ghl« - 6 ãw¤Â£l¦fŸ eh‹fh© k‰W© I¨jh© ghl¦fëš, ãw¢r¡fu©, k‰W© Kj‹ik, Ïu©lh«ãiy, Jiz-Ïu§lh©ãiy k‰W© _‹wh©ãiy ãw¦fŸ M»at‰¿‹ cjéÍl‹ ãw¦fis¥ g‰¿a m¿it eh© tsª¤J¡ bfh§nlh©. xnu xU ntiy¥gho‰fhf, Ïu§L mšyJ mj‰F nk‰g£l gšntW ãw¦fë‹ fyitia eh© ga‹gL¤J© bghGJ, eh© xU ãw¤Â£l¤ij cUth¡f nt§oÍ© mJjh‹ Ï¥ghl¤Â‹ fU¥bghUŸ MF©. 6.0 neh¡f¦fŸ Ï¥ghl¤ij f‰wË Ú¦fŸ, xU fiy ntiy¥ ghil¢ brŒtj‰fhd c¦fSila ãw¤bjçit és¡f ÏaY«. c¦fSila ntiy¥ghil¢ brŒtj‰fhf x‹W¡F nk‰g£l ãw¤Â£l¤ij cUth¡f ÏaY« Áw¨j ãw¤Â£l¤Jl‹ Toa xU tiugl¤ij¤ jahç¡f ÏaY©. 6.1 m¿Kf« c¦fSila Xéa©, gl és¡f¦fŸ, mšyJ »uh~á oir‹ M»at‰¿‰fhd x£Lbkh¤j kdãiyna xU ãw¤Â£lkhf cUth»wJ. k‰W© Áy kdãiyfŸ k‰wt‰iw él brŒJ Ko¥gj‰F vëjhÍŸsd. xU Ïa‰ifahd kdãiy, ¥bus‹(Brown) k‰W© g¢ir ngh‹w (earth tone-fshš m¿é¡f¥gl ÏaY©. k‰W© kŠrŸ ngh‹w warm ãw¦fshš m¿é¡f¥gl ÏaY©. ÏitfŸ jª¡fßÂahf¤ njh‹W»‹wd. Mdhš ftU©goahd, mikÂahd k»œñ£l¡Toa, Ïsikahd, bg§ik¤Jtkhd mšyJ éa¥ó£l¡Toa xU ãw¤Â£l¤ij Ú¦fŸ v¥go cUth¡FŪfŸ? g¤J mo¥gil ãw¤ £l¦fŸ cŸsd. Ïit m¡nuhnk£o¡ (achromatic), mdhyhf° (analogous) fh©¥ëbk‹lç (Complementary), £iua£(triad), nkhndhFnuhnko¡ (Monochromatic), bl£ouho¡(tetradic). ãô£uš(neutral) Kjšãiy (Primary) k‰W© Ïu©lh« ãiy (Secondary) vd miH¡f¥gL»‹wd. èija ghl¦fëš Ït‰iw éçthf¡ fhzyh©. Ï¥ghl¤Âš, xU ãw¤Â£l¤ij cUth¡FtJ g‰¿ eh© ftd© brY¤Jnth©. 6.2 ãw¤Â£l¦fis¤ jahç¥gj‰F¤ njitahd bghU£fŸ
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ngh«lª t§z¦fŸ / Úªk t§z¦fŸ / t§z ikfŸ / ng«lšfŸ mšyJ c‹Dila éU¥g¤Â‰nf‰w VjhtbjhU t©z«. braš 3-4 vëa oir‹fis tiu, mJ óthfnth (gl© 6,1) fâj cUthfnth (gl« 6.2) mšyJ m¥«ouh¡£ - Mfnth (Abstract) (gl« 6.3) ÏU¡fyh«. kdš v¨j xU F¿¥Ã£l £lK© Ï‹¿, ghª¥gj‰F Ïåa tifæš cŸsthW, c‹ål© cŸs ãw¦fis¡ bfh§L oir‹fis ãu¥ò. Kj‹ik, Ïu§lh©ãiy k‰W© Jiz Ïu§lh©ãiy ãw¦fis¥ ga‹gL¤Â mit ãu¥g¥gl nt§L©.
