羅芙奧季刊第39期 RAVENEL QUARTERLY NO. 39

精精 采采 時時 刻刻雋雋 永永 人人 生生

夢想的二次元 夢想的二次元 ANIME ANIME DREAM DREAM

No. No. 3939 Summer Summer 2022 2022

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CONTENTS No.39 ｜ Summer 2022 ｜ https://ravenel.com

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THE ARTIST

二次元世界來襲!! 當代動漫藝術中的價值性 Anime Strikes! The Rise and Boom of Contemporary Animated Art 12

ART & INVESTMENT

超級英雄的夢想力－艾德加．普連斯 A Superhero's Power to Dream－Edgar Plans 24

THE ARTIST

顫抖的塗鴉．簡單不簡單－安迪．費雪 Trembling Your Doodle Things－Andi Fischer 28

CHINESE PAINTINGS

衍色泉潤－丁衍庸、丁雄泉海外奇珍合璧專場

Variations of Ink: The Art of Ding Yan-Yong and Walasse Ting

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LUXURY

在寶石的璀璨中，看見歷史的靈魂

Discover the Historical Spirit Shining through the Gemstones

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WINE

桶裝威士忌成為投資新潮流？ Are Whisky Barrels the Latest Investment Trend?

發行人 Publisher / 王鎮華 Arthur Wang 監製 Managing Director / 李雅欣 Wendy Lee 總編輯 Editor-in-Chief / 陳惠黛 Odile Chen 主編 Managing Editor / 葉子微 Gina Yeh 編輯 Editor / 陳昱良 Iris Chen 發行所 Published / 羅芙奧股份有限公司 Ravenel Ltd. 地址 Address / 106485 台北市敦化南路二段 76 號 18 樓 18F, No. 76, Sec. 2, Dunhua S. Rd., Taipei 106485, Taiwan 電話 Tel / +886 2 2708 9868 傳真 Fax / +886 2 2701 3306 電子信箱 email / info@ravenel.com

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ART

"Please Stand By" 回饋自然的藝術 44

CUISINE

『亞洲最佳女廚師』庄司夏子的時尚甜點 50

羅芙奧藝術集團台北辦公室 台北市敦化南路二段 76 號 18 樓 電話 Tel / +886 2 2708 9868 傳真 Fax / +886 2 2701 3306 羅芙奧藝術集團香港辦公室 香港中環金融街 8 號國際金融中心二期 19 樓 電話 Tel / +852 2889 0859 傳真 Fax / +852 2889 0850 羅芙奧藝術集團上海辦公室 200050 中國上海市長寧區鎮寧路 465 弄 181 號 1 幢 2 樓 2E 電話 Tel / +86 21 2411 9575 傳真 Fax / +86 21 2411 9570

LIVE

法式新古典主義 54

FASHION

巴黎蒙田大道30號 58

LIFE

Gucci Osteria da Massimo Bottura 首爾的春天很古馳

村上隆《花團》 2015 壓克力 畫布裱於木板 直徑100 cm 羅芙奧2022春拍「薈萃國際：現代與當代藝術」 預估價 NT$9,500,000-15,000,000 Takashi MURAKAMI, Flower Ball, 2015, Acrylic on canvas mounted on panel, Diameter 100 cm Ravenel Spring Auction 2022 Select: Modern & Contemporary Art, Est. US$330,400-521,700

創刊 2012 年 5 月 First issue May, 2012 季刊 Quarterly 登記證 中華郵政臺北雜字第 1883 號執照登記為雜誌交寄 © 版權所有 翻印必究。本刊圖文非經同意，不得轉載或公開播送。 All rights reserved. Use of editorial content without permission is strictly prohibited.

[ CHIEF EDITOR'S NOTE ]

LIFE FINDS A WAY 生命會找到出路 春天悄然結束，一下就邁入初夏，藝術的旺季。新冠疫情搗

第 39 期 Ravenel 季刊主題豐富，「藝術與投資」專欄介紹西

亂世局整整兩年多，隨時邊境開放，今年一一要恢復常軌。原本

班 牙 人 氣 藝 術 家 艾 德 加． 普 連 斯 Edgar Plans 的 創 作 歷 程 與 市 場

2021 年的威尼斯雙年展推遲一年，四月下旬正式開幕了，來自世

概況；藝術家單元推薦風格簡約富拙趣的德國藝術家安迪．費雪

界各地的藝術界人士蜂擁而至，西方國家已然擺脫疫情，以及俄烏

Andi Fischer；村上隆超扁平藝術宣言，說明著當代藝術家受動漫

戰爭陰霾，恢復往昔盛況。

文化影響甚鉅，充滿想像的二次元世界；丁衍庸的藝術去年在台灣

接 著 五 月 台 北 當 代 Taipei Dangdai、 香 港 巴 賽 爾 Art Basel

成為熱門話題，今年再揭露他與丁雄泉之間竟有某種連結與交流。

Hong Kong，六月瑞士巴賽爾 Art Basel Basel。藝術界人士有看不

OB or NOT OB (IB)? 威士忌大有學問，原廠裝瓶或獨立裝瓶

完的展覽，以及國際拍賣會也在五、六月期間登場。偏偏疫情餘威

行情各異。一起去欣賞法國古典主義酒店，典雅的蒙田大道精品、

還在兩岸三地肆虐。台灣面臨疫情高峰期，眾人雖要抗疫，仍要努

回饋自然的藝術家居設計、國際美食饗宴、彩鑽市場等寶貴的資

力維持正常，與病毒共存。精彩的畫展與拍賣會，可不要錯過。

訊。悠然地生活，疫情終究會過去。面對未來，應是充滿各種可能 的想像吧。

總編輯

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伊琳娜．馬克西莫娃 《蘋果》2021年 壓克力 畫布 141 x 122 cm 羅芙奧2022春拍「薈萃國際：現代與當代藝術」 預估價 TWD 220,000-340,000 Iryna Maksymova, Apple, 2021, Acrylic on canvas, 141 x 122 cm Ravenel Spring Auction 2022, SELECT: Modern & Contemporary Art, Est. US$7,700-118,000

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ANIME STRIKES! THE RISE AND BOOM OF CONTEMPORARY ANIMATED ART 二次元世界來襲 !! 當代動漫藝術中的價值性 Text / 李維屏 Apolline Li

Photo / Ravenel International Art Group

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[ THE ARTIST ] 疫情時代改變了人們的生活狀態，2021 年社群網站的網路聲量持續在成 長。而近年來在社群網路的推波助瀾下，藉著動畫與漫畫的靈感觸發，使新一 代藝術家得以展現截然不同的二次元藝術美學。提到動漫文化，就不得不提到 動漫迷對於宅文化的簡稱「ACG」，ACG 分別來自於動畫 (Animation)、漫畫 (Comics) 和遊戲 (Game) 而「二次元世界」則是用來形容只存在於 ACG 想像 空間的代名詞。動漫迷對於虛構角色的迷戀透過網路傳播的力量，其感染力量 非常強大，甚至不亞於現實世界的偶像崇拜。在西方藝術發展歷史的影響下， 普普藝術或通俗藝術於 60 年代爆發出影響力。美國藝術家羅伊·李奇登斯坦是 發起普普藝術運動的重要成員，堪稱上世紀的藝術巨擘，利用連環漫畫作為 及卡通人物如米老鼠、唐老鴨等作為他的創作表現方式。《Nude with Joyous Painting》於 2020 年紐約佳士得以天價四千六百萬美元售出，足見近年來對主 流藝術價值觀的影響。

從大眾媒體到美術館，三維度的超扁平 動漫文化的影響力已不僅限於年輕族群，而逐漸變成一種跨越族群的文化 語言。村上隆，第一個成功把日本次文化帶入當代藝術中的藝術家，他的名字 海內外家喻戶曉，甚至於 2010 年登上凡爾賽皇宮舉辦個展，當時所造成的美學 衝擊於藝術圈掀起轟動。因為具有日本畫背景，使他在創作時不僅僅是囿於高 彩度的普普藝術中，反而將傳統日本畫的流水、金箔、落款元素使用的淋漓盡 致。他從西方普普藝術、日本動漫卡通文化以及傳統浮世繪獲取靈感。2000 年 他對西方世界提出「超扁平」Superflat 的開創新概念，結合了傳統的浮世繪和 現代的卡通，將日本的流行文化和次文化元素放入自己的藝術創作中。「超扁 平」意思可以視印刷品或熒幕等媒介，亦即被稱為「二次元」的世界。

《蛋怪獸》中的蘑菇為是村上最喜歡的主題之一，與村上隆的大多 數蘑菇一樣，大膽豐富的顏色，以及身上覆蓋著許多圓圓的大眼睛，彷 彿可從各個角度看著觀察者，靈感來自於水木茂《鬼太郎》中的百目妖。 此作為三維空間中的二次元創作，將村上最標誌性的「超扁平美學」發 揮到極致，傳統與現代的精彩融合並豐富了藝術家最喜愛的一些回憶。 從美學上而言，「超扁平」是村上隆對日本繪畫在錯視效果方面的當代 詮釋，蘑菇系列在他自己心中代表著一種沉重的社會意義，也表達了他 對這個日益「扁平化」世界的不安。

重溫童年記憶，解放自己慾望的虛擬領域 「動漫的審美體驗是獨特的，它會打動你未泯的童心，激起你對童 年的美好回憶。」－村上隆 ◀

Super Future Kid《除草人》2020 壓克力 畫布140 x 130 cm Super Future Kid, Lawn Mower, 2020, Acrylic on canvas, 140 x 130 cm

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Mr.《瑪琳娜; 星期四 （兩件一組）》2021 樹脂 限量 200 (星期四) 10(長) x 9(寬) x 27.5(高) cm (瑪琳娜)；8.5(長) x 8.5(寬) x 29(高) cm (星期四) Mr., Marina ; Thursday (a set of 2), 2021, Resin, limited edition of 200 (Thursday), 10(L) x 9(W) x 27.5(H) cm (Marina) 8.5(L) x 8.5(W) x 29(H) cm (Thursday)

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村上隆《蛋怪獸》2002 不鏽鋼 玻璃纖維 漆 5/5 90(長) x 80(寬) x 185(高) cm (含底座) Takashi MURAKAMI, Peaked Cap, 2002, Fiberglass, steel, expoxy and paint, edition no. 5/5, 90(L) x 80(W) x 185(H) cm (with base)

身為其首席弟子的 Mr. 更是把「御宅族」文化發揚光大的佼佼者。 Mr. 以誇張式御宅形式成為了拍賣市場焦點，有別於村上隆，Mr. 以繽 紛的色彩且充滿正向能量日本卡漫風格的人物造形，將內心的渴望與幻 想具體呈現於創作上。Mr. 的作品充分發揮了日本動漫的精神，特別是 其中蘿莉控和御宅族綺想。常見於動漫電玩中的「萌少女」以標誌性水 汪汪的大眼睛和纖細外貌成為日本次文化中不可捉摸之想像。 9

As daily lives are transformed under the impact of the pandemic, the volume of social media has risen since 2021. Under such a phenomenon and the influence of animation and manga, a new generation of artists started developing anime art. To understand this genre, one has to explore the Otaku culture and ACG, aka Animation, Comics and Game; and that anime art is a platform of imagination surrounding the concept of ACG. Enhanced by the global impact of social media, the passion of these fanatics spreads rapidly as one would expect in idol worship. Throughout the course of art history, pop art and subculture burgeoned in the 1960s. The key figure in pop art, US based artist Roy Lichtenstein used comics and cartoon characters such as Mickey Mouse and Donald Duck in his artistic creation. Nude with Joyous Painting achieved a staggering US$46 million at Christie's New York in 2020. This created a giant ripple in the art market and valuation.

松本弘二郎、倉谷惠美皆為 Kaikai Kiki 藝廊所簽約的藝術家，漫 畫風格的作品，少女漫畫中可愛系畫風的人物造型讓人產生無限遐想的 療癒感。足見日本動漫於當代藝術家有著深刻的影響力，天野タケル自 小接觸藝術採用維納斯的形象，以日系漫畫的風格繪製，重新挑戰以個 人風格詮釋。卡通化的人物五官與大面積平塗，手繪比擬精密印刷的平 滑質感，獨樹一幟，個人辨識度極高。 近年來隨著收藏多樣化、藏家世代年輕化，許多當代藝術家與二代 藏家有著共同的語言。許多人對於動漫是一種充滿熱血的愛以及童年的 回憶，德國藝術家 Super Future Kid 的藝術以童年和青春期的概念為中 心，80、90 年代童年懷舊卡通般的圖像與具有深度的超現實作品相結 合。她使用充滿活力的色彩以遊戲和糖果等童年標誌為主題，使觀者能 夠在情感上與其連結，充滿青春的自由是一種超現實的現實。 二次元藝術把次文化重新包裝、翻譯成世人易懂的語言，而非刻版 印象中艱澀難懂的藝術語彙。從卡通人物得到靈感，創造出象徵著自我 投射的靈魂，不管是西方或東方藝術家，藉由不斷的自我提問，開展出 未來的藝術之路，發展出大眾普遍理解、讓人浸溺的作品。在虛擬裡建 構中，觀者的思想透過二次元的漫遊，於現實世界中讓意念有所棲所。 它已經遠遠超越了單純作為一種視覺媒介，二次元文化無處不在，而這 正是一股真正推動當代文化的動力。

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松本弘二郎《無題》2020 鉛筆 壓克力 畫布 42 x 30 cm MATSUMOTO Kojiro, Untitled, 2020, Pencil, acrylic on canvas, 42 x 30 cm

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倉谷惠美《無題》2017 鉛筆 紙本 31.7 x 25.7 cm Emi KURAYA, Untitled, 2017, Pencil on paper, 31.7 x 25.7 cm

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天野タケル《維納斯》2021 壓克力 畫布 160 x 130 cm Takeru AMANO, Venus, 2021, Acrylic on canvas, 160 x 130 cm

[ THE ARTIST ]

From Mass Media to Art Museums: The Concept of Superflat Art The anime subculture exceeds age restrictions and has transformed into a subculture. Takashi Murakami is the first artist to infuse Japanese subculture into contemporary art. His fame soars especially after the exhibition in Versailles in 2010, creating an iconoclastic impact to the art circle. The artist's nihonga practice enabled him to incorporate traditional nihonga rivers, gold leaf and inscriptions into highly polychromatic pop art. Traces of pop art, Japanese anime culture and traditional ukiyo-e could be found in his art. By 2000, the artist proposed the concept of Superflat: the merge of ukiyo-e, animation, Japanese mainstream and subcultures into his art. Superflat could be summarized as prints, animation or simply anime art.

Mushrooms in 《Peaked Cap》 is one of Murakami's favourite subjects with bold choice of colours and sporadic big eyes observing the audience from every angle. Such motifs were inspired by dodomeki from GeGeGe no Kitarō by Shigeru Mizuki. Such flat composition is an iconic kitsche art of the artist, as he juxtaposes traditional concepts and contemporary depictions, encapsulating the delightful memories of the artist. Superflat is the artist's contemporary interpretation of Japanese art. The Mushroom series also carry a deeper implication and incongruous existence of such "flat" culture.

From Childhood Memories to Self-Indulgence in the Virtual World "Anime is a unique experience that opens your child-like mind and recalls your delightful childhood memories." - Takashi Murakam i

In faced with a wider spectrum of art collection and a wider age group of collectors, contemporary artists and second generation collectors

Mr. is considered to be the principal artist to promote art through

unified by a common language: their passion for manga and childhood

the otaku culture. His highly vocal otaku representation allowed his

memories. German-born artist Super Future Kid focuses her art on

works to be staged in the focal point in auctions. Unlike Murakami, Mr.

childhood and adolescence. Cartoon figures of the 80s and 90s come in

uses flamboyant colours and positivity from Japanese cartoon figures

sync with surrealistic representations, as she infuses vibrant colours, the

to express individual desires and imaginations in his art. His works

concept of games and candies with childhood motifs, creating a unique

encapsulate the concept of anime, especially lolita and otaku cultures.

bonding with the audience, expressing the freedom of youth in a surreal

Kawaii girls with large beady eyes and slender limbs are considered as

context.

the distant idealistic form of Japanese subculture. Kojiro Matsumoto and Emi Kuraya of Kaikai Kiki Gallery explore anime art and the desires aroused by kawaii girls. Also inspired by manga, Takeru Amano infused Japanese manga into the Venus motif as a unique depiction. Cartoon figures and flat silky paints that excels the refined printing articulated the uniqueness of her work.

Anime art transformed subcultures into a world language known by all, by lifting the barriers of incomprehensible visual languages. Cartoon characters inspire and inject one's identity beyond race and cultures. It connects the world with comprehensive and indulgent works of art. In this virtually constructed world, the audience are led through the world o f anime into an idealistic world. It reaches beyond visual representation, as an ubiquitous power of subcultures in a contemporary art movement.

