半影——
Penumbra—Imagination Revives Body
简介
Introduction
01
讲座
Lectures
05
工作坊
17
Workshops
关于瑞象馆
About Ray Art Center
瑞象馆青年扶持计划
Ray Art Center Youth Project
24 25
简 介
瑞
象校园系列活动是瑞象馆向高校学生以及社会公众普及影像相关知识和思想，培育视
共空间时的影像生产。与此同时，另外三位学者将以工作坊的形式展开工作。在这个部分中顾铮
觉修养而推出的年度项目。该项目以不同领域中的影像为研究对象，从影像的生产、
关于“地方与身体”的工作坊将以现象和文本研究相结合的方式展开；身为剧场实践者的张献带
传播、接受和阐释等各个角度，组织跨学科的讲座和工作坊，并于一年内在不同城市的9-10个高
来的是“想象复活身体”的话题，试着从语言和身体的互动来探索个体获得解放的可能性；而赵
校中展开。在去年一系列关于影像本体的讲演之后，高校系列活动的主题开始细化到影像研究的
川的“劳动”工作坊结合文本研究和影像实践，让参与者通过对“劳动”中的身体的考察来进一
各个理论分支，这不仅将进一步深化我们对影像的讨论，同时也将讨论向其他学科和领域扩展并
步认识社会。上述这些优秀学者在自己领域的研究、写作和教学之外，都有着丰富的策展、批评
展开互动。
以及创作经验，这也将为系列讨论研究活动带来宝贵的理论和实践基础。
结合瑞象馆2015年各项活动的整体规划，今年高校系列活动将围绕“性别、身体、影像”这一主
在去年的讲座行中，我们的工作得到了各个高校和艺术机构的鼎力支持，借此机会再次表示深切
题展开。该系列活动的视野不仅将覆盖当代艺术创作中对“性别和身体”的讨论、社会生活中各
的感谢。而今年我们将继续同复旦大学、深圳大学、陕西师范大学、湖北美术学院、浙江大学、
类图像里所呈现的相关内容，同时还涉及身体行为本身对行动主体的意义。我们期待通过对上述
厦门大学、清华大学等9所高校的院系或社团机构合作，没有他们的无私帮助，也就没有这样的
领域的考察来探索人们对自己的认知和对他人的观看，并试着揭示其背后深植于人们脑海中的观
知识分享和互动。另外，值得一提的是，今年我们首次推出了工作坊的形式，我们希望藉此能让
念，以及形塑这些观念的社会权力关系。
学者与受众实现更为深入的交流，甚至相互促进，更直接地促进新知识的产生；而诞生在这3个 工作坊中的优秀方案还有可能得到“瑞象馆青年扶持计划”的资助，在未来继续推进和完善其研
在过去数十年间“身体和性别”研究已经积累了丰富的成果，我们希望能借用这些成果更多地展
究和创作项目。
开对当代中国现实的深入反思，同时也让国内学者的一些最新工作有所呈现。今年我们有幸邀请 到了六位学者带来了角度各异的讲座活动，其中林路、张真和张念的讲座着重在性别和影像的关 系；而郭力昕、朱盈桦和克里斯托弗·康纳利（Christopher Connery）将更多阐释身体介入公
01
02
R
ayChat on Campus is an annual program initiated by Ray Art Center. It aims to generalize the image
his “Space and Body” workshop will be implemented through an integrated approach combined with
related knowledge and ideologies to the college students and the public and to cultivate the public’s
phenomenon studies and textual analysis; Zhang Xian, as a practitioner in theater space, will bring us
sense of visual aesthetics. The program examines images produced in different areas. A series of interdis-
a workshop named by “Imagination Revives Body”, in which the possibility of individual liberation will
ciplinary lectures and workshops will be given in 9-10 different universities across the country in this year,
be explored through language and body interactions; the “Labour” workshop of Zhao Chuan involves
from various perspectives as image production, promotion, acceptance, and interpretation. Based on last
textual analysis and image practices within. By way of examining the “labouring” bodies, it aims to help
year’s lectures featuring image ontology, the theme of RayChat on Campus series has been elaborated
its participants to develop a further understanding of the society. Except for their outstanding achieve-
into various branches in image studies. It would not only facilitate a profounder discussion on images, but
ments in researching, writing, and lecturing in their own fields, all these scholars are also experienced
also expand our discussion into other disciplines and areas for interactions.
in curating, critiquing, as well as creating. This will provide us a precious basis for the event series and relevant researches both theoretically and practically.
