M AY 2019
E n g l i s h | N °4 8
G I RL WIT H THE PE A R L E AR R IN G
The painting
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J A N V E R M E E R : G I R L W I T H T H E P E A R L E A R R I N G 1642, Mauritshuis Den Haag
GIRL WITH THE PEARL EARRING
D e a r R e a d e r s o f s i sterM AG May has begun and the beautiful painting »Girl with the Pearl Earring« serves as our insiration for the new sisterMAG issue. No matter whether you know the history of Vermeer's painting or not, the girl's vulnerable gaze has been copied a thousand times and reproduced in countless collages, products as well as being used in film and literature.
painting is shown. Maybe the museum's Vermeer exhibition of 1995/96 is partly responsible for the painting's posthumous world fame. Our new fashion collection takes Vermeer's time as inspiration to provide modern DIY sewn pieces for your wardrobe. Next up the section »Pearl Earring«. It has been much discussed in the art world and science, whether the jewel in the painting really can be a pearl – too big, too expensive or the wrong reflections in the painting were only a few arguments being used. We don't care! We like the pearl as fashion accessory for this summer and first explore its origin and production. With our partner Thomas Sabo, we finally immerse ourselves deep into the world of jewellery and show the most beautiful pieces for all sorts of occasions! A real spring awakening!
It is for this reason that this issue of sisterMAG proposed a challenge for our team: We wanted to create an inspiring and exciting issue that does not play upon what has been seen a thousand times. We want to discuss new aspects of this painting and not allow ourselves to get carried away by the kitschy-grotesque reproductions of this painting. We hope that we succeeded! As usually you'll find this issue to be divided in three sections. In the first one we talk about the painting itself and interview the curator of Den Haag's Mauritshuis Museum, where the
If you study the painting you'll definitely notice the turban that seems to dominate great parts of the canvas in its intense blue and 3
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yellow tones. The turban is indeed a fascinating subject. For centuries it has captivated artists and fashioninterested people. First interest in oriental fashion throughout Europe arose during Vermeer's times because of the Turkish wars. In her article »Bathers and Odalisques in the Works of Ingres«, Julia Laukert explains how turbans and wrapped headdresses were used as exotic stylistic devices in art until the 19th century. And it continues on today! Even if we use it more as an exotic fashion statement (see hairstyle tutorials starting on page 122). The last section focuses on the Netherlands. The home country of the baroque Dutch painter Jan Vermeer should not be ignored,
Thea & SISTER-MAG.COM
of course. Robert Eberhardt explains in his treatise how a whole decade went crazy about art during the so-called »Golden Age«. Then Eliane Roest takes us to The Hague in her Digital Ladies Travel Feature. Whether it is a cute coffeeshop, concept store, or Instagrammable
museum:
she has all the important tips for a daytrip to this trendy city by the sea. The colours, the shapes, the way the oil paint is breaking due to its texture – all these aspects have inspired us to produce sisterMAG issue 48. If you want to laugh a bit, you can stop by our Pinterest board, where we have collected the best collages as well as the craziest blossoms of the hysteria that this painting has started! We are always looking forward to your feedback – via email, Instagram or Facebook!
the sisterMAG Team 4
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TABLE OF CONTENTS S I S T E R M A G # 4 8
03 08 10 PAGE 42 – INTERVIEW WITH MAURITSHUIS DEN HAAG
224
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22
EDITORIAL CONTRIBUTORS OF THIS ISSUE REGISTRY OF DOWNLOADS IMPRINT
– T H E PA IN T IN G – THE YEAR 1665 What happened in the year that Vermeer painted the »Girl with the pearl earring« FASHION COLLECTION: MEMORIES OF RUSSWURM Seven new patterns, photographed in Thuringia at an old mansion
PAGE 22 – MEMORIES OF RUSSWURM – FASHION COLLECTION
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THE LOCATION »RUSSWURM-
42
INTERVIEW WITH THE MAURITS-
50
FROM PORTRAIT TO NOVEL TO
PAGE 200 – DIGITAL LADIES TRAVEL THE HAGUE
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SCHES HERRENHAUS« in Thuringia
HUIS IN THE HAGUE We talk to curator Lea van der Vinde about Vermeer and his art
FILM The painting »Girl with the pearl earring« as inspiration INSPIRED BY VERMEER Delicious cakes by German baking blogger »Backbube«
– PE A RL E A RRIN G –
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FROM OYSTER TO EAR
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SPRING AWAKENING
114 122
Info Feature about pearls
WITH THOMAS SABO THE GIRL WITH … The most important summer accessories trends in 2019 MODERN TURBAN The girl … inspires our hairstyles with scarves
136 PAGE 64 – CAKES AND DESSERTS INSPIRED BY VERMEER'S COLOURS
THE TURBAN IN ART HISTORY Bathers & Odalisques in the works of painter Ingres
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PAGE 122 – 5 HAIR STYLES INSPIRED BY THE PAINTING
STARTUP-SPOTLIGHT: WHAT3WORDS An address system for the world, built on 3 words per location
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TRAVEL FEATURE – IN THE OMAN AS WOMAN A travel feature and insights into a fascinating country
174 186 200 212
– N E T H E RL A N DS – THE DUTCH GOLDEN AGE How a whole century of generations went crazy for art CLASSIC DUTCH RECIPES Recipes from Klara & Ida DIGITAL LADIES TRAVEL: THE HAGUE A classy but trendy city near the beach STARTUP SPOTLIGHT: JORA DAHL Online shop for special plant collections, seeds & modular planting plans
CONTRIBUTORS S I S T E R M A G # 4 8
Text Barbara Eichhammer
the-little-wedding-corner.de Alex Kords
kords.net Julia Laukert Elisabeth Stursberg
@lizziemariees Lea Becker
lea-becker.net
photo & Video Oh Hedwig
@oh_hedwig Sebastian Jauregui
@howreggee Francisco Jauregui
@franja54
FOOD Markus Hummel | Backbube
@backbube Britta und Svenja | Klara & Ida
@klara_and_ida
Eliane Roest
@elianeroest sisterMAG Team
Mirella Sidro
illustration Beth Walrond
@lela_djehuti
@bethwalrond
Robert Eberhardt
Nadine Batista Santos
@rob_eberhardt
@nadinebatistasantos
Eliane Roest
@elianeroest sisterMAG Team
proof
translation
Amie McCracken
Alex Kords
amiemccracken.com
kords.net
Ira Häussler
Ira Häussler
Alex Kords
Christian Naethler
kords.net
@iamvolta
Christian Naethler
sisterMAG Team
@iamvolta Michael Neubauer sisterMAG Team
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M AY 2019 G I R L WI T H T HE PEAR L EAR R I NG
Evi Neubauer
pinterest.com/evin Hürriyet Bulan
botanic-art.de
Hair & Makeup Franziska Dominick
@franziskadominick E n g lish | N°4 8
Styling
Maha Hölbling
@maha.hoelbling.mua
THE COVER
sisterMAG Team
PHOTOS Oh Hedwig
MODEL
MODEL Sophia Werner
@audrey_whoo Kira Sergejew
@aspiralist Eunice Hariet Baldes
@akosua_unice
Sophia Werner Simone Adams
@frau_mone Sam Vester
@samlevester Mops Bertha
OUTFIT Evi Neubauer
HAIR & MAKE-UP Franziska Dominick
@berlinpug
C O V E R -M O D E L
PAR T NER OF THE ISSUE You can recognize our partner features through the logo at the top of the page. We thank our partner Thomas Sabo very cordially, because without them this issue would not be possible!
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This time our cover model comes from our midst! Trainee in Project Management Sophia reminded us so much of »the girl« from Vermeer! Therefore, we are so happy that you can not only see her on our cover, but also showing the fashion collection of the issue (see from page 22). On Instagram you can find Sophia at @ audrey_whoo
MULTIMEDIA APPLE PANCAKES
PEA SOUP
SATÉ
VEGAN MANGO COCONUT TARTE
GLUTEN FREE CHOCOLATE MUFFINS
VANILLA LAYER CAKE
47-1 BLUE-GREY PLEATED PANTS
47-2 CHAMBRAY BLOUSE IN BLUE
47-4 WHITE BLOUSE OF FLAME NETTLE
47-5 FOUR-LANE SKIRT WITH BUTTONS
47-6 WHITE WIDE-COLLARED BLOUSE
HOW-TO HAIRBAND LOOK 1
HOW-TO BRAID DELUXE LOOK 2
FREE PATTERN OF THIS ISSUE SISTERMAG48
VIDEOS
47-3 SAND-COLOURED DRESS
47-7 LONG PEPITA SKIRT (COVER)
HOW-TO PACKED BUN LOOK 3
HOW-TO HIGH BUN LOOK 4
HOW-TO TURBAN LOOK 5
GIRL WITH THE PEARL EARRING
S T AY I N T O U C H !
FOLLOW US!
Follow along with our stories and daily news from the sisterMAG office easily on Instagram! You can find magazine content, many behind-the-scenes and snapshots of our contributors. And of course, giveaways, invitations and other exclusive activities can be found on @SISTER_MAG.
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The Painting S E C T I O N
1
V E R M E E R P A I N T E D T H E W I T H A P E A R L E A R R I N G « W H E N » G I R L
the year 1665
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The year 1665
What was happening during the years in which our main artwork for this issue, Vermeer’s »Girl with a Pearl Earring« was created? What was in the news, what was occupying people’s minds, and which developments determined daily life, or not? In our series »The Year X« we want to take a closer look at certain years and fill the numbers with life. All the different areas of life play a role here: Politics and history, arts, meteorology, the public sphere. We reconstruct the historical context of the artwork to paint the bigger picture. In this issue: The year 1665.
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people Text: Elis abeth S tur s b e r g
Sixth February 1665: At St James’s Palace in London, Anne Stuart is born. In that moment, she was not even among the principal heirs to the throne. However, after her father converted to Catholicism and was dethroned as a consequence, and after both her sister and her brother-in-law passed away, it was her turn. In 1702, Anne was crowned Queen of Ireland and England and the unification of the two kingdoms Scotland and England five years later would make her the first Queen of Great Britain. While this was the beginning of a new era, another era was about to end. Since none of Anne’s children could succeed her, she was also the last Queen from the House of Stuart. 15
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HISTORY & POLITICS
Clearly Denmark-Norway is not the only European state in which remnants of the past feudal order were still present. Through several reforms, however, the Kingdom became a political pioneer. For the first time, absolutism was officially enshrined in the constitution, which implied a loss of power of the estates, and the elective monarchy was turned into a hereditary one. What may surprise from today’s point of view is that at the same time, female succession was introduced. Yet, the Kongelov (»King’s Law«) only applied until 1849 and would have been replaced by the time Queen Margrethe II ascended the throne in 1972.
SCIENCE I
Back to London, where the first scientific journal was published on the 6th of March, edited by the secretary of the Royal Society, the Bremen-born Heinrich »Henry« Oldenburg. The title: »Philosophical Transactions« (this was the time when »philosophical« still referred mainly to the natural sciences). The idea behind the journal was to make the results and findings of various researchers accessible to a wider audience, and to promote scientific exchange. It should be mentioned here that at the time, scientific standards and
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methods were still quite divergent. While at one end of the spectrum alchemists were concerned with the question of how to produce gold, at the other end the Royal Society was promoting a strict credo: Valid is only what can be proven in scientific experiments.
HEALTH Still in London, where a medical catastrophe overshadows everything else: The Great Plague. The first associated death was registered in April and from here, the epidemic would be raging for over a year, costing up to 100,000 lives. The total number of London’s inhabitants, according to early and not yet entirely reliable estimates, was somewhere between 460,000 and 600,000.
THE NEW WORLD In North America, England had just won back control over New York from the Netherlands. On the 22nd of June, Thomas Willett was appointed first mayor of the city. He spoke both languages and maintained good connections with representatives of both sides which made him an important asset when he had repeatedly acted as
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a mediator between the colonial powers. His job now was to ensure a smooth transition from Dutch to British rule for the already cosmopolitan, vibrant city.
Neuen Hannoverischen Magazins
NaturE In the 7th edition of the Neues Hannoveranisches Magazin (published in 1797), which combined reporting from a range of topics such as economics and guilds to »ethics and pleasant sciences«* from the past decades, there was mention of
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a »terrible whirlwind« which struck the city of Hannover on the »7th Julius«. According to the testimony of an eye witness, it was a storm that »sends the linen spread out to be bleached flying high up in the air, higher than the towers of the city […].«
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SOCIETY & PUBLIC SPHERE If you want to spread news, how do you go about it in 1665, were there newspapers? The first weekly newspaper-like medium, Relation, had indeed been published for 60 years in Strasbourg. And it would not be long until the first daily newspaper appeared: 1650 in Leipzig. Despite these forerunners and even though single sheets with news delivered to subscribers by so-called ÂťnovellantsÂŤ had been common practice for some time, the industry of newspaper publishing and distribution was on the verge of a historical upswing.
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SCIENCE II The British researcher Robert Hooke focussed on how plants work and how they were built – and finally, finally he had a breakthrough when he discovered the plant cell. His discovery was all the more exciting because his principal working device, the microscope, had itself just been invented.
PERFORMING ARTS In France, the Sun King was reigning with pomp and grandeur. He had acquired a liking for the ballet and in September, he attended the premiere of a new play. »L’Amour médecin« was a cooperation of the composer
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Jean-Baptiste Lully and a former jurist, Jean-Baptiste Poquelin, who had recently reoriented his career and under the name Molière would become a classic of French theatre.
