3-19 New Release Book by Redeye

neW

redeye

redeye WeLCOMeS NOrTHerN SPy & MeMPHIS INdUSTrIeS

Releases STREET DATE: 03.19.13 ORDER DATE: 02.26.13

JOSH rOUSe + AND SO I WATCH YOU FROM AFAR FOOT VILLAGE

THe HAPPINeSS WALTZ

BRANDT BRAUER FRICK

BIRDS AND ARROWS

WIRE

PHOTO BY ALLEN CLARK

CAT #

ARTIST

TITLE

GENRE

FORMATS - UPCs

SLP

NS 001 NS 002 NS 005 NS 006 NS 007 NS 009 NS 011 NS 012 NS 013 NS 015 NS 019 NS 021 NS 022 NS 023 NS 024 NS 026 NS 030

The USA Is A Monster Old Relijun Colin L Orchestra Bird Names Eleven Twenty Nine Spanish Donkey Dan Melchior Haunted House Neptune Hubble Donovan Quinn Neptune Extra Life The Home of Easy Credit Starring Diamond Terrifier Colin L Orchestra

R.I.P. Songbook, Volume One Infinite Ease/Good God Metabolism Eleven Twenty Nine XYX Catbirds & Cardinals Blue Ghost Blues Silent Partner Hubble Drums Honky Tonk Medusa msg rcvd Dream Seeds The Home of Easy Credit ABCDEFG-HIJKLMNOP-QRSTUV-WXYZ Kill The Self That Wants To Kill Yourself COL

progressive rock avant-rock psychedelic rock alternative/indie rock psychedelic rock avant-jazz psychedelic rock avant-blues progressive rock minimalism, psychedelic folk, pop progressive rock progressive rock jazz, experimental psychedelic rock electronic, experimental alt indie rock, experimental

884501423953 (CD), 793573868244 (LP) 884501423922 (CD) 765573685732 (7" Single) 884501481793 (CD), 736211153562 (LP 884501477956 (CD), 736211153661 (LP) 884501498708 (CD), 736211153760 (LP) 884501534536 (CD) 670541194133 (CD), 670541194140 (LP) 670541194119 (CD), 670541194126 (LP) 670541194102 (CD), 670541194096 (LP) 670541194089 (CD), 670541194072 (LP) 722301231432 (CD), 722301231418 (LP) 722301231463 (CD), 722301231470 (LP) 722301231487 (CD), 722301231494 (LP) 722301231500 (CD) 741360699809 (CD), 741360699816 (LP) 741360699731 (CD), 741360699724 (LP) 765573685701 (CD)

$10.99 / $14.99 $10.99 / $9.99 $10.99 / $14.99 $10.99 / $14.99 $10.99 / $14.99 $10.99 $10.99 / $14.99 $10.99 / $14.99 $10.99 / $14.99 $10.99 / $14.99 $10.99 / $14.99 $10.99 / $14.99 $10.99 / $14.99 $10.99 $10.99 / $14.99 $10.99 / $14.99 $10.99

65573

68575

65573

68576

65573

68574

Memphis Industries, the London based independent record label run by brothers Ollie and Matt Jacob, has spent the last thirteen years as the proud home of artists ranging from The Go! Team to Field Music. Now entering their teenage years, they've just enjoyed an outstanding 2012, with releases from the likes of POLICA with their 'Give You the Ghost' debut album (across UK/Europe), and Mercury Prize nominated Field Music with their hugely acclaimed album 'Plumb. Joining Redeye to bring their wonderful wares to North America, look out for upcoming releases Dutch Uncles ‘Out of Touch in the Wild’, The Phoenix Foundation ‘Fandango’, and debut albums from Elephant and Barbarossa. To celebrate Memphis joining Redeye you can get a one shot 10% discount on all orders of their back catalogue including the following releases:

Field Music Plumb LP-MI-0208 655035017419 CD-MI-0208 655035017426

Dutch Uncles Cadenza LP-MI-0185 5060146092456 CD-MI-0185 5060146092449

Colourmusic My _____ is Pink CD-MI-0083 5060146092401

The Go! Team Rolling Blackouts LP-MI-0178 655035047812 CD-MI-0178 655035047829

The Phoenix Foundation Buffalo LP-MI0170 5060146092098 CD-MI0170 5060146092067

The Week That Was S/T CD-MI0121 655035012124

For more info on Memphis Industries head to www.memphis-industries.com

ORDER FORM NEW RELEASES QTY

DEAL

3/26 STREET 10%

STREET DATE: 03.19.13

ITEM #

ARTIST

TITLE

ORDER DUE DATE: 2.26.13 F

UPC

COST

SLP

CD-YEP-2283

Josh Rouse

The Happiness Waltz

634457228320

$10.65

$15.99

LP-YEP-2283

Josh Rouse

The Happiness Waltz

634457228313

$15.30

$22.99

CD-KRS-566

Marnie Stern

The Chronicles of Marnia

759656056625

$6.32

$9.99

LP-KRS-566

Marnie Stern

The Chronicles of Marnia

759656056618

$10.65

$15.99

CD-K7-302

Brandt Brauer Frick

Miami

730003730221

$8.84

$13.99

LP-K7-302

Brandt Brauer Frick

Miami

730003730214

$16.65

$24.99

CD-PFW-020

Wire

Change Becomes Us (3-26 STREET DATE)

5055300369048

$12.00

$17.99

CD-BF-037

Lapalux

Nostalchic

5021392791128

$9.00

$14.99

LP-BF-037

Lapalux

Nostalchic

5021392791166

$15.30

$22.99

CD-NSAS-002

Various Artists

Night Slugs Allstars Volume 2

5060120875808

$8.65

$12.99

CD-BAA-001

Birds and Arrows

Coyotes

634457579125

$7.60

$11.99

LP-YEP-2075

634457207516

$15.30

$22.99

634457575820

$7.60

$11.99

LP-SH-095

Alvin, Dave Ashgrove (2xLP) And So I Watch You From Afar All Hail Bright Futures And So I Watch You From Afar All Hail Bright Futures

634457575813

$12.65

$18.99

CD-THRILL-322

Black Pus

All My Relations

790377032222

$10.65

$15.99

LP-THRILL-322

Black Pus

All My Relations

790377032215

$12.65

$18.99

LP-THRILL-135

Califone

Heron King Blues

790377013511

$12.65

$18.99

CD-THRILL-325

Thalia Zedek Band

Via

790377032529

$10.65

$15.99

LP-THRILL-325

Thalia Zedek Band

Via

790377032512

$12.65

$18.99

CD-THRILL-327

Stygian Stride

790377032727

$10.65

$15.99

LP-THRILL-327

Stygian Stride

790377032710

$12.65

$18.99

LP-AUK-103

Dead Skeletons

Dead Magick (2xLP)

5055300334992

$28.65

$42.99

SI-IL-1043

Hanni El Khatib

Family / Penny - 12"

634457578814

$6.00

$8.99

SI-IL-1035

Tijuana Panthers

Tony's Song b/w One Way Ticket7"

634457578975

$5.30

$7.99

CD-NS-035

Foot Village

Make Memories

884501851305

$6.94

$10.99

LP-NS-035

Foot Village

Make Memories

765573685749

$10.00

$14.99

CD-SH-094

[STORE] _______________[STORE CONTACT] _______________[ADDRESS] _______________ [PHONE]_______________[REDEYE SALES REP] _______________[FAX ORDER FORM TO] 336.395.1136

ORDER FORM NEW RELEASES QTY

DEAL 5%

STREET DATE: 03.19.13

ITEM #

ARTIST

TITLE

ORDER DUE DATE: 2.26.13 F

UPC

COST

SLP

CD-NS-034

Seaven Teares

Power Ballads

765573685756

$6.94

$10.99

LP-NS-034

Seaven Teares

Power Ballads

765573685763

$10.00

$14.99

CD-CANDY-168

Wild Horses

5055300357359

$14.65

$21.99

CD-CANDY-169

Wild Horses

Stand Your Ground

5055300357366

$14.65

$21.99

CD-CANDY-135

Lightning Raiders

Sweet Revenge

827565059195

$14.65

$21.99

CD-CANDY-165

Freddie Salem & The Wildcats

Cat Dance

5055300356741

$14.65

$21.99

CD-MONO-73

Niagara

Otto

5065002002464

$11.30

$16.99

Wedding Dress

5055300350688

$12.00

$17.99

Anti World Music

7041889500895

$11.30

$16.99

CD-FY-056

Fawn Spots / Cum Stain The Good The Bad & The Zugly

LP-FY-056

The Good The Bad & The Zugly

Anti World Music

7041889500888

$16.65

$24.99

LP-BBE-211A

John Morales

The M and M Mixes Vol 3 (Pt A)

730003121111

$15.30

$22.99

LP-BBE-211B

John Morales

The M and M Mixes Vol 3 (Pt B)

730003121135

$15.30

$22.99

CD-CRM-022

Various Artists

Rebel Rave 3

730003822223

$11.40

$17.99

10%

CD-CIS-1056

Powerdove

Do You Burn?

616892109242

$5.40

$8.99

CD-TOG-067

Zeus

Opera

8016670101369

$6.32

$9.99

LP-TOG-067

Zeus

Opera

8016670101376

$8.65

$12.99

LP-TOG-067X

Zeus

Opera (Ltd Ed LP)

8016670101390

$8.65

$12.99

CD-VQ-002

Footprintz

Escape Yourself

5060247386492

$9.50

$14.99

CD-RET-11

Jay Shepheard

Home & Garden

5060247386485

$9.50

$14.99

CD-WONDER-13 Various Artists

Turntables on Las Ramblas

634457579927

$8.22

$12.99

LP-BPT-1201

[STORE] _______________[STORE CONTACT] _______________[ADDRESS] _______________ [PHONE]_______________[REDEYE SALES REP] _______________[FAX ORDER FORM TO] 336.395.1136

ORDER FORM REDEYE WELCOMES NORTHERN SPY 25% OFF ALL CDs ENTIRE CATALOG THROUGH 3-19 QTY

DEAL

ITEM #

ARTIST

TITLE

UPC

COST

SLP

25%

CD-NS-004

Chatham, Rhys

Outdoor Spell

736211153968

$5.48

$10.99

25%

LP-NS-004

Chatham, Rhys

Outdoor Spell

736211153869

$7.50

$14.99

25%

CD-NS-018

Gayle, Charles

Streets

722301231425

$5.48

$10.99

25%

CD-NS-020

Chicago Underground Duo

Age Of Energy

722301231456

$5.48

$10.99

25%

LP-NS-020

Chicago Underground Duo

Age Of Energy

722301231449

$7.50

$14.99

25%

CD-NS-025

Forsyth, Chris

Kenzo Deluxe

741360699786

$5.48

$10.99

25%

LP-NS-025

Forsyth, Chris

Kenzo Deluxe

741360699793

$7.50

$14.99

25%

CD-NS-027

Score: The Complete Sextet Works 2002-2007 (4xCD)

741360699748

$12.49

$24.99

25%

CD-NS-011

Melchior, Dan

Catbirds & Cardinals

670541194133

$5.48

$10.99

25%

LP-NS-011

Melchior, Dan

Catbirds & Cardinals

670541194140

$7.50

$14.99

25%

CD-NS-028

Melchior, Dan

The Backward Path

741360699762

$5.48

$10.99

25%

LP-NS-028

Melchior, Dan

The Backward Path

741360699755

$7.50

$14.99

25%

CD-NS-031

Connors, Loren & Suzanne Langille

I Wish I Didn't Dream

741360699779

$5.48

$10.99

25%

CD-NS-032

Butcher, John

Bell Trove Spools

765573685718

$5.48

$10.99

25%

CD-NS-002

Old Time Relijun

Songbook, Volume One

884501423922

$5.48

$10.99

25%

SI-NS-002

Old Time Relijun

Songbook, Volume One - 7"

765573685732

$4.50

$8.99

25%

CD-NS-012

Haunted House

Blue Ghost Blues

670541194119

$5.48

$10.99

25%

LP-NS-012

Haunted House

Blue Ghost Blues

670541194126

$7.50

$14.99

25%

CD-NS-015

Hubble

Hubble Drums

670541194089

$5.48

$10.99

25%

LP-NS-015

Hubble

Hubble Drums

670541194072

$7.50

$14.99

Starring

ABCDEFG-HIJKLMNOPQRSTUV-WXYZ

741360699809

$5.48

$10.99

741360699816

$7.50

$14.99

884501423953

$5.48

$10.99

25%

CD-NS-024

25%

LP-NS-024

Starring

ABCDEFG-HIJKLMNOPQRSTUV-WXYZ

25%

CD-NS-001

USA Is A Monster, The

R.I.P.