Considering the overall programming of the Ray Art Center in 2015, the RayChat on Campus series of this year will be implemented around the theme of “Gender, Body, Images”. These events will not only
In the course of the last year’s tour, we received great support from a number of universities and art
involve discussions on “gender and body” in the contemporary art spectrum as well as the relevant con-
institutions, and we want to take this opportunity to extend our gratitude to all of them. This year we are
tent presented by various images in social life, but they also look at the significance of physical behaviors
going to work with nine universities and organizations to implement the event series; they are Fudan
in its relationship with the subject of actions. By examining the above-mentioned aspects, we expect a
University, Shenzhen University, Shaanxi Normal University, Hubei Institute of Fine Arts, Zhejiang Uni-
possibility to explore the mechanism of people’s self-recognition and their watching at others, to try to
versity, Xiamen University, and Tsinghua University. Without their selfless assistance, this special plat-
uncover the hidden perceptions embedded in people’s mind and the social power relations that invent
form for knowledge sharing and interactions would never come into being. Besides, it is also notable
these perceptions.
that the form of workshop is also adopted in our program for the first time, by which we want to facilitate profounder communication between the scholars and the audience, to realize mutual improvements,
Researches on “body and gender” have already gained abundant achievements in the past few decades.
and to foster the generation of new knowledge in a more direct way. Excellent projects come from the
With the help of these achievements, we want to foster more in-depth reflections toward the realities of
three workshops will have the chances to receive financial aids from the Ray Art Center Youth Project
contemporary China and to present the latest accomplishments of the domestic scholars at the same
to continue and improve their researches and creative projects in the future.
time. In this year, it is our great honor to have six renowned scholars bring about six lectures from different perspectives. Lectures given by Lin Lu, Zhang Zhen, and Zhang Nian will emphasize the relationship between gender and images, while Kuo Li-Hsin, Chu Yin-Hua, and Christopher Connery are tend to examine the image production mechanism in the body’s intervening with the public space. Meanwhile, other three scholars will set up three different workshops to carry their works out. In this part, Gu Zheng and
Introduction 03
04
讲座 Lecture
图像诱惑: 性别观看的罪与罚
时间：4月
图像一览无余，便充满诱惑；通过文艺复兴有关美的教
人，图像也能解放女人，这一切取决于
义，女性形象诞生了。什么是理想的女人，目光判断总
观看权力及其秩序的再生产。谁在看，
是先于语言，于是女人成了图像帝国的原始居民。女人
看见什么，爱神镜子的幻影，自有其感
活在图像之中，从而被排斥在历史之外，图像的命运就
性的逻辑，穿越图像的女人，就获得了
是女人的命运，因此对于理性法则而言，被凝视的女人
颠覆性的力量。
地点：深圳大学 主讲人：张念
充满歧义，正如图像总能让人胡思乱想。图像囚禁女
The Seduction of Images: Crime and Punishment under the Gendered Gaze
Date: April
哲学博士，同济大学人文学院副教授，女性主义批评家。主要研究领
Venue: Shenzhen University
域包括女性主义理论、政治哲学与文化批评。著有《性别政治与国
Lecturer: Zhang Nian
家——论中国妇女解放》，《女人的理想国》，《持不同性见者》，
Images can exhibit everyting in a glance, and are therefore
tions. Images confine women, but they can
full of seductions; by using the doctrines of beauty in Re-
also liberate women. It is all decided by the
naissance, the images of women came into being. What is
power of watching and the reproduction of
the ideal woman? Visual judgments always take precedence
its orders. Who is watching and what is the
over languages on this question. And women have thus be-
object of watching? The reflection in Eros’
come aboriginals in this empire of images. They live in imag-
mirror has its own preceptual logics. And
es, and are therefore excluded from the history. The destiny
women who go beyond the confinement
of images are the destiny of women. In regard to the rule of
of images would acquire the subversive
reason, women under the gaze are full of ambiguoties, just as
power.
《不咬人的女权主义》。
Zhang Nian is a PhD, feminist critic and associate professor at the School of Humanities, Tongji University. Her major research interests include feminist theories, political philosophy, cultural critiques, etc. She is the author
张念 Zhang Nian
of Gender Politics and State: on Women’s Liberation in China, Women’s Utopia, Dissidents About Sex, and Toothless Feminism.
images always generate fantasies and unpractical imagina-
05
06
讲座 Lecture
性别的价值呈现 与影像定位
时间：5月
性别的价值呈现，主要集中在女性的意识觉醒上。虽然
程中，一鸣惊人。国际互联网的出现，
早就有人归纳过近代欧洲思想的三大觉醒：人的觉醒，
数码相机的使用，恰到好处地为他们提
女性的觉醒，儿童的觉醒；但显而易见，女性在艺术上
供了表现的全新空间。
地点：陕西师范大学 主讲人：林路
的觉醒却是“千呼万唤始出来”，姗姗来迟。如今，现 代艺术领域中的“夏娃”们义无反顾地选择了现代科技 作为成功的传媒，试图在颠覆传统样式的话语霸权的过
The Value Presentation And
Date: May
上海师范大学教授，摄影专业硕士生导师。上海市摄影家协会副主
Image Orientation Of Sexuality
Venue: Shaanxi Normal University
席，上海翻译家协会会员，艺术策展人。
The value representation of sexuality is primarily manifest-
effort to subvert the traditional discourse
ed on the awakening of female’s consciousness. Although
hegemony. The emergence of Internet and
the idea of “three major awakenings” in modern European
the using of digital cameras have properly
humanities—the awakening of human beings, the awaken-
offered them with a brand new space for
ing of female, and the awakening of children—has already
expression.
