P R O M E T H E A N
E D I T I O N S
GARETH FARR
Kembang Suling Flute & Marimba
ISMN M-67452-081-2
9
790674 520812
Kembang Suling (PE001), for Flute and Marimba by Gareth Farr (1996). Dedicated to Alexa Still. © Promethean Editions Limited This Edition © 1997 Promethean Editions Limited (reprinted 2004) Editorial comments: Alexa Still Series Editor: Ross Hendy Engraving: Mallabar Music Limited Layout: Mallabar Music Limited ISBN 0-9583679-0-6 ISMN M-67452-081-2 Promethean Editions Limited PO Box 10-143 Wellington NEW ZEALAND http://www.promethean-editions.com No part of this publication may be reproduced in any form or by any means without permission in writing from the Publisher. Kembang Suling was commissioned by Alexa Still with financial support from Creative New Zealand, Arts Council of New Zealand Toi Aotearoa.
Gareth Farr (1968) New Zealand composer and percussionist Gareth Farr was born in Wellington, New Zealand. He began his studies in composition and percussion performance at the University of Auckland. The experience of hearing a visiting gamelan orchestra prompted his return to Wellington to attend Victoria University, where the characteristic rhythms and textures of the Indonesian gamelan rapidly became hallmarks of his own composition. Farr continued with postgraduate study in composition and percussion at the Eastman School of Music in Rochester, NY, where his teachers included Samuel Adler and Christopher Rouse. The inclusion of his works in four events at the 1996 New Zealand International Festival of the Arts inaugurated his career as a dedicated freelance composer. Since then, Farr’s music has been heard at, or especially commissioned for high-profile events including the 50th anniversary of the New Zealand Symphony Orchestra (From the Depths Sound the Great Sea Gongs), the opening of the Museum of New Zealand Te Papa Tongarewa (Te Papa), and the 2000 Olympic Games in Sydney (Hikoi, a concerto for percussionist Evelyn Glennie and the NZSO). Most recently, a commission by the 2003 Auckland Festival resulted in Stone and Ice, composed for the combined forces of the NZSO and the Auckland Philharmonia Orchestra. Gareth Farr’s music is particularly influenced by his extensive study of percussion, both Western and non-Western. Rhythmic elements of his compositions can be linked to the complex and exciting rhythms of Rarotongan log drum ensembles, Balinese gamelan and other percussion music of the Pacific Rim. In addition to his music for the concert chamber, Farr has written music for dance, theatre and television. Latest information about the composer may be found at www.garethfarr.com.
PE063 — 3
Kembang Suling (1996) Programme note Three musical shapshots of Asia I On the magical island of Bali, the flowing gamelan melodies intertwine with the sound of the suling (Balinese bamboo flute), forming rich colourful tapestries. The marimba and flute start out as one, their sounds indistinguishable. Bit by bit the flute asserts its independence, straying further and further from the marimba melody. An argument ensues — but all is resolved at the climax. II The haunting sounds of the Japanese shakuhachi flute float out over the warm echoes of the rolling landscape. III Complex rhythms and South Indian scales set the two instruments off in a race to see who can outplay the other. The marimba is set in a three bar cycle of Ed + Eh + Ep — but the flute plays a different cross rhythm each time, returning to the marimba’s pattern at the end of every cycle.
