeth Words Linda Clayton, Amelia Thorpe, Arabella Youens, Amy Moorea Wong Homes Content Team Editorial Director Rhoda Parry Art Editor Elizabeth Chung Sub-editors Seán O’Connell and Catherine Law Editorial Production Manager Nicola Tillman Managing Director of Homes Jason Orme Commercial Director Rob Biagioni Publisher and Head of Homes Network Joanne O’Hara Brand Director Kim Milroy APRIL 2021 Published by Future PLC, 161 Marsh Wall, London E14 9AP. Printed by Walstead UK Limited. Distributed by Marketforce (UK) Ltd, 3rd floor, 161 Marsh Wall, London E14 9AP. ©Future PLC 2021
HOMESANDGARDENS.COM 3
BATHROOM NEWS NEW DESIGNS, PRODUCTS AND TRENDS TO REFRESH YOUR BATHING SPACE
THE NEW BATH MATERIAL: COLOURED RESIN Resistant like stone and transparent like glass, Cristalmood is a new coloured resin used here to create the striking Reflex Grand Cru bath, £9,408, from Bathroom Design Studio London. Composed of polyester resin mixed with coloured pigments, the material is poured by hand into moulds to create a smooth, curved shape with a glossy finish.
4 HOMESANDGARDENS.COM
BATH R OOM NE WS
BRIGHT IDEA Fix a Brompton glass shade in Opaline, H.13.5cm, £39, with an IP44-rated Swan Neck wall fitting in Antiqued Brass, £80, and a Stepped Gallery, £10, on both sides of a wall mirror for practical illumination – flattering on the face and an instant touch of vintage charm, from Pooky.
SHADED GLORY Featuring graduated colour variation and subtle texture inspired by Raku pottery, the FreeHand ceramic wall tile collection is designed to introduce a sense of depth to a bathroom. Free Green, Free Blue and Free Hand Flor Decor Cold wall tiles are shown here, all 20x20cm, £46.80sq m, from Iris Ceramica.
THE NEW TILE SHAPE: TRIANGLE Ready to move on from the classic metro? Try these Bermuda Triangle tiles in a single soft shade for gentle interest. Each matt glazed ceramic wall tile is made in Spain and measures 14x14cm, £84.24sq m, from Claybrook.
BACK TO BLACK Hansgrohe’s latest matt black finish emphasises the striking silhouette of its range of brassware, including this Metropol single-lever basin mixer 230 with lever handle and push-open waste, H28.6cm x reach 16.5cm, £710.
THE NEW SURFACE: GREEN MARBLE Create some drama and introduce a sense of classic luxury to your bathroom with this Tao freestanding basin. Crafted from Verde Ming marble with Gold detailing, it measures H86xDia47cm and costs £15,840 from West One Bathrooms.
HOMESANDGARDENS.COM 5
ZUP DESIGN - MODEL: YOKU SH SHELF, DESIGN: MARCO WILLIAMS FAGIOLI - PHOTO: SIMONE CASETTA
No place is warmer than @Home. Find out more effe.it/athome
BATH R OOM NE WS
CLEARLY DISCREET Designed with a minimal appearance to give a feeling of openness and to maximise space, the Matki-One wet room panel with ceiling brace bar is made of 8mm solid safety glass with a completely frameless base. Created to be installed on a shower tray or wet room floor, it has a tubular ceiling brace bar, customisable in a range of finishes, and costs from £506, from Matki.
THE NEW SHAPE: HEXAGONAL British designers Elle + James have collaborated with Ca’Pietra to produce the eye-catching Ferla Linear Blush Pink concrete hexagonal basin, £815, from Ca’Pietra.
THE NEW COLOUR: ALMOND
MULTIPLE CHOICE The Rainshower SmartActive hand shower, from £86.40, can be switched between invigorating Rain, powerful Jet and relaxing ActiveMassage sprays with just one click. It comes in a round or square design, in 13cm and 15cm sizes, and not just that, has eleven different metallic colour finishes to co-ordinate with your bathroom, from Grohe.
Inspired by elements of nature, designer Cecilie Manz has created an Almond satin matt finish for her Luv collection, heralding a bathroom trend for soft, warm neutral colour. Luv floorstanding vanity unit with quartz console, £4,597, and basin, £682, Duravit.