been raised in an earlier time, the female’s awareness in arts is obviously a belated occurrence happens much later than it should have been. Nowadays, those “Eves” in modern art circle have unhesitatingly chosen modern technol-
Lecturer: Lin Lu
已出版摄影理论和技术专著以及画册90多本，发表摄影文章数十万 字。曾获得第四届、第五届中国摄影金像奖，2004年9月获得由全国 高校联合会评选的“中国摄影教育优秀理论奖”。
林路 Lin Lu
Professor at Shanghai Normal University; graduate advisor for photography studies. Lin is also the vice chairman of the Shanghai Photography Association, a member of the Shanghai Translators Association, and an art curator. Lin has published works on theory and technique, over 90 catalogues, as well as over 100,000 characters’ worth of articles on photography. He is the recipient of the 4th and 5th Gold Award for Chinese Photography. In September 2004, he received the Outstanding Theories Award from the China Photography Education Awards.
ogy as a successful medium to astonish everyone in their
07
08
讲座 Lecture
DV制造中国: 数码时代的影像实践与传播
时间：6月
这个讲座基于最近的研究出版成果——纽约大学电影学系
数码时代之后新世纪初期的民间草根群体
张真教授与人类学系司徒安教授合作编撰的、由夏威夷大学
和非主流影像实践，追寻其相关历史，
出版社新近出版的论文集，以及在纽约大学自2001年起
社会和文化背景和语境。此次讲座将会选择
举办的《真实中国双年影展》。
性地介绍文集中美国电影研究和华语电影
上世纪九十年代以降，越来越多的人携拿起便携摄影机观
文化研究领域中的知名及新进学者的有关
察并同时参与各种文化现象和社会实践。以先前的
章节和论述，以此来展示独立和业余电影
第 6 代， 城市一代及独立电影为关键性基础，数码转向为
群体如何激活新旧媒体之间、表演与表现
我们呈现出一个“DV中国”，其中包含了跨越不同社会分层
之间、虚构与非虚构之间、艺术与政治
和群体的电影社群和媒体社群。《DV制造中国》考察进入
之间、中国与世界之间的张力和可能性。
地点：湖北美院 主讲人：张真
张真 Zhang Zhen 纽约大学艺术学院电影学系副教授（兼职历史系），亚洲影媒教研计划创始人，本学年在上海纽约 大学教学。美国爱荷华大学比较文学硕士，芝加哥大学人文博士。博士论文曾获美国电影和媒介研 究协会最佳博士论文奖。专著和编著有《银幕艳史：都市文化与上海电影 1896-1937》（美国现代语
DV-Made China: The Making and Dissemination of Moving Images in the Digital Era
Date: June
This talk draws from the newly published volume, DV-Made
China takes stock of these phenomena
心电影协会和纽约现代美术馆策划组织过中国早期电影经典和“城市一代”电影回顾展，以及创始
China: Digital Subjects and Social Transformations After
by surveying the social and cultural land-
主持纽约大学自2001年起的“真实中国”双年影展。
Independent Film (University of Hawaii Press) that I co-ed-
scape of grassroots and alternative cinema
ited (with Angela Zito) and the more than a decade long
practices after the digital turn around the
“Real China Documentary Biennial” at New York University.
beginning of the new century. The talk, by
Since the 1990s, a growing number of people armed with
way of introducing the select chapters of
She is founder and co-organizer of Reel China Documentary Biennial since 2001, and founder and Direc-
video cameras poured out upon the Chinese landscape
the volume by leading scholars in the field,
tor of the Asian Film and Media Initiative since 2012. Her publications include: An Amorous History of the
to both observe and contribute to the social changes then
illustrates how independent and amateur
Silver Screen: Shanghai Cinema 1896-1937, The Urban Generation: Chinese Cinema and Society at the
underway. Happening upon the crucial platform of an old-
filmmakers energize the tension between
Turn of the 21st Century, and the co-edited volume, DV-Made China: Digital Subjects and Social Trans-
er independent film movement, this digital turn has given
old and new media, performance and rep-
formations after Independent Cinema. Zhang Zhen served on the juries of the Beijing Independent Film
us a “DV China” that includes film and media communities
resentation, fiction and non-fiction, art and
Festival, China Independent Film Fesitival (Nanjing), Shenzhen Independent Film Festival, and initiated
across different social strata and communities. DV-Made
politics, China and the world.
and moderated forums at BIFF and BQFF (Beijing Queer Film Festival).
Venue: Hubei Institute of Fine Arts Lecturer: Zhang Zhen
言协会第13届学首部学术专著竞赛年度最佳推荐奖）（英文版2005；中文版2012）；《城市一代： 世纪之交的中国电影与社会》（英文版2007；中文版2013）；和夏威夷大学出版社出版的《DV制 造中国：独立电影之后的数码影像和社会变革》。曾任北京独立影展评委及论坛发起人和主持，中 国独立影展评委，深圳独立动画双年展评委，北京酷儿影展论坛主席。作为策展人，为纽约林肯中
09
Zhang Zhen is a poet, scholar and curator. She is an Associate Professor in Cinema Studies and History at New York University, and an affiliated faculty at NYU Shanghai in 2014-15.