CONTACT SALES REP FOR FULL CATALOG [STORE] _______________[STORE CONTACT] _______________[ADDRESS] _______________ [PHONE]_______________[REDEYE SALES REP] _______________[FAX ORDER FORM TO] 336.395.1136

ORDER FORM REDEYE WELCOMES MEMPHIS INDUSTRIES 10% OFF ALL CATALOG THROUGH 3-19 QTY

DEAL

ITEM #

ARTIST

TITLE

UPC

COST

SLP

10%

CD-MI-0208

Field Music

Plumb

655035017426

$9.00

$14.99

10%

LP-MI-0208

Field Music

Plumb

655035017419

$11.97

$19.99

10%

CD-MI-0185

Dutch Uncles

Cadenza

5060146092449

$7.79

$12.99

10%

LP-MI-0185

Dutch Uncles

Cadenza

5060146092456

$11.97

$19.99

10%

CD-MI-0183

Colourmusic

My _____ is Pink

5060146092401

$7.79

$12.99

10%

LP-MI-0183

Colourmusic

My _____ is Pink

5060146092418

$11.97

$19.99

10%

CD-MI-0178

Go! Team, The

Rolling Blackouts

5060146092197

$7.79

$12.99

10%

LP-MI-0178

655035047812

$11.97

$19.99

10%

CD-MI-0170

Go! Team, The Rolling Blackouts Phoenix Foundation, The Buffalo

655035047829

$7.79

$12.99

10%

LP-MI-0170

Phoenix Foundation, The Buffalo

5060146092098

$11.97

$19.99

10%

CD-MI-0121

The Week That Was The Week That Was

655035012124

$7.79

$12.99

10%

LP-MI-0121

The Week That Was The Week That Was

5060146090858

$11.97

$19.99

10%

CD-MI-0138

Theoretical Girl

Divided

5060146091343

$7.79

$12.99

10%

CD-MI-0040

Go! Team, The

Thunder, Lightning, Strike

5024545296426

$7.79

$12.99

10%

CD-MI-0011

Blue States

Nothing Changes Under The Sun

5027803521124

$7.79

$12.99

10%

CD-MI-0038

Blue States

The Soundings

5024545285222

$7.79

$12.99

10%

CD-MI-0122

Absentee

Victory Shorts

5060146090872

$7.79

$12.99

10%

LP-MI-0122

Absentee

Victory Shorts

5060146091169

$11.97

$19.99

10%

CD-MI-0069

Black Neon

Arts And Crafts

5050954129826

$7.79

$12.99

10%

LP-MI-0069

Black Neon

Arts And Crafts

5050954129918

$11.97

$19.99

10%

CD-MI-0058

El Perro Del mar

655035005829

$7.79

$12.99

10%

CD-MI-0033

J Xaverre

These Acid Stars

666017066523

$7.79

$12.99

10%

LP-MI-0033

J Xaverre

These Acid Stars

666017066516

$11.97

$19.99

10%

CD-MI-0080

Ruby Suns, The

The Ruby Suns

5050954150820

$7.79

$12.99

neW

redeye

Releases STREET DATE: 03.19.13 ORDER DATE: 02.26.13

449-A TROLLINGWOOD RD. HAW RIVER, NC 27258 [TOLL FREE] 877.733.3931 [LOCAL] 336.578.7300 [FAX] 336.395.1136 [WEB] REDEYEUSA.COM

josh Rouse

The Happiness Waltz NATIONAL release date CD/LP: 03.19.2013

Sonically, The Happiness Waltz takes a trip back into Rouse’s early2000’s period, a time when so many of his longtime fans really came on board. A number of the new tracks could easily find a home on the AM radio of the late 1970’s, nestled between some of the biggest songs of the day. Lyrically, The Happiness Waltz is very much an album in the present, featuring some of Rouse’s most personal songs to date. Rouse reunites with producer Brad Jones, who produced and engineered two of his most beloved albums, 1972 (2003) and Nashville (2005). The Happiness Waltz was recorded in Valencia, Spain at Josh’s studio Rio Bravo; with overdubs and mixing completed at Alex The Great in Nashville, TN. After nine acclaimed studio albums, residing all over the U.S. and touring the world, Rouse found his muse for The Happiness Waltz in what is most near and dear to him, his new family. In 2005, the Nebraska native moved to Spain, where he now spends the majority of his time with his wife and two young children. The thoughts and perspective gained from his experience as a husband and father pervades the 12 songs that make up The Happiness Waltz. The Happiness Waltz is filled with Rouse’s thoughtful, delicate and infectious pop craft, a sound that has become his signature. The subtle grooves of “It’s Good To Have You” and “Julie (Come Out Of The Rain)” blend seamlessly with the poignant “The Ocean” and “Our Love” and the jovial “A Lot Like Magic” and “City People and City Things”. The common thread running throughout The Happiness Waltz is derived from a newfound wisdom that can only be the result of life-changing transitions. For Rouse, it is his loved ones who have provided the inspiration. Highlights: • Jim Flammia at All Eyes Media is the publicist • MAGNET feature story already confirmed for March/April issue • First single, “Julie (Come Out of the Rain)” to be promoted at AAA/Non-comm • Performing at SXSW • National Tour Dates Spring 2013 • LP, pressed on 180 gram vinyl, includes CD copy of album • Produced by Brad Jones, who produced 1972 and Nashville

Track Listing: 01. Julie(come out of the Rain) 02. Simple Pleasure 03.It's Good to Have You 04. City People 05. This Movie's Way Too Long 06. Our Love 07. A Lot Like magic 08. Start A Family 09. The Western Isles 10. Purple and Beige 11. The Ocean 12. The Happiness Waltz

Item number: LP-YEP-2283 SLP: $22.99 UPC: 634457228313 GENRE: Rock/Pop PACKAGING: LP Jacket + CD in slip sleeve BOX LOT: 50 EXPORT: World except Spain Item number: CD-YEP-2283 SLP: $15.99 UPC: 634457228320 GENRE: Rock/Pop PACKAGING: CD Jacket BOX LOT: 50 EXPORT: World except Spain

DISTRIBUTED EXCLUSIVELY BY REDEYE DISTRIBUTION 449-A trollingwood rd, haw river, NC 27258 | info@yeproc.com | yeproc.com | 336-578-7300 | FAX 336-578-7388

Marnie Stern “The Chronicles of Marnia” CD / LP / Digital Download

Tracklist: 1. Year of the Glad 2. You Don’t Turn Down 3. Noonan 4. Nothing is Easy 5. Immortals 6. The Chronicles of Marnia 7. Still Moving 8. East Side Glory 9. Proof of Life 10. Hell Yes Catalog: KRS 566 Release Date: 03.19.2013 CD List Price: $9.99 Preorder Discount: 5% through 03.19.13 (CD only) LP List Price: $15.99 CD Box Lot Quantity: 40 LP Box Lot Quantity: 25 Genre: Alternative/Rock Available Worldwide Vinyl is Non-Returnable CD UPC:

LP UPC:

Selling Points: + Fourth album on Kill Rock Stars + Extensive US and European tours in 2013 + Featured in New Yorker, Elle Magazine BIO: There’s little doubt that Marnie Stern lives up to her reputation as “the lady who shreds,” but for Marnie, shredding is not enough. After putting out three critically-acclaimed albums, Marnie could have gotten away with putting out another album filled with her richly layered sound, singular frenetic finger tapping and almost philosophical lyrics. However, as anyone who has given her last few albums a good listen can tell, Marnie is not one to stand still. Instead she attacks her musical evolution with full frontal bravado, reveling in musical risk instead of relaxing in the comforts of the known. Her new album, The Chronicles of Marnia, finds Marnie not only working with a new drummer (Oneida’s Kid Millions), but also passionately subtracting from her normally dense song structures to craft a sound that is both familiar and wholly original. “I always gravitate towards interweaving and a more abrasive sound,” Marnie said about working on the new album. “I was working with Nicholas Vernhes from Rare Book Room Recording in Brooklyn, and he was the producer. He wanted my voice clearer and fewer guitar parts. I tried it because I wanted to try something different.” The musical transformation evident on her new album isn’t entirely unexpected, as fans who have listened to both “For Ash” and “Every Single Line Means Something” in a single sitting know. That same slow progression can be seen between 2010’s self-titled album and the forthcoming The Chronicles of Marnia. Marnie can’t help but laugh when thinking back on her musical evolution. “I'm sure if I went from the first album to this one, I'd have a heart attack. Luckily it's been gradual enough for me to enjoy the changes.” And there’s little doubt that her fans will too. Even as Marnie evolves from what Pitchfork called her “art-metal math-rock bubblegum pop” genre, fans will still find themselves jumping head first into the album and quickly bonding with the emotionally resonant material, cascading hooks and transcendental guitar riffs. Plus, the album shreds. She is Marnie Stern after all. www.killrockstars.com

Sometimes what you don’t do is as important as what you do. Brandt Brauer Frick have made name for themselves producing techno without the technology, using classical instruments in preference to synthesizers and computers. It’s a negative that’s had positive results. On the Berlin trios third album ‘Miami’, it’s again what Brandt Brauer Frick are not doing that is once again important: they aren’t slavishly following the formula of its two predecessors. “‘Mr Machine’ (2011's sophomore album) the record made with the (ten piece classical) ensemble, especially was very planned and strict,” says Paul Frick. “We wanted to be more spontaneous this time. We wanted to do something very different, more dark and more rough. We wanted to write songs rather than tracks that slowly evolve.” Another major difference is the appearance of a number of guest vocalists who had a big influence on the direction the album took. There are appearances from Jamie Lidell, Om’mas Keith (Grammy nominated producer of Frank Ocean’s ‘Channel Orange’, Kanye West, Jay Z), Gudrun Gut (Einsturzende Neubauten and German punk band Malaria!), Erika Janunger and Russian DJ and producer Nina Kraviz. The new album is accompanied by a new stripped down live show—no ensemble this time, just the three protagonists and a specially built stage set. The visuals will be created by Brandt Brauer Frick affiliated production company Park Bennett, who make all of the bands videos and also came up with the overall visual concept for the album inspired by Fluxus art of the ’60s. KEY POINTS • Guest vocals from - Jamie Lidell, Om’mas Keith (Grammy nominated producer of Frank Ocean’s ‘Channel Orange’, Kanye West, Jay Z), Gudrun Gut (Einsturzende Neubauten and German punk band Malaria!), Erika Janunger and Russian DJ and producer Nina Kraviz. • Video of: Plastic Like Your Mother feat. Om'Mas Keith • Over 150 worldwide shows in the last 18 month • US touring planned for June 2013 • Brant Brauer Frick have played, Coachella Festival Palm Springs, SXSW Austin Texas, Worldwide Festival Sete, Worldwide Festival Singapore, MIDEM Cannes, Mutek Mexico City, Miami Winter Music Conference, Centre Pompidou Paris and many more • The Brandt Brauer Frick Ensemble have played, Lincoln Center New York, Concertgebouw/kamermuziekzaal Bruges, Paradiso Amsterdam, Sonar Festival Barcelona, Glastonbury Festival (West Holts Stage) Somerset UK, Volksbuhne Theatre Berlin, Ether Festival Queen Elizabeth Hall London and many more

TRACKLISTING CD & 2LP

01 02 03 04 05 06 07 08 09 10

MIAMI THEME feat. Erika Janunger OCEAN DRIVE (SCHAMANE) PLASTIC LIKE YOUR MOTHER feat. Om'Mas Keith SKIFFLE IT UP BROKEN PIECES feat. Jamie Lidell MIAMI DRIFT VERWAHRLOSUNG feat. Nina Kraviz EMPTY WORDS feat. Jamie Lidell FANTASIE MÄDCHEN feat. Gudrun Gut MIAMI TITLES

FOR FANS OF Key support from: Resident Advisor / Time Magazine

Matthew Herbert Big Band, Pepe Braddock, Moritz Von Oswald, Carl Craig, Cobblestone Jazz, Emika

'Brandt Brauer Frick put the technique into techno' Time Magazine.