PE001 — 4
KEMBANG SULING TO ALEXA STILL Gareth Farr
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! 43 C Y C Y C C C C C C C C C C C Y C Y C C C C C C C C C C C Y C Y C C C C C C C C C C C Y C Y C C C C C C C C C C 44 pppp legatissimo = 120
(all phrases to m.27 are to be slurrred and played in one breath)
! 43 C Y C Y C C C C C C C C C C C Y C Y C C C C C C C C C C C Y C Y C C C C C C C C C C C Y C Y C C C C C C C C C C 44 pppp legatissimo # 3 4
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Q
Q
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C TU C Y C Y C C C C C C C C C C C C
! 44 C
C
5
# 4 4
CYCYC C C C C C C C C C C C YC C CYC C C C C C C C C C C C C Q
Q
44
CYCYC C C C C C C C C C C C Q
! Y C C C Y C C C C C C C C C C C C C 43 C Y C Y C C C C C C C C C C
C Y C Y C C C C C C C C C C 44
! Y C C C Y C C C C C C C C C C C C C 43 C Y C Y C C C C C C C C C C
C Y C Y C C C C C C C C C C 44
8
# 11
Q
Q
Q
3 4
YC C C C ! 44 C Y C Y C C Y C C C C C Z C Y C Y C YC C C C ! 44 C Y C Y C C Y C C C C C Z C Y C Y C # 4 4
Kembang Suling © Promethean Editions Ltd This Edition © 1997 Promethean Editions Ltd
Q
Q
YC C C C YC C YC C C C CZC YC YC C C dim. a niente
YC C C C YC C YC C C C CZC YC YC C C
PE001 — 5
dim. a niente
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26
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Q
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43 C Y C Y C C C C C C C C C C ppp Q
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3 4
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4 4
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20
3 4 CYCYC C C C C C C C C C ppp legatissimo
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17
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PE001 — 6
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29
! 43 C Y C Y C C C C C C C C C C C Y C Y C C C C C C C C C C C Y C Y C C C C C C C C C C C Y C Y C C C C C C C C C C 44 pp poco a poco crescendo # 3 4
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C C C C ! 44 C T U C Y C C C C C C C C C
33
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C C CYC C C C C C C C C C C C C
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C
Q
44
CYCYC C C C C C C C C C C C Q
C TU Y C C Y C C C C C C C C C C C C Y C TU C C Y C C C C C C C C C C C C Y C TU C Y C C C TU C C Y C C TU C C C C !
36
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PE001 — 7
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PE001 — 8
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C YC YC C C C C C C C C C F p Q
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deadstroke
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C TU Y C C TU C C TU C C TU C p
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C Y C T U C C T U C C T U C C T U 44
C Y C TU C C TU C C TU C C TU p C C C
C
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sim.
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PE001 — 9
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C C
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C C
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81
! C Y C TU C TU C TU C TU C TU C TU C TU C cresc. # C
C
!
C
84
!
C
TU C TU TU C TU C TU C TU C TU C TU C C C
C
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fff sub. # C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C
(ord.)
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C
C
R C
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PE001 — 10
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cresc. poco a poco
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PE001 — 11
C
C
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PE001 — 12
CC
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108
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PE001 — 13
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PE001 — 14
C C C
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roll throughout
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g
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g
C
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C
h
C
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BO O Y BB O YBO YBO PE001 — 15
C
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YC
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g
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C
Q
Q C
C
C
g
C
YB YB
C
YC
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molto rubato
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C
C
YC YC
C g
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C
= 54
C O Y C ?U C C Y C Y C C C C T ppp p
YC
Y BB
C
C
p
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C YC YC YC
YB YB YY BB
YY BB YB YB
! YB YB # YY BB
molto rubato
Q
C
Più mosso
U CO WC T C WC C WC C C C ppp p Q C
Q
19
,YC YC Y CG mp
g
g
G
C C
g
CO C
Q
Q
YC h
Y BB YB YB
A
!
