[Out of Hand]
Out of Hand There are many ways to interpret the phrase “out of hand�. It can suggest a state of being outside the limit of control of processes and materials; it can reference the manner in which ideas are rendered into tangible objects; and finally, it hints at the pursuit of an ideal, which ultimately remains unattainable. We will never have in our hands the perfect piece because this would imply a complete satisfaction with the result of our efforts. We grow and develop through our making, and so too do our goals, putting them forever just ahead of our grasp. This is a life of making: constantly learning and evolving in an attempt to get ever closer to perfection. This is our satisfaction; to thrive in the liminal space between our outstretched hands and the unattainable object.
Crafts & Design Graduates 2010 Ceramics
Furniture
Julian Cutajar
Heather Ahn
Lana Filippone
Patrick Covell
Anita Hausmanis
Boran Eom
Jenny Kyle
Itzhak Even
Mary McKenzie
Jared Hicks
Sara Nourshoae
Amy Keeler
Sean Robinson
Simon Kitz
Marcelina Salazar
James McDonald
Charlene Stallard
Dylan McKinnon
Allison Summers
Jordan Murphy
Kass Swankey
Mark Tan Jean Willoughby
graduates
Glass
Textiles
Greg Abra
Debbie Arruda
Jesse Bromm
Anu Batra
Tommy James Cudmore
Alex Bojanowski
Carolyn Eves
Alexadria Goldman
Ainsley Francis
Rebecca Horwitz
Michael Gray
Anna Lehman
Rebecca Itzkow-Pollard
Meghan Macdonald
Toni Johnson
Alana McLeod
Jeff MacIntosh
Eliza Plumley
Robyn McKay
Jamie Quinn
Amanda Parker
Simone Rauscher
William Ruppel
Alison Syer
Christina Lee Tatarnic David Thompson Jessie Trott Jen Van Herten
Foreword Heidi Overhill is a full-time Professor in the Sheridan School of Animation, Arts and Design. A past president of ACIDO (The Association of Chartered Industrial Designers of Ontario) she recently completed an MFA at the University of Waterloo for a project applying museum collection protocols to the problems of domestic living.
Out of hand, and over the top. After looking at their work, it is possible to wonder whether any of this year’s graduates of the Sheridan Crafts and Design Program share any common vision of life, art, or the nature of human existence. Collectively, they have produced a riotous assembly of contradictory forms, colours, materials and approaches that manages to seduce, challenge, subvert and triumph over virtually any assumption you might secretly hold about beauty, materiality or what it means to work in craft. The work is often masterful, yet sometimes rather slapstick. It is bold, or alternately subtle. It may be organic, or mechanical. It is both sensual and intellectual at the same time; and bright and dark. It is sometimes whole-heartedly pure, but elsewhere ambiguously layered, fractured, and assembled. It is smooth, shining, pleasurable. It is rough, decayed and sad.
foreword
Out of hand, and into the mind.
Out of hand, and before the world.
Author Jay Baldwin once said that a tool is something you use to add so much energy to an idea that other people can see it too. The objects in this catalogue are material manifestations of ideas. What they offer are thoughts made visible; concepts put into concrete, embodied form.
The work in this catalogue has taken three years to complete. It has emerged out a whirlwind of educational commitment and concentration that was just the start of the process of lifelong learning required to perfect the skills and knowledge of craftsmanship. It is also the result of slowness. Education is a time of quiet and reflection; a private space away from the pressures of world, where it is possible to follow a fragile train of thought to some unexpected personal destination.
Some of the ideas are small and delicate. They are whispered musings on subtleties of form or function, or a self-referential probing into preconceptions about material and technique. But there are also big bumptious ideas that break loose to challenge larger issues; to glory in the sheer wanton variety of our fin de siècle Post Modern culture-at-large. These are ideas that speak of (and to) the head, the heart, the gut, and the hands. They reclaim the past; they predict the future. To look at them is to be astonished, transported, bemused.
That private process is done. The work, and the graduates who made it, now stand revealed. The work is parted from its makers, and now speaks only for itself. It stands still, fixed here in this catalogue as a memento of the act of its creation. Its makers, the former students, are now our peers. They step forward, past this work, into the future.