Critical appraisal for Brandt Brauer Frick - You Make Me Real:

US TOP MARKETS

‘A unique album that offers an experimental fusion capable of moving both the head and the feet’ **** RESIDENT ADVISOR ‘Concert hall compositions for the clubbing generation’ BBC

New York, LA, San Fracisco, Chicago, Detroit, Miami

WEBLINKS Critical appraisal for The Brandt Brauer Frick Ensemble – Mr.Machine: ‘BBF’s compositions are infectious and repetitive, delivering the driving beats and modular hooks you expect in dance music’ **** GUARDIAN

For more information please conatct: Adam Calman Adam@k7.com (P) 718-722-9935 X 12

CD:

730003730221 LP:

730003730214

www.brandtbrauerfrick.de/ www.k7.com/brandtbrauerfrick-miami www.facebook.com/pages/Brandt-Brauer-Frick/105285089747

RELEASE DATE: 03/19/2013 ARTIST: BRANDT BRAUER FRICK TITLE: MIAMI CAT. NO.: K7302CD CONFIGURATION: CD UPC: 730003730221 BOX LOT QTY: 25 PRICE: $13.99 GENRE: ELECTRONIC / TECHNO

RELEASE DATE: 03/19/2013 ARTIST: BRANDT BRAUER FRICK TITLE: MIAMI CAT. NO.: K7302LP CONFIGURATION: 2LP GATEFOLD + CD UPC: 730003730214 BOX LOT QTY: 12 PRICE: $24.99 GENRE: ELECTRONIC / TECHNO

MARCH 26TH WIRE ‘CHANGE BECOMES US’ CAT NO: FORMAT: PRICE: LABEL: BARCODE: GENRE: PACKAGING:

PF20 CD $17.99 Pink Flag 5055300369048 Rock Digipack

TRACKS: 01. Doubles & Trebles 02. Keep Exhaling 03. Adore Your Island 04. Re-invent Your Second Wheel 05. Stealth Of A Stork 06. B/W Silence 07. Time Lock Fog 08. Magic Bullet 09. Eels Sang 10. Love Bends 11. As We Go 12. & Much Besides 13. Attractive Space

“It seemed like a good idea at the time…,” begins the explanation of Wire’s original motivation for ‘Change Becomes Us’. Not only was it a good idea, it actually turned into a superlative one. In spring 2012, Wire’s plan had been to review the rudimentary blueprints of songs that had never made it beyond a few live performances in 1979 and 1980 – a time when the band-members were in creative overdrive yet the band itself was disintegrating. The aim wasn’t simply to resuscitate and record old songs; in fact, many of them hadn’t become proper songs in the first place, existing only as basic ideas or undeveloped parts. Rather, the objective was to approach that unrealized work as an oblique strategy, a potential springboard for Wire’s contemporary, forward-looking processes – a possible point of departure for new compositions. This took place with Wire firing on all cylinders, as a four-piece studio entity again, the core line-up of Newman, Graham Lewis and Robert Grey now enhanced by guitarist Matthew Simms. Out of those sessions and subsequent extensive development and production, the ostensible source material became, in the classic Wire tradition, something quite other than what it may have once been – or what it might have become if it had been pursued in 1980. ‘Love Bends’ is a case in point. Its roots lie in a raucous, octavehopping number performed in February 1980 at the Electric Ballroom in Camden, but it’s now morphed, improbably, into an irresistible, totally modern pop song. Just as improbably, the gently lilting ‘Re-invent Your Second Wheel’ is tangentially connected to a performance piece that was mostly shouting and banging, executed by a stageful of Wire cronies in funny hats. Similarly transformed, ‘& Much Besides’ is a six-minute oneiric-melodic interlude that gives no hint of its putative origins in “Eastern Standard” – a dreary, obtuse three-minute track from the Electric Ballroom concert. Colin Newman’s songwriting and production on ‘Change Becomes Us’ reimagines the past in ways that ultimately break any substantive connection with it, making entirely new pieces – and these songs themselves enact Wire’s restless drive to become other, often thriving on a fundamental tension between opposing sonic characteristics. With its stop-start, soft-hard, quiet-loud structure, ‘Adore Your Island’ veers between prog and unhinged punk rock, never quite resolving itself; the drama of ‘Attractive Space’ hinges on a progressive splitting of the song’s personality, between its calm, expansive, anthemic orientation and an increasing sense of intensity and claustrophobia. ‘Change Becomes Us’ encapsulates the paradoxical essence of Wire’s creativity. The tendency of these new songs to refuse a single, settled identity is emblematic of the band’s everevolving aesthetic – one that’s always hinged on sustained tensions and oppositions: between the familiar and the unfamiliar, the comfortable and the unsettling, the melodic and the brutal, the cerebral and the visceral, the smart and the moronic, the obvious and the inscrutable, the rational and the absurd. This intrinsic, core ambivalence generates the essential otherness that has characterized Wire’s most memorable and distinctive work – from the epochal innovations of ‘Chairs’Missing’ and ‘154’ to the electronic-pop deconstructions of ‘A Bell Is A Cup…’ to the postmodern-punk expressionism of ‘Send’ and the widescreen lyricism of ‘Red Barked Tree’. ‘Change Becomes Us’ is an undeniable part of that illustrious lineage. Definitely more than just a good idea at the time.

LAPALUX 'Nostalchic' Street Date: 03/19/13 CD • BFCD037 • $14.99

2LP • BF037 • $22.99

Label: Brainfeeder File Under: Electronic Export: No Export Box Lot: 35 CD / 15 LP Packaging: CD digipak / 5mm vinyl sleeve

TALKING POINTS: • Touring North America in May 2013. • Video available for the single 'Without You.' •

Press and radio campaign by Terrorbird

• 180 gram vinyl with download code.

TRACKLISTING: 1.IAMSYS (Tape Intro) 2.Guuurl 3.Kelly Brook 4.One Thing (ft. Jenna Andrews) 5.Flower 6.Swallowing Smoke 7.Without You (ft. Kerry Leatham) 8.Straight Over My Head 9.Dance (ft. Astrid Williamson) 10.The Dead Sea 11.Walking Words 12.O E A (ft. Kerry Leatham) (Tape Outro) Brainfeeder, 2427 Silver Ridge Avenue, LA, CA 90039 Contact: Adam Stover - natvralism@gmail.com www.brainfeedersite.com

In a world in which upstart DiY talent is flooding the gates of electronic music, a few recent voices have been so strong as to be startling. Lapalux - AKA 25-year-old Stuart Howard - is certainly one such. As singular as a brilliant artist always should be, his instinctive understanding of the atmospheric power of texture grips the ear immediately on listening. 'Nostalchic' is his debut album, mission statement, and the climax of many years of studying his craft. The amalgam of words that make the title is aptly, and perhaps knowingly chosen. The album evokes nostalgia without ever sounding nostalgic, and Howard may have had his tongue in his chic when he added the second half of the title. The album is his most focused document to date, adding his beloved R&B and soul into elements of house and hip hop, all with the trademark Lapalux finish; infectious, lopsided swing and achingly deep texture. Lapalux was raised in rural Essex, midway between countryside and town; the classic, isolated hinterland that's produced many a distinctive British voice. There's a yearning sense to the record that it's tempting to relate to the young Howard's dreams about what his eventual escape into larger life might be. He certainly had a dream start when a shot-in-the-dark email to electronic hothouse Brainfeeder was immediately answered by label head Flying Lotus himself, who quickly moved on to sign him. To this day, Lapalux remains the only British artist on the Los Angeles based label. Having made fans out of Diplo and SBTRKT, remixed everyone from Lianne La Havas via Crystal Fighters to Bonobo, Tawiah, AlunaGeorge and Speech Debelle, as well as supporting FlyLo and playing the main stage at Sonar and in Japan with Clark, it's prime time for Lapalux's debut full length. Happily, it was well worth the wait. Redeye Distribution, 449-A Trollingwood Rd Haw River, NC 27258 USA Contact: Lori Miller - lori@redeyeusa.com www.redeyeusa.com

BIRDS and ARROWS create unique music that is “full of romance and energy”, “enchanting”, and “the kind you fall in love with”. Their third full length record "Coyotes" is no exception. The Chapel Hill/Durham NC based trio worked with an impressive cast of local and national talent to create Coyotes. Robert Sledge of Ben Folds Five, Dirk Shumaker of Big Bad Voodoo Daddy and James Wallace of Mount Shuma Moriah are just a few of the special guests that where involved in the making of this record. Produced and mixed by Chris Stamey of the dBs, “Coyotes” promises to be Birds and Arrows’ best effort as a band to date. Chris calls “Coyotes”, "An amazing record, overflowing with invention, dedication and exuberance.” This new group of songs on "Coyotes"embrace the original folk spirit of Birds and Arrows, combined with the confidence and experience in songwriting that comes with playing music together for over 6 years. The wistful and nostalgic "Firefly" (the album's opening track) evokes memories of youth, first love and the scars of rejection that resonate with everyone throughout a lifetime. Marie Garlock and Andrew Syn Synowiez of Hueism Pictures have this to say about Firefly. "The sound of Birds & Arrows’ “Firefly” feels like coming to the edge of something, shedding layers, listening to swells and nuances of emotion and thought that can directly transport you to a past (or bring this past suddenly into your present)". The band explores biographical song crafting on Coyotes's third track, "The Rest of Your Life", which is a quirky and endearing tribute to the career of Woody Allen. The group was formed in 2007 by husband and wife Andrea and Pete Connolly, who released 2 critically acclaimed EPs. Grayson Currin of Shuffle Magazine praised “Woodgrain Heart” as “complementary voices wrapping together in rustic contentment and comfort, like a happy pair making music because that’s how love makes them feel.” In 2009, Josh Starmer joined the group on cello during the recording of the band’s first full length record “Starmaker”. Upon its release, “Starmaker” was picked by the North Carolina, Triangle based Indee “Sta pendent Weekly as the “Album of the Month”. In 2011 Birds and Arrows released its second full length record “We’re Gonna Run” which was revered as “the best moment of the band’s career, a promise that they’ve got real range.” Frank Stasio of NPR's The State of Things noted “The honeymoon sweetness of their earlier work has been replaced with a maturity and depth appropriate for musicians whose lives and work are gaining seriousness and acclaim.” In 2012 the band began recording its third full length release, Coyotes. The record is saturated with imagery from the bucolic surroundings of the Connolly's new home, a 19th-century school house-turned-cabin nestled in the country count a half hour north of Durham, NC. Corbie Hill of Independent Weekly noted "After six years as a band, it seems as if the Connollys have come to a point of comfort, not only musically but personally: Their new rural home, where they moved in early 2012, enables these two to live as they have wanted to for years. Andrea is surrounded by horses, while Pete drags fields and mends fences in the rural quiet." Over the years, Birds and Arrows have developed a rich sound that is much more than the sum of their parts. The romance between Andrea and Pete's voices is distinctly captivating and intertwines with Josh's beautiful yet haunting cello melodies. Together they accomplish an el elegant, warm sound that is truly their own. Their compelling and road tested live show appeals to a surprisingly wide range of audiences; they are the cherished rock band for folk lovers and the favorite folk group for rock fans.

Distributed by Redeye

Rel easeDat e:3/ 19/ 13

Hi ghl i ght s :Publ i ci t yt obehandl edby ROMO* PRr omopr . com. Pr i ort oi t ’ sr el ease,Coyot eswi l lbe f eat ur edonNPR’ sTheLastMot elwi t h Er i cHodge. Bi r dsandAr r owswi l lbedoi nganeast coastt ouri ncl udi ngci t i essuchas ChapelHi l lNC,Gr eensbor oNC, Wi nst onSal em NC,Ri chmondVA, Char l ot t esvi l l eVA,Washi ngt onDC, Bal t i mor eMD,Phi l adel phi aPA andBr ookl ynNY.