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A SUPERHERO'S POWER TO DREAM － EDGAR PLANS

超級英雄的夢想力 －艾德加．普連斯 Text / 陳惠黛 Odile Chen

Photo / Ravenel International Art Group、達志影像、Chrities's、Phillips、K11 MUSEA、Lil Heloes official、Almine Rech website、MMoMA website

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[ ART & INVESTMENT ]

A PARK

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艾德加．普連斯《公園》2006 油彩 畫布 38.5 x 55.5 cm 羅芙奧2022春拍「薈萃國際：現代與當代藝術」預估價 NT$550,000-850,000 Edgar Plans, A Park, 2006, Oil on canvas, 38.5 x 55.5 cm Ravenel Spring Auction 2022 - Select: Modern & Contemporary Art, Est. US$19,100-29,600

童年繼續．夢想繼續 「童年不應該結束，我們要像那些想與眾不同的孩子一樣繼續夢

塗鴉，稚氣地重新詮釋父親畫中主角，讓普連斯得意地在他私人的臉書

想。」大孩子藝術家艾德加．普連斯（Edgar Plans）如是說。從他有記

社群上分享。女兒的童心帶來新的靈感，讓他更接近純淨的心靈，也為

憶以來，伸手可及的牆面，就是可以隨意塗鴉的地方，沒有人會告訴他

大男孩的畫筆添加溫柔色彩，創作無疑更天馬行空了。

應該畫甚麼，不要畫甚麼，畫畫是天賦，向來是自由快樂的事，家人還 會給予讚美與支持。

藝術英雄的啟程 1985 年時，當年八歲的艾德加．普連斯隨家人遷居到西班牙北部臨

小時候，兄弟們常跟在父親身旁享受天倫。他們的父親胡安．荷西．

海城市希洪（Gijón）。原本只是隨意地塗鴉畫畫，後來「被動地」跟隨

普連斯 Juan José Plans（1943-2014），多才多藝，曾任播音員主持人、

著姊姊報名繪畫課。然而他只喜歡畫些連環畫小故事，繪畫課上的傳統

記者、導演和科幻小說作家。在低矮的四人案桌上，父親寫字工作，兄

水果靜物畫、巴黎石膏像炭筆畫練習，他完全提不起興趣。

弟分坐兩旁，隨心所欲的塗塗畫畫。打字機噠噠噹的敲擊聲，總是縈繞 在耳際。父親博學多聞的形象，筆下那些幻想、瘋狂、懸疑、可愛、恐 怖等文字想像，如魔法般施展力量，無形中感染了孩子。艾德加．普連 斯經常在畫裡寫上簡而有力的文字符號，一方面來自街頭塗鴉文化的啟 發，更多是向父親包容孩子的創意夢想致敬。父親巨人般的餘蔭影響， 是日後作品中的情感連結，心中永恆的童年追憶。

在一次接受採訪時，他曾說：「與其說我選擇繪畫，毋寧說繪畫選 擇了我。」十五歲時，他慢慢體悟到自己渴望透過繪畫與素描表達真實， 開始拓展不同學科與精進繪畫技巧。於是，他進入荷西．瑪麗亞．拉莫 斯（José Maria Ramos）的畫室學習兩年，學會如何透過繪畫表達心中 所思所想。漸漸地，他發覺其實不需要一雙眼睛在背後盯著自己，糾正 錯誤，而是需要獨自一人面對，從錯誤與真理之間尋找出路，找到屬於

1977 年出生於西班牙馬德里，艾德加．普連斯其實今年 45 歲了， 蓄著絡腮鬍子，已經是丈夫、父親，活躍於社群媒體與藝術朋友圈。他 的作品頗有童趣，叛逆的，顫動的線條，有意無意淡淡的幽默令人會心 一笑，然細看微妙的造型與色彩、其中隱然鋪陳的寓意，深深打動新世 代藏家的心。過去短短兩三年間，他迅速成為潮流收藏家追逐的明星標 的。翻開普連斯的創作經歷，簡單而不複雜，半是素人半是學院，按照 他的算法，創作歷程應該超過四十年了。

自己的繪畫之道。 他 租 下 已 故 阿 斯 圖 里 亞 老 畫 家 尼 亞 諾． 平 諾 利（Asturian artist Nicanor Piñole, 1878-1978）生前的畫室，在那個閣樓上繼續學院式訓 練。後來順利取得奧維耶多大學（University of Oviedo）藝術史學位， 落實成為專業藝術家的夢想。他曾在第一次展覽結束返家後，得知一幅 畫賣出，滿是驚喜的年輕畫家，獲得鼓舞，期盼未來可以靠繪畫維生， 這段經歷距今，已是二十多年前遙遠的過往。

艾德加．普連斯 19 歲時結識研究考古歷史的女孩珊卓拉（Sandra Rodriguez），戀愛長跑十多年，兩人後來於 2010 年結婚。2018 年， 愛情的結晶奧莉維亞 Olivia 出生，遺傳自家族的文藝天分，女兒也愛

回 顧 普 連 斯 的 歷 年 展 覽 紀 錄，1998 年 已 開 始 零 星 參 加 馬 德 里 與 希 洪 兩 地 的 聯 展 活 動。2001 年 時 他 於 希 洪 的 阿 爾 瓦 貢 扎 勒 茲 基 金 會 （Fundación Alvargonzález. Gijón）舉辦首次個人畫展。2004 年作品參 13

ANIMAL HERO

加全國當代藝術週「向北」（AlNorte 04）展覽獲獎，得到《商務報》（El Comercio）授予的獎學金殊榮。早期他的繪畫風格，顯露表現主義和具 象繪畫的風格，抽象簡約的圖式符號及線條，得以一窺他的繪畫始終保 有純淨的靈魂，一種單純的視覺美感，接近兒童繪畫的趣味。

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艾德加．普連斯《動物英雄》2019 油彩 畫布 15 x 15 cm；28.5 x 25.5cm（含框） 羅芙奧2022春拍「薈萃國際：現代與當代藝術」預估價 NT$800,000-1,200,000 Edgar Plans, Animal Hero, 2019, Oil on canvas, 15 x 15 cm; 28.5 x 25.5 cm (with frame) Ravenel Spring Auction 2022 - Select: Modern & Contemporary Art, Est. US$27,800-41,700

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艾德加．普連斯《閱讀小英雄（五件一組） 》2021 100%全彩繪合金 限量250件 10（長）x 15（寬）x 28（高）cm（每件） 羅芙奧2022春拍「薈萃國際：現代與當代藝術」預估價 NT$220,000-320,000 Edgar Plans, The Reading Hero (a set of 5), 2021, 100% Alloy in full painted color, Edition of 250, 10 (L) x 15 (W) x 28 (H) cm (each) Ravenel Spring Auction 2022 - Select: Modern & Contemporary Art, Est. US$7,700-11,100

新興藝術網紅明星—施展超能力 機 會 是 留 給 準 備 好 的 人， 透 過 合 作 畫 廊 的 拓 展 延 伸，2018 年 他 陸 續 參 展 於 Art Miami 邁 阿 密 藝 術 博 覽 會、KIAF 韓 國 首 爾 藝 博 會、 London Art Fair 倫敦藝術博覽會；接著隔年 2019 年在葡萄牙里斯本的

生長於南歐，他的繪畫自然帶有溫暖的色彩，主題上根植於過去的

愛乃理畫廊（Ainori Gallery）推出「藝術筆記 019」（Art Notes 019）

生命經驗，還有他關心的當代議題。他自認十分欣賞街頭藝術，舉凡塗

個展；同年繼續參加 Art Taipei 台北國際藝術博覽會、中國廈門藝博會、

鴉、漫畫、插畫、動畫電影，潮流當代性的人物造型，在他的繪畫裡起

韓國釜山藝術和 KIAF，以及紐約和巴黎的藝博會，2020 年親自飛往紐

了關鍵性的影響。巴斯奇亞、奇斯·哈林、村上隆等前輩的畫風，也是

約，參加代理畫廊帕德雷畫廊（Padre Gallery）的「造夢者」（Dream

他師法的對象，再融入自傳式的語彙。他喜愛用一些白色或有色線條勾

Makers）潮流藝術聯展，打開大蘋果的市場。

勒，城市景觀、鄉野風景，灰撲撲的背景，形成粉蠟筆般的塗鴉質感。

近 期 社 群 媒 體 與 網 路 藝 術 商 店 的 崛 起， 無 疑 為 新 興 藝 術 家

普 連 斯 的 繪 畫 多 次 獲 獎， 其 中 包 括 2009 年 他 為「 阿 斯 圖 里 亞 斯

Emerging Artists 開闢出另一片藍海。普連斯的作品從 2019 年在 Artsy

國際貿易博覽會」（Feria Internacional de Muestras de Asturias，簡稱

平台上架，立刻成為年度最暢銷次高的藝術家，人氣十足。接著，普連

FIDMA）設計海報，甚獲好評。大大小小立方體和長方形的色塊錯落

斯的作品開始於二級市場拍賣會上現身，尤其是爆發力十足的亞洲拍賣

堆砌組合，海洋國度船舶繁榮的意象，藝術家的才藝獲得肯定。

市場。在此之前，他的作品僅零星於西班牙馬德里小型拍場，成交金額

2009 年前後，他創造出一個穿戴頭盔、身穿斗篷的「動物英雄」 （Animal Hero）的人物設定，長著米老鼠般的耳朵、水汪汪的大眼， 造型上看得出漫畫和電影的元素，這個形象後來幾乎成為藝術家的標誌 代表。透過超級英雄的造型，或化身為飛行員、獸醫、建築師、足球員、 廚師、單車手、畫家等等角色，述說一篇篇有趣的小故事，藉以針貶政 治時事議題傳遞訴求。 普 連 斯 和 希 洪 當 地 的 小 型 藝 文 空 間 — 科 爾 尼 翁 畫 廊（Galería Cornión） 有 良 好 合 作 關 係， 該 畫 廊 致 力 於 推 廣 阿 斯 圖 里 亞 斯 地 區 藝 術 家。 從 2004 年 起 至 少 和 普 連 斯 合 作 過 五 檔 個 展。 另 一 間 也 長 期 合 作的畫廊—加泰隆尼亞區巴塞隆納的米克爾．阿爾祖塔畫廊（Galería Miquel Alzueta），該畫廊擁有數間分公司據點，雙方至今也已合作過 五次個展。普連斯大多數的個展都在西班牙境內，隨著藝博會和展覽邀 約，他的藝術開始讓更多人看見，終於也有機會飛向國際。

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乏善可陳。從 2020 年開始，東京 SBI、台北羅芙奧 Ravenel、香港保利 Poly，不約而同的開始引薦他的作品，小幅油畫以幾倍於預估價高人氣 售出，成交金額以百萬台幣、甚或兩百萬台幣計。2021 年更多亞洲主 要拍賣行加入，家家紛紛拍賣他的作品，畫價節節高升，2022 年三月 更在上海拍出 441 萬人民幣（約台幣 2000 萬或 70 萬美元），締造藝 術家最高拍賣紀錄。 來自巴黎的阿爾敏．萊希畫廊（Almine Rech Gallery），全世界擁 有多個據點，自然也發現了普連斯的市場魅力，尋求展覽合作。20212022 年間為他量身打造的三檔畫展，分別是上海空間舉行「Kawaii」 聯展，展示可愛力；巴黎空間的「從前從前」（Once Upon a Time）主 題個展，向法國歷史上的文豪們致敬；布魯塞爾的空間是「牆」（The Wall）的主題，以大作小圖組成畫牆，預示後來發展的 NFT 頭像藝術。

[ ART & INVESTMENT ]

THE READING HERO 迎向 NFT 元宇宙

艾德加．普連斯的作品愈來愈炙手可熱，新進的大收藏家不

透過藝術家的另一間代理畫廊—紐約、莫斯科各有據點的帕德雷畫廊

少來自亞洲。2020 年香港經營眼鏡精品的 the Warehouse 畫廊以

（Padre Gallery）居中牽線，以及西班牙駐莫斯科大使館的支持下，2021 年

「Optical Hero」（眼鏡英雄）為題，量身訂做邀請他參與個展。

9 月普連斯以「夢想和想要成為的自由」（The Freedom to Dream and Want

此外，新世界集團旗下由鄭志剛創建的 K11 Musea，2020 年 5 在

to Be）為題，在 MMoMa 莫斯科當代美術館舉行個展，精選一百多件作品，

廣州 K11、2021 年在香港 K11 分別舉行普連斯的快閃展覽「字有

在六間展廳盛大展出，堪稱藝術家重要的里程碑。主題以探討氣候變遷下喚

引力：看得見的夢境」（The Power of Letters），成為年輕人打

醒環保意識的訴求。誰都沒意料半年後，這個曾經接納夢想自由的國度的領

卡的熱門景點。展覽同步推出 K11 與 Misha Made 合作的普連斯

導人，竟然發起一場二十一世紀最慘烈的戰爭。

限量複數雕塑以及周邊商品，大受歡迎。

跨越國界的限制，普連斯的作品已有全球多個公共機構收藏。例如：

畫家認為每個人都可以是英雄，力量人人都有，而知識閱讀

古 巴 哈 瓦 那 當 代 藝 術 博 物 館（Museo de Arte Contemporáneo de la Habana,

是力量的源泉。我們在普連斯歷年的創作中，感受到他始終如一

Cuba）、西班牙阿斯圖里亞斯藝術館（Museo de Bellas Artes de Asturias）、

的精神。他曾經寫道：「真正有超能力的超級英雄生活在我們之

阿斯圖亞斯市立愛德華多．魯庫洛藝廊（Pinacoteca Eduardo Úrculo）、阿

中，儘管認出他們不容易，因為他們不想受人注意，然而只要你

斯 圖 里 亞 斯 公 國 政 府 委 員 會（Junta General del Principado de Asturias）、

有心，你就會發現他們。你的超能力不是飛翔，不是如橡皮糖一

LABoral 藝 術 與 創 意 產 業 中 心（LABoral Centro de Arte y Creación

樣伸展身體，或看穿牆壁。教導、微笑、分享，最重要的是努力，

Industrial）、巴塞隆納的儲蓄與退休基金會（Fundación La Caixa）、馬德

力量在你手。現在，就到最近的書店去。」

里的克莉絲緹亞娜 ‧ 彼得森基金會（Fundación Cristina Peterson）等。

顯然，生命經驗的體悟所得，以及作家父親給予終生的啟示，

普連斯喜愛用藝術傳遞正向的思維，他常常在畫中寫著勵志的話語，例

將所思所想實現於他近期一系列的小英雄雕塑創作：《藝術家英

如「我是英雄」I am a Hero、「不要忘記夢想」Don't forget your dreams、「我

雄》Artist Hero（2019）、《文字的力量》Power of Letters（2021）

是否盡力快樂地活著」Did I do my best to be happy in my life、「你的力量

或《閱讀英雄》Reading Hero（2021）。可愛的英雄人物，造型

是甚麼」What's your power、「力量在你手」Power is in you。除了英雄象

充滿自由與趣味的想像。

徵著力量，他非常喜愛「夢想」一詞，反覆提點眾人夢想的重要。他說：「努

NFT

力才能達到夢想，不要停止夢想，這是生命的本質。」

Lil'Heroes NFT系列，2022年

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TRIBUTE TO GRAFFITI ARTISTS AT EIGHTIES 元宇宙，是否也是夢想的延伸呢 ? 普連斯在 2021 年 12 月推出 NFT「Lil Heroes」英雄計畫，由他親手繪製，150 多 個造型與 50 件經典藝術作品，共計有 7,777 個不同 NFT，透 過專門與藝術家合作發行 NFT 的 Curatible 藝術收藏家團隊， 以及媒體娛樂公司 Exile Content Studio 內容媒體攜手完成。 計畫於 2022 年 1 月 16 日上架，推出時在 Discord 湧入超過 四萬多位真粉絲，交易首日立刻奪下 OpenSea 交易量冠軍。 而截至 2022 年 4 月 21 日此文截稿時，Lil Heroes 已累計有 17.8K ETH 以太幣的交易量（約 5500 萬美元），十分驚人。 不久前，這項 NFT 計畫的廣告也曾經登載於紐約時代 廣場的電子螢幕，向全球放送。拉丁雷鬼天王 J Balvin 巴爾 文一直是普連斯的粉絲，他也是首批收藏「Lil Heroes」NFT 的知名藏家。2022 年 3 月香港有六件普連斯的 NFT 上拍， ▲

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艾德加．普連斯《向八零年代的塗鴉藝術家致敬》 2019 綜合媒材 畫布 100 x 100 cm 羅芙奧2022春拍「現代與當代藝術」預估價 NT$1,100,000-2,200,000 Edgar Plans, Tribute to Graffiti Artists at Eighties, 2019, Mixed media on canvas, 100 x 100 cm Ravenel Spring Auction 2022 - Modern & Contemporary Art, Est. US$38,300-76,500 艾德加．普連斯《小心藝術家從天而降》2018 壓克力 畫布 55 x 46 cm 羅芙奧2021年春季拍賣會 成交價 NT$2,640,000 Edgar Plans, Be Careful Can Fall You an Artist, 2018, Acrylic on canvas, 55 x 46 cm Ravenel Spring Auction 2021 sold for US$94,286

最高價的《#4751 洗澡時間》（#4751Bath Time）拍出 81.9 萬港元（約 305 萬台幣或 10.5 萬美元）。 艾德加．普連斯的藝術，和近期其他他西班牙藝術家： 哈維爾．卡勒加 Javier Calleja、奧高古曼 Okokume、拉法· 馬卡龍 Rafa Macarrón，近兩年在潮流藝術收藏圈掀起一股 西班牙藝術家旋風，可愛的療癒系風格，擄獲新世代藏家的 心，行情節節看漲勢不可擋。藝術市場其實也是個造夢的地 方，不要停止夢想，夢想帶我們到遠方，甚至是元宇宙呢！

Live On and Dream On As a "big kid" and artist, Edgar Plans believes that "childhood should never end because we should keep pursuing our dreams like a child." (La infancia nunca se debe acabar, siempre tenemos que seguir soñando como aquellos niños que quieren ser alguien especial). For as long as Plans could remember, he had doodled on walls in creative ways without anyone telling him what to draw or not. Painting is a boundless and joyful talent that should be admired and supported by the family.

