The Red Bulletin January 2015 - NZ by Red Bull Media House

NEW ZEALAND

NOW

$ 4 .95

BEYOND THE ORDINARY

ONLY!

SUMMER FESTIVAL GUIDE

All the line-ups and the best food and drink

HOUR PARTY PEOPLE

COLD FUSION

THE BEST NIGHT, DAY AND NIGHT OUT EVER

JANUARY 2015 $4.95

Snowboarders vs Icebergs

MADS MIKKELSEN

MADS’ WORLD From Bond villain to TV’s greatest anti-hero: the star of Hannibal reveals all

See more GoPro products at www.harv

$749.99NAME CAMERA

$599.99 LCD TOUCH BACPAC

™

DUAL BATTERY CHAR (FOR HERO4)

MODEL #

$MSRP

• Camera Spec 1 • Camera Spec 2 • Camera Spec 3

3-WAY MOUNT

CHESTY (Chest Harness

MODEL #Pro-quality $MSRP

• 4K30 / 2.7K50 / 1080p120 fps • 12MP / 30 fps Burst

• Built-In Wi-Fi + Bluetooth® • Night Photo + Night Lapse

capture. MODEL # Touch-display convenience. $MSRP

• 1080p120 / 960p100/ 720p120fps • Built-In Wi-Fi + Bluetooth® • 12MP / 30 fps Burst • Night Photo + Night Lapse

™

AVAILABLE AT: See more GoPro products at www.harveynorman.co.nz

See more GoPro products at www.harveynorman.co.nz

THE HANDLER LCD TOUCH BACPAC MODEL #

JAWS: FLEX CLAMP

™

MODEL #

THE HANDLER MODEL #

DUAL BATTERY CHARGER

DUAL BATTERY CHARGER $MSRP ™ (FOR HERO4)

MODEL # LCD TOUCH BACPAC (For Hero4)

-quality capture. MODEL # $MSRP ch-displayAHBBP-401 convenience.

080p120 fps

$89.99

$MSRP

JAWS: FLEX CLAMP

$MSRP

DUAL BATTERY CHARGER (FOR HERO4) MODEL # MODEL #

$MSRP

MODEL # 3-WAY MOUNT SURFBOARD 3-WAY MOUNTMOUNTS $MSRP DUAL BATTERY CHARGER

HEADSTRAP QUICKCLIP HEADSTRAP QUICKCLIP CHESTY (Chest Harness)

MODEL## MODEL AFAEM-001

MODEL # MODEL # ACHOM-001

(FOR HERO4)

MODEL # $MSRP $MSRP $129.99 $MSRP

$MSRP $MSRP

$39.99

• Built-In Wi-Fi + Bluetooth®

20fps • Built-In Wi-Fi + Bluetooth® st • Night Photo + Night Lapse • Night Photo + Night Lapse

SURFBOARD MOUNTS SURFBOARD MOUNTS CHESTY (Chest Harness)

HEADSTRAP QUICKCLIP CHESTY (Chest Harness) JAWS: FLEX CLAMP

MODEL ASURF-001 MODEL # # MODEL #

GCHM30-001 MODEL #MODEL## MODEL

ACMPM-001 MODEL #

$MSRP $MSRP $69.99

$MSRP $89.99

3-WAY MOUNT

$MSRP $39.99

$MSRP

CHESTYTHE (Chest Harness) HANDLER

$MSRP

JAWS: FLEX CLAMP

ooth® Lapse

SURFBOARD MOUNTS

HEADSTRAP QUICKCLIP

RED BULL ZERO.

THE WORLD OF RED BULL

SNOWBOARDING ON ICEBERGS

They hire an ice-breaker, scope out the ’bergs then carve out the most remarkable Antarctic adrenalin rush imaginable

KENNETH WILLARDT/CORBIS OUTLINE (COVER), TERO REPO, DAVID HARRY STEWART

WELCOME There’s an underlying theme of individual excellence in every issue of The Red Bulletin. But this month’s group of high achievers are something special. We’ve got Kilian Jornet, who runs up and skis down mountains (the big ones you’ve heard of) in mere hours instead of the days it takes regular adventurers. We’ve got Roland Sands, who makes the world’s most sought-after customised motorcycles at his California workshop. Then there’s the intrepid team who spent weeks on frozen seas to snowboard Antarctic icebergs. Plus, we have to high-five (and maybe cuddle) our selfless contributors who took one for the team to party for 30 hours straight at Fabric’s 15th birthday bash. With loads of other stuff, too, we hope that you enjoy the issue. THE RED BULLETIN

“It’s more than riding; you’re part of the machine” BIKE GENIUS ROLAND SANDS, P66

JANUARY 2015

AT A GLANCE GALLERY 10 This month’s most amazing images

BULLEVARD 16 CHANGE IT UP! How to make you and the world better. You’re welcome

HANNIBAL LECTER’S LIFE LESSONS

FEATURES 26 Snowboard Antarctica

TV’s leading anti-hero Mads Mikkelsen on life, death and the power of cycling

Not your usual cold-weather caper

The Hannibal and Casino Royale star lets loose in an exclusive interview

46 Kilian Jornet

He runs up and skis down mountains

56 Stéphane Peterhansel

The greatest racer you’ve never heard of, going for a 12th Dakar win

58 Myele Manzanza

80 30-HOUR NON-STOP PARTY

We hung on for the ride as Fabric celebrated its 15th birthday from Saturday night to Monday morning

Wellington techno drummer

60 Summer festival guide THE SLOPES’ BIGGEST AIR

Woopy jumping is your next new alpine sport: half paragliding, half snowboarding, all action

46 56 BEYOND THE SUMMITS

Kilian Jornet doesn’t just climb mountains, he races up them (and skis back down) faster than anyone in history 06

MR MOTIVATED

No one in the history of the Dakar Rally comes close to the success of Stéphane Peterhansel, with 11 wins from 26 starts

Low-down on the NZ party scene

66 The ultimate bike

Secrets of world’s best customiser

ACTION! 74 75 76 78 80 86 87 88 90 92 94 98

TRAVEL Woopy jumping in Switzerland MY CITY Gdansk, by its top DJ TRAINING Get fit for basketball WATCHES Best new timepieces NIGHTLIFE Up all night, day and night PARTY Waihi Beach Hotel MUSIC Ariel Pink’s inspirational tracks ENTER NOW Wings for Life World Run GAMING Universe Sandbox2 ENTERTAINMENT Marco Polo on TV SAVE THE DATE Unmissable events MAGIC MOMENT Big-screen freeskiing

THE RED BULLETIN

KENNETH WILLARDT/CORBIS OUTLINE, ALEX DE MORA, GETTY IMAGES, MATT GEORGES, FLAVIEN DUHAMEL/RED BULL CONTENT POOL

40 Mads Mikkelsen

MOMENTS OF GLORY IMMORTALIZED IN PRINT

No chocolate milk, but there is a free DVD

CONTRIBUTORS WHO’S ON BOARD THIS ISSUE

“After I took my

camera out on the snow, I thought, ‘Maybe I could sell a few photos if I put some time into this’” Tero Repo on the slopes, page 26

NORMAN HOWELL

TERO REPO

DAVID HARRY STEWART

The British journalist has interviewed many top sports people. None have been as charming as Kilian Jornet, the Catalan endurance athlete who runs up and skis down huge mountains. “When asked by the photographer to run up a steep slope dense with roots and holes, he did so, gliding with effortless grace,” says Howell. “His modesty and love of nature allied to his fierce competitiveness and extraordinary athletic achievements make him a truly intriguing man.” Meet Jornet on page 46.

“I’m a snowboarder who became a photographer,” says the 36-year-old Finn, who got his first camera aged 19, a dozen years after he took to the slopes. “After I took my camera out on the snow, I thought, ‘Maybe I could sell a few photos if I put some time into this.’” Soon after, cash-for-pics deals became a living, with Repo securing steady work for magazines and adverts worldwide. The shots from his amazing Antarctic iceberg snowboard portfolio appear on page 26.

The American photographer visited Roland Sands at his motorbike workshop in Los Angeles, where he customises rides for everyone from Mickey Rourke to Brad Pitt. But it was only when he suggested they take one of his bikes to the LA riverbed that the shoot really warmed up. “When he gets on the bike, he’s like a man transformed,” says Stewart, whose work has appeared in Time Magazine, Esquire and Harper’s Bazaar. “I’ve never seen someone so comfortable on a bike.” Read the story on page 66.

THE RED BULLETIN WORLDWIDE

The Red Bulletin is published in 11 countries. On the cover of the latest US edition is a run-down of America’s pre-eminent peaks

BEHIND THE SCENES

The bigger picture Alex de Mora The London-based photographer’s latest assignment for The Red Bulletin involved staying up for three days to shoot the epic 30-hour party celebrating the 15th birthday party of London nightclub The amazing Fabric photos start on page 80 Fabric. “Techno works almost like a heartbeat, so that helped me keep going.” says De Mora. “I definitely wouldn’t have survived so long shooting at a folk music night.”

Alex de Mora (right) with The Red Bulletin writer Florian Obkircher

THE RED BULLETIN

WELCOME TO THE FUTURE OF PLAY.

“2”and “PlayStation” are registered trademarks of Sony Computer Entertainment Inc. Also, “-” is a trademark of the same company.

SHARE PLAY WITH FRIENDS. Play together with a friend – even if they don’t own the game – via Share Play, exclusive to PS4™. Wherever your friend is in the world and no matter what games they have in their collection – you can invite them to collaborate, compete and support you in your favourite game, even if they don’t own a copy. Discover more about the future of play at www.eu.playstation.com/shareplay Share Play: unlimited 60 minute sessions. PS Plus membership and high speed internet required (2Mbps upload recommended).

HAK S KEEN PAN , S O UTH AFRI C A

NO LIMITS Just you, your car and the horizon: since 2012, the Kalahari Desert Speedweek has attracted motorsport enthusiasts from all over the world with this promise. It’s foot-to-the-floor competition without the constraints of the road, be that on four wheels – like this 1974 5.4-litre V8 Chevrolet Kommando – or on two. Over an area of desert 600km2, drivers and riders attempt records in a speed trap where the radar gun goes off at the 5km mark and nothing else matters. speedweeksa.com Photography: Tyrone Bradley

WANAK A , N E W Z E AL AN D

MUD ’N’ GUTS New Zealand multisport legend Dr Keith Murray tackles the mountain bike stage of the inaugural Red Bull Defiance, a new two-day adventure race in the Southern Alps. The Flying Doctor still holds the record for the Coast to Coast, New Zealand’s iconic multisport race, which he set back in 1994. Now in his 50s, Murray proved he’s still got the legs to keep up with the big boys, teaming up with Bob McLachlan to finish fifth in the Elite Open category. redbulldefiance.co.nz Photography: Miles Holden/Red Bull Content Pool

YU C ATAN , M E XI CO

FALL CLASSIC Fact of the day for you: a cenote is the water-filled sinkhole that forms when a limestone cave collapses They’re common in Mexico’s Yucatan peninsula, and one especially splendid one made for a fine final stop on this year’s Red Bull Cliff Diving World Tour. In the foreground of this mass training dive shot is Gary Hunt; the British plungeman won the event, which clinched his fourth overall title. “On the platform I really felt the nerves,” he said, “so I’m over the moon that I got it.” redbullcliffdiving.com Photography: Romina Amato/Red Bull Cliff Diving

B U L L E VA R D : C H A N G E I T U P

GE N CHAN YOU CA WOR LD. THE U CAN O R Y O O U R S E L F. Y C H A N G ES E C O N D I S THE RDER* HA

* Or so says Mark Twain. (Who wrote under a pseudonym.)

CHARACTER ASSASSINATION

BYE STEPHEN COLBERT. HELLO STEPHEN COLBERT The transformation of one man into himself

In the world of US late-night TV talk shows – a place the rest of us are visiting in increasing numbers online – the funniest guy is Stephen Colbert. (If you don’t think Tweeting the link to each new edition of The Colbert Report with the phrase “last night’s show, my best yet” is funny, you can skip to the next page.) His super-satirical take on the news, developed when he worked in the similar infocomedy environment of The Daily Show, ends on December 18 – along with Stephen Colbert. Because he is not real; he is a caricature. Stephen Colbert (his real name) has been playing an OTT talk show host named Stephen Colbert, but when the 50-yearold takes over the straight chat format of Late Show in 2015, he’ll be actual talk show host Stephen Colbert. Whoever he might be.

BULLEVARD

THE CHOICE IS YOURS

Model citizen

SHOULD YOU CHANGE? CARPE DIEM Demonstrators around the world prove that if you want to get noticed, you’ve got to give it 110 per cent. Here’s how:

Life’s most important questions are easy to answer. If you’re honest

ARE YOU UNHAPPY?

GO BIG A giant chlorinated chicken is a prop in a protest against the TTIP free trade agreement.

WOULD YOU LIKE TO BE HAPPY?

DO YOU WANT TO CHANGE YOUR LIFE?

GET NAKED As cycling in Madrid is getting ever more dangerous, cyclists strip off for more bike paths.

CARRY ON AS BEFORE.

ARE YOU READY FOR A NEW START? N

Y Y

THE RED BULLETIN

WRITE SLOGANS FEMEN demonstrating against the sexual exploitation of women get maximum exposure.

BUT HOW? FIND OUT OVER THE NEXT FEW PAGES.

Brave, bold and true. In 2011, the then 19-year-old Andrej Pejic walked the Paris catwalk for Jean Paul Gaultier in the men’s and women’s shows. That year, he appeared on both the top 50 male models list and FHM’s 100 Sexiest Women In The World. This year, after surgery, Andrej became Andreja. “I hope that by being open about this,” she said, “it becomes less of an issue.”

CHANGE YOUR LIFE!

Yes

MAKE A STINK Manure dumped by anti-globalisation activists ATTAC gets up official noses in Berlin.

PICTURE ALLIANCE/ASSOCIATED PRESS/CHARLES SYKES, GETTY IMAGES, FOTOLIA, REUTERS(4), CORBIS

FOR REAL?

BULLEVARD

1 2 3

MONDAY

TUESDAY

WEDNESDAY

FIND THE FAULT

LOOK FOR MEANING

BREAK YOUR ROUTINE

Nobody’s perfect, least of all you. If you can answer YES to any ONE of these questions, then you only have six days left to finally learn how to say NO.

Self-awareness is the first step towards selfimprovement. Scrutinise your daily routine and be honest with yourself – and that means really honest.

Life only really begins when you leave your comfort zone. So go out and do the exact opposite of everything you normally do.

PERFECTION PLANNER

I DO LIKE MONDAYS This is how you reboot yourself in just seven days to be better at everything. You’re welcome

ARE YOU…

1. If you could immediately

oo shy to speak to your T reflection in the mirror?

change something about yourself, would it be:

Always copying and pasting your status updates?

A My body B My personality C My IQ

Only getting up in the morning so that you can go back to bed again that evening? Unable to touch your toes while sitting down? On a balanced diet that is balanced between frozen pizza and chicken nuggets? hat person who thinks ‘restart’ T is only for computers?

Then it’s high time you rolled up your sleeves and mended your ways…

And do you do anything to change those in your current routine?

2. Is there something you’ve always wanted to do but haven’t done, even though it wouldn’t cost anything? A Yes.

So what are you waiting for? B No.

Because you’re so unimaginative?

3. Do you have a secret that would jeopardise your relationship if it was revealed?

Worm your way into a selfhelp group for former cult members and claim to be their new leader. Go into a boutique, take off all your clothes in the changing rooms, put them on a shelf next to the till, wink at the cashier, say, “That’s just what I was after!” and then walk out the door naked. Tell your boss that you’re seriously thinking about lowering his salary. Ring your mother and ask her if she eats up all her dinner every night like a good girl. Ask your girlfriend what she’s thinking. If you don’t have a girlfriend, ask your therapist.

Is your secret really that gross or your relationship that weak? B No. Is your partner really so understanding or is your life so strait-laced?