Tr ac kl i s t : 1. Fi r ef l y ,2. Outi nt heGar den,

3. TheRestofYourLi f e.4. Or i on,5. Coyot es, 6. IHearBel l s,7. Anywher eButHer e,8. Saf et y , 9. SundayNi ghtBl ues,10.Li f eLi keLi f e, 1 1. I nsi deOut ,12. SaddestSong Artist:Bi r dsandAr r ows Title: Coyot es Item Number: CDBAA001 UPC: 634457579125 Box Lot: 40 List Price: $1 1. 99

449ATr ol l i ngwoodRoadHawRi v er ,NC27258|www. r edey eus a. c om |i nf o@r edey us a. c om |www. bi r ds andar r ows . c om

Dave Alvin Ashgrove

NATIONAL release date: 03.19.2013 Almost one decade ago the release of Ashgrove reminded the world that the electric guitar still had a home in Dave Alvin’s hands. With the amps on high, Dave Alvin produced one of his career’s best and reminded fans that he couldn’t neatly be placed into any particular genre. As a tip of the hat to the work itself, Yep Roc Records is proud to release Ashgrove for the first time ever on 180 gram vinyl.

"When I was writing and recording the songs for my album Ashgrove, I was trying to capture a classic electric folk blues feel. Around the same time UNCUT magazine asked me to record a version of Bob Dylan's "Highway 61 Revisited" for a Dylan tribute CD they were doing. The timing seemed right. Bob's songs have always been a tough and unique blend of the folk and the blues traditions that I identify with. So it makes perfect sense to me to include my version of this Dylan standard on the vinyl issue of my album Ashgrove." - Dave Alvin Highlights: • First time ever pressed to vinyl • 2xLP on 180 gram vinyl • Bonus track “Highway 61” • Previous Yep Roc Releases: Eleven Eleven Expanded, Eleven Eleven, Chris Gaffney Tribute: The Man Of Somebody’s Dreams, Dave Alvin And The Guilty Women, West Of The West, Great American Music Galaxy Key Markets: San Francisco - Oakland - San Jose, Los Angeles, New York, Denver, Portland, Seattle – Tacoma, Chicago, DC, San Diego, Boston, Houston, Minneapolis, Philadelphia, Austin Track Listing: 01. Ashgrove 02. Rio Grande 03. Black Sky 04. Nine Volt Heart 05. Out Of Control 06. Everett Ruess 07. Sinful Daughter 08. The Man In The Bed 09. Black Haired Girl 10. Somewhere In Time 11. Highway 61 Revisited

Item number: LP-YEP-2075 SLP: $22.99 UPC: 634457207516 GENRE: Rock/Americana PACKAGING: Single Sleeve Double LP BOX LOT: 25 EXPORT: World

DISTRIBUTED EXCLUSIVELY BY REDEYE DISTRIBUTION 449-A trollingwood rd, haw river, NC 27258 | info@yeproc.com | yeproc.com | 336-578-7300 | FAX 336-578-7388

Black Pus

All My Relations Thrill - 322

Black Pus is Brian Chippendale, who rose to prominence as the drummer of noise rock titans Lightning Bolt and Mindflayer. The first Black Pus CD-R was self released in early 2006, and was a collection of ferocious free jazz, multi-tracked on Chippendale’s cassette fourtrack. Enamored of the control of recording solo, Chippendale followed with more CD-Rs, and began playing live under the Black Pus moniker. He refined the Black Pus sound over numerous selfreleased CDs and 2011’s Primordial Pus on Load Records, replacing the saxophone with a drum-mounted oscillator and experimenting with pop structures. The oscillator creates gigantic bass tones that are then fed through a series of pedals. Over the course of the past several years Chippendale has been hand-picked by Björk and The Flaming Lips as a collaborator, and recruited by Andrew W.K. for Lee “Scratch” Perry’s 2008 album Repentance. All My Relations is constant forward motion and audible physicality. Chippendale’s furious drumming style is ever present and instantly recognizable, but the pop element, which Chippendale explored in more contained ways on earlier Black Pus releases, is more fully integrated. Tracks like “1000 Years” and “Hear No Evil” bear a snarl and a smile, the sound of wild abandon that is both aggressive and inviting. Chippendale creates maximalist music out of the simple elements of drums, vocals, and an oscillator triggered by the kick drum, looping and repeating phrases and rhythms in a way that can only be called meditative. The album closes with “A Better Man,” an almost ten minute epic that expertly alternates between the minimal pulse of the kick drum and oscillator and some of the most voracious and unrestrained drumming on the album. For the first time with any group he’s been a part of, Chippendale fully embraced the studio to realize All My Relations. He entrusted recording and producing to Keith Souza and Seth Manchester (who have worked with The Body, Battles and The Skull Defekts) at Machines with Magnets in Pawtucket, RI. All My Relations retains the expansive, primal sound of Chippendale’s earlier recordings, enhanced by the clarity of the studio. Black Pus has attained vicious transcendence.

CD List $15.99 BOX LOT CD 40

*9037H-ADCCCc

LP List $18.99 BOX LOT LP 25 Vinyl is non-returnable

*90377-ADCCBf

GENRE : ROCK FILE UNDER: “B” Black Pus “L” Lightning Bolt RELEASE DATE : March 19, 2013 NO EXPORT TRACK LISTING: 01. Marauder 02. Fly on the Wall 03. 1000 Years 04. Word on the Street 05. All Out of Sorts 06. Hear No Evil 07. Nowhere to Run 08. A Better Man

SALES POINTS Black Pus is the solo project of Brian Chippendale of noise rock titans Lightning Bolt and Mindflayer. All My Relations is the first Black Pus album recorded in a proper studio and follows a series of self-released CDrs and 2011’s album Primordial Pus (Load Records) In addition to his work in both Lightning Bolt and Mindflayer Chippendale has collaborated with Björk, The Flaming Lips, Boredoms, Andrew W.K. and Lee “Scratch” Perry Chippendale is also a renowned visual artist (his artwork adorns All My Relations) and was a founder of the legendary Providence, RI warehouse/venue/arts space Fort Thunder CD version packaged in 4 panel mini-LP style gatefold package with high gloss printing. LP version pressed on high quality virgin vinyl and packaged in an LP jacket with high gloss printing as well as full color artworked inner sleeve and free download coupon. “Gutterall teutonic death marches laced with vocals recorded with a gas mask in a boiler room” - Foxy Digitalis “the abstract wall of sound instigates both moshing and the sort of transcendent elation achieved only with frightening volume levels” - The Believer “one of the most distinct musicians and visual artists of our time” - WFMU

PO Box 08038 / Chicago, IL 60608 Ph : 312.492.9634 / erik@thrilljockey.com www.thrilljockey.com

Califone

Califone’s third album Heron King Blues is back on vinyl for the first time since it sold out quickly upon release in 2004!

Thrill - 135 LP $18.99 BOX LOT LP 25 Vinyl is non-returnable GENRE : POP/ROCK FILE UNDER: “C” Califone Release Date: March 19, 2013 NO EXPORT

Heron King Blues is pressed on high quality virgin vinyl and packaged in an LP jacket with fully artworked inner sleeve. Included for the first time is a free download coupon.

Heron King Blues

TRACK LISTING: 01. 02. 03. 04. 05. 06. 07. 08.

Wingbone Trick Bird Sawtooth Sung A Cheater’s Song Apple Lion & Bee 2 Sisters Drunk On Each Other Heron King Blues Outro

*90377-ABDFBb CD version also available : CD list price $14.99

*90377-ABDFCi

For this recording the band set out to make a record like Captain Beefheart’s Mirror Man, entering the studio with a blank canvas and laying things down quickly. The resulting songs combine the bands more pop-oriented qualities alongside their more spaced out ethereal thoughts. The resulting sessions led to songs that were improvised or written immediately before recording, and within days a series of raw, live recordings had been completed. From there the initial recordings were chopped up, mixed around, and reassembled into the final product: a beautifully lush and patient masterpiece.

ALSO STILL AVAILABLE IN LIMITED SUPPLY : Califone

Roomsound Thrill - 170 LP $18.99 BOX LOT LP 25 Vinyl is non-returnable GENRE : POP/ROCK FILE UNDER: “C” Califone NO EXPORT TRACK LISTING:

*90377-ABHABe

01. Trout Silk 02. Bottles & Bones (shade and sympathy) 03. Fisherman’s Wife 04. Porno Starlet vs. Rodeo Clown CD version also available : 05. Tayzee Nub CD list price $14.99 06. Slow Rt. Hand 07. St. Augustine (a belly full of swans) 08. Wade in the Water 09. Rattlesnakes Small Like Split Cucumber 10. New Black Tooth

*90377-ABHACb

Califone’s debut album Roomsound was originally released on CD in 2001 by Perishable and then reissued on CD in 2006 by Thrill Jockey. As part of our 20th Annivesary we are happy to offer Roomsound on the vinyl format for the very first time. Cut by Paul Gold at Salt Mastering and pressed on high quality virgin vinyl, Roomsound is presented in a deluxe custom silk-screened jacket with an art-worked inner sleeve and free download coupon. Roomsound covers the same rustic, slightly ramshackle back forty that Tim Rutili has been ploughing through since his previous band Red Red Meat. Only this time the tilled bedrock unveils the most vividly colored, luring crop of songs Rutili has ever harvested. The sleepy, country-blues picking and autumnal backwoods melodies are accented with striking splashes of electronic tone color, obsolete keyboards and off-kilter percussion. Lyrically, Roomsound penetrates the breath of pirates, poison apples at a tango contest and the waiting room between death and canonization where missionaries have quit and 19th-century whores have been rescued for all the wrong reasons. Masterfully engineered by Brian Deck, the album is vaulted far beyond the sum of its parts.

THRILL JOCKEY / PO Box 08038 / Chicago, IL 60608 / Ph : 312.492.9634 / erik@thrilljockey.com / thrilljockey.com

Thalia Zedek Band Via

Thrill - 325 CD List $15.99 BOX LOT CD 40

*9037H-ADCFCj

LP List $18.99 BOX LOT LP 25 Vinyl is non-returnable

*90377-ADCFBc

GENRE : ROCK FILE UNDER: “Z” Zedek, Thalia “C” Come RELEASE DATE : March 19, 2013 NO EXPORT TO EUROPE Thalia Zedek might be entering the fourth decade of her career as one EXPORTABLE TO JAPAN

of the most singular voices in rock, but she shows no signs of creative fatigue. Throughout the 80s she rose to prominence fronting Uzi and Live Skull, before founding Come with Chris Brokaw of Codeine in 1990. After Come called it a day in 2001, Zedek began making music under her own name to high acclaim. Via is Zedek’s fourth solo album (and third on Thrill Jockey). It further cements Zedek’s position as a bandleader, a songwriter, and as a pioneer who, like Kim Gordon, Kim Deal, Lydia Lunch, and Patti Smith, paved the way for so many others.

On Via, Zedek presents a collection of songs that range from the harrowing to the heartfelt. The opener “Walk Away” is a triumphantly melancholic exploration of living with ghosts, with Zedek’s richly emotive voice augmented by David Michael Curry’s gravelly viola and Mel Lederman’s measured piano. Via also features some of Zedek’s noisiest material in some time. Halfway through “Want You To Know,” Zedek’s guitar erupts into a wash of fuzz, foreshadowing the climax of pounding drums and psychedelic soloing. Via is an album about recovery, loyalty, chance, and gratitude: universal themes that become stirring in Zedek’s hands. The album was written during two distinct sessions over the course of four years. The first set of songs was written during the period of touring after the release of Liars and Prayers with longtime drummer Daniel Coughlin, who was also in Come. After Coughlin’s departure from the band, Zedek recruited Son Volt drummer Dave Bryson, who’s simple, spacious playing allowed her to stretch and experiment with new sounds and ideas. It was recorded by Andrew Schneider at New Alliance and Translator Audio in June and September of 2012. Via has a gravitational field, a magnetic pull brought on by the weight of the words and the mass of the sounds created. Regardless of her status as a pioneering woman in independent rock, Thalia Zedek’s music stands on its own in its startling honesty.

