ARCH 477 - Architecture in Context - SP22 Florence Study Abroad

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ARCH ARCHITECTURE477 IN CONTEXT SPRING 2022 Piazza Ognissanti - ISI Florence - Study Abroad

grace amoruso architecture in context | florence

the site piazza ognissanti ARNO ARNO OGNISSANTIPIAZZA CARLOPIAZZAGOLDONI VIAMONTEBELLO VIADIMELEGNANO LUNGARNOBORGOOGNISSANTIAMERIGOVESPUCCI VIADELMOROVIADEIFOSSI PONTEALLACARRAIA VIADELPORCELLANA

the site part a, b, c 34 ft 10.36 m 43 ft 13.11 m 62 ft 18.9 m 74 ft 22.56 m 80 ft 24.38 m 103 ft / 31.39 m 58 ft 17.68 m 20 ft 6.096 m CBA

the site details and critical facade elements ROOF OVERHANG FUNCTIONAL / FUNCTIONALNOTOPERABLEOPENINGFUNCTIONAL,RATHERVISUALASPECTOPENINGS(WINDOWS) FUNCTIONAL OPENINGS (WINDOWS AND DOOR) FUNCTIONAL(WINDOWS)OPENINGS FUNCTIONAL WINDOWS MAINTAINING 90 DEGREES INTERSECTION OF CURVILINEAR AND LINEAR PRIMARY ENTRANCE FUNCTIONAL NON-FUNCTIONALOPENINGSOPENINGS PROMINENT CONNECTION TO SKY PROMINENT CONNECTION TO SKY MAJOR FOCAL PT. OCCURING ON PART C PROMINENT CONNECTION TO SKY ALTERNATINGWESTIN)TO(SIMILAR PROTECTION OF PEDESTRIANS INTERACTION WITH INTERIOR OCCUPANTS AND STREET PRIVATE, BUT CONNECTING ELEMENTS ROOFTOP ELEMENT, INTERACTION WITH INTERIOR OCCUPANTS AND STREET INTERSECTION OF RATIONAL AND (ORTHOGONALIRRATIONAL...ANDCURVILINEAR) INTERACTION WITH INTERIOR OCCUPANTS AND STREET

the site details and critical facade elements CBA ALTERNATION FUNCTIONAL FUNCTIONAL / OPERABLE /FUNCTIONALOPERABLE RIGHT ANGLE GEOM. STAYS PROMINENTVISUAL ASPECT VISUALINOPERABLEASPECT, FRIEZE ? PROTECTION OF PEDESTRIANSINTERACTION WITH INTERIOR OCCUPANTS AND STREET INTERACTION WITH INTERIOR OCCUPANTS AND STREET INTERACTION WITH INTERIOR OCCUPANTS AND STREET LOGGIA ROOF OVERHANG ROOF OVERHANG FUNCTIONALOPERABLE /FUNCTIONALOPERABLE NON-FUNCTIONALFUNCTIONALOPERABLE VISUAL BOTHINOPERABLEASPECT,ELEMENTS ARE FUNCTIONAL FUNCTIONAL / NON-FUNCTIONALOPERABLE

the concept emphasizing the “part C” and connection to the sky

INTEREST:

INTEREST:

Murcia Town Hall Murcia, Spain INTEREST: diffusion of a grid within facade, interaction with sky

“Taylor Street House” Boston, MA, USA historical context, double skin facade, diffusion of louvers COIMA HQ Milan, Italy INTEREST: transparency changing upon positioning, disconnect Lagere Saint-Gilles,SchoolBelgium grid system, contempo rary facade in historical context

precedents projects studied and referenced

progress thoughts, early designs, solutions REPEATED GEOMETRIES AND DIMENSIONSCONSISTENCYDRAWINGEYEALONGENTIREFACADEALTANA, SKYTOCONNECTIONFOCUS IS GRASPED AT PART C DESIGNED “HEAVY” AT PART C AND ALLOW MODULES AND DETAILS TO TRICKLE DOWN DESIGN DIFFUSES TOWARDSPUSHESFOCUS GALLERIACASA “GROUNDING THE FACADE IN THE CONTEXT” C BA THICKNESSWALLFORROOMLEAVE VOIDSOFSIMPLIFICATION FACADE NEEDS MORE OPENINGS, GREATER LIGHT OPPORTUNITIES STEP STEEL FRAMING OUT FROM FACADE, CREATING A FRAME DOWNCONTINUITY TOP,ONEMPHASISSTRONGDOWNDIFFUSETOITALLOW WINDOWSWITHDEPTHMORECREATE CONTINUE FRAME DOWN (changed material but have it protruding out from facade) CONTINUE THIS MOVEMENT, BUT BEGIN FURTHER TO LEFT TO ALLOW FOR MORE OPENINGS 30° rotation Beginning at 30 degree rotation Greater sun protection Less sun protection, not necessaryElevationinSparse/LightElevationinDense/Heavy Ending at 90 degree rotation 2.2°rotateslouvreeach60° rotation 70° rotation Heavy / Dense in Viewer’s Perspective Less LightRevealing/Sparsein Viewer’s Perspective More CorrsepondsRevealingto Language of Altana

