Promethean Editions: Piano Music Catalogue 2015

Page 1

PROMETHEAN EDITIONS Piano Music Catalogue

Sepuluh Jari

SEPULUH JARI DEDICATED TO MICHAEL HOUSTOUN Gareth Farr

# 4 4

Œ = 72

pp # 4 4 WC C C WC C > ev` #

2

{ev`}

WC

WC C ev` ppp K C

C

Piano music with an exciting fusion of musical # styles
K

C

K

C

C C

C C

C

C

C C

C

C C

WC C

C

C

WC C

C

C

C

Promethean Editions is the exciting fusion of different

K K C C C C C C C C C and {etextures reminiscent of French impressionism. His v`}

musical styles that can be heard in the works of its

melodic passages and complex rhythms.

published composers. Looking outward from the Western

3

One of the defining qualities of the music published by

mp legato e cantabile g g C C C X C C C C C C C C C CWC C CC CWC C C J J J J J J # C C C C C C C C C C C C C C C C C C C C C C p {ev`} Excerpt from Sepuluh Jari, bar 3, p.1 (PE128)

ancient – to create challenging, exciting contemporary classical works. Works for piano by Gareth Farr, Christos Hatzis, Vincent Ho and John Psathas certainly reflect this broad range of influences and styles. The following sample

piano, as well as collections of piano works by influential New Zealand figures Douglas Lilburn and Larry Pruden.

Solo Piano Gareth Farr’s music reflects his personality – bold, brash, or delicate and sensuous, but inevitably, immediately engaging. Rhythmic elements of his compositions can be

g

C

g

The Horizon from Owhiro Bay (2007) (PE091) is Farr’s musical

WC C C C C C C CWC C C C C C C C representation of the view I see at twilight from my studio J J J J J J on# the south coast of Wellington, NewC Zealand — C the C C C C C depthsC ofC Cook Strait,C the inky blue C Csky, C C moody C dark green C C C and the endless unbroken horizon dividing the two.” The {ev`} work’s simple arching structure begins and ends with a #

C

C

C

CWC C

5 depiction of the ‘moody depths’ visible from the

C

composer’s home. Farr writes: “This prelude is a musical

C C C C C C W C W C C C C C C C C C C C C C C C C C C An exciting and virtuosic work for solo piano, Farr’s Mouse J J J J finger work J and dares J Hole fast # (1998/2002) C C (PE100) C requires C C C C C C the scurrying C C rodentC evoked the pianist to keep C C pace with C C by the speedy streams of semiquavers that define the work.(loco) ev` {ev`} This work perfectly illuminates Farr’s penchant for

linked to the complex and exciting rhythms of Rarotongan

repeated two-note motif which serves as a literal horizon as

log drum ensembles, Balinese gamelan and other

the pianist performs surrounding ascending and 7

percussion music of the Pacific Rim, and these influences

descending figures.

spill over into his works for piano. Balinese Pieces (1996-2003) (PE128) is a set of three piano works influenced by gamelan music of Indonesia. This collection includes Sepuluh Jari (“ten fingers”), Tentang Cara Gamelan (“on the technique of gamelan”), and Jangan Lupa (“don’t forget”). Farr perfectly captures the exciting rhythms and beautiful sonorities of gamelan music and combines it with sounds

www.promethean-editions.com

C

#

horizons by partnering the traditional with the modern – or

covers virtuosic works for solo piano, chamber works for

Jenny Lin performs the music of John Psathas

C

writing for piano in these pieces is virtuosic, with fast

classical tradition, these composers broaden their stylistic

of piano music from the Promethean Editions catalogue

K

#

C

PE128a Sepuluh Jari ©propulsion 1996 Promethean Editions Limited rhythmic that typifies much This Edition © 2013 Promethean Editions Limited

–1 of hisPE128 musical PE128 – 1

output. The persistent semiquaver material in the right

Piano Music Catalogue – September 2015


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.