4. Which of these fates would you choose? A World-famous but unhappy. B Stinking rich but unloved. C In a happy relationship

You can only have both feet on the ground once you find your own style

but broke. And which of the three is closest to your real life? Is it really C? Are you sure?

“Everyone thinks of changing the world but no one thinks of changing himself” LEO TOLSTOY

THE RED BULLETIN

FOTOLIA(2), REUTERS, CORBIS

A Yes.

BULLEVARD

4 5 6 7

THURSDAY

FRIDAY

SATURDAY

SUNDAY

GET OUT MORE

MOVE YOUR ASS

ACCEPT YOUR VICES

WELCOME TO YOUR NEW LIFE

Soft skills are hard currency. You will only maximise your social capital if you can manage to enchant your fellow man.

Devote this day to your body. Go cycling or swimming. Spend half an hour in the gym or do a few chin-ups. Or at least run those last 10m for the bus.

Five steps forwards, one step back. You’ve made progress this week, so beat the yo-yo effect and befriend your weaker self.

Can you already feel the force of your new self pumping through your veins? Then flop down in front of the football and enjoy every second of it.

Fling on the oven and shove in a pizza topped with chicken nuggets. Enjoy alcohol. Maybe not 14-bottles-of-wine-a-day enjoy, à la Gérard Depardieu, but raise a glass nonetheless. Write yourself a letter at the end of the day. Your words will remind you that you’re now too old for your former life.

Expose the real you – and your fellow human beings will start flying at you

BREAK THE ICE

FOTOLIA(2), REUTERS, GETTY IMAGES, NASA

Is awkward silence your trademark? Not for much longer. Try chatting to five complete strangers today. SMALL-TALK TIPS Sprinkle your conversation with interesting factoids, preferably about the weather. For example, “Did you know that men make up more than 80 per cent of the people to get struck by lightning?”

RELAX WITH YOGA The Scorpion pose in three easy steps: 1 Breathe in. 2 Breathe out. 3 Adopt the Scorpion pose.

Pay your interlocutor a nice compliment, such as, “Love the toupée! Can I try it on?” Interesting questions will keep any conversation ticking over. “When did you last think about the finite nature of your existence?”

THE RED BULLETIN

See you again on Monday! 19

BULLEVARD

QUANTIFIED ART

SUCCESS IN SECONDS Get to the top quicker with the key bits from self-help classics

NICCOLÒ MACHIAVELLI: THE PRINCE “Men are so simple-minded and so controlled by their immediate needs that he who deceives will always find someone who will let himself be deceived.”

ALWAYS A FIRST TIME

THE PIONEERS

The things we do every day were once considered shocking and often plain wrong. We give thanks to three heroic figures

IGNAZ SEMMELWEIS Nineteenth-century doctor asked his colleagues to wash their hands before operating. He was derided.

JERRY MORRIS Demonstrated in the 1950s that running on a regular basis is good for you. He was thought a lunatic.

ROBERT GREENE: 48 LAWS OF POWER “Any mistakes you commit through audacity are easily corrected with more audacity. Everyone admires the bold; no one honours the timid.”

YOUR NEW, HONEST SELFIE The dynamic data we create is valuable. You can even make art out of it The steps we take, the likes we leave, the search requests we make. Everything we do leaves a digital finger- or footprint, and the CSIs of the internet can harvest the lot, whether we like it or not. Far nicer is what American artist Laurie Frick, and her app FRICKbits, does with it. Using your location data, colourful art is created: the more you move, the more elaborate the creativity

You can share your art with others. Or you can delete it – along with your data, we hope

KOBAL COLLECTION, GETTY IMAGES, IMAGO

In A Streetcar Named Desire, MARLON BRANDO brooded in just a white T-shirt: in 1951 this was scandalously brazen. Couldn’t be more normal now

DALE CARNEGIE: HOW TO WIN FRIENDS & INFLUENCE PEOPLE “Talk to someone about themselves and they’ll listen for hours.”

THE RED BULLETIN

BULLEVARD

CAREER HICCUPS

FALSE RESTARTS

MICHAEL JORDAN called time on his basketball career in 1993 to become a professional baseball-player. He was back in the NBA in 1995.

Not every change of tack will necessarily take you to a better place We’re forever reading about people who have completely altered their lives and gone on to find success. But for these celebs the exact opposite was true, perhaps because they’d already found their true calling in the first place.

NAOMI CAMPBELL tried to start a music career, but her debut album flopped. Listen to it and you’ll know why.

LUDWIG WITTGENSTEIN had a desire to be a teacher. Five tough years later he was back philosophising. Logically enough.

“Life is never easy” LUDWIG WITTGENSTEIN FRANKIE MUNIZ went from actor to professional racing driver in 2006. It wasn’t long before he won an award for sportsmanship.

RELATIONSHIP

GETTY IMAGES(4)

DIETMAR KAINRATH

KAINRATH – A BIT OF 2×2

UPBRINGING

THE RED BULLETIN

/redbulletin

Visual Storytelling Beyond the ordinary

Ellinor Olovsdotter has the flu. The rising star known as Elliphant often gets sick when she visits LA, she explains, raspy-voiced and half naked, completely unself-conscious about her

THE CAPTAIN OF ADVENTURE ALL-ROUND ACTION HERO WILL GADD IS A LIVING LEGEND IN THE TRUEST SENSE.

„MEINE EINZIGE ANGST IST DIE ANGST SELBST“

body. The globe-trotting former model from the wrong side of the tracks is part of a Nordic

SIMPLY THE BEST

new wave of fierce dance-pop divas, alongside fellow Swedes Icona Pop, Robyn, Lykke

Experience the new

redbulletin.com

BULLEVARD

LIFE UPDATE

More future, please

ISN’T THERE AN APP FOR THAT?

How are we meant to change our lives when these things are impossible?

BEAMING ABOARD Saves time and maybe even energy. But the tomato juice lobby is just so damned powerful.

EAT UP! IT ’LL MAKE SOMETHING OF YOU!

There is: six widgets that will upgrade you today

Three delicacies to change you from within

LOOK BETTER Hempseed won’t get you high, but it will give you a perfect protein rush. Your body burns the right kind of fats, and this one can help make you trim and fit.

GET STRONGER Myths abound in Asia about snake’s blood: it boosts immunity and virility, they say. There are no facts to back this up. Your only option is to try it out on yourself.

SWEAT Seven minutes a day is enough for a dream physique. Use FitnessCoach.

WINGMAN BroApp will send your girlfriend an SMS if you forget.

ARSE-KICK Whatever the goal is, Beeminder will remind you to stay on the ball.

TIME CLOCK Toggl records the time you work and notes the time you spend dithering.

PARTY NON-STOP Fun-times provider eventO will direct you the best club or bar nearby.

GOOD VIBE Start the day positively with an entry in your Five Minute Journal.

FREE LOVE Long live polyamory! It’s a biological riddle how we can be forever happy with a single partner.

HANDY ANDROID Washing machines were a good start. But why doesn’t the robot that helps us around the house exist yet?

CORBIS(3), FOTOLIA(3), GETTY IMAGES(3)

NEW GROWTH We’d be grinning like Cheshire cats with these: teeth that grow back. Can’t be a problem, can it, biotech nerds?

DIETMAR KAINRATH

CAN TALK What’s in store for you in the New Year?

BE SMARTER Snails are the brain food par excellence. Their omega-3 fatty acids stimulate memory, while the thyroid hormone T3 enhances brain activity, as quick as a flash.

THE RED BULLETIN

BULLEVARD

PROPER RESOLUTIONS

Oh, dear oh gear

NEW YEAR YOU Stop smoking, drink less, do more sport… Yeah, done those (well, not done them). These are five ways to really improve the rest of your life

Gadgets we can well do without

Thinking cap The Foc.us device provides cranial neurostimulation for gamers. It uses electrical impulses which are meant to stimulate your brain and make you more productive. Shocking idea.

Food fight

WEAR MORE RED Psychologists have determined that people are more attractive in photographs with a red frame. Unlucky in love? A couple of items of red clothing will help. A pair of scarlet-hued boxers, at the very least.

HAVE SEX FOUR TIMES A WEEK A Greek study has shown that people who have sex at least four times a week earn three per cent more than those who only do it once. Or only want it once. Or only can have it once.

3 CORBIS(5)

DON’T GET PROMOTED If you do more than your job requires of you, you’ll move up the career ladder – until you reach the rung that’s beyond you. Or so says the Peter Principle, and many a boss is living proof of the fact.

PROCRASTINATE PROPERLY Do you like putting things off? Scientists have discovered that’s no bad thing. People who consciously put things off deal better with pressure and surf the adrenalin wave.

DON’T GO ON GUT INSTINCT Intuition is misleading because we can’t rely on our environment. So only make considered decisions. Nobel Prize-winner Daniel Kahneman has thought long and hard about it.

THE RED BULLETIN

The HAPIfork sounds an alarm when you shove too much food into your mouth. If you don’t want to be patronised by a fork, eat with your hands. Because they don’t answer back.

Photo shoot It weighs 20g, is about the size of your thumbnail and takes two pics a minute: Narrative Clip records your entire life. Your own Truman Show? Good afternoon, good evening and good night.

SNOWBOARD

“I took this during the early days of the trip,” says photographer Tero Repo. “I stayed back on the main boat while the guys went to this iceberg in a Zodiac. They had to be quick – get on, do a couple of turns, get off – because icebergs can be unstable.”

ANTARCTICA

CARVING ICEBERGS IS ONE THING, TAKING PICS TO PROVE IT QUITE ANOTHER. THE MAN BEHIND THE CAMERA TALKS ACTION AND ADVENTURE IN FROZEN PARADISE PHOTOGRAPHY: TERO REPO WORDS: PAUL WILSON

‘ T HE GUYS USED SPLITBOARDS PRETTY MUCH ALL THE TIME WHEN THE TERRAIN ALLOWED’ 28

“We had Christoph, a pilot, and his tandem paraglider. He flew; I would just sort of hang there and shoot. In this paraglider shot, Lucas and Xavier are on their splitboards [a snowboard that splits into two skis]. On long flats, it’s much quicker to hike on skis than walk carrying a snowboard.”

o be the guy taking the photos on amazing snow adventures, you need to focus on three things before you take the lens cap off: “Minimising risk, not getting frostbite and staying alive.” So says Tero Repo, a man who has spent many years documenting snowboard and ski expeditions around the world while adhering closely to his own advice. “I’ve been in danger many times,” says the 36-year-old Finn, who has been on photoshoots when riders have caused avalanches, or tumbled down the slopes to serious injury. “The more time you spend in the mountains, the more bad things you will face.” A recent month-long trip to Antarctica was about as good as it gets: long sunny days of exploring icebergs and islands to find virgin slopes and lines with snowboarders Xavier de Le Rue of France and American Lucas Debari. As a skierturned-snapper, Repo is happy for others to be in shot. “I don’t miss skiing and snowboarding for fun. Now, it helps me do my job, which is to get great photos.”

Left: “A morning view from the boat, the Golden Fleece, a heavy 19m-long sailing boat: not an ice-breaker but it’ll break through 20cm of ice. We hired it in the Falkland Islands.” Above: “Lucas on the left, Xavier in the middle and the ship’s captain, Jerome Poncet.” Facing page: “The first mate is in the Zodiac, Lucas climbing, with Xavier and our guide Tony Lamiche behind him. That was a big iceberg.”

THE RED BULLETIN

‘THE SHIP’S CAPTAIN WASN’T HAPPY ABOUT US GOING TO ICEBERGS: HE SAID THEY OFTEN COLLAPSE’

‘ M OST OF THE TIME IT WAS STEEP AND SCARY, BUT WE PICKED THE RIGHT MOMENTS’

Left: “I got a few good pictures without snowboarders in them, too. This one is of a penguin colony. Above left: “This is on land, not an iceberg. Xavier and Lucas hiking up to the lines we had scouted. They always wore the same colour gear,to identify them quickly: Xavier in yellow and Lucas in blue. They’re not penguins behind them; I think they’re Antarctic shags, a type of cormorant.”

THE RED BULLETIN

This page: “We stayed in most places for a day or two, so we could see where the sun was hitting – it only got dark a few hours a day. Too late in the day and the snow is too warm; too early, it’s too hard. With no room for mistakes, we take it relatively easy and don’t rush the shots. That’s what I mean about minimising the risks.”

THE RED BULLETIN

Above: ‘Sailing into the sunset with a beer. I went thinking we’d maybe get one bottle of beer a day, but there was more – only for after shoots, though, back on the boat.” Right: “Tony the guide making a sort-of cast for Lucas. He tumbled and aggravated an existing wrist injury.” Main pic: “Lucas doing a frontside 360°, a normal trick for him, but in this landscape, it becomes amazing.”

THE RED BULLETIN

‘I AGREE TWO THINGS WITH RIDERS: DO TRICKS YOU’RE GOOD AT WHICH LOOK GREAT’ THE RED BULLETIN

‘ TAKING PICTURES IN ANTARCTICA IS GREAT WHEN THERE IS SO MUCH LIGHT’

“The Zodiac coming in next to the Golden Fleece. This was actually a spot we stayed overnight. We were lucky with the weather being so good. It meant the preparations were perfect, relaxed. Not chasing around for a few hours of light. We could shoot between 4-10pm every day.”

‘ AT SEA LEVEL, YOU HAVE TO BE EXTRA-CAREFUL ABOUT CHOOSING THE RIGHT LINES’

THE RED BULLETIN

Above: “Xavier on land. We would spend a day shooting, but always go back to the boat. Ten people on a 19m boat.” Left: “Lucas during our swimming session. We jumped from the deck. Nice warm water – a couple of degrees.” Facing page: “Xavier again. We looked for slopes like this with ridges above them, so I could stand in a safe spot and give a true idea of steepness.” terorepo.com

THE RED BULLETIN

HANNIBAL LECTER’S LIFE LESSONS Mads Mikkelsen, star of Hannibal, touches on the important topics in this exclusive interview: life and death, heaven and earth. And cycling WORDS: RÜDIGER STURM P H O T O G R A P H Y: K E N N E T H W I L L A R D T / CORBIS OUTLINE 40

â&#x20AC;&#x153; My constant companion is a feeling of insecurity. It could be helpful when you play fearful characters, but sometimes you play the heroâ&#x20AC;?

