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JaMie lidell +
s/t marK KozeleK matmos the CellUloid reCords storY sadistiK boom biP & Charlie white ConnY PlanK tribUte
ELECTRONI CHOUSE&TECHNO CAMPAI GN-30% DI SCOUNT NI NAKRAVI Z
SOULCLAP
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‘ SOCI ALEXPERI MENT002’CD LABEL:NO. 19
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PRI CE:$14. 99 CATNO:REKI DS010CD BARCODE:5060124901022 GENRE:HOUSE/TECHNO
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PRI CE:$14. 99 CATNO:REKI DS011CD BARCODE:5060124901121 GENRE:TECHNO
‘ CABI NFEVERVOLUME1’CD ‘ KMS25THANNI VERSARY NFEVER CLASSI CS’4XCD -LABEL:KMS LABEL:CABI
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FORMOREI NFORMATI ONPLEASECONTACT:A d a mCa l ma n-a d a m@K7 . c o m( P)7 1 8 7 2 2 9 9 3 5X1 2
Best of 2012 Lists Pitchfork
#10 Grizzly Bear - Shields #16 BuriaL – Kindred EP #22 Flying Lotus – Until the Quiet Comes #35 TNGHT – TNGHT 12” Laurel Halo – Quarantine (Honorable Mention) #27 TNGHT – “Higher Ground” (Best Songs) #27 Grizzly Bear – “Yet Again” (Best Songs) #47 Grizzly Bear – “Sleeping Ute” (Best Songs) #68 TNGHT – “Goooo” (Best Songs)
Rolling Stone #35 Grizzly Bear – Shields
Spin
#17 Grizzly Bear – Shields #36 BEAK> – >>
NPR
Jankay Nabay & The Bubu Gang – En Yay Sah Flying Lotus – Until the Quiet Comes Now, Now – Threads Cody ChesnuTT – Landing on a Hundred Iris DeMent – Sing the Delta #5 Grizzly Bear – Shields (Listeners Top 100 Albums) #53 Flying Lotus – Until the Quiet Comes (Listeners Top 100 Albums) Loudon Wainwright III – Older Than My Old Man Now (Ken Tucker) Iris DeMent – Sing the Delta (Ken Tucker) Grizzly Bear – Shields (Bob Boilen)
Uncut #08 #24 #28 #36 #41 #40 #53
Grizzly Bear – Shields Allah-Las – Allah-Las Paul Weller – Sonik Kicks Sun Kil Moon – Among The Leaves Flying Lotus – Until The Quiet Comes First Aid Kit – The Lion’s Roar PiL – This Is PiL
MOJO
#37 PiL – This Is PiL #39 Flying Lotus – Until The Quiet Comes #43 Grizzly Bear – Shields #48 Paul Weller – Sonik Kicks #5 Iris DeMent – Sing the Delta (Americana Albums)
The New Yorker (Sasha Frere-Jones) Brian Eno – LUX
Allmusic
#6 Flying Lotus – Until The Quiet Comes #38 Grizzly Bear – Shields
American Songwriter
#12 Iris DeMent – Sing the Delta #27 Loudon Wainwright III – Older Than My Old Man Now #39 First Aid Kit – The Lion’s Roar
MAGNET
#08 Flying Lotus – Until The Quiet Comes #19 Grizzly Bear – Shields #24 Nada Surf – The Stars Are Indifferent to Astronomy
Paste
#10 First Aid Kit – The Lion’s Roar #25 Grizzly Bear – Shields
Stereogum
#16 Grizzly Bear - Shields #41 Sun Kil Moon – Among the Leaves #50 Flying Lotus – Until The Quiet Comes
PopMatters
#19 Grizzly Bear – Shields #42 Flying Lotus – Until The Quiet Comes #49 Iris DeMent – Sing the Delta #50 Paul Weller – Sonik Kicks Spider Bags – Shake My Head (Overlooked Albums) JJ DOOM – Key to the Kuffs (Hip-Hop) matmos – The Ganzfield EP (Electronic) Two Fingers – Stunt Rhythms (Electronic)
A/V Club
#14 Grizzly Bear – Shields #21 Sun Kil Moon – Among the Leaves
Aquarium Drunkard The Orwells – Remember When Grizzly Bear – Shields Allah-Las – Allah-Las Nick Waterhouse – Time’s All Gone Tim Maia – Nobody Can Live Forever Flying Lotus – Until the Quiet Comes
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Jamie Lidell
Jamie Lidell
CD
801061023225
$9.50
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Jamie Lidell
Jamie Lidell
2xLP
801061023218
$15.30
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CD-YEP-2309
The Relatives
The Electric Word
CD
634457230927
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$15.99
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The Relatives
The Electric Word
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634457230910
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Mark Kozelek
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634457576520
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Mark Kozelek
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634457576629
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CD-STRUT-102
Various Artists
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730003310225
$10.12
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Various Artists
Like Rats Live at Phoenix Public House Melbourne Change The Beat: Celluloid Records Story 1980 - 1987 Change The Beat: Celluloid Records Story 1980 - 1987
2xLP
730003310218
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Al Kent
Disco Love 3: Even More Rare Disco & Soul Uncovered
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730003122422
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Disco Love 3: Even More Rare Disco & Soul Uncovered
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730003122415
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Conny Plank
Who's That Man: Tribute To Conny Plank
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Sadistik
Flowers For My Father
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707541565394
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Matmos
The Marriage of True Minds
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790377031621
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Total Folklore
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Latin Noir: Everything HappensOn The Beach
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Rickenbacker Girls
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Nickodemus feat. Give The Drummer Some The Real Live Show Remixes
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634457576278
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5060247386317
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We Will Not Harm You
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5021392223827
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Speed Of The Whippoorwill
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5060124901121
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5060247383859
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5060247381299
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RELEasEs STREET DATE: 02.19.13 ORDER DATE: 01.29.13
449-A TROLLINGWOOD RD. HAW RIVER, NC 27258 [TOLL FREE] 877.733.3931 [LOCAL] 336.578.7300 [FAX] 336.395.1136 [WEB] REDEYEUSA.COM
Artist: Jamie Lidell Title: Jamie Lidell 2.19.2013
WARPLP232 WARPCD232
Overview
“Merging electronic beats and sounds with those of classic soul, Lidell has created a new future-retro R&B that simultaneously evokes and revitalizes the sound of a bygone era” - The Believer
"Jamie sounds as soulful as ever here, attacking every vocal run like an even more freaked-out Cee Lo ... a positively mean makeup of big, booming bass and squelchy synths that glisten and gleam underneath Lidell's highoctane whine" - Pitchfork (Best New Track "What A Shame") Warp Records is excited to release Jamie Lidell's highly-anticipated self titled album on February 19. The album was announced on November 15th to great fanfare, with lead track "What A Shame" getting massive pick up around the world, including a "Best New Track" from Pitchfork, and exuberent write ups from the likes of Stereogum, the UK's Guardian and FACT, to LA's KCRW blog. This is Jamie's 5th full-length release, and was produced by Lidell and Justin Stanley (Eric Clapton, Beck).