HOMESANDGARDENS.COM 7
FRENCH ELEGANCE ARCHITECTS EMIL HUMBERT AND CHRISTOPHE POYET CURATE A REFINED PARISIAN EN SUITE SHOWCASING THEIR SIGNATURE SYMMETRY-LED STYLE
8 HOMESANDGARDENS.COM
BATH R OOM CA SE S TU DY
1
TWO INTO ONE
This project involved the unification of two separate apartments into a single elegant family home in the fashionable Le Marais district of Paris. Part of a huge master suite, this bathroom has incredible 4m-high ceilings and is entered via an inner foyer containing the cloakroom and floor-to-ceiling wardrobes.
HOMESANDGARDENS.COM 9
2
RICH DETAILING
Framing the furniture doors in brass and adding brass handles makes the whole arrangement feel more precious. The vanity mirrors allude to art deco design and although they are fixed to the wall for safety, we wanted to give the impression they have just been placed there, like a beautiful mirror propped on a mantelpiece.
10 H O M E S A N D G A R D E N S . C O M
BATH R OOM CA SE S TU DY
3
IN THE FRAME
4
BALANCING ROLE
The apartment has baths elsewhere, so the owners asked us to focus on a generous statement shower – the most luxurious we’ve designed. Black metal framing adds theatre and beautifully showcases the antique French black marble interior. This stone is special, with a jet-black base and crisp white veining. Watermark’s lacquered brass shower fittings look like jewels inside.
We love using symmetry in our designs; it lends a sense of calmness and grace. One of the reasons we kept the WC out of this room was to enable perfect symmetry. There is a matching console and mirror on either side of the shower cabin, so when you look at it straight-on, the arrangement of fittings is completely symmetrical. A WC would have unbalanced everything, and there are privacy issues, of course.
SOURCEBOOK
PHOTOGRAPHS FRANCIS AMIAND
Bespoke double vanity unit with Arabescato marble basins and console units, painted in Oval Room Blue by Farrow & Ball; bespoke brass-framed mirrors; bespoke sconce wall lights, all custom designed and made by Humbert & Poyet. Henry pressure balance control valve, £804; Henry thermostatic control valve, £1,212; Henry hand shower on hook, £948; 2 x Henry Low Profile three-hole basin taps, £1,350, with lever handles in brass, all Waterworks. Lapicida supplies similar Arabescato marble, from £295sq m, and similar black marble with white veins, from £195sq m. Table decor by Kelly Wearstler.
■
Founded in 2007 by architects Emil Humbert and Christophe Poyet, Humbert & Poyet is based in Monaco and
is renowned for creating sublime interiors for residential, retail and leisure properties around the globe. The duo has also launched luxurious furniture and lighting collections, bringing their talent for marrying luxe materials and eloquent shapes to an even wider audience.
H O M E S A N D G A R D E N S . C O M 11
DELICATE DECOR HELEN AND SIMON KNOX OF LEWIS KNOX PAIR ELEGANT PATTERN WITH FITTINGS BY DRUMMONDS FOR A GRACEFUL DESIGN
1
CALM SETTING
Part of the master suite in a gorgeous Victorian manor house in North Wales, this bathroom is one of nine we helped overhaul. It boasts glorious country views and incredible natural light. The owners’ only request was a tranquil haven; they didn’t dictate a particular style, but we knew a timeless look would suit this special property.
12 H O M E S A N D G A R D E N S . C O M
BAT HR OO M CAS E ST UDY
2
GRAND SCALE
3
BALANCING ACT
Our clients had seen Drummonds’ quality in luxury hotels, so it was an easy sell. The polished-nickel finish works beautifully with marble, and the generous scale of the fittings was also beneficial with the high ceilings, which require grand, outsized proportions. The polished exterior of the bath has lovely natural pittings – in a period house anything too pristine and perfect can look incongruous.
The double vanity unit provides ample storage, including hidden toothbrush charging points. It was designed to look like a piece of traditional furniture and painted in Farrow & Ball’s Pavilion Gray to pick up the grey tones in the floor tiles. The panelling is in Zoffany’s Stockholm Blue. Some blues can be too cold, but Stockholm has enough warmth to balance the whiteness of the marble.
