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The South West is full of fantastic performers and artists who deserve to be celebrated so Salisbury Playhouse and Salisbury Arts Centre are doing just that. Following the first Theatre Fest West last year, Salisbury Playhouse and Salisbury Arts Centre have joined together to expand the range of events on offer to include comedy, dance and film as well as theatre. Alongside local Salisbury-based companies, acts will be travelling from as far away as Penzance for the three week festival. Find out more about all the events happening across the two venues in this special digital magazine or explore the venue websites: www.salisburyplayhouse.com www.salisburyartscentre.co.uk
Image: My Baby Just Cares For Me
Top Tips From Salisbury Playhouse 1. Be sure to experience the amazing Theatre Jukebox playing stories in the Playhouse foyer from Tuesday 2 - Saturday 6 April. It’s free! 2. Be adventurous – why not try a show that you wouldn’t normally see? 3. Catch Tin Rocket at Salisbury Arts Centre. We love Niki McCretton’s work for young people and are really looking forward to her new show for adults. 4. Don’t go hungry during Theatre Fest West! Visit the Encore café at Salisbury Playhouse from 9.30am for a cup of tea and delicious homemade cake.
From Salisbury Arts Centre 1. Book early and send a dedication to someone you love for Love Letters Straight from Your Heart. 2. Flick through this brochure, land on a random page and book for whatever you find there - the arts world is full of lovely surprises! 3. Catch The Boy at the Edge of the Room at Salisbury Playhouse. Forest Forge is one of our favourite companies and you’ll doubtless see a couple of us there! 4. Treat your youngsters to Ready or Not by Commotion Dance and top off your day with special lunchboxes from the cafe.
www.salisburyplayhouse.com
01722 320333
Image: The Last Post Image: Thomas Brooman www.salisburyartscentre.co.uk
01722 321744 Image: Pottery by Bea Alabaster
People Like You Friday 8 March - Sunday 14 April Open Tuesday - Sunday 10am - 3pm People Like You is a partnership between LinkUpArts, Disability Arts Online and Salisbury Arts Centre. It addresses experiences and perceptions of disability and features work by South West artists including Gini, Sue Austin, Liz Crow and LinkUpArts. Gini told us a bit more about the exhibition: Can you tell us about the title and your title piece for the show? First offered to me by a man who followed it up with “should be taken out and shot”, ‘People Like You’ is an enigmatic phrase made even more interesting by social media trends. I wanted to “say it with grab rails” because they are everywhere, often taken for granted, and they have become almost invisible. I chose Shocking Pink to counteract the drab, unisex nature of the paraphernalia of disability.
What else can visitors expect to see? Sue Austin’s spectacular film of her adventures and challenges in the underwater wheelchair for ‘Creating the Spectacle!’ Liz Crow revealing the hidden realities behind the public life of many disabled people with the deeply personal expose, ‘Bedding Out’. And my life-size figures beginning to assume rather strange shapes as they reflect the essence of Con. Text conversations… Plus of course, people like you.
Find out more>>>
www.salisburyartscentre.co.uk
Image: Sue Austin ‘Creating the Spectacle’ (click to view video clip)
Salisbury Arts Centre 01722 321744
Fear of Music Monday 25 & Tuesday 26 March, 7.45pm
Up In Arms Written by Barney Norris Directed by Alice Hamilton Designed by Carys Rose Beard With the support of Out of Joint: www.outofjoint.co.uk Luke is the first in his family to go to university, and he’s determined to stop his irritating fireball of a brother from following in their father’s footsteps by joining the army. Packed with beautiful observation and outrageously good jokes, this is a brilliant burst of a play from up-and-coming young writer Barney Norris in which two boys with starkly different futures, surrounded by mixtapes, guitars and ambitions, discover how easy it is to get lost in a country that doesn’t look after its own.
“That most poignant of cocktails; youthful hope mixed with youthful disillusionment. See this memorable, touching, unsettling, occasionally funny and thought-provoking play now” Daily Telegraph
Book tickets now>>>
www.salisburyplayhouse.com
Salisbury Playhouse 01722 320333
My Baby Just Cares for Me Tuesday 26 March, 8pm My Baby Just Cares for Me is a warm and funny show about a daughter’s love for her father. We caught up with Full Beam Visual Theatre Company to find out more: What’s your favourite thing about being based in the South West?
Vibrant, international-quality performance is made and shown here, and you can take the dog for a long walk too.