10
讲座 Lecture
城市漫游: 当代影像中的身体感知
时间：9月
工业革命之后城市迅速发展，各式交通工具的发明，改
布，让当代艺术家以游戏、测量、漫游
变人类身体与时间/空间的关系。20世纪初的未来主义艺
等方法，透过身体的书写，以摄影中场
术家，透过作品呈现身体在移动过程中的观看，吉加•维
面调度（mise-en-scène）的方式，实
尔托夫（Dziga Vertov）的实验电影《持摄影机的人》
验感知城市的各种可能性。
地点：浙江大学 主讲人：朱盈桦
（1929）显示现代生活与机械装置的互作结合；而数字 时代的互联网络，更提出躺椅旅行（armchair travel） 的来临。万花筒般的城市空间提供一张收不起来的画
City Roaming: Body Perceptions in Contemporary Images
Date: September
艺术家、摄影理论研究者。英国西敏寺大学媒体艺术教育研究中心博
Venue: Zhejiang University
士（Practice-Based），伦敦大学金匠学院摄影与城市文化学系硕
Lecturer: Chu Yin-Hua
士，任教于台湾师范大学美术系。现为《机本工》研究员C。
The city’s rush development and the emergence of vari-
canvas for contemporary artists, in which
Chu Yin-Hua is an artist and scholar on photography theories. She re-
ous transportation devices after industrial revolutions have
they experiment and perceive the city’s
ceived her master degree on Photography and Urban Cultures from the
greatly changed the relationship between human bodies
possibilities by taking various methods
and time/space. Futurists in the early 20th century use their
such as play, measure and roam, by using
works to depict the dynamic viewpoints of the human body
body as a medium, and by appropriating
in movement. Dziga Vertov’s experimental film The Man
mise-en-scène in photography.
Goldsmiths, University of London, and then continued to pursue her PhD degree (Practice-Based) at the Communication and Media Research In-
朱盈桦 Chu Yin-Hua
stitute, University of Westminster. Chu teaches at the College of Arts in National Taiwan Normal University. She currently works as a researcher C for KimotoKo.
with a Movie Camera (1929) is an interactive combination of modern life and mechanical installation, while the internet in digital era has even proposed the advent of armchair travel. The kaleidoscope like city space becomes a limitless
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12
讲座 Lecture
公共空间里的“身体剧场” 与影像再现
时间：10月
摄影/纪录片评论者，任教于台湾政治大学广播电视学系，曾任《人
地点：厦门大学
间》杂志图片主编，台湾各类年度新闻摄影奖评委，并自2003年起担
主讲人：郭力昕
任“台北电影节”咨询委员迄今。著作包括《书写摄影：相片的文本 与文化》、《阅读摄影》（浙江摄影出版社）、《真实的叩问: 纪录片
当代城市人的生活方式，被都会工作型态、生活居住
人们的身体感、一体感与存在感。这场
方式、或者网络科技所影响，在空间上与身体上愈趋疏
讲座，经由台湾近年在街道、广场等公
离，大抵各自孤立在彼此切割出来的狭小、封闭的生存
共空间里的大型“身体剧场”，针对现
状态里，然后又试图通过各种社交网络，抓住与他人
实议题所作的“行动艺术”及其影像纪
the former chief photo editor of Ren Jian magazine and sits on a host of
连结的感觉。然而，对公共事务的关切和参与，可以将
录，据以考察身体、影像、与主体的意
awarding committees for annual press photography awards. Since 2003,
孤独的、或因为不同原因而意志消沉的各个身体，再度
义生产。
凝聚起来，在公共空间摩肩接踵、相濡以沫，重新找回
的政治与去政治》等。 郭力昕 Kuo Li-Hsin
Kuo Li-Hsin is a photography/documentary critic. He teaches at the Department of Radio and Television at National Chengchi University. He is
Kuo has been a member of the consultant committee for the Taipei Film Festival. His published works include: Writing Photography: Texts and Culture on the Negative, Reading Photography (Zhejiang Photographic Press), The Politics of Documentaries.
“Body Theater” & Image Representations in Pubic Space
Date: October
The space and body in contemporary urban lifestyle are
come possible, helping people to regain
gradually alienated by urban working patterns, living and
the senses of body, unity, and existence.
residence modes, or the internet technology. Each individu-
The lecture is based on several large-scale
al is respectively isolated in a narrow and confined existence
“body theater” practices recently took
state, and then attempts to use various social networks to
place in Taiwan’s public spaces such as
capture a sense of connection with others. However, one’s
streets or squares. It aims to examine the
concern and involvement with public affairs can reunite
significance producing mechanism of body,
these lonely or somehow depressed bodies. This would
image, and subject by looking at the reality
make physical contacts and emotional interactions be-
based “action art” and its image record.