ARCHITECTURE & POLITICS
Richelieu
On the square behind the palace in Berlin, construction works for the Old Marstall began. The Electoral Palace was not yet the official royal residence, but the original medieval structure had since been turned into an impressive Renaissance building with surrounding colonnades and decorated gables. It had, however, suffered from the Thirty-Year War which was why the Elector Friedrich Wilhelm decided to have the palace restored. It would also not be long before the famous architect Andreas SchlĂźter would do his magic, updating the building to the tastes and needs of Baroque high society.
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m r u w s Rus MEMORIES
O F R U S SW U R M
For our May 2019 issue, we set out to achieve a very special goal. For this we ventured to the RuĂ&#x;wurm manor (RuĂ&#x;wurmsches Herrenhaus), in the Breitungen municipality of Thuringia, where many centuries have inscribed themselves in the washed-out sandstones, weathered half-timbered beams, worn steps, and soot from the Thirty Years' War. In this historical setting, we staged clothes made of chambray and nettle, reminiscent of pieces from Vermeer's paintings. What might surprise you is that each creation is suitable as an IT piece in your modern DIY wardrobe!
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S I S T E R M A G
D I Y
F A S H I O N C O L L E C T I O N
Photos: Oh Hedwig Dresses: Evi Neubauer for
@sistermagpatterns
Hair & Makeup: Franziska Dominick Location: Russwurm Manor
in Schmalkalden/Breitungen
Model:
Sophia Werner 23
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Memories through the echoes of time
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e We love this blouse cut: As the lower form of the shawl collar, the upper collar and lapel of this angular spade collar are seamlessly connected. The collar is therefore not only attached, but also cut to size with the blouse SUBSCRIBE OUR N EWS L ET TE R These patterns will be available in our new @sistermagpatterns shop from June 1. Subscribe to our newsletter and get your discount code as soon as it is released!
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F R E E PAT T E R N OF THIS ISSU E
48-3 Dress made of Chambray
The dress is made of Chambray, also known as batiste. The fabric is characterized by differently coloured warp and weft threads, which give the fabric an extraordinary shine.
Our cut is defined by a deep skirt part below the waist. With puffy sleeves and a low V-neckline, it is both modern and a little flashback to past eras.
D O W N L OA D PAT TE R N
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The nettle blouse is put on at the collar cuff and falls loosely. It can be tucked into the lower part but also worn casually over narrow trousers. Pay special attention to beautiful details like buttons when it comes to blouses. We found our vintage buttons at the market.
v-4 White Nettle Blouse SUBSCRIBE TO OUR N EWS L ET TE R and find this pattern from June 1 st in our shop
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Memories of past days
GIRL WITH THE PEARL EARRING
A quick favourite in the wardrobe: the fourway skirt with button placket. Crafted out of rough textile, it can be easily washed and is a go-to for both leisure and business appointments!
48-5 Four-way Skirt SUBSCRIBE TO OUR N EWS L ET TE R and find this pattern from June 1 st in our shop
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Because white blouses don't have to be boring: Our cover blouse is an absolute eyecatcher with a super-wide collar, ruffled sleeves, and pearl buttons. Combined with narrow trousers, it can be fashioned as a business blouse. Or you can combine it as we do with a heavy, long Pepita skirt for a Prada-esque look. ;)
48-6 White Blouse with Pearl Buttons SUBSCRIBE TO OUR N EWS L ET TE R and find this pattern from June 1 st in our shop 35
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48-7 Long Pepita Skirt SUBSCRIBE TO OUR N EWS L ET TE R and find this pattern from June 1 st in our shop
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THE LOCATION
RUSSWURM MANOR The RuĂ&#x;wurm manor once served as the centre of a knight's estate for its aristocratic inhabitants. Although time has somewhat eroded the original grandeur of the monument, it still maintains its historical substance. Author and friend of sisterMAG, Robert Eberhardt, gives us some insight into the house.
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In 2013 the Gesellschaft Kulturerbe ThĂźringen e.V. maintained the old walls and still supports the historical
preservation of the complex today. The architectural monument, including the courtyard and garden, will be renovated in accordance with the requirements of the denkmalgerecht (monument preservation law) and open to the public during and after the work.
Russwurm Manor
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ARCHITECTURE
The two-storey building was built with massive sandstone walls and a half-timbered construction from high-quality oak beams. Around 1542/43, an extensive new dwelling was constructed around a medieval core, which was extended again in 1606 and at the end of the 17th century. The half-timbered house at the small gable has thrifty ornamental forms, while the main gable is tilted. Above the pointed arch gate there is a sandstone relief plate with the double coat of arms of the von RuĂ&#x;wurm family (a kneeling monk with a book and prayer chain) and the von Urff family (two eagle necks).
The spacious hall on the ground floor boasts a beamed ceiling, a mighty carved pillar of saddle wood from 1606, and a fireplace from the time of construction. SISTER-MAG.COM
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HISTORY
Breitungen was first mentioned in 933 as »Bretinga«. On the left side of the Werra (Frauenbreitungen) there was a royal court dating back to the time of the Frankish occupation. The history of our location began in 1138, when a Henneberg castle estate in Frauenbreitungen, at that time still Königsbreitungen, was mentioned in the possession of the lords of Breitungen. In 1370 a »von Rußwurm« is named as the owner for the first time. Since 2013 the association has organized an annual programme of events including readings, concerts, talks, cafés, guided tours, etc. Guests have included the writers and intellectuals Nora Bossong, Daniela Danz, Martin Mosebach, Hellmut Seemann, Simon Strauß, Erika Tophoven, and Matthias Weichelt, as well as politicians such as Minister President Bernhard Vogel and Member of the Bundestag Gerald Ullrich.
Verein Kulturerbe Thüringen e.V.
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J O I N TH E A S S O C I ATI O N
Mauritshuis
ININTTEERVIE RVIEWW WMIT IT H DE T HME
I INN T DH EE N H HA AG AU GE
J O H A N N E S V E R M E E R T H E G I R L W I T H T H E P E A R L E A R R I N G , 1 6 6 5
Mauritshuis, The Hague
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Curator Lea van der Vi n d e a b o u t Ve r m e e r and his art
The Dutch painting holds a special place in European art history. Therefore, it is time for us to use a real classic in sisterMAG! »The Girl with the Pearl Earring« (1665) by Jan Vermeer is a worldwide-fa-
I N T E R V I E W :
mous masterpiece that we
CA RO L IN KRA L A PP
want to explore in more detail in this issue… With the curator Lea van der Vinde from the Mauritshuis in The Hague where the original artwork is located, we talked about Vermeer and his influence on the art world. 43
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First, a general question: Who was Jan Vermeer and what characterises his style of painting? JOHANNES (or Jan) VERMEER
(1632-1675) ) spent his whole life in his native Delft, a thriving city which was an important centre of trade and industry. His father worked as a silk weaver, inn keeper and art dealer. In 1653 Vermeer married CATHARINA BOLNES - the couple eventually had 15 children, four of whom died young. Vermeer was active as an artist, but like his father he was also an inn keeper and art dealer. He died at the age of 43, leaving his wife and underage children in financial difficulties. A rather sad end to the life of an artist who is now considered, along with REMBRANDT and FRANS HALS , one of the most important painters of the Dutch 17th century. Compared with the output of painters such as Rembrandt and Hals, Vermeer's surviving oeuvre is exceptionally small: only 36 paintings by his hand have been preserved. He must have made more but works of art do not always survive the ravages of SISTER-MAG.COM
time. Vermeer probably worked long and hard on each painting, especially as his technique became increasingly refined over time. He started his career with large paintings depicting biblical and mythological scenes (like »DIANA AND HER NYMPHS« at the Mauritshuis), but soon he began to concentrate on what we call 'genre scenes' - scenes from everyday life - on much smaller formats. He also painted a few cityscapes, the most wellknown being his famous »VIEW OF DELFT« in the collection of the Mauritshuis. An important characteristic of Vermeer's style of painting is the use of small dots of paint to create an illusion of light playing on the surface of an object. After 1660 Vermeer began to use these light effects more sparingly and painted contours in a softer, more diffuse way. It
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Johannes Vermeer View of Delft, c. 1660 – 1661 Mauritshuis, The Hague
was at this point in his career, around 1665, that Vermeer painted »GIRL WITH A PEARL EARRING« .
Who shows the famous painting »The Girl with the Pearl Earring« (1665) and what is its context of creation? No one knows the true identity of the »GIRL WITH A PEARL EARRING« and this will probably always remain a mystery. The model could have been someone from Vermeer's family or inner circle, but this certainly does not need to be the case. The reason her name remains unknown mostly has to 45
Johannes Vermeer Diana and her Nymphs, c. 1653 – 1654 Mauritshuis, The Hague
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do with the fact the painting is not a formal portrait. It is a type of painting that the Dutch in the 17th century called a »TRONIE« , which means »FACE« . These were highly popular study-like paintings that depict heads or faces of certain characters or types rather than recognizable persons. Sometimes these were 'exotic types', which is also the case with the »GIRL WITH A PEARL EARRING« . She is wearing a turban-style headscarf - Dutch girls in the 17th century typically did not wear turbans. Vermeer used
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this accessory to turn his model into an exotic, Eastern figure. Also, the eye-catching, oversized pearl earring adds to the EXOTIC air of the painting. The girls' idealized, beautiful face and her unusual attire lend the picture a timeless, even mysterious character.
How can the work be located in art history: what shaped the period in which Vermeer was an artist? Vermeer’s choice of subject pose and costume for the »GIRL WITH A PEARL EARRING« seems to
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have been inspired by the work of a contemporary artist from the Southern-Netherlands, MICHAEL SWEERTS . We think Vermeer knew some of his paintings. Sweerts painted quite a few bust-length figures with brightly lit faces against dark backgrounds, quite similar to the »GIRL WITH A PEARL EARRING« . These character studies by Sweerts were also »TRONIES« , instead of traditional portraits. However, the artist who really popularized »TRONIES« in Dutch painting was REMBRANDT , who was
already specializing in these types of paintings in the 1630s. He also used anonymous models for his virtuoso studies, which stand out because of their strong play of LIGHT and SHADOW , as well as the eccentric clothing and accessories of the figures.
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Carel Fabritius The Goldfinch, 1654 Mauritshuis, The Hague
Frans Hals Laughing Boy, c. 1625 Mauritshuis, The Hague
Since when is the painting in the possession of the Mauritshuis? Is it exhibited permanently? The painting entered the collection by a 'secret bequest' from the Dutch art lover and collector Arnoldus des Tombe in 1903. He had bought the painting at an auction in THE HAGUE in 1881, where he, together with a befriended art historian, recognized the painting as a work by VERMEER . Nobody else did, as Vermeer was not as famous at that time as he
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is nowadays, so DES TOMBE managed to buy the painting for a mere two guilders and thirty cents, an unbelievable bargain! The painting was already displayed in the MAURITSHUIS in 1881 but has been (almost) permanently on view in the museum since it was gifted to the museum in 1903. The painting was part of the oncein-a-lifetime monographic exhibition of Vermeer's oeuvre in 1995-1996, which was organized by the Mauritshuis and the NATIONAL GALLERY OF ART in Washington D.C. »GIRL WITH A PEARL EARRING« has also been part of a travelling exhibition of highlights from the Mauritshuis collection in 2012-2014, when the museum was temporarily closed for a huge renovation and expansion project. But these were very special occasions when you visit the Mauritshuis in The Hague you can be sure to find »GIRL WITH A PEARL EARRING« at her permanent spot in the museum!
Finally, what other works of art do visitors expect besides Vermeer’s masterpiece in the Mauritshuis in The Hague? The Mauritshuis boasts one of the greatest collections of Dutch 17th century art in the world, housed in a building from the same period. Visitors will find three paintings by Vermeer but also a strong collection of works by REMBRANDT . Other renowned paintings are the »LAUGHING BOY« by Frans Hals, the iconic »GOLDFINCH« by Carel Fabritius and the impressive »BULL« by Paulus Potter. In the intimate museum rooms, you will also find masterpieces by Rubens, Holbein, Jan Steen, Jacob van Ruisdael, Hendrick Avercamp and many, many others. Certainly, also noteworthy are the splendid works by masters that are less well-known, like the female still-life painter Clara Peeters, or a unique flowerpiece by DIRCK DE BRAY.
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I N S P I R A T I O N H U G E A
T H E GIRL W IT H T H E
pearl earring
At the time of its creation, ÂťThe Girl with the Pearl EarringÂŤ was, curiously enough, not famous at all; nowadays, however, it is so widely known that the painting has even made it to Hollywood. We would like to show you how the 17th century painting is adapted in contemporary popular culture.
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The Painting
Text: Barbara Eichhammer
At the time of its creation, »The Girl with the Pearl Earring« was, curiously enough, not famous at all; nowadays, however, it is so widely known that the painting has even made it to Hollywood. We would like to show you how the 17thcentury painting is adapted in contemporary popular culture. Painting as a topos in novels and films introduces questions of intermediality and addresses the prehistory of cinematography. Especially extraordinary: the significance of the eponymous girl, which enables us to renegotiate questions of female muses, gender specific myths of artistic genius and socioeconomic contexts.
