105-L-4-h

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4-vkdkjksa ls ifjp; (INTRODUCTION TO FORMS) fiNys ikB esa vkius rhu n`f’V lca/kh rÙo¨a & fcUnq] js£k ,ao vk—fr] v©j muds ijLifjd lac/k¨a ds ckjs eas i<+kA vkius ;g Òh i<+k fd dSls Òko¨a dh vfÒO;fDr buds }kjk dh tk ldrh gSA bl ikB esa ge viuh tkudjh dks vkSj vkxs c<+k;saxs ,oa ;g fopkj djsaxs fd fdl çdkj vk—fr;ksa] vkdkjksa ,oa ltkoVh fMt+kbuksa dks cukus esa js[kk,¡ lgk;d gksrh gSaA ge ;g Hkh tkusaxs fd fdl çdkj vkdkj vkSj ekfVQ] dykRed la;kstu vkSj #ijs[kkvksa dks cukus esa fodkl çnku djrs gSaA bl ikB esa vkidks fofHkUu vkdkjksa ls ifjfpr djk;k tk,xkA

4-0

mís”; bl ikB dks i<+us ds i”pkr~ vki l{ke gksaxs% • vk—fr;ksa ,oa vkdkj dh tkudkjh çkIr djus esaA • vk/kkjHkwr T;kferh; vkÑfr;ksa }kjk la;kstu dks cukus dh tkudkjh dk ykHk çkIr djus esaA

4-1

çLrkouk

fMt++kbu ds vk/kkjHkwr rÙoksa tSls] fcUnq rFkk js£kvksa ls vkjEHk djus ds ckn ge vkdkjksa] vk—fr;ksa] ekSfyd T;kferh; vkdkj ,oa jpukvksa ds ckjs esa tkusaxsA bu 'kCnksa dks le>us ds lkFk&lkFk ge T;kferh; midj.kksa tSls ijdkj] QqV~Vk] lsV LDok;j ds ç;ksx }kjk ekSfyd vkdkjksa dks cukus dh tkudkjh çkIr djsaxsA

4-2 ifjHkk"kk dksbZ Hkh vkdkj (Form) js[kk }kjk cukbZ xbZ vk—fr (Shape) ds }kjk curk gSA çR;sd vkdkj js[kk ls gh curk gS] tks fd ,d fuf”pr fcUnq ls çkjEHk gksdj nwljs fcUnq ij lekIr gksrk gSA n`f"Vxr vkdkj (Visible Form) LkdkjkRed LFkku (Positive Space) cukrk gSA blds pkjksa vksj dh i`"BHkwfe (Background) udkjkRed LFkku (Negative Space) dgykrh gS tks ldkjkRed LFkku dks mHkkjus esa fo”ks"k ;ksxnku çnku djrh gS ¼fp=% 4-1½A çR;sd ldkjkRed rFkk udkjkRed LFkku ds vius y{k.k rFkk igpku (Identity) gksrh gSA çeq[k T;kferh; vkdkj] pkSdksj] vk;rkdkj] (Rectangle) o``Ÿk ;k xksyk (Circle) vaMkdkj] f=Hkqt vkfn gksrs gS ¼fp=% 4-2] 4-3½A vkdkj fofHkUu uki okys gksrs gSaA lHkh vkdkjksa dks lqUnj eksfVQ+ cukus ds fy, ç;ksx fd;k tk ldrk gSA çR;sd vkdkj fdlh vFkZ dks lacksf/kr (Communicate) djrk gS vkSj Hkkoukvksa ,oa fopkjksa dks çnf”kZr djrk gSA fMt+kbu dkss fodflr djus ds fy, iz—fr ,d çsj.kk L=ksr gSA ¼fp=% 4-1] 4-2] 4-3½

1


oxZ

vk;rkdkj

o`Ÿk

fp=% 44 -1 ldkjkRed rFkk udkjkRed

fp=% 44 -2

prqHkqZt

vaMkdkj

f=Hkqt

fp=% fp=% 44 -3 ÁkFkfed T;kferh; vkdkj

4-3 vkdkj (Forms) dksbZ Hkh vk—fr fuf”pr xgjkbZ rFkk foLrkj ;k ?kuRo (Volume) dk gksus ij vkdkj dgykrk gSA lHkh vkdkj pkgs os çk—frd gks ;k euq"; }kjk cuk, x, gks vf/kdrj ÁkFkfed T;kferh; +lajpukvksa ls cus gq, gksrs gSa] tSls] ?ku] fijkfeM] “kadq (Cone) csyukdkj (Cylinder) rFkk fiaM (Sphere) ¼fp=% 4-4] 4-5] 4-6½A

______________________________________________

“kadq fp=% 4-4 ddd

?ku

fijk fijkfeM fp=% 44 -5

fp=% 44 -6 +

ÁkFkfed T;kferh; vkdkj

xfrfof/k (Activity) 1- ewyHkwr T;kferh; vkdkjksa dk ç;ksx djds ,d jpuk ¼fMt+kbu½ rS;kj djsaA ekSfyd T;kferh; vkdkjksa dks pkVZ isij ij cukdj jax Hkjsa rFkk ukekafdr djas ¼fpidk,a½A