A Q
attacca
Q
attacca
C
! 45
III Q
= 108
! 45
mp # 5 C C C CYC C C C C C 4 C 4
! 45
C C C C # 5 C C C CYC C 4 C 7
! 45 C O mf
YC C
C YCO
! 45
p C C C C # 5 C C C CYC C 4 C 10
Y >C O 5 ! 4 ! 45
5 YC C C C C C C C C C 8 C
C C C
CO
C C C C # 5 C C C CYC C 4 C
5 YC C C C C C C C C C 8 C
C
CO
Y C 58 C C
Y C C C C C C C C C C 58
CO
YC C
C
C CO
5YCO 8
Y C C C C C C C C C C 58 C
C C
g
5 16
CO
5 4 45 45
C YC
5 4 5 4
5 Y C C C Y C C 45 16 >
5 C CYC Y C C C C 16
C
C
C YC
45 45
> C 5 C CYC C 5 16 4
5 C CYC Y C C C C 16
C C C YC C C YC
58 C
PE001 — 16
C C
C
5 16
C C C YC C C YC 58 C
C
Q
5 16
C C C YC C C YC
5 4 C YC
C 5 16
YC
5 Y C C C C 16 C C Y C
5 C 8
C C
5 Y C C C C 16 C C Y C
Q
58
Q
5 16
C C C YC C C
58 C
Q
! 45
Q
5 8
5 16
C
C YC
45 45
13
! 45
YCO
C C CYCO
C C
! 45
C C C C # 5 C C C CYC C 4 C 16
! 45 C p ! 45
YC
g
! 45 C ! 45
YC h
C
22
25
YCO C C C
58 C Y C O
C
C C
C
C YC
YCO
O 5 C 8
Y C C C C C C C C C C 58 C
CYC C Y C 45
5 C 16
C
YC
C C C YC C C
5 C 8
5 4 5 4
C CYC C YC 5 4
5 Y C C C C 16 C C Y C 5 C 16
C YC
>
5 4 5 4
CYC C C YC 5 5 16 4
C YC
YCO
C YC
>
5 16
C C C YC C C YC
5 C 8
C
5 16
C C C YC C C YC
58 C O
>C
5 Y C C C C 16 C C Y C
5 C 8
5 YC C C C C C C C C C 8
h
mp C C C C # 5 C C C CYC C 4 C
C CYC C
5 YC C C C C C C C C C 8
YC h C
C C C C # 5 C C C CYC C 4 C 19
CO
5 C CYC Y C C C C 16 YC
5 16
C
C YC
45 5 4
CO YC C C CO g C Y C C C 5 C C YCO C O 5 5 YC C 5 C C ! 4 8 16 Y C> C C 4 mf 5 5 5 ! 45 YC C C C C C C C C C 8 Y C C C C 16 C C Y C 4 p C C C YC C C C YC C # 5 C C C CYC C C C C C C Y C 5 5 5 C 4 C 8 16 4 YCO ! 45 ! 45
C C C
CO
# 5 C C C CYC C C C C C 4 C
YC C
C
C CO
5YCO 8
Y C C C C C C C C C C 58 C
C C C YC C C
5 C 8
PE001 — 17
C C
CO
C
> C 5 C CYC C 5 16 4
5 C CYC Y C C C C 16 YC
5 C 16
C YC
45 5 4
28
! 45
YCO
C C CYCO
C C
! 45
C C C C # 5 C C C CYC C 4 C 31
YC ! 45 C C
C
! 45
TU C
C
C C
TU
C C C C # 5 C C C CYC C 4 C 34
YC ! 45 C C ! 45
C
TU C
C C
C
! 45
B
! 45
T
# 5 C C C CYC C C C C C 4 C 40
! 45 B O ! 45
mf # 5 C C C CYC C C C C C 4 C
C CYC C
C
C
5 YC C C C C C C C C C 8 C
C
C C
TU
Y -C C C C
C
C
C
C
molto rubato (quasi accel.)