Format: Vinyl Boxlot: 10 Price: $22.99 Packaging: 2 x LP in gatefold sleeve
Known for bringing together disparate musical influences, Jamie Lidell cites Mtume, Cameo, New Jack Swing, Bobby Brown and George Clinton as inspirations for the new release. “I referenced a lot of the analogue synth tones of the records I really love,” he says, “the question isn’t electronic music or not, it’s what are you trying to say with the electronics you choose.” Lidell recently moved from New York to Nashville and set up an expansive recording studio in his new home. “The whole house has become a recording studio,” Lidell says, “the entire album was recorded and mixed at home. I’m proud of that.”
NO EXPORTS
NO EXPLICIT CONTENT Tracklisting CD
Selling Points Format: CD Boxlot: 25 Price: $14.99 Packaging: CD in 8 panel digipack
• Lots of early excitement for Jamie's first album in three years, "Best New Track" on P4K and overwhelmingly positive mentions around the world • Confirmed features in Pitchfork, Billboard, Nylon, Bullett, and more to come • World Wide tour announced, including N. American dates from March 27 - April 14 • First music video coming in January, with more assets rolled out throughout the year
1. I'm Selfish 2. Big Love 3. What A Shame 4. Do Yourself A Faver 5. You Naked 6. why_ya_why 7. Blaming Something 8. You Know My Name 9. So Cold 10. Don't You Love Me 11. In Your Mind
File Under - L / Alt / Rock
Artist Sites
http://www.jamielidell.com/ http://warp.net/records/jamie-lidell for more info contact: josh@warprecords.com http://warp.net
for more info contact: fahyj@redeyeusa.com http://www.redeyeusa.com
The Relatives The Electric Word
NATIONAL release date cd/LP: 02.19.2013 Psychedelic-Gospel-Funk! Three words you don’t see grouped together all that often. In truth, the sound of The Relatives is so much more. Formed in 1970 by veteran Dallas Gospel singer Rev. Gean West and his brother Tommie, The Relatives’ sound bridges the gap between traditional Gospel, Soul and Psychedelia. In the early 1970’s, they recorded three obscure singles and a previously unreleased studio session—all of which were compiled on the acclaimed 2009 anthology, Don’t Let Me Fall (Heavy Light Records). The release of Don’t Let Me Fall brought The Relatives back together as a band, planting the seeds for their brand new 2013 Yep Roc release, The Electric Word, which was recorded and produced in Austin, TX by Jim Eno of Spoon. Known for powerful original songs and searing stage show, The Relatives’ reputation survived their 1970's hey dey, but the group did not, recording their final session with legendary engineer Phil York in 1975 and disbanding in 1980. With only a cracked copy of The Relatives' "Don't Let Me Fall" single to go on, Heavy Light Records tracked down Rev. Gean in 2009 and began the process of reissuing the band’s vintage recordings. Rev. Gean calls The Relatives' rediscovery and resurgence, "nothing short of a miracle." After a stunning, sold-out 2009 reunion performance at the Continental Club in Austin, The Relatives began performing regularly again, barnstorming major festivals and venues worldwide, taking their incredible stage show and four-part harmonies to Lincoln Center, ACL Fest, Bonnaroo and Splendour in the Grass. Summer 2011 found the group in southern France, where they appeared at the Cognac Blues Passions festival, collaborating with a 30-member French community choir for an impassioned performance of Relatives originals. 2011 also saw The Relatives combine forces with Garage/Soul powerhouse Black Joe Lewis & the Honeybears to record “You Been Lyin,” which appears on the BJL album, Scandalous. With the addition of former Black Joe Lewis drummer (Matt Strmiska) and guitarist/musical director (Zach Ernst) as full-time members, The Relatives cut the The Electric Word, their first recording in over 30 years, in the summer of 2012 at Public Hi-Fi Studios in Austin, TX. Still helmed by the West brothers, The Relatives' current incarnation is the most powerful generation of this musical family to date. The stage is set for miraculous things.
“Maybe the world wasn't ready for the Relatives when they first formed, buttoday they combine sweat, grit, and a righteous musicality in a manner that's unequaled.” – AUSTIN CHRONICLE "The Relatives are the heroes America needs, even if we don't deserve them." -Dean Blackwood, Revenant Records "The Relatives are Jesus on LSD." -Leo Sacks, producer, filmmaker Key Markets: Austin, Dallas, Houston, NYC, Philadelphia, Los Angeles, San Francisco, Chicago Highlights: • National publicity/media campaign spearheaded by Shore Fire Media • Select major market touring in spring/summer 2013 (booking by Concerted Efforts) • LP includes: 180 gram vinyl, free download of entire album and a CD copy of entire album. • First full studio album to be released by The Relatives; first new recordings since 1975. • Produced and recorded by Jim Eno (Spoon, Explosions In The Sky, Okervill River, New Pornographers, Black Joe Lewis & The Honeybears) at Public Hi-Fi in Austin, TX. • Video trailer/assets available for online promotions • Posters available for in-store promotions Track Listing: 01. Things Are Changing 02. Let Your Light Shine 03. Speak To Me (What’s Wrong With America) 04. Bad Trip 05. Trouble In My Way 06. We Need Love 07. Revelations 08. Your Love Is Real 09. It’s Coming Up Again 10. I Will Trust In The Lord
Item number: CD-YEP-2309 SLP: $15.99 UPC: 634457230927 GENRE: Gospel/R&B PACKAGING: Digipakt BOX LOT: 40 EXPORT: World Item number: LP-YEP-2309 SLP: $22.99 UPC: 634457230910 GENRE: Gospel/R&B PACKAGING: Gatefold Jacket BOX LOT: 25 EXPORT: World
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STREET DATE 02.19.13
LIKE RATS
Limited to 3000 pieces
LIVE AT PHOENIX PUBLIC HOUSE MELBOURNE
Like Rats is 13 song covers record featuring Mark Kozelek's acoustic versions of Bad Brains, Misfits, The Decendants, Josh Turner, Ted Nugent, Sonny and Cher, and more.