SOURCEBOOK Usk Bateau cast-iron bath with polished exterior, £3,570; Dalby surface-mounted shower with 300mm shower rose, from £2,700; Coll bath-shower mixer with floor-standing legs, from £2,376; Eden low-level WC suite, from £1,776; Coll lever three-hole basin mixer, from £1,170; four-bar floor-mounted heated towel rail, from £2,502; all in a nickel finish, Drummonds. Indigo Bloom wallpaper in Blue, £44 a roll, Borastapeter. Panelling painted in Stockholm Blue eggshell, £70 for 2.5ltr, Zoffany. Carrara and Argento porcelain tiles from the Marble Collection, £72sq m; Ottagona mix mosaic tiles, £330sq m, Casa Ceramica. Bianco Carrara marble, £190sq m, supplied by The Thomas Group. RD1955FR Adam frieze, £265 for a roll, Lincrusta.
Founded by Helen and Simon Knox in 2017, Lewis Knox is a multi-award-winning interior design studio based in Cheshire, covering the north of England and Wales. ■ Established in 1988, Drummonds manufactures its own classically inspired bathroom fittings. Traditionally crafted, Drummonds’ baths, brassware and chinaware are unrivalled in quality, style and scale.
PHOTOGRAPHS CRAIG MCGEE
■
H O M E S A N D G A R D E N S . C O M 13
PICTURE PERFECT SEEKING AN ECLECTIC STYLE FOR THIS ARTFUL BATHROOM, DESIGNER JUSTINE HODGSON-BARKER HEADED TO C.P. HART TO FINISH THE LOOK
1
CLASSIC MIX
This is the family bathroom in a prestigious Tunbridge Wells property by famed architect Decimus Burton. The owner is really into art and loves to mix up classic and industrial styles, with a bit of retro pop and vintage thrown in. Each room began with her choosing the art, which then directed the colour palette.
14 H O M E S A N D G A R D E N S . C O M
BATH R OO M CA S E STU DY
2
ROOM TO MOVE
3
VINTAGE TOUCHES
I kept to the original plumbing positions – luckily, the WC is discreetly sited. There has to be a very good reason to move concealed pipework, especially in older homes. The main change, layout-wise, was the shower area, which I made much bigger to achieve a sense of luxury. The Crittall-style frame looks fabulous with fluted glass and far more interesting than a standard screen.
The basin vanity is one of my favourite pieces from C.P. Hart’s own collection – especially the elegant cabriole legs. We went for high-gloss plum doors to tie in with the nearby art and create contrast against the matt tiles. The chandelier also has a cool salvaged vibe and is IP44-rated, perfect for bathroom use. Finally, the pretty lace voile by Pearl Lowe – tinged in pink around the edges – softens the large window.
SOURCEBOOK London basin and Hoxton Satin Black vanity unit with Gloss Plum front, £1,590; Arc low spout basin taps, £1,349; Arc floor-standing bath shower mixer, £4,165; Waterloo shower head, £1,315; Arc thermostatic shower valve, £1,565; Vogue Nexus Grand III towel rail, £2,037; Ashland Bay five-light chandelier, £714; Astro Roma wall lights in Black, £108 each; Drench Matte collection shower panel, £1,619; Bette floor tray, £1,375, all C.P. Hart. Forge Oxide Porcelain wall tiles, £29.58sq m, Mandarin Stone. Petri ERM42319T3 porcelain floor tiles by Grestec, from £55sq m, Barker Design. Lace curtain panel in Pale Pink, from £150, Pearl Lowe. Art by Oli Epp.
PHOTOGRAPHS MATT GAMBLE
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Kent-based interior designer Justine Hodgson-Barker has been creating homes that reflect their owners’ passions
and style for more than a decade. ■ Supplying leading architects, interior designers and homeowners, C.P. Hart has 15 showrooms in the UK, showcasing the latest bathroom designs and innovations from around the globe.
H O M E S A N D G A R D E N S . C O M 15
LESS IS MORE MWAI DIRECTOR ALESSIA MOSCI WORKS WONDERS WITH JUST THREE CORE MATERIALS IN THIS UPMARKET EN SUITE
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ELEGANT UPDATE
We refurbished this three-storey townhouse in Belgravia in its entirety. The brief throughout was to create a brighter home with a more sophisticated, contemporary feel. In this master en suite, the goal was to maximise the beautiful natural light and create distinct zones for showering, bathing and washing.