Faculty Administration Michael Collins Dean Heather Whitton Associate Dean Nancy Heath Program Officer Ceramics Studio Bruce Cochrane, BFA, MFA Studio Head Hugh Douglas-Murray, Dipl Technologist Furniture Studio Peter Fleming, Dipl Studio Head Rob Diemert, Cert, Dipl Technologist Glass Studio Koen Vanderstukken, BFA,MFA Studio Head Jason Cornish, Dipl Technologist faculty
Textiles Studio Rachel MacHenry, MA Studio Head Thea Haines, Dipl.,BA Technologist Instructors General Susan Blersh, AOCA Winn Burke, BFA, MA (also Ceramics) Arounna Khounnoraj, BFA, MFA Kathy Kranias, BFA, Bed Tony Makepeace, BA, Med Heidi Overhill, BID, Cert Clare Scott-Taggart Dipl, BA Stephen Hugo-Seinader, Dipl, BA Isabel Stukator, AOCA (also Textiles) Gordon Thompson, BA, MA (also Ceramics) Ceramics Tony Clennell, BFA, MFA Dale Pereira, Dipl, BFA, MFA
Furniture Connie Chisholm, BA, Dipl Rob Diemert, Cert, Dipl Scott Eckert, Dipl Ian Stewart, RSG, MES, BAA Kirsten White, AOCA Glass Orion Arger, Dipl Blaise Campbell, Dipl Maciej Dyszkiewicz, Dipl Andrew Kuntz, Dipl Sally McCubbin, Advanced Dipl Brad Sherwood, BA Amanda Skalski, Dipl Lucy Roussel, Dipl, BA Textiles Lissa Brunet, AOCA Janelle Guthrie, Dipl, BA Preethi Gopinath, NID Anne Lemieux, Dipl Dorie Millerson, AOCAD, MFA
Program The Crafts and Design Program at Sheridan has been setting the standard for crafts education in Canada since being founded in 1967. A close connection with the arts community, award-winning faculty, fully-equipped studios and a renowned curriculum all work to help students develop a critical sense of design and outstanding technical skills while at Sheridan.
The three-year Crafts and Design Program offers intensive, hands-on training in four studio areas: ceramics, furniture, glass and textiles. These are complemented with additional studios of design, drawing and photography. The studio experience at Sheridan is supported by academic studies in craft history, communications, supervised independent research, visits from established artists and exhibition opportunities for students. In the third year of the program students address the important goal of self-employment as a craftsperson. Through lectures and coursework Sheridan students examine market dynamics in the crafts and design arena along with undertaking case studies of running a professional craft or consulting design practice. At graduation, Sheridan students are among the most talented and best prepared emerging artists and designers in Canada.
[Ceramics]
Julian Cutajar
| j-cutajar@hotmail.com
Goblet set porcelain d. 10cm, h. 16.5
10 ceramics
Cloud tea Pot porcelain d. 15cm, h. 29cm
Lana Filippone
| lana.filippone@gmail.com
Wine Cups porcelain and black clay, silk-screened underglazes and lustres w. 14cm, h. 9cm, l. 10cm
12 ceramics
Tea for One black clay and porcelain, silk-screened underglazes and lustre teapot: w. 21cm, h. 20cm, l. 12cm teacup: w. 15cm, h. 10cm, l. 13cm
Anita Hausmanis
Vase with Holes stoneware w. 7cm, h. 27.5cm, l. 20cm
14 ceramics
| anita.miniats@sympatico.ca
Bowl Rim detail
Nesting Bowls stoneware h. 20cm, d. 27.5 cm
Little Devil stoneware h. 8.5cm, d. 10cm
Jenny Kyle
| jennykyle_@hotmail.com
Green Tea Pot soda/salt fired stoneware clay w. 17cm, h. 20.5cm, l. 22.5cm
16 ceramics
Tea Pot soda/salt fired stoneware clay w. 14cm, h. 7.5cm
Mary McKenzie
| mckenzie@whatisalandscape.ca
Aggressive Species ceramic low fired, soda fired brick w. 15.2cm, h. 19cm, l. 15.9cm
Aggressive Species (detail) low fired ceramic tile w. 25.4cm, h. 25.4cm, l. 14.6cm
18 ceramics
Sara Nourshoae
| Saranh@hotmail.com