What’s the most interesting thing about Full Beam Visual Theatre?
Perhaps the fact that we are very eclectic. Puppetry has always been a signature part of the mix, but our work includes site specific and one-to-one experiences as well as studio shows. Where did the inspiration from the show come from?
Through this we became excited by the potential metaphors in the lifting and supporting the body of another that both forms require. We had been talking about personal experiences of care and family dynamics, and felt that the two would be an interesting combination. We’re looking forward to the “upside-down physicality” of the show. Do you have a favourite moment in the performance?
There are lots of funny moments, and some beautifully poignant ones too, but if I had to pick one I would say it was the bit with the Morris Minor. It gets me every time.
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We spent our Rehearsal and Development period exploring aerial performance and puppetry, both of which can allow a body to fly above the stage and achieve the seemingly impossible.
www.salisburyartscentre.co.uk
Salisbury Arts Centre 01722 321744
The Elves and the Shoemaker Wednesday 27, Thursday 28 & Saturday 30 March, 2.15pm Suitable for 3 - 7 year olds Following the success of The Enormous Turnip, Stuff and Nonsense, Salisbury Playhouse’s associate company returns with The Elves and the Shoemaker. Niki McCretton told us a bit more about the show: Lots of people are familiar with the story but how have you brought it upto-date? We worked with children in the initial research & development and found what we liked and didn’t like about the story. They didn’t know about shoemakers shops – hardly any exist and they didn’t like two old people being poor at the end of their lives. I had always wanted the show to be about amazing ideas and creativity – to see your ideas come alive – so the elves were a perfect way for Sam, our lead character to have his imaginative shoes brought to life. We set it in modern day, in a block of flats and Sam sells his shoes on his website.
www.salisburyplayhouse.com
What do you think makes great theatre for young people? Intelligent storytelling and characters that they can relate to. I think they enjoy the out of the ordinary and make imaginative leaps that adults can’t do. What do you enjoy most about producing theatre in the South West? There is a strong network of great venues and I like not having to live in an urban area to create work. What type of shoes would you like the elves to make for you? Tough choice – shoes that leave grass growing wherever you step or shoes that can make you hover and zoom about when you want to.
Book tickets>>>
Salisbury Playhouse 01722 320333
Word:Play Wednesday 27 March, 7.45pm One word, six new plays. Box of Tricks launches the first crossregional Word:Play, championing the next generation of playwriting talent in the North West and South West of England. Six emerging playwrights – three from each region – rise to the challenge of writing a 15-minute play inspired by a single word! The Bears by Luke Barnes: The three bears return from a walk in the woods to discover an intruder in their home. A modern retelling of the classic fairytale for broken Britain. Plastic Figurines by Ella Greenhill: Rose has looked after her brother Michael all his life, but now when he needs her most, she is powerless to help. Exodus by Natalie McGrath: Stella returns home after 12 years away. As she stands alone on Dartmoor, the past comes flooding back. The Globe in the Attic by Becky Prestwich: Sibling relationships are tricky enough without being on separate continents. But when their mother falls ill, will Lou and Oscar reconcile their differences? Nights with Dolly Henderson by Bea Roberts: In a quiet Torquay kitchen, Rose and Dolly meet as the waves of the sixties’ revolution begin to lap at the shores of the English Riviera. This is Only a Test by Tom Wainwright: Rob’s about to become a father, and it’s about time he passed his driving test. Can unlikely fairy godmother Donna help him become a ‘real’ man?
“A launchpad for top quality new talent” British Theatre Guide
Book tickets now>>> www.salisburyplayhouse.com
01722 320333
Hijack Open Mic Thursday 28 March, 5 - 7pm
Hijack offers a truly local event, giving young people living in and around Salisbury the opportunity to perform in a professional venue. The stage is open to young performers, from musicians to poets and comedians, aged 13 - 21 who would like to showcase their talent. The event is completely free to attend. If you or a young person you know would like to perform, please email ellie@salisburyarts.co.uk or turn up early to grab a slot.
Email Ellie now>>>
www.salisburyartscentre.co.uk
01722 321744
Whose Title is it Anyway? Thursday 28 March, 11.30am - 5pm Theatre for Young Audiences:UK are hosting their second South West event at both Salisbury Arts Centre and Salisbury Playhouse. The event is for South West theatre makers to come together and explore how to meet the needs of programmers and companies when producing new work. Enjoy a lively mix of performance and debate on how the region can best create, produce and share theatre with a wide audience appeal. Tickets include entry to the performance of The Elves and the Shoemaker at Salisbury Playhouse.
