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Design

EDITORIAL

Origins’digitalapproachtocraft transformswoodwith“liquid”lines

Date

December8,2021

ExperimentaldesignstudioOriginscombines craftsmanshipanddigitalfabricationtocreate woodensurfaceswithstrikingeffects.

Whenmaterialtakesonanunexpectedappearance,itssurrealistcharmcaptivatesanaudience.We’re thinkingofsculpturalfeatslikeMatthieuLehanneur’sLiquidMarble…orinthiscase,thewoodworksof Vancouver-basedstudioOrigins.

Operatingattheintersectionofcraftandtechnology,designduoDeaganMcDonaldandKelseyNilsenmetwhilestudyingfor theirMastersofArchitectureattheDanielsFacultyinToronto,wheretheywerebothexposedtoawiderangeofsoftwareand technologies,mostinfluentiallythepotentialapplicationsofparametricmodelingandCNCmachining.

“It’ssafetosaywe’vetakenabitofanunconventionalpathtowoodworkingsincethen,”saysMcDonald. “Whenitcomesto ourmoresculpturalandtexturedworks,we’reobsessedwiththetransitionpointsaswemovefromdigitalinputsto physicaloutputs,butmoreimportantly,howwecanmanipulatethesemoments.”

Author KieronMarchese Tags Canada, DesignProcess& Manufacturing, Home Accessories, Wood Share
a h k J Architecture Design Tech Focuson SUBMIT 1 / 3 DESIGNWANTED.TODAY Pagina Foglio 09-12-2021 www.ecostampa.it 163233
2 / 3 DESIGNWANTED.TODAY Pagina Foglio 09-12-2021 www.ecostampa.it 163233

TheCanadianstudioOriginusesparametricmodelingandCNCmachiningtocreatestrikingcollectionsofdecorativeobjectsandfurniture pieceswithsculpturalandtexturedlooks–©Origins

,thiswayofworkinghasresultedinseveralstrikingcollections pieces.TheyincludeImpact,acollectionof

Itwasintendedasanexperimentinrapidprototypingandpseudo-predictability. commontostartwithahyperprecisedigitalmodelandthenworktoreconcilethegeometrywiththelimitationsofthemachine andtoolingavailable,”

“Inthisseries,wearestartingfromtheoppositedirection;usingtheselimitationsas alanguagetodefinesurface.Bydrawingourowntoolpaths,thisstrategyeliminatesourabilitytopreviewandself-critique thefinalformpriortomanufacturing

Todrawthetoolpaths,asinglepointofreferenceflaresradiallinesoutwardsatrandomangles,upwardsandoutwardsfrom thecenterofthetray.Theresultingsurfaceisshapedbya2”diametertooltracingeachoftheselinesfromtheperimeterof inwards.Becauseeachlineisgeneratedatarandomangle,eachpathofmaterialremovalintersectsitsneighbours

AsimilarlyexperimentalapproachdefinesLowTide,aseriesofsculpturaltraysthattakecuesfromtheshorelineofthePacific Northwest.Machinedfromsolidoak,thesetopographicalpieceswerebornfromasearchforefficiencyinproductionand post-processinglabor,andawaytocelebratethemarksofmaking.Ratherthanlaboriouslysandingawaytoolingmarks, Originshasexaggeratedtheireffectandpreservedthemasthefinalsurface—asequenceof1mmterracedtoolpathsdefining

Itisalsorecognisableinthestudio’slargerpiecessuchasTempo,a technologies,thedesigncarvesacontinualseriesofwavesintoitsstructure.Withinthetroughsofthesewaves,partitionwalls slideinandoutwithease,allowingtheusertoshiftandsubdividetheoveralllengthoftheshelfhowevertheyseefit.Theangle ofthesewavesletthepartitionsactasbookendswhereneeded.

WoodworkingintheLionCity–Thesustainablenatureof

FromancientwoodturningtotraditionalJapanesejoinery,meetthemakersofInstagramrevitalisingtheartof TheduobehindOrigin,DeaganMcDonaldandKelseyNilsen,areusingthelimitationsofthemachineandtoolingavailableasalanguageto definesurface–©Origins
3 / 3 DESIGNWANTED.TODAY Pagina Foglio 09-12-2021 www.ecostampa.it 163233

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