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JAN VERMEER, CA. 1665
»The Girl with the Pearl Earring« (approximately 1665) is the most famous painting by Jan Vermeer (1632 – 1675). Nowadays, the Dutch artist ranks among the most significant painters of the 17th century in the Netherlands, the so-called »Dutch Golden Age«. His portraits of women and girls feature depictions of the private, domestic and every day. Vermeer showed his models during quiet activities such as letter reading, sleeping or painting. The »Mona Lisa of the North«, as the painting is also called, presents a girl with a blue turban, exotic dress and shimmering large earring in front of a dark background. The painting seems quite modern, because the girl appears to be interacting with the spectator: She is directly
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GIRL WITH THE PEARL EARRING
gazing at the viewer, while her mouth is slightly open. Ve r m e e r has become renowned for the use of natural light in his paintings: He could create contours with light and shadows alone. Whether it is the luminousness of the girls’ lips or the shimmer of the pearl, Vermeer could animate inanimate objects with his techniques of natural light. The turban and pearl were read by art historians as signs of Orientalism. They reflect the Dutch interest of Oriental culture after the Ottoman Wars. Turbans were popular fashion accessories in Baroque times. Unknown about the painting is, who the eponymous girl was. She could have been
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a paid model, a commissioned work or Vermeer’s employee. Art experts assume that the image is rather a »tronie« (Dutch for »head« or »facial expression«). In Dutch Golden Age painting, tronies were a form of genre painting: It was a portrait-like character study, with which the artist wanted to depict allegories or types rather than concrete humans. Today, the painting can be visited in Mauritshuis in The Hague. It gained worldwide fame due to the modern reception during the 20th and 21st century.
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The Novel TRACY CH EVALI ER, 1999
Delft, Holland, 17th century: In her historical novel »The Girl with the Pearl Earring« (1999), American author Tracy Chevalier sketches the fictional story about the mystery, who the girl in Jan Vermeer’s iconic artwork was.
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GIRL WITH THE PEARL EARRING
The biographical novel invents a truly romantic history of origins: While working in Vermeer’s household, 16-year old servant Griet turns out to be the model posing as his pearl earring girl. Thereby, she also discovers her artistic talent: Griet becomes Vermeer’s assistant, mixing his paints and arranging objects into artistic works. There are, in fact, just a few proven facts about Ve r m e e r ’s life. Tracy Chevalier tries to fill these biographical gaps by creating a version of events from Griet’s female perspective. And, thus,
accomplishes a feminist rewriting of art history: The novel renegotiates the well-known myth of the male artist and his female muse. Social circumstances led to a gender-specific dichotomy of the art world: the male artistic genius versus his female muse, the autonomous subject of the artist and his painted object. The first-person narrative, however, lends his female muse an authentic voice and perspective, which was oftentimes silenced, repressed or excluded from art history. Griet is no longer just a male object of the artist’s gaze, which a painter tries to fix on canvas, but a narrating subject. The novel depicts her subjective point of view as model, as artistic talent and muse. A prominent example for wrongly forgotten muses would be sculptress Camille Claudel (1864 – 1943). Though being inspiration for the famous artist Rodin, her talent had always been silenced.
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The Film PETER WEBBER, GB/L 2003
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GIRL WITH THE PEARL EARRING
Because of its worldwide success, Tracy Chevalier’s »The Girl with the Pearl Earring« was turned into an international movie, starring Scarlett Johansson and Colin Firth. In contrast to the novel, the biopic raises interesting questions of (inter-)mediality due to its own media nature as motion picture. With its artful composition, Peter Webber’s film is not only an adaptation of the literary source material, but also a visual reconstruction of Vermeer’s imagery. Everyday events in Vermeer’s household are shown in the film with the help of
scenes that seem to reanimate his paintings. Cameraman Eduardo Serra creates temporary tableaux vivants: He composes elaborately illuminated film images, which themselves appear like Baroque paintings. He barely moves the camera, imitating the motionless aesthetics of paintings. The film cites the most well-known paintings of Vermeer with the help of colours, lighting, interiors, figures and inventory: Objects like the lute, the harpsichord or his studio are iconic references to Jan Vermeer’s paintings. The painting »The Woman with a
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Pearl Necklace« becomes part of the narrative story, »The Milkmaid« serves as visual template for female film figures. The artist’s biography does not only address the genesis of the artwork, but also the history of origins of its own medium. During the first minutes of the film, Vermeer’s nearly
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photographic painting is put in line with photographic media and filmic light techniques. In fact, no other artist has been used as often as an inspiration by cinematographers as Jan Vermeer. Cinema tells its own visual prehistory in a selfreflexive way: from painted picture to moving film image. It is not by coincidence that
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GIRL WITH THE PEARL EARRING
the film stages the figure of Jan Vermeer already at its beginning with a camera obscura and turns the artists into a pioneer of film lighting. With its period detail, the film inscribes itself into the tradition of costume drama or heritage film, of which »The King’s Speech« (2010) or »Emma« (1996) are veritable
examples. Colin Firth starring as the artist, can be seen as self-reflexive reference to the heritage film tradition: Firth became famous in his role as paradigmatic costume drama hero Mr Darcy in the BBC TV miniseries of Jane Austen‘s »Pride and Prejudice« (1995), which laid the foundations of the heritage film boom.
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& ing d ea R s p i T iF lm PAINTINGS
AS
WELL
AS
ARTISTS HAVE BEEN A SOURCE OF INSPIRATION FOR SEVERAL POPULAR
WORKS.
IF
YOU
WANT TO READ OR SEE MORE FICTIONAL
STORIES
ABOUT
ART, YOU SHOULD CHECK OUT THE FOLLOWING:
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GIRL WITH THE PEARL EARRING
Paintings in film & novels camille claudel (1988) Fascinating artists‘ biography about sculptress and oftenforgotten muse of Rodin – Camille Claudel. The film tells the story of her talent and romantic love relationship with Rodin.
frida (2002) Moving biopic about the life of Mexican painter Frida Kahlo (Salma Hayek), whose imagery comes to life in this film in a surreal and fantastic way. Finally, a strong female artist in a biopic (before the 2000s female painters were not often shown in film biographies)!
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Nov Mr Turner (2014) Fascinating film biography about the famous English painter J.W. Turner (Timothy Spall – known from »Harry Potter«). The film shows his revolutionary painting techniques that influenced impressionists. Great for all fans of heritage films.
the woman in gold (2015) After her Jewish family had been dispossessed by the Nazis in 1938 Vienna, Maria Altmann (Helen Mirren) wants to reclaim what originally was hers, especially the famous portrait of her aunt Adele Bloch-Bauer, also known as »Golden Adele«. The painting had been made by Gustav Klimt in 1907. A fascinating story where the history of the painting is artfully interwoven with the filmic present.
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Philippe Bess L’a r r i è r e - s a i (2002)
describes the story behind Hopper’s famo »Nighthawks«. tells about the the red dress w American bar men. He pu question, what happened in thi scene.
GIRL WITH THE PEARL EARRING
vels inspired by paintings gloria goldreich THE BRIDAL CHAIR (2015) Paris, 1935: Famous painter Marc Chagall loves to paint his daughter Ida. When she falls in love with the student Michel, she puts their intimate fatherdaugther relationship at risk. But far worse: When France is occupied by Nazi Germany, the life of her family is in danger. Fascinating historical novel.
son – son
d o n n a ta r t t THE GOLDFINCH
e fictional d Edward ous painting . Besson e woman in who is in an with three ursues the might have is legendary
(2013) A fictional story about a 13year old boy, whose life is turned upside down by the painting »The Goldfinch« by Carel Fabritius after a bomb explodes in the Metropolitan Museum of Art. The novel won the 2014 Pulitzer Prize for Fiction. Thrilling and moving must-read.
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D E L I C I O U S
C A K E S
I N S P I R E D
B Y
O U R
P A I N T I N G ' S
C O L O U R S
Inspired by Vermeer
FO R YO UR SW E E T T O O T H
GIRL WITH THE PEARL EARRING
VEG AN MA NGOC OC ONU T-TARTE
GL U TENF REE C HOC OL ATE C U P C AKES
VANIL L A L AYER C AKE
PH O TO S & R E C I P E S : BAC K BU BE
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F R O S T I N G E L D E R F L O W E R - M A S C A R P O N E W I T H
Vanilla Layer Cake
INGREDIENTS FOR THE CAKE
250 g Wheat flour 300 g Sugar 1 ½ TSP Baking powder ½ TSP
Salt
150 g
Soft butter
1 TBSP Vanilla paste 185 g
Egg whites (around
5 eggs) 230 ml Buttermilk 1 TBSP Sunflower seed oil SISTER-MAG.COM
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DOWN L OA D REC IPE
PREPARATION
1. Pre-heat the oven to 190 C. Line 2 15cm Spring tins (at least 10cm high) with baking paper. 2. Mix flour, sugar, baking powder and salt in the bowl of your mixer. Add the butter in cubes and mix on medium speed using the flat paddle attachment of your mixer. 3. Stir in the vanilla paste for 1 minute, then add the egg whites. Slowly add first the buttermilk and then the oil. 4. Put equal amounts of the cake into your tins and bake for around 35-45 min. Should the cakes get too dark before being done in the middle cover them in tinfoil. Let the cakes cool for 15 minutes before taking them out of the tins and leaving them to cool fully on a rack.
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INGREDIENTS FOR THE FROSTING
400 g
Cream cheese
500 g
Mascarpone
1 sachet Vanilla sugar 2 TBSP Elderflower syrup 200 g
Whipping cream
1 sachet Sahnesteif (a German ingredient that stiffens cream) FOR DECORATING
Blueberries sugar beads
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5. Horizontally slice the cooled cakes in half. 6. For the cream, carefully mix the cream cheese, mascarpone, and vanilla sugar until smooth and without lumps. Add syrup and stir until incorporated. 7. Beat the cream while gradually adding Sahnesteif. Fold the cream into the mascarpone mixture. 8. Alternate layers of cake and cream, finishing with a layer of cream on top. Decorate with blueberries and sugar beads.
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W I T H
D A T E - P E C A N - C R U S T
Vegan Mango-coconut-Tarte
GIRL WITH THE PEARL EARRING
INGREDIENTS FOR THE CRUST
100 g
schredded coconut
125 g
Pecans
150 g
Dates (without stone)
1 TBSP Agave syrup INGREDIENTS FOR THE FILLING
1. Add all of the ingredients for the crust to your mixer and pulse until you have a soft dough. Press the mixture onto the bottom and up the sides of a 23cm tin. Refrigerate for 30 minutes. 2. Peel the mango and put 500g mango and 1 TSP lemon juice into a mixer and puree until you have a smooth, creamy filling without lumps. 3. Put the mango puree into a small saucepan and stir in the Agartine. Bring to a boil and let it bubble for 2 minutes while stirring to activate the Agartine.
1-2
4. Slowly add the coconut milk to Mangos the mango mixture and stir well. (500 g Mango puree)
1 TSP
Lemon juice
1 ½ TSP Agartine (a vegan substitute for gelatine 300 g
Coconut milk
FOR DECORATING
Dates, coconut flakes, mango-jam, puffed quinoa, white sugar pearls
Take off the heat and let cool for 2-3 minutes. Get your crust out of the fridge and pour in the filling, evening it out with the back of a spoon. Refrigerate again for at least 4 hours or overnight. 5. Before serving, garnish with dates, coconut flakes, mango-jam, puffed quinoa and white sugar pearls.
D OWNLOAD R ECI P E
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W I T H
A P R I C O T
F R O S T I N G
Glutenfree chocolate-Cupcakes
GIRL WITH THE PEARL EARRING
D OWNLOAD RECI P E
INGREDIENTS FOR THE BATTER
130 g
gluten-free flour
60 g
Cocoa powder
1 TSP
Baking powder
1/2 TSP Baking soda ¼ TSP
Salt
100 g
Sugar
100 g
brown sugar
80 ml
Sunflower seed oil
60 g Yogurt 2
Eggs (size L)
1. Pre-heat the oven to 190 C. Put tulip cases into a muffin tray with 12 holes. 2. Mix flour, cocoa powder, baking powder, baking soda and salt in a bowl. Set aside. 3. Mix both sugar and oil in a different bowl. Add eggs and stir until smooth. Then add the almond milk and yogurt. 4. Add the wet ingredients to the flour mix and stir until there are no lumps. Then add the hot water – the batter will be quite liquid. 5. Fill your cases about 2/3 and bake for 20 minutes. Let cool on a rack.
120 ml Almond milk 60 ml
hot water
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INGREDIENTS FOR THE FROSTING
220 g
Cream cheese
75 g
Sugar
200 ml cold cream 3 TBSP Apricot jam 1 TBSP Turmeric
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6. For the frosting, mix cream cheese, sugar and lemon juice on medium speed in your mixer. Scrape down the sides of your bowl if necessary. 7. On lowest speed, carefully add the cream before turning the speed up to medium until the cream is nice and fluffy. Add jam and turmeric and mix shortly. 8. Put the frosting into a piping bag with star nozzle and pipe onto the cooled cupcakes.
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Pearl Earring S E C T I O N
2
A B O U T A L L A R E P E A R L S W H A T
from oyster to ear
IN FO FE AT URE PE A RL S
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Text: ALEXANDER KORDS Illustration: BETH
A pearl is a sphere WALROND consisting of various layers of nacre that grows in a mussel for years. Then it’s harvested and normally becomes the eye-catcher of a piece of jewellery. We have a look at what kinds of pearls there are, who cultured them first and which quality features they have.
