f'aces ALICE TAMBURINI W
O
R
K
S
Alice Tamburini
f’ f’aces
aces
f’aces
This catalogue has been written to recount
and promote a series of works painted in the past two years by the artist: the outcome is like a short flm on a meaningful and intense part of her recent artistic production. As it often happens, works of art come from an inner itch, a necessity, a generative and not foreordained drive which is beyond any specifically designed project. And yet, when we kneeled down (all the canvases were laid on the foor of her studio) and embraced them with our eyes, we realized that we were faced by a vast multitude of people, true and diverse, whose silence was only a mere illusion. From the density of those silent stories, a narrative fil-rouge was unfolding, striking a vibration which sparkled every single one of those faces, of those figures, and us, along with them. Each one of them holding more questions than answers and aiming for the contagion; so that whoever they ran into, would be wrapped in their anticipation and wonder.
f'aces has been tought out and created as to
highlight the emotional impact when seeing the works of art, presenting them with the utmost prominence, and the most accurate reproductions that digital technology provides us with, so as to reach a vast, but also, selected audience. Every single work has been reproduced as to give an idea of its real size. All the details can be found on page 86. Some of them can be paired, others can be assembled at one’s own will. The words, the verses, crossing the space of this catalogue, do not intend to add anything to the paintings themselves, if not another key, another viewpoint from where to make out the blurred and powerful meaning of this work.
Alice Tamburini
f'aces
Alice Tamburini Works
f'aces is the first project by Ettore Mildwin Art and thus represents, in its happening, a sort of poetic and aesthetic statement for the future.
With this work we would like to honor all those doctors and paramedics which in these months have been giving Italy and the world a stunning example of sacrifice and generosity, way beyond all expectations. A most profound thought goes to those who, during this Pandemic crisis,have passed onto the back of the canvas away from the sight of their loved ones.
with all our heart
credits WORKS | alice tamburini – details page 86 WRITINGS | daniele vignatelli - details page 88 WORDS FOR ALICE | morena cecchetti, page 90 and 95 TRANSLATED BY | angela lombardi with the collaboration of the project manager GRAPHIC AND LAYOUT | barbara chang kuala lumpur malaysia PHOTOS | antonella caravita, alberto dradi maraldi, roberto pietro pezzolati, jonas severi, roberto turci, daniele vignatelli PROJECT MANAGEMENT | ettore mildwin art SPECIAL THANKS TO | alessandra amaducci, sabrina bonopera, adal comandini, roberto di camillo, anita pavolucci, sebastiano severi, luca vespignani, simonetta zoffoli. PAPER | fedrigoni arcoset fsc BOOKBINDING | legatoria berti forlì italy PRINTED BY | MDM forlì italy PUBLISHED | first release october 2020
f’aces Alice Tamburini
index f'aces | 07 works index | 86 writings index | 88 indispensable painting | 90 biography and rewards | 91 exhibitions | 92 ada | body art performance | 95 what's next | 98 get me some f'aces | 99 ettore mildwin art | 100
Alice Tamburini
f’aces
f’aces
ALICE TAMBURINI E
R
E
W
E
G
O
to Rachele, Anita and Pietro
s ce
H
’a
s e c a ’ f .
’ac
. f
f ’ a c e s
f’aces dea was mother to me and dea here I find you once again
08
no fury or dense color can destroy the sense of our being further, further you are and there you wander looking for rest and young questions that distance now that I cannot bridge is ripping off my arms and making mire of me.
(Note: “Dea” in Italian is both goddess and a female first name)
09
Alert
Alice Tamburini
f’aces
11
Prague
scales of mirrors hanging on waters and on people you may later try who you really are no one knows like a faraway wolf veiled and surefooted proceed you do no smell nor print has eased your capture we remain distant invisible to the wind and no one dare
12
take pride in this.
f’aces
for years we remain invisible to ourselves, oblivious to the excesses of the light
13
Dresda
Alice Tamburini
f’aces
15
Budapest
f’aces
16
John has never really believed in any of his starts in a syllable of a thousand.
17
Lisbon
Alice Tamburini
f’aces
19
Europe
it owes flesh to the bone and realizes late what it furrowed always has love ousts you from the knot, takes you far into deep waters so it was that we started working on the consequences.
