Sarara Hasan Portfolio 2021

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SARARA HASAN


CONTENTS

1 2

Learn, Create, Repeat museum of arts and design

Origami Chair furniture design

3

NYU School of Photography and Graphic Design

4

Public Goods Flagship Store

college department design

retail store design


learn. create. repeat. museum of arts and design

Interior Design Studio 2 Spring 2020 Individual Project

MAD (museum of arts and design) is a creative space that recognizes craftmanship and focuses on the materials and techniques associated with craft disciplines. The design, acting as an extension of MAD, allows interaction to take place between visitors and artists. This creation of awareness for the process behind art allows for a different perspective. It seeks to open up a new kind of relationship between people and art. Not only do the galleries showcase its pieces but it does so in a way that the display mediums become art themselves. Therefore, the viewers look at art through art, and at the same time become art themselves. It’s a way to change the meaning of art and challenges how it can be perceived. 1


+

+ visitor experiences space, art and each other through the use of vertical circulation

punches/cut-outs through floors achieves connection between volumes as visitors move through it

display mediums.

visitors can get a glimpse through the process of art by moving between artist studios

idea 1 view 1

This panel system creates “frames” of different points of views of visitors moving through the space and becoming a part of the museum experience.

view 2

idea 2

view 1

* elevators provided, that connect to the middle levels, for universal access

artist studio

gallery

artist studio

sequence of experience.

gallery

artist studio

gallery

class room

view 2

This type of partition involves the use of translucent fabric panels installed on a wheel rail mechanism that creates a “disappearing effect” or a “distortion effect”, and so changing the perception of the art and its original/ intended meaning. It can be used as changeable, movable and even as temporary panels.


PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

A

A COAT CHECK

B AUDITORIUM

RECEPTION

B’

B PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

B’

STORE

PRODUCED BY AN AUTODESK STUDENT VERSION

SOUVENIR STORE

AUDITORIUM

GREEN ROOM

STORE

+ 3' CAFE

first floor PRODUCED BY AN AUTODESK STUDENT VERSION

section AA’

A’

second floor PRODUCED BY AN AUTODESK STUDENT VERSION

A’

section BB’


PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

ARTIST'S STUDIO

ARTIST'S STUDIO

STUDENT CURATED GALLERY

PRODUCED BY AN AUTODESK STUDENT VERSION

third floor

PRODUCED BY AN AUTODESK STUDENT VERSION ARTIST'S STUDIO

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

ARTIST'S STUDIO

GALLERY

PRODUCED BY AN AUTODESK STUDENT VERSION

fourth floor

FOURTH FLOOR

CLASSROOM 2

LECTURE HALL

RARE BOOKS

LIBRARY

fifth floor

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION

CLASSROOM 1


panel layouts.

type a.

type b.

type c. - panels can be moved front and back and spun around. - 4’-0” wide panels from center point. - 6” maximum distance between two panels.

panel mechanism.

aluminum

scrim fabric


origami r chair Furniture Design Spring 2020 Individual Project

In collaboration with IKEA, the origami chair borrows Japanese craft and combines it with the functional and accessible approach of a knock down furniture. As part of the commission, we were to design the packaging that the chair came in. For the design of my chair, I was inspired by the art of origami. I incorporated different creasing techniques into the folding of my chair design. The main material being made out of carbon fibre sheets, it is kept upright and sturdy with metal rod stiffeners that could be placed inside the arms. When it is in its collapsed state, it can be fastened and secured with a provided strap and the metal rod stiffeners can be kept safe inside the built in back pocket of the chair. The Origami chair can also be either carried or hung with a built in handle. Easy, manageable and no fuss.

2


INSPIRATION IMAGE

CONCEPT PROCESS ORIGAMI FOLDING TECHNIQUE 1 1

2

4

3

ORIGAMI

MATERIAL ORIGAMI FOLDING TECHNIQUE 2 1

CARBON FIBRE SHEET (WHITE PIGMENT)

PROTOTYPE MODEL

2

3

4


1

2

*REMOVE STIFFENERS

3

4

5

6

7

8

PACKAGING PROCESS


PRODUCED BY AN AUTODESK STUDENT VERSION 19"

WORKING DRAWINGS

1 2"

18"

1 2"

37"

18"

18"

LEFT VIEW 1 2"

18"

19"

1'-7"

37"

TOP VIEW

RIGHT VIEW

19" 18"

19" 6"

19" 14" 37"

37"

18"

18"

FRONT VIEW

BACK VIEW

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

18 21"18"


NYU SCHOOL OF

PHOTOGRAPHY

+ GRAPHIC DESIGN Interior Design Studio 1 Fall 2019 Individual Project

Photography and graphic design both have two things in common; the use of pixels and the art of composition. For the design of NYU’s department of photography and graphic design, I’ve taken the concept of pixels and composition. Each individual pixel has a purpose and expresses a fraction of a whole image. So when they come together, they create a complete image with an entirely different meaning. This makes pixels multifunctional. I’ve taken this idea of multifunctionality and expressed that throughout the various furniture and other interior design elements that I’ve designed for this university. The goal of the design is similar to the goal of a graphic layout, to provide an attractive and comprehensible environment for learning.