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It’s quite a bead that Vermeer gave his »Girl With a Pearl Earring«. Because it’s so big, many experts assume that it can’t be a real pearl. The young lady with her simple attire looks anything but wealthy and just couldn’t afford a jewel this size. Instead, it seems clear that it’s an imitation of a pearl made of glass. But what makes pearls so valuable?
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Layer by layer Aside from being simply beautiful, you just have to take a look at how a pearl emerges. It grows inside a mussel where, stretched over several years, one layer of nacre after another is formed. For a long time it was thought that the reason for a pearl to develop is the intrusion of a foreign object that is then locked in nacre to save the mussel. However, scientists now assume that the mussel that lives on the seabed should be able to deal with a grain of sand. If it couldn’t, the bottom of the oceans would be filled with pearls. Instead, it’s highly likely that the development of a pearl is triggered by an injury of the inner mantle of the mussel.
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Pearls from the river and the sea As you can recognise by the different colours, there are several kinds of pearls. In general, there is a difference between freshwater and saltwater pearls. The former grow in the so-called freshwater pearl mussel that once had a big population in Germany. Today, however, it’s critically endangered which mainly is a result of outright hunts that happened from the Middle Ages onwards. You need to know that an oysterdies when it’s opened violently. Since only one out of 2,000 mussels contains a pearl, many people wandered around and killed one mussel after the other. And it didn’t help that illegal pearl hunts were prohibited by the governments in the 16th century and were severely punished – for example, by cutting off one hand. Even though the freshwater pearl shines less than the specimen from the sea, it was used to make wonderful pieces of jewellery for a long time. In the museum Grünes Gewölbe in Dresden, for example, a necklace is exhibited that consists of 177 pearls from the Vogtland.
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New colours ea S th ou S from the From the middle of the 19th century on, the introduction of pearls from the South Sea and Japan in Europe provided alternatives to the white German freshwater pearls. All of a sudden, the beads shone in numerous colours like pink, blue, green and violet! South Sea pearls can even shimmer golden or silver, and Tahitian pearls have a black colour. Initially, hunting for them was even more difficult than for freshwater pearls because divers had to find mussels on the seabed and bring large quantities of them to the water surface. They dove into the depths without a breathing apparatus and were exposed to additional dangers like wild animals and currents. Considering this, it’s no wonder that pearls were a rare and
extremely expensive commodity – until it was possible to culture them. Nowadays, the jewellery industry almost exclusively processes cultured pearls. To get a pearl out of a mussel, the pearl farmer carefully implants a small sphere of nacre and some mantle tissue into it. The chance of the mussel accepting the implant is relatively low; only one out of three mussels produce a pearl. And only ten per cent of them have the quality to reach the market.
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Mikimoto building in Taisho
Pioneer Mikimoto
The Japanese Kokichi Mikimoto is considered a pioneer of pearl farming. When he judged a pearl exhibition in 1878, he recognised that most of the pearls had several flaws. So he targeted the cultivation of the perfect pearl. In 1888, he took out a loan to start his first mussel farm. It took him five years and drove him to the verge of ruin until in 1893, he presented the first cultured pearl.
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Because the public was sceptical, Mikimoto opened a jewellery store in Tokyo and continued working on producing completely hemispherical pearls that are indistinguishable from natural pearls. In 1905, he finally made it. But it wasn’t until the 1920s when business with cultured pearls started to flourish. Despite the increasing competition, the company Mikimoto has been quite successful until today and designed the crown for the winners of the Miss Universe pageants.
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AAA Quality In general, natural pearls are much more valuable than cultured ones. Nonetheless, both kinds have to undergo a quality control to determine their value. However, there is no unified system, which makes things a little complicated. Two scales have come into use: Freshwater and Acoya pearls are rated from AAA to A, South Sea and Tahitian pearls from A to D. Pearls with a relatively low quality get an A (freshwater and Akoya) or a D (South Sea and Tahitian), respectively. The distributor undertakes the valuation of the pearls and is oriented towards several criteria. These include the size, the lustre, the quality of the surface and the thickness of the nacre layer. While these categories can be assessed fairly objectively, the colour and the
form depend on the respective zeitgeist. If it is about pieces of jewellery consisting of several pearls, their harmonic composition is also taken into consideration. Pearls that fail the quality control are usually pulverised and sold to the cosmetics industry. Its companies process the powder into creams that are said to slow down the ageing process of the skin.
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S A B O T H O M A S W I T H
Spring Awakening
PROMO
Models Production Lead S OPHIE SIEKMANN
Text & Production Assistant THERESA BAIER SISTER-MAG.COM
KIRA SERGEJEW EUNICE HARIET BALDES SIMONE ADAMS SAM VESTER MOPS BERTHA
Photos
Flowers
LALE TÜTÜNCÜBASI
BOTANIC ART
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PROMO
well are F TO WI N T E R ! When the days finally get longer again, the first birds start to chirp, and new flowers bloom, we know that spring has arrived.
»PA RA DISE C O LOURS « »MY LITT LE SE C RETS « »I LOVE YO U,MUM« »A R IZO NA C O LOURS « »YO U A ND ME« Jewellery manufacturer »THOMAS SABO« makes this time of year especially joyous. Following the theme of »Spring Awakening«, this sisterMAG issue presents THOMAS SABO's most beautiful pieces of jewellery, which were shot as various flatlays. These we divided into several overarching themes: »Paradise Colours«, »My Little Secrets«, »I love you, Mum«, »Arizona Colours« and »You and Me«. SISTER-MAG.COM
Special thanks go to our models – Eunice, Kira, Simone and Sam – and to Bertha, the pug, who lent us her paws to wake up from hibernation. Berlin's best hand models can be found at Lina and her agency »Handmodel.Berlin«
. And the
best flowers for every occasion? As always,they come from Hürriyet Bulan, owner of »BOTANIC ART«
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BE INSPIRED by paradisiacal colours, unique shapes, and individual pieces of jewellery that couldn't be more personal. 89
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PROMO
PA RA DI S E Colours FEMININE EASE
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PROMO
A JOURNEY TO PARADISE!
Pendant »Dragonfly« | from 339 €
A journey to paradise! THOMAS SABO combines feminine pieces of jewellery with paradisiacal colours and delicate modern graphic designs. The shimmering, iridescent look of genuine mother-ofpearl is present on almost every piece of jewellery in the »Paradise Colours« range. Combined with hip mismatched details, they create a perfect expression of joie de vivre!
PARA D I SE Colours
The handmade pendants and necklaces are creative, boho-inspired, and playful, uniting paradisiacal colours. The mix of these colours, shapes, and cultural influences characterises the THOMAS SABO aesthetic.
As a symbol of lightness, happiness and freedom, our paradise shoot emphasized the dragonfly.
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PROMO
My Little S E C R E TS SYMBOLIC & INDIVIDUAL
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PROMO
What could be nicer than to make yourself comfortable at home from time to time – with the company of man's best friend.
My Little
S ECRETS
Let your thoughts flow and share your little secrets with a little four-legged companion. The »Little Secrets« jewellery range from THOMAS SABO also embodies a feeling of stylish lightness.
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TEXTILE BRACELETS The fine, hand-knotted textile bracelets are available in several shapes and colours and stand out with their individuality. Bracelet sizes can be easily adjusted with a slide fastener. The symbols and colours complement every outfit. Bertha the pug was especially enthusiastic about her charming image and didn't want to leave our sisterMAG studio after the shoot! 97
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PROMO
I L OVE YO U, GIFTS FOR MOTHER’S DAY
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PROMO
The person who shapes us the most and who, at least throughout the first years of our life on earth, probably has the greatest influence on us, is of course our mother. No matter what situation you find yourself in, mum always knows what to do and helps when things get tricky and you struggle to find a solution. She deserves a lot of admiration, which is especially true on Mother's Day.
Pendant »Heart« | 49 €
Bracelet »Little Secret Disc« | 49 €
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THOMAS SABO
Bangle »Love Cuff« | 129 €
offers many different gift ideas for this occasion. Precious bracelets and rings in 925 sterling silver, 750 rose gold gilding or 750 yellow gold gilding make it possible to capture unforgettable moments and convey special messages with a unique engraving.
Whether numbers, symbols, or a special message, such a personal gift will please any mother. And best of all: the engraving at THOMAS SABO is free of charge. Surprise your mother with a personal gift –
there is no limit to your creativity! This is a two-way street, of course. For the mothers among us still looking for a gift for your daughter, you will surely find a favourite among the beautiful pieces of jewellery.
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PROMO
A R IColours Z O NA THIS IS HIM
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Arizona Colours PROMO
Bracelet »Little Secret Vintage Compass« | 39 €
THIS IS HIM
Surely a dream of many men is to cross the Arizona desert by motorbike; to feel free, strong and independent. True to the motto, »Out of the everyday and into adventure!«
Ring »Classic« | 129 €
COLOURS THOMAS SABO offers jewellery suitable for such ambitions, which radiates masculinity, style, and self-confidence, impressing with the highest standard of craftsmanship.
Ring »Skull« | 179 €
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As a personal talisman, the eagle, a fixture of the Southwest American-inspired collection, catches one's eye.
This powerful animal has a mystical meaning: the handmade THOMAS SABO eagle ring, for example, is meant to pass on its freedom, attention, and
vitality to the wearer. It provides concentration and the strength to bear the consequences of one's actions. Which man would say no to such a gift?
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PROMO
YOU and me SHOW YOUR LOVE
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The heart is the world's most celebrated symbol of love, affection, and passion. Centuries ago, many cultures regarded it as the centre of emotion and vitality.
Bracelet »Heart« | 89 €
Bracelet »Together Forever Heart« | 179 € SISTER-MAG.COM
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Watch Unisex »Code TS Yellow Gold« | 239 €
THOMAS SABO offers a wide range of jewellery for lovers who want to show their partner exactly such love and solidarity with a personal piece of jewellery. In addition, THOMAS SABO offers a free engraving service for couples who want to express their love in a uniquely individual way.
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E NG RAVIN G free SE RVIC E
PROMO
FREE ENGRAVING SERVICE
A declaration of love, our motto for life, the initials of loved ones, or the date of a very special occasion: Ideas for a personal engraving are as colourful as life itself. With the wide variety of engraving options that THOMAS SABO offers, including a breathtaking selection of symbols, we can let our imagination run wild. Whether bracelets, rings, or – as a special highlight – THOMAS SABO pendants, in just a few steps we can easily create an individual THOMAS SABO piece of jewellery.
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1
2
SELECT YOUR DESIRED PRODUCT
YOUR PERSONAL ENGRAVING
from the THOMAS SABO online shop . You can tell whether a piece of jewellery can be engraved by the »GRAVUR« flag at the top left of the product image or on the product detail page. You can filter the customizable pieces in the left navigation bar, where you can also choose the engraving theme. Now it's up to you – choose your favourite!
As soon as you have decided on a variant and size for your piece of jewellery, you can click on the button »ENGRAVE ARTICLE«. Now you have the opportunity to create your personal message. Whether your own words, one of the many suggestions, or a combination of the two, THOMAS SABO offers the perfect option for every desire.
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PROMO
3 INSPIRATION If you need more inspiration, THOMAS SABO has just the thing for you with a second option: Under the »INSPIRATION« tab you can let yourself be inspired by a variety of sayings. Select an occasion, your language, and the font, and then choose one of the most beloved texts.
OUR SPECIAL TIP: If you switch to the »INDIVIDUAL« tab after selecting your favourite saying, you can add symbols or other texts – provided there are still enough characters available. SISTER-MAG.COM
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If you want to buy jewellery with engraving directly in a THOMAS SABO shop, you can find all locations in the SHOP FINDER .
4 ALMOST THERE After you have placed your order in the shopping cart, do one final check of the details. If everything looks good, you can place your order and look forward to a very personal piece of jewellery that you will soon hold in your hands. 113
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the girl with... T H E M O S T I M P O R T A N T A C C E S S O R I E S T R E N D S
S U M M E R I N 2 0 1 9
Get your ears, hands and necks ready: These new accessories are waiting for you to awake them from their slumber in a jewellery box so they can transform your summer outfit. Text: Lea Becker Illustrations: Nadine Batista Santos
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es ri so es c Hair ac
… the pearl
„PEARLS MEAN TEARS“? Not in
this case. Proof: these elegantly shimmering fresh-water pearls featuring as a solitaire pendant on silver and gold earrings and necklaces. The modest pieces are feminine and airy and could be worn every day and on special occasions like summer weddings.
But pearls aren’t only for ears and neck: hairclips loaded with artificial pearls are summer’s biggest trend and add a hint of Coco Chanel to every hairstyle. They can be found in every high-street store.
BaubleBar / 48$ 115
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... the braided accessories like bamboo, reed, bast and cork are sought-after materials for decorating homes. The MEXICAN-TREND around Frieda Kahlo, succulents and macramé wall hangings, has reached its colourful peak – so it’s only natural that these materials seep into fashion too. A roomy, 50s-inspired basket bag is a must-have for this summer. Jewellery made from bamboo like a braided, African-style statement necklace is the perfect add-on to match the bag and elevate your outfit. Another idea: Earrings made from natural string with crochet lace and NATURAL
MATERIALS
colourful pearls to complete your Mediterranean beach look. Even CORK looks amazingly modern when set in a gold pendant. . The label to go for? BIJOU BRIGITTE – EXPENSIVE LOOK, AMAZING PRICES
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stradivarius
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... the beach discoveries „Seashell-style“ is the newest, mermaid-inspired trend of this summer. Already popular in the 90s, CONCH ANKLETS and BRACELETS are now staging a comeback. Don’t worry if these remind you too much of cheap souvenirs brought back from a holiday in your teenage days – there’s a grown-up version, too: gold scallop pendants on long necklaces or large snail earrings. If you’re into a look featuring beach findings, check out tortoise shell earrings and big accessories made from horn.