13
Venue: Xiamen University Lecturer: Kuo Li- Hsin
14
讲座 Lecture
身体 与解放
时间：11月
无论说到中国还是美国，政治改变现实的可能性都很
重“身体”的一种“解放”，如果不好
弱。社会上的各种问题虽然能分析得很清楚，仍特别难
好去想“解放”的意思是什么，这种身
回答列宁的问题Что
体的解放便能成为体制的支柱。
地点：清华大学 主讲人：克里斯托弗·康纳利
делать?（怎么办）。造
成这种现象的理由很多，理由之一是当下话语里我们不 怎么谈“解放”。不谈解放，对于我们的政治想象力是 很大的损失。讲座将涉及身体和消费文化，身体和劳
克利斯多夫·康纳利 Christopher Connery
动，政治和娱乐的关系。消费社会／资产阶级文化也注
美国普林斯顿大学东亚学博士，是美国加州大学圣克 鲁斯分校文学系教授、博士生导师。2013起任上海 大学文化研究系“自强教授”。他的研究包括：全球
Body and Liberation
六十年代社会运动、全球资本主义意识形态、心理地 Date: November
理、现代中国政治经济、东汉思想和文学史，也担任
Venue: Tsinghua University
Boundary 2 和Postcolonial Studies（学术季刊）
Lecturer: Christopher Connery
的编辑。2010年起加入中国民间戏剧团队草台班， 参与创作及演出。
No matter it is in China or the USA, politics can hardly bring
consumer society/bourgeois culture also
about changes to the reality. Despite that many social prob-
concerns about “body liberation” of one
Christopher Connery is PhD from Princeton University.
lems can be clearly analyzed, it is still difficult to answer
specific kind. But if we do not think thor-
Professor at Literature Department, University of Califor-
Lenin’s question of Что делать? (What to do). There are
oughly over the meaning of “liberation”,
many reasons contribute to this phenomenon, and one of
this kind of body liberation would possibly
movements in the 1960s, global capitalist ideology, geo-
them is that we seldom talk about “liberation” in current dis-
become a mainstay of the system.
graphical thought, modern Chinese politics and economy,
course. This is a huge loss for our political imagination. The lecture looks at the relationship between body and consumer culture, body and labour, politics and entertainment. The
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nia, Santa Cruz. ‘Ziqiang Professor’ at Cultural Research, Shanghai University since 2013. His studies include: social
Eastern Han Dynasty thoughts and literary history. Editor of Boundary 2 and Postcolonial Studies (academic journals). Joined Chinese grass-root theatre company Grass Stage in 2010 and participates in production and performance.
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工作坊 Workshop
3。
“地方与身体”
在
九月中旬 三个小时 经过对文献和视觉现象的进一步研究，得出初步成果并讨论展示 方法。
城市化的背景之下，用摄影探索地方、记录地方的变迁、
Mid-September 3 hours
重新建立地方认同的同时，摄影如何联系空间和身体，探
The participants should present their initial achievements of their further researches based on written documents and visual phenomena.
索性别的多样性，如何将性别和地方表征的关系以超越二元对立
Discuss about the form and content of the final presentation.
框架的方式呈现出来，可能是21世纪视觉文化研究与摄影实践的 新领域。希望通过在工作坊的共同讨论和工作，来形成某种新的
4。
知与识。
十月中旬 成果汇报 两小时 共同参加汇报讲座
Mid-October Final Presentation, 2 hours
1。
All the workshop members attend the report-back lecture.
六月下旬 第一次见面 两个小时 讨论研究方向，确定阅读书目和工作方法。
Late June The first meeting, 2 hours Discuss and confirm the reading lists and working methodologies.
2。
I
n the context of urbanization, while we are using photography to explore the place, to take down the transformation of the place, and to reconstruct the local identification,
the questions of how does photography relate space with body to explore the diversity of
八月中旬 三个小时
sexuality, and how could it present the very relationship embodied by sexuality and place
经过各自对资料的研读和查阅，共同讨论发现的问题。
beyond the frame of dualism are probably becoming new territories for visual culture studies and photography practices in the 21st century. I wish a new form of understand-
Mid-August 3 hours The participants should raise questions based on their readings and researches, then lead discussions around their inquires.
ing and recognition will be realized through the collective discussions and practices generated in the workshop.
导师：顾铮
Instructor: Gu Zheng
学者、摄影批评家、摄影家和策展人。
Gu Zheng is a Scholar, photography critic, photographer and curator.
1959年生于上海，复旦大学新闻学院教授，博士生导师，复旦大学视
Born in Shanghai in 1959, Gu is a professor at the Journalism School, Fudan University, and PhD supervisor. He
觉文化研究中心副主任，复旦大学信息与传播中心研究员。专事摄影理
is also assistant director of the Research Center for Visual Culture, a member of the Research Center for Informa-
论与实践、摄影史、视觉传播，担任《中国摄影》、《欧洲摄影》（柏
tion and Communication Studies. Gu devotes his research to the theory, practice and history of photography, and
林）等刊物的编委，《光圈》（纽约）供稿编辑。
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“Place and Body”
1998年毕业于日本大阪府立大学人类文化研究科比较文化研究专业， 获学术博士学位。2013年担任世界新闻摄影比赛“荷赛”终审评委。
to visual communication. Gu sits on the committee of editors for Chinese Photography, European Photography (Berlin) and other publications. He is also the contributing editor for Aperture (New York). Gu Zheng graduated with a PhD in Comparative Culture from the School of Humanities and Social Sciences at Osaka Prefecture University. In 2013 he was on the panel of judges for the final round of the World Press Photo competition.