16 H O M E S A N D G A R D E N S . C O M
BATH R OOM CA SE S TU DY
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NATURAL APPEAL
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BESPOKE TEXTURE
Calacatta Oro marble is a natural and very elegant material. We sourced the marble directly from Italy and hand picked these slabs for their soothing pure-white base brushed by soft-grey veins featuring gold and purple accents. In the shower the marble is full-height, in tribute to the sheer beauty of the slabs. The floor is the same stone but cut into a chevron pattern to match the timber floors elsewhere in the house.
The upper walls are decorated in subtly textural polished plaster. The exact shade was sampled on site to match the grey found in the veins of the marble. The lower walls are clad in marble, laid flush with the polished plaster to form a contemporary dado panel. The deep curves of Agape’s Ottocento bath, a modern take on a roll-top, provide softness and shape.
SOURCEBOOK
PHOTOGRAPHS ALEXANDER JAMES
Ottocento bath in White, £7,444, Agape. 2471-061A-64 shower controls and fixed head, £4,760; FS1-64 freestanding bath mixer taps, £5,752; KV10-64 basin taps, £1,207, all in Brushed Copper PVD finish, Vola. Lapicida supplies Calacatta Oro marble, from £750sq m. Pick-n-Mix Flask standard pendant, £375, Rothschild & Bickers. Bespoke copper frame mirror by Interior ID. Bespoke marble vanity unit by TCC Whitestone. Polished plaster, from £80 to £120sq m, Organic Walls.
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Founded in London in 2009, MWAI is a RIBA-chartered architectural practice specialising in creating unique
environments that respond and relate to human needs. Whether engaged in turnkey residential projects or designing for large commercial developments, the 10-strong team is passionate about delivering beautifully executed spaces with incredible attention to detail.
H O M E S A N D G A R D E N S . C O M 17
BATH RO OM SHO P P I NG
Water colours
A D D ZI N G TO YO U R B AT H R O O M W I T H S P L AS H P R O O F WA L L PA P E R
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1. Brame, from around £110.87sq m, Arblu 2. Paesaggio Cubista, from around £101.36sq m, Officinarkitettura 3. Dreamy in Night, from around £156sq m, Tecnografica 4. Bow Tie, £155sq m, Wall&Deco 5. Moirage glass wallpaper by Laura Pozzi, £167sq m, London Art at Go Modern 6. Cardi, from £96sq m, WallPepper 7. Ibis, £240lin m (W680mm), Inkiostro Bianco at West One Bathrooms 8. Lake IB, from around £96sq m, Bathroom Design Studio London 9. Aqualunae, from around £178.80sq m, Glamora
18 H O M E S A N D G A R D E N S . C O M
V E T R A L L A 1 0 0 % M AT T
F E E L D I F F E R E N T. I N T R O D U C I N G 1 0 0 % M AT T. Victoria + Albert’s new Standard Matt finish is different. Made in the cast, not by coatings or glaze, it is ‘100%’ Matt. The surface absorbs and diffuses light, for a calming ambience. It has a velvety feel, gentle against the skin. Our unique Volcanic Limestone™ material is naturally warm and retains the heat of the water. Encouraging you to relax for longer. To feel different. www.vandabaths.com B AT H S | B A S I N S | A C C E S S O R I E S
BATH ROOM SH O PP I NG
In the round
FOR ELEGANT BATHROOM ST YLE TRY A CIRCULAR COUNTERTOP BASIN
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1. Glass washbasin in Sage Green, from £764, Slide at Alchemy Award 2. Otto by Kast Concrete, £1,950, Ripples 3. Denver bronze basin, £850, Claybrook 4. Aphrodite Kythera copper bowl with polished nickel interior and brushed copper exterior, from £1,295, Fired Earth 5. Mosaic no-taphole travertine basin, £556, Aston Matthews 6. Nabhi Bowl 2 in Verde Ming, from £2,592, West One Bathrooms 7. Maru 42 basin in RAL 1024, from £870, Victoria + Albert 8. Era La Bacinelle countertop washbowl, £718, Cielo Ceramica at CP Hart 9. Mode Hale marble countertop basin, £249, Victoria Plum
20 H O M E S A N D G A R D E N S . C O M
The Whitewater
Designed by Susie Atkinson
drummonds-uk.com +44 (0)20 7376 4499
Happy D.2 Plus. Design and technology perfectly combined. The perfect combination of iconic design and innovative technology: the bathroom classic Happy D.2 Plus with harmoniously rounded corners in new variants. The unique Duravit technologies like the patented c-bonded open up new, individual solutions. Design by sieger design. Duravit London, open now. For more information visit www.duravit.co.uk
E XP ERT ADVIC E
Design masterclass WE DELVE INTO THE PRACTICAL DETAILS TO REVEAL HOW TO CREATE THE PERFECT BATHING SPACE
H O M E S A N D G A R D E N S . C O M 23
PL A N NING YOU R IDE A L L AYOU T LOUISE ASHDOWN OF WEST ONE BATHROOMS SHARES HER BATHROOM SECRETS THINK FIRST Take a look at your space and consider your wish list. The fittings for a family bathroom are likely to be different to a luxurious en suite; a compact wet room different to a large spa-like bathroom.