M ads Mikkelsen, the biggest ‘foreign language’ star in TV and film right now, is looking a little dishevelled as he arrives to talk to The Red Bulletin. Mikkelsen, 48, best actor at the Cannes Film Festival two years ago and current star of Hannibal, hasn’t shaved and his shirt is tucked untidily into his jeans. But he’s wide awake and in excellent spirits. “Before I begin, I should perhaps warn you,” he says. “We Danes are very good at laughing at ourselves. There’s a wicked sense of humour hidden behind everything we say.” the red bulletin: You’ve played a Bond villain, Norse and Greek men of action and now Dr Hannibal Lecter. Why such extreme characters? mads mikkelsen: The answer is very simple: my life is boring, so a script has to move me. It has to be dramatic, exciting, crazy even. I need that counterpoint. Comedies, for example, I don’t really do at all. Unless they’re really nuts. Hannibal, the third season of which you’re currently filming, certainly isn’t played for laughs. Did you have any qualms about playing one of the most notorious fictional criminals? Not once I’d met Bryan Fuller, the show’s creator. He wanted to tell me the story in 10 minutes; he was still talking two hours later. He raved about Hannibal in the way a person would about a love affair. It was clear to me after we spoke that I definitely wanted to work with such a crazy guy. How deeply did you research the role of a cannibal? Hahaha, you mean, did I… … well, not take it to its ultimate conclusion, obviously, but how far? Apart from his eating habits, he’s a classic psychopath. Hannibal Lecter is no one-dimensional

A former professional dancer, Mikkelsen moved into acting in the 1990s, making a name for himself as a drug dealer in the Pusher films

beast. Don’t make the mistake of trying to whittle him down. He loves art, music, good food, languages – and he also loves to kill. It’s a passion of his. There’s even a certain, erm, love about it. And I try to express that too… does what I’ve just said sound too crazy? Depends on your definition of crazy. Well, he’s one of the most terrible monsters we’ve ever come across. But aside from his cruelty, there’s a lot that we can learn from Hannibal. That life on the verge of death is more interesting, for example. Because it makes us realise that we should make the most of life every day. Hannibal has no time for niceties, either. He refuses to waste time on stupid people. There’s something to be said for that sort of attitude. And personally I’m absolutely fascinated by his incredible self-confidence. Why? Because I’m not a confident person. I’m unsure of myself every time I try something new, every time I work. That feeling of insecurity is my constant companion. Insecurity could be helpful when you have to play fearful, distraught, doubting characters, but sometimes you play the hero. How can you be insecure and play the hero? I have to forget my insecurity. I know, I know: it’s easier said than done. What I try to do is get into a sort of flow when I’m acting. At that point I’m not thinking, I’m just being. If I start thinking about it, if I become aware of what I’m doing, it will have 44

“ There’s a lot we can learn from Hannibal: that life on the verge of death is more interesting… and personally I’m fascinated by his incredible self-confidence” a negative effect. I have to redo the shot as soon as I realise that that’s happening. What if the director is happy with your work? Sorry, but there are no exceptions when this happens. I always insist on redoing the take because I know that it wasn’t good. I just know, you see? Regardless of whether or not the director is happy. Do you think you need to be a bit of a loner to succeed as an actor? In a certain way our job is both very social and very anti-social. When we’re working, we’re surrounded by people non-stop. We wouldn’t be able to do the job at all if that weren’t the case. At the same time, as an actor, you’re going through a process that’s exclusive to you. You have to find THE RED BULLETIN

and explore another life inside of yourself. You have to be completely alone for that, and you have to be able to do it regardless of how many people there are around you. You have to learn how to do that. There is something enormously inspiring in learning to follow solely your own thoughts and to listen solely to the music inside you. How do you learn to do that? Inner maturity? Years of meditation? Cycling. I cycle every day, if I’m alone for an hour or two; longer if there’s a group of us. Cycling is my drug. Ask any marathon runner or triathlete. We all know that feeling. When you’re sitting on your bike, almost spitting blood, your brain starts producing endorphins. They’re wonderful little things. You get addicted to them. I become frantic if I can’t cycle for a couple of days. So you are, in a way, a drug addict? Ha! To a certain degree, yes. Of course there are times when you’re just weak from exhaustion and get the flu. That’s a bad trip, if you want to put it in those terms. But normally you just end up with this great rush of adrenalin. Some people need danger to get the same kick and climb mountains. I’m not at all interested in that sort of thing. What I’m keen to do is to push myself to the limit, to the point where there’s really nothing left, where I just can’t do any more. That’s what fulfils me. What exactly is it that fulfils you? I’ve thought about that, about what it is exactly, but I don’t know. Honestly, I don’t. Actually, I’m probably just addicted to sport. When I’m not on my bike, then I’m playing some sort of ball game – football, handball, tennis. When I do take a break, I watch sport on TV. What’s the most memorable bike ride you’ve ever been on? One time when I was on a bike in LA. A friend of mine had two racing bikes and challenged me to a race. I hadn’t ridden for a while at that point, but I wasn’t worried because I’m in pretty good shape normally. Next thing, we’re off: up and

“What I’m keen to do is push myself to the limit, to the point where there’s really nothing left, where I just can’t do any more. That’s what fulfils me” down the hills around Los Angeles. It was awful, I thought I was going to die. I didn’t have a hope of beating him, which was so incredibly frustrating. After the race I said to myself that I wasn’t going to put up with that again. So I bought myself a racing bike, trained on it, came back and gave him hell. It was huge fun, let me tell you. Do you regularly hold private races on public roads around Los Angeles against your friends? It’s not an everyday occurrence. But that time I really wanted to make amends. I just couldn’t take it. You do know it’s illegal to race on the streets? You’re right, of course. And it was dangerous, I have to admit. In the middle of the streets of LA there are these huge drain grates for rainwater. They’re too big to cycle over. Your tyres can get stuck in them – that could have nasty consequences even if you weren’t travelling at 50kph. I found myself hurtling towards one of those grates doing around 50kph. I saw it too late to avoid it. I knew I was either going to have a major crash or just leap over it. Thankfully, I made the jump. The grate just caught a tiny part of my rear wheel. Things were pretty close that time. Maybe you have a guardian angel watching over you? I am not at all religious. You can’t get anyone less religious than me. Sure, it would be nice if there were some kind higher being, but until we are more certain on that score, we’d be better off taking charge of our own lives. Our actions, our responsibility. I prefer to think of it that way. Did you get a kick out of your near miss? No, I was unnerved and frightened by it. As I said earlier, I’m not interested in danger. But you also said earlier that life was more interesting on the verge of death. Which doesn’t mean that you should risk it carelessly. You say that while smoking a cigarette. One-nil to you. I have tried to stop, but it hasn’t worked out. Just think of all the people you could give hell to on a bike if you had clearer lungs. You’re right. If I stopped smoking, I really would be able to go faster. Maybe I’ll manage to stop if I look at it that way. The third season of Hannibal is out in 2015: nbc.com/hannibal

KILIAN JORNET DOESN’T JUST CLIMB MOUNTAINS, HE RACES UP THEM (AND SKIS BACK DOWN) FASTER THAN ANYONE IN HISTORY. THIS IS HIS MASTERCLASS IN BREAKING RECORDS AND BOUNDARIES WORDS: NORMAN HOWELL PHOTOGRAPHY: MATT GEORGES

BEYOND THE SUMMITS

Running man: Kilian Jornet demonstrates what makes him supreme in the mountains, tackling the steep slopes around the village of Le Tour near Chamonix

“I’M JUST FOLLOWING WHAT PEOPLE DID IN THE PAST AND WHAT THEY WILL DO IN THE FUTURE. IT’S NICE THAT THERE ARE SO MANY WAYS OF APPROACHING A MOUNTAIN. WE’RE ALL IN THE SAME PLACE, BUT IN DIFFERENT WAYS”

ilian Jornet is a man going places, fast. He runs in summer and skis during the winter. He is arguably the world’s top endurance athlete and, aged 27, has achieved more than many world-class competitors achieve in a lifetime. He wins races hundreds of kilometres long, runs across glaciers, speed-climbs mountains then skis down them. He has conquered some of the world’s iconic peaks at speed, unassisted, using minimum equipment and setting improbable records. When he can, he will stop, admire the view, eat berries, drink from streams. Mostly, however, he’s racing against himself. To some, the Spaniard is the pioneer of speedclimbing, a new and admirable sport; to others, he is demeaning the long tradition of alpinism and encouraging reckless behaviour in the mountains. He says he is just a mountaineer having fun. Having fun in Jornet’s world is running up and down Mont Blanc in 4 hours 57 minutes, and the Matterhorn in 2 hours 52 minutes. Or running the length of the Pyrenees, from the Atlantic to the Mediterranean, 850km and 42,000m of elevation, in eight days. Most recently, he tackled Mount McKinley in Alaska – at 6,186m, the highest peak in North America – climbing up on foot in snow and fog, then skiing down in 11 hours 48 minutes. Another record, another extraordinary feat of mountaineering.

He is ideally built for what he does, weighing 58kg, 1m 71cm tall, with a resting heart rate of 34bpm and a lung capacity of 5.3 litres. Top cyclists and other endurance athletes fall within these parameters, but what makes Jornet unique is his range of achievements. As well as his speed-climbing feats, Jornet is a multiple world champion in ultra-trail running (long mountainous distances, typically 80-160km), sky running (shorter mountain races at 20-42km) and vertical climbing (lung-busting 1km sprint climbs). He has won most of the major ski mountaineering events held across the Alps, setting records for many of them. He plans to tackle Aconcagua, in the Argentine Andes, before the year is out, with Everest and Mt Elbrus in Russia on his to-do list. The Red Bulletin talked to him in the village of Le Tour, near Chamonix, while climbing a steep path to find a suitable location for the photoshoot. the red bulletin: What makes you run up mountains? kilian jornet: I am just following what people did in the past, and what people will do in the future. It’s nice that there are so many ways of approaching a mountain: really fast and technical solo climbing, BASE-jumpers, who have a completely different interpretation of the mountains, then there is me with my running approach. We’re all in the same place, but in different ways.

“I THINK IT IS IMPORTANT TO BE HAPPY. TO DO THINGS THAT LEAD TO UNHAPPINESS IS JUST STUPID” What first inspired you to do this? My father is a mountain guide and the guardian of a mountain refuge. He has a classical approach to mountaineering: big boots and backpacks. My mother is a teacher, loves racing, has a lighter approach to mountaineering, and has a deep sense of nature. She transmitted to me the desire to understand nature and how things happen. From the age of three to maybe 10 years old, after dinner, before going to bed, in our pyjamas, we would go and walk in the forest. I remember the first times I was afraid, my sister and I would cling to my mother’s legs and try and stay with her. But after a while we got used to our surroundings, and though you don’t know what is around you, you can’t feel the earth, there’s rain and wind, you start to feel more confident to walk in the forest at night and to start having fun. My parents gave me a great sense of responsibility. When we went hiking, it was never the case that they would be ahead of us. On the contrary, my sister and I were ahead and had to decide the route. When we got it wrong, they would go over it with us, help us analyse our mistakes. It was fun, as we had to remember landmarks, flowers and animals. THE RED BULLETIN

High achiever: Jornet is a multiple world champion in trail running, sky running and vertical climbing, and has set many ski mountaineering records

“IT IS BEAUTIFUL TO SEE WHEN ANIMALS MOVE. THEY MOVE SO SMOOTHLY AND IT LOOKS SO EASY. FOR US HUMANS, IT IS VERY TECHNICAL, YOU HAVE TO FOCUS ON WHERE YOU PUT YOUR FEET. WE ARE NOT REALLY BUILT FOR THIS”

Form and function: Jornet is ideally built for what he does. He weighs 58kg, is 1m 71cm tall, has a resting heart rate of 34bpm and a lung capacity of 5.3 litres

Do you have the same sense of fun in the mountains now? I think it is important to be happy. To do things that lead to unhappiness is stupid. It does not mean that everything is carpe diem and just have fun in the moment. You must also search for things that make you happy. This means many times it will be hard and there will be suffering, but there will also be fun. What about the parts that are no fun? The suffering is always dramatic, because you are the one who is placing yourself in this situation. Suffering is tough, but if it comes from outside, it is a different mental state. For example, you are on an expedition and it’s really cold and stormy: you suffer, of course, but it is your choice, so you deal with it. Mountaineering is not just sport, it is a style of life. How much of what you do is talent and how much is skill? It is beautiful to see when animals move. They move so smoothly and it looks so easy. For us humans, it is very technical, you have to focus on where you put your feet, and you struggle, then you see a chamois [mountain goat] running and 54

realise that we are not really built for this. Running downhill is more about the approach than the step, more about the mind rather than the body. You need to think where and how you will put your feet, you have to keep running and playing with the terrain. It is about vision and coordinating it with the muscles. It’s about taking bigger risks, pushing all the time. Were you taking a big risk when you tackled Mount McKinley? Yes, it was bad weather. We were there 20 days and only had three days of sunshine. When we heard there was going to be a window of good weather, we decided to go for it. Early one morning the weather was really good, then at 5,000m it changed: I was in the clouds and the wind was blowing strong. It started to snow and I couldn’t see more than 20m. So the last 1,200m were really hard because I was on my own. That was tough. I didn’t know if I could get to the summit. When I did, it was such a great feeling to get my skis on, as the climb had been very hard – but the weather was getting worse. I was in dense fog, I could see just 2-3m ahead and it was snowing

“HOWEVER MUCH WE GO TO THE MOUNTAINS, TRAIN AND LIVE IN THEM, WE WILL NEVER KNOW EVERYTHING”

hard. I had to descend fast, to beat the record, so I was going straight down, practically on my back, as I really did not know what was ahead of me. I had memorised some landmarks, and as I descended I followed my tracks and those of other climbers who had walked up, and when I lost the landmarks, or the tracks, I would just veer left or right until I found them again. But I was really trying to go as fast as possible. And then I suddenly saw the tent at the finish line, 5m ahead of me. That was such a relief. Do you ever feel fear? It’s not fear, but there is an ongoing sense of worry. If we don’t like risks, or don’t accept them, we should not do these things. However much we go to the mountains, train and live in them, we will never know everything. We can only know a small part, and we need to accept that. When you are young, you look at a mountain and you see its beauty, you don’t see the risks. The more you grow in years and in experience you see the mountain through different eyes. You see the dangers and these are not the ones you expect, or that the books warn you about. It’s always the strangest things, the unexpected, the illogical. This you need to know and understand if you want to be in the mountains. You can be afraid when it is really icy and steep when you are skiing. You wonder to yourself if your skis will hold, but then you tell yourself the skis’ edges will dig in because I have the right technique. Same for rock climbing. People know their technical levels; what we don’t know is whether the rock is loose and will crumble in your hand, or if your skis are really on thin ice under a light covering of snow. You have to look to yourself, your technique, and when

you are older, you add to that the was possible. With Everest, if you go up knowledge of what is around as you learn the normal route, when everyone else to read the mountain and not just rely on is climbing, then you could have issues. your strength and technical ability. We will avoid the normal route and be alone on another side of the mountain. Why did you start the Summits There will be just four of us, no porters. Of My Life project? We might have some problems among I started it three years ago, but it has been in my mind for a very long time. ourselves, but not with others. When I was a kid, I had a big poster of Why no porters? the Matterhorn in my room and I read I don’t think I enjoy it at an intellectual mountaineering books so I knew the level, but the fewer things you have, the fewer problems you have, you have names of the summits, their histories. a simpler life. For example, I am used to These mountains have always been in moving house; I’ve done it often, maybe my culture as a kid. So when I started 16, 17 different times. The good bit is you doing my sports at 13, I became fascinated by the story of Bruno Brunod need to pack all your belongings, and that and his speed record on the Matterhorn, is when you see what you use, and what or Stephane Brosse when he did the you don’t. I don’t like to have things I don’t Mont Blanc record: these were use. I prefer to give to people feats that made me dream. who can use these things. These mountains, and these Do you apply this feats were both beautiful philosophy to your sport? and aesthetic. I see no real distinction How did you select the between ski mountaineering Mont Blanc crossing mountains? and running. For me it is all (altitude: 4,810m) The Matterhorn, well, because about being in the mountains, Route linking it is there. And because of so why have running pants Courmayeur and Chamonix. 8h 42m Bruno Brunod’s record, and ski mountaineering pants which was an incredible and climbing pants? One Matterhorn (4,478m) Beat the ascent and achievement. Then Mont piece of clothing should work descent record set Blanc, because of its place in for all. And I say this to my by Bruno Brunod, the history of mountaineering. clothing sponsor, but I do his childhood hero, The Aconcagua is the highest believe simplicity and in 1983. 2h 52m in Latin America. Mt Elbrus lightness are the way to Mont Blanc (4,810m) is the highest in Europe and enjoy the mountains. Do The highest mountain I also like the fact that in I take one ice pick with me, in the Alps. 4h 57m Russia they have this culture or two? Maybe I am a bit McKinley (6,186m) of selecting the best people extreme in this thinking, Summit of North but it is interesting because for mountain expeditions America and subject to Arctic weather. 11h 48m mentally it is the same: do I by getting them to speed need a car or not. It’s the same climb this mountain. Can Aconcagua (6,959m) Highest peak in South thinking. Maybe the level of you imagine a race from America. Attempt end engagement is different on Chamonix to the summit of of 2014 Mont Blanc? Impossible, but the mountain, as in one or two Mount Elbrus (5,642m) this is what happens in Russia, ice axes, but the fundamental Europe’s tallest and and that is why I like going philosophy is the same. I love toughest. One attempt there so much. McKinley is to be self-sufficient. I don’t failed. Attempt in 2015 a polar mountain with really want Sherpas carrying my Mount Everest tough conditions and Everest equipment. I prefer to think (8,848m) of course is the highest through everything I need. Top of the world. summit and now, with all the When I go on holiday with Attempt in 2016 my girlfriend, or friends, this commercial expeditions, it is is how we travel. We share, easy to climb. But if you don’t one spoon for both, for example. Going go up the normal route and avoid the to the Himalayas, everyone thinks is so fixed ropes, well, it is a huge mountain. expensive, paying Sherpas, cooks, and How do you feel about going up all the other extras, but once you have Everest, after the fatalities and paid for the flight and you carry all problems there earlier this year? your equipment, well, you may end Much of the trouble arose from how most up being a little more hungry and you people in the West approach climbing, in may suffer a little along the way, but it a very commercial way. When Ulie Steck will be much cheaper, and crucially, and Simone Moro were there they were a very different experience. climbing fast, so it was not in the mind of the Sherpas that climbing like that summitsofmylife.com

JORNET’S JOURNEYS

Dakar debut 1988 on a Yamaha motorcycle Dakar wins 1991, 1992, 1993, 1995, 1997 and 1998 for Yamaha. He switched from bikes to cars in 1999. He won in 2004, 2005 and 2007 at the wheel of a Mitsubishi; 2012 and 2013 in a Mini. He has also come second twice, in 2000 and 2014 and in 2003 came third. In 26 starts, he has only retired twice.

