Film stag@reddamhouse.com.au
Hugo Bendeich
Roald Dahl stories: Wes Anderson reveals a beautiful set of short films
21/8/2024
EDITORS NOTE
Medical breakthroughs, Mean Girls and more! Hi all, and welcome back to the Stag newspaper! As I’m sure you’re aware, exam fever is back in season, and with it comes all the confusion and stress we’ve come to know and love. Due to this, there was no edition on week 2 as scheduled, but that’s all the more reason to savour this one. Briefly, I want to give a big congratulations to our newly elected judiciary: Alex Marucci, Milly Golovsky and Sam Weidler. I look forward to working with you in future, and seeing how you can shape Reddam for the better. Finally, I want to give a short notice that this edition contains an article at the end covering the current situation in Israel. While the description is brief, it may be upsetting for some. The Stag team offers our unending support and condolence for those affected by the conflict, and we are open to talk to anyone feeling the effects.
Starting September 27 this year, a strange series of short films began popping up on Netflix pages across the world. And while these pieces come with all the whimsy and creativity that Wes Anderson has become associated with, they didn’t seem to get the attention I expected. So, here is why you should watch and enjoy the Roald Dahl shorts ASAP. Each piece is about 17 minutes long, except for Henry Sugar, which is about 50. They are done in a semi-Brechtian style, which for my non-drama students refers to a dramatic style that removes the viewer from the immersion using a range of stylistic choices.
- Hugo Bendeich, Stag Head Editor
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While this might seem jarring at first, it soon feels comforting and familiar. This style allows the viewer to experience narrative in an entirely different way that pays homage to the nature of the source novels. Each story is beautiful in it’s own unique way. Henry Sugar is touching and magical, The Ratcatcher is grippingly tense, and Poison speaks measures about important racial issues. The Swan, my personal favourite, is heart wrenchingly moving. Every moment feels tailored and empathetic, and the crescendo of the story is unbearably emotional. Overall, each story weaves its own theme into a gorgeous tapestry of film-making, and the series is well worth a watch for everyone who hasn’t already
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