urban plan including infill facade OGNISSANTIPIAZZA VIAMONTEBELLO BORGOOGNISSANTI BORGOOGNISSANTI LUNGARNOAMERIGOVESPUCCI VIADELPORCELLANA ARNO

progress sun study 21 Dec. 21 March / Sept. 21 JuneSUNRISESNUSET 21 JUNE 21 SEPT MARCH/ 21 DEC. PM12:00 21 JUNE 21MARCHSEPT 21 DEC. PM2:00 21 JUNE 21MARCHSEPT 21 DEC. PM3:00

progress sun study JUNE21 2:00 PM /SEPT21MARCH21DEC.

diagramming sun shading solution and view of facade GREATER TRANSPARENCY LESS TRANSPARENCY WESTIN EXCELSIOR

SOLID FACADE ELEMENTS VOIDED FACADE ELEMENTS counter-clockwise rotation 4 3 2 1 GREATESTSUN PROTECTION LEASTSUNPROTECTION,INVITESSUNINREVEALSFACADEHIDESFACADE diagramming sun shading solution

concept representation emphasizing the “part C” and connection to the sky C A B

elevation including infill facade

plan, elevation, section detail of infill facade SECTION DETAIL

elevation and materiality detail of infill facade tintedsmoothglassplasteraluminum

experiential views connection to sky

experiential views views from piazza

LORENNAH GRANFORS ARCHITECTURE IN CONTEXT STORY : INSPIRED BY ICONIC LO CAL BUILDINGS AND THE CONTEXT SUCH AS: HIERARCHY, PROPOR TIONS, & GEOMETRICAL SEQUENC ES, THE IDEA BEHIND MY FACADE DE SIGN CONVEYS THE IMPORTANCE OF THE COMPOSITE OF “3” AND THE EF FECTS OF LAYERING. THE PURPOSE IS TO ILLUMINATE THE IDEA THAT BALANCED PROPORTIONS & MATH EMATICS PLAY A MAJOR ROLE IN HARMONIZING A BUILDING, FACADE FACE, AESTHETICS, INTERIOR SPACE, & THE PIAZZA. . . . FACADE DESIGN FINAL: IN-FILL FACADE PROPOSAL

URBAN PLAN

A LOOK AT THE PAST

A LOOK AT THE PAST continued

PRESENT CONDITIONS : SKETCH OVERVIEW OF PIAZZA OGNISSANTI

PRESENT CONDITIONS : SKETCH CONCEPTUAL ELEVATION

LOCAL PRECEDENTS

URBAN PRECEDENTS 24 RUE SAINT - BONIFACE SYNOPSIS BRUSSELS,ARCHITECTUREBELGIUM BAUGRUPPEN : URBAN AREA GERMANY17

CONCEPT DIAGRAM CABB

CONCEPT DIAGRAM continued PROPORTIONS & GEOMETRY DIAGRAM

STREET ELEVATION & INFILL FACADE

DIAGRAMS COMPOSITE OF 3 : CENTER HIERARCHY

DIAGRAMS continued PULLING QUOTATIONS FROM TYPOLOGIES

DIGITAL MODEL

MATERIAL BOARD

FACADE PROPOSAL : RENDERINGS

FACADE DETAILS

DIGITAL MODEL - ROOF DETAIL

BUILDING DETAIL // SECTION

END

Architecture in Context: City, Spaces, and UrbanHelenaDesignMott

The concept behind my design comes from the proportions found in the facade of the Itchurch.isthe main building you can see at the center of the piazza. The size of the ground floor opening and the rectangular space corresponding directly above the door possess similar proportions. The facade is also three dimensional, with certain details settling further back or protruding forward from the surface. My design will represent the rectangular proportions in the church, as well as a three dimensional effect in order to connect to the context of the site.

DESIGN CONCEPT

CONDITIONSPRESENT

HISTORY

SKETCHES

PROPORTIONS

GEOMETRIES

DIAGRAMCONCEPT

PRECEDENTS MAHANAKHON OLE SCHEEREN HABITAT 67 MOSHE SAFDIE UNITE D’HABITATION LE CORBUSIER

STREET ELEVATION

SECTIONANDFACADEINFILL

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