STÉPHANE PETERHANSEL

Can this man win the Dakar Rally for a 12th time? No one in the history of the great race has had close to the success of the 49-year-old Frenchman, with 11 wins from 26 starts. So what keeps him motivated – and why is he so good?

FLAVIEN DUHAMEL/RED BULL CONTENT POOL

Words: Werner Jessner

the red bulletin: Having taken the start line for every Dakar since 1988, aren’t you bored of it? Stéphane Peterhansel: Discovering new places is my great passion. As the route changes every year, there’s always been something new to look out for. But the Dakar route is quite fixed [mainly France and north and central Africa from 1978 to 2007; through South America since 2009]. Do you satisfy your wanderlust in other ways? In September I cycled across Lesotho, for example. I’d never been there, it is surrounded by South Africa and as the Dakar is in South America now, it’s unlikely to take me there any time soon. Why did you do it by bike? You’ve got to prepare for the Dakar physically somehow. What about the mental side of things? Motorsport happens to be my second great passion, so Dakar is the perfect combination for me. I took part in Africa 18 times. The sky was different every single time, not to mention the sand and the smells. Where was the most memorable place? I really loved the landscape in southern Algeria. When it comes to the event as a whole, the route from Paris to Cape Town was the most diverse. In South America, everything around the Cordilleras is really spectacular. There’s wet, dry, extreme altitude. You’re really spoiled for choice as a traveller. Why do you think age isn’t an issue for winning the Dakar Rally? THE RED BULLETIN

When I was 35, I thought my fellow countryman Jean-Louis Schlesser was an old man! Today I’m still not as old as he was when he last won. So 49 is no age at all. Mentally I’m still young, and physically I feel as fit as a fiddle, too. How long will you continue driving? I signed a three-year contract with Peugeot Sport in June. I’d still like to win a sixth time behind the wheel of a car. I’ve won six times on my motorbike, so that would round things off nicely.

‘It’s about survival: I saw riders die in front of me and others are now in wheelchairs’ Why did you swap motorbikes for cars? It was partly about survival instinct. I’d ridden the rally 10 times on my motorbike and I never had a serious accident. I saw riders die in front of me and others are now in wheelchairs. Personally, I always had the feeling that everything was under control, but maybe that was deceptive. Another reason for the change was the boredom. With that helmet on, you’re always alone, in good times and bad. But in the car you can tell your co-pilot how you’re feeling.

What’s your favourite car? I’ve always had very quick cars, just four-wheel drives. In 2015, I’ll be starting out in a rear-wheel buggy for the first time, the Peugeot 2008 DKR. Even though I don’t have the feeling that the car can win, it’s the one I’ve had the most fun in. What makes it fun? The regulations allow buggies more suspension travel than four-wheel drives, which suits my calm and gentle driving style. The worse the course, the better the Peugeot. Who will be quicker this year, your teammate Carlos Sainz or you? Him still, for now. He’s got more buggy experience than me. Would you race the Dakar in a truck? I tried driving one last year. I won’t be doing that again. It’s nothing like driving a car. I can’t be bothered with it. You first excelled on a skateboard. What do you remember of that? The last time I skated was 10 years ago when I came across my old board when I was cleaning out my garage. It still worked well, but the sport has definitely changed a lot since my heyday, almost 40 years ago. We had slalom races back then. Young people now don’t even know that such a thing ever existed. Is that an admission that you’re starting to grow old for your profession? More that you’ve constantly got to be on the ball if you don’t want to fall behind. peugeot-sport.com

MYELE MANZANZA

‘Now I know when to unleash’ The Wellington drummer (and more besides) is playing live techno in a band to audiences around the world

Wellington drummer and producer Myele Manzanza styles his CV like an old-fashioned business card: Drummer, producer, beatmaker, DJ, composer in Hip-Hop, Jazz, Electronic. All these skills were brought to bear when the 26-yearold scored the gig of a lifetime, joining the live band of Detroit techno DJ and producer Theo Parrish. Manzanza took his seat at the drums behind Parrish, guitarist Duminie DePorres, who has worked with Public Enemy and George Clinton, keyboardist Amp Fiddler, who counts Clinton and Prince among former colleagues, and the much sought-after bassist, Akwasi Mensah. Manzanza has previous form as a sticksman for New Zealand bands Electric Wire Hustle, Olmecha Supreme and The Recloose Live Band, but reimagining killer cuts from Parrish’s esteemed techno and house catalogue is next-level stuff and has taken Manzanza through Europe and beyond. He spoke to The Red Bulletin about what it means to hold down the beat for a don of Detroit music techno. the red bulletin: Before you met the man himself, what was your relationship with Theo Parrish’s music? myele manzanza: The first time I’d heard of Theo was when I was playing with The Recloose Live Band in Japan. We did a gig in Tokyo with him; I’d never heard his music or seen him DJ, but his set flipped my mind. He was playing across the board, from super-electronic house to oldschool soul and funk, and mixing records which shouldn’t be mixable. It was one of those eye-opening musical experiences. Did you meet him that night? Yeah, we hung out and had a group dinner. He doesn’t remember me from 58

that time, though. My group [The Myele Manzanza Trio] did some concerts in Australia a year or so ago, and one of the tunes we played was a Theo Parrish track, Love Is War For Miles. [New Zealand producer] Mark de Clive-Lowe sent it to Theo, and Theo totally bugged out and signed it to his Wildheart label. That’s how he heard of me. When he was putting his live band together, I guess he thought, ‘OK, this guy can play the drums

‘Playing techno live, you can’t be on autopilot. It’s unconventional in structure’ and he knows my music so it makes sense to bring him on.’ We had a Skype session and talked about what he wanted to do and our musical influences, and it felt right. There was instant chemistry. What’s the brief for playing live techno? The vibe was he wanted to do a live band reproduction of his tracks. A lot of his music is unconventional in structure, so we couldn’t afford to be on autopilot. Theo’s rhythms are very mechanical, which meant I had to do a lot of homework. How long did the band have together before you hit the road? We had a week of rehearsals at the Red Bull Studios London. It reminded me of summer basketball camps I used to go to, where you would work together as a team. That week with Theo was like that, nine-hour days of being drilled – and the band got super-tight, super-quickly.

How was it going from being a fan of Theo to being his bandmate? It was awesome just hanging out and talking music, to get to know his process. Instead of thinking as a drummer, I had to think as Theo Parrish the drum programmer. It was really cool for me to open my mind to another way of playing. I know that Theo’s a big deal, but I didn’t really get the scope of it until the first gig [at Dancity Festival, Foligno, Italy] and seeing the audience hyped; it was unlike anything I’ve been a part of. It was really revitalising – not that I’d lost faith in music, but it was like, ‘This is what I want to do with my life.’ Did you have any time on tour to work on your own music? Yeah, after those rehearsals I had an opportunity to use some studio monitors at the Red Bull Studios London and mixed a bunch of stuff, and if I was bored on the road I would be on the tour bus making beats. Has touring with the Theo Parrish Live Band affected your own music? Theo directed our every move. At first it felt like, ‘OK, this guy’s trying to micromanage me,’ but when we got to the end result it made perfect sense. That’s made me more aware of getting down to the simple, most effective essence of what I need to do with my own beats and not playing stuff that doesn’t need to be played. With Theo, my job is playing a supporting role instead of the star of the show; I have to be the foundation for the rest of the band. Lots of musicians talk about playing for the song as opposed to playing for yourself, and this experience has made that real for me, knowing when to hold back and when to unleash. myelemanzanza.com THE RED BULLETIN

STEPHEN LANGDON

Words: Tom Goldson

DISCOGRAPHY One – 2012 ACADEMY ALUMNUS Myele Manzanza was the only New Zealander at Red Bull Music Academy 2010 in London, an opportunity that saw him schooled by the likes of Flying Lotus and Roots Manuva. BEAT STUDIES Manzanza’s a graduate of the New Zealand School of Music in Wellington, which has also guided heavyweight Kiwi artists like TrinityRoots and players from Fat Freddy’s Drop.

Grape expectations: Rhythm and Vines gets your New Year off to a good start

Summer Festival

GUIDE GETTY IMAGES/ HANNAH JOHNSTON

A NEW WAVE OF FESTIVALS IS TURNING UP THE VOLUME ON THE NEW ZEALAND MUSIC SCENE. BUT JUST WHAT DOES IT TAKE TO THRILL THE CROWDS IN THE PACKED SUMMER SEASON? PLUS: EVERYTHING YOU NEED TO KNOW ABOUT SEEING Words: Tom Goldson IN THE NEW YEAR AND PARTYING BEYOND

ith 45 years of history and 32 festivals under its belt, there’s no disputing the status of Glastonbury on the global festival calendar. Each time English dairy farmer Michael Eavis turns his Somerset fields into a sea of flags, tepees and mud, revellers and outsiders alike clamour to get their hands on tickets. Top-billing superstars guarantee headlines, but they do not make Glastonbury, or any other festival. Rather, it’s the smaller platforms, on stages and in tents far from the main stage and TV cameras, that create essential pilgrimages for music’s tribes. This is especially true in New Zealand, where expertly assembled line-ups lower down the bill are proving to be the hits. The Red Bulletin went backstage to talk to the organisers pulling the strings.

In the heart of the city: St Jerome’s Laneway has an urban vibe, backed by great music and food

St Jerome’s Laneway Festival Creating magic in an urban space is what the event is all about Perhaps the most successful of its kind, St Jerome’s Laneway Festival has sold out three times in the last four years and is about to do it again in 2015. Since it first came to Auckland in 2010, Laneway has moved from downtown Britomart to Aotea Square, before settling at Silo Park’s waterfront, each locale following the organisers’ ethos of repurposing city spaces. “We’re not about being in a stadium or on a farm,” says Mark Kneebone, copromoter of Laneway’s New Zealand leg. “It’s about turning a city space into a festival site. People seem to really dig it.” Laneway has four stages, including the Red Bull Thunderdome, housed in Silo Seven. The festival’s small size means punters can stroll between the platforms. The festival’s edge comes from the artists it books. To keep ahead of the curve, Kneebone and co-promoter Ben Howe begin their search for artists the day after the festival ends. “We never take ourselves too seriously,” says Kneebone. “We don’t see Laneway as a bellwether for what’s cool or hip. It’s a festival that’s just about getting great bands to play their guts out. Everything else comes second to that.”

WHEN

January 26, 2015.

WHERE

Silo Park on the Auckland waterfront.

SOUNDS

Full-spectrum musical offering with a left-ofcentre, alternative bent.

HEADLINERS

FKA Twigs, Flying Lotus, Banks, Future Islands, Jungle, Little Dragon, RATKING, Lykke Li, St. Vincent, Rustie, Royal Blood, Vic Mensa, Connan Mockasin, Angel Olsen, Angus & Julia Stone, Belle and Sebastian, Eagulls, Jon Hopkins.

SIDESHOWS

A sophisticated selection of food vendors, bars and cafés, plus plenty of grassy space and shade from the midsummer heat.

WHY YOU SHOULD GO

Laneway has attracted an impressive pool of alt-music talent over a five-year run, but nothing touches the 2015 roster. auckland. lanewayfestival.com

Splore The theme of this extravaganza is an unforgettable party, with dance music, an arts programme and an eco message Sheltered in the Tapapakanga coastal park, Splore features a glorious location. But the three-day environmentally focused music and arts event, which now returns to its regional park home, doesn’t rest on its laurels. Splore 2015 will entice the summer set with the best in roots, dub, hip-hop and dance music, with artists like TrinityRoots and Sharlene Hector, billed alongside alternative activities like yoga, contemporary dance and burlesque. “We began as a New Year’s party on the cliff tops of Kariotahi before evolving into a fully integrated music and arts event at Waharau Regional Park,” says Splore’s John Minty. “The environment always figured strongly to our crew. “The vision was for an underground party inspired by Goa and Burning Man. We cater to people with both niche and mainstream tastes. The aim is to have punters come away raving about an act they previously had no idea about.” WHEN

February 20-22, 2015.

WHERE

The sublime Tapapakanga Regional Park on the western shores of the Firth of Thames.

SOUNDS

Tasty mash-up of hip-hop, house, soul, funk, dub, reggae, trap and more.

HEADLINERS

TrinityRoots, Lunice, The Correspondents, Rodney P, Jason Eli featuring Basement Jaxx’s Sharlene Hector, and Mr Scruff.

At Splore take a dip in the sea between checking out bands

SIDESHOWS

ADM PHOTOGRAPHY, JASON BURGESS, SPLORE FESTIVAL

Bars on the beachfront, early morning yoga classes, visual arts displays and familyfriendly activities.

WHY YOU SHOULD GO

The scenery, a winning line-up plus an up-forit crew of party people. Where else can you take a late afternoon ocean dip spitting distance from the main stage? splore.net

Green party: three days of music and celebration in rural bliss at R&V

WHERE

Partying among the vines is obligatory at this end of-the-year three-day knees-up

SOUNDS

Gisborne’s festival has been a main topic of festival conversation since it first welcomed in the New Year in 2003. This is mainly due to its sprawling roster of bands, DJs and producers, and the large number of fans who road trip their way to the Waiohika Estate vineyard every year – record attendance is 25,000. In 2015, the bill will be spearheaded by Zane Lowe, Danny Brown, Jagwar Ma and Action Bronson, backed by local and The Red Bulletin favourites Young Tapz, Team Dynamite, Third3ye and Kamandi. With EDM, hip-hop, rock and pop all on offer, the Rhythm and Vines team are left with the question of how best to fill the five stages laid out across the vineyard each year. “We don’t solely focus on genre-based stages, but programme all of them to flow with synergy,” says Alex Turnbull, R&V’s general manager. “The day could start off with an acoustic or downbeat or electronic act and flow through other genres. That way, each stage begins to take on a life of its own. “That part of the job is always a fun ball to juggle,” he adds. “The main goal for me is to book acts that our core demographic wants and has asked for, but also take an educated gamble with acts that I think are about to break.”

Gisborne’s Waiohika Estate vineyard. Perfect soundtrack to a stadium-sized New Year’s Eve celebration.

HEADLINERS

Bastille, Zane Lowe, Netsky Live, Danny Brown, Chet Faker, Jagwar Ma, Action Bronson, Mr Carmack, Third3ye, Kamandi, PNC and a heap more.

SIDESHOWS

Flush with food and beverage sellers for three days.