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ALL OF THIS LOOKS FABULOUS WITH THE CURRENT 1960S-FASHION TRENDS.
favourite label? Wald Berlin.
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BaubleBar / 48$
ALL OF THIS LOOKS FABULOUS WITH THE CURRENT 1960SFASHION TRENDS.
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beach discoberies
Thomas Sabo / 39€
stradivarius / 7,99€
favourite label? Wald Berlin.
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... all the necklaces Two, three, four, five?! There can
Label to Watch
never be too many necklaces...
CHAINGANG.
There can never be too many necklaces, LAYERING dainty, fine necklaces with different lengths and structures draws attention to the deep necklines of blouses. Go matching or mix different tones of silver, gold, rose gold, copper and platinum – there are no boundaries! If you’d like to convey a special message, choose different pendants with a similar theme
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for your layers. The current trends are leading us towards harmonious symbols like stars, moons, zodiac signs and planets. For your summer vacation, pick necklaces with different shells, anchors or little boats. And the cool, Berlin-inspired option: namenecklaces and writings like „GIRLPOWER“ , „LOVE“ , „SELF-LOVE“ or „HOPE“ . The best label: Chaingang.
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Very avant-garde: dainty jewellery that winds itself into the shape of a woman’s face or body.
... the two faces
ICONIC / 54â‚Ź
They seem like they were simply bent by hand and welded together. This minimal trend fits right in with modern black-andwhite line paintings of simple faces and feminine curves. Even better: the edgy silhouette jewellery often has a feminist message and often crops up along with messages of self-love, body positivity and girl power on Instagram. Best label: Facets.
Label to watch: Facets
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T H E G I R L . . . I N S P I R E S O U R H A I R S T Y L E S W I T H S C A R V E S
Modern Turban
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Jan Vermeer’s famous painting might be hundreds of years old and the outfit of his »Girl with a Pearl Earring« might seem rather simple, it (and her fabulous headscarf ) inspired us to the following feature: hairstyles involving fabric. If you’d like to try out something new with your hair and you need a break from the regular bun and ponytail, you’ll love these styles! We recorded step by step videos so you can easily follow along. Go get your favourite scarf and let’s get started!
The simple hairband is having a revival in 2019 – knot it in the back or be inspired by Prada like our cover! Hairband: Reser ved Earrings: Reser ved Top: sisterMAG Embroidered velvet top 45/3 (Dow nload pattern HERE)
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Watch tu
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Looks much more complicated than it is: the braid complete with a silk scarf as elegant finish
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Wa tc
Scar f: Mango A bun always works. Our new twist? Wrap it in a scarf (so it’s completely hidden), make a knot at the bottom and voilà: here’s your summer hairstyle! SISTER-MAG.COM
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Earrings: Mango Blouse: sisterMAG 48/1 Chambray Blouse (see page 24)
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rial vide o t o tu
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Every stressful morning’s quick rescue: the high bun! Add a little something special by tying a scarf around it. Get your favourites ready! Scar f: Reser ved
Wat ch
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You’ll need: a hair tie, a big scarf and some hairmanagement skills for this final style: the turban deluxe! This comfortable cover-up lasts for hours and can be combined with all sorts of outfits thanks to different colours and patterns.
Scar f: Weekend Max Mara al de vi
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Earrings: Reser ved Blouse: sisterMAG 48/4 White blouse w ith big collar (see page 34)
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BTS Behind-the-Scenes
Just have a look behind the scenes of our shoot!
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B A T H E R S
A N D
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the Turban
T H E T URBA N IN PA IN T IN GS & A RT
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T E X T:
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M . A .
– the Turban – A turban emphasizes a figure, exudes mystery and attracts attention. In some cultures, headscarves are part of the ensemble of a religious dress code. Elsewhere, a turbanlike scarf is worn as an avant-garde fashion accessory. In paintings or photographs, a portrait with a turban usually evokes a special atmosphere.
French 19th century painters such as JEANAUGUSTE-DOMINIQUE INGRES (1780 - 1867) liked to adorn their protagonists with headdress in order to evoke an »EXOTIC« expression.
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ingres The most famous naked women in art history derive from INGRES ' artistic hands: THE BATHERS and THE ODALISQUES . The only piece of clothing they wear is a TURBAN ; tied tightly around their hair, or loosely draped or majestically decorated. Apart from the obvious sensual nudity, Ingres' headscarves in connection with the posture of the models accentuates the erotic message of his works.
La Grande Baigneuse, 1808, INGRES SISTER-MAG.COM
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la grande baigneuse In the painting »LA BAIGNEUSE« from 1807, the young woman wears such a headdress. It appears to slip away on her dark hair. The loosening cloth provokes a moment of exposure, which continues along her naked breast. The frightened expression on the woman's face automatically turns the viewer into a voyeur – caught red-handed.
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Close, but no less sensual, is »La Grande Baigneuse« (1808, also known as »The Valpinçon Bather«). The intimate pictorial language of the painting is emphasized not only by the room separated by cloths, prominent rear view and closed posture of the model, but also by the tightly tied headscarf.
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La Grande Odalisque »LA GRANDE ODALISQUE« ,
created by the renowned classicist in 1814, shows the turban on the woman's head solemnly staged in comparison to the two previous works. It is com plemented by tasteful pearl hair ornaments. Here the seductive gaze is led SISTER-MAG.COM
downwards along the naked back to further accessories: a fan of peacock feathers, pleated and opulent fabrics, an opium pipe and an incense burner on the right edge of the picture. The odalisque's turban reflects the solemn and self-confident atmos phere of the scenery.
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What is striking about the paintings is that they always feature a similar cloth: a light, striped fabric, sometimes with and other times without fringes and ornaments. The same can be observed through Ingres' great inspiration, RAPHAEL (Raffaello Santi, 1483 - 1520). The Italian High Renaissance painter used the same headscarf on his lover and model, LA FORNARINA , in 1518/1520, which Ingres' odalisque wears three hundred years later. Like the »great concubine«, the baker's daughter in Raphael's painting appears confident and seductive. 141
Fornarina's headscarf is tied in the same way as that of the French odalisque. No wonder, since Ingres knew the work and life story of his idol Raphael very well. He fantasized about both in the painting »RAFFAELLO E LA FORNARINA« from 1814 in the studio of the Italian master. In the background of this painting you can see the famous Madonna della Sedia (1512 - 1514) by Raphael, whose head is covered by a similar cloth. Raphael was inspired by the fashion of the Balzo: turbanlike headwear worn by both women and men of Italy's upper classes. SISTERMAG 48 | 05 / 2019
Jean-Léon Gérôme Cleopatra and Caesar
Ingres' work was also greatly inspired by the fashion of his own time. In addition to peacock feathers, powder trousers, transparent fabrics and incense vessels, turbans were a part of the »À LA TURQUE« trend emerging in the 19th century. THE TURQUERIE describes picturesque oriental images depicting harem women, slaves, horsemen or Arabian horses. Artists such as INGRES, JEAN-LÉON GÉRÔME or EUGÈNE DELACROIX fell for this hype and used the motifs to create arabesque imagery.
Delacroix Cleopatra and Peasant
Interest in the Orient can be traced back to Napoleon's expedition in Egypt (1798 - 1801), the conquest of Algeria by French troops from 1830 onwards, as well as travelogues and literary accounts like the story of The Arabian Nights. Ingres, for example, developed his fascination for the exotic only from stories. He himself did not travel to any Islamic country.
Just how much Ingres was inspired by the idea of a harem can be seen in the painting »The Turkish Bath« (Le Bain Turc), which he painted at 82 years old in 1862. SISTER-MAG.COM
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LE BAIN TURC In this masterpiece, one encounters the familiar nude female figure from the rear view sporting a secured headscarf. But there is also a multitude of other headdresses. The round painting (tondo), which resembles a keyhole, reveals Ingres' oversexualized impression of a hammam. The ORIENTAL PAINTINGS , in which primarily lightskinned ladies with turbans roll around on floors or upholstered furniture, are depictions of pure fantasy. They formed an alternative to the well-known, naked
mythological figures in order to once again legitimately display the female body in an artistic context. The oriental setting, which is accented by Islamic accessories and in which these fantastical performances take place, shows on the one hand the ÂťEurocentric viewÂŤ of the southern and eastern Mediterranean during the 19th century. On the other hand, the works of this period also reveal a strong longing for escape from everyday and social constraints as well as the prevailing, prudish marital morality.
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WHAT3W ORDS
p u t r a st t h g i l t o sp
M A P. W H A T 3 W O R D S . C O M
INDUSTRY LOCATION TECHNOLOGY HEADQUARTERS LONDON FOUNDERS CHRIS SHELDRICK JACK WALEY-COHEN MOHAN GANESALINGAM @WHAT3W ORDS WHAT3W ORDS WHAT3W ORDS
EXPLAIN IN YOUR OWN WORDS THE IDEA OF YOUR COMPANY / PRODUCT? WHAT ARE YOU DOING?
what3words is the simplest way to talk about location. We have divided the world into 3m x 3m squares, each with a unique 3 word address. For example, the front door to our office can be found at ///filled.count. soap. Now, people can refer to any precise
location – a delivery entrance, a picnic spot or a drone landing point – using three simple words. what3words is across four key industries: automobility, travel, logistics and humanitarian. But it is also used by individuals all around the world to discover, save and share places. Our partners include Mercedes-Benz, who launched the world’s first car with built-in what3words voice navigation. Mercedes-Benz, Ford and TomTom drivers can now navigate anywhere in the world by saying three words to their car. Global logistics giant DB Schenker
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has integrated what3words to optimise its last mile operations. Meanwhile, Domino’s Pizza is delivering food hotter and faster to 3 word addresses around the world, whilst travellers are navigating with ease with the help of Lonely Planet’s and Airbnb hosts’ 3 word address listings. And numerous humanitarian partners are using the technology to help people in need: The United Nations has adopted the technology for disaster response and relief, in addition to a selection of British Emergency Services.
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WHAT WA S THE INSPIR ATION FOR YOUR IDE A?
Co-founder and CEO, Chris Sheldrick, worked in the music industry - organising live music events around the world. When bands and equipment constantly got lost trying to find venues and festival locations, it became clear that addressing just wasn’t good enough - and the problem was universal. He tried giving out GPS coordinates, but they were hard for people to input into their car or device, and near impossible to communicate correctly over the phone. Mistakes were easy to make and hard to pick up on until it was
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too late. He sat down with a friend to see if we could find a solution that was as accurate as coordinates - but concise and memorable too. Together they devised a way to turn accurate GPS coordinates into user-friendly word combinations, and the first what3words algorithm was born. HOW DOES FINDING A PLACE OF INTEREST WITH WHAT3WORDS WORK?
what3words is available for free on both iOS and Android app stores, and also online at
map.what3words.com. To find your current location, or a place of interest near you, tap on the ‘current location’ button and move the map to find the exact location you want to share. The 3 word address will appear at the bottom of the screen, which you can share via your favourite messaging service or navigate to using any of our navigation partners. To find the 3 word address of another location, enter the traditional street address and then move the map to tweak the 3 word address. Switching what3words to satellite mode can make this easier too.
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WHAT IS THE DIFFERENCE BETWEEN THE WHAT3WORDS SYSTEM AND OTHER NAVIGATION SYSTEMS? WHAT IS THE ADVANTAGE OF WHAT3WORDS?
what3words is an addressing system, as opposed to a mapping or navigation system. We provide a simple and highly accurate way to communicate location, which can, in turn, be inputted into navigation systems - be them navigation apps, or in-car systems, like Ford’s or Mercedes-Benz’ MBUX. HOW DO YOU FINANCE YOUR COMPANY? HOW DO YOU EARN MONEY?
what3words is free and will always be free for individuals to use. We also have a humanitarian programme that allows qualifying NGOs to loan out technology for free or a nominal fee. For business use, we sell licences for our products including our API and SDKs. SISTER-MAG.COM
HOW DO YOU MARKET WHAT3WORDS?
what3words’ marketing strategy involves working closely with our partners to maximise the noise around the integration. Partners who integrate what3words work with our in-house team to receive bespoke marketing tool kits, assets and access to the full marketing team to ensure the new partnership is a success. It’s key within our marketing to highlight the problems that poor addressing causes, whilst highlighting clear and tangible use-cases for
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what3words. Aside from partner marketing, over the past year, we’ve seen a huge rise in brands using what3words within popular culture. Our technology has been woven into plotlines, including an episode of NCIS Los Angeles, and was used for filming on Ready Player One. We’ve addressed several music festivals, and have been used by big name bands like Imagine Dragons and Mumford & Sons to better engage with their fans with creative, location-based competitions. 149
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WHAT IS YOUR VISION FOR WHAT3WORDS?