Limited to 1000 pieces
Track Listings:
Track listing:
1. I 2. Like Rats 3. Free-For-All 4. Young Girls 5. Right Back Where We Started From 6. Time Is Love 7. Silly Girl 8. Onward 9. Carpet Crawlers 10. 13 11. Green Hell 12. I Killed Mommy 13. I Got You Babe Title: Like Rats UPC: 634457576520 Item: CD-CV-021 SRP: $14.99 Export Restrictions: US Only Packaging: DigiPak
REDEYE DISTRIBUTION 449 TROLLINGWOOD RD. | HAW RIVER, NC 27258 | WWW.REDEYEUSA.COM
Live at Phoenix Public House Melbourne was Recorded June 11, 2012 at Phoenix Public House, Melbourne. 1. I know It's Pathetic But That Was The Greatest Night Of My Life 2. Sunshine In Chicago 3. The Moderately Talented Young Woman 4. Broken Wing 5. Glenn Tipton 6. Track Number 8 7. UK Blues 8. Heron Blue 9. Mistress 10. Church Of The Pines 11. You Missed My Heart 12. Black Kite Title: Live at Phoenix Public House Melbourne UPC: 634457576629 Item: CD CV-022 SRP: $9.99 Export Restrictions: US Only Packaging: DigiPak
CONTACT: Lori Miller Redeye Project Manager lori@redeyeusa.com 336-578-7300 x216
CHANGE THE BEAT
THE CELLULOID RECORDS STORY 1980 – 1987 Strut kicks off its 2013 release schedule with the first definitive overview of one of the most revered, open-minded and influential labels of the 1980s, Celluloid Records, on February 19th. Formed by Jean Georgakarakos in Paris during the late ‚70s after a decade co-running French record shops and the spiritual jazz label BYG, the label gathered steam following Karakos’ fateful early ‚80s trips to New York. After a chance meeting Bill Laswell who had himself landed fresh in the Big Apple from Michigan, Karakos began releasing the full spectrum of Laswell’s early work, from the avant-rock cacophony of Massacre to his fluid, dance / post-punk production outfit, Material. During the early ‘80s, Karakos became involved in the nascent hip hop scene In New York, releasing Timezone’s breakers favourite, ‚Wildstyle’, produced by UK DJ Rusty Egan and featuring Afrika Bambaataa and French MC B Side. In ‚83, both he and Laswell worked with Herbie Hancock on his electro smash, ‚Rockit’, Spotting a keyboard riff that had been played towards the end of the original demo, Karakos suggested that this form the main hook of the track. From the resultant publishing income, Karakos and Laswell continued to explore early hip hop culture and a slew of classics followed: successful 12’s by Hancock’s scratch DJ, Grandmixer D.ST, Fab 5 Freddy’s groundbreaking French / English slo mo rap, ‚Change The Beat’ and graf artist Futura 2000 on the cult single ‚Escapades Of Futura 2000’ backed by The Clash. Time Zone would also re-surface with Bambaataa and collaborator John Lydon (PiL / Sex Pistols) with the apocalyptic chart smash ‚World Destruction’. During this seminal period, Karakos also began working with US producer / entrepreneur Alan Douglas, licensing in recordings for release on Celluloid including early Last Poets albums, Ronald Shannon Jackson and more. The repertoire included a rare track cut by Jalal from The Last Poets, enlisting Buddy Miles and Jimi Hendrix on guest guitar duties for ‚Doriella du Fontaine’ following one of Hendrix’ album recording sessions in a neighbouring studio at Trident in London. Celluloid would continue to support Bill Laswell’s varied and groundbreaking production work including his experimental sessions with Praxis and Last Exit and embarked on a glut of excellent genre-bending world / electro fusions. Karakos had already dabbled with music by African artists and had been instrumental in breaking Fela Kuti to a wider Western audience. Now, Laswell’s progressive approach spawned Manu Dibango’s landmark ‚Electric Africa’ album pitching the Makossa Man against crunching electro arrangements, then Mandingo’s anthem ‚Harima’ and Laswell’s own roots-based Deadline project. Meanwhile, Celluloid continued to support music from back home in France, honing in on quality new wave and electronic music during the early ‚80s: avant-rock guitarist Ferdinand Richard, a one-off EP from cold wave vocalist Nini Raviolette and Moroccan songstress Sapho all addig considerable colour to the Celluloid palette. By 1986, Laswell's work for Celluloid became more sparse as he was pulled onto major projects for Yoko Ono, Mick Jagger, PiL and more. The label, meanwhile, continued its eclectic path with recordings by jazz legend Eric Dolphy, John McLaughlin and the ‚Welcome To Dreamland’ compilation of out-there Japanese pop overseen by regular Laswell cohort, Fred Frith. African music also continued to feature heavily in the label’s later output through world pop stars like Kassav and Toure Kunda. ‚Change The Beat’ is released in conjunction with Jean Karakos and Celluloid Records. Formats include 2CD, 2LP and digital. All physical formats feature rare photos from the Celluloid Records archive and extended interviews with label owner Jean Karakos, Bill Laswell, Afrika Bambaataa, John Lydon, Rusty Egan (Timezone) and more. The digital version of the album features five extra tracks not featured on the physical formats.