Book tickets now>>>
www.salisburyplayhouse.com
The Boy at the Edge of the Room Thursday 28 March, 7.45pm Forest Forge Written by Richard Conlon Directed by Kirstie Davis Designed by David Haworth Music by Rebecca Applin Choreography by Junior Jones Puppets by Max Humphries ‘He was not like other boys…He did not see the world through the same eyes as us” A boy called Tony struggles to fit in and find his place. He has a different way of looking at the world and longs to retreat to a place where he can be ‘’nothing more than small and far off’. Those surrounding him have little patience for his dreams, with the exception of his mother who will do anything to ensure his happiness. When a mysterious ‘dealer’ offers Tony the chance to make his dream come true, his mother must face a future without him, and the audience is forced to confront an unsettling and moving ending. The Boy At The Edge of the Room is a fairytale for adults, inspired by Lucy Clifford’s 1882 story Wooden Tony. It focuses on a character who displays many of the classic traits of those on the autistic spectrum. It is a beautiful and moving examination of difference and acceptance, brought to life through song, movement and puppetry. The Boy at the Edge of the Room is kindly supported by: Frank and Elizabeth Brenan, The Austin and Hope Pilkington Trust, David Solomans Charitable Trust
Book tickets now>>> Salisbury Playhouse 01722 320333
Barnstormers Comedy Friday 29 March, 8.30pm Salisbury Arts Centre’s monthly comedy night returns on Friday 29 March with a Fest West twist. Normally we take three great comedians from the London comedy circuit, add a hilarious guest compere and there you have it. This month, in a special Fest West edition, the Barnstormers Comedy team have searched far and wide for the best South West comedians. The evening will be compered by Southampton Comedian Paul Redwood and will feature Jimmy Carr Comedy Idol winner Colin Owens. “A comedian who’s star is set to shine brightly” The Guardian on Colin Owens “Genuinely Brilliant” Jimmy Carr on Colin Owens “Impossible not to like” Russell Brand on Colin Owens
Book tickets now>>>
www.salisburyartscentre.co.uk
Salisbury Arts Centre 01722 321744
FREE Live Lunch with Patrick Duff Saturday 30 March, 12noon - 2pm Bristol-born Singer Songwriter Patrick Duff was the lead singer of the alternative Rock band Strangelove. After Strangelove he travelled the world performing solo as part of WOMAD Festivals before returning to the UK to release his first solo album. The album that followed was described by Patrick as “a synthesis of some of the music that has shaped my life – stuff like Disney soundtracks, The Beatles, The Kinks, Bob Dylan, Nick Cave and Johnny Cash – it all went right into the heart of me and came back sounding like this”. With such diverse influences having shaped his music, we can’t wait to hear his exciting live set as part of our regular Live Lunch programme.
Have a listen to Patrick Duff on MySpace>>>
www.salisburyartscentre.co.uk
01722 321744
The Snow Baby Saturday 30 March, 11am Soap Soup For children age 5+ years Wrapped up in a snowy smother, Grandnonny Des and her Bear man fall in love. But that is just the beginning of the story. When the storm comes and Des’s Bear man disappears, how will she cope alone on a hill plagued with nothing but bad weather and a cloud of hungry crows for company? This is a love story. This is a story of castles in the air, of weathering the storm, and dreams coming true in the most unexpected ways. Beautiful tabletop puppetry, imaginative storytelling and funny bits! Be swept away by Soap Soup Theatre’s first solo show, performed and devised by Tomasin Cuthbert.
Book tickets now>>>
www.salisburyplayhouse.com
01722 320333
Frankland and Sons Saturday 30 March, 7.45pm Frankland and Sons is a true story created by three generations of the same family about children, parents and falling in love. We put our questions to Tom Frankland to find out more about the performance: Where did the idea for Frankland & Sons come from? In 2006, my Auntie Barbara passed away, leaving my Dad and I to inherit a suitcase full of letters written by his father to his mother between 1921 and 1946. The idea of making a show together came as an excuse for Dad and I to sit down and spend some time reading the letters and (for me) discovering grandparents I never knew. As we read the letters, we were struck by how beautiful they were - romantic and poignant... and very funny. We also discovered a family secret that had been kept hidden and the show gradually became less about the letters and more about that. How did you find the experience of devising a show with your father? Working with Dad has been an absolute joy. As a drama teacher and director in Cornwall, Dad has a fair amount of experience, but the last time we worked together was on Bugsy Malone over 20 years ago! Coming into a rehearsal room with him was really exciting - at first I thought I would have to be gentle with him, but straight away he raised the bar and was up for trying anything, so he’s been a really generous person to work with. And it feels very natural to work with him (hence the title of the show, to reflect the idea of a family business)... if we were grocers or farmers or most other professions, it wouldn’t be unusual at all...