20
f’aces
love is ferocious trade, little it margins
21
Eze
Alice Tamburini
f’aces
23
Nairobi
f’aces it is molecular chaos that of the history of mankind a surmounting of frauds honest mistakes at times or at times just giving grace to the despair of the moments
24
skilled enough to climb onto the shoulders of the world to that level of nitrogen where any clarity dissolves actors and preachers are stretching their arms today to indicate else we all had a perfect plan but not for long while the peaceful display of vegetables was turning into a deadly virus every little gesture every reflection of it to put the heart back where it belongs.
25
Arad
Alice Tamburini
f’aces
27
Sendai
Nara
the flee of the stars did leave behind a smell of containers to the herds of taxis eyes I raised to the taken distances holding breath into my fist I asked for an address and ended out in the mouth like a September wound too no heartbeat can truly be swallowed by the sky of skies.
28
f’aces
no silence can touch a man’s heart and not wither it
29
Xian
Alice Tamburini
f’aces
31
Shenzen
f’aces no bridges for us just research always for a suitable spot a possible crossing to devise the path ahead when ahead nothing else is but a wet stone
32
the current is sized by the time of being puzzled on the shore of a new and unavoidable jump and then its blind voice chanting of the afternoon its psalm just for those few who did choose not to be many chaste the night descends with its hollow sense of resignation that inner slackening of future to head dreaming the missing passages to the final roll call would have to make do.
33
Mali
Alice Tamburini
f’aces
35
Ostenda
Arles
only the immanence of a pure dynamic balance a perpetual coin cast in a prayer to our chewed-up destinies that opening seems a sacred orbital delirious flap while instead it marks the center today that stones are falling on us and no usual backing we have that enchantment would solve the Major Arcana.
36
f’aces
the sense of a compass high in the dance of the dervish nothing near
37
Banff
Alice Tamburini
f’aces
39
Bethlehem
f’aces
40
leaking silences is the fountain by the patio explaining peace to those willin’ to listen a flying moon floating above its unharmed gravity weighing down a faraway music and that hint of a dance is guarding us trapped in our eyes the night we said let us leave few are the things we truly lose and when the desert cries out loud again your heart open.
41
Damascus
Alice Tamburini
f’aces
43
Ankara
44
f’aces
They came for him one evening just before his lemonade could drink the moon but Henry had already left.
45
Berlin
Alice Tamburini
f’aces
47
Sofia
f’aces
48
there I go again rendezvous with the awkward and the coarse grain of the skin that drowns and redeems you I do rediscover the unintelligible idiom of the divine discharging on the ground the dreadful stuffing life from heaven to heaven and yet, I am that pulp I am the opposite end of this dream consigned to be here then lifted.
49
Thebes
Alice Tamburini
f’aces
51
Faenza
Alicante
52
f’aces
when all that has been said is bogged in our ferns I can solely recite the cormorant dive.
53
Helsinki
Alice Tamburini
f’aces
55
Ragusa
f’aces they were digging on the hunt for something more important a higher value worth the strain of busting lungs breaking nails
56
the black soul that would have swallowed them in a mouthful of fire petty every heat every gaze every trickle or light obscene the position mankind had taken protecting the shakedown that would have buried it.
57
Argon
Alice Tamburini
f’aces
59
Oslo
and when it blazes everyone scrapes up their chances lowers the voice and floats scorching is this freedom of pure oxygen of being the one in a thousand to be melted in the skin like when you place your hands to collect water under a spring and the mountain drowns you.
60
f’aces
we call life what is left of these embers since utterly unable to control the fire
61
Oniipa
Nouakchott
Alice Tamburini
f’aces
63
Scutari
f’aces I am addressing the invisible horse grazing behind me saddled as for a long journey I had never given free rein to the heart has eaten up raging gallops in your mind as you were chewing patience
64
in those rare evenings when our eyes locked and a hint of breeze sufficed to make us brothers but between us just the distance of a breath and lazy flies in tonight’s awakening I seize no mercy not even a spell you are the never squandered strength the next power and layer of beauty.