The Plans brothers grew up around their father Juan José Plans (1943-2014), a very talented man who wore the hats of a broadcasting host, reporter, director, and science fiction writer.

Whenever their father worked at a low 4-seater table, the Plans brothers would sit beside him and doodle unrestrainedly as the clickety-clack of the typewriter echoed in the atmosphere. The boys were unconsciously influenced by their knowledgeable father's magical stories of fantasy, wackiness, suspense, delight, and horror. Plans often incorporates simple yet powerful text symbols in his paintings, which are not only inspirations from the

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BE CAREFUL CAN FALL YOU AN ARTIST

PELÉ ▶

[ ART & INVESTMENT ]

艾德加．普連斯《球王比利》2019年 油彩 木板 30 x 30 cm 羅芙奧2020年秋季拍賣會 成交價 NT$1,020,000 Edgar Plans, Pelé, 2019, Oil on panel, 30 x 30 cm Ravenel Autumn Auction 2020 sold for US$35,789

street graffiti culture, but also a tribute to his father for supporting his

Olivia's childlike reinterpretation of his characters on private social

creative dreams. The all-encompassing support from his father was a

media. The innocent wonders in Olivia's drawings have instilled

source of emotional attachment and everlasting childhood memories that

Plans with new inspirations about pure souls. These also added a

Plans went on to express in his works.

touch of tenderness to Plans' paintbrushes, taking his creation to an

Born in Madrid, Spain in 1977, Plans is 45 years old this year.

Always having a beard, he is now a husband and father who actively participates in social media and art communities. His artworks are often characterized by bold, dynamic outlines that express childlike wonders and subtle humors. A closer look at the fine styles and colors reveals profound implications that are deeply appealing to new-generation collectors. Over the past two to three years, Plans quickly became a key investment target for urban collectors. Half self-taught and half formally-trained, Plans came from a simple, straightforward background in the creative industry. According to his estimation, he has set off on this creative journey for at least forty years.

At 19 years old, Plans met Sandra Rodriguez, an archaeology and history student, with whom he married in 2010 after more than 10 years together. Their daughter Olivia, born in 2018, has inherited the family's artistic instincts as she also liked to doodle. Plans has proudly shared

even more imaginative level.

The Beginning of an Art Hero In 1985, Plans moved to Gijón, a coastal city in northern Spain, with his family when he was 8 years old. He continued with freestyle doodling until he was "forced" to attend art lessons with his older sister. However, he only enjoyed drawing sequential stories at that time; he was not interested in painting traditional fruit still life or making charcoal sketches of plaster sculptures at all.

Once in an interview, Plans said, "More than choosing [to paint], the painting has chosen me." At 15 years old, he gradually sensed his desire to portray reality through painting and sketching– that was when he began to work on academic subjects and painting skills. For two years, he learned to express internal ideas through painting at José Maria Ramos's art studio. Slowly, Plans came to realize that he does not need someone standing behind him to watch

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and correct his mistakes. Instead, he needs to find his way of art by contemplating between misunderstanding and reality

POWER

on his own quest.

Plans rented the art studio of late Asturian artist Nicanor Piñole (1878-1978) and continued with academic training in the attic there. By successfully obtaining an Art History degree from the University of Oviedo, Plans managed to fulfill his dream of becoming a professional artist. Plans recalls the thrilling surprise when he learned that a painting was sold at his first exhibition. Although it has been more than 20 years ago, this impressive experience has inspired Plans to make a living as an artist.

Looking at Plans' exhibition participation throughout the years, he began attending miscellaneous group exhibitions in Madrid and Gijón in 1998. In 2001, he held his first solo exhibition in collaboration with Fundación Alvargonzález Gijón. In 2004, his work received an award at the Contemporary Art Week "AlNorte 04" along with a scholarship from El Comercio. Plans' early works were

▲

艾德加．普連斯《威力》2019年 綜合媒材 紙 18 x 18 cm 羅芙奧2021年春季拍賣會 成交價 NT$504,000 Edgar Plans, Power, 2019, Mixed media on paper, 18 x 18 cm Ravenel Spring Auction 2021 sold for US$18,000

▼

艾德加．普連斯《#4743》2022 獨版NFT作品 富藝斯 2022 Edgar Plans, #4743, 2022, NFT, Digital Art, Ed. 1 / 1, Phillips 2022

characterized by a combination of Expressionism and figurative painting. The abstract, simple symbols and outlines in his works demonstrate his innocent spirit and pure visual aesthetics that resemble the wonders of child paintings.

Having grown up in Southern Europe, Plans' paintings deliver a natural sense of warmth through themes based on his life experiences and issues he cares about. He has an admiration for street art including graffiti, comics, illustrations, as well as animation movies. His artworks have been critically influenced by the urban contemporary character styles in these works. He also learns by observing the styles of masters like Jean-Michel Basquiat, Keith Haring, Takashi Murakami, and mixing in a blend of his own unique characteristics. Plans likes to apply white or colored outlines to urban landscapes and country views on a gray background to form a chalk-like scribbly texture.

Plans has received numerous awards for his artworks, including the poster he designed for Feria Internacional de Muestras de Asturias (FIDMA) in 2009. This work earned the artist wide acclaim for forming the imagery of a prosperous shipping industry through varying sizes of cubes and rectangular color blocks in a staggering pattern.

Around 2009, Plans created "Animal Hero", a character with Mickey Mouse-like ears and big eyes in a helmet and cape. The stylish elements from comics and movies have made this figure one of the artist's most iconic signatures. By telling interesting little stories as a superhero or in the disguise of a pilot, veterinarian, architect, soccer player, chef, cyclist, or painter, this character makes an appeal about politics and current events.

18

[ ART & INVESTMENT ]

▲

▲

Edgar Plans 展覽@K11廣州 Edgar Plans Exhibition at K11 Guangzhou

艾德加．普連斯《文字的力量（五件一組）》 2021 合金 水晶 限量250件 16cm（高）（每件） 羅芙奧2022春拍「薈萃國際：現代與當代藝術」預估價 NT$220,000-320,000 Edgar Plans, The Power of the Letters, (a set of 5), 2021, Alloy, crystal, Edition of 250, 16cm (H) (each) Ravenel Spring Auction 2022 - Select: Modern & Contemporary Art, Est. US$7,700-11,100

THE POWER OF THE LETTERS

Plans has a positive collaboration with Galería Cornión, a small art

Art Fair in 2018. In 2019, he launched the solo exhibition "Art Notes

space in Gijón dedicated to promoting Asturian artists. It has worked with

019" at the Ainori Gallery in Lisbon, Portugal. During that same year,

Plans on at least 5 solo exhibitions since 2004. The artist also maintains

he also attended Art Taipei, Art AMOY, Art Busan, KIAF, as well as art

a long-term relationship with Galería Miquel Alzueta, a multi-branch

expos in New York and Paris. In 2020, Plans flew to New York to attend

gallery in Catalonia, Barcelona. The two parties have also collaborated

his agency gallery–Padre Gallery's Dream Makers, which is a group

on five solo exhibitions. Although Plans held most of his solo exhibitions

exhibition that introduces Plans' work to the Big Apple.

in Spain, the growing requests for art expos and exhibitions will introduce his works to a greater audience in other parts of the world.

The Superpowers of Rising Art Celebrities Chance favors the prepared mind. Expanding his partnership with the galleries, Plans participated in Art Miami, KIAF Seoul, and London

The recent rise of social media and Internet art shops has undoubtedly created a blue ocean for emerging artists. The launch of Plans' artworks on Artsy in 2019 instantly made him the second bestselling artist of that year. Subsequently, his works also became available on secondary market auctions, particularly the dynamic Asian auction 19

philosophy in all of Plans' artworks throughout the years. As he once wrote, "The real superheroes with superpowers exist among us. It is not easy to identify them because they want to stay unnoticed. However, you can find them if you look carefully. Your superpower is not about flying or stretching your body elastically, or seeing through walls. It is about learning, smiling, sharing, and most importantly, hard working. The power is in your hands. Now is the time to visit a nearby bookstore."

Clearly, Plans has combined his personal insights from life experience and his father's lifelong inspirations into the recent series of hero sculptures: "Artist Hero" (2019), "Power of Letters" (2021), and "Reading Hero" (2021). The adorable hero figures are freestyle and full of wonderful imaginations. markets. Before this launch, only a handful of Plans' works could be found at small auctions in Madrid with unimpressive selling prices. It was not until 2020 when SBI Tokyo, Ravenel Taipei, and Poly Hong Kong began to recommend his works did the small oil paintings start to sell at exceedingly higher than expected prices, in millions of NTD dollars. In 2021, even more auctioneers joined the venture of aunctioning Plans' works. The selling prices continued to rise, reaching 4.41 million RMB (approximately 20 million NTD or 700 thousand USD) at a Shanghai auction in March 2022, breaking the artist's highest auction record.

It is no surprise that the multi-branch Almine Rech Gallery from Paris came to seek collaboration with Plans upon discovering his market potential. The gallery built three customized exhibitions for Plans between 2021 and 2022, including the "Kawaii" group show in Shanghai, "Once Upon a Time" tribute exhibition for great French writers in Paris, and "The Wall" in Brussels–a wall of paintings that foreshadowed the later development of NFT profile pictures.

Plans' artworks have become increasingly popular as they attract many new collectors from Asia. In 2020, the Warehouse Gallery from Hong Kong's Warehouse Optical invited Plans to participate in the solo exhibition "Optical Hero." In addition, K11 Musea, founded by Adrian Cheng Chi-kong of New World Development, also held Plans' pop up exhibitions "The Power of Letters" at K11 Guangzhou in May 2020 and Hong Kong K11 in 2021. These pop up exhibitions formed popular check-in locations for young people. Simultaneously launched with the exhibitions are highly popular, limited edition sculptures and merchandise jointly designed by K11 and Misha Made.

The artist believed that everyone can be a hero when they obtain powers from knowledge and reading. This has been a consistent

20

◀

畫廊 Edgar Plans 展覽於巴黎阿爾敏．萊希畫廊 Edgar Plans Exhibition at Almine Rech, Paris

▼

莫斯科當代博物館展海報 MMoMA exhibition poster

[ ART & INVESTMENT ]

▶

艾德加．普連斯《Colors》122 x 162 cm 上海佳士得 成交價 RMB 4,410,000 Edgar Plans, Colors, 122 x 162 cm Christie's Shanghai 2022, sold for USD 698,600

Into an NFT Metaverse Through Padre Gallery, the artist's agency gallery with branch

about "dreams." He repeatedly emphasizes the importance of dreams

locations in both New York and Moscow, and with support from the

to everyone. Like he said, "Dreams can only be achieved through hard

Embassy of Spain in Moscow, Plans held a solo exhibition at the

work. Never stop dreaming because it is the essence of life."

Moscow Museum of Modern Art (MMoMA) in September 2021.

The exhibition theme was the "Freedom to Dream and Want to Be," featuring over 100 exhibits distributed across six exhibition halls. This is certainly an important milestone for the artist. The theme was about raising environmental awareness under climate change. No one could have thought that the leader of this country, who once embraced dreams and freedom, would start the most gruesome war of the 21st century six months later.

Beyond national boundaries, Plans' works have been collected by various public institutions around the world, such as the Havana Museum of Contemporary Art (Museo de Arte Contemporáneo de la Habana, Cuba), the Fine Arts Museum of Asturias (Museo de Bellas Artes de Asturias), Pinacoteca Eduardo Úrculo Municipal Art Gallery, the General Junta of the Principality of Asturias (Junta General del Principado de Asturias), the Art and Industrial Creation Centre (LABoral Centro de Arte y Creación Industrial), the La Caixa Foundation of Barcelona (Fundación La Caixa), and the María Cristina Masaveu Peterson Foundation (Fundación Cristina Peterson) in Madrid.

Plans likes to convey positive thinking through art, hence he often writes words of encouragement in his paintings. Some examples include "I am a Hero," "Don't forget your dreams," "Did I do my best to be happy in my life," "What's your power," "Power is in you." Other than using heroes as a symbol of power, he is also very passionate

Is the metaverse an extension of dreams? Plans released the NFT "Lil Heroes" project in December 2021, for which he painted over 150 figures and 50 classic artworks. A total of 7,777 NFTs were jointly completed by Curatible, the art collectors team for this NFT project, and Exile Content Studio. Launched on January 16, 2022, the project attracted over 40,000 fans to Discord and quickly became first place in OpenSea trading volume on the first day. Up until the deadline of this article on April 21, 2022, Lil Heroes had accumulated an astonishing trading volume of 17.8K ETH (about 55 million USD).

Not long ago, this NFT project was advertised on the Times Square digital billboard in New York and broadcasted to the world. Balvin, the famous Latin Reggae star is not only a fan of Plans' works but also one of the first celebrity collectors of Lil Heroes NFT. Among Plans' 6 NFTs for auction in March 2022 in Hong Kong, #4751 Bath Time was sold for the highest price of $819,000 HKD (about 3.05 million NTD or $105,000 USD).

Over the past couple of years, Plans' artworks have swirled through the urban art collectors' community alongside other Spanish artists like Javier Calleja, Okokume, and Rafa Macarrón. The adorable and healing styles are very appealing to new- generation collectors as the bidding prices continue to rise. The art market is a place for dream makers.

Never stop dreaming because it may take us afar to the metaverse!

21

艾德加·普連斯作品二十大拍賣成交排行 1

2

3

4

5

五顏六色 Colors 2020 Mixed media on panel 122 x 162 cm

我的小魔怪喜歡氣球 My Little Monster Loves Balloons 2020 Oil on canvas 149.9 x 149.9 cm

披薩 Pizza 2019 acrylic and mixed media on canvas 100 x 100 cm

外星人 Aliens 2020 Oil on canvas 162 x 130 cm

我是藝術家 I'm an Artist 2020 Oil on wood 167 x 117.7 cm

預估價 Estimate

預估價 Estimate

預估價 Estimate

預估價 Estimate

預估價 Estimate

RMB 500,000~800,000

GBP 70,000~90,000

HK$500,000~700,000

HK$500,000~700,000

HK$1,000,000~3,000,000

成交價 Sold at

成交價 Sold at

成交價 Sold at

成交價 Sold at

US$323,085 HK$2,520,000

US$321,181 HK$2,520,000

拍賣日期 Auction Date 上海佳士得 Christie's, Shanghai 2022.03.01

拍賣日期 Auction Date 倫敦富藝斯 Phillips, London 2022.03.04

拍賣日期 Auction Date 香港蘇富比 Sotheby's, Hong Kong 2022.04.28

拍賣日期 Auction Date 香港富藝斯&保利 Phillips & Poly, Hong Kong 2021.11.29

拍賣日期 Auction Date 香港蘇富比 Sotheby's, Hong Kong 2022.04.27

6

7

8

9

10

彩虹 Rainbow 2019 Oil, mixed media on canvas 100 x 100 cm

無題 Untitled 2019 Oil on canvas 81.3 x 81.2 cm

愛 Amore 2019 Mixed media on canvas 100 x 100 cm

深紫色致敬 Deep Purple Tribute 2018 Mixed media on canvas 146.5 x 146.5 cm

爵士 Jazz 2019 Mixed media on canvas 60 x 60 cm

預估價 Estimate

預估價 Estimate

預估價 Estimate

預估價 Estimate

預估價 Estimate

KRW 180,000,000~300,000,000

HK$500,000~700,000

HK$350,000~550,000

RMB 600,000~800,000

成交價 Sold at

成交價 Sold at

成交價 Sold at

US$273,466 HK$2,142,000

成交價 Sold at

KRW 35,000,000~60,000,000

US$698,600 RMB 4,410,000

US$318,694 KRW 377,600,000 拍賣日期 Auction Date 首爾首爾 Seoul Auction, Seoul 2021.12.14

22

US$466,706 GBP 352,800

拍賣日期 Auction Date 香港富藝斯（線上） Phillips, Hong Kong (Online) 2022.03.24-31

US$433,568 HK$3,402,000

US$ 194,232 HK$1,512,000 拍賣日期 Auction Date 香港富藝斯（線上） Phillips, Hong Kong (Online) 2021.09.16-23

US$179,885 RMB 1,150,000 拍賣日期 Auction Date 中國嘉德 China Guardian, Beijing 2021.11.28

成交價 Sold at

成交價 Sold at

US$172,115 KRW 200,600,000 拍賣日期 Auction Date 首爾首爾 Seoul Auction, Seoul 2021.08.24

[ ART & INVESTMENT ]

TOP

TOP 20 MOST EXPENSIVE PAINTINGS OF EDGAR PLANS EVER SOLD AT AUCTION

20

製表 ∕ 謝依廷 Tina Hsieh （Update 2022.04.28; Source: Artprice.com, Christie's, Sotheby's, Phillips, Poly Auction, Seoul Auction, SBI Art Auction, China Guardian）

11

12

13

14

15

侵略者 Invaders 2018 Oil, mixed media on canvas 81 x 81 cm

牆上藝術 Wall Art 2018 Oil on paper 69.8 x 49.6 cm

團隊 Team 2018 Oil, mixed media on canvas 55.5 x 46 cm

英雄或小人 Hero or Villain 2018 Mixed media on paper 162 x 142 cm

畫家 Artists 2019 Mixed media on canvas 60 x 60 cm

預估價 Estimate

預估價 Estimate

預估價 Estimate

預估價 Estimate

預估價 Estimate

US$20,000~US$30,000

HK$100,000~200,000

HK$200,000~300,000

HK$300,000~500,000

成交價 Sold at

成交價 Sold at

KRW 70,000,000~120,000,000

成交價 Sold at

US$137,786 HK$1,071,000

成交價 Sold at

成交價 Sold at

拍賣日期 Auction Date 首爾首爾 Seoul Auction, Seoul 2022.02.22

拍賣日期 Auction Date 香港富藝斯（線上） Phillips, Hong Kong (Online) 2021.07.21-30

拍賣日期 Auction Date 香港富藝斯（線上） Phillips, Hong Kong (Online) 2022.04.20-27

US$162,500

拍賣日期 Auction Date 美國佳士得（線上） Christie's, United States (Online) 2021.07.09-21

US$161,542 HK$1,260,000 拍賣日期 Auction Date 香港富藝斯&保利 Phillips & Poly, Hong Kong 2021.11.29

US$138,438 KRW 162,200,000

US$128,472 HK$1,008,000

16

17

18

19

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來玩？ Play?