www.salisburyplayhouse.com
What can the audience expect from Frankland and Sons? They can expect reminiscing and some extracts from the letters but also a lot of Pythonesque silliness. And be prepared for some surprises, and dancing which was mentioned in one review as “the least erotic dancing ever seen on the British stage”... which we are very proud of! And a reconstruction of the Battle of El Alamein - performed by just Dad and I. .. How has growing up in the South West influenced your work as a performer? There is a really strong theatre scene in the South West and I was lucky enough to be exposed to that growing up. I was also lucky that in Cornwall there was (and is) a really vibrant amateur scene, so I was always performing in 3 or 4 shows at once while growing up. This has really set the standard that I try to achieve as a theatre maker. I’m also really keen to make sure that we show work in the region and to encourage other artists to do so - it seems that a lot of people still do a U-turn at Plymouth!
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Salisbury Playhouse 01722 320333
You’re Not My Friend Anymore Tuesday 2 April, 11am Shoofly Theatre For children age 3 - 7 years You’re Not My Friend Anymore! is a funny, delightful and poignant look at the ups and downs and ins and outs of friendship. What do you do…. When your friend who makes you happy also makes you sad? When your friend wants to be with you but you want to be with someone else? And can it ever work having TWO BEST FRIENDS? Join Shoofly Theatre in their quest to answer the fundamental problems of being a good friend.
Book tickets now>>>
www.salisburyplayhouse.com
How I Got Here Tuesday 2 April, 7.45pm Salisbury Playhouse’s Out of Joint Writers Academy, Emerging Writers, She Writes and Scriptwriters’ Doo Dah at Salisbury Arts Centre premiere a fast moving evening of pithy and powerful drama. Be the first to witness rehearsed extracts and monologues dramatizing the variety of lives led in the South West.
Book tickets now>>>
Salisbury Playhouse 01722 320333
Theatre Jukebox Tuesday 2 - Saturday 6 April, All Day
The Foyer Theatre Jukebox is an arcade-style cabinet that tells stories in a unique way. Take a seat, slip on some headphones, and watch as each photograph comes to life. Electronic tags hidden inside a selection of cards allow the machine to trigger projection and audio specific to each card. Audience members are invited to choose from the selection of cards and have control over how many and in which order they wish the stories to be played. Each card plays a two-minute sequence. On its own this will give you a self-contained and unique experience, but if you continue, the connections between the cards begin to build a bigger picture and the family hidden within.
Watch a video clip of Theatre Jukebox now>>>
www.salisburyplayhouse.com
Stones and Bones Wednesday 3 April, 11am Squashbox Theatre For children age 5+ years Come on a journey to Ancient Cornwall‌ A land of fiery volcanoes and strange prehistoric creatures, a land of myth and legend, giants and druids, a land of ancient stone circles and mysterious monuments, a land of Stones and Bones. This new show is a marvellous mix of history and mystery! Find out all about archaeology and fossils, say hello to one of your stone-age ancestors, hear stories of giants and wizards, see a volcano erupting before your very eyes, and maybe even glimpse a dinosaur or two. There will be thrills and spills galore, but also lots of laughs, plenty of puppets, songs, slapstick, tall tales and crazy characters.
Book tickets now>>> Click the image below to watch a trailer>>>
Salisbury Playhouse 01722 320333
Tales from the Street Wednesday 3 April, 7.45pm
A Bootleg Theatre Production Four monologues by four different writers, concerning the hazards of after dark existences. Funny, thought provoking & candid. Bootleg Theatre Company is dedicated to new writing and has been touring ‘compilation’ productions for the past three years, as well as working on full length plays.