65
Lima
Alice Tamburini
f’aces
67
Kiev Kiev
Cuzco
night recoils into the basket bent by the solid gestures of dawn ridding hesitation and sheltering with light our fragile hideaways if I look in the distance I see no durations and the unsafety belt is moaning what's turning in the potter’s wheel is tender clay a hollow vase never been yet
68
to the father’s right hereto a son but to his left just silent volume some ancient head an abundant neck may I surrender to the next landing.
f’aces
I sway in this body of flesh and iron subtended to the cautiousness of anxieties
69
Dheli
Brixen
Alice Tamburini
Ma f’aces
71
te
ra
f’aces we all come from water abundant water we are the dry residue of all that water being born was drying a place stop floating in darkness living would have been then endless reclamation
72
saving a sod from the mud a piece of land to stick perhaps some wheat in hard work indeed seeds prayers in you curses draws from the heart cracks the skin on your knuckles who does not know how to use a wheelbarrow knows or soon will learn the risk of carrying junk and debris for a long, long time.
73
Ljubliana
Alice Tamburini
f’aces
75
Amalfi
perhaps with the intent of disquieting perhaps just to say it is too late and peace on its knees silent is my stature attending that progression that rosary of every inertia something succumbs sharpening its hands it produces a rustle I call life
76
f’aces
instants as vast as horizons where invading forces are gathering silently
77
Rome
Alice Tamburini
f’aces
79
Tallin
f’aces a multitude of trifles are clutched to the cold of my words when in your eyes I lose track of the story I dare not to settle
80
so great and immense is the fatigue cramming up in the texture of my howls every time the rage silently flees underground I wear it the best I can and teach my children to walk may the storm which dries skin and bones lift the downbeat from this heart and upbeat lightly onto my love drawing down few ambushes in a handful set of notes.
81
Sirmione
Lucca
Alice Tamburini
f’aces
83
Johannesburg
descends along its own fate has no words knows no silence shines from the East saws its own shroud becomes itself when betrayed in the mirror chants naively and tortured confesses
84
epic farse dragging itself to reign this is what’s left this is life.
f’aces
holds onto the blow
86
f’aces
sizes in cm (W x H)
p9 ALERT
50x60, mixed technique on canvas, 2012
p11 PRAGUE
120x90, mixed technique on depracell, 2018
p13 DRESDA
80x60, mixed technique on canvas, 2018
p15 BUDAPEST
70x100, oil on canvas, 2018
p17 LISBON
80x100, mixed technique on wood, 2018
p19 EUROPE
80x140, mixed technique on wood, 2017
p21 E'ZE
70x50, mixed technique on canvas, 2012
p23 NAIROBI
45x45, mixed technique on wood, 2019
p25 ARAD
65x95, mixed technique on wood, 2018
p27 SENDAI & NARA
45x45, mixed technique on wood, 2019
p29 XI'AN
20x21.5, mixed technique on wood, 2018
p31 SHENZEN
18.5x20.5, mixed technique on wood, 2019
p33 MALI
140x60, mixed technique on wood, 2018
p35 OSTENDA & ARLES
25x25, oil on wood, 2018
P37 BANFF
25x25, oil on wood, 2018
p39 BETHLEHEM
25x25, oil on wood, 2018
p41 DAMASCUS
138x60, mixed technique on wood, 2018
p43 ANKARA
25x25, oil on wood, 2018
p44 BERLIN
65x95, 25x25, oil on wood, 2018
Alice Tamburini
f’aces works index
p47 SOFIA
25x25, mixed technique on wood, 2018
p49 THEBES
14.5x40, mixed technique on wood, 2018
p51 FAENZA & ALICANTE
26x36, mixed technique on wood , 2018
p53 HELSINKI
25x25, mixed technique on wood, 2018
p55 RAGUSA
25x25, mixed technique on wood, 2018
p57 ARGON
25x25, mixed technique on wood , 2018
p59 OSLO
25x25, mixed technique on wood, 2018
p61 ONIIPA & NOUAKCHOTT
25x25, oil on wood, 2018
p 63 SCUTARI
25x25, mixed technique on wood, 2018
P 65 LIMA
30x15,mixed technique on wood, 2018
p 67 KIEV & CUZCO
25x25, mixed technique on wood, 2018
p69 DHELI & BRIXEN
58x114, mixed technique on wood, 2019
p70 MATERA
153x60, mixed technique on wood, 2019
p73 LJUBLIANA
25x25, mixed technique on wood, 2018
p75 AMALFI
25x23.5, mixed technique on wood, 2018
p77 ROME
137x34, mixed technique on wood, 2019
p79 TALLIN
100,5x34, mixed technique on wood, 2019
p81 SIRMIONE & LUCCA
33.5x34, mixed technique on wood, 2019
p83 JOHANNESBURG
45x45, mixed technique on wood, 2019
87
f’aces
writings index 88
p8 DEA
may 2019, Santarcangelo di Romagna, Italy
p12 IN THIS
may 2019, Zhenzhou, China
p16 JOHN
april 2020, Forlì, Italy
p20 CONSEQUENCES
november 2016, Shanghai, China
p24 THE HEART BACK
november 2016, Paris, France
p38 SEPTEMBER WOUND
november 2016, Beijing, China
p32 CHASTE THE NIGHT
october 2018, Seiser Alm, Italy
p36 THE MAJOR ARCANA
march 2019, London, U.K.