Our long-term goal is to be a global addressing standard, so everyone in the world - in cities, on remote islands or even ger tents on the Mongolian plains - has a simple and reliable address they can use whenever they need it. We want deliveries and services worldwide to use 3 word addresses to become more efficient. We want people to use 3 word addresses in e-commerce platforms, food-delivery apps and to list them where what3words can be a standard for locating people in disaster situations, saving lives and making better use of aid resources.
for events around the globe. Jack led the operations of translation company Lingo24 for eight years. During that time, he led its growth from five home-workers to 150+ staff on four continents. At the same time, his passion for quizzes led to him founding QuizQuizQuiz, the UK’s largest quiz event business. Mohan did a PhD at the University of Cambridge on “The Language of Mathematics”, winning the Europe-wide E. W. Beth Prize for outstanding dissertations in the fields of Logic, Language, and Information. On the basis of this work, he was selected as a Research Fellow at Trinity, where he spent six years studying language and cognition.
WHAT DID THE FOUNDERS DO BEFORE WHAT3WORDS?
Chris worked in the music business for 10 years, booking bands and managing production
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HOW MANY PEOPLE WORK FOR WHAT3WORDS IN 2019?
112 spread across five offices.
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Mohan Ganesalingam Gründer & Chief Research Officer
Chris Sheldrick, Gründer & CEO Jack Waley-Cohen, Gründer & Head of Corporate Development
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T R A V E L F E A T U R E A N D I N S I G H T S I N T O A F A S C I N A T I N G C O U N T R Y
In the oman as a woman
T RAVE L FE AT URE
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THE CAR FOR MIRELLA FOR THIS TOUR WAS SPONSORED BY MASERATI OMAN AND MIDDLE EAST
Text: MIRELLA SIDRO @ LELA_DJEHUTI
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A word to begin
For all locations, that Mirella describes in this feature, we've also included the coordinates from what3words (see Startup Spotlight page 144). Try it out and put in the three words at map.what3words.com!
oman
Where in the world is Oman?
This is a question I am often asked, and the first reactions to my answer are quite surprising, if not a bit nervous. According to legend, the country where the famous sailor Sinbad came from is located, together with Saudi Arabia, Yemen and the Emirates, on the Arabian Peninsula, directly on the Arabian Sea.
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ÂťAnd you want to move there alone as a woman for the next few months? Isn't that too dangerous?ÂŤ Well, the answer is short and sweet: NO! Oman is one of the safest countries in the world. As a woman I can move freely and travel alone. When I visited the country for the first time, I knew that this was the kind of place I had longed to visit. Was it the people, the culture, the landscape? Probably a little bit of everything. Above all, I was impressed by the respect for women and openness towards all religions. I am here for the next few months, learning the local language in a private college and wanting to know as much as possible about this wonderful and inspiring culture.
What I can already confirm is that Oman is an ideal travel destination for women looking to find inner peace. This is not difficult in Oman because there are many places where you can recharge your batteries.
The best time to travel is between October and early April, otherwise you're dealing with some extreme heat in the land of incense. 155
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Nothing goes without a car ///stub.incised.intensively
Maserati Levante
We visited our favourite places in an SUV by the luxury brand Maserati Levante. A thank you to Maserati Oman and Middle East.
Photo: Mirella Sidro
Al Bustan Palace a guest of Sultan Qaboos
You don't have to pay much attention here, as you quickly realize that everyday life is not so different from what we're used to. But what is different from many European cities is that here you are lost without a car. It is best to rent a 4x4 SUV. The transportation infrastructure is modern and safe. Even the motorways are illuminated once the sun goes down. Just as in Germany, traffic rules are very important. Some places, for example, only allow for travel with a 4x4 SUV, although the roads are wide enough and paved.
Sultan Qaboos
When stepping through the gate of the palace, everyday life takes a backseat. The scent of Omani incense, known worldwide for centuries and even coveted by the Pharaohs, as well as the imposing entrance hall with its crystal fountain and beautiful chandelier, reflect ///lives.energy.junket SISTER-MAG.COM
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Photo: RCM
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al bustan palace ///florists.misuses.merger
Photo: MCTRZ
Al bustan palace
A Ritz-Carlton Hotel, OMAN rezeption Oman's nature – built from the most precious materials yet refined and stylish. You'll notice that wealth is not openly displayed in Oman. The architecture adapts to nature, remaining faithful to traditional structures without sacrificing modern comfort. The luxury hotel is located on a remote beach about an hour from the airport. Like a shell in which a pearl is hidden, the octagonal building nestles 157
perfectly into its surroundings. On one side there is a wonderfully landscaped garden facing the sea while the other side presents a view of the Al Hajar mountains. The Six Senses Spa offers luxurious treatments and various sports activities. There is a private beach exclusively for women where you can rent private loungers. For me, the Al Bustan Palace is one of the most beautiful hotels not only in Oman, but worldwide. SISTERMAG 48 | 05 / 2019
Souk Mutrah ///shower.crashing.take
If you are in Muscat, you must of course visit a local bazaar! The most famous is SOUKH MUTRAH . If you have been to a bazaar in Egypt or Turkey before, you know that it can be very noisy and hectic. In Oman it's the exact opposite. It is quiet and nobody tries to lure guests into their shop. Photo: Mirella Sidro
The prices are fair and trading is a reserved practice built on respect.
I like to buy scarves, incense and clothes – or fabrics from which you can sew your dream dress. And all this for between 10 and 20 euros depending on your taste. It's best to visit in the morning after around 9 a.m. – before the crowds start to arrive and while you can still find a parking place. SISTER-MAG.COM
soukh mutrah
Al Bahri Rd, OMAN
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My Tip Opposite the souq is the CORNICHE . The promenade runs along the shore and boasts a wonderful view of the harbour, countless small shops and historical houses on the other side of the street. Evenings here are especially wonderful.
MUTRAH CORNICHE
OMAN
Get a freshly squeezed juice from the juice bar right next to the MUTRAH SOUQ and take a walk towards the fortress. You can also marvel at the pristine floor on which you walk, which shines as if freshly polished in the lantern light!
Mutrah Corniche ///advances.crowds.hulk
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soukh mutrah
///shower.crashing.take
Photo: Mirella Sidro
Al Bahri Rd, OMAN royal opera house
OMAN ///cockle.financial.festivals
National Museum The museum is not only for history lovers. You'll also find inspiration in both its exterior and interior architecture. Modernity paired with tradition draws guests into the spell of 1001 nights!
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///lives.en ///caramel.grand.equality
Royal Opera House Opened in 2011, the ROYAL OPERA HOUSE was the first, and for a long time only, opera house in the Gulf States. Surrounded by a garden, the regal building conforms to its natural setting. In addition to operas, international concerts and ballet ring out from its walls. But the house is not only interesting for guests who want to visit an event – the gift shop and restaurants are well worth a visit.
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Sultan Qaboos Grand Mosque The
SULTAN
QABOOS
GRAND
was considered the largest in the world until it was recently overtaken by the Sheikh Zayed Grand Mosque in Abu Dhabi. The chandelier in the middle of the prayer room was built by Swarovski and weighs eight tons. For four years, 600 women tied 1.7 million knots to the Persian prayer rug. The mosque offers space for 20,000 people. Tolerance plays a very important role in Oman. While the official state religion is Islam, other religions are respected. No one asks me about my religion, as this is considered rude in Oman. MOSQUE
Sultan Qaboos Grand Mosque
OMAN
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Of course, there are several shopping malls. The most famous are OMAN AVENUES MALL (///coconuts. bumblebees.cavalier), MUSCAT GRAND MALL (///neat.trunks. quashing), MALL OF MUSCAT (///before.prongs.lend) and CITY CENTRE (///washdown. landforms.readymade). The parking lots are spacious and free of charge. You'll even be inspired by the opening hours: the gates of these SHOPPING MECCAS are open until midnight!
Shopping
One of the most precious perfumes in the world comes from Oman.
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///boyish.laugh.flexed Photo: Safak Yavuzlar
Made from pure essential oils, a 100 milliletre bottle costs around 380 euros on average. It is best to plan a visit to the manufactory, which also serves as a showroom where you can watch the production. In the shop you'll find perfumes and leather goods which you'd have a hard time finding at home!
manufaktur
Amouage
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MINT & COCO has just
been named the best newcomer restaurant in Oman. I like to drink a matcha latte and the national drink, chai karak – black tea with full-fat milk, spices, and sometimes saffron.
///repack.slows.inspirations
Omanis like to go out in cafés. Smoothies and shakes are particularly popular. Of these there are many, as well as international chains. But I love the local cafés, which are lovingly furnished.
If you are on the go and want to try this incredibly tasty tea in Oman, you can get it almost anywhere along the street in a Tea Corner for about 50 cents. mint & coco
ROSELLE
Fotos: Mirella Sidro
OMAN Avenues Mall
///sultans.staffs.vibrato
ROSELLE OMAN enchants
with its interior, which is marked by thousands of roses. There are so many latte varieties that you'll lose count, all lavishly decorated with edible flowers. A true feast for the eyes!
MAnGO TALAaT
Tunis Street, OMAN
The best fresh juices are available at MANGO TALAAT . CAFÉ BATEEL (///placements.affluent.stately) in the new Al Mouj (The Wave) district offers great fresh juices and cakes overlooking the marina. It is especially nice at night – one café and restaurant after another lined up all the way to the marina. ///molars.jigging.sharpen SISTERMAG 48 | 05 / 2019 163
Royal Princesses Palace
OMAN
///grander.prowess.acrobats
Local Beauty I love henna, and can absolutely recommend visiting a henna studio while you're here. There are studios for tourists, but you'll miss out on the Omani feeling. In the ROYAL PRINCESSES PALACE you sit next to local ladies with whom you can dive into conversation while your hands and feet are artfully decorated. The studios are in full commission for wedding and Eid, but women also like to wear henna for everyday life. The best time to go is from Sunday through Wednesday morning if you want to avoid a wait. It costs around 25 euros with a lot of fun guaranteed. SISTER-MAG.COM
Beaches as far as the eye can see As Oman stretches along the Gulf, the country is blessed with beautiful beaches! Omanis spend every free minute there – for walks, sports, picnics, barbecues, or just to sit and read. You can even drive on the beach. I like being on the beach in ASSIB , a hot spot for locals. In the morning you can enjoy an incredibly beautiful sunrise and in the evening the sun doesn't set over the sea but behind a beautiful mosque to bathe the city in a majestic light. 164
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Anantara Jabal Akhdar
OMAN Anantara Jabal Akhdar Apropos unforgettable SUNSETS AND SUNRISES (///stub.incised.intensively) .
These are to be found at the luxury hotel ANANTARA JABAL AKHDAR (///suspended.deluges.sedation) .
Only about two hours by car from Muscat, the hotel is located on a canyon at an altitude of 2000 meters. It's a truly unforgettable journey, winding along a serpentine road. With an SUV you also have the advantage of going off-road into pure nature. One is rewarded with incredibly BEAUTIFUL VANTAGE POINTS (///suspended.deluges.sedation).
The luxury resort seems to
///minute.overshadow.prefixes
float between heaven and earth and is built exactly at the place where Princess Diana once fell in love with the country. Follow in her footsteps and look over the endless canyons towards yoga classes taking place in the morning. JABAL AKHDAR (/// thrives.cyclists.splurge) means
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Photo: Safak Yavuzlar
activity wall
»Green Mountain«, and takes its name from the garden terraces on which the famous pomegranates, apricots and almonds grow. The rose water of JABAL AKHDAR ! is also quite renowned. From the end of March to the end of April, the Damascene roses transform the mountains into a delicate pink sea. What better way to take home some rose water than straight from the source? Roses also sweeten your stay at the spa. Although the location is isolated in the mountains, it never gets boring in the hotel: a wide range of activities is available, including hiking.
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Photo: Mirella Sidro
///thrives.cyclists.splurge
I recommend the ACTIVITY WALL – a mixture of hiking and adventure – to courageous ladies not afraid of heights. The garden of the hotel, whose architecture recalls an Omani village, is a highlight during the day as well as at night. Here you will find native trees, flowers and of course the famous roses. At night, the paths are only dimly lit to allow you to see the abundantly starry sky. This will stay with you forever.
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nizwa,
Oman is full of fortresses and castles. The Omanis have been settled since ancient times and are not a nomadic people. One of the most beautiful and largest castles is located in NIZWA . How convenient that it is on the way back to Muscat from the hotel! Today it is regarded as a city of artists, while in the Middle Ages it served as the headquarters of the Imams. The castle has been completely renovated. The view over the city is phenomenal: WHITE HOUSE ROOFTOPS protrude between palm trees with rock formations reaching infinitely into the horizon.
///correct.snails.tracking
OMAN
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///prevents.noting.dreams
Photo: Mirella Sidro
Nizwa Souq
wadi shab
The castle is surrounded by bazaars and artists' studios. Old handicrafts as far as the eye can see. But beware: the artist market is very expensive. The local pottery, hand-woven baskets, incense pots, etc. can be bought at the SOUK MUTRAH (///shower.
crashing.take)
in Muscat for much less. In the souq I recommend a visit to the brothers with the blue eyes. Here I regularly buy spices, nuts, dried fruit, rose water and natural soaps from incense and roses. SISTER-MAG.COM
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Oman's landscape, with its mountains, wadis and oases, is perfect for connecting your soul with nature and the universe. One of my favorite places is HAWIYAT NAJM PARK (///pretty.lockable.messed) . There is a sinkhole with turquoise green
water in the middle of this desert terrain. The water is so clear that you can see the bottom from a bird's eye view. The Bimmah crater was caused by a meteorite impact, according to local lore. But this has already been refuted. The water, a mixture of salt and fresh water, is refreshing and pure. Not a bad spot to take a dip.
