RAQUEL SANCHIS portfolio
ACADEMIC WORK DESIGN I REPRESENTATION I
CONTENTS
TECHNICS I REPRESENTATION II PERSONAL WORK SKETCHES PHOTOGRAPHS
ACADEMIC WORK PRATT INSTITUTE - UNDERGRADUATE
POINT - LINE - SURFACE - VOLUME THE START POINT OF THE PROJECT WAS
SPATIAL,
A NINE-SQUARE GRID THAT THROUGH AN
CONSTRUCTIONAL PRINCIPLES GAVE ME
ALGORITM EXPLORED DIFFERENT POINTS.
AS A RESULT THE FINAL MODEL.
THE
‘IDEAL’
PROVIDES
NINE-SQUARE
THE
UNDERSTAND
THE
IMPERFECT OR DISTORTED
AND
FIGURE
OPPORTUNITY ‘REAL’
STRUCTURAL
TO
THE IDEA OF SCALE AND HOW IT
ALL
RELATES TO THE BODY CHANGED THE
POINTS
SPACE. THE PROJECT GAVE ME THE
OF
OBTAINED TROUGH THE ACTIVATION OF
OPPORTUNITY
THE GRID.
CONCEPTS
GRADUALLY
SOPHISTICATION THE ANALYSIS OF POINT, LINE, SURFACE AND VOLUME USING ORGANIZATIONAL,
TO
SPATIAL DESIGN.
INTO
TRANSLATE INCREASING MEANINGFUL
DESIGN I FALL 2012
MUTATIONS FOR THE FINAL PROJECT, I STUDIED FICTONIAL
CONSEQUENCES OF MAKING THE BLOCKS WITH
CHARACTERS
MUTATIONS
ITS MUTATIONS INTERACT WITH EACH OTHER
AND I EXTRAPOLED THOSE INHERENT LOGICS TO
TO CRÉATE NEW SPACES OF THE INITIAL
THE
BLOCKS.
WITH
BLOCKS,
OPERATIONS
I
DIFFERENT
THROUGH DEVELOPED
SUCCESSIVE A
SERIAL
OF
REPRESENTATION I FALL 2012
AIM OF THE FIRST PROJECT WAS TO DEVELOP A
SIMPLE STRUCTURAL SYSTEM CAPABLE OF LIFTING AND SUPPORTING A SUBSTANTIAL WEIGHT, DELIVERED IN THE FORM OF FRUIT, AT LEAST THE GROUND.
18
INCHES ABOVE
DYNAMIC EQUILIBRIUM | JOINERY AND CRAFT
ECONOMY | LIGHTNESS | AMBITION | RIGOR
THE
SPAN + CANTILEVER THE
SECOND
PROJECT
IS
COMPRISED OF BOTH TENSILE AND COMPRESSIVE ELEMENTS. SUPPORTED A MINIMUN LOAD OF TWO POUNDS.
TECHNICS I FALL 2012
REPRESENTATION II SPRING 2013
BROOKLYN THEN AND NOW 1900’S - 2013
PERSONAL WORK
PAVILLON DE L’ESPIRIT NOUVEAU, PARIS
GLASSHOUSE, PHILIP JOHNSON
EINSTEIN TOWER, POTSDAM
VELES I VENTS, VALENCIA
EL ESCORIAL, MADRID
PABELLON SUIZO, PARIS
SKETCHES CHATEAU DE VERSAILLES, PARIS
PALAU DE LES ARTS, CALATRAVA
BAUHAUS BUILDING (1925)
SKETCHES
Brussels, Belgium
Alicante, Spain
REDUCING THE CROMATIC COLOUR RANGE TO BLACK AND WHITE SHOWS AN ARCHITECTURE OF IDEAS, WHICH BELIES THE COLORS AND USES FOR ITS SHAPE, PROPORTION, HARMONY AND OTHER QUALITIES WITHOUT HAVING TO CALL ATTENTION LOUDLY.
PHOTOGRAPHS