3


=

+ PHOTOGRAPHY

GRAPHIC DESIGN

+ PIXELS

COMPOSITION


ng. These courses include inents full immersive studio rentthe creative fields but they have a lot in diting post processing ye, theand use of pixels and the importance of and make them accessible els. Each individual pixel has a purpose and oup ofdocumentary, pixels are joined we see an shing, arttogether, hisnal. Capturing photos as well as designing position is done to achieve balance and a ehensible. The concept for my design follows to incorporate the visual characteristics of elds but they have lotwalls. in I applied the k I chose to place onathe xels andthe thetechnique importance of hrough of designing furniture ual pixel has athan purpose and similar to pixels, used in more one way, e joined we see for an the library doumple, thetogether, sofa I designed hotos as well as designing es are modular and can be joined together to balance and a which can not le isachieve the photography studio, oncept for my design follows otos, but can also double as a classroom so the characteristics of in my design. I is a visual significant material used on concept the walls.of I applied oethe pixels; it the is a group of perfohnique designing furniture attern of and to provide partial transparency. anasone similar to panels, pixels, reflect various wellway, as the mesh designed the library Idouncept of for composition, MATERIALSbased the layout of and can be in joined together even the wiring assembled grid patterns; aphy studio, which not a sense of balrything is laid out to can achieve MATERIALS double as a classroom so of the design is doof a composition. The goal material used in mycomprehensible design. I an attractive and environpixels; it is a group of perforovide partial transparency. mesh panels, reflect various osition, I based the layout of MATERIALS rid patterns; even the wiring t to achieve a sense of balon. The goal of the design is nd comprehensible environ-

MATERIALS PALETTE

MATERIALS

CUSTOM DESIGNED FURNITURE MATERIALS

The bookshelves for the library can also be used as seating and vice versa. The photography studio, can not only be used as a professional space but can also double as a classroom.

CUSTOM DESIGNED PANELS


BASEMENT AXON

BASEMENT

FIRST FLOOR AXON

FIRST FLOOR

SECOND FLOOR AXON

SECOND FLOOR


THIRD FLOOR AXON

FOURTH FLOOR AXON

FIFTH FLOOR AXON

THIRD FLOOR

FOURTH FLOOR

FIFTH FLOOR


---- f l a g s h i p

s t o r e ----

Retail Design Studio Fall 2020 Individual Project

In order to be a part of a world that grows instead of diminishes, the best way to go about it is to extract the inside out. The premise of this project was to create a flagship store for the e-commerce brand, Public Goods. The aim of this retail space is to better understand how we can nurture nature. By introducing sustainable practices and carrying out eco-friendly activities, it will not only help us better deal with our surroundings but will also aid bring out the wellness from within ourselves, which is the main concept of this store. The same biodegradable and environmentally friendly materials from the packaging that is used for the products have been integrated into the materials of which they are displayed on. 4


GROUND FLOOR

CELLAR PRODUCED BY AN AUTODESK STUDENT VERSION

Bamboo wood table White cork flooring PRODUCED BY AN AUTODESK STUDENT VERSION

MASSAGE AREA

Brown cork stairs, cash wrap and chairs

Bamboo wood tables and fixtures

Kitkat Mosaic Flooring

Sugarcane fixtures

Bamboo wood bench PRODUCED BY AN AUTODESK STUDENT VERSION

MATERIALS

Yoga Mat Basket

Portable massage chairs Cork board partition Bamboo wood candle making counter

PRODUCED BY AN AUTODESK STUDENT VERSION

LIGHTING Pendant lighting

GROUND FLOOR RCP Recessed downlight

Track light

CELLAR RCP


A

from the loose fixtures

22. Grabs a bite to eat from the

LOOSE FIXTURES

automatic food counter

1

1

DIGITAL ADVICE STATION

DIGITAL ADVICE STATION

DISPLAY

CASH WRAP

DISPLAY

4

BREAK ROOM

DN

OPEN TO BELOW

DIGITAL ADVICE STATION

N.I.C.

3

AUTOMATIC FOOD COUNTER GROCERIES

PRODUCT EXPERIENCE

HANGING DISPLAY

2

REFILL STATION

N.I.C.