Book tickets now>>>
www.salisburyplayhouse.com
The Last Post Wednesday 3 - Thursday 4 April, 3pm & 7.45pm
Kilter Theatre Presented in a specially converted van A brand new first class delivery from Kilter’s Mobile Sorting Office is heading your way! The Last Post is a slightly wonky, nostalgic tale concerning the wonderful dying art and etiquette of letter writing. It is presented in a specially converted van (parked outside the Playhouse!) amidst a flurry of flat-pack post-boxes, and accompanied by a specially composed live soundtrack. Places are limited so book early!
Book tickets now>>> Salisbury Playhouse 01722 320333
Tin Rocket Wednesday 3 April, 8pm Niki McCretton Presented by Makin Projects Co-commissioned by Salisbury Arts Centre and Lighthouse, Poole’s Centre for the Arts An evening of comedy, stand up, space travel, fake intervals and scones. “A great comic talent” HRH The Prince of Wales “Niki McCretton’s performance is undoubtedly captivating” The List, Edinburgh ‘What planet are you on?’ is a phrase Niki’s well used to hearing. If you’ve ever felt like you don’t fit in or that The Matrix feels more like a documentary than a work of fiction, then maybe you are on the same planet as her. Niki’s quest to make sense of it all has taken her to Russia to try on space suits, to the USA to interview a man who’s eaten spaghetti on the moon and to Northern Ireland to see how her ancestors managed to go from obsessing about potatoes to running a Speak-Easy in the Broncs. She’s met royalty and strangely Prince Charles thinks she’s very funny. Should she worry? Come and find out.
Book tickets now>>>
www.salisburyartscentre.co.uk
Salisbury Arts Centre 01722 321744
Ready or Not Friday 5 April, 11am Commotion Dance An imaginative and fun performance for ages 3 - 7 years and their grown-ups. Using movement, music and a host of imaginative props, the dancers create a lively playground on stage. This captivating and colourful performance shows children the nature of playing together, making friends and how to share and trust one another as well as encouraging individual play.
Book tickets now>>> Click the image below to watch a video trailer>>>
www.salisburyartscentre.co.uk
Salisbury Arts Centre 01722 321744
The Count of Monte Cristo Friday 5 - Saturday 6 April 7.45pm, plus Saturday, 2.45pm Andy Burden from Company Boudin explains more about the production. What made you want to bring The Count of Monte Cristo to the stage? Many things came together to draw me to this project: It’s a classic story that a lot of people don’t actually know - so I thought here’s a way of presenting the story. When I read it, I was so taken with the intimacy of the entire story in the prison, I thought it was suitable for intimate stages, and spent the rest of the novel seeing a potential stage version. Also the novel was written as a serial in a publication and tends to repeat itself - the second half particularly tends to meander. Whilst that is great for leisurely book reading, it does mean the plot gets a little lost, so it is great to adapt because you can condense the second half. But I am also drawn to anything vaguely revolutionary anything that challenges the status quo, anything where the underdog wins! This is a play about miscarriage of justice and the irresponsible behaviour of those in positions of power. It is very apt for now - it features a corruption in the law, an incompetent banker, and a hero with skeletons in his closet. But it is also about providence and the evil effect money and power can have on people.
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Can you tell us a little about the show? This production follows the timeline of the novel, concentrating on the principle characters and their accountability for their actions. It also uses the drive of the first half of the book - that it is from the point of view of the normal hard working people - and that there is a detached alien quality to the super-rich he mixes with in the second half. That is where the framing device of the factory came from - it is told from the viewpoint of those of us with limited means. As a consequence of it being a trimmed version, we have taken out some of the characters and their storylines - Dantes father, Calderousse etc... We have edited down the actual dialogue and some of the narration in the book and condensed mostly the second half of the novel. The production is full of vitality and dynamic performances from a small cast who work with us to share this epic tale.
What can the audience expect from the show? I think theatre should be engaging and direct - so this will be a punchy, fastmoving production, but we will not lose any of the dramatic quality of the book. We use just 3 actors to play all the parts - and with that set up it is easy to just lampoon the performance, but just as we did in Henry V we will ensure that each scene is immaculately performed taking you into Dumas’ world.
Do you have any tips for young directors in the South West? 1. Don’t give up the day job; there is less and less money in the business so you will need to have another income stream when you are starting out and also because you need to know a little about life. A lot of theatre is still very much about form but I feel a grassroots return to story and character meaning the theatre becomes about real life. Having a job outside theatre is great for expanding your horizons. 2. Be open and be honest - because it’s basically what directing is about 3. Learn about the technical side of theatre. Directors who cannot run technical rehearsals waste time, money and energy... and don’t get asked back. 4. Make sure you know what you want the audience to be feeling as they leave 5. Make your own way - it is tempting to constantly seek approval from the theatre industry - but you have to have your own criteria for success. And remember that if you have a passion for doing something differently, you will tread on a few toes. Be polite, but be yourself. 6. Lastly is advice from the great Peter Brook - make work happen. Find a project, find some actors, find a place, do a show.