C
C
YC
C
5 8
C
5 C 8
PE001 — 18
5 16
C
C C C YC C C
R
Y C C C C C C C C C C 58
C CYC C YC
5 T U j C 16 h
5 C C YC Y C C C C 16
5 C 8
(in tempo)
>
5 Y C C C C 16 C C Y C
C C C YC C C
5 C 8
5 YC C C C C C C C C C 8
C YC
5 C 16
C YC 5 C 16 > C C CYC C C C CYC C j 5 T U h 16
-C Y -C
5 8
C
C
C C
5 C 8
g
CYC C YC
C C C YC C C YC
5 C 8
Y C C C C C C C C C C 58
5 16
C C C YC C C YC
-C Y -C 58
TU C C C C
>C
5 Y C C C C 16 C C Y C
5 C 8
C
C C
YCO C C C
58 C Y C O
5 YC C C C C C C C C C 8
TU C
C C C C # 5 C C C CYC C 4 C 37
CO
Q C C C YC C C
C
C YC
C
5 16 C C C C C
5 Y C C C C 16 C C Y C YC
5 16
5 C CYC Y C C C C 16 YC
C YC
5 C 16
5 C 16
Q
45 5 4 5 4 45 5 4 5 4 5 4 45 5 4 5 4 5 4 5 4 5 4
C YC
45 5 4
43
! 45 C O mf ! 45
YC C
YCO
C C
C YCO
mp # 5 C C C CYC C C C C C 4 C 46
! 45
C
C C C C # 5 C C C CYC C 4 C 49
! 45 ! 45
f
55
! 45 C mf ! 45
! 45 C
YC C C C C C I
! 45
# 5 C C C CYC C 4 C
C
YC C
C CO
C
YC 5 C 8
C C C YC C C YC
YCO
5 YC C C C C C C C C C 8 C
CO
5 C CYC Y C C C C 16
58 C 58
C CYC C
C
CO
C C
58
CYCO
C
YC C C C C
C
5 C 16
5 CYC C C C YC C C C C C 5 8 16 I ING 5 C C C C C C C C 58 Y C C C C 16 C C C YC C C C YC 5 C 5 8 16
PE001 — 19
45 45 45 5 4 5 4
C CYC C YC 5 4
5 Y C C C C 16 C C Y C
C C 5 CYC C C C YC C C C 5 8 16 I ING 5 C C C C C C C C 58 Y C C C C 16 C C C YC C C C S YC 58 C 5 16
C YC
>
5 16
5 C 16
C YC
5 4 5 4
C YC C C C CYC CYC 5 C 4 C C
C YC
C YC
5 4 45
C YC C C C CYC CYC C 5 4
YC C C C C CO C C C I
YC C C C C C
>
5 Y C C C C 16 C C Y C
YCO C C C
C YC
C C CYC C
5 16
C C C YC C C YC
5 C 8
C
5 16
C C C YC C C YC
5 C 8
5 YC C C C C C C C C C 8
> C CYC C Y 5 C 5 16 4
C C h
CO
YC C C C C CO C C C I
YC C C C C C I
# 5 C C C CYC C 4 C
CO
C
C C CYCO
C C
C C C C # 5 C C C CYC C 4 C 52
C
Y C C C C C C C C C C 58
CO
! 45
YCO
C C
C
C
C YC
C YC
45 5 4
58
60
62
C C C C Y C C CYC C C C TU C TU Y C C C TU C C C C Y C C C 5 ! 4 C CYC f ! 45 YC C C C C C C C C C mf C C C C # 5 C C C CYC C C 4 C
YC C
C C C YC C C YC
5 C 8
C CYC Faster C = 120 YC C C C C C Y C C CYC gi Y C C C C C TU C C j U C TO S 5 5 Y C 5 h T C ! 8 C C 16 4 C
# 5 C 8
68
58
C C C C C C I
5 16
5 C 16 C
5 16
YC C C C C U C C C CYC C C C C TU C C C T C Y C C C C C Y C C 5 Y C C C C TU C C C Y C C C TU 5 5 ! 16 4 C C 8 ff 5 C C 5 5 ! 16 YC 4 YC C C C C C C C C C 8 fC C YC C C CYC C C C C C # 5 C C 5 C 5 16 4 8
! 58
65
58 T U C Y C C Y C C
C C YC C C
YC YC
C
5 C C C 16 5 16
C
C YC
C CYC C YC ff 5 ! 58 Y C C C C 16 C C Y C C C C YC C C C YC C # 5 C YC 5 8 16 ! 58
Q
5 16
C YC
5 4
S
ff C CYC C C C C C 5 C C C 4
S
S
5 8