p40 LET US LEAVE
april 2019, Forlì, Italy
p44 HENRY
april 2020, Forlì, Italy
p48 THEN LIFTED
april 2019, Forlimpopoli, Italy
p52 DIVE
april 2020, Forlì, Italy
p56 OBSCENE THE POSITION
july 2019, Frankfurt, Germany
p60 WE CALL LIFE
september 2019, Fano, Italy
p64 THE INVISIBLE HORSE
september 2017, Milano, Italy
p68 SWAY
february 2019, Beijing, China
p72 ALL THAT WATER
april 2016, Forlì, Italy
p76 A RUSTLE
september 2019, Lesignano de'Bagni, Italy
p80 TRACK THE STORY
december 2017, Atlantic Ocean
p84 WHAT'S LEFT
july 2019, Moscow, Russia
My writings see the light on a very specific day, in a very specific place. And then, they grow,
away from me, invisible: they struggle to exist once more. It is a process which, for its most part, happens far from the light. But then, when the time is right, I quietly open the drawer and count the survivors. And for those, in the months ahead, a constant tormented process of filing, torching, shearing and use of any other tool for cutting and conforming will take place. And that process will cease simply out of tiredness or deadline but not completion. That, which will not be lapsed, will eventually be written. As for this writing goes, well, it is entirely accidental. Others should have produced the words that would have rolled down next to Alice's work, but that did not happen and thus someone just had to do it. I hope I have done it well enough, 'cause optimum is the enemy of good.
89
f’aces
indispensible painting 90
ALICE ABOUT HERSELF
Let me begin with the eyes. I paint loneliness in search of a name. My paintings have no titles until they identify with someone, until they find a body. From being characters they become people: the unexpected adjustment of an object to my wish, quoting Roland Barthes. They take shape from oil and acrylic colors, from wallpaper; they are cut, torn, washed and repainted, darkened and dug out again. They are just as complex as the personalities they will inhabit. They would want to check up their double, carefully sizing it up and at last abandon the painting. They ask not to be painted any longer, they want to become flesh: retreat from the portrait, become people. Alice is a name that carries wonders with it. And yet, not always: my first painting when I was at the Academy was called Envy, a painful and screamed-out blackness. Now, exactly as back then, painting is unavoidable/indispensable/needful. With time it has taken almost a circus quality, while maintaining loneliness and fierceness.
Alice Tamburini
(curated by Morena Cecchetti)
biography & rewards
Alice Tamburini got her diploma from the Istituto Statale d’arte in Forlì in 1990, to graduate seven years later at the Academy of Visual Arts in Bologna. At the age of 5 she decided to show her drawings to Maria Pasini Morigi, a painter from Cesena, asking her to show them along with those of the artist in a one-man-show Maria was preparing for the city of Badia Prataglia. The day after Maria Pasini Morigi told her that her drawings were highly appreciated, and it was right there and then that Alice decided to become a painter. Her first exhibition took place in 1990, at the XC Pacifici Hall in Forlì. During that time Alice found the perfect space for her studio, an amazing old tobacco barn in the town of Gambettola, where she stayed for 20 years. At the Academy of Visual Arts she met Enrico Lombardi, an artist she defines as her mentor, and with him, participated in many prestigious art exhibitions. In 1995 she came in 3rd place at the Biennale Arte Romagnola held at the Palazzo del Ridotto, Galleria Comunale d'Arte in Cesena, and in 1999 she received an award, as a young painter, given to her from the city of Cesena. From 2002 to 2010 she had to slow down on her artistic production due to the birth of her three
children, but from the year 2013 she fully resumed her activity, counting among the several collaborations she has had, galleries from Florence (Spazio d'Arte and Galleria Merlino); Ferrara (Palazzo Scroffa) and Venice (Art Studio). Some of her works have been shown at International Art Fairs in the States, such as in 2018 NYC The Armony Show and L.A. Art Los Angeles Contemporary, in 2017 New Mexico Art Santa Fè, Colorado Art Aspen, Washington Seattle Art Fair and Chicago Art Expo Chicago). In the Summer 2018 she went on a journey of research and Body Painting performance with her daughter, which took them to Italy and France. In October-November of the same year she took part in Paratissima, in the group-show Base Milano and in the Caserma La Marmora in Turin, I.C.S. section with her own hall. In February 2019, during the Art Fair in Bologna, she organized a one-man show called “Autonomia” at the Off, and in the same month she was part of a theatre act with a body painting performance. In March 2019, in the city of Forlì, she had a one-man show at the Galleria Artistica and Banco. In May of the same year, she organized another solo show called “Origins of the visible” at the Galleria dell’immagine in Rimini.