KEY POINTS • Released in conjunction with Celluloid Records this is the first definitive overview of the one of the most revered labels of all time. • All formats feature rare photos from the Celluloid Records archive and extended interviews with label owner Jean Karakos, Bill Laswell, Afrika Bambaataa, John Lydon, Rusty Egan (Timezone) and more. • Deluxe 2LP Gatefold includes CD insert
FOR FANS OF Afrika Bambaataa, Fab Five Freddy, Bill Laswell, Roy Ayers, Fela Kuti TOP MARKETS
NY, LA, SF, CHICAGO. BOSTON
2CD: 7
30003 31022
5
7
30003 31021
8
2LP: www.strut-records.com
TRACKLIST CD 1 1. SHOCKABILLY – DAY TRIPPER 2. MASSACRE – KILLING TIME 3. FERDINAND – TÉLÉ, APRÈS LA MÉTÉO 4. MATHEMATIQUES MODERNES - DISCO ROUGH (Long version) 5. THOMAS LEER & ROBERT RENTAL – DAY BREAKS, DAY HEALS 6. SNAKEFINGER – LIVING IN VAIN 7. WINSTON EDWARDS & BLACKBEARD – DOWNING STREET ROCK 8. LIGHTNIN’ ROD – SPORT 9. FUTURA 2000 (ft THE CLASH) – THE ESCAPADES OF FUTURA 2000 10. TIMEZONE – WILDSTYLE (12" Vocal) 11. DEADLINE – MAKOSSA ROCK 11.03 12. BOBONGO STARS – MBATI 5.57 13. TOURE KUNDA – AMADOU TILO 2.46
TRACKLIST CD 2 1. NINI RAVIOLETTE – SUIS-JE NORMALE 2. RICHARD HELL & THE VOIDOIDS – DESTINY STREET 3. SAPHO – CARMEL (12“ mix) 4. GINGER BAKER – DUST TO DUST 5. LAST EXIT – BIG BOSS MAN 6. MANDINGO – HARIMA 7. MANU DIBANGO – ABELE DANCE (’85 remix) 8. TIMEZONE – WORLD DESTRUCTION (Original 12" mix) 9. MATERIAL, MICHAEL BEINHORN, BERNARD FOWLER, BILL LASWELL & NILE . RODGERS – I’M THE ONE (Dance version) 10. GRANDMIXER D.ST – HOME OF HIP HOP 11. B SIDE with BERNARD FOWLER – ODEON (Dance mix) 12. FAB 5 FREDDY – CHANGE THE BEAT (Male version) 13. THE LAST POETS – MEAN MACHINE CHANT / MEAN MACHINE
For more information please conatct: Adam Calman - Adam@k7.com (P) 718-722-9935 X 12 WEB LINKS
http://www.strut-records.com/ www.celluloidrecords.net/
RELEASE DATE: FEBRUARY 19th, 2013 ARTIST: VARIOUS ARTISTS TITLE: CHANGE THE BEAT - THE CELLULOID RECORDS STORY 1980 – 1987 CAT. NO.: STRUT102CD / STRUT102LP CONFIGURATION: 2CD / 2LP + CD PACKAGING: DIGIPAK / GATEFOLD UPC: 730003310225 / 730003310218 PRICE: $15.99 / $23.99 BOX LOT QTY: 20 / 12 GENRE: POP
Tribute to legendary, German producer Conny Plank. Included will be a selection of Plank’s most iconic work, along with a series of productions that exemplify his unique sound design. CD 3 features reworks by a host of contemporary artists of the original 24 track, magnetic tapes found in the Plank-archive. As a previously unreleased gem, the box will contain a live concert by Moebius / Steffen / Plank recorded on tape while touring Mexico in 1986.
CD1
1 2 3 4 5 6 7 8 9 10 11 12
Arno Steffen Eno / Moebius / Roedelius Phew Eurythmics Michael Rother La Düsseldorf Psychotic Tanks Moebius & Plank Moebius / Plank / Thompson Moebius / Plank / Neumeier D.A.F. NEU!
Hörprobe (1983) Broken Head (1978) Signal (1981) Le Sinistre (1981) Feuerland (1977) Silver Cloud (1976) Let’s have a party (1980) Conditionierer (1981) Farmer Gabriel (1983 ) Pitch Control (1983) Alles ist Gut (1981) Leb Wohl! (1975)
CD2
1 2 3 4 5 6 7 8 9 10
Ibliss Roedelius Streetmark NEU! Psychotic Tanks D.A.F. Moebius & Plank Fritz Müller Blue Point Underground Konrad Plank
Drops (1972) Regenmacher (1978) Eleanor Rigby (1976) Negativland (1972) Security Idiots (1980) Was ziehst du an (1981) Automatic (1995) Fritz Müller Traum (1977) Conny Plank (1999) Deutsches Weihnachts Potpourri (1973)
CD3
1 2 3 4 5 6 7 8 9
Infiltration Broken Head Feuerland Doze Farmer Gabriel Conditionierer Für Immer Doze Conny Plank
Moebius & Plank (Walls Remix) Eno, Moebius, Roedelius (Automat Rework) Michael Rother (Justus Köhncke Remix) Phew (Günther Lause Rework) Moebius, Plank, Thompson (Edwards Desert Remix) Moebius, Plank (Fujiya & Miyagi Remix) NEU! (Eye Remix) Phew (Crato Remix) Rework by Jens-Uwe-Beyer
Möbius / Plank / Steffen
live in Mexico 1986
4 disc CD Box includes 48 pages booklet with exclusive photo material
release date 02/19/13
Catno: CDGRON123
SRP 62.99 $ www.groenland.com www.connyplank.com CD4
SADISTIK
FLOWERS FOR MY FATHER WWW. FAKEFOURINC. COM
F F I N C 0 4 4 : S A D I S T I K : F L O W E R S F O R M Y F AT H E R - C D / L P
CD RELEASE DATE : 2/19/2013 2LP RELEASE DATE : 4/02/2013
WWW. SADISTIKMUSIC. COM
Distribution Inquiries: Lori Miller Redeye Distribution 336.578.7300 x 216 Label Inquiries:
\
Ceschi Ramos (Fake Four Inc) ceschi@gmail.com RELEASE
DATE:
APRIL 26TH 2011 ON FAKE FOUR INC TRACKLISTING 01 Petrichor 02 Russian Roulette (feat. Cage & Yes Alexander) 03 City In Amber (Feat. Lotte Kestner) 04 Snow White 05 The Beast 06 Kill The King
Flowers For My Father marks Sadistik's first solo album since his 2008 debut, The Balancing Act, and charts his growth in spades. Evolving his style to a more synthesized rendition of a signature cinematic Seattle sound, the new album displays a distinct combination of Sadistik's complex, vulnerable writing with textured, ambient production handled by the likes of Blue Sky Black Death and Kno of CunninLynguists. Featured guest performances from indie hip hop heroes such as Cage, Deacon The Villain, Astronautalis & more result in his most developed, mature and revealing project to date.
DIGIPAK BOX LOT
40 / $12.99 S
07 Song For The End Of The World 08 Palmreader (Feat. Child Actor) 09 Micheal 10 Seven Devils 11 Exit Theme (Feat. Astronautalis & Lotte Kestner) 12 Melancholia 13 A Long Winter (feat. Ceschi)
Shortly after the release of The Balancing Act, Sadistik's father tragically passed. Never one to shy away from heavy topics or keep his personal life personal, Sadistik wrote this album for his late father, choosing to treat each song as an update of what has happened in his life since. This is reflected in writing which delves into depression, romance, heartbreak, optimism and the struggle to make sense of the ever-shifting pieces in the world around him.
CD /
(Feat. Deacon the Villain)
No Exports To Japan
UGGESTED RETAIL
2LP / GATEFOLD 15 BOX LOT / $19.99 S
UGGESTED RETAIL
Matmos The Marriage of True Minds Thrill - 316 CD List $15.99 BOX LOT CD 40
*9037H-ADBGCb
Gatefold 2xLP List $20.99 BOX LOT LP 15 Vinyl is non-returnable
*90377-A31GBe
GENRE : ELECTRONIC / POP FILE UNDER: “M” Matmos RELEASE DATE : February 19, 2013 NO EXPORT TRACK LISTING:
Expanding upon the ambitious premise of their recently released The Ganzfeld EP, Baltimore-based electronic duo Matmos (Drew Daniel and M.C. Schmidt) are now releasing their first new full-length album in five years : The Marriage of True Minds.