2019 Mixed media on canvas 41 x 34 cm

爵士心靈機器 A Jazz Mind Machine 2011 Oil on canvas 100 x 100 cm

創造性思維 Creative Mind 2019 Mixed media on canvas 120 x 80 cm

#4751（洗澡時間） #4751 (Bath Time) 2022 Digital Art (NFT) Ed. 1 / 1

騎單車…你的人生舞台 有幾公里？ Cycling… How Many Kilometres has Your Life Stage?

2019 Mixed media on paper 50 x 35 cm

預估價 Estimate

預估價 Estimate

預估價 Estimate

預估價 Estimate

預估價 Estimate

KRW 25,000,000~60,000,000

HK$200,000~400,000

JPY 2,000,000~3,000,000

Estimate on Request

HK$150,000~300,000

US$112,407 HK$882,000

成交價 Sold at

成交價 Sold at

US$104,619 HK$819,000

成交價 Sold at

成交價 Sold at

拍賣日期 Auction Date 香港富藝斯（線上） Phillips, Hong Kong (Online) 2022.03.8-11

拍賣日期 Auction Date 香港佳士得（線上） Christie's, Hong Kong (Online) 2022.01.11-21

US$116,159 KRW 135,700,000 拍賣日期 Auction Date 首爾首爾 Seoul Auction, Seoul 2021.10.26

成交價 Sold at

拍賣日期 Auction Date 香港蘇富比 Sotheby's, Hong Kong 2022.04.28

US$106,530 JPY 11,155,000 拍賣日期 Auction Date 東京SBI SBI Art Auction, Tokyo 2021.01.30

US$96,327 HK$750,000

23

ANDI FISCHER ▲

24

安迪．費雪《烏鴉與水果》2019 油畫棒 畫布 180 x 130 cm 羅芙奧2022春拍「薈萃國際：現代與當代藝術」預估價 NT$1,400,000 - 2,200,000 Andi Fischer, RabeFruchti, 2019, Oil stick on canvas, 180 x 130 cm Ravenel Spring Auction 2022 - Select: Modern & Contemporary Art, Est. US$48,700 - 76,500

[ THE ARTIST ]

TREMBLING YOUR DOODLE THINGS 顫抖的塗鴉．簡單不簡單 －安迪．費雪 Text / 陳昱良 Iris Chen

Photo / © Andi Fischer

▶

Andi Fischer, Amsel Unten, 2019, Oil stick on canvas, 140 x 110 cm

藝術史脈絡漫長，歷經各種思潮進化與蛻變。發展

在潔白畫布上發揮油畫棒（oil stick）的性質，呈現如蠟

到二十一世紀自由開放的社會，追求不斷突破歷史，確立

筆 手 繪 的 紋 理。 頗 有 富 含 人 文 主 義 的 尚． 杜 布 菲（Jean

風格的形式與內涵，已是數代創作者的共有意識。Y 世代

Dubuffet）與眼鏡蛇畫派（CoBrA），那種揚棄傳統技法，

藝術家，如 1987 年出生的德國當代藝術家：安迪．費雪

不講究流派規章，充滿直覺力量的風範。費雪簡化物件輪

（Andi Fischer），近年展露於各大藝博會，畫展邀約不

廓造型，人物只剩兩顆橢圓的頭與身軀，好像落花生，加

斷。是因為其風格清新的創作特色，充滿童趣，連結古典

上細如柴火的筆直四肢；藍天、綠地、黃太陽，賦予不同

藝術的題材，融入跨文化特色。在眾多爭奇鬥艷的當代表

色彩各別的意義；描繪冰封的白雪世界，則由深淺不同的

現中，令觀眾們耳目一新，記憶非常深刻。

的白色線條構成畫面。人們熟習的寓言文學、童話主題，

費雪與文藝復興大師杜勒，同樣來自歷史氣息濃厚， 被稱作歐洲「玩具之都」的德國紐倫堡。德國多元的教育 體制，鼓勵學生探索天賦，因此除了繪畫，著迷於手作與 創造的費雪，也曾投身汽修的職人訓練。他笑稱藝術家與

豐富了藝術家筆下畫面的故事性，即使殘酷如草原獅群狩 捕著獵人、普羅米修斯被巨鷹啄食臟器的暴力主題，費雪 獨有的當代美學，也能消弭其中的暴戾之氣，聯接起百年 歷史深植人心的印象。

機修，兩者的共通點是都會弄髒雙手，也充分展現費雪幽

近期延伸的抽象風景系列，顫抖的線條相互穿梭，填

默的性格。2018 年費雪畢業於柏林藝術大學（Universität

滿白色平面空間，遠景、近物的協調感在腦中自動成形。

der Künste）， 同 年 也 獲 得 亞 洲 前 50 大 知 名 藝 術 藏 家

無法一眼看透的景緻，新的玩味驅動觀者好奇心。除了平

Monique and Max Burger 賢伉儷贊助的 TOY 柏林大師獎

面畫作，喜愛手工的費雪，近期也使用上色積木，拼製出

（TOY BERLIN MASTERS AWARD） 殊 榮。 正 式 開 啟

半立體的裝置作品。質樸的手作感，十足「費雪」，也讓

職業藝術家的生涯，由杜塞道夫畫廊 Sies + Höke、柏林

人聯想 8 位元電玩的馬賽克效果，在狹小的盒子中，創造

APlus、哥本哈根 Avlskarl 畫廊為其舉行個展，並於瑞士

大大的想像力。2018 年至今穩定的私人收藏成長，包括

巴塞爾、英國斐列茲、德國科隆等國際藝博會，也可發現

澳洲 ARNDT Collection、比利時收藏家喬瑞斯．比納爾

其作品。

（Joris Beernaert）和活絡於德國、瑞士、奧地利、丹麥

費雪接受採訪時曾表示：「小朋友那種對塗鴉的認真

的畫廊展覽皆成為費氏魅力的最佳佐證。

態度，我超喜歡！」。他也以此為靈感，模仿孩童塗鴉，

25

▲

Andi Fischer, Tigar Futtern Rueo, 2019, Oil stick on canvas, 140 x 110 cm

▶

Andi Fischer, Vollvoll HimmelblauI, 2019, Oil stick on canvas, 140 x 110 cm

The context of art history has undergone various

German educational system are encouraged to explore

ideological evolution and transformation. In the

their talents. Therefore, in addition to interests in

freedom and openness of 21st century society, the

painting, handicraft and creativity, Fischer also received

pursuit to transcend history led to a consensus among

vocational training in auto mechanics. He once joked

digital artists to establish innovative formats and

that the commonality of artists and auto mechanics is

content through various styles. Generation Y artists

that they all get their hands dirty. In 2018, Fischer

such as Andi Fischer, a German contemporary artist

graduated from the Universität der Künste Berlin and

born in 1987, have been invited to exhibit in various

received the Toy Berlin Masters Award sponsored by

major art exhibitions in recent years due to his fresh

Monique and Max Burger, who are among the top 50

creative perspectives, which are filled with childlike

famed art collectors of Asia. The award helped to launch

expressions. In addition, his works also interweave

his artistic profession, with solo exhibitions held at

cross-cultural characteristics that integrate elements

various galleries including Sies + Höke in Düsseldorf,

of classical art, which are innovative and memorable

APlus in Berlin, and Avlskarl in Copenhagen. Fischer's

among numerous competing contemporary art forms.

artworks were also featured at various international

Both Fischer and Renaissance master Dürer come from historic Nuremberg, Germany, also known as the toy capital of Europe. Students from the diversity of the

26

art expos held in Basel, Switzerland, Frieze Art Fair in London, England, and Art Cologne in Germany.

[ THE ARTIST ]

「如果你夠幸運，或許能夠以藝術為生。但那不是工作，而是幸運！」 ─ 強 • 索奈德《致安迪 • 費雪：牢記事項（增修版）》瑞典，2021 年 4 月 I f y o u ' re l u c k y, y o u m i g h t m a k e a l i v i n g f ro m a r t .

But that doesn't mean that it's work. It's just luck. － F o r A n d i F i s c h e r : T h i n g s t o R e m e m b e r, R e v i s e d a n d E x p a n d e d L i s t .

B y J e n s S o n e r y d , B e r n s h a m m a r, S w e d e n , A p r i l 2 0 2 1

▲

Andi Fischer, Enorm Mond Land, 2021, Oil stick on canvas, 140 x 110 cm

▶

Andi Fischer, Jagd Auf Alles, 2019, Oil stick & pencil on canvas, 200 x 300 cm

Fischer once said during an interview: "I love how rigorous children

Fischer's recent works extend his abstract landscape series, with

are in their drawings!" With this inspiration, he imitates the doodling

trembling and interweaving lines that fill the space of the white plane,

art of children. Playing with the characteristics of oils tick on pristine

and the proper perspectives of objects distant and near seem to form

white canvas, Fischer presents textures like crayons. Full of intuitive

automatically in the mind. The new playfulness of the landscape that

power, Fischer abandons traditional techniques and disregards genres or

is impossible to decipher at a glance drives the curiosity of viewers. In

styles to create art with a humanism similarly practiced by Jean Dubuffet

addition to 2D paintings, Fischer also enjoys handicraft, and recently

or the CoBrA art movement. Fischer simplifies the shapes and outlines

began using color blocks to create semi-three-dimensional installation

of objects, leaving figures with only two ellipses for the head and the

works. The simplicity of his handiworks are uniquely "Fischer", and

torso, like a peanut, accompanying with straight limbs thin as firewood.

remind people of the mosaic effect of 8-bit video games, generating a

Blue sky, green land, yellow sun – each color is imbued with different

great power of imagination in a tiny box. The steady growth of private

meanings. A snow-white depiction of a frozen world is shaped by white

collectors since 2018 including the ARNDT Collection of Australia and

lines of various shades. Well-known fable literature and fairy tales

Joris Beernaert of Belgian, and his flourishing gallery exhibitions in

enrich the storytelling aspect of the paintings by the artist. The unique

Germany, Switzerland, Austria, and Denmark are proof of the enchanting

contemporary aesthetics presented by Fischer is capable of eliminating

power of Fischer's art.

the tyranny and cruelty of a hunter hunted by lions in the prairie, or the violent depiction of a giant eagle eating Prometheus' immortal liver, connecting with centuries-old historic impressions embedded deeply in people's minds.

27

衍色泉潤 丁衍庸、丁雄泉 海外奇珍合璧專場 VARIATIONS OF INK: THE ART OF DING YAN-YONG

AND WALASSE TING Text、Photo / Ravenel International Art Group

28

[ CHINESE PAINTINGS ] 融貫東西的現代藝術雙雄：丁衍庸與丁雄泉 二戰後的東西方藝術發展與潮流看似各走各路，實則隱含著一種

藉由丁衍庸與愛徒林緝光先生來往的信件，可了解他對於當時貴湖

殊途同歸的線索：新中國藝術快速的建立是借鏡於西方現代藝術，而西

大學美術館展覽的重視，因在當時中國水墨藝術家能在國外舉辦大型畫

方藝術版圖的轉移則由歐陸導向美國新興藝術的潮流，如新達達、抽象

展實不多見，也因畫展的成功，加上法國巴黎大學東方研究所的紀錄片

表現主義與普普藝術等，再加上東方思潮如：禪及書法藝術的引進，讓

拍攝，讓丁氏在古稀之年開始得到國際的高度關注，而後展覽邀約無數

戰後的西方藝壇百花齊放。這樣的藝術史走向如何匯集至水墨藝術的討

並享譽全球藝壇。

論，或許可以由中西藝壇的兩位巨擘：丁衍庸的「以西入中」與丁雄泉 「以中潤西」看出脈絡。

勁筆剛線，妙筆生輝情意真

山水獨行，墨色淋漓見雄渾 丁雄泉於 1970 年前後創作的黑白水墨作品已經融合了野獸派、抽 象筆觸、禪畫、宋明文人畫與書法線條的影響於一體，筆墨以大量的潑

丁衍庸畢生從事美術教育，為中國現代美術的重要倡導者，與林風

濺、快速移動的技法讓線條躍然紙上，主題多圍繞在原始情慾對象的描

眠、關良並稱「廣東三傑」；曾於重慶藝專任教，與趙無極、李可染等

繪，即使畫山水也能表現出壓抑與荒謬的情色感，丁雄泉在 1970 年將

人為同事。1929 年開始蒐集歷代書畫與金石文物，醉心於中國藝術的

如此具有標誌性的黑白水墨作品全數贈與巴黎賽努奇博物館，加上後期

研究、鑑賞，特別是文人畫的獨創精神，尤以朱耷、石濤及金農等人的

郭有守、趙無極等人慨贈的作品總計才 46 件，由於品項數項稀少，全

繪畫，對中國古代玉璽、原始文化的探索，開展其融會貫通中西藝術的

球藝術收藏界幾乎鮮少擁有私藏，丁雄泉黑白水墨作品的重要性在於總

創作道路。此次專場除有丁衍庸 1970 年代精品，更收錄其逝世後（1978

集了他 1950-1970 年代、近二十年探索中國傳統繪畫的成果，亦是對西

年）、1979 年於香港中國文化協會展出的素描作品，完全呈現丁衍庸

方先鋒派、抽象藝術、普普藝術的承繼，此回專場水墨作品更是全面性

從西畫入中畫的關鍵脈絡，以回歸東方筆墨為核心，肯定丁氏在藝術史

地呈現丁雄泉融合中西藝術概念的指標性作品，能夠一次完整呈現於世

上的表現與定位。

人面前實屬難能可貴的盛事。

丁衍庸七零年代的創作被學界公認為其最重要階段，在繪畫形式 上、精神追求上保留了對八大山人內斂美感的表現，並拋棄了繪畫的文 字性，整合了書法線條與描繪對象，融西方色彩和東方線條於一體，此 時期丁氏質量俱精的水墨畫，除了在形式上保留了西方線條的造型性 外，更展現了萃取中國水墨畫的內在精神。 1970 年，加拿大貴湖大學（University of Guelph）美術館所舉辦 的丁衍庸個展，更是被視為丁衍庸向國際藝壇嶄露頭角的起點；當時參 展的重點展品如《茅庵論道圖》（拍品編號 615）、《寫意山水》（拍 品編號 609）、《蘆岸圖》（拍品編號 608）等以經典八大山水的簡練 圖式，揉入文人孤高性格的精神性表現，意境的營造保留了傳統山水 的寧靜致遠；《西陸蟬鳴》（拍品編號 614）、《松鶴圖》（拍品編號 613）以南朝陸探微筆法自創出丁氏風格的「一筆畫」，藉由草書至簡 至純的追求，賦予畫面線條的生命力，更帶有天真童稚的趣味性；《荷 池秋景》（拍品編號 616）一作脫自朱耷《荷花翠鳥圖》筆意，寫意的 花鳥描繪提取出水墨的天然神韻，著重於物象特徵的描寫，畫面的留白 多增添想像空間；人物題材如《貴妃醉酒圖》（拍品編號 611）、《伏 虎羅漢》（拍品編號 617）等是丁衍庸以最喜愛的中國歷史故事與民間 戲曲、傳說作為創作的取樣，在強調故事性之餘又能於筆墨間灌注現代 繪畫的特徵與反諷性，他也常用如《蘇三起解》的主題用於篆印，將誇 張的造型與簡易的結構作出率直抽象的風格圖章，更將個人的風格與詼 諧趣味寄寓畫面主題。