PLAN AHEAD Plot out the fittings in your space, factoring in the position of windows, doors and sloping ceilings. Decide on your key feature, be it a sculptural freestanding bath, a glamorous vanity unit or a double shower, and try to position it as the focal point, visible from the door. Also consider the position of the WC, as it may need to connect to existing pipework, making it tricky – although not usually impossible – to move.
TYPE OF BATH A freestanding bath can look stunning, but it needs space to show off its shape, so may be better suited to a larger bathroom. A ‘standard’ bath (freestanding or built-in) is L1700mm, but there are plenty of larger and smaller options: try out the bath before you buy, because comfort is king.
SHOWER CHOICE You could decide to tank the whole floor for a wet room or a less-expensive option is to create a walk-in design using a simple glass panel or panels to screen off a shower area with a flushfitted tray or flush-tiled floor above a floor former from companies such as Wedi. In this case, you need a minimum of 1200x900mm to be able to shower in comfort and prevent water splashing outside the shower area. In a smaller space, an enclosure will prevent splashes and a minimum comfortable size is 900x900mm. An enclosure is also essential if you want to install a steam shower, in which case you need a ‘roof ’ to the enclosure with a maximum height of 2200mm. If you don’t have room for both a bath and separate shower, you could install an above-bath shower.
24 H O M E S A N D G A R D E N S . C O M
Bathroom design, West One Bathrooms
WC SELECTION A wall-hung WC, supported on a concealed frame, frees up the floor and maximises the sense of space in your bathroom, but there are also back-to-wall, close-coupled, traditional-style high-level and short-projection models available. Shower WCs occupy a similar amount of space to ‘standard’ models, but require a power connection. Whichever WC you choose, make sure that there is at least 200mm on both sides and 600-700mm in front, so that you can move around it comfortably.
VANITY AND BASIN Basins are available as wall-hung, built-in, freestanding, pedestal, countertop and double configurations, with vanity units coming in a similar variety. A ‘standard’ basin is about 600-1000mm wide, but there are plenty of compact solutions available if required.
EX PE RT ADVIC E
Lighting design by John Cullen Lighting
USING LIGHT TO BEST EFFECT SALLY STOREY OF JOHN CULLEN LIGHTING ON CREATING THE RIGHT MOOD SET THE TONE Be it your ultimate spa-like sanctuary or a busy family bathroom with a fresh, crisp feel, good lighting can make a small bathroom seem bigger and a large bathroom feel more intimate. Layers of light, on dimmers and separate circuits, will allow you to switch between bright light needed for cleaning to softer levels for a relaxing mood.
SAFETY FIRST Regulations require bathroom lights to have different levels of IP (Ingress Protection) rating, denoting water resistance, depending on how close they are to wet areas defined by zones. Choose fittings with the correct IP rating according to the zone where they will be used.
AMBIENT LIGHTING The general light in a bathroom is usually provided by recessed downlights. Rather than
positioning them in the ceiling in a central grid, decide on the features you wish to highlight and locate the downlights accordingly. Instead of lighting the middle of a shower, for example, it’s better to light the wall to accentuate its role in the design and make the shower space seem larger.