1. 2. 3. 4. 5. 6. 7. 8. 9.
You Very Large Green Triangles Mental Radio Ross Transcript Teen Paranormal Romance Tunnel In Search of A Lost Faculty Aetheric Vehicle E.S.P.
Matmos are known for making toe-tapping rhythmic pop out of odd and unusual sound sources. They have always worn genre loosely, but it’s safe to say that this is the first electronic album to start with tap dancing and end with doom metal. Comprising stomping techno, eerie synth jams, musique concrete, Latin rhythms, and Ethiopian music, at once at home in the academy, the art gallery, the nightclub and the noise warehouse, the dizzyingly diverse assemblage which is The Marriage of True Minds is driven by a tightly unified conceptual agenda: telepathy.
SALES POINTS
For the past four years the band have been conducting parapsychological experiments based upon the classic Ganzfeld (“total field”) experiment, but with a twist: instead of sending and receiving simple graphic patterns, test subjects were put into a state of sensory deprivation by covering their eyes and listening to white noise on headphones, and then Matmos member Drew Daniel attempted to transmit “the concept of the new Matmos record” directly into their minds. The resulting transcripts of the videotaped psychic experiments became poetic and conceptual scores used by Matmos to generate the nine songs on this album.
Matmos have an incredibly strong sales history with previous albums selling 15-25K worldwide
On The Marriage of True Minds, guest musicians including Dan Deacon, Dominique Leone, DJ Dog Dick, Leslie Weiner and Holger Hiller (Palais Schaumberg), Jason Willett (Half Japanese), Angel Deradoorian, Jenn Wasner (Wye Oak) and more, all go under the digital editing knife as they are chopped into tight, surprisingly listenable songs which—for the first time in Matmos’ work- prominently feature vocalists and voices. The album features an array of sonic tactics, and a broad swathe of musical styles, but this diversity is joined together with a common purpose: the translation of this archive of psychic experiments into a delirious hybrid of conceptual noise and electronic pop.
Matmos follow The Ganzfeld EP (Thrill 315, Oct 2012) with their first new album in 5 years Matmos is one of the most prominent experimental electronic artists of the last decade, their seven albums have been some of the most significant and acclaimed in the genre, and their high profile collaborations and shows with artists like Bjork and Kronos Quartet have given them definite exposure outside of just fans of heady electronic music.
Matmos will tour the US for a month in February and also tour Europe in March The video for “Very Large Green Triangles” has already received nearly 50K plays on Vimeo and was a Vimeo staff pick CD version in deluxe digipack with 24 page booklet. 2xLP version in gatefold jacket with artworked inner sleeves and free download coupon “Matmos an innovative electronica duo...playing their tactile and thunderously crunchy work” - The New York Times “Matmos have always heard symphonies in life’s smallest details, sampling things like thawing streams and liposuction vacuums and building busy pop tapestries out of them.” – Pitchfork “It’s a rare glimpse into their delightfully strange minds and a fantastic collection of aural creations that otherwise we certainly never would have heard.” -- Ad Hoc
PO Box 08038 / Chicago, IL 60608 Ph : 312.492.9634 / erik@thrilljockey.com www.thrilljockey.com
Black Twig Pickers Rough Carpenters Thrill - 309 CD List $17.99 BOX LOT CD 40
*9037H-ADAJCb
LP List $16.99 BOX LOT LP 25 Vinyl is non-returnable
*90377-ADAJBe
GENRE : OLD-TIME FILE UNDER: “B” Black Twig Pickers, The RELEASE DATE : February 19, 2013 NO EXPORT TRACK LISTING:
The Black Twig Pickers are a group defined by their forward thinking approach to a type of music most often associated with times gone by. Over the course of eight full-length records, including collaborative releases with Jack Rose and Charlie Parr, a split LP with Glenn Jones, and numerous EPs and singles, the group has established itself as a collection of dedicated practioners of old time music re-cast and shaped by their appreciation of modern improvisation, drone, and punk. While not at odds with the experimental scene that has fostered them or the old time circles they travel in, The Black Twig Pickers thrive in the in-betweenness of those two worlds, proving that the exploration of the outmost bounds of sound and the exploration of decades old tradition and community aren’t as different as one might think. Rough Carpenters, which was recorded in the same two-day session as 2012’s Whompyjawed EP, can be seen as an inward-gazing foil to that EP’s long-form hoedown epics. With the addition of Sally Anne Morgan on fiddle to the trio of Mike Gangloff, Isak Howell, and Nathan Bowles, dance has become a more prominent part of the group’s formula. It wasn’t until Morgan joined the band that the band actually began to dance onstage. Also, on this album the group strays a bit farther outside their intensely local Southwest Virginia tradition than earlier records, incorporating a few more tunes with origins in Kentucky (“Banks of the Arkansas”) and West Virginia (“Little Rose”). The group’s repertoire is constantly growing as they turn to first-person sources, older musicians that were brought up in the old time scene and in some cases the children and families of deceased respected practitioners, and unreleased archival recordings passed among musicians. And while local and regional history is ever present in the music The Black Twig Pickers play, they turn songs that are many decades old into living artifacts, released from the restrictions of era by the personal convictions of the musicians. This spirit of ecstatic abandon is conveyed through the percussive elements of The Black Twig Pickers’ music and more importantly, through a spontaneity and an unrehearsedness the band wears as a badge of pride. As Gangloff explains, “It’s not the melody, it’s the moss.” The sharp twang of the banjo, a spontaneous holler, a foot stomping along in time, and other seemingly incidental sounds become all important. Like the band’s previous Thrill Jockey full-length Ironto Special, Rough Carpenters was recorded with absolutely no overdubs and in as few takes as possible. The Black Twig Pickers are indeed rough carpenters, building unpolished but finely crafted records that embody the spirit of a timeless old-time scene. Also available from Black Twig Pickers : Ironto Special CD/LP (Thrill 249) Whompyjawed 12”EP (Thrill 12.50)