91
1990 1991 1992
f’aces
exhibitions
One-man show, “Caleidoscopio”, Forlì Group show, Sala XC Pacifici, Forlì Group shows, “Presenze”, Sala del Comune di Gambettola (FC) and, “Arte viva”, Rocca di Senigallia (AN)
1993
One-man show, “Forlì Arte, Palazzo Albertini, Forlì Group show, Sala XC Pacifci, Forlì Collaboration with the ‘Compagnia del Serafino Teatro d’Ombra’
1994
Group show, Castello di Bazzano (BO) One-man show, Castello di Sorrivoli (FC) Group show for Video Music and “La differenza”, Chiesina dell’Ospedale in Meldola (FC)
1995
One-man show, Sala Comunale in Faenza (RA) “Biennale d’arte romagnola”, she won the 3rd award, Palazzo del Ridotto, Cesena (FC)
1998 1999
One-man show, “Ultima generazione”, artists from the end of the Millennium, Cesena (FC) One-man show, Stella di Pegaso, Rimini Award for the painting “Kaleidos”, Palazzo Ghini, Cesena FC)
2000 2001
“Arteria”, Colonia Veronese, Cesenatico (RA) Group show, “Istinto collettivo”, Galleria L. da Vinci, Cesenatico (RA) Group show, Palazzo del Ridotto, Cesena (FC)
2003
One-man show, Endas, Cesena (FC)
Alice Tamburini
92
2004 2007 2008 2013 2014
One-man show, Galleria ex Pescheria, Cesena (FC) Collaboration with the art and literature publication “Graphie” One-man show, Galleria Il Vicolo, Cesena (FC) One-man show, Galleria ex Pescheria, Cesena (FC) One-man show, “Ortica”, Bologna Group show, “Crocevia”, Castello di Sorrivoli (FC)
2016 2017
One-man show, Darsena, Cervia (RA) One-man show “Sguardo periferico” Palazzo del Capitano – Bagno di Romagna Art show “Art Santa Fe” New Mexico (USA) Art show “Art Aspen” Colorado (USA) Art show “Seattle Art Fair” Washington (USA) Art show “Art Expò Chicago” Chicago, Illinois (USA) Art show “Art San Diego” San Diego, California (USA) Art show “Texas Contemporary Art” Texas (USA) Art show “Sofa” Chicago, Illinois (USA) Art Expò Chicago – Illinois USA Group show “In direzione ostinata e contraria” Simultanea – Spazio d’arte – Florence Group show “ infinito silenzio” Art Studio – Venice Group show “Pensiero infnito” Spazio porpora – Milan Group show “Origine” Art Studio Venice Group show “Arte e Colore” Galleria Merlino, Florence Group show, International Art Galleria Merlino, Florence Group show Galleria Mentana, Florence
93
f’aces
2018
2018 The Armory Show New York (USA) Art Los Angeles Contemporary L.A. California (USA) One-man show “Paratissima” Turin Italy
2019
2019 One-man show “Forme dell’imprevisto” Galleria Artistica – Forlì Performance Ada Bosy Painting, with Roberto di Camillo and Sebastiano Severi (cello) Lugo Theatre “Paio’z” show One-man show “Autotomia” – OFF Bologna One-man show “Origins of the visible” – Galleria dell’immagine, Rimini Performance “Origins of the visible” del visibile” with Roberto di Camillo and Sebastiano Severi – Galleria dell’immagine, Rimini Group show - Galleria Artistica, Forlì
Alice Tamburini
94
ada
body painting performance
(Atto D'Amore / Act of Love) Alice considers body painting an archaic ritual referring to its primordial origin. Along with her in this performance, we can see the dancer Roberto di Camillo and the cellist Sebastiano Severi. Unfolding a narrative that, like an umbilical cord, ties the three artists, the creative work becomes visible and comes alive.