///radicals.highly.mosaic
wadi shab Wadis make for a great opportunity to bathe. One of the best known is WADI SHAB . Getting there requires about an hour of traversing big rocks and nature trails through a gorge between two mountains. It feels like walking through the fairy tale of Aladdin or Ali Baba and the Forty Thieves. There are hardly any people on the way and you are overwhelmed by the picturesque nature. The paths are not entirely
harmless, but it's not enough to make you turn around. Your curiosity will carry you towards what's hidden behind the next rock. Sometimes there are small waterfalls, sometimes banana gardens, which are supplied with water by a millennium-old irrigation system. The hike is rewarded by natural pools with light green water. You can master the exhausting way back with a smile!
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Fotos: Mirella Sidro
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What3Words
Some of the most beautiful places in nature have no address – this is often the case in Oman. Good thing there is what3words. Simply enter the three terms in the APP or online at MAP. WHAT3WORDS.COM and you will be navigated precisely to this point.
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///florists.misuses.merger ///minute.overshadow.prefixes ///radicals.highly.mosaic
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Netherlands S E C T I O N
3
H O W
A
C E N T U R Y O F G E N E R A T I O N S W E N T C R A Z Y F O R A R T
golden age
T H E DUT CH
Jan van Goyen, Landscape with two oaks, 1641, Oil on canvas, Rijksmuseum, Amsterdam.
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Economic and societal conditions in the Netherlands during the 17th century led to an unprecedented flood of paintings. Even farmers turned into art collectors while several world-famous painters had to run inns or sell tulips to make a living.
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AN OVERVIEW OF
Dutch painting of the Golden Ages Text: ROBERT EBERHARDT
Every national history of art has crowned a certain time period as »golden«. The reign of Sun King Louis XIV in France, Weimar Classicism in Germany, and Italy’s renaissance years with Leonardo, Michelangelo, and Raffael come to mind. The Netherlands’ equivalent is the Baroque era. Over the course of the 17th century, the small northwestern European country became central to world politics with its perfect location for commercial shipping. This brought a wave of scientific
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innovation, liberal movements, and religious tolerance, which were boosted by capital and public appreciation for art. Artists produced for an increasingly wealthy society that demanded fantastic works. Art history usually avoids focusing on the rigid borders of nationally defined cultural spaces but nonetheless, the phenomenon of the »Dutch Golden Age« can be seen as a unique accumulation of ideas, pictures and art.
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(...) But most of us will have also experienced the following phenomenon: on the way to a famous painting, someone stops as their eyes are drawn to a still life with flowers and tiny, realistic insects (...) When visiting bigger galleries, most visitors follow the indicated paths that leads to the wellknown masterpieces – and thus also subscribe to the idea that
there are few outstanding pieces aside from those that are worth the most. Names that have become global brands draw more visitors than the actual aesthetic features of a painting. Supported by blockbuster exhibitions and narrow-minded teaching of art, this becomes a truth for every piece of art from the old masters to modern art. But most of us will have also experienced the following phenomenon: on the way to a famous painting, someone stops as their eyes are drawn to a still life with flowers and tiny, realistic insects; a still life with oysters and half-peeled lemons or portraits that feature intricate lace gleaming in front of heavy, dark fabrics. Those paintings convince with a unique kind of craftsmanship, perfect composition, and the inexplicable rules of timeless art. They are remnants from the height of art: the Dutch Golden Age.
Willem Kalf, Still life with glassware and porcelain covered bowl, 1662, Oil on canvas, Gemäldegalerie, Berlin.
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Jacob van Ruisdael Wheat Fields, circa 1670 Oil on canvas, Metropolitan Museum of Art, New York City.
Widely defined, this term is applied to the entire 17th century in the Netherlands, Where economy and an appreciation of art converged. Around 1650, more than 70,000 paintings were painted in a single year. This number alone proves the huge public interest in art, which was unprecedented at the time and remains unrivalled today. It also became common to invest in art. During those years, art was not
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for the opulent elite but rather common. Small tradesmen, officers, craftspeople and clerks could show their increased social status by purchasing art. Even farmers participated by buying intricately carved boxes, turning works made from wood and elaborately decorated beds. This also increased the general understanding of art, justifying the term ÂťGolden AgeÂŤ.
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Many studios also functioned as workshops as painters specialised to work in a variety of styles: portraits, historical paintings, still life, nautical motifs and more. New forms of painting were established, like genre pictures and landscape painting. The buyers wanted to see their well-known surroundings immortalised beautifully and flatteringly in paint. Every selfrespecting citizen had their family portrayed by a painter. Only one genre remained less popular: traditionally religious paintings were avoided by the newly reformed and proudly rich Dutch.
Willem Claesz. Heda, Still life (breakfast), 1629, Oil on panel, Royal Picture Gallery Mauritshuis, The Hague. Rembrandt van Rijn, Portrait of Catharina Hoogsaet, 1657, Oil on canvas, Private collection, Amsterdam.
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Frans Hals, Portrait of a man, 1618- 1620, Oil on canvas on panel Gemäldegalerie Alte Meister, Kassel.
Still life works were most popular, featuring elements of perishable nature like rotting fruit or symbolic items of fragile life and death like blown-out candles. They follow the baroque theme of »memento mori« and remind of the inevitable ending of all wealth and power: death. There are way too many great painters from this period of time to even attempt introducing them. If you want to get an idea of what the »Golden Age« really was about, I recommend opening your eyes and feelings to paintings in museumsmade by artists who managed to turn rather banal motifs into world-famous paintings and were elevated to the ranks of eternal masters: Willem Claesz Heda and Willem Kalf for still life, Jan van Goyen and Jacob van Ruisdael for landscapes, Jan Steen for satires of farm
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life, Frans Hals for potraits, Emanuel de Witt for paintings of architecture, Gerard de Borch for genre paintings, Willem van de Velde for paintings of ships, Jan van Huysum for flowers, Pieter Claesz for silverware, and Abraham van Beijeren with his oysters and lobsters.
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Jan Steen, The parrot cage, circa 1665, Oil on canvas mounted on panel, Rijksmuseum, Amsterdam.
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Jan van Huysum, Flowers and Fruits, 1721, Oil on panel, Rijksmuseum, Amsterdam.
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The high demand for pictures turned painter’s guilds from a pretty addition within a community into a central element of urban economy. Already in the 16th Century there were more masters of painting and graphics in Antwerp than butchers and bakers combined. otspots like Haarlem, Delft, Utrecht, Leiden, and The Hague boasted industrial revolution levels of output: every inhabitant owned 2.5 paintings and around 700 Dutch painters produced around 100 paintings each in a year. Less than ten percent of those have survived as part of private and public collections.
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Gerard ter Borch, The Concert, 1660-1665, Öl on oak, Gemäldegalerie, Berlin.
The price of a painting was incredibly low during this flood of art. Some craftsmen could afford to put around 60 paintings in their parlours, rivalling the collections of some museums. Many artists were affected by this: Jan Steen ran an inn (where he found inspiration for his portraits of society), Jan van Goyen sold tulips, and tax collectors, doctors, and carpenters were among famous artists that can be found on today’s museums. Artists SISTER-MAG.COM
that could work across several genres like Rembrandt or Jan Vermeer were able to earn a living, but their mastery was only appreciated much later. As per usual, the most profitable market was the one catering to the needs of aristocrats, states, or religious leaders that were situated in Flanders or even at the courts of Italy, France, and Spain, where the Dutch painters Gerard Dou and Peter Paul Rubens worked.
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The most prominent museum showing off works from the Golden Age is the R i j k s m u s e u m i n A m s t e r d a m , a lt h o u g h plenty of these artists are present in collections around the world.
Emanuel de Witte, View of a Church Interior, 1665-1670, Öl on panel, Puschkin-Museum, Moskow.
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T H R E E
R E C I P E S
F R O M
K L A R A
&
dutch recipes
CL A SSIC
I D A
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Recipes & Photos Klara & Ida
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S A LT Y SWEET
p ou S Pea FOR
4- 6 PEOPLE
I N G R E D I E N T S
1 8 0 g p i e c e o f m a r b l e d b a c o n , cut in 0,5 cm cubes
2 p o t a t o e s , p e e l e d a n d c u t into 1 cm cubes
3 t b s p o i l f o r f r y i n g
2 c a r r o t s , p e e l e d a n d c u t into thin rings
1 l e e k , c u t i n r i n g s 2 0 0 g c e l e r y, c u t i n 1 c m c u b e s 9 0 0 g f r e s h o r f r o z e n p e a s 7 0 0 m l v e g e t a b l e s t o c k 8 0 0 m l w a t e r 2 b a y l e a v e s
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6 s m o ke d s a u s a g e s o r wiener sausages, halved or cut in 0,5 cm rings n u t m e g s a l t , p e p p e r
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Recipe
DOWNLOAD
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P R E PA R AT I O N
STEP 1 Heat a non-stick pan and slowly fry the bacon to release all the fat until it is crispy and brown. This will take around 15 minutes.
STEP 2 Heat your frying oil in a big pot. Add leek and celery, steam them with a lid on until leek turns slightly transparent. Add the peas and stir well. Fry everything for a few minutes.
STEP 3 Add stock, water and bay leaves. Bring to a boil and let it simmer at medium temperature for around 20 minutes. Add water if necessary. Stir occasionally to prevent burning.
STEP 4 Take the pot off the heat, remove the bay
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leaves and puree the soup roughly. Leave it more or less chunky depending on your taste.
STEP 5 Put the pot back on the heat. Add potatoes, carrots, bacon and sausage as well as the bay leaves you previously took out. Stir well and cook for at least another 30 minutes – the longer you leave it, the more of the sweet flavour can develop.
STEP 6 Season with salt and pepper and carefully add some nutmeg (Try after every pinch to make sure it’s not too much.)
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Recipe
DOWNLOAD
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ay at S en ck i h C s er Skew WI T H C O C O N U TP E A N U T- SAU C E FOR 2 PEOPLE
I N G R E D I E N T S FOR THE MARINADE
FOR THE PEANUT SAUCE
4 5 0 g c h i c ke n , c u t i n t o 3 c m pieces
1 c l o v e o f g a r l i c , s k i n removed and minced
2 c l o v e s o f g a r l i c , s k i n removed
3 c m g i n g e r, p e e l e d , c u t v e r y finely
1 o n i o n , p e e l e d , c u t i n t o very thin rings
5 t b s p u n s w e e t e n e d p e a n u t butter
3 c m g i n g e r, p e e l e d , c u t i n t o thin slices
2 t s p S a m b a l O l e k 2 t b s p s o y s a u c e
4 t b s p Ke t j a b M a n i s ( a s w e e t soy sauce)
2 0 0 m l c o n o n u t m i l k
2 t b s p l e m o n j u i c e
TO GARNISH:
2 t b s p c o c o n u t o i l
f i n e l y s l i c e d r e d c h i l i , cucumber salad
Wo o d e n s ke w e r s , s o a ke d i n w a t e r
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STEP 1 Put the chicken and add minced garlic, onions, ginger, Kecab Manis, lemon juice and coconut oil. Mix everything well so the meat is completely coated in the marinade.
STEP 2 Put a lid on the bowl or seal it with cling film. Refrigerate for at least 1 hour.
STEP 3 Meanwhile, soak the skewers in water so they won’t burn while frying. Prepare the peanut sauce by mixing all the ingredients into a smooth sauce.
STEP 4 Take the chicken out of the marinade and put it onto the skewers.
STEP 5 Grill meat on charcoal barbecue or fry it in a pan. Serve with the peanut sauce and optionally with sliced red chilis and fresh cucumber salad.
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Recipe
DOWNLOAD
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es k a c an p le App amelised apples ar c th wi
AND CRISPY BACON
FOR 4 PEOPLE
I N G R E D I E N T S F O R T H E B AT T E R
FOR THE TOPPING
6 e g g y o l k s
2 t b s p b u t t e r
0 , 5 L m i l k
1 t s p c i n n a m o n
2 5 0 g f l o u r, s i f t e d
4 t s p s u g a r
1 t s p b a k i n g p o w d e r
4 a p p l e s , w a s h e d , c o r e d , quartered and sliced
6 e g g w h i t e s s o m e s a l t B u t t e r o r G h e e f o r frying
2 0 0 g f i n e s t r i p s o f p a n c e t t a
TO GARNISH: s e r v e w i t h s y r u p
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If you want perfectly formed small pancakes, use a pancake ring.
STEP 1 Add all of the ingredients for the batter except for the egg whites and salt to a bowl. Mix very well with an electric mixer and let the batter rest for 15 minutes..
STEP 2 Meanwhile, beat the egg whites and salt until very stiff. After 15 minutes, carefully fold them into the prepared batter. Dissolve small bubbles of egg white by smearing them onto the side off the bowl.
STEP 3 Heat the butter in a pan. Add apples and let them sweat in the butter for about 1 minute while flipping them continuously. Add cinnamon and sugar, stir. Let the apples caramelise over medium heat. As soon as they’re soft and slightly golden, put them onto a plate and set aside.
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STEP 4 Heat a second pan. Once it’s hot, add the pancetta and fry it over a medium heat until you’re satisfied with the crispiness. Turn once or twice – this will take around 15 minutes.