TRACK LISTING: 01. Walk Away 02. Winning Hand 03. Get Away 04. He Said 05. In This World 06. Straight and Strong 07. Go Home 08. Lucky One 09. Want You to Know

SALES POINTS Thalia Zedek has been a force on the independent musical landscape for over 30 years, dating back to her days in Live Skull and Uzi. Along with Chris Brokaw, she fronted the band Come who released four records on Matador Via is Zedek’s third album on Thrill Jockey Zedek’s band features David Michael Curry (Willard Grant Conspiracy), Mel Lederman (Victory at Sea), Winston Braman (Come), and Dave Bryson (Son Volt) Come’s classic album Eleven : Eleven (1990) will be re-issued by Matador in May of 2013 CD version packaged in 4 panel mini-LP style gatefold package. LP version includes artworked inner sleeve and free download coupon “Nothing draws as much blood as the work of this songwriter, one of the most painfully honest and brilliant anywhere.” - Time Out New York “One of the year’s most intense and fiercely passionate albums.” - PopMatters on Liars and Prayers

Also available from Thalia Zedek : Liars and Prayers CD/LP (Thrill 196) Trust Not Those... CD (Thrill 148)

“There are still few artists around today who can rival Zedek for pure exorcism straight from a troubled mind.” - Metro UK

PO Box 08038 / Chicago, IL 60608 Ph : 312.492.9634 / erik@thrilljockey.com www.thrilljockey.com

Stygian Stride Stygian Stride Thrill - 327 Limited CD List $15.99 BOX LOT CD 40

*9037H-ADCHCh

Limited LP List $18.99 BOX LOT LP 25 Vinyl is non-returnable

*90377-ADCHBa

GENRE : ELECTRONIC/EXPERIMENTAL FILE UNDER: “S” Stygian Stride “R” Rhyton RELEASE DATE : March 19, 2013 NO EXPORT TRACK LISTING: Stygian Stride is Jimy SeiTang, a New York based musician in the No Neck Blues Band axis who, as a member of Psychic Ills and most currently with Rhyton, was brought up in the midst of the groundswell of avant-garde and improvised psychedlic music in New York City over the past decade. On this, his debut solo release, SeiTang has moved away from rock music completely, instead turning his attention to gauzy electronic music reminiscent of Gas and the classic era of Mille Plateaux and Chain Reaction, with nods to Manuel Göttsching and Tangerine Dream. What made SeiTang such an integral part of the improv based bands he’s worked with, his ability to listen and communicate, reacting in time to his bandmatess aethetic and musical choices, is the same thing that makes Stygian Stride a successful endeavor. When writing and recording the album, he was reacting similarly to the different facets of the machines’ unique temperaments, learning the particular peronalities of each piece of equipment and facilitating the creation of something greater than the sum of its parts. While melodic and rhymic repetitiveness are the backbone of Stygian Stride’s music, each piece subtly evolves at its own pace and in its own way. “Hindsight” is pushed forward by a steady, muted kick, and washes of synth that coalesce into a ghostly melody. “Drift” features multi-layered rhythmic textures that shift in and out of phase, anchored by a heavy drone, and “Taiga” features a similarly phased synthesizer arppegio. The album is bookended by two beatless tracks. While “Celestial Stems” opens the album with gentle, hypnotic sequencer patterns, closer “Fade Into Bolivian” is one long, slow-moving forboding organ melody over a deep, anxious drone reminiscent of Popul Vuh. Rather than composing and recording on a laptop, SeiTang sought out and collected vintage, analog equipment and conceived the album without MIDI synching. It was recorded by Jason Meagher at Black Dirt Studios (D. Charles Speer, Jack Rose, Expo ’70, Blues Control), and mastered by CGB at Dubplates & Mastering in Berlin. Stygian Stride shows a side of SeiTang’s artistry coming to light that has up to this point laid dormant, just under the surface. This album is the beginning of an exploration of the intersection of the mind-expanding and the mechanized.

01. Celestial Stems 02. Hindsight 03. Drift 04. Taiga 05. Athanor Ascension 06. Fade into Bolivian SALES POINTS Stygrian Stride is the solo guise of the New York based musician Jimy SeiTang Jimy SeiTang was a member of Psychic Ills and is currently a member of New York experimental/improv/ psych trio Rhyton with Dave Shuford (D. Charles Speer and the Helix, No Neck Blues Band) and Spencer Herbst (Messages, Matta Llama). Rhyton released albums on both Thrill Jockey and Three Lobed in 2012 Stygian Stride is an album of gauzy electronic music reminiscent of Gas and the classic era of Mille Plateaux and Chain Reaction, with nods to Manuel Göttsching and Tangerine Dream. The album artwork was created by Arik Roper (Sleep, SunnO))), Howlin Rain, Earth, High on Fire, Weedeater) The album was recorded entirely on analog equipment without MIDI synching at Black Dirt Studios by Jason Meagher (D. Charles Speer, Jack Rose, Expo 70, Blues Control) The album was mastered and cut to vinyl by Christoph Grote-Beverborg (CGB) at Dubplates & Mastering in Berlin CD version is limited to 500 copies worldwide and packaged in a 4 panel mini-LP style gatefold package. LP version also limited to 500 units worldwide and pressed on high quality virgin vinyl with free download coupon

PO Box 08038 / Chicago, IL 60608 Ph : 312.492.9634 / erik@thrilljockey.com www.thrilljockey.com

DEAD SKELETONS Dead Magick CATALOGUE NO: FORMAT: PRICE: RELEASE DATE: LABEL: BARCODE: GENRE:

AUK103LP 2LP (180GRM) $39.99 19th March 2013 ‘a’ Records LP: 5055300334992 ROCK

Available on 180 grm black vinyl 2LP , This edition is limited to 500 copies What is a “dead skeleton”? Can such an entity exist? Sonic wizards Jón Sæmundur, Henrik Björnsson and Ryan Carlson Van Kriedt probe such questions of depth and intensity on their first full-length double LP Dead Magick. This album illuminates the fact that magick - as well as music - is far from “dead.” In fact, Dead Magick is a vibrant collection of mystical meanderings through space, time, and all that is. Dead Magick formulates and communicates dynamic concepts, as well as illustrates them via the oldest form of human expression: music. Dead Magick is akin to a musical hologram. The overall structure replicates itself in its most minute detail. The magick, however, is not only in the mix. There is also magick in the moment in time that the sound vibrations were recorded. Yet, there is a transcendent quality to the work, most viscerally experienced in the lyrical mantras, established through repetition, a repetition distinctly non-choral in nature. It could be loosely compared to so-called “trance” or “drone” genres; however, these terms are inadequate to describe the quality of the sound. Dead Magick transcends genre or classification, as well as space and time, life and death. Moreover, just as the Dead philosophy: “All is one is all” is cyclical both linguistically and conceptually, so too are the songs these sonic warlocks spin. While the Dead philosophy animates ages-old concepts of profound importance, it also achieves the inverse: it takes very new ideas and articulates them through the oldest form of expression known to man: music. Dead Magick harkens back to the not-so-distant past, when the album, rather than the song, was king. Merging the ancient with the modern, Dead Skeletons rephrase primordial wisdom in a manner accessible to all. It is a symphonic work; it must be experienced end-to-end - from side a, song one, to side d, song twelve - in order to fully appreciate its profundity. Nonetheless, Dead Magick is accessible on a song-bysong basis, as each is a world unto itself, encapsulating firmly rooted musical and philosophical content. These grand concepts are only refracted, reflected, and magnified through an appreciation of its individual role in the grander schema of the album as a whole, and once again vis-à-vis the greater Dead philosophy (see www.dead.is).

LP - Tracklisting Side A 1. Dead Mantra , 2. Om Mani Peme Hung , 3. Kingdom of God , Side B 4. Psycho Dead , 5. Get on the Train 6. Dead Magick I , Side C 7. Ask Seek Knock , 8. Ljósberinn , 9. Live!/Lifðu! , Side D 10. When The Sun Comes Up (for the last time) , 11. Yama , 12. Dead Magick II

a’ Recordings Ltd , Unit 308, Wey House , 15 Church Street , Weybridge, Surrey , KT13 8NA . UNITED KINGDOM arecordingsltd@yahoo.com

HANNI EL KHATIB “ FAMILY / PENNY ” INNOVATIVE LEISURE RECORDS

STREET DATE: 3/19/13 ARTIST: Hanni El Khatib TITLE: Family / Penny FORMAT: 12” VINYL (double-sided front cover) CATALOGUE: IL1043 FILE UNDER: Alternative / Rock SRP: $8.99 UPC: 634457578814

Bio When Hanni El Khatib started out, he was just a skater kid playing the world’s worst guitar and singing by himself. Inspired by a long line of determined do-it-for-themselves musicians winding back through punk and psychedelia to rock ‘n’ roll and early r&b and finally the first scratchy years of the blues, he’d record song after bare-bones song—in between day jobs and night life—just because he had things he wanted to sing about. Then in 2010 from a chance meeting, up-and-coming indie label Innovative Leisure recognized that there was something huge hiding in those little songs. And so El Khatib made his official full-power soul ‘n’ rock ‘n’ roll debut (on vinyl too) in 2010. Soon his music would overtake him completely. By the time his first album Will The Guns Come Out was released in 2011, he clawed out a space of his own musically and left his job as creative director at streetwear label HUF as well as his hometown of San Francisco to become part-owner of (and in-house Art Director) Innovative Leisure in Los Angeles, California. It had been the kind of year where anything that could happen would happen. In 2012, however, Hanni El Khatib showed up to record his second album with just the clothes on his back—no guitar, no fancy almost-finished demos, and only about three weeks time to get from start to finish. While on tour, he'd met Dan Auerbach in a bar in Paris and after some whiskey got involved, they decided to partner up in Auerbach’s studio in Nashville. The idea was to erase everything he’d become comfortable with and to make an album out of only raw instinct and inspiration. The result is Head In The Dirt, produced by Auerbach, in which El Khatib takes a lucky eleven songs and makes the entire history of rebel music something all his own. He’s got cut-to-the-bone rhythm ‘n’ blues (“Save Me”) and overcranked Stooges-style stompers (“Family”). He’s got bottomless Black Sabbath riff-outs (the back half of “Pay No Mind”) and dub-a-delic garageland rockers (“Nobody Move”) that call up the spirits of the Clash and the Equals both. His “Low” is just one Andre 3000 remix away from a club anthem, “Penny” is his stuckin-your-head pop hit and “Sinking In The Sand” is his smash-your-head freak-out. The plan that first day in Nashville might have been to make something out of nothing — but by the end of Head In The Dirt, you’ll realize that Hanni El Khatib actually made something out of everything.

REDEYE DISTRIBUTION

INNOVATIVE LEISURE

JEREMIAH LEWIS JAY@REDEYEUSA.COM 449 TROLLINGWOOD RD. HAW RIVER, NC 27258

NATE NELSON NATE@INNOVATIVELEISURE.NET 2658 GRIFFITH PARK BLVD. #324 LOS ANGELES, CA 90039

REDEYEUSA.COM

INNOVATIVELEISURE.NET

TIJUANA PANTHERS “TONY’S SONG” b/w “ONE WAY TICKET” I N N OVAT I V E L E I S U R E R EC O R D S

Item ID (cat#): IL1035 Artist: Tijuana Panthers Title: Tony’s Song b/w One Way Ticket UPC: 634457578975 Release Date: 3/19/13 List Price: $7.99 Label: Innovative Leisure Packaging: 7” record in brown paper bag sleeve For Fans Of: Buzzcocks, FIDLAR, Minutemen, Soft Pack, Descendants Genre: Alternative/Rock

BIO The Tijuana Panthers got their name from the little black ceramic panther that was a present from their neighbor Max Baker—yes, the Max Baker who they named their first album after, and who deserves a bio all his own—and they got their sound from that strange place where punk bands crash into pop music and come out the other side, bristling with hooks and hitting three-part harmonies almost by happy accident. Even the Beach Boys were once a garage band, and after them came the waves of kids playing rock ‘n’ roll somewhere between the surf and the surface streets. Then when punk showed up in the ‘70s, it was just an adjustment in hairstyle and speed. The Buzzcocks did this a whole hemisphere away, the Real Kids and the Modern Lovers did it on the other side of the country, and the Crowd and the Simpletones did it just a few towns over. And now Tijuana Panthers come striding proudly out of their hometown of Long Beach, California, with Semi-Sweet, their most fully realized album yet. The first single from Semi-Sweet, “Tony’s Song” matches the relentless energy of the Wipers with instantly catchy beach-punk harmonies while the B-side is a pitch-perfect Nerves cover, a reverent redo of “One Way Ticket” by a band that in sound and sentiment both were pretty much the Tijuana Panthers of their day.