4-4 vk/kkjHkwr T;kferh; vk— vk—fr

(Basic Geometric Shapes)

vk/kkjHkwr T;kferh; vkdkj pkSdksj] vk;rkdkj] o`Ÿk rFkk f=Hkqt gksrs gSaA ;s eksfVQ+ dk vk/kkj (Foundation) cukrs gSaA çR;sd T;kferh; vkdkj (Forms) tc fdlh jpuk dk vax gksrs gSa rks og ,d vFkZ vfHkO;ä djrs gSaA blls rkRi;Z ;g gqvk fd tc T;kferh; vkdkj viuh i`"BHkwfe ls ikjLifjd fØ;k (Interact) djrk gS rks ,d jpuk dh mRifŸk gksrh gSA ;g jpuk cgqr gh vkd"kZd rjhds ls vFkZ dks O;Dr (Convey) djrh gSA ¼fp=% 4-7] 4-8] 4-9] 410½

fp= 4 +7

fp= 4 +8

fp= 4 +9

fp= 4 10+ 2


xfrfof/k (Activity) 2. vk/kkjHkwr T;kferh; vkdkj }kjk ,d jpuk cukb,A

4-5 nÙkdk;Z (Assignments) 4-5-1 d{kk dk;Z i) ,d 8-3Þ x 11-7Þ ¼A4½ uki ds lQsn dkxt ij 8Þ x 8Þ ds pkSdksj [kkus cukvksA mlesa

fofHkUu uki okys o`Ÿk] f=Hkqt] prqHkZqt fpidkb, ¼dsoy dkyk dkxt ç;ksx djs½ vkSj mlds }kjk ¼dynamic) 'kfDreku “kCn dk Hkko rFkk ¼Relaxed) foJkfUr dk Hkko fpf=r djsaA ¼fp= 4-11 'kfDreku, 4-12 foJke)

fp=% 44-11 “kfDreku (Dynamic) “kCn dk fp=.k

fp=% 44-12 foJke (Relaxed) “kCn dks vfHkO;ä djrh jpuk

• la;kstu (composition) 1 & f=Hkqt rFkk o`Ÿk }kjk xfr”khyrk (Movement) rFkk fodkl dks fpf=r djsaA • la;kstu (composition) 2 & (Revolution) dks fpf=r djsaA

f=Hkqt rFkk o`Ÿk dk ç;ksx djrs gq, Øakfr

fVIi.kh % f=Hkq f t dks nkfguh fn”kk dh vksj xfr”khy Ánf”Zkr djsa vkSj mlds e/; Hkkx esa o`Ùk fn[kk,aA

4-5-2 x`gdk;Z i) fofHkUu çdkj ds T;kferh; vkdkj esa ls fdlh ,d vkdkj dks fofHkUu uki esa dkVdj

larqyu (Balance) mŸkstuk (Excitement) rFkk lekjksg (Celeberation) dks fpf=r djsaA

4-6 lkjka”k • geusa fofHkUu vkdkj] vk—fr] ekSfyd T;kferh; vkdkj rFkk la;kstu (Composition) ds ckjsa esa tkudkjh çkIr dhA 3


• vkdkj (Form) & tc fdlh vk—fr esa fuf”pr xgjkbZ rFkk ?kuRo] foLrkj (Volume) gksrk gS rks mls vkdkj dgrs gSa lHkh vkdkj pkgs og izk—frd gksa ;k euq’; }kjk fufeZr lHkh T;kferh; lajpuk }kjk cus gksrs gSaA • vk—fr (Shape) & ;g ckgjh js[kk }kjk mRiUu fdlh pht+@oLrq dh vk—fr gksrh gSA ;g oLrq dh ckgjh js[kk rFkk mldss ?kuRo (Mass) dks Ánf”Zkr djrh gSA • vk/kkjHkwr T;kferh; vk—fr& o`Ÿk] f=Hkqt] prqHkZqt rFkk vk;r ;s lHkh vkdkj ,d uewus dh ewy vk—fr gksrs gSaA

4-7 vH;klkFkZ vH;klkFkZ Á”u 1. 2. 3. 4. 5. 6. 7. 8.

vk—fr (Shape) ls D;k rkRi;Z gksrk gSa \ vkdkj (Form) dks ifjHkkf"kr djsa \ fp= ds ek/;e ls ekSfyd T;kferh; vk—fr;ksa ds uke crk,a \ ldkjkRed LFkku (Positive Space) ls vki D;k le>rs gSa\ udkjkRed LFkku (Negative Space) ls vki D;k le>rs gSa\ ldkjkRed LFkku ds dqN mnkgj.k cukdj fn[kk,¡A udkjkRed LFkku ds dqN mnkgj.k cukdj fn[kk,¡A fdlh nh x;h :ijs[kk esa tc dksbZ T;kferh; vk—fr viuh i`"BHkwfe (Background) ds lkFk fØ;k (Interact) djrh gSa rks & ¼lgh mŸkj dk p;u djsa½ a. jpuk dh mRifŸk gksrh gSA b. eksfVQ+ dh jpuk gksrh gSA c. Hkko dh mRifŸk gksrh gSaA d. fp= dh jpuk gksrh gSA

4-9 lanHkZ ,ao v/;;u ;ksX; iqLrdsa 1. Betala, R. 2005. Design Comprehension and Visualization. Aan Books, New Delhi. 2. Yates, M. 1998. Textile: A Hand book for designers. W.W. Norton & Co., New York.

4-10 ‘kCnkoyh kCnkoyh 12345678-

dykRed ekSfyd jpuk vk—fr Ásj.kk vk/kkj f=Hkqt o`Ùk

dyk ls ;qDr okLrfod cukoV :i eu esa mRiUu Hkko ;k fopkj lgkjk rhu Hkqtkvksa okyh vkd`fr xksykdkj

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