WHY YOU SHOULD GO

With Big Day Out on leave and Coromandel Gold and La De Da putting their feet up over the break, this is now NZs biggest festival and NYE party. A killer location and line-up ensure R&V is set to stay. Go wild in the country: a magnet for music and fun lovers, Rhythm and Vines now attracts a crowd of 25,000

Rhythm and Vines

rhythmandvines.co.nz

PAUL HOELEN (2), SHAUN JONES (2), BRADY DYER

WHEN

December 29-31, 2014.

Homegrown One music-packed day on the waterfront at Wellington, where you’ll see the cream of New Zealand talent in action Another point of discovery in summer’s music landscape is this niche Wellington festival, perched along the waterfront, with talent plucked, as the name suggests, from the local pool. This Kiwi-centricity is not without its challenges, but director Mark Wright says the well he draws from is a long way from being tapped dry. “In a small country like ours, the source of talent is finite, but last year, half of the bands and DJs on the bill had never played the festival before. I mean, some years some of the genres can get a little skinny, but I’m pleased to say that New Zealand music is in a pretty healthy state right now.” Just like his counterparts at other festivals, Wright has high-stakes responsibilities. Festivals stand and fall on the calibre of their locations and artists, and there is a constant refining of the blueprints. But for all the micro-calculations required, Wright believes that an on-the-money festival formula is simpler than you think. “At the end of the day, it’s about people having an amazing time. It has got to be hassle-free, relaxed, great value for money and the bands that are playing have got to be good. It comes down to making every year kick-ass and then being committed to making the next one even better.”

WHEN

March 7, 2015.

WHERE

Seven genre-specific stages across Wellington, from Waitangi Park to TSB Bank Arena.

SOUNDS

Over 50 local acts, from rock to hip-hop, electronic music to reggae, indie to metal – and all 100 per cent Kiwi, maaate.

HEADLINERS

Shihad, David Dallas, Blacklistt, P-Money, Sid Diamond, Six60, Shapeshifter, Tahuna Breaks, Devilskin, Tiki Taane, Raiza Biza, Young Tapz and Mzwétwo.

SIDESHOWS

Lower Frank Kitts Park and the Te Papa promenade will host food and retail markets, cafés, amusement rides and interactive activities.

WHY YOU SHOULD GO

Since 2008, Homegrown has dedicated itself to an all-NZ link-up, bringing our best live acts to Wellington to shake up the waterfront. homegrown.net.nz

Set to thrill at Homegrown 2015: Devilskin (top right) and Blacklistt with lead singer Damian Alexander

THE RED BULLETIN

MACHINE

ROLAND SANDS makes the most sought-after customised motorcycles in the world. Brad Pitt and Mickey Rourke ride his bespoke bikes. We uncover the secrets of his California workshop WORDS: ANN DONAHUE PHOTOGRAPHY: DAVID HARRY STEWART

DREAMS

otorcycles have always served as shorthand in pop culture: the person riding one was an iconoclast, a guy who knew that part of his charm was that his leather jacket was dusty and sun-baked, and he didn’t give a damn if mothers looked at him askance, because their daughters were looking at him in a much more promising way. Recently, however, that image has morphed into something beyond the Marlon Brando archetype. The epitome of cool is no longer just anyone who hops on a motorcycle. The machine itself has become a medium for style, a place to make an aesthetic statement. One of the main forces behind this evolution is Roland Sands, a motorcycle designer and customiser in Los Alamitos, California. Sands brings an artist’s eye to his machines – he is known for his clever, intricate creations that nod to both nostalgia and technology. With a team of 15, he installs custom retro design elements like vintage headlights and air cleaners on motorcycles alongside cutting-edge carbon-fibre parts. Recently, Sands has expanded into lifestyle goods for the wannabe rider in all of us: kick-ass oxblood leather jackets, gloves that pay homage to Peter Fonda’s Captain America in Easy Rider. And if gravel rash scars give one gravitas in the motorcycle industry, Sands, 40, has those, too. He’s a former AMA 250GP National Champion, 68

which gives him first-hand experience of how form can impact function. This authenticity has become his calling card. Motorcycle manufacturers including Ducati, BMW, Harley-Davidson and KTM have commissioned Sands for custom builds; his individual clients are a too-cool collective from the worlds of sport, music and film: Ryan Sheckler, the Red Hot Chili Peppers’ Anthony Kiedis, Brad Pitt and Mickey Rourke, among others. Rourke and Sands explore their love of motorcycles in one of the segments in the newly released film On Any Sunday: The Next Chapter. Here, Sands talks to The Red Bulletin about the melding of man, machine and manufacturing – and the mayhem that is the undercurrent of it all. the red bulletin: On Any Sunday: The Next Chapter reveals that there’s no such thing as a stereotypical motorcycle person. Do you agree? roland sands: Yeah, and at the same time, to ride a motorcycle, you need to be able to accept a certain amount of risk, and I think a large part of the population probably doesn’t do that. Maybe we’re all willing to take a measured risk. When did motorcycles go from being a hobby to being a career for you? My dad, Perry Sands, was a pioneer in

“TO RIDE A MOTORCYCLE, you need to be able to accept a certain amount of risk”

Roland Sands (top-left) superupgrades all types of bikes, from Harleys to motocross racers

motorcycle aftermarket parts in the 1970s, and he always pushed me to work hard. As a kid I spent a lot of time at the workshop doing all kinds of jobs, and I got to a point where I was over it. I wanted to do something different than work on an assembly. I quit and got a job delivering pizzas, but ended up getting too many traffic tickets, so they fired me. I think at that point I decided that a creative approach was what I needed to stay interested in the business, so I asked for my job back. He was nice enough to rehire me and dropped my pay. How did you get into racing? When I was 18 years old, my dad took me to a road-race school and I loved it. I ended up going pretty quick and something just clicked for me. I really enjoyed the sense of accomplishment, the mental fight, overcoming challenges. I can’t remember all the injuries I’ve had, but I’ve broken over 30 bones. Little bones, big bones, sprains,

“I’VE BROKEN OVER 30 BONES. Little bones, big bones. Half racing, half doing stupid stuff” concussions, broken back, crushed liver, ribs, lungs – just stupid stuff. How much of that was doing dumb stuff and how much of that was racing? The broken bones are probably half and half. Skateboards and dirt bikes contributed to that number for sure. When did you retire from pro racing? I quit racing in 2002, when I was 28. I’d put 10 years of my life into it. When I left I was quite depressed. I didn’t realise for a year or so how fortunate I was to have another direction open to me, and then product design and building motorcycles more than filled that hole. Racing is performance-driven – you’re only as fast as your last race. It’s temporary. As a racer I’d always felt a little incomplete, like I was searching for something more permanent, and I was lucky to have found it within design and the motorcycle culture. When did you realise you had an interest in designing motorcycles? 70

When I was 16, the first time I designed something for my dad, around the time that I lost the pizza delivery job. I’d been sketching bikes since I was a kid. I designed a motorcycle wheel hand-sketching in 2D, then I learned a bit of 3D while I was racing. I started 3D modelling with software. I think we were one of the first aftermarket motorcycle companies to use 3D

modelling extensively. It helped us create a unique and progressive style that I still use today. Ten years ago, you appeared on reality TV shows in America, including Biker Build-Off and Build Or Bust. Do you think those shows helped popularise custom bike builds? You know, that’s a mixed bag. Reality TV exposed a lot of people to motorcycle THE RED BULLETIN

Above: Sands gets to work on a BMW R90 at his workshop, with help from head fabricator Aaron Boss Right: putting a customised RSD Suzucati through its paces

customisation, but also taught people that motorcycle customisers are idiots. It’s entertainment versus education. People want to be entertained. They don’t essentially want to learn, but they think they’re learning, which TV is good at. They think they’re being entertained and educated at the same time, when it’s really sucking the souls from their bodies. But surely appearing on those shows helped expand your business? At the time it was the right thing to do for me. Doing those shows positioned us as a pioneer for a new style of bike building, but also it made me look like an idiot. Like, “Yeah! Let’s go crash a motorcycle for fun!” I would do it differently today. Do you see yourself as a control freak? I work with a lot of talented people, and my job is easier because I can depend on them. I exist to make sure things don’t get f--ked up. I’m the creative filter, so anything that leaves this shop I have to get my eyes or my hands on. How do your celebrity deals work? It’s different with everyone. We did a project for Brad Pitt and I didn’t talk to him apart from the first time we met, and we never released the bike to the public at his request. With Mickey Rourke, it was very personal and we got to know each other. I think the bike helped him connect with his brother, who was a big bike guy and he really looked up to. With Anthony Kiedis, it’s been really cool. We first met at Jay Leno’s place, where we got to see all these amazing vehicles together, so I got a true feel for what he liked. He writes a lot of his songs on his bike, so I feel this extra responsibility to deliver him something he’s going to love. Now your bikes are considered art. As an artistic focus, I think motorcycles are unparalleled, because there’s so much you can do with them. Not just building them, but riding them, being a part of the machine and just dedicating your craft to the art of two wheels. I mean, it’s not a car. You have to connect the dots, and it’s all exposed to the world, even the rider. It’s truly design, function, fashion and form that all get smashed together into this creature that you ride. Do you test everything yourself? I don’t feel comfortable shipping out a bike unless I’ve tried it out first. If there’s ever a question about the way we’re building something, I always ask myself, “Would I jump on this bike and ride it?” If the answer is no, we change it. Do you ever think to yourself, ‘Damn, I really want to keep this one?’ Every time. rolandsands.com

Now hear less: the world’s smartest earplugs MUSIC, page 87

Where to go and what to do

AC T I O N ! T R A V E L / T R A I N I N G / N I G H T L I F E / M U S I C / P A R T I E S / C I T I E S / C L U B S / W AT C H E S / E V E N T S

All the way to the NBA GETTY IMAGES

FROM COLLEGE HERO TO GOLDEN STATE WARRIORS SQUAD: RISING BASKETBALL STAR HARRISON BARNES REVEALS HIS KILLER WORKOUT ROUTINE TRAINING, page 76

THE RED BULLETIN

ACTION!

TRAVEL

Woopy jumping: take off on your skis or snowboard

AND ANOTH ER THING SWISS HIGHS

ACT UP Bungee jump off the Verzasca Dam in Ticino, Southern Switzerland, and recreate the opening scene of James Bond film Goldeneye. trekking.ch

Biggest air of all Combining the thrill of snowboarding with the adrenalin rush of para-gliding, woopy jumping is becoming an increasingly common sight on the slopes of the Swiss Alps. Heading down an icy incline at around 50kph on a board is thrilling; with a delta-shaped, inflatable wing strapped to your back, the adrenalin is amplified. What would have been fleeting jumps are extended into periods of soaring weightlessness. Big air gets really big; up to 30 seconds of flight time if you’re really good. “It feels like flying,” says Emma Shore, a snowboarder from Canada who tried woopy jumping at Schwarzsee in Switzerland. “The wing is really light and when you’re gliding, it’s like you’re weightless.” With the wing on their backs and the piste glistening beneath them, woopy jumpers enjoy the kind of serious airtime that traditional snow junkies only dream of. The sport is in its infancy, with only handful of resorts offering lessons and kit hire in the Swiss Alps, the sport’s birthplace. But with its fast take-up and unique rush, it won’t be long before its popularity, like its participants, soars. “I’ve done plenty of boarding and I’ve grabbed a lot of air,” says Shore, “but hitting a jump with the wing attached is something else; it’s a real buzz.” jump.woopyjump.com

ADVICE FROM THE INSIDE COMMIT TO IT “Decide what it is you want to do, ski or fly,” says Emma Shore. “If you hesitate when fully taking off, you’ll keep dropping and bumping off the ground. Embrace the wing, and take flight!”

JUMP OUT Take a helicopter tour over the Alps and then leap out at 15,000ft for a breathtaking tandem skydive experience. helicopterskydive.com

Achieve big air thanks to a paraglider wing

The right direction

“To steer, there are two options,” says Laurent de Kalbermaten, inventor of the woopy wing. “One’s like hang-gliding where you shift your centre of gravity; the other is creating a ‘differential’ pitch, which means pulling each steering bar to warp the wing.”

DROP IN Abseil down crevasses deep into a glacier, then climb your way out again under the guidance of the most experienced ice-climbing guides in Switzerland. swissalpineguides.ch

THE RED BULLETIN

GETTY IMAGES(2), FOTOLIA(2)

W OOPY JUMPING YOUR NEXT NEW ALPINE SPORT: HALF PARAGLIDING, HALF SNOWBOARDING, ALL ACTION

ACTION!

MY CITY

Sopot

1 NIEPODL

GDA NSK

GDANSK, POLAND

EGŁOSC

Gdansk you very much: resident DJ Tomek Hoax

´ I AVE

‘ A million great mates’ G DANSK GREAT MUSIC, CRAZY BUILDINGS AND INFORMAL FLAIR ARE ALL PART OF THE POLISH PORT’S EVER-INCREASING APPEAL W AL D AV E

T A

A A

ZK M

“At first glance, Gdansk will remind you of other northern European port cities like Amsterdam or Bruges because of the brick churches and the canals,” says Polish DJ Tomek Hoax, of his home. “But Gdansk is unique. Together with neighbouring towns Sopot and Gdynia, it makes Tricity – Trójmiasto in Polish – which has something for everyone. Sopot is the party metropolis, Gdynia is an oasis of calm, and Gdansk is the old town stuffed with cafés, pubs and jazz bars. There are a million of us living in Tricity and everyone seems to know everyone. People are open to tourists and the tourists like that. There are more of them coming here every year.”

ZASPA

Z C

U H S

ST A LN E V A A

SK IEG T O S

TOP FIVE TOMEK’S CITY HIGHLIGHTS

WOJTEK ROJEK, LUKASZ PIETRZAK(2), TOMEK HOAX(2), FOTOLIA(3)

1 SFINKS700 Franciszka Mamuszki Ave 1 “The best club in Sopot, where top DJs come to play. After short break it was re-opened by world-famous jazz pianist, Leszek Mozdzer. He’s often there and he likes to improvise on the piano with the DJs.”

EXTR A KI C K ACTION IN AND AROUND GDANSK

THE RED BULLETIN

2 KRZYWY DOMEK Jana Jerzego Haffnera 6 “The name means ‘crooked little house’. It’s a must-see, built by two Polish architects inspired by the bizarre drawings of Swedish artist Per Dahlberg. Inside are shops, bars and amusements.”

3 MURALS Zaspa district “An area with a flair all of its own. Street artists have painted huge graffiti murals onto the grey, communist residential blocks. If you want to see it all, factor in a two-hour walk. It’s worth it.”

MII

J RA

ELBLASKA ST

4 NEIGHBOUR’S KITCHEN Szafarnia 11 “This is the answer to ‘Where should I eat in Gdansk?’ The place has a high-end menu as well as offering things like burgers. They make whatever they can on the premises, including the burger buns.”

5 FOOD TRUCKS All over Tricity

“Our food trucks are legendary. Gaudy chow wagons seem to pop up wherever there’s something going on. My favourite is Carmink and Muka Bar, which does excellent falafel sandwiches.”

ICE-SAILING

WRECK-DIVING

WINTER SKATEBOARDING

Sailing boats on runners, glinting ice and high speeds: the frozen Masurian lakes are ice-sailing paradise.

Want to explore a sunken sea vessel as you dive? You can do that off the coast at Gdansk all year round.

A new outdoor skatepark that, thanks to the gentle climate in this part of Poland, can be enjoyed during the winter.

icesailing.org

balticdive.pl

abiskatepark.pl

ACTION!

WORKOUT

Hoop to it: Barnes has shown he can score big in the NBA

Harrison Barnes: 6ft 8in up-andcoming NBA star

Put your ass into it BASKETBALL GOLDEN STATE WARRIORS FORWARD HARRISON BARNES REVEALS HOW HE GETS INTO TOP COURT CONDITION “Doing things that make my body fire right, to be as explosive as I can, as fast as I can – those are things that separate the great athletes from the good ones,” says Harrison Barnes, the 22-year-old who has been working hard to replicate the form that earned him a place in the 2013 NBA AllRookie Team. The forward made a splash during his first season playing for Golden State Warriors after signing from the University of Carolina in the 2012 draft. But Barnes’s first-team opportunities were limited last season, so he and his personal trainer Travelle Gaines came up with a new routine. “We got his heart rate up and kept it there throughout each workout,” says Gaines. The focus was on his lower body, with a lot of squat work in the gym. “The NBA is really tough,” says Barnes. “When I’m training, I think about the guys who are difficult for me to guard from a physical standpoint and how I can improve on that.”