“Cribbing as much from Brian Wilson’s lyrical topics as they take from Dick Dale’s reverb-soaked guitar tone” - NOISEY/VICE “[The music of the Tijuana Panthers] sounds something like they had spent an afternoon with Jan and Dean sharing fish tacos with Quentin Tarantino, before laying down some 4-track recordings with The Cramps in a sunlit garage.” - LA WEEKLY

CD: $10.99

65573

68575

LP: $14.99

65573

68576

CD: $10.99

LP: $14.99

65573

68574

MARCH 19TH RELEASES ROCK CANDY RELEASES CDS INCLUDE:  Special Collector’s Edition

    

Fully re-mastered sound shaped from 24 BIT digital technology Bonus Tracks Full colour booklets including a 3,500 word essay Enhanced artwork, rare photos and interviews Full Band Involvement

WILD HORSES ‘WILD HORSES’ CAT NO: FORMAT: PRICE: LABEL: BARCODE: GENRE: PACKAGING:

CANDY168 CD $21.99 Rock Candy 5055300357359 Rock Jewel Case

TRACKS : Reservation; Face Down; Blackmail; Flyaway; Dealer; Street Girl; No Strings Attached; Criminal Tendencies; Nights On The Town; Woman – Bonus Tracks: The Rapist; Reservation (Demo); Blackmail (Demo); Flyaway (Demo with Phil Lynott); Dealer (Demo); The Rapist (Demo); Retribution (Demo); Breathe On Me (Demo)

RAINBOW AND Thin Lizzy were two of the biggest names in rock during the 70s so when Rainbow dispensed with the services of bassist Jimmy Bain and Thin Lizzy dismissed guitarist Brian Robertson it was almost inevitable that the two would join forces to create a new powerhouse rock group. Indeed, with Bain and Robertson sharing a London flat together the musical combination was quickly cemented going under the forceful moniker of Wild Horses. Renowned for their hair raising personalities Robertson and Bain delivered explosive guitar driven tracks big on hooks but smooth enough to appeal to radio. Amongst the material on offer were songs co-written by Robertson’s former Lizzy band mates Scott Gorham and Phil Lynott. Originally released in April 1980, the band’s debut album still sounds exciting and fresh, a testimony to the talent involved.

WILD HORSES ‘STAND YOUR GROUND’ CAT NO: FORMAT: PRICE: LABEL: BARCODE: GENRE: PACKAGING:

CANDY169 CD $21.99 Rock Candy 5055300357366 Rock Jewel Case

TRACKS : I’ll Give You Love; In The City; Another Lover; Back In The U.S.A.; Stand Your Ground; The Axe; Miami Justice; Precious; New York City; Stake Out – Bonus Tracks: The Kid; Everlasting Love; Because I Care (Demo); Are You Ready (Demo); The Kid (Demo); The Party (Demo); Saturday Night (Live); Rocky Mountain Way (Live)

‘Stand Your Ground’, originally issued in May 1981, found the band changing the line-up with Neil Carter departing for pastures new (going on to join UFO) and being replaced by the previously unknown John Lockton. Enlisting the help of Producer/Engineer Kit Woolven who had previously worked with Thin Lizzy and on Phil Lynott’s two solo albums, the band headed into Good Earth Studio, owned and operated by another Lizzy alumnus, Tony Visconti. In keeping with the bands volatile reputation the recordings were the subject of fractious conflict between Bain and Robertson, the two men at odds with the direction the music was taking. With that in mind, ‘Stand Your Ground’ is a diverse and exciting record full of surprises set amidst an atmosphere of tension and nervous energy. Not surprisingly it was the final record from the band, both principals opting to go their separate ways.

FREDDIE SALEM & THE WILDCATS ‘CAT DANCE’ CAT NO: FORMAT: PRICE: LABEL: BARCODE: GENRE: PACKAGING:

CANDY165 CD $21.99 Rock Candy 5055300356741 Rock Jewel Case

TRACKS : Dark Horizon / London Town; Open My Eyes; Long Gone; Sunset (Second Chance); Got The Feelin’; Evil For Evil; Rock n’ Roll Woman; Monica

HE MAY not be internationally well known but Freddie Salem is one of the most impressive American rock guitarists to have emerged in the 1980s. As a member of Southern guitar gods the Outlaws, Freddie injected feisty guitar pyrotechnics into the band’s most commercially successful albums like ‘Ghost Riders’ and ‘Los Hombres Malos’, before cutting loose to record a solo album. This was his debut, and so far only, solo album, recorded for the Epic (Sony) label in 1982 and it showcased Freddie in valedictory mood, looking to spread his wings with various shades of guitar-fuelled mayhem. Selfproduced and recorded in New York City, the album captured a healthy mixture of Manhattan’s manic pace whilst still boasting a Southern rock tinge, proving that you can take the man out of the country but you can’t take the country out of the man. ‘Cat Dance’ is a fine album indeed, boasting a healthy selection of solid and memorable hard rock tracks and blessed with lashings of Freddie’s blistering guitar work, including hip thrusting riffs and lightning fast solos. Released just as Sony laid off half of their US staff in a frantic cost cutting exercise, the album failed to make a commercial impact and was left to find its own audience.

LIGHTNING RAIDERS ‘SWEET REVENGE’ CAT NO: FORMAT: PRICE: LABEL: BARCODE: GENRE: PACKAGING:

CANDY135 CD $21.99 Rock Candy 827565059195 Rock Jewel Case

TRACKS: Sweet Revenge; Rowdies; Addiction; Soul Rescue; Criminal World; Citizens; Disguises; Made In Japan – Bonus Tracks: Psychedelic Musik; Views

Based in West London, the Lightning Raiders carved out a serious reputation during the early 80s as an uncompromising quartet that took every opportunity to tear down barriers and set fire to tradition. Half punk, half metal and blessed with an anything goes attitude, the band’s live reputation for militant confrontation soon turned into an anything can happen in the next half hour kind of event. With musical links to Motorhead, the Pink Fairies, the Sex Pistols, Kilburn & The High Roads and many more, their reputation for setting the stage on fire was second to none. Signed by Island Records, the band recorded tracks for their debut album at the Who’s Ramport Studios, only to find half way through that the label’s direction had changed and that they were no longer considered part of the plan. The eight songs on this record are the surviving mixed tracks from those sessions, giving us a taste of what would have been if the band had been allowed to continue on their path to fame and fortune.

MARCH 19TH NIAGARA ‘OTTO’ CAT NO: FORMAT: PRICE: LABEL: BARCODE: GENRE: PACKAGING:

Mono-73CD CD $16.99 Monotreme 5065002002464 Indie Jewel

TRACKS: 1.Eight 2.Superbe 3.Seal 4.Watershipdown 5.Etacarinae 6. E.V.A. 7. Galaxy Glacier 8. Love Me Love Me

Niagara is the collaborative project of Turin-based singers/producers David Tomat (TOMAT / N.A.M.B./ GEMINI EXCERPT) and Gabriele Ottino (N.A.M.B. / Milena Lovesick / GEMINI EXCERPT), who like to take a less conventional approach to composition. On ‘Otto’, their debut album, Niagara blend together a heady mixture of experimental pop, electronica and psychedelia to create their own brand of ‘avant-psych-tronica’. The first single, ‘Seal’, is a joyously off-kilter mandolin-fueled pop paean to summer, with an uplifting chorus filled with handclaps, sweet west-coast harmonies and humourously surreal lyrics. ‘Watershipdown’ recalls the trippier, spacier synth-fuelled explorations of The Flaming Lips, with a driving beat, drones and chopped vocal samples. It all ends with the whimsical ‘Love Me Love Me’ skipping lightly through a garden of syncopated percussion. The album was recorded by Niagara and mixed by G.U.P. Alcaro at Superbudda Studio in Turin and mastered by Francesco Donandello at Calyx Mastering Studio in Berlin.

FAWN SPOTS / CUM STAIN ‘WEDDING DRESS’ CAT NO: FORMAT: PRICE: LABEL: BARCODE: GENRE: PACKAGING:

BPT1201LP LP $17.99 Bad Paintings 5055300350688 Punk 5055300350688

TRACKS: Fawn spots. 1. Tailor made 2. Watered down 3. National anthem 4. Recorder / Cum stain : 5. Ghost love (dm version) 6. Sippy cup (dm version) 7. Bloody fingertips 8. Can't take it (typewriter version) 9. Sit and twist 10. Rollin' wrong.

LP Pink Vinyl + Download. UK noise-drenched pop band Fawn Spots and California weirdo scuzz renegades Cum Stain release their split LP Wedding Dress. The release features four tracks by the 5 month old new Fawn Spots line up, and six tracks by Cum Stain. The cover artwork has been designed by Joe Prendergast of ex-Tubelord and now JOEY FOURR acclaim. Burger Records is releasing a cassette version of the LP. To say the LP is schizophrenic is an understatement. Fawn Spots’ songs are laced with a deep seated love of the passionate college punk of Husker Du, driving rawness of Rites of Spring and the hook laden chants of early Buzzcocks; Cum Stain’s tunes are true Burger Records riffs and rhymes, playing a tongue-in-ass version of The Ramones that sits comfortably alongside Nobunny (coincidentally Burger is Cum Stain’s spiritual home). Though the two bands are coming at Wedding Dress from two different directions, and continents, they’re united in playing a unique blend of dissatisfied pop – there’s a voyeuristic joy in Fawn Spots’ anguished pop tunes and Cum Stains’ satirical relationship analysis. Bad Paintings’ staffers have been lifelong fans of Californian sunkist punk, the dingy desperation of East Coast Hardcore and British alt-pop a la Comet Gain and Television Personalities. To bring together a band from a backwater in the UK and a band from the shores of California that share a twisted pop sensibility made perfect sense for the label. Burger Records and their artists have been a great inspiration behind Bad Paintings attitude and ethos – to work with them on this release is a dream come true. When pursued for a quote, Oliver, guitarist/singer in Fawn Spots, managed, “most of all I want to thank God for his support…mate I have no idea.” Sean, mastermind of Cum Stain managed something slightly more coherent… “I am more than excited to be releasing a record with these friendly fellows from across the sea! Keep it warm and sticky ya'll!” Fawn Spots have announced the first of several UK shows in support of the release: 15th Feb @ Flashback Records, London / 16th @ Leamington Spa / Track listing : Fawn spots. 1. Tailor made 2. Watered down 3. National anthem 4. Recorder / Cum stain : 5. Ghost love (dm version) 6. Sippy cup (dm version) 7. Bloody fingertips 8. Can't take it (typewriter version) 9. Sit and twist 10. Rollin' wrong.

THE GOOD, THE BAD & THE ZUGLY ‘ANTI WORLD MUSIC’ CAT NO:

CD FY056CD LP&CD FY056LP FORMAT: CD/LP&CD PRICE: CD $16.99 LP&CD $24.99 LABEL: Fysisk Format BARCODE: CD 7041889500895 LP&CD 7041889500888 GENRE: Indie PACKAGING: CD/ Digi LP&CD/ Standard

TRACKS: 1 Reaction Formation 2:50, 2 I Ain't Got No Job 1:15, 3 One Kidney Man 2:13, 4 Smoke 'em 2:09, 5 Nowhere To Go 2:04, 6 Call The Cops 2:31, 7 Oslo, Jonestown pt. II 2:23, 8 Grünerløkka Streetfighter 2:23, 9 Mr. Obese 2:52, 10 Please Kill Me 1:57, 11 Socks and Shoes 2:52, 12 Less Than Zero 0:56

Behold! The debut album by Norwegian scum punk revivalists in The Good the Bad and the Zugly! Oslo is widely regarded as the ugliest capital in the world. It’s no wonder then that the city is breeding some of the most distasteful music that is around. The proudest example of this standard Oslo-filth is Fysisk Format's newest signing: The Good the Bad & the Zugly. The Good the Bad & The Zugly has produced four 7" that have caused shock and awe amongst Norwegian natives and brought comparisons to Dead Boys and GG Allin, as well as label-mates Haraball and Haust. Their debut album is entitled, Anti World Music and is produced by Tommy Manboy of Silver and Turbonegro. With a band name as infantile and cartoonish as it gets (based on the bass player’s longtime nickname Zugly), his band is not exactly a branding or promotional minded gang, this is genuinely p-u-n-k all the way. So frothingly angry, that it brings associations to the darkness and hatred of their black metal fellow countrymen. Musically, it’s incredibly tight, tough and catchy. This is not your sloppy three chord punk band, this is spent-all-of-adolescence-playing-punkrock-because-of-alienation-from-society-syndrome. Four of the members of The Good the Bad & the Zugly are regulars at Oslo's dirtiest beer bunkers and have played together in numerous bands throughout the years. The band first consolidated when the dirty dudes was approached by the repulsively fresh Lars, who demanded to be the singer. Being a professional psychologist, he soon manipulated the band into allowing him to take centre stage. The lyrics range from downright stupid “I ain’t got no job” to more substantial songs. “Reaction Formation” is a layered thing about the psychoanalytic defense mechanism when people go from one extreme to another, where middle ground is not an optional lifestyle. A true story about a friend of the band, who went from being an avid punk rocker to joining Al-Quaida, and another who went from being a junkie rock star to a Scientologist. Songs like “Smoke ’em ” with the lyrics, “out in the park, smoking doobies, with the good, the bad and the zugly groupies” and “Call The Cops” (I don’t give a fuck) speak for themselves.