TASK FORCE It is important to illuminate the mirror and your face with task lighting. A light source on the left and right sides of the mirror, such as two decorative wall lights, will create a shadow-free, flattering light, useful for putting on make-up or shaving.
LAYERED LIGHT Use light effects at different levels to introduce layers of illumination. For example, if the bath is in front of a window, you might choose to light the windows with two miniature uplights, with one narrow beam downlight over the tub. →
H O M E S A N D G A R D E N S . C O M 25
WALL & FLOOR TILES / BATHROOMS / PAINT / DESIGN SERVICE claybrookstudio.co.uk
EXP ERT ADVIC E
M AKING STOR AGE WORK FOR YOU DESIGNER ANNA HAINES SHARES HER BATHROOM SPACE SOLUTIONS
HOW TO BEGIN
CUSTOM-MADE
At the very starting point of your project think about the amount and the type of storage you require, so that you can tailor the arrangements to your specific requirements and to the amount of space you have available.
GO DISCREET
Bespoke joinery can be made to fit your space and style. I’m currently designing a small shower room with a vanity unit wrapped in tongue-andgroove panelling to match the wall, and built to the same height. It makes the unit look less obtrusive. I also often paint joinery in the same colour as the walls, for a more cohesive feel.
It can make sense to build a stud wall to conceal pipework for the shower and the frame for a wall-hung WC. You can use the same stud wall
Recessed wall cabinets with a scalloped or arched top bring in a subtle design feature, while some 200mm-deep open shelves create room for
to build a niche or half-height ledge in the shower area to make a shelf for your bottles of shampoo and conditioner. The size of the niche may be directed by the dimensions of the wall tiles, and depend on the height of your bottles and how much space you have behind the stud wall, but about H300xD100mm usually works
pretty accessories and perhaps some books.
well. The same stud wall can also be used to recess a mirror cabinet above the basin, providing discreet and streamlined storage. The Simplified Pharmacy cabinet by Balineum is designed for this purpose.
FREESTANDING FINDS
ADDED EXTRAS A heated rail for towels or some door or wall hooks are useful, as is a colourful basket for a generous quantity of loo rolls. If there is no space for built-in storage, a fabric skirt around a basin will allow you to hide things not wanted for display and add a softer dimension to the room. →
Bespoke vanity units painted in Edward Bulmer Cuisse de Nymphe Emue
I like to bring in antique storage pieces, such as an armoire or glass-fronted cabinet with drawers, as it helps create more of an unstructured aesthetic, as well as some much-needed warmth and texture, to offset the cold and clinical feel of most sanitaryware. Even a small étagère of open shelves beside the bath or basin can provide more storage and also work well visually.
VANITY UNITS Basin vanity units can be an elegant addition. Drawers make it easy to see and access their contents, while cupboards tend to look more classic. Ideally, choose one with a little counter space on both sides of the basin to provide room for soap: both Burlington and Porter offer 950mm-wide single vanity options.
H O M E S A N D G A R D E N S . C O M 27
E XPE RT AD VI C E
ACH I E V I NG BE AU T I F U L BATHROOM FLOORING FIRED EARTH’S COLIN ROBY-WELFORD OFFERS PRACTICAL ADVICE
FIRST CONSIDERATIONS Think about the look you want to achieve and the practicalities involved. Repeated contact with water makes certain materials unsuitable, such as wood flooring, which may warp and stain.
PORCELAIN As they are non-porous, won’t stain or scratch, porcelain floor tiles tend to be the simple choice. They work well with underfloor heating and don’t require any special ongoing treatment. Pick a design with slip resistance, especially if you plan to use the tile in the shower area or as a wet room floor. Choose from patterns, stone-effects, wood-effects, plain colours and printed tiles, in formats from 20x20cm up to about 1x1m. Most bathrooms in the UK are quite compact, so do be aware that larger formats may lead to more wastage as they may need to be cut to fit. Prices start from about £30sq m, but expect to pay more for designer looks and larger formats.
NATURAL STONE If you prefer to use a ‘real’ material for its beauty and individual characteristics, consider natural stone, including marble, limestone and slate. Honed stone tiles tend to be less slippery than polished, and once they are sealed, they should wear well. Do be aware that, as with all natural products, stone tiles require a certain degree of care. Always check maintenance requirements with your supplier. Prices start from around £40sq m; more for rarer stones and stone mosaics. Formats tend to go up to about 60x60cm; much larger than that and they become very heavy and hard to handle.