S Q U AT TO I M P R ES S “The biggest thing I work on is my hip mobility and my strength,” says Barnes. “I work out in low positions to make sure I’m strong enough to play defence while being explosive on offence.”

Watch Harrison Barnes demonstrate his fitness programme at redbulletin.com

GET H I P TO IT

“Your feet need be shoulderwidth apart before you do the squat. Push the weights towards your ears to work your upper body a lot more.”

“You want to line up your knees above your ankles and push your butt out like you're sitting in a chair.”

“Strength is created by tension – you're gaining the most strength when your arms are locked.”

GETTY IMAGES(2)

“This greatly improves hip strength and hip flexibility,” says fitness trainer Travelle Gaines, who works closely with Harrison Barnes. “His first step is lateral quickness, which you need to play basketball. I use one of these with Harrison a lot."

HERI IRAWAN

SKLZ LATERAL RESISTOR

THE RED BULLETIN

ACTION!

WATCHES

DO U B LE STU FF

ORIS BIG CROWN PROPILOT ALTIMETER It’ll show your altitude at up to 15,000ft (4,572m)

WHY THE ORIS BIG CROWN PROPILOT ALTIMETER HAS TWO CROWNS

TWO AND FOUR The crown at the two o’clock position sets the time and date. The barometer/ altimeter is adjusted using the crown at four o’clock. Wind the latter and the housing becomes waterproof at depths up to 100m.

Flying high

ORIS THERE ARE LOTS OF PILOTS WATCHES, BUT ALMOST NONE WITH TWO OF THE MOST CRUCIAL FLYING TOOLS. THIS, STYLISHLY, HAS BOTH

movements of indicators in gauges on the watch face. All parts of the barometer and altimeter are made from ultra-light materials: in the ProPilot, Oris has used filaments of laminated carbon fibre, a material that also has the added benefit of being incredibly strong. The watch’s very large housing – 47mm in diameter – is big not just because big watches are popular right now; it’s designed to accommodate these rare features and so that you can easily read air pressure or altitude, whenever you need to. oris.ch

The barometer/ altimeter only works if the ambient and internal pressure are equalised, which you do by unwinding the four o’clock crown.

NO SPOILERS Oris has developed a membrane of Gore-Tex and a Teflon-like material to prevent humidity or dirt getting into the watch.

THE RED BULLETIN

ALEXANDER LINZ

ilots like to watches does its barometer/ be informed altimeter thing the same way. of pressure Changes in pressure are and heights, detected mechanically, by little pieces of pressurebut rare sensitive metal alloy, is the in a tiny capsule wristwatch that has both barometer and known as an aneroid chamber. altimeter. In 1963, (‘Aneroid’ literally Swiss firm Favremeans ‘without Leuba unveiled fluid’; pressure their Bivouac; in was first measured 1989, Revue Thommen The barometer and in barometers and released the Airspeed altimeter parts are such like using liquids.) Altimeter. Now comes made by Swiss A delicate lever system a third, the Big Crown flight instrument then translates those ProPilot Altimeter from manufacturers Thommen Oris. Each of these alloy twitches into

UNDER NO PRESSURE

BACK IN TIME

Lucky man

JACK W HEUER TURNED GOOD FORTUNE INTO A FORTUNE, WRITES GISBERT L BRUNNER

Watch journalist Gisbert L Brunner bought his first Heuer Carrera 50 years ago

Jack W Heuer might just have been lucky. In 1969, his eponymous watch company presented the world’s first automatic chronograph with micro-rotor and waterproof square housing. As Heuer, known as JWH, had no money to spend on advertising, he decided to work with Jo Siffert. In return for JWH’s offer to switch his allegiance to Porsche, the Swiss Porsche dealer and Formula One driver stuck the Heuer logo on the Porsche 908.

A brand new Heuer Monaco also found its way onto Siffert’s wrist. “It was certainly an amateurish way of getting into the Formula One business,” JWH admits in retrospect, “but we were the first brand from outside the industry to get into this high-performance sport.” As part of the deal, Steve McQueen wore Siffert’s original overalls for the making of the movie Le Mans, in 1970. (Siffert died in a race accident at Brands THE RED BULLETIN

Hatch in 1971.) The movie’s props department also made sure that McQueen wore a Heuer Monaco, which instantly went on to become a cult chronograph. In 1971, luck came to JWH’s aid once more. While wandering through Saint-Imier in Jurain Switzerland, he met Swiss racing driver Clay Regazzoni. The winner of the Italian Grand Prix was on the lookout for chronometric equipment for the 24 Hours of Le Mans and the Ferrari circuit at Maranello. Thus Heuer became the official timekeeper of Scuderia Ferrari later that year, Enzo Ferrari himself inking the deal (the TAG Group bought Heuer in 1985). For more than 40 years, all Ferrari drivers have had the five-pointed Heuer logo on their overalls and a similarly marked gold automatic chronograph on their wrists. tagheuer.com

WATCH WISH LIST

Tri time THREE NEW MODELS FROM THREE LEGENDS OF WATCHMAKING Chopard Superfast Chrono Porsche 919 Edition The Geneva-based watchmaker recently became the Official Timing Partner of Porsche Motorsport to celebrate the German car maker’s return to Le Mans. The first fruit of the partnership is the 45mm steel chronograph, of which only 919 exist. The black rubber armband mirrors the tread of a racing car’s slick tyres. chopard.com

Alpina Alpiner 4 GMT This super-sleek outdoor watch can take a knock or two. You can set it to show the time in a second time zone thanks to an extra hand. It looks great in all its forms: with the light or dark dial and the strap in leather or metal. alpina-watches.com

Tudor Heritage Black Bay

Clockwise, from left: Niki Lauda (left) and Clay Regazzoni sign their Heuer endorsements either side of JWH, early 1970s; Mick Jagger in 1977 wearing a Heuer Autavia; Steve McQueen at Le Mans in 1970

This Rolex subsidiary diver’s watch was a sensation when it first appeared in 2012, especially the burgundy bezel. This new blue version was an instant hit within minutes of its debut in March 2014; you’ll have to join the waiting list to get your hands on one. tudorwatch.com

30-Hour Non Seth Troxler (above) plays two sets on Fabricâ&#x20AC;&#x2122;s birthday: the early shift at 10am and then again at the afterparty 20 hours later

- Stop PARTY Twenty DJs, 8,500 revellers and 200,000 beats: legendary club Fabric celebrated its 15th birthday with a marathon rave-up lasting from Saturday night to Monday morning Words: Florian Obkircher Photography: Alex de Mora

Saturday October 17, 11pm

Oliver Bourke is ready to go. He has a toothbrush, hair gel and sunglasses in his jute bag. “Unusual nights demand unusual measures,” he says. The 25-year-old graphic designer has a stubbly beard and is here to party. For 30 hours. Because London’s biggest and best underground house and techno club, Fabric, is marking its 15th anniversary with a huge party stretching over three days. Bourke has been standing in the 150m-long queue for an hour. “I’ve been coming here since I was 18. The DJs at Fabric have taught me everything I know about music,” he says. “And today 20 of the best DJs in the world are playing: Ricardo Villalobos, Seth Troxler, Craig Richards...” 82

11:02pm

On the facade of a threestorey Victorian brick building are heavy, metal double doors with the Fabric logo above and a barrier in front. The people with tickets are on the right. Those on the guest list huddle over to the left, as do those who think they are on it. “Here!” Four people holler at a dainty young woman with glittery make-up. She is Jo Neill, 25, an architect from Monday to Friday, but on Saturday she guards the door to party heaven. “Name?” “Andy Harris.” “Sorry, you’re not on the list.” “But… Seth Troxler promised me...” “Sorry, darling, please join the other queue.” On a normal night there are 300 people on Neill’s list. Today it’s 842. Once you get past Neill, you have to go through a metal detector, then be frisked by the huge

bouncer and have your bag checked: “OK, in you go.”

Sunday October 18, 00:14am

The club is nicknamed the labyrinth and for good reason. Three underground dancefloors are linked via two broad brick stairwells. They are the club’s main arteries. Elsewhere, there are gallerias, bars, toilets and enough staircases and narrow passages to get lost in. There are no signs anywhere. “Room 3? Go left here, then right, then up the stairs. OK?”

00:18am

Keith Reilly is propping up the bar in Room 3. The man who runs Fabric has short hair and is wearing a black T-shirt. He smiles when asked about October 19, 1999. “That first night was chaos. We still had no electricity just three hours

before we were due to open with 3,000 people outside,” says the 55-year-old. “At the end of the night we realised that nobody knew how to lock up the club. We had to leave people here overnight, sitting with the money, because we didn’t know how to set the alarm.” Reilly’s idea back then was to organise a club run by music-lovers for music-lovers. “A place where clubgoers wouldn’t be judged because of what they were wearing,” he explains. “In the early 1990s, there were practically only posh clubs in London playing cheesy handbag house. If you wanted to do something more interesting musically back then, you’d be promoting your party in a room above a fish and chip shop in Hounslow.” Since then, more than 4,000 artists have appeared at some 2,600 events and about 5.5 million people have danced at the former meat cold storage unit. They are

expecting 8,500 on their birthday night alone. DJ Magazine voted Fabric the best club in the world in 2007 and 2008. The secret of their success is authenticity. “The Guettas and Aviciis of this world don’t perform at our place. We’ve turned down about £16 million-worth of offers over the years. We only book DJs who have vision and passion,” says Reilly.

1:15am

Room 1 is the centre of this party temple. Its bare brick walls reach 10m into the air. Fat metal pipes run along the ceiling. Green laser beams cut through the screen of fog. The decks are barely raised off the floor and are surrounded by a Perspex/metal fence about 2m high. You can hardly see the DJ, and that’s deliberate,

because the music takes the spotlight here, and it comes belting at every angle down onto hundreds of people from four huge speakers hanging on the walls. The floor has 400 sensors that turn sound waves into vibrations. The bass throbs so hard that your knees shudder while you dance.

4:15am

A beefy security guy watches over the metal door next to the club cash machine. Only those wearing a gold-coloured, plastic bangle with “rock star” written on it can get past. This is the green room where the important people hang out. Or the people who think they’re important. There must be 40 A-listers in a small, red room about 15m2. It’s hot and sticky. The little fan in the corner is hopelessly out of its depth.

THE BASS THROBS SO HARD THAT YOUR KNEES SHUDDER WHILE YOU DANCE

4:18am

Normski is one true rock star among those wearing rockstar bangles. He has a grey beard, gravelly voice and glittering eyes. There is always someone tapping him on the shoulder or hugging him. Normski taught many of the people here about house music. In the late 1980s, he presented British TV’s first-ever dance music TV programme, Dance Energy. The veteran partygoer’s self-assured motto is, “I don’t need night life. Night life needs me.” He has been a regular at Fabric for 15 years. “The place has hardly changed on the outside,” he says, “but that’s fine. People come for the music, to see the Champions League of the DJ world perform. I have met DJs throughout the whole world, humongous DJs, megastars. And if you say to them, where would you most like to play, everyone of them will tell you: Fabric.”

There are 245 staff at Fabric for the biggest night of the year, from bar personnel to the bouncers and the DJs themselves. One of them is Craig Richards (top row, second from right). He has been at the decks in Room 1 since the opening night 15 years ago. Bottom row, right: DJ James Jackson and club-scene veteran Normski chat backstage about the club’s early days

9:32am

Super Mario’s hipster younger brother comes backstage: Seth Troxler has curly hair, a moustache, love handles. “Seth! Seth!” Two women fling themselves around his neck to say hello. The American DJ looks exhausted, even though his set is only due to start in an hour. How do you plan for a gig at 10.30 in the morning? Do you go to bed the night before or stay up all night? “The latter. I’ve come straight from the airport. A couple of hours ago I was still performing at ADE festival in Amsterdam.”

11:45am

According to the schedule, Marcel Dettmann and Ben Klock should have wound down about two hours ago. The two regular DJs from Berlin’s legendary club Berghain have been sweating away at the decks in Room 2 for 11 hours now. They 84

finally play Idioteque by Radiohead to bring their set to an end. Dettmann looks remarkably fresh as he steps away from the console. “The first three hours dragged a bit, but then time flew by,” he says. Was that the longest set of his career? “No. I once did 16 hours in a row at Berghain.” Nor is this the end of his working week. In three hours’ time he flies to Amsterdam for his next gig.

2pm

Half-time. That’s 15 hours of partying done. Time to take a breather. Three young women do yoga on the leather futons next to Room 2. In Room 1, a group of young men are curled up by the wall like embryos, their legs scrunched up and their heads between their knees. One of them is Oliver Bourke. His eyes are red and shrunken. He doesn’t need to tell anyone he forgot to pack deodorant. He is determined to soldier on. “Two hundred

thousand bass drum beats,” he mumbles. “I worked it out. Thirty hours of techno and house. That’s about 200,000 bass drum beats. I don’t want to miss a single one.”

4:05pm

How do you keep your strength up at a marathon party if you don’t want to leave the club? There is a pizza van in the smoking area. A chef with a twirly moustache has made about 100 pizzas in the last four hours. The bestseller so far is the Smoky Seth, which comes with pulled BBQ pork and a hot chipotle salsa, based on a recipe from DJ Seth Troxler. “Good, solid food,” he says, when he sees Bourke. “Perhaps you’d better have a slice of Margherita. It’s easier on the stomach.”

7pm

A pharaoh with dreadlocks and sunglasses drags some cardboard boxes out of the green room. The contents: wigs in every tasteless colour imaginable, builders’ helmets, horse-head masks, dwarf hats, clerical robes, huge babies’ dummies. This is a Fabric birthday tradition: the only night of the year costumes are welcome in the club. The stunt gets quite a reaction. Within minutes, clubgoers are crowding round the boxes like children and rummaging through them. The fatigue of the afternoon seems to have gone. Normski is there in a tight, red cocktail dress, his torso dripping in sweat. He screams in a husky voice: “I still need a wig. Give me a wig!”

T HIS IS WHAT IT MUST HAVE BEEN LIKE AT STUDIO 54 BACK IN THE DAY

9:05pm

A bunny comes onto the stage and positions himself at a fortress made up of analogue synthesizers. This is Mathew Jonson, a Canadian techno expert. The beat kicks off. He plays with the controls like a man possessed. One of the ears falls off his bunny costume as he rocks his head back and forth.

10pm

All hell breaks loose. A 2m-tall Mr Blobby slowly clambers onto the stage and asks the one-eared bunny to dance with him. Breakdancers dressed in authentic Bavarian lederhosen go head-to-head against bare-chested builders. Seth Troxler gets involved and dances with the crowd wearing a baby’s bonnet and a stripper’s negligee. “Brilliant,” Bourke yells. He is wearing a Batman costume. “This is what it must have been like at Studio 54 back in the day.”

Monday October 19, 1:32am

Twenty-six hours of partying are making their presence felt: the floor is sticky, the place smells of sweat and the young men’s mating rituals are losing all inhibition. They cock their heads up like roosters and try to make eye contact with any woman dancing past them.

4:59am

The end draws near and Chilean minimal techno hero Ricardo Villalobos plays his big hit, Easy Lee. People raise smartphones to record the dying moment. Three... two... one... a-a-a-nd? Nothing. The beat just keeps on going.

5:20am

Bourke, still dressed as Batman, says, “You switch to marathon-runner mode as you come towards the end

of a long night out. You don’t think. You just keep going.”

6:10am

The DJ shuts down the decks. The beat gets slower and ends with a muffled rumble. The lights go on. The revellers blink and twitch. Vampires dazzled by the rising sun. Bourke whips out his sunglasses and says goodbye, sweaty and ecstatic. The party is over, 32 hours after it began.