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“劳
动”已大范围地被工作等现代概念异化，或被种种固有的宣教空洞化。与
工作坊
经典论述想比，如何看待在我们的当代生活中，“劳动”已发生了的巨大
Workshop
变化？此工作坊将带领参与者，尝试从现象到影像的概念梳理方法，重新挖掘并激活 对劳动这个人类活动中的重要概念的思考。工作坊中通过阅读、讨论、写作和影像创 作，考察劳动与性别及身体的关联，这或者仅是一个出发点。这样的工作坊，试图与 参与者共同探索一种以艺术（影像）实践为方法的社会研究；或以对现象和理论关系
4。
八月下旬 三个小时 学生：展示视觉（影像）成果；完成五百字论文（提前三天在邮件组提交）； 讨论工作坊成果汇报及讲座形式
的重构，发展一类别样的社会实践。
导师：回应并讨论学生的研究成果；确定汇报讲座形式；提出准备要求
1。
“劳动”
Late August A three-hour meeting Participants: Present their visual (image) achievements; finish the five-hundred-word papers
六月中旬 第一次简短会面
(submitted three days before the meeting by email); A discussion about how to pres-
导师：当面要求每人根据题目确定自己的阅读范围，列出阅读书目或篇目，及感兴趣的观察
ent the final results of the workshop and the content of the report-back lecture.
范围，比如特定劳动群体或方式等；解答疑问。
Instructor: Respond to the students’ research achievements and lead discussions. Confirm
Mid-June A brief meeting
the content and form of the report-back lecture and propose requests for lecture preparations.
Instructor: Every participant was required to make a reading list and specify its contents regarding to the given titles. They should also name their interests of observation, such as specific labour groups or labour methods; Q & A session.
2。
七月上旬 三个小时 学生：每人提供研究范围，阅读目录等，相互交流及提出问题。 导师：回应，并提出写作五百字论文的要求。
Early July A three-hour meeting
共同参加汇报讲座
September Final presentation All the workshop members attend the report-back lecture.
“Labour”
Instructor: Respond to the participants’ materials. Make a 500-word writing assignment.
八月初 三个小时
analysis from phenomena to images, this workshop will help its participants to redis-
They should share the materials with each other and raise questions.
he idea of “labour” has been widely distorted by modern concepts such as “working”; it also becomes futile in essence because of various immanent didactic pro-
pagandas applied to it. In comparison with the classic discourse, how do we see the
profoundly changed “labour” in modern lives? By experimenting a new way of concept
学生：展示初步视觉（影像）成果和五百字阶段论文（提前三天在邮件组提交）；提出问题。
cover and activate their thoughts on “labour”—the very essential concept in human
导师：回应并讨论学生的研究进展；提出推进要求。
activities. In this workshop, we want to examine labour’s relationship with gender and
Early August A three-hour meeting Participants: present their initial visual (image) achievements and their partially finished writing pieces (submitted three days before the meeting by email). Raise questions. Instructor: Respond to the participants’ research progress and initiate discussions. Make suggestions for the participants’ further studies.
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九月 汇报呈现
T
Participants: Each of them should name his/her study interest and provide a reading list.
3。
5。
body through practices such as reading, discussion, writing, and image production. But this could merely become a starting point of our trials. The workshop attempts to explore with its participants a social study experience based on art (imaging) practices, or to develop an alternative social practice by reconstructing the relationship between phenomena and theories.
导师：赵川
Instructor: Zhao Chuan
作家、艺术批评家、剧场导演。他是2005年开始的民间戏剧团
Author, art critic, and theatre director. Zhao began his folk drama troupe Grass Stage hosting
体“草台班”的创建及主持者，创作边缘但社会性极强的当代剧
in 2005, producing fringe contemporary drama work that is highly relevant. Zhao’s writings
场作品。他关于艺术的写作在海内外发表和出版，并曾受邀于包
about art have been published in China and abroad. He has been invited to teach classes by
括中国美院、纽约大学、苏黎世艺术大学等艺术院校授课。
the China Academy of Art, New York University, and by Zurich University of the Arts.
20
工作坊
4。
Workshop
始
会文化的简单受造物，因而是别人的一项产品，我们不能说这样的人完完
全全是为别人活着，但还是可以说他们没有真正为自己活着。“为自己活着”不是
节律与动作 | 反视觉的想象
Scent and Motion Workshop 3 hours, the 2nd week of September
“半影——想象复活身体” 终沉浸在日常生活无意识中的人，是一种“不属于自己的人”，他们是社
嗅觉与动作工作坊 九月第二周，三个小时
Rhythm and motion | Anti-visual imaginations
5。
黑匣子情境工作坊 九月第三周，三个小时 儿语儿歌 | 独白与交流 | 即兴互动
要人们成天只做自私自利的事，恰好相反，它反对人们只做着“饲养自己的身体”
Black Box Workshop 3 hours, the 3rd week of September
这一类事而失去自己。“想象复活身体”工作坊使用社会剧场的多种手段——黑匣
Baby talk and nursery rhyme | Monologue and communications | Impromptu interactions
子空间、语言行动、面具技术、成人儿语儿歌等等，让参与者从日常生活的无意识 中摆脱出来，感知、认识和反思自己的存在，复活自己的身体，努力夺回自己的生 活并创造性地重建与他人的关系。
6。
汇报呈现 九月第四周，两小时 全体参加黑匣子呈现 | 现场与微信实时互动
Final Presentation 2 hours, the 4th week of September Black box presentation with entire workshop members | Live and Wechat real-time interaction
1。
建组 六月第四周，两个小时
“Penumbra— Imagination Revives BodyImagination Revives Body”
概论与概况介绍 | 讨论 解答疑问 | 布置阅读书目
T
Build Up the Team 2 hours, the 4th week of June Introduction | Discussion and Q&A | Assign the reading list to the participants
ture, and are therefore the productions of the others. We cannot claim that this kind of
2。
语言工作坊 八月第四周，三个小时
people are completely living for the others, but it is still apparent that they do not live
命名与反命名 | 所指与能指 | 建构与结构
for themselves. “Live for oneself” does not mean we do selfish things that only benefit
Language Workshop 3 hours, the 4th week of August
ourselves. The fact is contrary to such ideas as “raise one’s own body” and therefore
Denominate and anti-denominate | Signified and signifier | Construct and structure
lose oneself. The “Imagination Revives Body” workshop, by way of introducing social theater elements such as black box theater, language actions, mask techniques, and
3。
the adult’s baby talk and nursery rhyme, extricates the participants from the state of
面具工作坊 九月第一周，三个小时
unconsciousness in daily lives and drives them to sense, recognize, and rethink their
化妆与易容 | 性与性别 | 情境道德互动
own existences, to revive their own bodies, to try to seize their own lives back, and to
Mask Workshop 3 hours, the 1st week of September
creatively reconstruct their relationships with the others.