8. You Play the High Card 1. Blind Man’s Lament and I’ll Play the Ace 2. Rough Carpenters 9. Old Christmas Morning 3. Little Rose 10. Roll on John 4. Banks of the Arkansas 11. Jack of Diamonds 5. Elkhorn Ridge 12. Charleston Girls 6. The Poplar Pole 7. Where the Whippoorwills 13. Sift the Meal and Save the Bran are Whispering Goodnight 14. I Can’t Stay Here By Myself SALES POINTS The Black Twig Pickers expand to a quartet with the addition of new member Sally Anne Morgan Rough Carpenters is the band’s first album since 2010’s Ironto Special (Thrill 249) and follows the 12”EP Whompyjawed (Thrill 12.50, July 2012) and two instantly sold out Record Store Day releases, 2011’s split LP with Glenn Jones (Thrill 268) and 2012’s Yellow Cat 7” (Thrill 306) The Black Twig Pickers keep company with many of America’s underground heavyweights and hold their own with the old-timers too; constantly playing at country fairs, barn dances, and even for the National Council for the Traditional Arts CD version includes a 4 page booklet with history and tunings of each song and is packaged in a mini-LP style gatefold package custom printed on chipboard stock at Stumptown Printers. LP version includes an inner sleeve with history and tunings on each song and a free download coupon The Black Twig Pickers have collaborated with both Jack Rose and Charlie Parr and have toured the US and Europe extensively with recent shows at Death By Audio and Webster Hall in New York for Thrill Jockey’s 20th Anniversary The Black Twig Pickers member Mike Gangloff was a founder of the long running drone/noise/folk unit Pelt (along with Jack Rose). Mike and Nathan still perform as Pelt today and Isak has previously performed in the group as well “The spirit of true traditional American music…” – No Depression “For the Black Twig Pickers, steeping themselves in history doesn’t dampen the impact of the music -- it magnifies it.” – Pitchfork
“Exciting old-time music at its finest” -- Bluegrass Unlimited
PO Box 08038 / Chicago, IL 60608 Ph : 312.492.9634 / erik@thrilljockey.com www.thrilljockey.com
Dan Friel Total Folklore Thrill - 324
CD List $15.99 BOX LOT CD 40
*9037H-ADCECa
LP List $16.99 BOX LOT LP 25 Vinyl is non-returnable
*90377-ADCEBd
GENRE : POP/ELECTRONIC FILE UNDER: “F” Friel, Dan “P” Parts & Labor RELEASE DATE : February 19, 2013 NO EXPORT Armed with an arsenal of thriftstore pedals and noisemakers splayed across his lap, Dan Friel has spent the last decade home brewing electronic music that is equal parts ragged, punk, psychedelic and glorious. Following the recent Valedictorian/Exoskeleton EP, which was called “a giddy, abrasive gem” by Under The Radar and “bottled raw power” by the BBC, Total Folklore retains the melodic prowess of Friel’s previous work while harnessing considerable rhythmic power to back it up. In a preview of the LP after his sold out show with Black Dice in London, No Ripcord said it was “an experimental record to savour and further confirm Dan Friel as one of the most exciting musical witchdoctors around.” Total Folklore is an urban album, the jagged, overblown electronics mimicing the grit and chaos of Brooklyn. As a fan of the epic walk, Friel channeled the commuter while writing and recording these songs. In fact, many songs are paced specifically with walking in mind. The album is peppered with recordings Friel made on his phone while walking around cities, from the sound of kids playing basketball in Brooklyn to the sound of a Con Edison strike in Manhattan, to the sound of the inside of a panchinko parlor in Tokyo. The album opens with the majestic “Ulysses,” a 12-minute epic anchored by crunching beats and shimmering arpeggios before launching into “Windmills” and the instantly arresting “Valedictorian”. Throughout, Friel includes short intermissions, improvisations and field recordings, as if the listener is waiting on the corner for the walk signal. From the screeching glissando of the synths of “Scavengers” to the frenetic pulse of “Thumper,” Total Folklore captures the energy and irreverence of punk, while keeping a foot firmly planted on the streets of electronic pop. Except the aforementioned phone recordings, Total Folklore was recorded by Friel at home on a computer purchased in 2001 running OS9, perched on a three-legged desk. This minimalism is an integral part of the album’s sound and feel, a bit nostalgic and completely frayed around the edges. The Yamaha Portasound keyboard heard on the record is from 1984, and was Friel’s first instrument. While Total Folklore will appeal to fans of both the harshest noise and the purest pop, it never feels like it is treading a safe middle ground. This is the sound of unfiltered excitement: blurry, euphoric, and turned on. Also available from Dan Friel : Valedictorian/Exoskeleton 12”EP (Thrill 12.51) **with remixes from Peaking Lights and Moss of Aura (Gerrit from Future Islands)
TRACK LISTING:
01. Ulysses 02. Windmills 03. Valedictorian 04. Intermission #1 05. Velocipede 06. Scavengers
07. Intermission #2 08. Thumper 09. Landslide 10. Intermission #3 11. Swarm 12. Badlands
SALES POINTS Total Folklore is Dan Friel’s debut album for Thrill Jockey following the limited 12”EP Valedictorian/Exoskeleton (Oct 2012, Thrill 12.51) Dan Friel was a founding member of the New York group Parts & Labor who released five albums and several singles and EPs over their ten year run Friel has had recent knockout performances at Thrill Jockey 20th Anniversary shows in Baltimore and New York as well as a sold out London show with Black Dice CD version packaged in a 4 panel mini-LP style gatefold package. LP version includes artworked inner sleeve and free download coupon. The first 500 LPs are pressed on orange vinyl, remaining copies on black “...ecstatic, noisy keyboard-based stuff that, as on “Valedictorian,” is full of technicolor chirp, sugar-rush whoosh, and a bucket of adrenaline.” - Stereogum “It’s pretty much bottled raw power” - Tom Ravenscroft, BBC “‘Valedictorian’ is the gateway drug for people wandering in from Parts & Labor’s general direction...It’s a glorious, happy kind of noise, and if the upward chord shift in the middle of the track doesn’t give you a whiff of optimism, you are pretty deep into the greys.” - Dusted “Opening with the rosy tones of what might be a carillon ringing three counties away, “Valedictorian” quickly launches into an overdriven surf-punk hoedown that sounds like Dan Deacon covering Madonna’s “Open Your Heart,” all piledriving drum machine and dueling kazoos, piercing as an ice-cream headache.” - Spin
PO Box 08038 / Chicago, IL 60608 Ph : 312.492.9634 / erik@thrilljockey.com www.thrilljockey.com
PRESENTS
CHANGO SPASIUK, MAURICE EL MÉDIONI & MORE
LATIN NOIR EVERYTHING HAPPENS ON THE BEACH