The Berliner techno DJs Marcel Dettmann and Ben Klock (this page, bottom row, left) notch up the longest DJ set of the party marathon at 11 hours, from 1am to noon. What’s their tip to keep going? “Sleep the afternoon before the gig,” says Dettmann, with a grin

6:30am

Room 1 is empty and the cleaners have long since got to work. Everything is quiet, but for a ringing in the ears. The backstage door opens. A small group of die-hard goldbangle-wearers appear and head to Room 3. There are cardboard boxes with drinks in them on the dancefloor. The bar staff are already on their way home. Seth Troxler gets the afterparty going with a sexy space disco number. fabriclondon.com

ACTION!

PARTY

At Waihi Beach, from top: Kora; typical packed crowd; Fat Freddy’s Drop; Kora and fans

CURIOUS CLUBS UNDERWATER, ON ICE AND IN A TREE: THE WORLD’S MOST UNUSUAL BARS

SUBSIX

Niyama, Maldives The world’s first underwater music club (6m below the surface of the ocean) can only be reached by boat. Watch fish swimming by from the dancefloor.

Eats with your beats WAIHI BEACH THE ICONIC MUSIC VENUE, IS BECOMING A BIG HIT WITH LOVERS OF GOOD FOOD

WAIHI BEACH HOTEL 60 Wilson Road, Waihi Beach, Bay of Plenty waihibeachhotel.co.nz

INSIDER INFO SHAPESHIFTER’S SAM TREVETHICK (GUITAR AND SYNTHS) SHARES HIS FAVOURITE SPOTS

WHERE’S YOUR FAVOURITE PLACE TO EAT ON TOUR? “Leigh Sawmill Cafe. We go fishing up there and once we’re done hauling in kingfish and hapuka, it’s back to base to make chowder. And the sashimi is the freshest you’ll ever eat.” YOUR FAVOURITE BEACH? “Pakiri Beach.” AND YOUR FAVOURITE PLACE TO HANG OUT? “The Waihi Beach Hotel, pre and post gigs. We can chill there before our live show.” Trevethick will be performing with The Peacekeepers and Tiki Taane at the Waihi Beach Hotel on January 9.

Dubai, UAE An ice bar in the desert town: visitors wear hooded parkas and woollen gloves as the room is six degrees below zero. The interior consists of ice, glass and steel.

BAOBAB TREE BAR

Limpopo, South Africa One of the oldest and widest baobab trees in the world (47m round, 1,700 years old) has a bar in its hollowed trunk, holding up to 60 people.

THE RED BULLETIN

LIVE SHOTS PHOTOGRAPHY LTD(4), SHUTTERSTOCK(3)

A summer road trip to a concert at the Waihi Beach Hotel has been something of a rite of passage for young Kiwis for over 40 years now. Split Enz, Dave Dobbyn and Shihad are just some of the artists who have strutted their stuff on the back-room stage and in the big top since the venue opened in 1967. In recent years, it has attracted some of the best international DJs/producers including Chase & Status and Netsky. Not bad for a sleepy seaside town with a population of 3,000 which swells to over 18,000 during the summer. “We get teenagers and 20-somethings, but we also cater for the 35- to 50-year-old crowd,” says general manager Nigel Sanderson. “People love to see bands they grew up listening to.” Now, the hotel’s new owners, the Hip Group, have transformed the place into heaven for foodies and musos alike.

CHILLOUT

ACTION!

MUSIC

TO P TI PS As a kid, Ariel Pink would make tape recordings of his weird folk-punk songs, producing the rhythms using a mouth harp or from his armpit. He was discovered in 2003 by American indie stars Animal Collective, who released his music through their label. Now this super-gifted madman of pop is riding the wave of his 10th album, Pom Pom, a crazy mishmash of new wave, slush, jingles and mangy freak rock. In response to a recent interview in which Pink said Madonna’s career has been on a downward slide, the 36-year-old wanted to put the record straight. And so, landing the opening blows of Pink v Ariel Pink, here are his Madge masterpieces.

Rose-tinted spectacle: Ariel Marcus Rosenberg, aka Ariel Pink

Long live the Queen PLAYLIST FROM ANTONIO BANDERAS BEACH FANTASISES TO MICKEY MOUSE MEMORIES: ARIEL PINK ON HIS TOP FIVE MADONNA TRACKS

1 Madonna

2 Madonna

3 Madonna

“Madonna was considered girl music in my school, but I didn’t care. When I was a kid, this song was the embodiment of happiness for me. It made me feel like I was listening to Mickey Mouse. Wanting my parents to pick me up from school and take me to the mall, just having a good time with them. Up to today, I think Borderline is incredible.”

“This is the saddest song Madonna has ever written. It’s strangely haunting. Very few pop songs ever get to be so scary. She’s singing about her mother’s death, her Catholic upbringing and conflicts with her father. It’s autobiographical, I think, and you can sense that. The single was a flop commercially, but I think of it as her most touching song of all.”

“Another sad one: her sad songs are the most incredible pop tunes. She’s not really known for her ballads, but it’s still clear from the first bar that this is Madonna. There’s a melodic simplicity to her songs. It’s like with Morrissey, this particular style she never stopped doing that makes her unique. Obviously she’s a very smart, cunning woman.”

4 Madonna

5 Madonna

“This is my favourite Madonna song. It has a pre-Sade vibe, it’s meant to be played for people to have a romance and martinis on the beach of Cancun with Antonio Banderas. Or at least it pretends to be that: perfect music for a romantic escapade with the flamenco guitars and hot dancing from the video. Madonna created a whole world with this song.”

“Her last classic great song from the early era. It came out in 1989, at a time when I was too wrapped up in working at a record store, discovering thrash metal and other even more deviant music, to follow Madonna. I still enjoyed Cherish, though. Listening to it, it makes me feel like I’m in church due to the wonderful girl choir in the background.”

Borderline

La Isla Bonita

SASHA EISENMAN, WARNER MUSIC, ROGER SARGENT

ariel-pink.com

THE RED BULLETIN

Oh Father

Cherish

THREE NEWCOMERS WHO WILL MAKE IT BIG IN 2015

ILOVE MAKONNEN The 25-year-old rapper, promoted by Drake, combines dreamy soundscapes with hard-hitting hip-hop. You’ll like him if you like: Future, Drake Hot hit: Tuesday

Live To Tell

FAT WHITE FAMILY This blues-punk six-piece outfit from the UK perform naked and brawl with fans. You’ll like them if you like: Nick Cave, The Fall Hot hit: Bomb Disneyland

D O N ’ T LI STEN U P NO BASS IN YOUR HEAD, MAN

DUBS These are the world’s first smart earplugs. They don’t just block sound; a frequency filter system built into the silicon and polymer retains the original sound pattern and reduces noise by an average of 12dB. Perfect for loud clubs, gigs and zoning out on public transport. getdubs.com

TINASHE A 21-year-old model, actress and singer whose R&B ballads have seen her storm into the superstar league. You’ll like her if you like: Aaliyah, The Weeknd Hot hit: Pretend

ACTION!

WINGS FOR LIFE Evening all: run in a group at night. It’s better for everyone

RIGHT FOR NIGHT WHAT YOU NEED TO SHINE ON YOUR DARK RUNS

HEADLAMP: PETZL TIKKA XP Weighing just 85g (including three AAA batteries), this red-and-white light does not, as many do, fade as its power does. petzl.com

A trot in the dark EMBRACE THE DARK You’ve been at work all day and your regular running routes just aren’t as appealing in the cold evenings. Man up. Those familiar surroundings will be completely different in the dark. Your brain will compensate for the lack of visual stimuli and kick into gear. You’ll feel wide awake and your well-trodden paths will become invigorating.

INSULATE LATE SHOW Wrap up smart. Layers, with a waterproof outer. Long sleeves, long legs. Pay special attention to ears, head, hands and feet. Especially the feet; there’s nothing worse than cold, wet toes. Proper outdoor running shoes and Gore-Tex socks are the ideal combo.

TIME FOR REFLECTION Dress like a 1990s rave child crossed with a building site manager. Reflective and highly visible. You cannot have enough reflective kit, or use too many additional reflectors or lights. If people point and look at you – that’s the idea.

LIGHT THE WAY A headlamp works both ways. Even the most well-lit urban runs will have dark nooks and corners it will illuminate. And it is perhaps the most effective signal to others.

KEEP IT OLD-SCHOOL Darkness changes your sense of time and space. Don’t plan special night runs: choose favourite stretches you know like the back of your hand.

WISE IN THE WARM-UP Get loose before you go outside. The cold will affect you less and you’ll be raring to go quicker. But don’t get sweaty: the cold will hit a moist brow extra-hard. If you’re arranging to meet other runners (see point 8), do so indoors. Warm up at the last possible moment and begin your run right away.

KEINE NACHT MUSIK No headphones. Not even the ones that claim to let you hear the essential noise of the streets along with your music. It’s dark and you see less, even in well-lit urban areas. You will need your hearing to help you focus and stay safe. If you are one of those who ‘needs’ tunes to run, this will help wean you off that.

The starting pistol for the 2015 Wings For Life World Run will be fired simultaneously in 35 locations in 33 countries around the world on May 3, 2015. Can you be the global race winner? Find the race near you and register now: wingsforlifeworldrun.com

IT’S NOT A RACE You are not going to break any PBs running at night. Running after sundown is a miles game, not a speed trial. Set a distance and don’t worry about time. Keep a separate set of records if you need to get your stat-isfaction.

THE END GAME You should plan to be in a hot shower ASAP after you finish. If that isn’t possible, have a complete change of dry clothes and shoes in your car boot/under your desk. Towels, plural, for drying off and rubbing warmth into cold limbs. If you wear a hat, have a dry one ready to put over damp hair. A hot drink is a very good idea.

EAT TO TREAT Eat the same as you would after any run: a mix of complex carbohydrates and protein, in a ratio of about 4:1 in terms of weight. The usual chicken pastas and smoothies are fine, but they’re not warming, are they? Try oatmeal or porridge, topped with fruit. Easy and comforting.

JACKET: PUMA NIGHT CAT POWERED Light, breathable, warm and reflective, it has rechargeable, builtin LED lighting on the shoulders, back and arms. puma.com

SHOES: PUMA FAAS 600 V2 NC POWERED Rechargeable LED lights to match the Night Cat jacket (above). Tons of cushioning and support where you need it in a shoe weighing just 275g. puma.com

THE RED BULLETIN

BALASZ GARDI/RED BULL CONTENT POOL

N IGHT RUNNING WINTER SHOULD NOT MEAN GOING COLD ON OUTDOOR EXERCISE. IF WANT TO GET FIT FOR 2015, SO YOU CAN TAKE PART IN A RACE LIKE THE WINGS FOR LIFE WORLD RUN ON MAY 3, THIS IS HOW TO BEAT THE DARK NIGHTS’ RETURN

HIVE MIND AND BODY Running as part of a group is great motivation. You will feel less inclined to mope off home if you know you will let others down by doing so. There is also safety in numbers, and always someone who has remembered an extra pair of gloves to replace those you left on the kitchen table.

Your favourite artists share their personal playlists: Headphone Highlights on rbmaradio.com

ACTION!

GAMES

Universal appeal: a sandbox in space with endless possibilities

NICE MICE PHAT CONTROLLERS FOR PC AND MAC GAMES

TT ESPORTS LEVEL 10 M From the firm that supplies mice and keyboards to pro gaming organisations, an aluminium work of art born with the help of the BMW design department.

Every world in the palm of your hand U NIVERSE SANDBOX ² THE ULTIMATE GOD GAME: BUILD, RULE AND DESTROY MOONS, WORLDS, GALAXIES… THE LOT It’s a space simulator like no other: The Sims meets Elite meets Stephen Hawking’s archives. In Universe Sandbox2 you control time, gravity and all celestial objects and happenings within them. If you want to play a sort of intergalactic pool where the balls are planets and the pockets are black holes, you can. If you want to sit for hours watching comets cross your carefully constructed galaxy, then you can do that, too. Find a rock and terraform it into a new Earth with a perfect climate. Then ravage that planet with ice storms and toxic gas. The first Universe Sandbox was created after 15 years of work by one man, Seattle programmer Dan Dixon. He is now the head of a team of computer scientists, astronomers and climate modellers who ensure their game is realistic and incredibly detailed. The open-ended format, with no scores, levels or enemies, is polarising: you will love or hate this after two minutes of playing it. But the lovers will be entering a world of worlds that is truly compelling. The satisfaction of seeing your allpowerful handiwork pay off is immense, be that a chain-reaction of exploding suns or harmoniously perfect solar system just being a solar system. When the sole purpose of Universe Sandbox2 for a game is to have ideas above your Windows, Mac & Linux station, as it is here, then it’s a winner. 90

TWO MORE MASSIVE SPACE GAMES LOGITECH G502 PROTEUS CORE For surgical precision: the Proteus Core is currently the most accurate gaming mouse on the market. Can also be used as a spaceship in your sci-fi home movies.

Space Engineers Kind of like Minecraft in the Universe Sandbox universe. You play as the galactic maker of the title and build ships and space stations, mining asteroids for raw materials or raiding other ships for bounty. Han Solo would be at home here. For Windows.

Kerbal Space Program A race made up of little green men, the Kerbals have their own NASA-like set-up building and flying spaceships. In this game, which has been praised by the space industry for its realistic rocketry, you are the guy in the lab coat and the pilot’s suit. For Windows, Mac and Linux.

MAD CATZ R.A.T. 9 Crazy design but with superintelligent innards, and it can also be easily adjusted so that you have the perfect thumb position, whatever the size of your palm and digits.

THE RED BULLETIN

IGHTS, CAMERA, ACTION!

Q & A

LORENZO RICHELMY

LOVE ACTUALLY

You don’t know him now, but Lorenzo Richelmy will soon be famous. In new Netflix drama Marco Polo, filmed in Asia, with a Game of Thrones-size budget and out on December 12, the 24-year-old Italian plays the legendary explorer. Not bad for a guy with a handful of Italian film and TV roles, who barely spoke English

Big Bang Theory star Simon Helberg is branching out into movies, writing and co-directing with wife Jocelyn Towne in rom-com We’ll Never Have Paris. Here are the flicks that fire his moviemaking heart

Words: Geoff Berkshire

Annie Hall (1977) “This is perhaps the most romantic movie ever made. It’s also as brilliantly revelatory in its slapstick and one-liners as it is in its insight about the human condition.”

Sideways (2004)

“ I had three days off in seven months. The training was intense, but so was the entire shoot” and Malaysia, so it was good for my list! I loved the heavy humidity and hot weather. We shot in Kazakhstan, Venice and Malaysia. Acting in the cold [in Kazakhstan] is much worse than acting in the heat. How full-on was the shoot? I had like three days off in seven months. The training was intense, but so was the entire shoot. Is it an honour for you to play such a famous Italian? He’s not a hero, but he’s a big

name. In Venice, he’s the most important man who ever lived. When John Fusco, the show’s creator, first spoke to me about Marco Polo, it was like he was a college professor and I was totally ignorant. Did you know Netflix before? In Italy, it doesn’t exist. When they told me, I thought, ‘Oh, on the web? And they’re paying me to go to Malaysia for it?’ But for me it’s great. It won’t be out in Italy for at least two years. I can stay in Rome and maybe go to China and be famous. Then at 40, I can be Bill Murray in Lost In Translation and make drink commercials in Tokyo. That’s my plan. Marco Polo premiers December 12 netflix.com

“The protagonist is a character whose biggest obstacle is himself. It’s shot so beautifully and simply. The tone is masterful, with comedy and tragedy being interwoven, but always coming from a place of truth.”