Patina porcelain tiles in Iron, 59.3x59.3cm, £49.31sq m, Fired Earth
are made from fired natural clay, which varies in colour, texture and porosity, they require sealing and may stain, so I wouldn’t use them in the shower area itself.
ENCAUSTIC
These tiles have a beautiful, handmade
Another handmade option, encaustic (concrete) tiles introduce texture and individual variation to your floor. This fits well with the trend for eclectic style in bathrooms, mixing coloured, plain and patterned tiles with vintage furniture, Victorian-style basins and some modern pieces. Encaustic tiles must be sealed, but even so they tend to mark and age over time; patterned designs will be more forgiving than, say, plain white tiles. They are not a ‘perfect’ product like porcelain, but they have a vibrancy and depth of
characteristic that works well for the ‘Cottagecore’ look, with formats typically 30x30cm and reclaimed 15x15cm. As they
colour and unique look that you simply don’t get in a printed patterned product. The format is typically 20x20cm; prices from about £100sq m.
TERRACOTTA
28 H O M E S A N D G A R D E N S . C O M
INSPIRING BATHROOMS. DESIGNED FOR LIFE.
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Frame cleverly concealed behind the wall.
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D EC OR ATI V E D ESI G N IDE AS
In the detail
YOU DON’T HAVE TO SACRIFICE BEAUTIFUL DECORATIVE TOUCHES TO ACHIEVE A BATHROOM THAT’S AWASH WITH FUNCTIONALITY
VANITY FAIR When it comes to adding a decorative touch to a bathroom, nothing beats the versatility of tiles, be they for the floors, walls, alcoves or splashbacks. For an understated look, play with the shape of the tile rather than just the pattern. Here, designer Joel Fry of West One Bathrooms chose Ca’Pietra’s Zen marble mosaic, a scallop-shaped design that forms a pretty backdrop for the brushed-brass tap fittings (a finish that is thoughtfully carried through to the traps under the sink). The curvy border of the splashback is echoed in the recessed mirror cabinets, which add an art deco touch to this bathroom. West One Bathrooms start from £15,000. →
H O M E S A N D G A R D E N S . C O M 31
MATCH PERFECT
COVERED IN GLORY
After the fashion for matching wallpaper and fabric went into hibernation post-1980s, it is now back in favour. Key to the success of the onepattern look is to consider the scale of the pattern
Across the board, bathware pieces are taking bold strides away from the age-old unwritten rule they should only ever be white. From the 1970s favourites of avocado or dusty pink to sunny
in hand. Something that has an invisible repeat such as tumbling florals or foliage is a good starting point. The wallpaper, blind and cushion here are all in Les Pecheurs China Blue by Warner House. ‘Clients are seeking a multi-layered style with an emphasis on colour and pattern,’ says Lee Clarke of Warner House.
yellows and elegant navy, there has been an explosion of colour in the bathroom. But why stop at a plain colour when you can have pattern? That’s the approach that decorator Irene Gunter took here when she had the bath wrapped in a woven fabric. ‘It was all about creating warmth,’ she says. ‘There was no natural focal point, so I
‘Using the same design on the walls and on blinds and curtains makes a dramatic statement and is a great way to inject personality into a space.’
hung the mirror behind the bath to ground the space and painted the walls in mustard yellow to tie in with the brassy tones of the tapware.’