Crosstown Rebels present REBEL RAVE 3 SALES TEXT 2012 was another halcyon year for Crosstown, releasing albums by Jamie Jones, Amirali, Acid Pauli, Fur Coat and the Day Zero Compilation. As a celebration of the year they release Rebel Rave 3 as a compendium to the prolific year to date. The album showcases highlights from the year over two discs and features a stunning DJ mix on CD3 mixed by high flying UK based and DJ Magazine DJ of the year Subb-an. After the great success of previous year’s Rebel Rave 1 & 2, Rebel Rave 3 contains some stunning tracks and remixes by artists such as Infinity Ink, Jamie Jones, Art Department, Maceo Plex, Amirali, Tiga and head honcho Damian Lazarus (under his Zod guise. The album also features releases from Crosstown stalwarts Guti, Sis, Mathew Jonson, Dinky Pier Bucci, and Fur Coat as well as championing new starts such as Francesca Lombardo, Aidan Lavelle and Laura Jones. Once again these triple CD compilations do serve as the prefect compendium to a year in Rebels compiling those brilliant single releases in one great compilation. The added Subb-an DJ Mix is a true delight, as he’s delved deep into the 10 year Crosstown back catalogue to produce a beguiling DJ mix to complete this great compilation. KEY POINTS • Extensive PR campaign by Infamous in the USA, HIM Media in France and Maouris PR in the ROW. Press features expected on the label and compilation in key dance & music magazines and websites. • Featuring an exclusive Subb-an Mix of Crosstown hits and exclusives • Subb-an was voted DJ Magazine best DJ of the year last year. • Extensive Viral campaign by Stephanie Herndon Social Media Specialist • Worldwide Radio and Web Campaign. With exclusive DJ mixes by Subb-an and Damian Lazarus, competitions on radio and web. • The Rebel Rave tour worldwide tour for the next 6 months in support of the album and celebrating 10 years of Crosstown Rebels. • All gig and flyers tagged with album. • E-Flyers and mailouts to Crosstown, Subb-an, Rebel Agency & Damian Lazarus databases • Strategically focused on line and banner ad’s with Resident Advisor and Data Transmission. Sponsored press ad’s in all high impact area’s. • Rebel Rave movie / video to promote the album • Competitions and giveaways around the release of the album. TRACKLISTING CD1 01. Luca Bacchetti - Tango (Eduardo Castillo Voodoo Remix) 02. Art Department - Touch You Gently 03. Amirali - Beautiful World (Deniz Kurtel Remix) 04. Mathew Jonson - Dayz 05. Infinity Ink - Infinity 06. Maceo Plex - Sex Appeal 07. Laura Jones - Inner Place 08. Francesca Lombardo - Old School Anna 09. Aidan Lavelle - Stronger 10. Dinky - Sealed 11. Fur Coat feat. Cari Golden - You And I (Amirali Remix)

WEBLINKS www.crosstownrebels.com http://www.facebook.com/DamianLazarus For more information please contact Adam Calman adam@K7.com (P) 718-722 9935 X 12

CD2 01. Amirali - Just An Illusion (MK Remix) 02. Guti - Jealous Guy 03. Nico Purman - Falling 04. Sis - Faces 05. Tiga - Pleasure From The Bass (Subb-an Remix) 06. Walker & Royce - You're Not Welcome (Francesca Lombardo Remix) 07. Daschund & Quenum - Mammoth 08. Tim Xavier – Arco Della Devozione (Paint The Sky Dub) 09. Jamie Jones feat. Art Department - Our Time In Liberty 10. Zod - Rise Before Zod - (Acid Pauli ‘Things That Fly Fly’ Remix)

CD3: Subb-an’s Rebel Rave Mix 01. Amirali - Just An Illusion (Accapella) 02. Pier Bucci - Jess 03. Dan Berkson - The Hollow 04. Gavin Herily - Witching Hour 05. Fosky feat. Shiva - Shiva (The Martinez Brothers Remix) 06. Jamie Jones - My Body 07. The Model feat. My Favorite Robot - Still In My Heart (Ivan Smagghe Remix Subb-an Edit) 08. Riz MC - Radar (Loco Dice In The Box Remix) 09. Pier Bucci - Congas Pond 10. Subb-an feat. Anomaly Jonez - Positive Expression 11. Solomun - Daddy's Jam (D'julz Remix) 12. Francesca Lombardo - Eyes (Subb-an Edit) 13. 3 Channels - Base Place 14. Subb-an feat. Anomaly Jonez - Misleading 15. Mathew Jonson - Dayz 16. Amirali - Whisper

RELEASE DATE: March 19th 2013 ARTIST: Various TITLE: Rebel Rave 3 FORMAT: 3CD CONFIGURATION: 3 CD digi pack LABEL: Crosstown Rebels CAT. NO.: CRMCD022 BARCODE: 730003822223 BOX LOT QTY: 33 PRICE: $17.99

powerdove CIS1056: DO YOU BURN? Annie Lewandowski comes from Minnesota, a place full of things that are long and longer: church services, dinner tables, and worry lines, to name a few. Somebody said there are ten thousand lakes there; if that’s true, each of them shows up in some little way in Annie’s songs.

WWW. CIRCLEINTOSQUARE. COM

She writes under the name powerdove, which began as a band of one in California in 2007. A document of this brief solo era can be found on her EP Live from the Maybeck House (s/r, 2010).

Press Inquiries:

Before long, powerdove evolved into a trio with Alex Vittum on percussion, and Jason Hoopes on bass.

Nathan Walker (Riot Act Media)

That trio recorded Be Mine in 2009, which was then released on Circle Into Square the following year.

nathan@riotactmedia.com

On her new album, "Do You Burn?", many of the songs were written along the scuzzy River Itchen

Label Inquiries:

in Hampshire, England, where Annie played concerts and went on the occasional European tour with

Tom Filepp (Circle Into Square)

the laptop composer Curtis McKinney. After her year spent down by the sea, she returned to the US,

info@circleintosquare.com

settling in upstate New York and writing the rest of the material on the new album. When it came time to record, Annie enlisted the help of an old California friend, John Dieterich (Deerhoof),

TRACKLISTING

and a new French one, Thomas Bonvalet (L’ocelle Mare). Three great improvisers, they worked fast.

1 Fellow

The result lies somewhere near the Marble Index, David Sylvian, Diane Cluck, and the Curtains

2 Under Awnings

(of which Annie is a former member). The roughness and fluidity of these tracks owe to their origin

3 Do You Burn?

in mostly live takes, which have also lent a certain intimacy to every sound: these are little songs

4 Alder Tree I

to love, but there is also great mystery here, and even menace.

5 Love Walked In 6 California

Powerdove will be touring the US and Europe in late spring with full band.

7 Flapping Wings 8 Red Can of Paint

Do You Burn? will be released on Circle into Square Records in March 2013.

9 All Along the Eaves

RELEASE DATE: MARCH 19TH, 2013 / CIS1056 / CIRCLE INTO SQUARE

10 Out on the Water 11 Out of the Rain 12 Wandering Jew 13 Alder Tree II

CD / $8.99 S 6

UGGESTED RETAIL

16892 10924

FOOTPRI NTZ

ESCAPEYOURSELF VI SI ONQUEST

“ WhenIwas18Ihadt hoseal bumsyou’ descapewi t h.When wewer emaki ngt heFoot pr i nt zr ecor dt hatwasr eal l yourai m –t opr oduceanal bum t hatki dscanl i st enandescapet o” . ARTI ST/ALBUM I NFO Th el o n ga wa i t e dFo o t p r i n t zd e b u t a l b u m‘ Es c a p eYo u r s e l f ’ f i n a l l ya r r i v e s ! .Ana l b u m t h a t d e l i v e r so nal e v e l t h a t ma n yd a n c eL P’ sa s p i r et or e a c hb u t f e wa t t a i n ; a‘ p r o p e r ’ a l b u mwi t he a c hs o n gt a k i n gy o ud e e p e ra n dd e e p e ri n t owh a t i sa na c c o mp l i s h e da n d we l l r o u n d e db o d yo f wo r k .Fr o mt h emo me n t t h eo p e n i n gc h o r d so f ‘ Th eTh i n g sTh a t L a s t Fo r e v e r ’ g i v ewa yt oah y p n o t i cb a s s l i n e , y o uk n o wy o u ’ r eo ny o u rwa y . Ba s s l i n e s f o r mak e yp a r t o f t h eFo o t p r i n t zs o u n d , a c t i n ga sa na n c h o rf r o mwh i c hv o c a l me l o d i e s , s y n t hl i n e sa n dwa r mc h o r d swe a v ea r o u n di na no f t e np s y c h e d e l i cs t y l e . De b u t s i n g l e , ‘ Ut o p i a ’ , e x e mp l i f i e st h i se t h i cwi t hi t ss y n t hf l i r t a t i o n sa n do p t i mi s t i cv o c a l mu s i n g s a d d i n gl a y e r su p o nas o l i dc o r e . Tr a c k sl i k e‘ Un c e r t a i nCh a n g e ’ a n dr e c e n t s i n g l e ‘ Da n g e r so f Th eMo u t h ’ t a c k l et h i ss u b j e c t h e a do n , f o c u s i n go nt h ei n s e c u r i t i e st h a t a r i s ef r o mg r o wi n gu p . ‘ Za n z i b a r ’ t a k e sal i g h t e ra p p r o a c h , t o u c h i n go nt h ei n n o c e n c e o f y o u t ht h a t b r i n g swi t hi t , i t so wns i mp l ep l e a s u r e s . Wh a t b e c o me sa p p a r e n t t h r o u g h o u t ‘ Es c a p eYo u r s e l f ’ i sar e a l c r a f t s ma n s h i pt oFo o t p r i n t z ’ ss o n g wr i t i n g . Ea c ht r a c kr e v e a l sa l i t t l emo r eo ne a c hl i s t e n , a i d e db yt h es l i c kp r o d u c t i o nwo r k , d o n ep r e d o mi n a n t l yb yt h e g u y st h e ms e l v e si nt h e i rMo n t r e a l b u n k e rs t u d i of u l l o f a n a l o g u ee q u i p me n t , o d di n s t r u me n t s a n daf r i d g el a d e nwi t h‘ s p e c i a l b r o wn i e s ’ ; wh i c hg o e ss o mewa yt oe x p l a i nan o i r i s h h a z e t h a t p e r me a t e st h r o u g ht h ea l b u m. KEYSALESPOI NTS •Hu g e l ya c c e s s i b l ee l e c t r o n i cp o pa l b u mwi t hp l e n t yo f c r o s s o v e ra p p e a l •Ex t e n s i v eUSt o u rs c h e d u l e dt h r o u g h o u t Ma r c ht os u p p o r t a l b u m •Se c o n da l b u mr e l e a s eo nt h er e dh o t VI SI ONQUESTl a b e l r u nb ySe t hTr o x l e r , Ry a n Cr o s s o na n dL e eCu r t i s s •Hi g hp r o f i l ePRc a mp a i g ni np l a c et os u p p o r t r e l e a s e-e x p e c t i n gs u p p o r t a c r o s se l e c t r o n i c mu s i cp r e s sa n db r e a k i n gi n t ot h ema i n s t r e a m.