ckaged Série Noir by Piranha Musik in reference to the ting life‘s brooding, melancholy landscapes. This compilation features a selection of happy sad musical treasures from Cuba, Argentina, Colombia, New York and both sides of the Mediterranean Sea. If you are looking for hip shakin‘, hands-in-the-air party music for your next holiday cruise, this album is not for you. Latin Noir much rather pays a gloomy homage to a new generation of the wretched of the earth and their Sisyphean journeys between shipwreck and redemption, despair and hope. The various musical styles on this deeply emotional journey span from the earthy, almost tango-like melancholy of the North-Argentinian Accordeon via longing love songs of the Cuban Trova to touching laments about boat-refugees in a modern Latin-Mediterranean tinge. TRACKLISTING 01 Chango Spasiuk Tierra Colorada KEY POINTS 02 Seguidores Del Son Todo Eso • Latin Noir offers a gloomy, new and distinguished 03 Eddie Bobè feat. Orlando >Puntilla< Rios approach on Latin music Rumba Para Los Olu Bata • includes rare musical treasures as „La Negra Toma04 Ana Cristina Pozo & Omar Perez sa“ before made a world hit in the version “MandinDéjame Me Que Te Lleve ga” by Buena Vista Social Club 05 Conjunto Campesino Cuyaguateje • Attractive packaging of Séries Noir Design La Cola De Tu Caimán 06 Estudiantina Invasora Commandante Che Guevara PROMOTION MARKETING TOOLS / WEBLINKS 07 Maurice El Médioni meets Roberto Rodriguez Press Doc & Pics Oh! Ma Belle lnk.piranha.de/latin_noir 08 Son Del Mayabeque Runidera Streaming player 09 Piquete Tipico Las Alturas De Simpson streaming.piranha.de/latin_noir_pre_1209 10 Alfredo Gutiérrez La Distancia user: piranhapromo / password: listenup 11 Grupo el Organo Pinareño La Negra Tomasa MORE INFORMATION 12 Sin Palabras feat. Tambor De Firmin Web www.piranha.de Por Una Tigresa Que Mira Na Estrella Email marketing@piranha.de BONUS Tel +49-30+318614-40 13 Watcha Clan La Patera Release Date 19th of Feb 2013 Artist Chango Spasiuk, Maurice El Médioni & More Title Latin Noir Format CD Configuration Digipac Label Piranha Musik Cat. No. PIR2648-CD UPC 826863264829 Price $14.99
ARTDEPARTMENT
SOCI ALEXPERI MENT003 N0. 19MUSI C
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REL EASEDATE: FEBRUARY1 9 , 2 0 1 3 ARTI ST: ARTDEPARTMENT TI TL E: SOCI ALEXPERI MENT0 0 3 L ABEL: NO. 1 9MUSI C FORMAT: CD CAT. NO: NO1 9 CD0 0 2 UPC:5 0 6 0 2 4 7 3 8 6 3 1 7 PRI CE: $ 1 4 . 9 9 GENRE: EL ECTRONI C BOXL OTQTY: 3 0
DOBIE 'We Will Not Harm You' Street Date: 02/19/13 CD • BDCD219 • $14.99
2LP • BD219 • $26.99
Label: Big Dada File Under: Electronic Export: No Export Box Lot: 35 CD / 15 2LP Packaging: Digipak/3mm vinyl sleeve
TALKING POINTS: •
Original artwork by Turner Prize winning artist Chris Ofili.
•
Dobie has previously worked with the likes of Massive Attack, Soul II Soul and Bjork to name but a few.
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Album booklet includes an essay and photos documenting Dobie's early music and life.
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Press campaign by Score Press. College/Specialty radio campaign by Co-Sign.
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180 Gram vinyl - with download code.
TRACKLISTING:
1. The Beginning 2. Blip 124 3. Stan Lee Is A Hero Of Mine 4. Then I Woke Up 5. She Moans 6. The Chant 7. Magenta 8. Somewhere Over There 9. Crunch Factor No.5 10. Skit 11. On The Corner Of Ridley Road 12. Snap, Crackle & Pop 13. She Wiggles When She Walks
Big Dada, 90 Kennington Lane, London, SE11 4XD Contact: Nicky Wain - nicky@ninjatune.net www.bigdada.com
"We Will Not Harm You" sees "UK bass legend" (Mixmag) Dobie release his first album since 1997's classic, "The Sound Of One Hand Clapping" (Pussyfoot). Thirteen tracks of deep, beautifully worked instrumental music, based in hip hop but touching on techno, house, dubstep, latin, twostep, jazz, soul, funk and everything in between, "We Will Not Harm You" is a work of art from one of the pillars of the Black British music scene. Created over the eighteen months, "We Will Not Harm You" sees Dobie develop the style pioneered on his two EPs for Big Dada and take it still further. In combining his love of classic breaks with the most contemporary music-making techniques, his feel for soul with the essential rawness of his hip hop education, Dobie makes something unique and timeless. So "Blip 124" runs bleep back through the bloco, "Stan Lee Is Hero Of Mine" pits funk drumming against a snaking, evil, electronic bassline, and first single "She Moans" is an exercise in the interaction between percussion and bottom end, a kind of deconstruction of dubstep back into its consitutuent parts. Tunes like "The Chant" and "Crunch Factor No. 5" are an insturmental hip hop as hard, edgy and psychedelic as anything coming out of the LA Beat Scene, "Snap, Crackle & Pop" takes the spirit of breaking and spins it out into space, "Magenta" re-thinks the house grooove. "Then I Woke Up," meanwhile, is an exercise in psychotic mood music, "Somewhere Over There" is the kind of beautiful, soulful interlude you'd expect to find on an obscure soul-jazz B side, while "She Wiggles When She Walks" is a shimmering, transcendent conclusion to a great album. Dobie is a producer, DJ, photographer and skateboarder who has worked with everyone from Soul II Soul, Tricky and London Posse to Massive Attack, Hal Willner, Les Negresses Verte and Bjork. As well as his music, "We Will Not Harm You" will showcase many of Dobie's photographs, documenting both the skate scene and the early UK hip hop scene, as well as an essay on his music and life by cultural commentator Jason Jules. In addition, the cover art has been specially painted by his good friend (and Turner Prize winning artist) Chris Ofili. A true hidden legend of underground British bass music, Dobie's new album takes his roots in hop hop and explodes them to the stars. Listen and learn. Redeye Distribution, 449-A Trollingwood Rd Haw River, NC 27258 USA Contact: Lori Miller - lori@redeyeusa.com www.redeyeusa.com
NINJA TUNE / WERKDISCS / ACID RAGGA NEW RELEASES FOR FEBRUARY 19th JESSE BOYKINS III THE PERFECT BLUES REMIXES A dazzling love ballad, "The Perfect Blues" sees Jesse Boykins III at his best - spellbinding harmonies and lyrics float over textured claps, keyboards, and back-up vocals. If the original wasn't salivating enough, the remixes seal the deal. Jaques Greene further demonstrates his talents with a remix that can only be described as house-blues, or as simply brilliant. The melody bleeds through like sunlight between the clouds, Jesse's vocal all the more beautiful in its sudden exposure. Not to be outdone, electronic music's most demented new talent Machinedrum does what he does best; bring some fun to the proceedings. With a swing Timbaland would be proud of, he doffs his hat to D'n'B and widens out the melody to an addictive rapture. A1. The Perfect Blues (Machinedrum remix) B1. The Perfect Blues (Jacques Greene remix)
Format: 10" Label: Ninja Tune UPC: 5021392765167 CAT #: ZEN10345 Box Lot: 20 SRP: $10.99
THE BUG - HARDCORE LOVER The Bug's Acid Ragga assault continues with the 3rd single to drop on his 7" imprint. Warrior Queen on the A-Side and a return for Miss Red on the B-Side. Be sure to get your hands on ACIDRA003 in all it's gloriously packaged metallic inks, yellow colored vinyl and musical pressure. Watch for more Acid Ragga news, and leading up to the next Bug album proper Angels & Devils. Featuring Inga Copeland, Freddy Death Grips, Gonjasufi, Grouper, JK Flesh, Spaceape, Flowdan, Warrior Queen and more.