Modern Romance (1981)

This movie is not afraid to show a character in a less than favourable light: self-destructive, neurotic. It looks at relationships and the built-in struggle between autonomy and full-blown selfishness in the funniest way I’ve seen.” We’ll Never Have Paris opens January 22

THE RED BULLETIN

DON FLOOD FOR NETFLIX, JOE PUGLIESE

the red bulletin: How does a rookie Italian land the lead in a US TV series? lorenzo richelmy: My agent said that the Italian casting director didn’t like me, and that I should make a video and send it to the main casting director in the US. I asked a director friend to help. So we did it with my girlfriend playing Kublai Khan in my friend’s room. I didn’t hear anything for two months; then I got two callbacks, then nothing. I was going to America for the first time, for a film festival, and I was at the airport in Philadelphia when I found out I’d got the part. As well as English, what else did you learn to play Polo? I had six weeks after I arrived in Malaysia. I did four hours of physical training per day. We had a Chinese stunt team teaching us Wushu, Japanese guys teaching sword fighting and then a fight choreographer. After that, two hours of horse riding, one hour of archery and two hours of English. Had you ever visited Malaysia before? I travelled in my childhood, through most of south-east Asia except for the Philippines

must haves *the best styles from all your favourite brands 4

6 8

1. electric black top sunglasses $159.99 9

2. billabong mahalo 16'' $69.99 3. von zipper sunseeker singlet $54.99 4. rpm spec tee $69.99 5. kustom blend ripple thong $24.99 6. billabong junction wallet $34.99 7. billabong bazza straw hat $24.99 8. rip curl lost nomad shirt $89.99 9. nixon sentry chrono all gunmetal $549.99

available at selected a stores nationwide WWW.amAzonsurf.co.nz

ACTION!

SAVE THE DATE Flame thrills: Nitro Circus Live tours New Zealand in 2015

January 24, 30; February 1, 6, 8

Wheel action Over the course of a glittering career, motorsport legend Travis Pastrana notched up 17 X Games medals across supercross, motocross, freestyle motocross and rally racing. Now he’s assuming ringleader duties once more as he brings his Nitro Circus live action sports show back to New Zealand, teaming his all-star crew with local Kiwi riders featuring Jed Mildon, Levi Sherwood and Nick Franklin. The 40-strong collective of FMX, BMX and skate stars will show off their spectacular stunts on a tour that takes in Wellington, Hamilton, Auckland, Dunedin and Christchurch. nitrocircuslive.com

January 30

Simon and Sumner When Paul Simon played Auckland’s Vector Arena back in June 2009 with his former musical partner, Art Garfunkel, the famously fractious duo were rumoured to have come to blows backstage. When he returns to Vector in January, he won’t have Garfunkel to contend with, but will instead team with Sting. Both men will be revisiting their expansive catalogues and jumping on each other’s tunes, rather than on each other. livenation.com.au

THE RED BULLETIN

DON’T MISS

January 17

Beach scrum

MORE DATES FOR THE DIARY

Combining rugby union and league rules, Beach 5s NZ is a rugby event which made its debut in January, with a former Super Rugby and NPC players taking their skills to a sandy setting. The event will be back in 2015, taking over Mount Maunganui’s main beach for fivea-side matches open to both men’s and women’s teams.

16 JANUARY

beach5s.co.nz

HIT THE SKIES

December 14-January 24

Golden balls Wellington’s Oriental Bay Beach (with sand sourced from Golden Bay in the South Island, no less) will host Beach Football NZ’s annual tournament, bringing the sport pioneered on Leme Beach, Rio de Janeiro, to the Wellington waterfront. Contested by a maximum of 18 teams, the tournament will be played out in pool games followed by knockout play-offs. beachfootballnz.co.nz

Wings Over Wairarapa is one of the big events on Australasia’s aviation calendar. This Wellington Anniversary Weekend, a cornucopia of WWI and WWII planes, modern airships, and top aircraft will fly over Wairarapa. wings.org.nz

28 JANUARY

January 24

ECO FEST

JARNO SCHURGERS/RED BULL CONTENT POOL, MARU RIRINUI, SAM GOODWIN, HEATH W. LUNN, MARKUS HILLGAERTNER

The long way

Luminate is a family-friendly, environmentally focused festival of live and electronic music, visual and performing arts, and environmental and wellness workshops, at Canaan Downs in Takaka, Nelson.

The epic sub-alpine high country that frames the St James Station in Hanmer Springs is the backdrop for The James Mountainman, a multisport event that begins with a breezy 2km swim, steps it up on a 10km kayak stage on Lake Tennyson, followed by a 100km mountain bike ride, before coming to a lung-bursting climax with a 50km cross-country run. The whole thing should take around 12 hours, hence the 6am start.

luminatefestival.co.nz

stjamesmountain sports.co.nz

JANUARY

January 20

January 24, 25, 31

January 17, 18

Kids of the 70s

Soft rock

Music mash-up

Classic rock fans, ready your lighters. The start of 2015 sees a heavyweight line-up of soft rockers on these shores, with Heart, Foreigner and Three Dog Night multiplying their powers on a North and South Island run as part of their Summer Concert Tour. Expect classic hits at every one of these triple threat dates. ticketek.co.nz

New Zealand summer crowds love funk, reggae and electro music. No shock, then, to see they are the backbone of Kaikoura Summersounds Music Festival, featuring The Upbeats with Tiki Taane on the mic, beatmaker Opiuo, Aaron Tokona’s funk-driven outfit Ahoribuzz, Red Bull Prodigy star Estère, and more. kaikourasummer sounds.co.nz

Indie four-piece The 1975 first played a NZ date in January last year when they joined the Big Day Out travelling festival. Now they’re back to play their own headlining show at Auckland’s Logan Campbell Centre, the historic venue that’s welcomed the likes of U2, Metallica, R.E.M. and Nirvana. the1975.com/tour

THE RED BULLETIN

FOLK HERO Mike Rosenberg, the British folkie who records as Passenger, plays acoustic cuts from his sixth album, Whispers, in the stately surrounds of The Civic Theatre in Auckland and the Michael Fowler Centre in Wellington. passengermusic.com

Editorial Director Robert Sperl Editor-in-Chief Alexander Macheck Editor-at-Large Boro Petric Creative Director Erik Turek Art Directors Kasimir Reimann, Miles English Photo Director Fritz Schuster Production Editor Marion Wildmann Managing Editor Daniel Kudernatsch Editors Stefan Wagner (Chief Copy Editor), Werner Jessner (Executive Editor), Lisa Blazek, Ulrich Corazza, Arek Piatek, Andreas Rottenschlager Contributors: Muhamed Beganovic, Georg Eckelsberger, Sophie Haslinger, Holger Potye, Clemens Stachel, Manon Steiner, Raffael Fritz, Marianne Minar, Martina Powell, Mara Simperler, Lukas Wagner, Florian Wörgötter Web Kurt Vierthaler (Senior Web Editor), Andrew Swann Design Martina de Carvalho-Hutter, Silvia Druml, Kevin Goll, Carita Najewitz, Esther Straganz Photo Editors Susie Forman (Creative Photo Director), Rudi Übelhör (Deputy Photo Director), Marion Batty, Eva Kerschbaum Illustrator Dietmar Kainrath Publisher Franz Renkin International Advertisement Sales Patrick Stepanian Advertising Placement Sabrina Schneider Marketing and Country Management Stefan Ebner (manager), Manuel Otto, Elisabeth Salcher, Lukas Scharmbacher, Sara Varming Marketing Design Peter Knehtl (manager), Simone Fischer, Julia Schweikhardt, Karoline Anna Eisl Head of Production Michael Bergmeister Production Wolfgang Stecher (manager), Walter O Sádaba, Matthias Zimmermann (app) Repro Clemens Ragotzky (manager), Karsten Lehmann, Josef Mühlbacher Subscriptions and Distribution Klaus Pleninger (distribution), Peter Schiffer (subscriptions) General Manager and Publisher Wolfgang Winter Global Editorial Office Heinrich-Collin-Strasse 1, A-1140 Vienna Phone +43 1 90221-28800 Fax +43 1 90221-28809 Web redbulletin.com Red Bull Media House GmbH Oberst-Lepperdinger-Straße 11–15, A-5071 Wals bei Salzburg, FN 297115i, Landesgericht Salzburg, ATU63611700 Directors Christopher Reindl, Andreas Gall

THE RED BULLETIN New Zealand, ISSN 2079-4274 Editor Robert Tighe Chief Sub-Editor Nancy James Deputy Chief Sub-Editor Joe Curran Country Project and Sales Management Brad Morgan Advertisement Sales Brad Morgan, brad.morgan@nz.redbull.com Printed by PMP Print, 30 Birmingham Drive, Riccarton, 8024 Christchurch Subscriptions Subscription price $45, for 12 issues/year, getredbulletin.com, subs@nz.redbulletin.com New Zealand Office 27 Mackelvie Street, Grey Lynn, Auckland 1021 Tel: +64 (0) 9 551 6180 THE RED BULLETIN Austria, ISSN 1995-8838 Editor Ulrich Corazza Sub-Editor Hans Fleißner Advertisement Sales Alfred Vrej Minassian (manager), Thomas Hutterer, Romana Müller, anzeigen@at.redbulletin.com Subscriptions Subscription price €25.90 for 12 issues/year, getredbulletin.com, abo@redbulletin.at Printed by Prinovis Ltd & Co KG, D-90471 Nuremberg Disclosure according to paragraph 25 Media Act Information about the media owner is available at: redbulletin.at /imprint Austria Office Heinrich-Collin-Strasse 1, A-1140 Vienna Tel: +43 1 90221-28800 Contact redaktion@at.redbulletin.com THE RED BULLETIN Brazil, ISSN 2308-5940 Editor Fernando Gueiros Sub-Editors Judith Mutici, Manrico Patta Neto Advertisement Sales Marcio Sales (11) 3894-0207, contato@hands.com.br THE RED BULLETIN France, ISSN 2225-4722 Editor Pierre-Henri Camy Assistant Editor Christine Vitel Translation and Proof Reading Susanne & Frédéric Fortas, Ioris Queyroi, Christine Vitel, Gwendolyn de Vries Country Channel Management Charlotte Le Henanff Advertisement Sales Cathy Martin 07 61 87 31 15 cathy.martin@fr.redbulletin.com Printed by Prinovis Ltd & Co KG, 90471 Nuremberg France Office 12 rue du Mail, 75002 Paris Tel: 01 40 13 57 00 THE RED BULLETIN Germany, ISSN 2079-4258 Editor Andreas Rottenschlager Sub-Editor Hans Fleißner Country Channel Management Christian Baur, Nina Kraus Advertisement Sales Evelyn Kroiss, evelyn.kroiss@de.redbulletin.com Martin Olesch, martin.olesch@de.redbulletin.com Subscriptions Subscription price €25.90, for 12 issues/year, www.getredbulletin.com, abo@de.redbulletin.com THE RED BULLETIN Ireland, ISSN 2308-5851 Editor Paul Wilson Associate Editor Ruth Morgan Music Editor Florian Obkircher Chief Sub-Editor Nancy James Deputy Chief Sub-Editor Joe Curran Advertisement Sales Deirdre Hughes 00 353 862488504, redbulletin@richmondmarketing.com Printed by Prinovis Ltd & Co KG, 90471 Nuremberg Ireland Office Richmond Marketing, 1st Floor Harmony Court, Harmony Row, Dublin 2, Ireland Tel: +353 (1) 631 6100

THE RED BULLETIN Mexico, ISSN 2308-5924 Editor Alejandro García Williams Deputy Editor Pablo Nicolás Caldarola Contributors Gerardo Álvarez del Castillo, José Armando Aguilar Proof Readers Alma Rosa Guerrero, Inma Sánchez Trejo Country Project and Sales Management Rodrigo Xoconostle Waye Advertisement Sales +5255 5357 7024, redbulletin@mx.redbull.com Printed by RR Donnelley de Mexico, S de RL de CV (RR DONNELLEY) at its plant in Av Central no 235, Zona Industrial Valle de Oro en San Juan del Río, Querétaro, CP 76802 Subscription price $270, for 12 issues/year THE RED BULLETIN South Africa, ISSN 2079-4282 Editor Angus Powers Chief Sub-Editor Nancy James Deputy Chief Sub-Editor Joe Curran Advertisement Sales Andrew Gillett, +27 (0) 83 412 8008, andrew.gillett@za.redbull.com Printed by CTP Printers, Duminy Street, Parow-East, Cape Town 8000 Subscriptions Subscription price R228, for 12 issues/year, www.getredbulletin.com, subs@za.redbull.com Mailing Address PO Box 50303, Waterfront, 8002 South Africa Office South Wing, Granger Bay Court, Beach Road, V&A Waterfront, Cape Town 8001 Tel: +27 (0) 21 431 2100 THE RED BULLETIN Switzerland, ISSN 2308-5886 Editor Arek Piatek Sub-Editor Hans Fleißner Country Channel Management Antonio Gasser, Melissa Burkart Advertisement Sales Mediabox AG, Zürich; Zentrale, 044 205 50 20 contact@mediabox.ch Subscriptions The Red Bulletin Reading Service, Lucern; Hotline: 041 329 22 00, Subscription price 19 CHF, for 12 issues/year, www.getredbulletin.com, abo@ch.redbulletin.com THE RED BULLETIN United Kingdom, ISSN 2308-5894 Editor Paul Wilson Associate Editor Ruth Morgan Music Editor Florian Obkircher Chief Sub-Editor Nancy James Deputy Chief Sub-Editor Joe Curran Country Project and Sales Management Sam Warriner Advertisement Sales Georgia Howie +44 (0) 203 117 2000, georgia.howie@uk.redbulletin.com Printed by Prinovis Ltd & Co KG, 90471 Nuremberg UK Office 155-171 Tooley Street, London SE1 2JP Tel: +44 (0) 20 3117 2100 THE RED BULLETIN USA, Vol 4 issue 8, ISSN 2308-586X is published monthly by Red Bull Media House, North America, 1740 Stewart St, Santa Monica, CA 90404. Periodicals postage paid at Santa Monica, CA, and additional mailing offices. Editor Andreas Tzortzis Deputy Editor Ann Donahue Deputy Editor (acting) Steve Root Copy Chief David Caplan Director of Publishing and Advertising Sales Nicholas Pavach Country Project Management Melissa Thompson Advertisement Sales Dave Szych, dave.szych@us.redbull.com (LA) Jay Fitzgerald, jay.fitzgerald@us.redbull.com (New York) Rick Bald, rick.bald@us.redbull.com (Chicago) Printed by Brown Printing Company, 668 Gravel Pike, East Greenville, PA 18041, bpc.com Mailing Address PO Box 1962, Williamsport, PA 17703 US Office 1740 Stewart St, Santa Monica, CA 90404 Subscribe www.getredbulletin.com, subscriptions@redbulletin.com. Basic subscription rate is $29.95 per year. Offer available in the US and US possessions only. The Red Bulletin is published 12 times a year. Please allow four to six weeks for delivery of the first issue. For Customer Service 888-714-7317; customerservice@redbulletinservice.com

THE RED BULLETIN

SUBSCRIBE NOW! 3 Months

6 Months

12 Months

$ 1400

$ 2500

$ 4500

FOR ONLY

Simply go to www.getredbulletin.co.nz or call 0800 225 255

FOR ONLY

MAGIC MOMENT

Golden, Canada March 25, 2014

“ At 3am, under 4,000W spotlights, Pep held his line” Mike Brown, co-director of Afterglow, on freeskier Pep Fujas

AFTERGLOW SCREENGRAB

Every ski movie is proclaimed to be a ski movie like no other. It’s true in the case of Afterglow. There’s hardly any white in it. All of its backcountry action takes place at night, slopes and runs vibrantly illuminated by huge spotlights and LEDs on the skiers’ suits. You really haven’t seen anything like this before. Watch the film now: search Vimeo or YouTube for ‘afterglow’

THE NEXT ISSUE OF THE RED BULLETIN IS OUT ON JANUARY 13 98

THE RED BULLETIN

EVERYTHING SPORT. NEWS, PICTURES AND GREAT STORIES. CALL 0800 759 759 TO SUBSCRIBE