YOGA AREA

CANDLE MAKING STATION

section

4

MANAGER'S OFFICE

55. Signs up for a candle

STORAGE

AUTOMATIC FOOD COUNTER

making session

DISPLAY

CUSTOMER JOURNEY PET PRODUCTS

C

BREAK ROOM

11. Takes a minute to look at some products and fiddle N.I.C.

DIGITAL ADVICE STATION

SEATING

CASH WRAP

DN

4

with the digital advice

OW

22. Heads straight to the pet

5

PRODUCT EXPERIENCE

section to buy treats for their dog REFILL

RESTROOM

DISPLAY

YOGA AREA

3

GROCERIES

5

N.I.C.

STATION

.

N.I.C.

EV

grocery section and grabs food and snacks for their kids

CANDLE MAKING STATION

EL

33. Travels down to the

UP ELEV. MACH. RM.

PRODUCT EXPERIENCE STATION

PRODUCED BY AN AUTODESK STUDENT VERSION

DISPLAY

HEALTH

PRODUCED BY AN AUTODESK STUDENT VERSION

DISPLAY

44. Looks through the health

DIGITAL ADVICE STATION

.

N.I.C.

33. Goes down to get some

DIGITAL ADVICE STATION

UP ELEV. MACH. RM.

experience center to test their recommended products

CAFE

EV

22. Heads over to the product

groceries

RESTROOM

DISPLAY

SEATING

.

11. Uses the digital advice

DISPLAY

PET PRODUCTS

EV

B

2

EL

CUSTOMER JOURNEY

STORAGE

HEALTH

some supplements PRODUCED BY AN AUTODESK STUDENT VERSION HANGING leaving the store

2 MANAGER'S OFFICE

44. Heads downstairs to grab 55. Gets a massage before

DISPLAY

AUTOMATIC FOOD COUNTER

1

33. Sits at the cafe to enjoy their meal/coffee

3

CAFE

EL

PRODUCED BY AN AUTODESK STUDENT VERSION

11. Looks through products

. EV EL

N

CUSTOMER JOURNEY

44. Signs up for yoga class YOGA AREA


6'-8"

Bamboo Wood Block Display Elevated Round Sugarcane Display Shelf

PRODUCED BY

6'-8" 6'-8" 8" 8" 8" 8" 2' AN 8"AUTODESK

8" 8" 8" 8" 2' 2' STUDENT 8" 8" VERSION TOP VIEW

Elevated Round Sugarcane Display Shelf (Varying Heights) Black Metal Bar Bamboo Wood Block Display (Varying Heights)

5'-4" 3'-10"

Storage Compartment (with shelving inside) (Seamless flat panel door)

1" 1'-22

FINISHED FLOOR

8" 1'-4"

8" 1'-4" 8" 1'-4"

2'-3"

5'-4" 5'-4" 3'-10" 3'-10"

2'-3" 2'-3" 1 1 1'-2 " 1'-22 " 2

FRONT VIEW

SPINNING TREE (SPECIALTY LOOSE FIXTURE)

Black Metal Pole Sugarcane Flat Panel

4'-10"

Retractable Metal Bars Rotating Metal Rings

7'

Bamboo Drum Storage Compartment

2'-2" FINISHED FLOOR

1'-8" 2'

FRONT VIEW

PRODUCEDSTUDENT BY AN AUTODESK PRODUCED BY BY AN AN AUTODESK AUTODESK VERSION STUDENT VERSION PRODUCED STUDENT VERSION 1'

6" 2'

PRODUCED BY AN AUTODESK STUDENT V

3"

PRODUCED PRODUCEDBY BYAN ANAUTODESK AUTODESKSTUDENT STUDENTVERSION VERSION

8"

PRODUCED BY AN AUTODESK STUDENT VERSION

GROWING BLOCKS (SPECIALTY LOOSE FIXTURE)


PRODUCED BY AN AUTODESK STUDENT VERSION

FLEXIBILITY A

+

=

FLEXIBILITY B PRODUCED BY AN AUTODESK STUDENT VERSION

1" 10'-112

1' 1'

FRONT VIEW 1" 1' 52 1' 1" 1" 52

TOP VIEW

1" 12'-112

1" 11'-12

6" 1'-8"

1'-8" 10" 3' 1'

1'

1'

4'-6" 9'

2'

1" 12'-112 1 1'-112" 6"

4'

1'

1" 5'-112

1" 5'-112

3'

FRONT VIEW

SIDE VIEW

10'

4' 1'-10"

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

1" 13'-12

1" 11'-12

4'

4' 1'-10" 1"

1'

FRONT VIEW OF COMPLETE FIXTURE

PRODUCED BY AN AUTODESK STUDENT VERSION

2'

1'

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION


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