Fig. 6.1 Floral design
Fig. 6.2 Geometrical design
Fig. 6.3 Abstract design
gl« 6.1 ó oir‹ gl« 6.2 fâj tot oir‹ gl« 6.3 m¥«£uh¡£ oir‹ 6.3 gæ‰ÁfŸ 6.3.1 tF¥ò¥ gæ‰Á ntWg£l ãw¤Â£l¦fis Ú go¡F© bghGJ, c‹Dila Ϩj ntiy¥gh£il cd¡F K‹dhš it¤J¡ bfhŸ. k‰W© m¨j ãw¤ £l§fnshL ÏJ x¤J¥ ngh»‹wjh v‹W ghª. K‰¿Y© ntWg£l äf¢ Áw¨j xU ãw¤Â£l¤Jl‹ Ú ÏU¡fyh© k‰W© Ëdhëš, c‹Dila ntiy¥ghLfëš, ÏJ c‹Dila Signature style-Mf cUbtL¡fyh©. vdnt, c‹Dila tiugl¤ij Ïu§L mšyJ mj‰F nk‰g£l ntWg£l ãw¤Â£l§fis¡ bfh©L tiuªjë. 2
Ï¥bghGJ, Ú vªbjªj ãw¤ £l§fis éU©ò»‹whŒ, k‰W© V‹ mt‰iw éU©ò»‹whŒ v‹gij vGJ. 6.3.2 Å£L¥ gæ‰Á br‹w ghl¤Âš, Kj‹ik ãw¦fSila Ïsãw¦fŸ (tints)k‰W© nõ£fis¥ go¤ÔªfŸ Ï¥bghGJ, mijna Ïu§lh©ãiy k‰W© _‹wh© ãiy ãw¦fis it¤J¢ brŒaΟǪfŸ. eL¥gFÂæ‹ ty¥òw© öa Àôit (hue) it¤J¡ bfh©L, ãw¤Â‹ všyh nõ£fisÍ© Ïl¥òw© it. všyh Ïsãw§fisÍ« vL¤J¡ bfh©L, xU rJu toit mik. Ϩj¥ gæ‰Áfis bt‰¿fukhf¢ brŒJ Ko¤j Ëò, neª¤Âahd mHFila vëa oir‹fis, Ï›tsÎ Âwikahf cUth¡f Ïa‹wij m¿¨J Ú éa¥gilthŒ j‹d¿Î¢ nrhjid édh¡fŸ 1) Áy warm ãw§fis¥ bgaçL 2) g¤J mo¥gil ãw¤Â£l§fis¥ bgaçL 6.4 ghl¢RU¡f« xU tiugl ntiy¥gh£o‰F, ÏJngh‹w gy ãw¤Â£l¦fis eh© cUth¡f ÏaY©. Mdhš f§fS¡F Ïåikahf¤ njh‹w¡Toa x‹nw Áw¨jjhF©. mjdhš, ãw¤Â£l¦fis¥ g‰¿ mÂfkhf mL¤j my»š go¥gj‰F K‹ò, gšntW ãw¤ £l¦fis cUth¡Ftj‰F vëa oir‹fŸ / tot¦fëš v¥go t§z¤ij ãu¥òtJ v‹gij¥ g‰¿a xU m¿it Ϩj¥ ghl« c§fS¡F éU©g¤j¡f tifæš më¤JŸsJ. 6.5 j‹d¿Î¢ nrhjid édh¡fS¡fhd jF¨j éilfŸ 1) Át¥ò, MuŠ¢ k‰W© kŠrŸ M»ait warm ãw¦fŸ MF©. 2) g¤J mo¥gil ãw¤ £l¦¡ë‹ bgaªfshtd: m¡nuhnko¡, mdyhf«, fh©¥ëbk‹£ç, «Ãè£ fh©¥ëbk‹£ç, £iua£, nkhndhFnuhnko¡, bl£uho¡, ãô£uš, Kjšãiy k‰W© Ïu©lh« ãiy. 6.6 édh¡fŸ 1) ãw¤Â£l¤ij¥ g‰¿ Ú òç¨J bfh§lJ v‹d? 2) Ïa‰ifahd kdãiy v›thW m¿é¡f¥gl KoÍ©? 6.7 ghªit¡F cf¨j Ãw üšfŸ 3
6.2 brhšyfuh m¥°ouh¡£ (Abstract)
vjDlD« F¿¥Ã£l bjhlªg‰w xU v§z© mšyJ xU fU¤J Àô Ïšyhj m¡nuhnk£o¡ (Achromatic) Áy éj¦fëš xnu khÂç mdyhf°(Analogous) ÏU¥git mšyJ x¥Ãl¡Toait Mdhš ntWg£lit (xU ãw¤Â‰F) vªkiw fh©¥ëbk‹lç(complementary) j‹ikÍŸs ãw© nkhndhFnuhnk£o¡(Monochromatic) xnu xU ãw¤ij bfh©lJ mšyJ xnu xU ãwKŸsJ nghy njh‹WtJ (xU ãw¤Jl‹) mjDila ãô£uš (Neutral) fh©¥ëbk‹lç ãw¤ij nrª¥gjhš »il¡»‹w (ml®Î) FiwÎg£l ãw« fh©¥ëbk‹lç ãw¤Â‰F «Ãè£ fh©¥ëbk‹£ç(Split mL¤jh‰ nghYŸs ãw¤ij¡ complementary) bfh©l xU ãw¡fyit eh‹F bl£uh£ (tetrad) nõ£fŸ, czªÎfŸ nlh‹fŸ(tones) _‹W £iua£(triad)
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