◀

丁衍庸《茅庵論道圖》1969 水墨 設色 紙本 鏡框 180 x 96 cm 羅芙奧2022春拍 台幣480,000 - 700,000 DING Yan-yong, Riverscape, 1969, Ink and colour on paper, framed, 180 x 96 cm Ravenel 2022 Spring Auction, US$ 16,700 - 24,300

▶

丁雄泉《仕女圖》1970 水墨 紙本 鏡框 182.5 x 91 cm 羅芙奧2022春拍 台幣180,000 - 280,000 Walasse TING, Ladys, 1970, Ink on paper, framed, 182.5 x 91 cm Ravenel 2022 Spring Auction, US$ 6,300 - 9,700

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專場展出市場上罕有的六件直幅黑白水墨、扇面作品、明信片創作 及信札等資料，皆是當前藝壇少見的頂尖之作：六件黑白水墨作品的珍 稀程度及強烈的藝術表現性，與賽努奇博物館藏品質量相互比較，更有 過之而無不及；明信片與信札內容清楚記錄下丁雄泉遊戲人間、留戀花 叢的寫實記錄：他以環遊世界與吃喝玩樂作為藝術創作的靈感來源，足 跡踏遍大溪地、巴黎、日本，香港、台灣等地，當時的台灣之旅更走訪

◀

丁衍庸《蘇三起解及擊鼓罵曹（兩件一組）》 水墨 設色 紙本 鏡框 34 x 34 cm（每件） 羅芙奧2022春拍 台幣60,000 -120,000 DING Yan-yong, Judgement Day and Impeachment of Cao Cao (A Set of Two), Ink and colour on paper, framed, 34 x 34 cm (each) Ravenel 2022 Spring Auction, US$ 2,100 - 4,200

▶

左：丁雄泉《梅花》水墨 紙本 鏡框 178 x 96 cm 羅芙奧2022春拍 台幣120,000 - 240,000 Left: Walasse TING, Plum Blossom, Ink on paper, framed, 178 x 96 cm Ravenel 2022 Spring Auction, US$ 4,200 - 8,300

▶

右：丁雄泉《芙蓉花蝗蟲圖》 1971 水墨 紙本 鏡框 181 x 91 cm 羅芙奧2022春拍 台幣200,000 - 320,000 Right: Walasse TING, Locust and Peony, 1971, Ink on paper, framed, 181 x 91 cm Ravenel 2022 Spring Auction, US$ 7,000 - 11,100

相逢一笑，天涯覓知音 丁衍庸與丁雄泉於 1970 年代開始各自於東西方藝壇發光發熱，除 了在水墨藝術上的突破有著共通點外，人生際遇也因為微妙的聯繫，讓 兩人成為忘年之友，其中的靈魂人物便是林緝光，此次專場多數作品亦 為林緝光 50 年的舊藏，也因為他的關係，讓兩人的水墨成就與經歷走 向了人生的巔峰。

了故宮（賞名畫）、萬華（飲蛇血）及橫貫公路驚心之旅等；亦有與世 界各地藝文人士的往來交集，如趙無極、阿列欽斯基等人。

林緝光 1950 年拜丁衍庸為師，後成為與丁衍庸關係最為親近的學 生，兩人情同父子，來往的信札除談詩論藝外，更多的是親切的家常叮

《梅花》（拍品編號 628）以丁雄泉少見的白描筆法圈勾朵瓣、直 筆探出的梅枝，墨梅無色卻能展示出落筆不悔的肯定性與超越色彩對比 的平衡，與賽努奇博物館藏五件濃墨暈染的墨梅相互對照，更能顯出此 《梅花》的清麗與用心經營，同時也影響了七零年代丁雄泉壓克力彩作 品如《玫瑰出牆》的構圖比例與特殊性。 《墨林山間》（拍品編號 632）取用中國水墨大塊面的墨斑漬染、 兼之以流散潑灑的西方抽象表現風格，與賽努奇博館藏僅五件的水墨山 水作品風格一致，他以「計黑當白」的墨色概念，簡單直截地詮釋出內 心故國山水的風貌，以墨色表現出壯麗而非寫實的山水輪廓，作品的現 代性精神油然而生。

嚀，丁衍庸在港生活多由他照拂關心，丁氏更常直呼林為「愛兒」。丁 衍庸最重要的、於加拿大貴湖大學所舉辦的展覽，亦是林緝光居中協調 聯繫一切，他知道平生敬重如父的恩師必定能藉此展得到國際專注，事 實結果也是大有斬獲、丁氏自此邁向成功的道路，也因這樣緊密的信任 關係讓丁衍庸晚年將重要作品與文獻資料贈與林緝光保管，成為丁氏一 門的嫡傳。林緝光先生為紀念丁衍庸先生誕辰 120 周年，特以尊師之名 於五邑大學藝術學院設立應屆新生特別獎學金。 1964 年林緝光移居紐約，與丁雄泉的畫室比鄰而居，兩個東方面 孔的藝術家開啟了近半世紀的友誼。二人來往的信札除了常見丁雄泉自 稱「採花大盜」外，多的更是「阿雄」這樣中國式親密的稱謂，「粉面

《美女捧蝗圖》（拍品編號 629）、《仕女圖》（拍品編號 630）

玉郎」林緝光、「明心仙女」趙明心伉儷更是阿雄遊戲人間、享樂生活

以簡化樸素的線條表現出周昉筆下的唐代仕女優雅曲線，嬌媚中卻能感

的支柱，多虧得他們的「拔刀相助」與慷慨解囊，也就不見日後採花大

受到女性卓然獨立的精神，自然隨機的滴墨也展現了抽象表現主義的隨

盜多姿多彩的藝術成就。1969 年丁衍庸為丁雄泉鐫刻一對壽山石獅鈕

機性，墨韻的動態與純粹所帶來的視覺震撼，在丁雄泉濕筆揮灑之間更

印，由林緝光贈與丁雄泉，就此牽繫起了兩人的緣分，當時的丁衍庸已

見傳統水墨中點與線的墨色層次變化，如此大膽直接的表現性也是丁雄

成為享譽國際的水墨大家，而丁雄泉當時的創作脈絡也走向了水墨線條

泉日後大量創作女性主題作品的源頭，賽努奇博物館所藏的水墨仕女僅

與抽象表現一途，經由林緝光的介紹，讓東西兩岸的水墨藝術巨擘展

有幾幅，更可知其稀有性與珍貴之處。

開了忘年的交誼，丁雄泉更以此對紐章蓋印於《意想圖》（拍品編號

《芙蓉花蝗蟲圖》（拍品編號 633）則隱情色語彙於內在象徵意義， 向八大山人、唐寅等文人畫致意，同時也表達了對於《詩經》等古典文 學中傳統形象的轉化與表達，後期丁雄泉西畫花卉作品也以此作的塊面 構圖與單色花卉的描摹做為出發，以中潤西的繪畫風格更為顯著。

30

627）一作，意義更顯非凡，以實際的形式表現出著丁衍庸與丁雄泉一 起走在回歸中國繪畫傳統與創新水墨的道路上。1977 年丁雄泉赴香港， 也曾與方召麐一同到丁衍庸寓所談詩論藝；丁雄泉寄自東京問候林緝光 的明信片更提及見到丁衍庸，一起談天吃麵，不亦樂乎；林緝光牽起了

[ CHINESE PAINTINGS ]

東西藝壇溝通的橋樑，除了讓兩人成為忘年之交，更是促成此次精采絕

1970s and those exhibited in the Chinese Culture Associated Limited in

倫的水墨作品與文獻資料完美地呈現於世人面前的靈魂人物。

1979, a year after his death. These works are curated to highlight Ding's

筆底明珠，一鳴驚人 藝術收藏市場的價值更是反映出藝術家作品的稀有性與藝術史定 位，丁衍庸於 2021 年羅芙奧秋拍專場作品因尺幅與珍稀性創出佳績， 大尺幅作品如《山鬼》成交價新台幣 264 萬元（新台幣）、《水族圖》 新台幣 180 萬元、《十里長松結屋安》新台幣 132 萬元，由此可預期

approach using Eastern ink as the origin of ink creation, allowing him to leave a mark in art history.

The 70s was considered to be the pinnacle of Ding's artistic creation.

By adopting the figurative and philosophical approach of Bada Shanren, Ding let go of the literary representation in Chinese art, focusing on the

今春六尺長幅及曾於貴湖大學展出的《茅庵論道圖》與《荷池秋景》等

calligraphic lines and his subject matters. Colours of the West and the

作品能再創高峰。丁雄泉黑白水墨作品是他進入西方現代藝術圈後的豐

lines of the East allowed his works of this period reached the height of

碩成果，這些完成於 1968-1970 年之間的珍貴作品，在他 40 歲這一年

his artistic career.

決定將四十幅黑白水墨作品捐予巴黎賽努奇博物館典藏，不僅具有話題

In 1970, Ding organized a solo exhibition at the University of

性、更有明確的美術史定位；此次專場呈現的拍品亦是博物館收藏等級、

Guelph in Canada, which marked the start of his international exposure.

在丁雄泉藝術生涯發展過程中占有重要決定性的作品，收藏價值更是世

Important works shown included Riverscape(Lot 615), Landscape (Lot

所罕見的奇珍逸品。

609), Reed in Bloom (Lot 608), which share the style of Bada landscape,

丁衍庸與丁雄泉雖各自在水墨領域有不同的堅持與發揮，但其中的

with a scholarly philosophical approach, creating tranquil scenes. Cicada

共通點均在於對傳統水墨的突破與創新，將東西方藝術概念濃縮揉合成

(Lot 614) and Crane (Lot 613) were created with Ding's unique one-

一股時代的精神，他們二人的藝術都有著豐沛的生命力，此次的集結呈

stroke approach with reference to Lu Tan-wei and cursive strokes. Frogs

現兩人奠定其藝術史地位的珍貴作品與文獻資料，不僅具有學術地位，

Croaking in Lotus Pond (Lot 616) were derived from Zhu Da's style with

影響了東西方現代藝術史地推進，更因品項少見而具有極高的市場價

emphasis on strokes and blank spaces to highlight characters of subjects.

值，「水墨」是他們創作的共同語言，藝術的養成以西方藝術概念為外

Figurative paintings such as Come Drink with Me', Yang Guifei in the

在的「形」、以中國傳統書畫水墨為內在的「神」，形神合一之下，看

'Hundred Flower Pavilion' (Lot 611) and Lohan Taming Tiger (Lot 617)

似回歸傳統，但卻契合當時戰後的時代精神，丁衍庸與丁雄泉以中西藝

were Ding's favourite, as they depict folk tales and scenes in Chinese

術的實驗精神與現代的詮釋贏得東西藝壇的盛名。

history. One of his seals was carved based on folk themes with a drastic

TWO BRIDGES BETWEEN EASTERN AND WESTERN ART: DING YAN-YONG AND WALASSE TING

and simple design, showing his humorous character.

Despite the inherent difference, art of the East and West come to a convergence: new generation of Chinese art took reference of Western techniques, while Western art, led by the US counterparts, such as the Dada movement, abstract expressionism and pop art, borrowed Eastern ideology of Chan and calligraphic art. This enriched the Western art scene. With regards to ink art, one can refer to Ding Yan-yong and Walasse Ting, who took their own approaches to incorporating Chinese and Western art.

GENUINE EMOTIONS EXPRESSED THROUGH THE BRUSH Ding Yan-yong dedicated his life to art education to promote Chinese modern art along with Lin Feng-mian and Guan Liang. He worked alongside Zao Wou-ki and Li Keran in Chongqing Academy of Art. Since 1929, he dedicated his research towards connoisseurship of classical paintings and Jinshi relics. Zhu Da, Shi Tao and Jin Nong of Chinese paintings and antique seals were among his subjects of research.

This paved his way towards his artistic mission to merge Chinese and Western art. This sale offered exceptional works by Ding Yan-yong in the

31

From his letters to Lam Kwong, Ding put the Canadian exhibition

Plum Blossom (Lot 628) is one of Walasse Ting's rare sketch

in high priority as ink exhibitions abroad were rare. Along with

works, drawn with sketches and vertical brush. This monochrome

the documentary filmed by the University of Paris in France, Ding

painting shows the artist's certainty in application which outweighs

received attention from the international community, allowing him to

colour representation. Compared with the five plums in the

host more exhibitions around the globe.

Cernuschi museum, this work shows the artist's sophistication and

LANDSCAPE IN SATURATED INK

delicate mind. This also led to the composition of his later work

By the 1970s, works of Walasse Ting had already shown signs of Fauvism, abstractionism, Chan, Song Ming styles and calligraphic styles. Splashed ink and swift movement of lines express the brink of abstinence and frivolousness of sexual desire. He donated most of his monochrome paintings to the Cernuschi museum during this time, with only a few left in the private hands. These paintings were

Pink Roses Biggling.

Mountain Hamlet (Lot 632) features a large area of splashed ink of abstract expressionism, which echoes with five works of the Cernuschi museum. By displacing black and white, Ting used a drastic approach to depicting landscape in ink, adding a modern touch to Chinese ink painting.

produced with the essence of his exposure of Chinese and Western art

Lady Holding a Locust (Lot 629) and Ladies (Lot 630) highlight

from the 50s to 70s. Styles were derived from Avant Garde, Abstract

the smooth curves of Tang ladies and their feministic beauty and

Expressionism and Pop art. This curated sale showcased Ting's iconic

independent characters. Splashes of ink hinted at the randomness

and rare works of the times.

of abstract expressionism, thereby enhancing the movement of ink

This sale offers six exquisite monochrome ink and fan works, postcards and personal letters made at the peak of the period. These

in its visual impact. Ink gradation between the dots and lines show Ting's sophistication in brush.

six rare monochrome paintings were expressive compared to those at

Locust and Peony (Lot 633) carries sexual connotations, yet the

the Cernuschi museum. Postcards and letters give readers a glimpse

style was attributed to those of Bada Shanren and Tang Yin, referring

of the artist's past, including his visits in Taihiti, Paris, Japan, Hong

to the literary implications to the Classic of Poetry. Ting's later

Kong and Taiwan, where he visited the National Palace Museum for

works were derived from such structure with monochrome flowery

the paintings, drank snake blood in Wan Hua and took the perilous ride

depiction, showing the merge of Chinese and Western styles.

in Hengguan Highway. His writings detailed his encounter with artists such as Zao Wou-ki and Alechinsky.

THE ENCOUNTER OF TWO PRODIGIES Ding Yan-yong and Walasse Ting were considered as gems of the artistic community in the East and West in the 1970s.

Their common interest in ink art and their exposure secured their friendship, and Lam Kwong was also the major bridge in such a relationship. This sale featured the 50-year collection of Lam Kwong, the driving force of their careers.

32

◀

右：丁衍庸《小鳥葫蘆及蝦兵蟹將聽蛙聲(兩件一組）》1969 水墨 設色 紙本 立軸 69 x 34 cm；69 x 35 （其中一件） 羅芙奧2022春拍 台幣100,000 - 200,000 Right: DING Yan-yong, Bird and Gourds and Frog Croaking (A Set of Two), 1969, Ink and colour on paper, scroll, 69 x34 cm；69 x 35 Ravenel 2022 Spring Auction, US$ 3,500 - 7,000 These is one of the paintings in the lot.

◀

左：丁衍庸《荷池秋景》 1966 水墨 紙本 立軸 137 x 68 cm 羅芙奧2022春拍 台幣150,000 - 240,000 Left: DING Yan-yong, Frogs Croaking in Lotus Pond, 1966, Ink on paper, scroll, 137 x 68 cm Ravenel 2022 Spring Auction, US$ 5,200 - 8,300

[ CHINESE PAINTINGS ]

▶

左：丁雄泉《美女捧蝗圖》 1969 水墨 紙本 鏡框 184 x 94 cm 羅芙奧2022春拍 台幣160,000 - 260,000 Left: Walasse TING, Lady Holding a Locust, 1969, Ink on paper, framed, 184 x 94 cm Ravenel 2022 Spring Auction, US$ 5,600 - 9,000

▶

右：丁雄泉《意想圖》1972 水墨 紙本 立軸 112 x 67 cm 羅芙奧2022春拍 台幣90,000 - 180,000 Right: Walasse TING, Lady, 1972, Ink on paper, scroll, 112 x 67 cm Ravenel 2022 Spring Auction, US$ 3,100 - 6,300

Lam Kwong became one of the closest students of Ding Yan-

facilitator of such relationships. His rare collection of ink works and archival

yong from 1950. Lam and Ding were close as a family, as Ding

documents that survive till this day was fundamental to the art scene.

sent fatherly reminders in his letters. Ding's stay in Hong Kong was

THE EXQUISITE BRUSHWORK THAT ASTOUNDED THE ART WORLD

supported by Lam and Ding called him as his loving son. Ding's important exhibition at the University of Guelph was organized by Lam Kwong. His dedication brought his fruit of success as it paved Ding's way towards the international artistic community. Because of this trust, Ding left his work and important archives in the hands of Lam Kwong, making Lam as an heir of his legacy. To commemorate the 120th birthday of Ding Yan-yong, Lam established a Special Scholarship Program for freshmen of Wuyi University Art College in the name of his teacher.