“CONSIDER LIGHTING IN THE FORM OF BEAUTIFUL PENDANTS AND WALL FITTINGS, OPT FOR STATEMENT FURNITURE PIECES AND ADD SOFTER FURNISHINGS, WALLPAPERS AND MUTED PASTEL COLOURS” LEANNE ROBEY, senior designer, Ripples Newbury
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PHOTOGRAPH (DOUBLE STANDARDS) 82MM PHOTOGRAPHY
D ECOR AT I VE DES I GN IDE A S
DOUBLE STANDARDS Uneven polished plaster finishes are a natural complement to smooth glossy elements such as brass and marble often found in luxurious bathroom schemes. The Moroccan tadelakt approach in particular, with its natural grittiness, strikes an interesting counter tone to the even and shiny surfaces. Installing it is an artisanal skill, explains Jamie Blake of Blakes London, who used the finish for this concealed shower and WC. ‘You’re looking to add just enough movement in the plaster to create interest but not so much that the end result looks messy,’ he says. To add a touch of wow-factor, the floors are clad in Carrara marble tiles laid in a herringbone pattern which is seamlessly carried up the internal walls. →
H O M E S A N D G A R D E N S . C O M 33
PANEL SHOW
HIDE AND CHIC
Wood-panelled walls introduce a warm and tactile quality in a way that a standard painted finish can never hope to achieve, which makes them absolutely perfect for a supremely
Whenever planning a bathroom from scratch, calculate how much storage is required and be careful not to underestimate the amount. Items used on a daily basis will need open shelves, but
comfortable, cossetting bathroom environment. In this Shoreditch apartment, based on the fourth floor of a former shoe factory, the architects Chan + Eayrs used a blend of limed oak-brushed timber planks with traditional lime plaster mixed with a natural green pigment on the walls and ceiling. The result is a soft and
others should be stored out of sight to ensure a serene, uncluttered feel. This is particularly true where anything visible might disrupt the impact of the design such as in this bathroom, covered in colourful geometric Kismet tiles and which was designed by Paris-based LSL Architects. An alcove has been turned into a unit of drawers
tactile finish, which is then carried through in the curves of the avocado-green roll top bath by The Water Monopoly.
built in from the ceiling down and painted sky blue to link in with the tiles. The antique French basin was restored by The Water Monopoly.
“TO SAVE ON COSTS, ONLY USE WALL TILES WHERE YOU ACTUALLY NEED THEM SUCH AS INSIDE SHOWERS, THEN GET BUSY WITH A PAINTBRUSH AND ADD COLOUR TO THE VANITY AND BATH TO PROVIDE WARMTH” BETH DADSWELL, Imperfect Interiors, imperfectinteriors.co.uk
34 H O M E S A N D G A R D E N S . C O M
PHOTOGRAPHS (PANEL SHOW) TOBY LEWIS THOMAS; (HIDE AND CHIC) KATRIN VIERKANT
DE CORATI VE D ES I G N I DE A S
0333 011 3333
LIFES TYLE
Nina Campbell
ME & MY BATHROOM THE DESIGNER ON HER LOVE OF 1930s GLAMOUR AND FAMILY PICTURES 1.
I wanted the bathroom to feel a bit 1930s and not like a bathroom, so I created a dressing room-style vanity unit by topping a buffet from B&T Antiques in Notting Hill with white marble, sinking in a basin and lacquering the sides pink. Then I put lights either side, added the green Italian mirror and covered it in my Chanel products.
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I have a quick bath in the morning and luxuriate in the evening with masses of bath salts from Santa Maria Novella. I just lie there and listen to classical music, then get out and wrap myself up in a towel from Porthault with the iconic pink hearts.
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The walls are lacquered pink – I had the intense rose colour mixed and it’s built up in layers and glazed. I’ve got to a stage where this is my bathroom, nobody else’s, so I can have pink if I want! It’s calming, pretty and
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The Victorian bath was an existing one, which I fitted with nickel taps from THG Paris. I was going to have underfloor heating for the beautiful stone floor but I’d just got a dog and Shih Tzus like to lie on a cold floor!
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I think a chair by the bath is vital. I have the Doris stool from my NC furniture collection. I either sit on it – mostly when I would bath my grandchildren when they were little – or drape my cosy dressing gown from
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3. 1. Doris dressing table stool, £879, Nina Campbell. 2. Le Lift hand cream, £55, Chanel at Selfridges. 3. Silver Bed limestone, £85sq m, Cotswold Stone. 4. Tradition tap, from £1,340, THG Paris. 5. Cashmere dressing gown, £1,750, Johnstons of Elgin
36 H O M E S A N D G A R D E N S . C O M
Johnstons of Elgin on it.
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The bathroom is where I put family pictures. The charcoal drawing is of my daughter Rita, and when I’m in my tub I look up at an oil painting of my great-great-grandmother Pamela Fitzgerald. You can have personal things in a bathroom, that are just for you.
PHOTOGRAPH (BATHROOM) PAUL RAESIDE
joyful, and it just makes me happy.
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