Rock And Blues International - October 2020

Page 39

New Music From Canada

Le Couleur Share Concorde LP Via Lisbon Lux Records Montreal-based alternative pop trio Le Couleur have released their album, Concorde, out now via Lisbon Lux Records. On the album, Le Couleur create a rich, dreamy, and intoxicating soundscape, infused with elements of nudisco and synth pop. Radiant and otherworldy melodies are uplifted by Laurence Giroux-Do’s ethereal vocals and warm synth tones. Concorde takes its name from the

legendary Franco-British airplane from 1965, nicknamed the “beautiful white bird” for its sleek and modern design. This avant-garde project that ended in tragedy has always held a certain fascination for Laurence Giroux-do (vocals); a deadly “crash” that inspired in her a sense of macabre sensuality. Le Couleur called upon several Montreal musicians for the creation of Concorde, such as singer Valence, Radiant Baby, Éliane Préfontaine (Paupière), Louis-Joseph Cliche (Beat Market), Jean-Nicolas Doss (Wizaard) Philippe Beaudin (The Brooks) as well as the American Paul Hammer (Savoir Adore). Concorde is out now. The Montreal trio, created by Laurence Giroux-Do (vocals), Patrick Gosselin (bass), and Steeven Chouinard (drums), and bolstered live by Philippe Beaudin (percussions) and Francis Do Monte (guitar, keyboards), delivers rich and irresistibly danceable performances.

Le Couleur polished their sound until it shined as bright as the late Studio 54’s spotlights with EPs Voyage Love (2013) and Dolce Désir (2015), and then P.O.P. (2016), their critically acclaimed debut album. Thanks to precious advice from Giorgio Moroder, with whom the band had the opportunity of sharing the stage, Le Couleur recorded their new album adopting a completely different approach. Concorde takes its name from the legendary Franco-British airplane from 1965, nicknamed the “beautiful white bird” for its sleek and modern design. This avant-garde project that ended in tragedy has always held a certain fascination for Laurence Giroux-do; a deadly “crash” that inspired in her a sense of macabre sensuality. ? In the album’s music we find vintage influences, recalling the faded charm of 70s erotica, warm tones also rooted in psychedelia, disco, yéyé, and French chanson.

October 2020 • Rock and Blues International

39


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Nothing

1min
page 83

Alter Bridge

3min
pages 81-82

Exhalant

3min
page 80

Shandmaul

2min
page 77

Anti-Mortem

2min
page 78

Alien Weaponry

2min
page 79

CrowJane

3min
pages 74-75

Eye Of The Destroyer

1min
page 76

JackBunny

4min
pages 72-73

Walter Trout

13min
pages 68-71

Christopher Harold Wells

3min
page 67

Billy F. Gibbons

3min
page 65

Claire Rosinkrantz

2min
page 66

Josie Cotton

6min
pages 62-64

Rory Gallagher

7min
pages 60-61

East Of June

2min
page 59

Smashing Pumpkins

4min
page 58

U2

4min
page 57

Michael McDonald

2min
page 56

Machine Gun Kelly

3min
pages 54-55

Michael Franti And Spearhead

3min
page 53

Dr. Whig

2min
page 52

Sena Kana

3min
page 50

Glass Animals

3min
pages 48-49

Mat Zo

3min
page 51

Sinner’s Blood

2min
page 47

GoGo Penguin

2min
page 46

Tedy

2min
page 45

Of Monsters And Men

3min
page 44

Mar Garcia

3min
page 43

James Blake

1min
page 42

Gunship

4min
pages 40-41

Le Couleur

1min
page 39

Charles Christian’s Americana

4min
pages 36-37

Will Kimbrough

3min
page 38

Albert Castiglia

6min
pages 30-32

Black City Band

2min
page 33

Blind Willie Johnson

2min
pages 34-35

Kat Riggins

8min
pages 26-29

Bette Smith

15min
pages 18-20

Generic Specific Radio Shows

2min
page 25

Sugar Ray And The Bluetones

13min
pages 22-24

Kirk Fletcher

12min
pages 10-13

Boogie Brothers

1min
page 21

Relaxing Blues

2min
page 17

Johnny Nicholas

11min
pages 14-16

Elvin Bishop

6min
pages 6-9
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