Make-up and plastic surgery | Sex and sexuality | Situational ethic interactions
导师：张献
Instructor: Zhang Xian
剧作家、剧场导演、情境艺术家。参与组织与创
Playwright, theater director, and situation artist. He is one of the major
立“组合嬲”、“下河迷仓”、“越界艺术节”等
founders and organizers of “ZuheNiao”, Down-Stream Garage, Fringe
民间表演团体、独立艺术空间和教育推广机制，为
21
hose who always unconsciously immerse themselves into daily lives are men who “don’t belong to themselves”. They are simple creations of the social cul-
实现“社会剧场”和“每日生活节日”的理想而长 期从事写作、讲学和演出。
Art Festival, and several other folk performance groups, independent art spaces, and educational outreach mechanisms in Shanghai. Zhang has long been engaged in writing, lecturing, and performing with the ideal to realise his proposals of “Social Theater” and “Daily Life Festival”.
22
工作坊报名方法
HOW TO APPLY
如有意参加“瑞象校园系列活动”的
If you are interested in participating the workshops of RayChat on Cam-
工作坊单元，请以“姓名+所在地+
pus series, please send your application to info@rayartcenter.org and
所报工作坊名称”为主题，发送邮件
format the subject of your email as follows: “full name + place of residence
至：info@rayartcenter.org。请在 邮件正文中按以下格式填写报名表，方 视作有效报名。 本年度的“瑞象馆青年扶持计划”将 以“瑞象校园系列活动”的工作坊项目
+ name of the workshop you want to apply”. To proceed a valid application, please copy and fill out the following form in the body of your email. The Youth Project of this year will be based on the workshop project of the 2015 RayChat on Campus series. The workshop instructors as well as the academic committee from Ray Art Center will make assessments
关于瑞象馆
About Ray Art Center
瑞象馆成立于2008年，是一家专注于影
Established in 2008, Ray Art Center (RAC) is a non-profit
these young artists and researches to develop and improve the projects
像艺术的非营利性机构，致力于支持中国
organization dedicated to photo-based art. The Center has
they initiated in the workshops.
摄影史论研究，资助当代影像艺术创作，
报名截止日期：2015年5月31日，报
Deadline for application: May 31st, 2015.
普及影像艺术知识以提升公众对图像的认
名成功的学员将于6月上旬收到报名成
Successfully registered participants will receive a notification letter as
知。瑞象馆的研究性工作包括作为国内外
功的邮件及下一步参与工作坊的指南。
well as the workshop instructions in early June.
photography and contemporary visual culture in general.
摄影师的最新影像实践和瑞象馆研究项目
Photographic research takes place at the Ray-Space,
为基础，工作坊导师和瑞象馆学术顾问 将对工作坊参与者的项目和个人情况做 出评估，最终将有2-3位优异者分享3 万元的创作和研究基金，以鼓励其进一 步发展和完善在工作坊中开始的项目。
about the participants’ performances considering their personal projects and working conditions. 2 or 3 outstanding participants from the workshop will be selected to receive a 30,0000 RMB financial aid for their future creations and researches. We want to take this opportunity to encourage
呈现平台的瑞象空间，关注最新摄影文论
工作坊报名表 Workshop Application Form 姓名 Name:
电话 Tel:
电子邮箱 Email:
所在地 Place of Residence:
如果是学生，请填写学校、专业和年级 (for students) School, Major, Year of school: 如果已经工作，请填写工作单位及职业 (for employee) Place of work, occupation: 得知本活动的来源 How do you get to know this event: 报名哪一个主题的工作坊 Which workshop do you want to register: 是否有过参加相关课程或工作坊的经历？如有，请举例：
写作的瑞象视点网站，以及瑞象出版;而瑞
a threefold mission: support for research into the history and theory of photography; sponsorship of contemporary photography practice; and increased public awareness of
which presents contemporary work by Chinese and international artists, and research projects undertaken by RAC and other scholars or artists; Ray-Sight, an online platform
象谈和象铺的工作则主要由一系列与影像
devoted to collecting and sharing of writings on history and
相关话题的讲座、研讨、对话、工作坊，
theories of photography, and Ray-Publication. The event- ori-
和放映活动构成。这些项目和活动促进了
ented section Ray-Chat and Ray-Pub consists of a series
摄影与其他学科间的互动，以及在艺术 家、学者、策划人、学生以及其他公众之
talks, panels, dialogues, workshops and screenings. These events promote learning between photography and other disciplines, and communication between artists, scholars,
间的交流；瑞象馆期待藉此参与到对影像
curators, and students, by which, the center hopes to
文化的深入思考和知识生产中去。
explore visual culture and spark new ideas.