Values of the art market often mark the rare and artistic value of a work in art history. Works of Ding Yan-yong achieved significant value at Ravenel autumn sale in 2021. Colossal works Mountain Fairy was sold for NT$2.64 million, Fish, Crab and Frog for NT$ 1.8 million, Landscape for NT$ 1.32 million. Hence it is foreseeable that similar exhibited works such as Riverscape and Frogs Croaking in Lotus Pond would achieve outstanding results. The monochrome paintings of Walasse Ting offered were painted in 1968-1970 at the pinnacle of his career after entering the Western art circle. At

L a m K w o n g m o v e d t o N e w Yo r k i n 1 9 6 4 l i v i n g c l o s e t o

the age of 40, he donated 40 works to the Cernuschi museum in Paris aroused

Walasse Ting's studio. The two oriental faces bonded for decades

heated discussion and visibility in the artistic community. This sale offers

of friendship. In their letters, Ting addressed himself as the flower

museum-graded works that mark the important stages of Ting's career. Their

snatcher and Ah Xiong in Chinese, while a beaux and fairy were

values weigh beyond monetary estimates.

used to address Lam Kwong and his wife Chao Ming-xin. Thanks to their generosity, Walasse Ting was able to enjoy his frivolous life.

Commissioned by Lam Kwong, Ding Yan-yong carved a soapstone seal for Walasse Ting in 1969, thence marked the relationship of the three. This period was the peak of both Ding Yan-yong and Walasse Ting in the international ink art world. This seal could be found in Lady (Lot 627) and carried a symbolic bonding between the two artists. In 1977, Walasse Ting visited Hong Kong to pay a visit to Fang Chao-long and Ding Yan-yong for an artistic exchange. Later Ting wrote to Lam describing their encounter while eating noodles.

Lam Kwong was a bridge between the art of East and West, and a

Despite the differences in styles of Ding Yan-yong and Walasse Ting, both shared their dedication to their artistic creation by combining styles of the East and the West. Their works are vibrant and innovative. Through this curated sale, their significant works and archival documents are gathered to provide significant academic insights into the historical development of the art with prominent values in the market. Using their common medium ink, the two artists had shown the graphical representation of the West and the spiritual demonstration of Chinese art, as a hommage to traditions and an artistic expression of the post-war era. The experimental approaches of Ding Yanyong and Walasse Ting made them renowned artists of the East and West.

33

HOW WOULD THE EVER-DURABLE COLORED DIAMONDS MAKE THEIR WAY INTO THE FUTURE 風波不驚的彩鑽市場， 如何迎向未來的挑戰

Text / 劉允華

Photo / Ravenel International Art Group

34

[ LUXURY ]

翻開歷史悠久的 Knight Frank 公司的全球資產與投資報告，特別是

Dow Jones, without the great versatilities as the latter. In other words,

每年精心出版的精品投資章節裡，指出多數的投資者表示將重新審視情

the grand-scale speculations that often happen in other markets do not

勢，認為疫情過後將萌生更多嶄新的投資機會，甚至表達欲在此後補償

work as such with colored diamonds.

這幾年投資不足的缺憾。而我們也觀察到指標性類別之間，沒有任何寶 石與貴金屬，唯有彩鑽擠身於此。

Furthermore, as equally revealed by the observations from FCRF, this market is entering a whole new stage. Among some 40 mines

另一方面，儘管遭遇各種難題，彩鑽的拍賣與批發市場依然活絡不

producing 90% of the world's diamonds, only 13% can still mine for over

已。多年來專事觀察彩鑽市場的非營利機構 FCRF，便表示以 2021 年

40 years, and no one can keep producing beyond 61 years. Meanwhile,

第四季的統計數字而言，89% 的彩鑽類別價格都呈現上揚趨勢，這個季

should a rich vein be discovered today, it can only start production at

度的總和漲幅也高達 1.7%，其中更有單一類別的單季漲 幅達到 7.9%。

the end of this century. This would mean that the diamond market is

從該機構所提供的指標走勢圖來看，2005-2021 年之間，多數彩鑽的表

gradually stepping into the stage with the number of its merchandise does

現不俗於黃金和道瓊等重要股票指數，卻不具備其他指標常見的大幅走

not increase. Thus, the focus would turn to the rarity of the product. The

勢震盪。其他市場裡難以避免的大規模投機現象，在彩鑽市場中幾乎毫

research of Bain and Co. shows that the trade volume of raw diamond

無可見的影響。

was up 62%, the global reserve dwindles to a historical low, and the price

而，同樣來自 FCRF 的綜合觀察顯示，這個市場正準備進入一個全 新的階段。負責生產全球 90% 鑽石的 40 個礦區裡，只有 13% 能繼續

increased by 20%. The colored diamonds being the rarest of them all, would undoubtedly benefit from this change of tide.

開採 40 年以上，但無一能超過 61 年。同時，假設今天立即發現一條

After considering the observations mentioned above, the luxury

豐富的礦脈，最快可能也須等到本世紀末才能投產。這意味著，鑽石市

division of the Ravenel International Art Group concludes that,

場將會逐漸進入全球產品總量不再增加的局面，此類精品值得注目的焦

especially for the investors who are interested mainly in long-term

點，也會逐漸集中在稀有度上。投資顧問公司 Bain and Co. 的研究便指

luxury collections, the colored diamonds have advantages such as a

出，2021 年的鑽石原石交易量提高了 62%、庫藏量降至史上低點，價

stable and increasing price, are easy to store and maintain, and will see

格則提升了 20%。彩鑽作為鑽石中極少數的天之驕子，無疑地更將得

their production slowed down in the foreseeable future. Lead by the

益於此項市場變遷。

pink variant, the future of the colored diamonds in your collection will

綜合以上幾家重要機構的觀察，羅芙奧精品部認為，特別對於長期 精品收藏為主要興趣的投資者們而言，彩鑽具有價格穩定成長、易於收 藏保養、總量成長即將趨緩等等投資優勢。以粉紅鑽為首的彩鑽家族，

certainly shine a brighter light. ◀

上：2.62克拉雷迪恩明亮形正彩粉紅色VVS1鑽石配粉紅色鑽石戒指，附GIA證書 Up: A 2.62 CARAT RADIANT-SHAPED FANCY PINK VVS1 DIAMOND AND PINK DIAMOND RING

◀

下：1.01克拉枕形正彩橘粉紅色鑽石配粉紅色 Down: A 1.01 CARAT CUSHION-SHAPED FANCY ORANGY PINK DIAMOND AND PINK DIAMOND RING

▼

0.50克拉雷迪恩明亮形淡彩紫粉紅色鑽石配粉紅色鑽石戒指，附GIA證書 A 0.50 CARAT RADIANT-SHAPED FANCY LIGHT PURPLISH PINK DIAMOND AND PINK DIAMOND RING

幾乎肯定會在您將來的藏品中大放異彩。 When we investigate the pages of The Wealth Report by Knight Frank, especially the chapters about luxury asset investment prepared minutely, we see the evaluation of this famed firm in the yearly market.

This year, most of the investors are estimated to be re-evaluating the current situation and emphasizing the emerging new investment opportunities. Some of them are even expressing their will to fill the gaps in their investment in recent years. On the same pages, we also observe that within the luxury indexes, the colored diamond is the only one selected among the gemstones and precious metals.

On the other hand, the auction and wholesale market of colored diamonds keep being active, despite vast challenges. FCRF, the NPO that observed the colored diamond market over the years declared that the Q4 of 2021 statistics show that 89% of the colored diamond categories' prices are going up, to the sum of a 1.7% increase. One of the categories was increased up to 7.9%. As the index graphics of FCRF show, from 2005-2021, most colored diamonds performed at least as good as gold or

35

桶裝威 士忌 成 為 投 資 新 潮 流？

ARE WHISKY BARRELS THE LATEST INVESTMENT TREND? Text / 唐維怡 Eva Tang

Photo / Ravenel International Art Group

「喝 IB 收 OB」－如何挑選值得收藏的 IB 作品？

上個週末與朋友相約威士忌酒吧小酌， 許久未能盡情放風的新手媽媽 K 面對架上琳瑯滿目、各式花俏的

十多年前有許多威士忌老饕喊出「喝 IB 收 OB」的口號。在當時，

酒標瞠目結舌：「怎麼會有這麼多沒看過的酒 ? 難道生個孩子禁酒兩年

IB 的價格往往較 OB 來得便宜，但對於一般消費者而言，IB 不僅相對

多就多了這麼多新酒廠 ?」

陌生，也有著參差不齊的品質，而這點恰恰適合對於各家酒廠經典風味

是了，即便是經驗老道的老饕，如今走進任何一間菸酒專賣店，也 不一定能夠認出全部的品牌。而這些，絕大部分就是所謂的獨立裝瓶威

已然熟稔於心的老饕們挖寶嚐鮮。 然而近十年來，隨著全球消費者對威士忌的認識越來越深，同時威 士忌的價格不斷攀升，許多 IB 的價格開始和 OB 並駕齊驅，IB 許多時

士忌 Independent Bottling ( 簡稱 IB)。 過去曾在〈IB 與 OB 的愛恨糾葛〉一文中跟大家介紹過，所謂的 IB，與原廠裝瓶威士忌 Official Bottling ( 簡稱 OB) 最大的不同在於， 獨立裝瓶廠一般不自行蒸餾生產威士忌，而是向擁有蒸餾器的酒廠購買 原酒，自行裝瓶貼標販售。 OB 的核心系列產品強調的是酒廠一貫的精神，酒質穩定且風格經

候已經變得和 OB 一樣高不可攀。然而，雖然獨立裝瓶威士忌不乏精彩 作品，若單就投資，當前二手市場中 OB 確實有著較為穩健的成長和較 為明顯的漲幅，那麼作為一般消費者的我們，該如何判定一款 IB 是否 有機會在二手市場中脫穎而出呢？

有信譽的裝瓶商

典不變；IB 則沒有這樣的包袱，他們更重視的是讓每一桶酒展現出最

選擇有信譽的裝瓶商是最關鍵的一點。IB 商品琳瑯滿目，哪一家

極致的風格：在存酒倉庫夠大的條件下，他可以將威士忌陳年超乎想像

裝瓶商或其選桶人有能力穩定地選出高品質的作品，展現的是裝瓶商的

久的時間、也可以大膽打破經典與傳統，在調和威士忌盛行的年代推出

品味和實力，也代表裝瓶商對其品牌永續經營的認真態度。當裝瓶商的

原桶強度的單一純麥威士忌、把向來只裝填雪莉桶的酒廠蒸餾酒液陳放

擁護者遍布全世界時，我們甚至可以將其視為一個類似蒸餾廠的獨立品

在波本桶中等等，這些都讓裝瓶廠的作品多了更多的可能性，對於消費

牌，舉例來說，以挑桶能力享譽全球的義大利獨立裝瓶廠 Samaroli，

者，則意味著更多挖掘的樂趣與意外邂逅的驚喜。

其於 1979 年開始的所有系列裝瓶都受到威士忌老饕們的肯定，更在 WhiskyBase 全球威士忌排名的前 10 強中攬下 6 個席次。

36

喝

酒

不

開

車

[ WINE ]

酒液來自哪間蒸餾廠 IB 品項裡的酒液來自哪一間酒廠也是一大關鍵。如今二手市場上叱 吒風雲的幾個 OB 品牌如麥卡倫 (The Macallan)，蒸餾廠本身的市場性 也會帶動其 IB 市場，尤其是當 OB 價格漲幅驚人，消費者更願意以相對 親民的價格入手其蒸餾的 IB 作品。

酒評家的高分評價 而 IB 最讓老饕們著迷、卻也最令一般消費者感到困擾的便是：每 一個 IB 品項的表現都是不可預期的。因此，當某些 IB 品項出現酒評家 的高分評價，便讓消費者在入手開瓶前便對其酒質有著基本的認識和信 心，因而使這些品項在眾多的 IB 中脫穎而出，特別容易受到藏家青睞。

高年份與老年份 儘管單就品飲而言，陳年時間多久並不能代表一支酒的好壞，然而 無論是在 OB 還是 IB 的收藏與投資世界當中，高年份絕對是一個不可避 免的關鍵因素，特別是在高年份原酒稀缺、市場充斥著十年以下低年份 作品的現下。此外，我們可以從近年來的拍賣市場觀察到越來越多收藏 家對舊時代風味的追求，特別是在單桶威士忌 (single cask) 蔚為單一麥 芽威士忌主流的現在，IB 是早在八零年代就開始這麼做的箇中翹楚，早 期蒸餾裝瓶的 IB 提供消費者 OB 所無法提供的七零八零年代單桶作品， 這些需求使得 2000 年前裝瓶的 IB 單桶作品變得熾手可熱。 然而，如今的獨立裝瓶商也面臨許多問題。諸如看到單桶原酒的市

▲

Signatory獨立裝瓶廠於1988年成立於蘇格蘭愛丁堡。不同於其他裝瓶廠常運用不同蒸 餾廠的威士忌來進行調和的優勢，Signatory向來僅挑選最佳的桶，以單一桶原酒裝瓶， 並清楚標明桶號與瓶號，即每一批次都極為限量。想品嚐佳作，往往一瓶難求。

場趨勢，越來越多蒸餾酒廠開始加入強調威士忌多變性格的戰局，這些 原廠單桶原酒與小批次單一麥芽威士忌和眾多獨立裝瓶廠作品一樣，以

然而，包桶除了必須一次性花費一筆為數不小的資金，更有可能遇

獨一無二的存在作為其行銷策略，過去壟斷單桶原酒市場的獨立裝瓶廠

到許多潛在的問題，特別是在橡木桶與威士忌原酒供不應求的現下，能

開始面臨更加劇烈的競爭；同時，蒸餾廠也開始跨越過去作為仲介商角

不能拿到好的橡木桶首先考驗的是包桶人的人脈和在有限的樣品內確認

色的裝瓶廠，直接提供消費者私人包桶的服務，種種改變都大幅縮減了

酒質的選酒功力。

獨立裝瓶廠的原酒取得。

再者，一般消費者不太有機會自行接洽蒸餾廠，裝瓶作業一般是透

我 們 因 而 開 始 見 到 更 多 年 輕 年 份 的 IB， 也 看 到 IB 大 廠 們 開 始

過仲介於原產地或是橡木桶的儲存地進行作業，裝入玻璃瓶、貼上新標

跨 足 蒸 餾 作 業， 例 如 Gordon & Mcphail 於 1993 年 買 下 Benromach

籤後才送往買家的所在地，這中間的程序冗長，且換上新包裝後，許多

Distillery、Signatory 於 2002 年 收 購 Edradour 酒 廠、Adelphi 則 買 下

資訊不一定如實且透明，諸如酒瓶裡的酒是否就是當初拿到的樣品、裝

Ardnamurchan；確保穩定的原酒來源外，獨立裝瓶商也不斷尋求更多可

瓶數量是否確實等等，此部分仰賴消費者對仲介的絕對信任。

能性，從過去的單桶 (single cask)、超高年份，如今的 Duncan Taylor 開 始在不同的木材、桶型與蒸餾物上鑽研，SMWS 也持續在尋找並開發其 它產地的單桶烈酒，企圖以更有趣和不尋常的切入點來吸引消費者。

自己包桶裝瓶是門好生意？

些。諸如今天包桶主打的是酒質還是顏值？是僅有百來瓶的極限量稀有 性還是一般人難以取得的蒸餾廠單桶作品？又，今天以個人或是企業為 名推出的 IB 酒款，是否具備有足夠的品牌力，一般消費者是否有機會

「IB 這麼好賺，那我們也包一桶來賣 !」K 興奮的大喊 ! 「 你 現 在 是 為 了 籌 尿 布 錢 ，掉 進 錢 眼 了 吧 ~ 」大 夥 兒 笑 道 。

有鑒於 IB 市場的飛躍性成長，一些較為進階的消費者開始思考自行 包桶裝瓶的可能性。有些人著迷於過程，喜愛那種從數十到上百個樣品 中挑選出一桶屬於自己風味的成就感；有些人覺得將自己包桶裝瓶的作 品作為贈禮既有趣又別具意義；更有一些人，覺得自行包桶賣 IB 是個好 生意。

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對於期盼包桶出售 IB 酒款的朋友來說，需要思考的層面又多了一

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在全然沒有品飲前，基於對此一裝瓶品牌的信任而掏錢購買？過去確實 有一些小型裝瓶商，以吸睛的酒標做為吸引大眾目光的方式，也有裝瓶 商將其包桶作品送去參加比賽、取得意見領袖和酒評家的評分，這些手 法在最一開始都有取得過不錯的成績，然而在兵家必爭的 IB 戰國時代 如今日，消費者對於此一手法已然感到稀鬆平常。 對於收藏家來說，在選擇收藏與投資的標的時，還是必須非常現實 地回歸到其酒質、稀有性、和於二手市場的變現能力。

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Ian Macleod創立於1933年，自Russell家族於1963年接手後，便與J&G Grant於愛丁堡Broxburn成立了一間大型裝瓶廠，如今，Ian Macleod已成為全蘇格蘭數一數二的威士忌大廠，年產 量超過1500萬瓶，且仍不斷進行原酒、橡木桶和威士忌酒廠的收購，除了知名的調和威士忌如Isle of Skye外，也於2011年將Glengoyne與Tamdhu納入版圖，Macleod's、The Chieftain's、 Smokehead Islay Single Malt等皆為旗下知名的裝瓶系列。