STEP 5 Add 1 tbsp of oil to the pan you used for the apples and pour in one ladle of the batter. Carefully swirl the pan until you have a round pancake – or add a small ladle to your pancake ring if you chose to use one. Put 3 slices of apple on the still slightly sticky top of the pancake. Flip it when the bottom has turned golden brown and fry until done. Put on a plate and garnish with more apple and the crispy pancetta.
STEP 6 Repeat until the batter is used up. Serve with syrup.
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A
C L A S S Y
B U T
T R E N D Y
C I T Y
N E A R
The Hague
DIGITA L L A DIE S T RAVE L
T H E
B E A C H
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Foto: Eliane Roest
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Digital Ladies Travel
sisterMag Travel Series
The Hague
Since the artwork of this issue is situated in The Hague, we thought it would be fitting to ask blogger and instagrammer Eliane Roest, ELIANEROEST.NL , to show us the city! The Hague, a city located at the beach always brings a different vibe than any other kind of town. Follow along with her city guide: Before we get started, what you must know about The Hague. The Hague is a city on the western coast of the Netherlands and the capital of the province of South Holland. It is also the seat of government of the Netherlands and home to the royal family. You simply can’t miss THE BINNENHOF when you visit The Hague, but I left it out as I’m sure you’ll pass by and there are far more interesting places to spot! Starting in The Hague in the early morning, our first need is to get our hands on a delicious cup of coffee. Last year, the people of the famous LOT SIXTY ONE COFFEE ROASTERS opened a new venue in The Hague. Let’s go in and order a cup of joe! Still hungry, get yourself some breakfast too. Depending on the weather you can enjoy it in the spacious café or enjoy it in their perfect little garden in the sun. T E X T
&
P H O T O S :
ELI ANE R O EST
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All locations in one place: Our DLT Den Haag Google Map
Coffee in the morning
LOT SIXTY ONE COFFEE From Lot Sixty One it’s a short walk to the Papestraat and Noordeine, where we can enjoy even more coffee at the café of Filtro or perhaps some shopping in the local shops? Make sure not to miss Couqou ! Hidden in a little alley at the Noordeinde, this shop is the perfect hidden gem in the Royal Shopping District! They sell beautiful HANDMADE FURNITURE and interior design elements. From the alley you can see the tower of the Palace Church.
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BAR EN ZO
WAUW
Exploring the Zeeheldenkwartier We continue our way a bit outside the city centre towards ZEE HE LD EN KW AR TIE R . A nice upcoming neighbourhood filled with cute shops and perfect lunch spots, where you can surely hang with the locals. Start your route at the Weimarstraat and it will lead you along many cool hot spots until
Have lunch
Have lunch at EEFS , LOLAPALOOZA or APPELTJE EITJE and drop by for some plant heaven at BAR EN ZO or WAUW WARENHUIS . Vintage shopping for your house is best at SPRINKEL & HOP ! Make sure to check out both streets as there’s so much more to discover. Great kids stores, local brewers and fancy restaurants.
SPRINKEL & HOP
you finish at the PR INS HE ND RIK STR AAT .
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GEMEENTEMUSEUM
Stadt der Kuns
HEIMAT MEINER ZWEI LIEBSTEN MUSEEN!
The Hague has a lot to offer for all of you art lovers. Let’s start with the GEMEENTEMUSEUM
. The
building, by architect BERLAGE , is considered a piece of art itself. The rooms make a great backdrop for all your new Instagram photos and during summer, you can enjoy your lunch outside in the garden room. Designed by architect
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H.P. BERLAGE , it is striking not only for its spacious interior, natural light and modern colour scheme. Currently showing Dutch
photographer ERWIN OLAF with a phenomenal photo exhibition until the 12th of May, so hurry up!
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Den Haag Google Map
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VOORLINDEN I can also suggest you a visit to the
VOORLINDEN . Well on its way to being the most Instagrammed museum in the Netherlands and located in the very high-high-end WASSENAAR , a 15 minute bus ride from the central station. Museum Voorlinden has a number of works in its own permanent exhibition. These pieces of art have their own intimate places within the museum where they can be viewed to their greatest advantage. »SKY SPACE« , »THE POOL« , and famous works by RON MUECK and RICHARD SERRA . Oh how I love this museum with its beautiful light. Next door you can have some kroketten on bread by Holtkamp, it doesn’t get more Dutch than this. After lunch, have a stroll through the beautiful gardens.y
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g n i h tc a w , h c a e B e th t An afternoon a the sunset hit the se a BEACH IN THE HAGUE Obviously, all the tourists know their way to the beach in The Hague, but they don’t know the way to the best places where you can enjoy the sun amongst locals. We divide the beach by three. Noorderstrand, Boulevard area and Zuiderstrand. If you
THE FAT MERMAID
want to avoid the crowds choose Noorderor Zuiderstrand. Beach clubs THE SHORE
EN DE STAAT are great for lunch and drinks. Rather stay at the central beach, find your way to THE FAT MERMAID and enjoy the ferris wheel on DE PIER during Sunset. This is also the place to be for a perfect view over the beach and The Hague.
MY FAVOURITE SPOT!
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Lazy evenings in the city For dinner, we move back towards the city where we find ourselves at DE KADE . A perfect locally run restaurant with the cutest terrace, especially by night. Locally produced food (where possible) and only natural wines on the menu! Make sure to try the local beers they serve!
DE KADE
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Boutique Hotel
LA PAULOWNA BOUTIQUE HOTEL
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After this perfect but very long day, we lay down our head at LA PAULOWNA BOUTIQUE HOTEL . It’s everything you’d expect from a boutique hotel. Perfectly decorated rooms with picture perfect lighting. Located in the centre, but in a very quiet area. If you’d rather go clubbing the night away, one last tip for you is PIP ! Pip might just be the best club in the whole region at the moment. Located in an old fire station, you’ll find perfect underground parties to keep you going all night long.
Den Haag Google Map
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LA PAULOWNA BOUTIQUE HOTEL
F O R
M O R E
D U T C H
F O L L OW
G O O D N E S S
E L I A N E :
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&
P H O T O S ,
@ELIA N E RO E ST SISTERMAG 48 | 05 / 2019
p u t r sta t h g i spotl
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p u t r a st t h g i l t o sp
JORA DAHL
INDUSTRY GARDEN PRODUCTS, JORADAHL.DE
GARDEN DESIGN LOCATION BERLIN FOUNDERS JORA DAHL, CARSTEN BECKER
@JORA_DAHL
HOW DID YOU GET THE IDE A TO START A BUSINESS? WHAT IS YOUR MOTIVATION BEHIND JOR A DA HL? W H AT DO YOU THINK MAKES GARDENING DIFFICULT FOR SOME PEOPLE?
WHO ARE YOU AND WHAT DO YOU DO?
My name is Jora, I live with my husband and two children in Potsdam, and founded a studio for garden and product design last autumn. We develop special plant collections and modular planting plans that are sold via our online shop. We also advise garden owners on how to transform their gardens into flowering oases without extra costs or hassle.
Until ten years ago, I didn't know anything about gardening and was a certified city person. Then I moved to Potsdam and for the first time, I had my own garden in front of my door. It was unkempt and featured a lot of concrete, but I quickly started digging and planting every free minute. Over the next three years, I would visit the garden centre, spend a lot of money on kitschy plants, plant them in the wrong places, and
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p u t r sta t h g i l spot
THAT YOU CAN'T FIND ANYWHERE ELSE?
basically start from the beginning again the next year. Although I read a lot about the topic, it took years until my first perennial bed looked really good. It's not easy to start from scratch. The selection of plants is huge, but only a few are really beautiful, robust, and easy to maintain. The same goes for gardening books: Very few provide useful tips with the aesthetic to match. WHAT DO YOU THINK IS MISSING IN THE FLOWER SEED MARKET? WHAT PRODUCTS DO YOU HAVE SISTER-MAG.COM
I first discovered how wonderful and important annual flowers are for one's garden through the "Slowflower Movement". In the United States, England, and, most recently, in Germany, cut flowers are grown regionally and organically to counter florists' flowers from overseas, which are full of pesticides and grown in poor conditions. The varieties used are bombastic: subtle vintage colours, beautiful pastel tones – the exact opposite of the abrasive colours found at the garden centre. Until now, it was complicated to order these varieties online from abroad. I wanted to change that!
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HOW MANY PEOPLE ARE ON YOUR TEAM?
company.
I am in charge of creating the products and garden consultation. But there are things I can't really do. My husband who owns his own company takes care of the numbers. And when it comes to garden redesign, I'm happy to have Christiana Helth in my team. She is an experienced landscape architect who shares my love for flowering gardens. The most important thing in recent months, however, has been working together with the graphic designer and illustrator Marion Rekersdrees . Her beautiful floral drawings and design style are a main characteristic of the Jora Dahl brand. Even in stressful times she has always been my sparring partner; her creativity and easygoing approach really enrich our
HOW DID YOU GET TO YOUR CURRENT JOB? W H AT DID YOU S T UDY/ LEARN?
I don't have a background in gardening. This is often an advantage because I can put myself in the shoes of my customers. After studying philosophy and completing an internship as a journalist, I spent years as a creative director designing interactive exhibits. I designed multimedia spaces and communicated complicated content and brand messages in an accessible way. That sounds unrelated, but it's not. Basically, I'm doing the same thing now – only with plants instead of media. And that feels much better! This evolution arose out of a crisis situation.
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After the birth of our first child, it became clear to me that I cannot simply return to my old job if I want to be a part of my child's life. Working hours in the creative industry are brutal. I knew I had to quit my own job to meet all my needs. Now, five years later, I'm totally grateful and can't imagine a better job. W H AT A RE MODUL A R PERENNIAL PLANTING PLANS? WHY DO YOU NEED THEM?
To lay perennial beds is really a high art, although perennials are usually very easy to maintain. There is, however, an incredible number of them, all different in height, SISTER-MAG.COM
flowering time, demands, colour, shape, etc. They flower over many years, are much easier to maintain than lawns, and create an incredible atmosphere for your garden. Our planting plans allow you to save long book studies and initial failures, as well as expensive garden architects. They are scalable to almost any size and show exactly where which plant is positioned in the bed. The combinations are extremely robust and aesthetically pleasing. We have been working on them for more than
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two years together with a botanist and perennial expert and are proud to have created something new and unique. You can be incredibly creative with it. My hope is that we make it easier for garden owners to access these incredible plants! WHERE DO YOUR SEEDS COME FROM? ARE YOU AL SO INVOLVED IN THE DEVELOPMENT OF THE SEEDS?
We buy special seed varieties exclusively from traditional Dutch or British companies. So far, we have had everything made in 217
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Germany. The seeds are filled in bags here and distributed to workshops. Since automated filling always requires large quantities of one variety and I would like to experiment with unusual varieties in smaller quantities, we are looking for a way to efficiently fill the seeds by hand. It's not that easy. Antique seed measuring spoons, which are no longer produced and must be sourced at the market, are suitable for this. In principle, we would like to be more independent and flexible in our production and in this sense see ourselves more as a manufacturer. WHAT DOE S A WORKING DAY LOOK LIKE FOR YOU? DO YOU SPEND A LOT OF TIME OUTSIDE OR DO YOU HAVE AN OFFICE LIFE?
I often work inside in front of my MacBook, which isn't much different from my old job. With the birth of our first child, I set up a small coworking office in our house and try to be SISTER-MAG.COM
outside in my garden and experimental field as often as possible. It really is a luxury to walk through the tulip field on business calls. I meet Marion and Christiana for meetings and once a month, I torture myself and my husband with taxes and numbers. I basically try to work in such a way that I can spend a lot of time with my children. That would not be possible in my old job. I want to prove that you can also – or even just – be a successful mother! WHO ARE YOUR CUSTOMERS? WHERE DO THEY COME FROM AND HOW DO THEY FIND YOU?
The first design projects started years ago, when I didn't even have a website and was simply endorsed by friends. Meanwhile, the number of clicks is increasing, especially through Instagram. I've never been the social media type and I'm discovering this world all over again. Now I just have to learn to put my phone aside. The urge is enormous. Otherwise, we have always relied
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on brick and mortar retail. I love browsing specialty shops and want to do something to preserve this sensual, analogue world. My target demographic is frighteningly similar to me. Female, around 40, children, and a great desire for a stylish yet simple life. Inside as well as outside WHAT ARE YOUR GOAL S FOR THE NEXT FIVE YEARS?
I'd really love to write a book. One that I would have needed when I started gardening. One which shows that most of what's in a garden is superfluous and which is aesthetically inspiring. I want to continue to develop many new products around my plant collections and help garden owners to create flowering and really easy-to-carefor gardens.
under the glowing red sumac tree)? People should make the whole garden their own. I also make people aware that the garden is a link between the house and the surrounding landscape. You create harmony by appropriating elements from these two spheres. So please: No Japanese garden in Bavaria! Of course, a primary part of my work is to bring the right plants in the right place. This is one of the very few instances where more truly is more!
WHAT IS THE GARDEN DESIGN PROCESS? WHAT QUESTIONS DO YOU ASK CUSTOMERS?
It all starts with cleaning up for me. Often I suggest a garden deconstruction. Do you need two terraces if it is much nicer to simply place the deckchair on the lawn, exactly where it is best at the moment (in spring with the fragrant lilac, in autumn 219
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W H AT H A P P E N E D SO FAR »A YEAR OF ART« – That's what we
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