TRACKLI STI NG 0 1Th eTh i n g sTh a t L a s t Fo r e v e r 0 2He a v e nFe l t L i k eNi g h t 0 3Ut o p i a 0 4Th eFa v o u r i t eGa me 0 5Pr i v a t eEn e my 0 6Th eI n v i s i b l e 0 7Un c e r t a i nCh a n g e 0 8Za n z i b a r 0 9Da n g e r so f Th eMo u t h 1 0Th eFe a ro f Nu mb e r s 1 1Th eNi g h t i n g a l e 1 2Ke y st ot h eSk y

FORFANSOF:Ho t Ch i p , Gr o o v eAr ma d a , Me t r o n o my , Cu t Co p y WEBLI NKS: h t t p : / / www. f a c e b o o k . c o m/ Fo o t p r i n t z . Mu s i c FORMOREI NFORMATI ONPLEASECONTACT:Ad a mCa l ma n-a d a m@K7 . c o m( P)7 1 8 7 2 2 9 9 3 5X1 2

CD :

REL EASEDATE: MARCH1 92 0 1 3 ARTI ST: FOOTPRI NTZ TI TL E: ESCAPEYOURSEL F L ABEL: VI SI ONQUEST FORMAT: CD CAT. NO: VQCD0 0 2 UPC: 5 0 6 0 2 4 7 3 8 6 4 9 2 PRI CE: $ 1 4 . 9 9 GENRE: EL ECTRONI C/ POP BOXL OTQTY: 3 0

J AYSHEPHEARD HOME&GARDEN RETROFI T

“ Wi t haccl ai medr el easesonCompost ,Di ynami c,Fr eer ange,Buzzi n Fl y,Paper ,Rebi r t handmanymor e,JayShephear d' sdebutal bum showcasesmusi caldi ver si t ybr anchi ngoutf r om t hedancef l oorand i nt ot hel i vi ngr oom.” . ARTI ST/ALBUM I NFO Ho me&Ga r d e ni st h ed e b u t a l b u mf r o mt h ea l r e a d ye s t a b l i s h e da r t i s t J a ySh e p h e a r d d u ef o rr e l e a s ei ne a r l y2 0 1 3 . Sh e p h e a r dh a sb e e nr e l e a s i n g1 2 " sa n ds i n g l e s , a n d r e mi x e ss t e a d i l ys i n c e2 0 0 7 , b l e n d i n gd i s c oa n dd e e ph o u s es e a ml e s s l yi n t oh i so wn u n i q u es o u n d . No wh ed e l i v e r sa n1 1t r a c kj o u r n e yt h r o u g hawi d e rg e n r es c a p e , mi x i n gt e mp o sa n d f e e l i n gb u t a d h e r i n gt oac o n s i s t e n t s o u n dd e s i g nt h ea l b u mb l e n d st h ei n f l u e n c e st h a t h i swo r kh a sc o met or e p r e s e n t a n di sa nma n ywa y si sar e t r o s p e c t i v en o dt oa c u l mi n a t i o no f t h el a s t 5y e a r sr e l e a s i n g . Wi t ha nu n d e r l y i n gd e p t ho f f e e l i n gr u n n i n g t h r o u g ht h er e c o r d , t h ef r o mt h el o o p e du ps a mp l eg r o o v eo f ' Zi p p i n ' , t h es p a c e do u t f u t u r ed i s c oo f ' Si g n s ' , t h ee l a t e dr e t r oh o u s eo f ' TwoMu c hL o v e ' a n dt h es l o wmo d e e pp o po f ' He r eCo me s ' t h ea l b u mh a sb e e nd e s i g n e da n dc o n c e i v e dt of l o wa so n e p i e c ea n da v o i dt h ea l l t o oc o mmo nt r e n do f ' 1 0c l u bt r a c k so naCD' t h a t h a sc o met o p e r me a t emu c ho f t h ee l e c t r o n i cmu s i ca n dd e e ph o u s ea l b u mma r k e t . Th ea l b u mwi l l b er e l e a s e do nSh e p h e a r d ' so wnRe t r o f i t l a b e l , t h e1 1 t hr e l e a s ef o l l o wi n g o nf r o mas t r i n go f 1 2 " sf e a t u r i n ga l o n gs i d eh i ms e l f a r t i s t si n c l u d i n gCa t z' nDo g z , I r o nCu r t i s , Ma t t h e wBu r t o n , Ma r t i nDa ws o n , Ru d y ' sMi d n i g h t Ma c h i n e( a k aFa z eAc t i o n ) a n dma n yo t h e r s . Th ea l b u mwi l l s i g n i f yan e wc h a p t e rf o rt h el a b e l -mo v i n go nf r o mt h e ' s e r i e r sb a s e d ' f i r s t 1 0r e l e a s e sa l l n a me db yc a t a l o g u en u mb e ra l o n ea n di n t on e wa n d u n e x p l o r e dt e r r i t o r i e s . KEYSALESPOI NTS •Mu l t i p l en o mi n a t i o n sf o rb e s t De e pHo u s e&Nu Di s c op r o d u c e ra t Be a t p o r t Awa r d s o v e rl a s t 5y e a r s •USt o u rd a t e ss c h e d u l e dt os u p p o r t a l b u mr e l e a s e •Fu l l USPRc a mp a i g ni np l a c ee x p e c t i n gc o v e r a g ei nURB, NPR, Sp i n , El e k t r o , DJMa g , Pi t c h f o r k , Fa d e r , RA, XL R8 Ra n dmo r e

TRACKLI STI NG 0 1Fo r t yEi g h t St a c y 0 2Or b i sTe r t i u s 0 3Cl i mb i n gFa c e s 0 4He r eCo me s 0 5UpDe n a l i 0 6Si g n s 0 7Zi p p i n ' 0 8Be a u t ySl e e p e r 0 9Ty p e1 A 1 0BeDa n g e r o u s 1 1TwoMu c hL o v e

FORFANSOF:OMRe c o r d s , Bu z z i nFl y ,DJSn e a k , Ma r kFa r i n a WEBLI NKS: h t t p : / / r e t r o f i t l a b e l . wo r d p r e s s . c o m/ h t t p : / / www. f a c e b o o k . c o m/ j a y s h e p h e a r d FORMOREI NFORMATI ONPLEASECONTACT:Ad a mCa l ma n-a d a m@K7 . c o m( P)7 1 8 7 2 2 9 9 3 5X1 2

CD :

REL EASEDATE: MARCH1 92 0 1 3 ARTI ST: J AYSHEPHEARD TI TL E: HOME&GARDEN L ABEL: RETROFI T FORMAT: CD CAT. NO: RETROFI T1 1 UPC: 5 0 6 0 2 4 7 3 8 6 4 8 5 PRI CE: $ 1 4 . 9 9 GENRE: DEEPHOUSE/ EL ECTRONI C BOXL OTQTY: 3 0

VINYL

BACK IN STOCK!!!

LIMITED PRESSINGS

ON COLOR VINYL!

BUFFALO KILLERS BUFFALO KILLERS LEFT LANE CRUISER DIG. SOW. LOVE. GROW. LET IT RIDE ALL YOU CAN EAT!!

SONIC’S T MODEL FORD RENDEZVOUS & BAND GRAVELROAD Live Masonic auditorium 1978 TALEDRAGGER

IGGY POP & JAMES WILLIAMSON KILL CITY

BeST SeLLerS 01

GRIZZLY BEAR SHIELDS

BENJAMIN GIBBARD FORMER LIVES

FIRST AID kIT THE LION'S ROAR

IRIS DEMENT SING THE DELTA

FLYING LOTUS UNTIL THE QUIET COMES

WARP RECORDS/801061022921

BARSUk RECORDS/655173113028

WICHITA RECORDINGS/5055036263207

FLARIELLA RECORDS/634457570726

WARP RECORDS/801061023027

NICk WATERHOUSE TIME'S ALL GONE

BROADCAST BERBERIAN SOUND STUDIO

THE HEAVY THE GLORIOUS DEAD

BRIAN ENO LUX

JJ DOOM KEY TO THE KUFFS

INNOVATIVE LEISURE/634457555624

WARP RECORDS/801061023324

COUNTER RECORDS/5021392750125

WARP RECORDS/801061023126

LEX RECORDS/878390002016

VINyL SPOTLIGHT JOSH RITTER THE BEAST IN ITS TRACKS

kINGSBURY MANX BRONZE AGE

PYTHEAS RECORDS/092145170274

ODESSA/634457576810

ROBYN HITCHCOCk LOVE FROM LONDON YEP ROC RECORDS/634457231511

JERRY GOLDSMITH POLTERGEIST: ORIGINAL MOTION PICTURE SOUNDTRACK

AUTECHRE EXAI (4XLP)

SWAMP DOGG RAT ON!

WARP RECORDS/801061023416

AT THE DRIVE-IN ACROBATIC TENEMENT TWENTY FIRST CHAPTER/852914001129

MONDO/616892105343

ALIVE RECORDS/095081014213

SOUL JAZZ RECORDS PRESENTS ELEKTRONISCHE MUSIK 2: EXPERIMENTAL GERMAN 1971-83 (PART 1) SOUL JAZZ RECORDS/5026328102658

JAVELIN HI BEAMS LUAkA BOP/ 680899008211

SOUL JAZZ RECORDS PRESENTS ELEKTRONISCHE MUSIK 2: EXPERIMENTAL GERMAN 1971-83 (PART 2) SOUL JAZZ RECORDS/5026328202655

COMING SOON 04.02 04.02 04.02 04.02 04.02

DUTCH UNCLES OUT OF TOUCH IN THE WILD LABEL: MEMPHIS INDUSTRIES CHARLES BRADLEY VICTIM OF LOVE LABEL: DAPTONE BONOBO THE NORTH BORDERS LABEL: NINJA TUNE kINSkI COSY MOMENTS LABEL: KILL ROCK STARS RILO kILEY RKIVES LABEL: TBA

BE SURE TO FOLLOW REDEYE ON

TWITTER.COM/REDEYEDIST FACEBOOk.COM/REDEYEDISTRIBUTION

REDEYEUSA.COM REDEYEUSA.WORDPRESS.COM

kEEP UP WITH OUR LATEST NEWS, DEALS AND MORE

redeye Contacts

Sales & Marketing Director PERRY HARRELL [T ] 877.733.3931 x207 [F] 336.395.1136 [E] perry@redeyeusa.com Sales Manager Jason Taylor [T] 877.733.3931 x245 [F] 336.395.1136 [E] jason@redeyeusa.com National/West Coast Steven King [T ] 877.733.3931 x219 [F ] 916-442-5570 [E ] steven@redeyeusa.com National/Midwest Steve Dixon [ T] 877.733.3931 x229 [E ] steve@redeyeusa.com Indie Sales Tony Nolan [T] 877.733.3931 x294 [F] 336.395.1136 [E] tony@redeyeusa.com Nick Gerhart [T] 877.733.3931 x248 [F] 336.395.1136 [E] gerhartn@redeyeusa.com Alex Ashkenes [T] 877.733.3931 x295 [F] 336.395.1136 [E] alex@redeyeusa.com Sales admin JUSTIN Bowers [T] 877.733.3931 x297 [F] 336.395.1136 [E] justin@redeyeusa.com Marketing MANAGER Greg Broom [T] 877.733.3931 x214 [F] 336.395.1136 [E] greg@redeyeusa.com Senior project MANAGER Lori Miller [T] 877.733.3931 x216 [F] 336.395.1136 [E] lori@redeyeusa.com PROJECT MANAGERS Jeremiah Lewis [P] 877.733.3931 x223 [F] 336.395.1136 [E] jay@redeyeusa.com Jim Fahy [P] 877.733.3931 x225 [F] 336.395.1136 [E] fahyj@redeyeusa.com Laura Campbell [P] 877.733.3931 x299 [F] 336.395.1136 [E] laura@redeyeusa.com Strategic Promotions Coordinator Zach Stephenson [P] 877.733.3931 x231 [F] 336.395.1136 [E] stephensonz@redeyeusa.com International Sales & Marketing Fergus Denham [T] 011 44 208 852 8391 [E] fergus@redeyeusa.com Michael Petkov [T] +491783109011 [E] petkovm@redeyeusa.com

REDEYE 449-A TROLLINGWOOD RD. HAW RIVER, NC 27258 [TOLL FREE] 877.733.3931 [LOCAL] 336.578.7300 [FAX] 336.395.1136 [WEB] REDEYEUSA.COM

PRSRT STD U.S. POSTAGE REDEYE 449-A TROLLINGWOOD RD. HAW RIVER, NC 27258

available 03.19.13

PAID

Graham, NC zip code 27253 PERMIT no. 118