買桶投資蔚為風潮，隱藏成本和風險高

所有權模糊

「既然現在的年份威士忌那麼值錢，那我乾脆買個年輕的桶，先不

購買一個橡木桶，在裝瓶或是整桶轉手前，必須存放在原產地的倉

裝瓶，等到他五六十年再來裝瓶，或就跟買房地產一樣，中途轉手，應

儲或是保稅倉內，經過數年甚至數十年的等待。如何在遠端確保此一橡

該會有不錯的投資回報率吧？」另一位在投資銀行上班的友人 R 問到。

木桶的所有權確實有發生移轉，是投資橡木桶極為關鍵的一點。然而，國

確實，基於威士忌市場過去十年來的熱絡、價格的水漲船高、以及 高年份威士忌受到收藏市場的異常青睞，許多人開始思考買賣橡木桶作

家認證的登記與移轉作業極為繁瑣，大部分的中小型仲介交易商不會設立 這樣的程序，然而公司內部印發給買家的所有權證明文件實際上並不具 法律效益。因此，若仲介公司不幸在橡木桶尚未易主的期間破產或倒閉，

為投資的可能性。

消費者極有可能發生追討不回資產的可能。買橡木桶一部分的價值與證 目前市面上以買賣橡木桶作為投資的方法很多元，從真實的購買一

券化的橡木桶投資組合也是，若沒有如金融市場上經政府核定認可的有

個橡木桶、存放於酒廠或是保稅倉內，到證券化的購買一個橡木桶的一

價證券等確實的所有權證明文件、或是依法成立的私募，投資的錢是否

部分價值、或是購買一個多顆橡木桶的投資組合……等，這類型的投資

真正用來購買橡木桶、以及這些投資是否如實，需要非常注意。

主打的不外乎是威士忌原酒放越久越值錢的特性。 橡木桶的投資需要更長時間的等待與更多的耐性，作為一個制度相 然而，買賣橡木桶投資伴隨的，是比包桶裝瓶威士忌更高的風險。

對灰色的新興產業而言，找到值得信任的仲介和投資單位是最為關鍵的。 拿這著單瓶威士忌投報數據來宣傳橡木桶投資的，其文宣往往包含過多不

價格不透明，利潤不可期 首先，不像房地產有實價登錄資訊、股票可以參考公司財報，威士 忌的單桶價格幾乎沒有任何一般消費者可以調閱的參考資料，也無清晰 的估值體系。 再者，相較於一般金融投資，由於橡木桶投資是個相對新興的產 業，目前並不存在任何可以量化衡量這項投資產業業績的方式。單桶威

真實的資訊；而打著保證回報旗幟募集投資者，消費者更應該提高警覺。 市場上充斥著各式陷阱與騙局，這種需要長時間才能變現獲利了結的商 品更是，買家往往要多年後才會發覺受騙，這是誰都不希望見到的狀況。 「包桶裝瓶也有風險，買桶子投資也有風險，看來我們還是踏實一 點賺錢喝酒吧 !」新手媽媽 K 垂頭喪氣地乾了手上的威士忌表示。

士忌的升值週期稍長，流通性較弱，變現率相較單瓶威士忌來得更低，

相較於一般金融商品，威士忌是有著生活態度的另類投資。每一瓶

交易也非一般消費者有辦法親自經手處理，因此變現時間與利潤往往是

酒、甚或每一桶酒的市場不盡相同，必須將它們當作獨立的個體來研究，

不可預期的。

這增加了投資的難度，但同時也增添了收藏的樂趣。 撇除威士忌本身，所有投資都是有風險的，必須廣納專業人士的看 法，但自己也需要做足功課，祝福所有人都能在威士忌的市場中找到屬 於自己的投資心法，享受威士忌的美好，亦能享受它所帶來的投資價值。

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[ WINE ] Last weekend, I went out with friends to a whisky bar for a drink.

K, a new mother who hadn't had much me-time recently, was tongue-tied when faced with the plethora of whisky labels on the shelf.

"How can there be so many new brands I've never seen before? I've only refrained from drinking for the last two years. Are there this many new distilleries?"

Well, yes and no. Nowadays, even experienced collectors may not be able to identify all the brands listed at a liquor store because of so-called independent bottlings (IB).

In a previous article, "Torn between Independent Bottling and Official Bottling,"we have introduced how IB differs from official bottling (OB) in that IB factories usually do not distill and produce whisky; rather, they purchase whisky from distilleries and bottle the whisky then paste on their own labels for sale.

OB's core range products emphasize the true spirit of a distillery; consistent and classic. IBs do not share such a burden. They focus on allowing each barrel of whisky to express its own unique style and provided with a large enough warehouse to store whisky. IB producers can both store whisky for an unimaginably long time and break longheld traditions. In a time when blended whisky are fashionable, they can launch a single malt whisky of the original intensity or place the distilled spirit into a bourbon cask that once only served for containing sherry.

These trials allow even more possibilities for whisky as well as greater fun and surprises for consumers to discover and to encounter.

"DRINK IB, COLLECT OB": HOW DOES ONE PICK AN IB THAT IS WORTH COLLECTING? A decade ago, several collectors raised the slogan, "Drink IB, Collect OB." At that time, IBs were typically cheaper than OBs. However, general consumers were unfamiliar with IBs and because of its uneven qualities. This, however, suited collectors who are familiar with the classic tastes of individual distilleries very well. Searching for IBs to them are digging for treasures.

However, in the recent decade, consumers worldwide have increased their understanding of whisky. Moreover, as whisky prices continue

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1939年出生於義大利的Silvano Samaroli是歷史上第一位非英國籍的威士忌業內人士， 1968年成立Samaroli公司，一開始以進口作業為主，1979年推出第一個dumpy Cadenhead bottlings系列酒款，精湛的眼光和嚴格的挑桶程序自此開創了屬於Samaroli 的威士忌界傳奇，旗下所有系列酒款都受到威士忌老饕們的肯定，在WhiskyBase全球威 士忌排名的前10強中Samaroli更攬下6個席次，選酒功力無庸置疑。

miscellaneous IB products, bottlers who are able to consistently select high-quality products showcase their taste and power as well as their devotion towards sustainably managing their brand. When bottlers gain supporters worldwide, they can even come to be viewed as an independent brand like a distillery. For example, the Italian Independent Bottler Samaroli became well-known worldwide because of his exceptional ability in selecting high-quality whisky. It has won the affirmation of whisky collectors ever since 1979. On Whiskybase, a global whisky information website, 6 of its bottles are ranked in the top 10.

From which distillery did the liquor come from?

Another key is from which distillery did the liquor in the IBs come from. Regarding several popular OB brands on the second-hand market, such as the Macallan, the marketability of the distillery also affects their IB market. Specifically, when OB prices skyrocket, consumers are more willing to purchase their IB products at a comparatively friendly price.

High rating from whisky critics

to rise, IB prices have begun to catch up with OB's. On more than one

What fascinates collectors yet troubles general consumers about

occasion, IBs have become as out of reach as OBs due to its rising

IBs is that each IB has an unpredictable performance. Therefore, when

prices. However, although IBs have excellent products, when considering

whisky critics rate certain IB products high, consumers have a basic

investing in whisky, we have to admit that in the present-day of second-

understanding and confidence in those products prior to purchasing and

hand market, the price of OBs are obviously more stable and shows a

tasting. Thus, these products will stand out among other IB products and

more steady growth than IBs. As a general consumer, how can we tell if

become more favorable of collectors.

an IB has the potential to increase its value?

Age and Whisky from early age

Reputable Bottlers

When discussing drinking and tasting, the age of a bottle does

The most critical key is to select reputable bottlers. Among

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not directly relate to its quality. However, from the view of collecting

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and investing, age is absolutely a key factor for both OBs and IBs.

Besides ensuring a stable source of whisky, Independent Bottlers also

Especially higher-age whisky are comparatively rare now and the market

continue searching for more possibilities. In the past, they sought single

is flush with products less than 10 years of age. Besides, we can observe

cask and super high aged whisky. Nowadays, Duncan Taylor experiments

that there is an increasing demand for whisky that distilled in 1970s and

with different woods, cask shapes, and distillates, whereas SMWS keeps

1980s. We have to understand that although single malt whisky and single

searching for and developing single barrel liquor from other countries,

cask whisky seem to be the mainstreams now, IBs have already become

hoping to find more interesting and unusual features to attract consumers.

expert of single malt and single cask in the 1980s. Therefore, it is possible

IS IT GOOD BUSINESS FOR ONE TO GET AN ENTIRE BARREL AND THEN BOTTLE THE CONTENTS?

to find single cask Independent Bottling products distilled from 1970s or even earlier that OBs can no longer offer. These demands made single cask IB products bottled before 2000 extremely popular at present.

However, individual bottlers also face tons of problems nowaday.

For example, noticing the single cask market trend, an increasing number of distillers have entered the competition with an emphasis on whisky variations. Similar to products of numerous independent bottlers, these single-barrel products and small-batch single malt whisky have marketed their uniqueness as a selling point. Independent Bottler that previously monopolized the single cask market are facing frustratingly fierce competition. In the meantime, distillers have started to neglect Independent Bottler they used as agents in the past and have begun to directly provide consumers with service option of buying entire barrel or bottling for consumers. These changes have substantially reduced the opportunities for Independent Bottler to obtain barrels of whisky.

As a result, we are seeing an increasing number of young IBs and large Independent Bottler crossing over into distil business. For example, in 1993, Gordon & Mcphail purchased Benromach Distillery. In 2002, Signatory acquired Edradour winery, and Adelphi acquired Ardnamurchan. ▼

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"IBs make so much money. Why don't we get a barrel and sell it ourselves?"K exclaimed excitedly.

"You're blinded by the need for diaper money,"the rest of us laughed.

In light of the drastic growth of the IB market, some experienced consumers have considered the possibility of getting a barrel and bottling the contents themselves. Some people are fascinated by the process, enamored of the idea and sense of achievement from selecting a cask from dozens or hundreds of samples, and of the thought of establishing their own unique style of whisky. Some people believe that gifting whisky bottled from a barrel they themselves selected is interesting and meaningful. Some think that obtaining a barrel, bottling the contents, and selling the product makes for good business.

However, getting a barrel involves investing a lump sum of money all in one go and hidden problems are abound. Specifically, when barrels whisky are in high demand at present, whether one can obtain good quality barrels requires connections and the ability to select outstanding whisky from limited samples.

成立於1895年的Gordon & McPhail原為食品雜貨行，是蘇格蘭獨立裝瓶廠的先驅之一，以超過萬桶且跨越蘇格蘭各產區的驚人原酒藏量最為人所津津樂道。與其他裝瓶廠最不一樣的是， Gordon & McPhail不僅強調其選桶能力，更主打自行入桶陳年的技術與實力，打從二十世紀初便開始收購具有特色的橡木桶，並向各個酒廠購買剛剛蒸餾出來的新酒自行入桶陳年，因此常能 有跳脫蒸餾酒廠思維的大膽創新之作的產生，每一位威士忌愛好者都能從Gordon & McPhail多元的產品中尋到自己的心頭好。

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[ WINE ] In addition, consumers normally do not have the opportunity to

information, or stocks which one can refer to their company's financial

contact distillers directly. Therefore, bottling operations typically

reports, the price of single barrel whisky lacks references that the general

require an agent at the production site or at the storage site to supervise

consumers can obtain. It also lacks a clear evaluation and pricing system.

the operation of pouring the whisky into bottles, attaching a label, and shipping to buyers. The process is long and tedious. Moreover, it is hard to tell if all the information is accurate and transparent during bottling and labeling. For example, whether the whisky inside the bottle is exactly the same as the sample you selected, and whether the number of final bottles is accurate can be questionable. This requires absolute trust in the agent.

Things to consider for people who wish to get their personal bottlings in the market are a bit more. For example, do you want to focus on the quality of the whisky or its label? Also, does the individual or the company that bottled the whisky have enough brand power for consumer to make a purchase without having to taste it first? Some small bottlers have used eye-catching labels to attract public's attention. Some bottlers have submitted their products in competitions to gain rating from opinion leaders and whisky critics. These approaches have yielded favorable results in the past. However, in today's fiercely competitive market, consumers have found those approaches banal.

For collectors, when choosing a bottle for collection and investment, they must realistically consider the whisky's quality, scarcity, and monetization ability on the second-hand market.

Also, compared to general financial investments, because whisky barrel investment is a relatively new industry, there is no existing method to measure its ROI. Barrel whisky compared to bottle whisky has a relatively weak liquidity and a longer cycle. Moreover, the transaction cannot be handled by general consumers themselves. Consequently, the time for realization and the profit are unpredictable.

Ambiguity of Ownership Before the whisky barrel invested bottled or sold, it must be stored in the warehouse of the production site or at a bonded warehouse for several years to several decades. The transfer of ownership of the barrels and transactions must undergo comprehensive and nationally licensed registration and transfer operations. The ownership transfer certificate provided by the agent company usually is not legally binding. Thus, to be able to ensure from a distance, that the ownership of a barrel is indeed transferred, is a key point in investing in barrels. However, this process is extremely tedious. Most small or intermediate dealers do not involve this transfer process in their procedure. If unfortunately, before this barrel sold and made profit, the dealer declares bankruptcy, consumers may not be able to regain their assets due to ambiguity of ownership.

ALTHOUGH BUYING A BARREL AS AN INVESTMENT HAS BECOME A TREND, ITS HIDDEN COSTS AND RISKS ARE HIGH

Investing in whisky barrels requires a long period of time and a lot of patience. As an emerging industry with relatively vague regulations, it is paramount to find a trustworthy agent and investment company. Agents

"Given that aged whisky is so valuable nowadays, how about I buy a

using bottle whisky ROI data to promote barrel investment often advertise

young cask, store it for some 50 or 60 years, and then bottle it? Much like

untruthful information. And for those agents who recruit investors by

purchasing real estate, I can sell it sometime in the future. The ROI should

promising a certain amount of return, consumers should be alarmed. The

be good,"asked R, a friend who works at an investment bank.

market is full of traps and scams, and products that require a long time to

Indeed. Considering the booming whisky market in the past

realize and to gain profit are especially so. Buyers often take years to realize

decade, with whisky prices skyrocketing, and aged whisky receiving

that they were scammed and that´s the situation no one wishes to fall

special attention from collectors, many people have wondered about the

victim to.

possibility of buying barrels as investments.

"Buying a cask and selling the bottle is risky. Buying a barrel as an

To date, the methods of buying and selling whisky barrels as

investment is also risky. Guess we'll just have to be pragmatic, work to

investment are diverse, ranging from buying an actual barrel and storing

earn our money and just enjoy drinking!"said the disheartened K as she

it in the distillery or a bonded warehouse, to purchasing part of the value

tossed back the whisky in her hand.

of an whisky barrel or purchasing the investment portfolio of several

Compared to normal financial products, whisky is an interesting

barrels…etc.. These methods of investment emphasize the idea of whisky

alternative investment. Each bottle and each cask have different markets

becoming increasingly valuable with time.

and has to be viewed as independent individuals. This increases the

However, the risk involved with purchasing oak barrels is even higher than simply buying a barrel and bottling them right away.

Whisky aside, all investments involve risks. Investors must consider

Pricing system is not Transparent and Profit is Unpredictable First of all, unlike real estate, which has actual price registration

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difficulty in investment, as well as the fun in collection.

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opinions from professionals, and they must do their own study. Hope everyone can enjoy the beauty of whisky while the investment value it brings.

