Drawing Techniques
Art Research
Oil
Tempera
Pencil
Charcoal
Colored pencil
Colored charcoal
Acrylic
Watercolor
Ink
Oil pastel
Gouache
Marker
Mixed media Acrylic, ink, marker, colored pencil
Acrylic, ink, marker, colored pencil, oil pastel
Acrylic & charcoal
Acrylic & colored pencil
Colored pencil & charcoal Colored pencil & oil
Gouache & watercolor
Ink & watercolor
Mixed media Tempera & oil pastel
Pencil & watercolor
Tempera & oil
Pencil & ink
Tempera, oil & gold
Acrylic & marker
Ink & pastel
Pastel, tempera & ink
Drawing materials
Oil
Oil painting is the process of painting with pigments that are bound with a medium of drying oil—especially in early modern Europe, linseed oil. Often an oil such as linseed was boiled with a resin such as pine resin or even frankincense; these were called ‘varnishes’ and were prized for their body and gloss. Oil paint eventually became the principal medium used for creating artworks as its advantages became widely known. The transition began with Early Netherlandish painting in northern Europe, and by the height of the Renaissance oil painting techniques had almost completely replaced tempera paints in the majority of Europe.
Pastel Pastel is a painting medium in the form of a stick, consisting of pure powdered pigment and a binder.[10] The pigments used in pastels are the same as those used to produce all colored art media, including oil paints; the binder is of a neutral hue and low saturation. The color effect of pastels is closer to the natural dry pigments than that of any other process.[11] Because the surface of a pastel painting is fragile and easily smudged, its preservation requires protective measures such as framing under glass; it may also be sprayed with a fixative. Nonetheless, when made with permanent pigments and properly cared for, a pastel painting may endure unchanged for centuries. Pastels are not susceptible, as are paintings made with a fluid medium, to the cracking and discoloration that result from changes in the color, opacity, or dimensions of the medium as it dries.
Tempera Tempera, also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigment mixed with a water-soluble binder medium (usually a glutinous material such as egg yolk or some other size). Tempera also refers to the paintings done in this medium. Tempera paintings are very long lasting, and examples from the first centuries AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by the invention of oil painting. A paint which is commonly called tempera (although it is not) consisting of pigment and glue size is commonly used and referred to by some manufacturers in America as poster paint.
Watercolor Tempera, also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigment mixed with a water-soluble binder medium (usually a glutinous material such as egg yolk or some other size). Tempera also refers to the paintings done in this medium. Tempera paintings are very long lasting, and examples from the first centuries AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by the invention of oil painting. A paint which is commonly called tempera (although it is not) consisting of pigment and glue size is commonly used and referred to by some manufacturers in America as poster paint.
Acrylic Acrylic paint is fast drying paint containing pigment suspension in acrylic polymer emulsion. Acrylic paints can be diluted with water, but become water-resistant when dry. Depending on how much the paint is diluted (with water) or modified with acrylic gels, media, or pastes, the finished acrylic painting can resemble a watercolor or an oil painting, or have its own unique characteristics not attainable with other media. The main practical difference between most acrylics and oil paints is the inherent drying time. Oils allow for more time to blend colors and apply even glazes over underpaintings. This slow drying aspect of oil can be seen as an advantage for certain techniques, but in other regards it impedes the artist trying to work quickly.
Ink Ink paintings are done with a liquid that contains pigments and/or dyes and is used to color a surface to produce an image, text, or design. Ink is used for drawing with a pen, brush, or quill. Ink can be a complex medium, composed of solvents, pigments, dyes, resins, lubricants, solubilizers, surfactants, particulate matter, fluorescers, and other materials. The components of inks serve many purposes; the ink’s carrier, colorants, and other additives control flow and thickness of the ink and its appearance when dry.
Gouache Gouache is a water based paint consisting of pigment and other materials designed to be used in an opaque painting method. Gouache differs from watercolor in that the particles are larger, the ratio of pigment to water is much higher, and an additional, inert, white pigment such as chalk is also present. This makes gouache heavier and more opaque, with greater reflective qualities. Like all watermedia, it is diluted with water.
Marker pen A marker pen, marking pen, felt-tip pen, flow or marker, is a pen which has its own ink-source, and usually a tip made of a porous, pressed fibres such as felt.[1] A typical permanent marker consists of a container (glass, aluminum or plastic) and a core of an absorbent material such as felt. This filling serves as a carrier for the water-proof ink. The upper part of the marker contains the nib that was made in earlier time of a hard felt material, and a cap to prevent the marker from drying out. Until the early 1990s the most common solvents that were used for the ink were Toluene and Xylene. These two substances are both harmful and characterized by a very strong smell. Today, the ink is usually made on the basis of alcohols
Pencil
A pencil is a writing implement or art medium usually constructed of a narrow, solid pigment core inside a protective casing. The case prevents the core from breaking, and also from marking the user’s hand during use. Pencils create marks via physical abrasion, leaving behind a trail of solid core material that adheres to a sheet of paper or other surface. They are noticeably distinct from pens, which dispense liquid or gel ink that stain the light colour of the paper. Most pencil cores are made of graphite mixed with a clay binder, leaving grey or black marks that can be easily erased. Graphite pencils are used for both writing and drawing, and the result is durable: although writing can usually be removed with an eraser, it is resistant to moisture, most chemicals, ultraviolet radiation and natural aging. Other types of pencil core are less widely used.
Charcoal Charcoal is used in art for drawing, making rough sketches in painting and is one of the possible media for making a parsemage. It must usually be preserved by the application of a fixative. Artists generally utilize charcoal in three forms: Vine charcoal is created by burning sticks of wood (usually willow or linden/Tilia) into soft, medium, and hard consistencies. Powdered charcoal is often used to “tone� or cover large sections of a drawing surface. Drawing over the toned areas will darken it further, but the artist can also lighten (or completely erase) within the toned area to create lighter tones. Compressed charcoal charcoal powder mixed with gum binder compressed into round or square sticks. The amount of binder determines the hardness of the stick. Compressed charcoal is used in charcoal pencils.
Personal creations
Portraits of Marc Chagall
Pastel & Masking film
Oil Pastel
Oil Pastel & Tempera
Watercolor & masking film
Colored charcoal
White charcoal on black cardon paper
Rapidograph Ink & Marker pen
Colored pencil
Black tempera
Tempera & masking film
Portraits of Jake Gillenhaal
Colored pencil
Oil Pastel
Tempera
Black tempera
Rapidograph
Marker pen
Pencil
Rapidograph ink
Watercolor
Acrylic on metal
Charcoal
Charcoal &colored pencil