Have you ever participated in any relevant courses or workshops? If yes, please specify:
是否阅读过与工作坊主题相关的书或文章？如有，请举例： Have you ever read books or articles relevant to the workshop subjects? If yes, please specify:
是否参加过“瑞象校园系列”的其他活动（如校园系列讲座）？如有，请举例： Have you ever joined other events of the RayChat on Campus series (e.g. RayChat on Campus Lectures)? If yes, please specify:
6月至10月间是否有充足时间全程参与（4-6次与导师会面，并参加汇报活动，不缺席）： From June to October, do you have enough time to complete the whole process of the workshop? (Each workshop consists of 4-6 workshop meetings and a final report-back presentation. Full attendance is MANDATORY.)
如果所在地不在上海，能否负担在上海参与工作坊期间的食宿： If you do not live in Shanghai, can you afford the accommodations here by yourself?
其他问题或留言 Other questions or comments: 23
瑞象馆开幕展《当真》 RayArt Center Opening Exhibition REAL-LY
24
瑞象馆青年扶持计划 Ray Art Center Youth Project 由瑞象馆荣誉发起的“青年扶持计划”于2015年正式启动。这个计划旨在为青年摄 影师和影像领域的研究和写作者提供项目发展的支持，并协助其推广其工作成果。
本年度的“扶持计划”将以“瑞象校园系列活动”的工作坊项目为基础，工作坊 导师和瑞象馆学术顾问将对工作坊参与者的项目和个人情况做出评估，最终将有 2-3位优异者分享3万元的创作和研究基金，以鼓励其进一步发展和完善在工作坊 中开始的项目。
后续进展及最终获奖名单将发布在瑞象馆文论平台“瑞象视点”及瑞象馆官方微 信平台，敬请关注。
Ray Art Center is honored to initiate our Youth Project in 2015. This project aims to provide support for young photographers, researchers and writers working on image studies, assisting them to further develop their projects and to promote their achievements.
The Youth Project of this year will be based on the workshop project of the 2015 RayChat on Campus series. The workshop instructors as well as the academic committee from Ray Art Center will make assessments about the participants’ performances considering their personal projects and working conditions. 2 or 3 outstanding participants from the workshop will be selected to receive a 30,0000 RMB financial aid for their future creations and researches. We want to take this opportunity to encourage these young artists and researches to develop and improve the projects they initiated in the workshops.
For the project status and the information of the final winners, please refer to our online article archive “RaySight” at www.rayartcenter.org as well as our official wechat account “rayartcenter”.
25
感谢迅销中国（优衣库）对“瑞象校园系列活动”所给予的慷慨而持续的支持 Ray Art Center would like to thank Fast Retaling Co., Ltd. (UNIQLO) for its generous and continuous support to RayChat on Campus
感谢 Special Thanks to： 清华大学 Tsinghua University 深圳大学 Shenzhen University 陕西师范大学 Shaanxi Normal University 湖北美术学院 Hubei Institute of Fine Arts 浙江大学 Zhejiang University 厦门大学 Xiamen University 复旦大学新闻学院团学联 CYL Committee & Student Society of the School of Journalism at Fudan University 复旦大学新闻学院纪录工坊 Documentary Workshop at the School of Journalism at Fudan University 朱增光 Zhu Zengguang 王晓新 Wang Xiaoxin 王小舟 Wang Xiaozhou 王婧 Wang Jing 陈若晗 Chen Ruohan 张瀚文 Zhang Hanwen 李舒晴 Li Shuqing 郝晔 Hao Ye
2015瑞象校园系列讲座 RayChat on Campus 2015 主办： 瑞象馆 Hosted by: Ray Art Center
支持：迅销中国（优衣库） Supported by: Fast Retailing Co., Ltd (UNIQLO).
顾问：顾铮 林路 郭力昕 Advisory Support: Gu Zheng, Lin Lu, Kuo Li-Hsin
策划：沈健文 Planned by: Shen Jianwen
团队：施瀚涛 龚斯悦 阮海蓉 陈斌康 Team: Shi Hantao, Gong Siyue, Ruan Hairong, Chen Binkang
设计：罗仲忆 韩雪 Designed by: Jony Luo, Han Xue
影像制作: 泽柚文化 Visual Production: ZPoint Cultural Communication Co., Ltd.
T: (86 21) 5393 1060 E: info@rayartcenter.org
地址：上海市花园路 128号五街区A座182室 Add: Room 182, Block 5A, 128 Huayuan Road, Shanghai