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回饋自然的藝術 "PLEASE STAND BY"

Text / 方紅

Photo / Studio Marlène Huissoud

法 國 設 計 師 M a r l è n e H u i s s o u d 用 她 的 第 一 把「 椅 子 」 要求人類 "Please Stand By"" 請待命 "， 這些椅子旨在成為昆蟲的避難所。 " P l e a s e S t a n d B y " ，由 一 系 列 椅 子 或 " 旅 館 " 組 成 ， 供獨居蜜蜂、黃蜂和蝴蝶等傳粉者使用。 42

[ ART ] " 藝術不是一面反映現實的鏡子，" 貝托爾特．布萊希特寫道，" 是一 把錘子去塑造它。" 昆蟲種群的全球科學回顧顯示，近來超過 40% 的昆蟲物種正在減少， 三分之一瀕臨滅絕，「昆蟲的總質量每年下降 2.5%。」人類很自私。一直 都在消耗使用親愛的星球資源。但現在不是哭泣的時候，而是該行動了。 畢業於倫敦中央聖馬丁藝術與設計學院的材料期貨碩士學位的 Marlène Huissoud，從此開啟了對昆蟲的探索。被選為英國未來設計新星之一的這 位創新實驗藝術家以挑戰自然資源特性的「創作」，質疑人和自然的關係。 "Please Stand By" 這項藝術創作，不僅是結果，而在於完整創作的過 程，希望能著眼於回饋自然，尤其是倫敦的野生昆蟲。在倫敦國王學院科 學家協助下，Marlène Huissoud 聯手以有機和可持續設計建造昆蟲的新家 園。透過為倫敦市野生動物創造棲息地，幫助昆蟲在城市找到避難所、築 巢和冬眠，以保護並找到適合生存的環境。 像功能性「雕塑」的作品由天然黏土製成，選用昆蟲會受到吸引的顏 色，再塗以天然黏劑以免受天氣影響。以反映自然界中真實狀況。這些淺 灰色和深色調的雕塑作品是為自然界傳播花粉者，例如獨居的蜜蜂、黃蜂、 蝴蝶…而建造的「旅館」。透過這些人造結構的庇護所，旨在鼓勵花園中 生物多樣性並提高生態系統的生產力。

Marlène Huissoud 在設計、藝術、建築、科學和材料創新的多 個交叉領域在概念和美學上引人注目的作品中，使用有機、生物和可 持續材料的運用，開發了她的 Cocoon 系列。 法國阿爾卑斯山的鄉村長大 Marlène Huissoud，被父親養蜂的 活動所包圍，不但影響她研究蜜蜂樹脂材料的可能性。最終也為她作 為探索包括蠶繭和其他昆蟲的「創作」。 Marlène 評論說，我將昆蟲與我的工作結合起來，以幫助我們更 了解其他物種：這個星球上並不孤單，看起來我們已經忘記了這一點。 昆蟲對我們來說至關重要。她將她的作品描述為 " 昆蟲世界的慶 典 "：在不斷探索城市景觀中的昆蟲棲息地的狂歡中，我想要慶祝昆 蟲世界的美麗；希望在親愛的星球上，昆蟲有更多的空間。 經過研究和跨行業合作，Marlène 設計了一種使用數千個蠶繭的 材料，這些蠶繭塗有一層薄薄的深色天然蜜蜂生物樹脂作為雕塑家具 作品中層結構。她還將蠶繭與蠟工藝相結合，製作出青銅製品。俏皮 形狀和雜色表面的椅子帶動了家具功能的極限，並突出實驗設計的可 能性。 2018 年 獲 得 AI(AI Global Excellence Award) 商 業 卓 越 獎 的 Marlène Huissoud 以創新實驗藝術家身分的作品在世界各地，如倫 敦維多利亞和阿爾伯特博物館、紐約商會、巴塞爾邁阿密設計博物 館、巴塞隆那、斯德哥爾摩、米蘭和維也納等設計博物館展出。

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NATSUKO S 44

[ CUISINE ]

庄司夏子

飲 食 男 女

『亞洲最佳女廚師』

的時尚甜點

Text / Ethan

Photo / 亞洲50最佳餐廳

深信美味，也應該兼具令人愉悅視覺官感； 受到時尚啟發的日本主廚庄司夏子（Natsuko Shoji）， 發揮敏感細膩女性特質的創意甜點， 賣相時尚而精緻，獲選『亞洲最佳女廚師獎』。

SHOJI 45

被喻為每道菜或甜點就像藝術創作的庄司夏子，獲得 一致評語：「細節執著以及豐富的創造力，並巧用季節食 材，將時尚與美食融為一體。」取材時尚創意的廚藝，也 恰如其分地彰顯日本料理的完美主義。 庄司夏子從經典時裝及設計師手袋為靈感的一系列招 牌創意甜點，其中起司梨蛋糕靈感源自 Louis Vuitton 的 Damier 印花，以及讓人聯想 Chanel 皮包獨特菱格紋線的 蜜桃蛋糕，在競爭激烈的東京餐飲業享有盛名。而善用時 令食材，採用日本佐賀雪兔白梨、德島佐那河櫻花或岡山 清水白桃等當令水果入味的點心，刻意盛在黑色盒子裡， 宛如精緻的珠寶，夏子別出心裁的點子，把甜點推向時尚 的意境，無人能出其右。

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[ CUISINE ]

2020 年 度 榮 獲 由 Valrhona 贊 助 的「 亞 洲 最 佳 糕 點 師 」（Asia's Best Pastry Chef Award） 的 庄 司 夏 子， 已 被 認 證 為 烹 飪 界 新 星 之 一。 因 高 中 時 期 製作泡芙而萌生對烹飪藝術興趣的她畢 業 後， 加 入 東 京， 以 前 衛 風 格 著 稱 且 屢 屢 在「 亞 洲 50 最 佳 餐 廳 」 榜 上 有 名 的 法 式 餐 廳 Florilège 展 開 職 業 生 涯， 跟 隨 Florilège 主 廚 兼 創 辦 人 川 手 寬 康 （Hiroyasu Kawate）鑽研學習，巧手慧 心的她，三年內就晉升為副主廚。

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累積經驗的庄司夏子在東京澀谷開設 Été（意指法文中的「夏 天」）甜點店是 2014 年的事，但旋即獲得熱切關注，沒多久就升格 為一間四人座，但僅限受邀食客開放的餐廳。接續 Été 擴建為六個座 位專屬餐廳，但仍一位難求。精心設計的十道菜季節性菜單細膩精 緻，涵蓋鹹味餐點以及著名的甜品；包括招牌菜——鹹蛋撻配北海道 海膽和米莫萊特起司、馬頭魚配白蘆筍湯和毛蟹蟹肉、和牛配松露 醬和骨湯汁。讓登門的食客不得不對料理的創意和滋味，拍案叫好。 日本餐飲界很傳統，女廚師仍屬少數。庄司夏子希望她的獲獎， 能激勵更多女性廚師。同時透過她對甜店的創意，感受美食正在發生 的時尚效應。由亞洲 50 最佳餐廳」(Asia's 50 Best Restaurants) 300 位評審委員會成員投票選出的「亞洲 50 最佳餐廳」今年是第十屆， 2014 年，台灣陳嵐舒也曾獲得過亞洲最佳女廚師的榮譽。

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[ CUISINE ]

同場加映 2022 年度「亞洲 50 最佳餐廳」榜首

東京餐廳 DEN 位於東京，主廚兼老闆長谷川在佑的 Den 餐廳獲頒「亞洲 50 最佳餐廳」2013 年以來第一間登上榜首的日本餐廳。

2022 年度「亞洲 50 最佳餐廳」名單創紀錄的 16 間新上榜

餐廳，日本以 11 間上榜的優異成績領先其他地區。

T O K Y

J A P A N

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HOTEL CHÂTEAU DU GRAND-LUCÉ 法式新古典主義 Text / Janet Lee

Photo / Hotel Château du Grand-Lucé

Hotel Château du Grand-Lucé 是一間位於法國盧瓦爾河谷，擁有迷人歷史的浪漫酒店。 而這座外觀如十八世紀的城堡， 被認為是法國新古典主義建築的最佳典範之一。

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[ LIVE ]

1750 年，雅克．皮諾．德．維也納三世男爵 (Baron Jacques Pineau de Viennay III) 委託建造 大露西城堡 (Château du Grand-Lucé) 時，他想要一座擁有當時所有現代舒適設施的鄉間別墅。幾 個世紀以來，這座幾經易手的城堡，在第一次世界大戰期間成為醫院，第二次大戰則成了羅浮宮 畫作的秘密藏身處，最近終於成為設計師蒂莫西．科里根的私人莊園。一直保持不變且完好無損 的建築——被認為是法國新古典主義建築中保存最完好的例子之一。

51

作為酒店在盧瓦爾河谷開業，面向法式花園和遠處的 湖泊的 17 間客房非常優雅的，而經過精心修復的古董內飾 的餐廳由建築師 Mathieu de Bayeux 於 1764 年完成。作為 夏 宮， 業 主 Baron Jacques Pineau de Viennay 不 惜 一 切 代 價，請來藝術家 Baptiste Pillement 操刀。仿彿是 18 世紀 和 21 世紀的無縫融合，一面將酒店打造成一座樸實古典的 城堡，同時不遺餘力地保留室內華麗的裝飾。

古典主義花園 花園被原始的中世紀城牆所環繞，大露西城堡的私人 場地和花園感覺就像一個真正的王國，位於盧瓦爾河谷的 北部地區。忠於法國古典主義，並受到凡爾賽花園的啟發， 城堡的花園設計在南北軸線上，正式的花園最靠近城堡， 而在靠近樹林的地方逐漸變得不那麼結構化。經典的花園 是秩序和對稱的輝煌壯舉，結構近乎完美。

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[ LIVE ]

有機餐廳 + 男爵酒吧 Hotel Château du Grand-Lucé 的美食體現了一種巧妙的現代方 法，以提升從農場到餐桌的用餐方式。受到城堡有機種植園的時令 農產品的啟發，不斷變化的菜餚絕對是法式的，而且非常新鮮。 毗鄰的 Le Lucé 是一家酒吧，這個引人注目的空間建於大露西 城堡的前維也納男爵雅克皮諾男爵的私人小教堂內。為了紀念在 18 世紀後期建造城堡的 Baron de Lucé，及法美合作夥伴關係，酒吧 以男爵的英文名字命名，帶有美國風味。

皇家馬厩婚禮 Château du Grand-Lucé 也是舉辦任何活動的絕佳地，更是舉辦 婚禮的迷人場所。為貴族而建，城堡和場地令人嘆為觀止。古典法 式花園的對稱和精確，再加上四萬五千平方英尺城堡的十八世紀新 古典主義建築，非同凡響。 以馬厩為基地而設計的皇家宴會廳可以在任何天氣條件下舉辦 活動。宴會廳原有的 12 英尺高的窗戶披上了以花園綠色為靈感訂 製顏色的 Pierre Frey 天鵝絨，華麗的法國橡木 point de Hongrie 地 板，並安裝了華麗的水晶吊燈和燭台，從而無與倫比的宏偉。 80 英畝的盧瓦爾河谷美景 - 有湖泊、草地、歷史悠久的白橡 樹林－被中世紀城牆環繞。城堡酒店擁有令人驚嘆的橘園、工作溫 室、帶游泳池的異國花園、路易十五國王贈送的雕像、多個庭院、 露台和秘密花園。從規模宏大的盛大婚禮到花園中的小型晚會，進 駐 Hotel Château 擁有無限可能。

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巴黎蒙田大道

DIOR 30 MONTAIGNE

號

30 Text / 袁青

Photo / DIOR

「顛覆時尚界的 New Look」 就是於此誕生， 延續著歷史建物的記憶， 儼然是巴黎高級訂製服 的精神象徵。

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[ FASHION ] 原名為「hôtel particulier」的傳奇宅邸，自 1946 年 開始成為 Christian Dior 的總部， 75 年間見證 Dior 品牌 的蓬勃發展，某種程度也代表巴黎優雅格調和高級訂製 服工藝的源頭。 Christian Dior 先生說，「我在這裡起家，捨此無它」。 「非蒙田大道 30 號不可！」由建築師 Peter Marino* 主導的修繕工程，融合新古典主義與現代風格的純粹， 重塑後，這座總面積超過 10,000 平方公尺的七層樓建築 匯集各種可能和夢想，從高級時裝到香水、皮件到珠寶， 再從藝術及高級訂製服，建構起屬於 Dior 的王國。Dior 珍貴的遺產將品牌 DNA 淋漓盡致地展現於此。尤其首次 設立的「高級珠寶工坊」，體現品牌至今在各個面向仍 保有影響力的時尚歷史地位。

CHRISTIAN DIOR

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至於，紀念一生熱愛藝術文化的 Dior 先生的 La Galerie Dior「迪奧藝廊」展覽空間記錄 Christian Dior 及 6 位 繼 任 者：Yves Saint Laurent、Marc Bohan、 Gianfranco Ferré、John Galliano、Raf Simons

和

Maria Grazia Chiuri 的經典服裝、原始手稿和檔案文 件。 1955 年秋冬高級訂製服系列中的 Soirée Brillante 晚禮服，和以迪奧先生愛犬 Bobby 為主題的 1952 年 Miss Dior 香水瓶，幾乎是一部時尚史。 嶄新建築結構下的精品旗艦店，點綴著藝術品， 包括數件令人驚喜的獨創作品。遊走每個房間，處處 可見源自品牌基因的法式印花，或騰籐格紋等經典為 裝飾的創意，一路延伸到由法籍主廚 Jean Imbert 的創 意 Le Restaurant Monsieur Dior 餐 廳 和 La Pâtisserie Dior 甜點坊，最後來到景觀設計師 Peter Wirtz 與建築 師 Peter Marino 聯手設計的花園，很難想像在這裡你 還會遇見什麼 LUCK 的好事。

LA GA L E RI E D IO R 56

[ FASHION ]

L A SUI T E DIOR 從迪奧先生第一間辦公室到 訂製服發表秀，踏上伸展台前模特 兒整裝之用的小房間，彷彿時光重 溫法國時尚的光采。如果這一切還 不足以滿足朝聖心情，也許可考慮 入住「La Suite Dior」，一把通往 Dior 套 房 的 鑰 匙， 不 失 為 享 受 法 式待客藝術，非常「迪奧」的體驗。

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美 味 美 學

首爾的春天很「古馳」。

GUCCI OSTERIA DA MASSIMO BOTTURA Text / Eddie Yuan Photo / Gucci

隸屬 GUCCI 旗下的

Gucci Osteria da Massimo Bottura 餐廳， 擁有相同的價值觀和原則。 為推動傳統義大利美食增添創意、趣味和性感， 同時融入其地在地文化和美食的多樣性特色， 享受獨特的用餐體驗。

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[ LIFE ]

關於 Gucci Osteria da Massimo Bottura Gucci Osteria da Massimo Bottura 為 Gucci

Osteria 旗下的餐廳品牌，每一家店裝體現古馳當 代美學，在兼顧創意、優雅感、趣味性與感官享受 的風格的店裝下，推崇一致的義大利烹飪哲學體驗。

地址：Gucci Osteria Seoul da Massimo Bottura, 223 Itaewon-ro, Yongsan-gu, Seoul, South Korea 預定官網：gucciosteria.com/en/seoul 電話：+(82) 27951119 營業時間 午餐：周一∼周日：11:30 am - 4:00 pm (last order 2:00 pm) 晚餐：周一∼周日：6:00 pm - 10:00 pm (last order 8:00 pm) 餐前酒：周一∼周日：4:00 pm - 6:00 pm

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全球第四家 Gucci Osteria da Massimo Bottura，位於首爾 梨泰院 Gucci Goak 旗艦店頂樓。這將是 Gucci 繼美國比佛利山 莊的 Rodeo Drive 和東京銀座 Gucci Namiki 之後，在義大利海 外開設的第三間古馳當代義大利餐廳。 菜 色 由 國 際 知 名 廚 師 Massimo Bottura（ 米 其 林 三 星 級 Osteria Francescana 的負責人），行政總廚 Karime Lopez（2020 年 榮 獲 米 其 林 一 星 ） 搭 配 首 爾 行 政 總 廚 和 主 廚 聯 手 開 發。 包 括 Gucci Osteria 招 牌 菜 式， 例 如 傳 奇 的 Emilia Burger 和 Tortellini with Parmigiano Reggiano Cream。 還 有《 首 爾 花 園 Seoul Garden》 和《亞得里亞海的夏天 Summer in Adriatic》兩 道以義大利菜餚為靈感並佐以韓國時令的創意料理也很叫座。

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[ LIFE ]

Gucci Osteria Seoul 餐廳精心打造的室內設計靈感來自最初

Gucci Osteria Seoul 設 有 官 方 網 站 並 提 供 融 合 義 大 利 和 韓 國 文 化

始的佛羅倫斯餐廳樣本，參考了義大利文藝復興時期和 Gucci 不

菜單的預訂服務。一樓設有客人專屬通道，主餐廳可容納 28 位客人，

拘一格的美學組合。入口處，客人就己沉浸在被充滿活力的綠色

露台可容納 36 位客人，供應午餐、晚餐和義大利餐前酒；還有包括近

牆面包圍，從木製鑲板到露台的格魯吉亞酒吧露台門，喚起冬季

200 種的酒單和各式各樣雞尾酒等飲料。

花園的氛圍。在主空間，一張華麗的長椅和孔雀綠天鵝絨椅子與 烏木餐桌相得益彰，恰和露台上明亮景色形成和諧的對比。

此 外，Gucci 餐 廳 採 用 Richard Ginori 瓷 器 精 心 打 造， 飾 以 Gucci 黃色臘葉印花圖案的系列餐瓷都有販售。靈感源自復古織物的櫻桃枝

象徵意義的星星不斷反覆出現在大廳的天花板燈、手工鑲嵌

條、葉片和花朵組成的印花設計圖案的古馳餐具，美得令人玩味再三。

的鑲木地板和露台彩色大理石馬賽克中，成為餐廳的一個有趣的

客人很樂意把《古馳版》米其林等級的用餐體驗帶回家去回味和享受。

大亮點。也令人感受到一種遵循 Gucci 風格美學的延伸。

（目前台灣 Gucci 專門店也買得到 Gucci Osteria 的精緻餐瓷。）

隱藏在彩色玻璃門後面的是一個豪華的私人包廂，最多可容

坐鎮首爾古馳餐廳的名廚 Massimo 說得好：「每家 Gucci Osteria

納 8 位客人。名為「鏡室 Room of Mirrors」的房間，飾有華麗

都有一個不變的使命：將義大利美食與其他全球在地的食物和農產品交

的古董壁鏡、烏木壁板和 Gucci Décor 系列 radura 壁紙，提供私

融在一起。就像在義大利，將時尚和食物都視為文化的一部分，相信很

密的用餐環境。

快全球會因為古馳餐廳的進駐感染這份熱情。」

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