Salisbury Playhouse 01722 320333
Film Finale
Sunday 7 April, 7pm
A celebration of years of filmmaking at Salisbury Arts Centre and of the enormous talent that exists within our wider community. Enjoy short films commissioned by Salisbury Arts Centre and those created in house by talented Filmmaking and Animation workshop participants. Come along and support the filmmakers of the future.
Book tickets now>>>
www.salisburyartscentre.co.uk
Salisbury Arts Centre 01722 321744
Cider with Rosie Tuesday 9 - Saturday 13 April, 7.30pm Plus Thursday & Saturday, 2.15pm Everyman Theatre, Cheltenham By Laurie Lee Adapted by Nick Darke Gloucestershire’s Everyman Theatre presents the classic novel of Cotswold life. Laurie Lee’s gentle and beautifully touching story recounts the defining moments of his adolescent life, growing up in rural Gloucestershire between the wars. It recalls glorious outings, frozen white winters, long, hot, hazy summers, tyrannical teachers, erratic family life and, of course, that first cider-fuelled encounter. With the memories of an idyllic but eventful childhood, and a liberal dash of traditional music, you will be transported to Cotswold village life in a not so distant past. Cast includes Susie Blake, whose television appearances include Coronation Street, Mrs Brown’s Boys and The Victoria Wood Show.
Book tickets now>>>
www.salisburyplayhouse.com
Salisbury Playhouse 01722 320333
On the Banks of the Seine Friday 12 April, 8pm Cabaret Vérité A cocktail of gorgeous French chansons (Piaf, Brel, Hot Club to France), sultry Tangos and a wealth of new cabaret songs exploring shopping, politics and picking up younger men! Join Anglo-French Cabaret star and songwriter Bethany Jameson and her award winning Cabaret Vérité quartet for a deliciously nostalgic Cabaret in the old style, with a modern twist. Top off your evening with a French platter and a glass of wine.
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www.salisburyartscentre.co.uk
Join Hoodwink for a Day Saturday 13 April, 10am - 3pm Who is invited to “Join Hoodwink for a Day”? It’s for anyone with ideas, emerging artists/perfomers, established artists/ performers/teachers/students...
What will being part of Hoodwink for a day involve? You’ll have a go at turning ideas/ images/music into a site specific performance event, but you don’t have to be a performer. Whenever we do workshops/projects with children the adults always say ‘I want to have a go’ and now you can!
What’s your favourite thing about being based in the South West? The access to variable and beautiful inspiring landscapes...
What would be your top tips for performers/artists trying to launch a career in the region? Find out what else is going on and see as much work as you can to help you define you....
Book a place>>>
Salisbury Arts Centre 01722 321744
The Art of Adaptation Saturday 13 April, 11am - 5pm Theatre Writing South West Event Open to any writer, this is a vibrant day of practical workshops, talks and discussions. Contributors include Nell Leyshon (Comfort me with Apples; Bedlam), Gareth Machin (Artistic Director, Salisbury Playhouse) fresh from a new version of Golding’s The Spire, Paul Milton (Creative Director, Everyman Cheltenham and Director of Cider with Rosie) and Rebecca Manson Jones (Artistic Director, Just Jones &). Enjoy an opportunity to meet and mix with fellow writers, share projects and create new partnerships. Why not follow with a performance of Cider with Rosie.
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www.salisburyplayhouse.com
01722 320333
Love Letters Straight from Your Heart Sunday 14 April, 8pm Uninvited Guests and Fuel ***** “You can’t help but fall in love with it” Lyn Gardner, The Guardian Let’s raise our glasses to long lost loves, lovers, mums, dads and friends. Love Letters is somewhere between a wedding reception, a wake and a radio dedication show. Uninvited Guests speak of their own and others’ loves - deep, passionate, ambivalent and unrequited - and dedicate songs to them. Join in: book tickets then send a dedication for someone you love, saying what they mean to you and why you chose the music, to info@uninvited-guests.net Book
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tickets now>>>
01722 321744