95
f’aces
The blend of these three different artistic languages creates a captivating performance reminding the audience of ancestral emotions: Roberto di Camillo, an eclectic dancer of rare sensibility, by donating his body to the painting, successfully gives movement and sculptural quality to the work of art, wisely supported by the cello of Sebastiano Severi, who gathers and unites the diverse forms of expression-.
Alice Tamburini
96
97
The performance, about 40 minutes long, unfolds through a body-painting action on a dancer who, gruadually, gains life and motion. The music supports the gestures and the creation, thus becoming itself a performer, up to the evocative and lasting end.
f’aces
what’s next ALICE'S FUTURE MOVES (curated by Daniele Vignatelli)
Asking Alice about her future projects is like questioning the clouds. She states that research is unpredictable, and that her work is nothing else but the outcome of mistakes, overlays, absences and excesses. There is no project, no trajectory. It is a constant wandering, where mistakes can either be welcomed or cursed, or maybe both, but in the end it is them, the mistakes which bless us with their unexpected beauty. “My work is just the natural expression and conseguence of my life, my paintings are the diary of what I live, fear, love, find and push away. I react to life with endless experimentation, I throw onto the canvas and then, I work in order to remove; I do not always use a brush but often a rag. I paint non stop, like in a vertical dance, in the midst of all mixed feelings and everything is tied up. In the months to come, after this refolding season, I will definitely search human contact with the public, emotions and new performances, as well as ideas and collaborations with other artists, perhaps in nature. I hear a strong call towards a (re)birth, nature, the earth, metamorphosis and any other kind of transformations.” Yes indeed, we will hear of her.
Alice Tamburini
98
get me some f'aces
What you must know when you are interested in purchasing one or more works. 1. The actual price can be enquired by writing to: art@ettoremildwin.works Re: f'aces. You will receive a fully updated Price List indicating the works still for sale. On the price of the work of art, ecofriendly packaging and/or crating, as well as air shipment (incoterms FOB) will be included. Customs clearence and transportation to the collector's address are to be arranged and paid by the collector itself. In case of no delivery required, the collector should specify it and the cost will be deducted. 2. The works of art will be sold supplied with its Certifcate of Authenticity signed both by the artist and Ettore Mildwin Art CEO. 3. All reproduction rights are expressely not included.
How does the sale work? 1. The collector, once he/she has seen something of interest, must send a request to Ettore Mildwin Art, which will soon confrm if the painting is still available and the updated price, as specifed before. 2. Once the buyer confirms the interest to buy, Ettore Mildwin Art will send an Order Confirmation, the buyer must read and send it back signed, along with 50% down payment. 3. Upon receiving the down payment, Ettore Mildwin Art will organize the shipment, binding customs clearence upon payment of the remains.
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100
Ettore Mildwin Art intends to be revolutionary in terms of the assessment of the works of art, the distribution channels and the use of the profts. Since it is a Beneft Company, it is responsible for promoting artists from all over the world, even those particularly disadvantaged, and produce projects which can substantially contribute to the social and environmental wealth of our Planet. At last, for the entire lifetime of this catalog, Ettore Mildwin Art will support projects of reforestation in Africa by the NGO Reseda (resedaweb.org), by donating 10% of its net revenues.
CEO and f'aces Project Manager ---- Daniele Vignatelli | art@ettoremildwin.works | +39 348 7208254
f’aces
Recently born from an intuition of Daniele Vignatelli, this newco aims at commercially promoting worthy contemporary artists, who haven’t achieved the much deserved space and fame, and yet capable of generating in the founder sensibility, emotional landslides and meditative tides, enabling something to happen. Its mission is to create symbiotic relationships between contemporary art, communication or marketing projects and socio-environmental issues, both locally and globally.
ettore mildwin art Art is not a pose but a fight against the hand struggling to drown you down (from 'Scotta', Tradizione e Tradimenti | Niccolò Fabi)
s e . c f’ac a ’ f es
es ’ac .f
Alice Tamburini
and the sole wetted law I see, livid, returns my gaze from the shadow I perceive.