5 YC C C C C C C C C C 8 C
5 8
C C C C C C C C 5 C C C CYC C C C C CYC C 5 4 8 5 4 45
Q
Q
5 8 58
Y C C C C 5 C C Y C C Y C 5 gi T O C C C S S S S 5 Y C C C 5 ! 8 16 4 C 8 p Q 5 5 5 ! 58 16 C C Y C 4 YC C C C C C C C C C 8 p C YC YC C C C C C # 5 C Q 5 C 5 CC C C C 5 8 16 4 8
PE001 — 20
71
74
78
83
88
YC C C C C CYC C C C C C C C C C C C C C C C C YC C 5 CYC CYC 58 ! 58 C C C Y C C C 16 45 ff S Q S 5 5 S ! 58 C C C C C C C C 58 Y C C C C 16 4 ff C C C YC C C # 5 C C YC Q S S S 5 58 8 16 45 C CYC CYC
, C C Y C C T 5 16 ppp C C S 5 16
C
Q T YC C C C C C C C C C 5 S 5 5 jh T U T S ! 58 16 4 8 p sub. ff S C C C C T S 5 58 C C C Y C ! 58 Y C C C C 16 45 C C C C Y C C p YC C C C C C Y C C C Y C C # 5 C YC Q 5 58 8 16 45 C CYC C Y C 5 C OY C C C Y C O C C C C OY C 5 C C Y C O C C 5 Y C C 5 ! 16 h 16 4 8 f sub. Q Q Q 5 5 5 5 ! 16 4 8 16 f sub. # 5 C Y C C C Y C 5 C OY C T C C OY C T C C O C 5 T C C OY C T 5 C Y C h 16 4 8 h 16 h Y C O C C C OC 5 ! 58 h 16
C C C CYC
5 4
Y C OC C C C C OC O YC C CYC C
fff 5 TU C C Y C C 5 Y C O C T C C Y C C O C O C C ! 58 Y C O T O C 16 4 YC C YC C fff # 5 Q Q Q 5 5 8 16 4 > YC C C C C C C C C C U C C C CYC > U > T C C T C CYC > C C U C C T C 5 Y C C C ! 4 YC C C C C C C C C YC C C C 5 ! 4 C C C # 5 4
Q
PE001 — 21
CYC C Q
CYC C
5 4
Q
Y C O C C C C OY C C C C C O
5 16 5 8
5 C OY C T C g C O T C g T U g 5 4 YC C O8 Q
5 4
5 8
C CYC YC C C CYC Y C C C C C 5 5 5 h h 16 8 4 5 TU g O 5 CYC C C 5 8 Y C C C C C O 16 YC 4 Q
5 8
T U 58 C C
Y C C C C C TU C C
C 5 C YC C 8 58
5 16
Q
C
Q
5 4
C YC
5 16
YC C C C C jh T U 5 16 C
5 16
90
C CYC CYC C CYC CYC 5 CYC C C YC C C C C 5 ! 16 4 5 C ! 16 # 5 16
C YC
94
! 45
YC
45
C
# 5 C C C CYC C 4 C
S
S
mp C
C C C C C C C C 58
C YC
C C
C C C YC C C
58 C
5 16
C YC
5 C CYC Y C C C C 16 YC
5 16
C
C
C YC
5 4 45 45
YC
C C C
C C C C
C
5 C C C 8
C
C
C
C
58 C
5 C C C 16
YC
C YC C C
YC
5 16
YC C C C C C CYC C C C C C YC C CYC C C C C C C C C C C C 5 CYC C C 5 C CYC C C C C C CYC C C C C C C 5 ! 16 4YC C 8 p cresc. 5 C ! 16
C YC
# 5 C 16 98
>C
5 8
C
YC
C YC C C C C C C C C C C C C C C C C C YC C CYC C C C C C C C C C C C C C C C C C C C 5 C C C C C C C C C C 5 16 8
! 45
96
45
C
C
C C C C
C YC
5 4
YC C U T ! 58 Y j C T U Y C C C Y C C h ! 58
# 5 C 8
C
C
C
YC
C
C
YC YC
C C C C
C C YC C
54 CC C
cresc.
C
C CYC C C C C
C
5 j 16 h
C
5 C 16 5 C 16
YC C C
C
C
C
C
C
C
jh T U fff
YC #
ff ^C C C
ÒC
5 8
C C
^C
YC C Y C C YC C TU C YC
C
Q
T
58 TU
TU
TU
ossia: for 4.5 or 5 octave marimba
P R O M E T H E A N
PE001 — 22
E D I T I O
PE001 — 23