A1. Hardcore Lover feat. Warrior Queen B1. Goodbye feat. Miss Red
Format: 7" Label: Acid Ragga UPC: 5021392800165 CAT #: ACIDRA003 Box Lot: 20 SRP: $10.99
ACTRESS - SILVER CLOUD Actress, aka Darren J. Cunningham, has in the last 5 years of running the Werk Discs label set himself apart as one of the hottest A&R scouts within his field, having discovered and released some of the most widely talked about artists of the emerging bass generation, namely Disrupt, Zomby, Lukid and Starkey. His 2012 release R.I.P was 'Album of the Year' in Wire and listed in Spin's 'Best albums of 2012'. Gilles Peterson is a big fan of his work. This 12'' precedes his sequel to 'Hazyville', entitled 'Ghettoville', which is due to be released early next year through Werkdiscs - Ninja Tune.
A1. Voodoo Posse Chronic Illusion B1. Silver Cloud Dream Come True B2. Floating In Ecstacy
Format: 12" Label: Werkdisc/Ninja Tune UPC: 5021392799162 CAT #: WDNT004 Box Lot: 20 SRP: $11.99
PAUL WELLER Release Date: 02/19/13 Having just performed in Los Angeles at The Greek Theatre, after an appearance on Jimmy Kimmel Live, Paul Weller starts 2013 with the release of “Dragonfly”, the fourth single from his critically acclaimed album, Sonik Kicks. “Dragonfly” is a bit of windswept psychedelia inspired by his daughter, Jessie. As Weller describes it, “That came about from my youngest daughter Jessie who had this poem she wrote for school. I just took the first line from each verse and built on them. She does get credited, yes. How did the music come about? We got Graham Coxon on guitar down and Marco Nelson on bass. It was a good day, actually. There’s that middle bit which is like a gang of mad druids round a bonfire, a sequence where we got everyone to play different keyboards. Graham was playing the Hammond and he’s never played one before. But it worked out ok. Graham was on very good form and that’s one of my favorites on the album.” The B-side is the previously unreleased, “Portal to the Past”. This 7” single is a limited edition only available in the US and it’s on clear vinyl!
DRAGONFLY 7" (CLEAR VINYL) SIDE A - Dragonfly SIDE B - Portal To The Past The B-side, "Portal To The Past", is previously unreleased. “(Weller has) never sounded more open to adventure than he does at this moment.” -NY Daily News B+ -Entertainment Weekly ALSO AVAILABLE NOW! SONIK KICKS CD/LP ITEM NUMBER: CD-YEP-2259 SLP: $15.99 UPC: 634457225923 GENRE: Rock/Pop PACKAGING: CD Jacket BOX LOT: 40 EXPORT: USA Only
DRAGONFLY 7" ITEM NUMBER: SI-YEP-2311 SLP: $7.99 UPC: 634457231177 GENRE: Rock/Pop PACKAGING: Clear vinyl in 7" Jacket BOX LOT: 50 EXPORT: USA Only
ITEM NUMBER: LP-YEP-2259 SLP: $22.99 UPC: 634457225916 GENRE: Rock/Pop PACKAGING: Gatefold LP jacket BOX LOT: 25 EXPORT: USA Only
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Chatham County Line Speed Of The Whippoorwill NATIONAL release date LP: 02.19.2013
Yep Roc Records is proud to announce that, on February 19th, 2013, Chatham County Line’s 3rd LP, Speed Of The Whippoorwill, will be available on vinyl for the first time. This vinyl release will feature the original art and will be issued on 180 gram vinyl. Each LP will also include a free MP3 download of the entire album. Following the release of 2005's Route 23, Chatham County Line's praises were sung both in the traditional bluegrass-loving pages and the websites of the young and hip. No Depression praised their ability to "appeal to those who aren't typical fans of bluegrass" and Pitchfork concured, saying, "For a new band writing starkly traditional bluegrass, this is shockingly strong material... the highlights here are as good as it gets." Speed Of The Whippoorwill, which was originally released in May of 2006, was produced by Brian Paulson (Beck, Wilco, Uncle Tupelo) and continued the band's quest to unite their love for the power of rock with their faith in their home state's fine heritage of pure, engaging, traditional music. Speed Of The Whippoorwill features tracks that have now become Chatham County Line classics and have been staples of their live show for years, including: “By The Riverside”, “Company Blues”, “Confederate Soldier”, “Rock Pile” and of course, “Speed Of The Whippoorwill.” “timelessly enjoyable” -Pitchfork “taking bluegrass roots in a direction that’s all their own...rich with memorable songs and exciting playing” -Dusted
Highlights: • First time available on vinyl • 180 gram • All original artwork and liner notes included • Strong recent sales history on vinyl • Free MP3 download of entire album included with each LP
Track Listing: 01. Company Blues 02. Rock Pile 03. Speed Of The Whippoorwill 04. They Were Just Children 05. By The Riverside 06. Day I Die 07. Savoy Special 08. Conferate Soldier 09. Waiting For Paradise 10. Coming Home 11. Lonesome In Caroline 12. Brice’s Crossroads 13. All The Ladies In Town 14. Come Back To Me
Item number: LP-YEP-2113 SLP: $19.99 UPC: 634457211315 GENRE: Bluegrass/Country/Folk PACKAGING: Single LP Jacket BOX LOT: 50 EXPORT: World
DISTRIBUTED EXCLUSIVELY BY REDEYE DISTRIBUTION 449-A trollingwood rd, haw river, NC 27258 | info@yeproc.com | yeproc.com | 336-578-7300 | FAX 336-578-7388
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available 02.19.13