Plate black and white cone 6 d. 45cm
20 ceramics
Tray black and white cone 6 w. 28cm, l. 40cm
Sean Robinson
Vase (detail) maiolica earthenware w. 24cm, h. 52cm
| design.sean@gmail.com
Vase (detail) earthenware w. 24cm, h. 53cm
Vase (detail) maiolica earthenware w. 20cm, h. 28cm
Pitcher maiolica earthenware w. 30.5cm, h. 51cm, l. 42cm
22 ceramics
Marcelina Salazar
Sugar (detail)
24 ceramics
| marcelinasalazar@hotmail.com
Cream and Sugar slat fired porcelain w. 8cm, h. 11.5cm, l. 10cm
Charlene Stallard
Faceted Jug stoneware cone 6 soda fired w. 21cm, h. 25cm, l. 17cm
26 ceramics
| islandsoceans@yahoo.com
Faceted Mug stoneware cone 6 soda fired w. 14cm, h. 9cm, l. 11cm
Canyon Vessel stoneware cone 10 salt fired w. 29cm, h. 21cm, l. 35cm
Allison Summers
| allison.m.summers@gmail.com
Bowls cone 6 oxidation d. 8cm, h. 5.5cm
Shooters cone 6 oxidation d. 2.5cm, h. 3.5cm
Momentum Vase cone 6 oxidation d. 7.5cm, h. 23cm
28 ceramics
Kass Swankey
| kass_swankey@hotmail.com
Wine Set of Contentment wood fired porcelain Jug: w. 28cm, h. 60cm, l. 20cm Goblets: w. 11cm, h. 18cm
30 ceramics
Teapot of Whimsical Awakening wood fired porcelain with cane handle w. 30 cm, h. 26, l. 12cm
32
[Furniture]
Heather Ahn
| heather8384@hotmail.com
coffee table ash w. 85cm, h. 48cm, l. 50cm
bar stool ash w. 38cm, h. 79cm, l. 40cm
34 furniture
Patrick Covell
| patrick.covell@gmail.com
Easy Lounge Chair walnut w. 61.5cm, h. 75.5cm, l. 60cm
36 furniture
Boran Eom
| uhmboran@hotmail.com
Dining Chair veneered walnut, maple w. 43cm, h. 84cm, l. 41cm
Kid’s Chair poplar w. 41cm, h. 87cm, l. 41cm
Cabinet walnut, woven fabric w. 61cm, h. 101cm, l. 30cm
38 furniture
Itzhak Even יצחק אבן
Love Chair ash, upholstery w. 40cm, h. 32cm, d. 48cm
40 furniture
| itzhak@ev-en.org
Jared Hicks
| jared-hicks@hotmail.com
Media Cabinet solid European beech, MDF and veneered particle board w. 180cm, h. 40cm, l. 35cm
42 furniture
Bar Stools solid European beech w. 45cm, h. 91cm, l. 46cm
Amy Keeler
| amykeeler@gmail.com
Dining Table White oak and powder coated steel w. 89cm, h. 74cm, l. 152cm
Hall Cabinet Walnut, powder coated steel w. 33cm, h. 86cm, l. 101cm
44 furniture
Simon Kitz
| simon.kitz@gmail.com
Faces “Too Close For Comfort� plaster, zinc, ceramic, glass h. 21cm, l. 122cm
46 furniture
Double Eggshell Basket full round #8 reed and flat weavers w. 51cm, h. 40cm
James McDonald
| www.saplingcreations.com
Eastern Cherry cherry w. 41cm, h. 46cm, l. 122cm
48 furniture
Waves of Jatoba jatoba w. 35cm, h. 76 cm, l. 150cm
Dylan McKinnon
| dylanmckinnon@gmail.com
Clear Sideboard eastern white pine w. 150cm, h. 76cm, l. 46cm
Standard Chair hard maple w. 50cm, h. 75cm, l. 50cm
50 furniture
Jordan Murphy
| murphyjordan@hotmail.com
Paper-Mâché Waste Bins Ikea catalogue paper w. 28cm, h. 33cm, l. 28cm Stools poplar, lacquer, permanent marker w. 40cm, h. 97cm, l. 46cm
52 furniture
Mark Tan
| marktan44@gmail.com
Bar Stool mahogany w. 40cm, h. 81cm, l. 35cm
54 furniture
Cabinet walnut, maple, MDF, lacquers w. 45cm, h. 38cm, l. 106cm
Jean Willoughby
Stacking Chairs sand casted aluminum, walnut, white ash w. 45cm, h. 58cm, l. 45cm
56 furniture
| www.jeanwilloughby.com
58
[Glass]
Greg Abra
| g.m.abra@hotmail.com
Crystal Fissure (detail) sand-cast glass h. 48cm, w. 33cm, d. 8cm
Oh Well (detail) sand-cast & blown glass h. 30.5cm, d. 85cm
60 glass
Iced Jade blown glass, water h. 45cm, w. 15cm
Jesse Bromm
| jesse.bromm@gmail.com
Hold Me Tight (detail) kiln formed glass and mixed media w. 13cm, h. 2.5cm, l. 19.5cm
62 glass
Knowledge Is Power (detail) kiln formed glass, found object, and mixed media w. 38cm, h. 8cm, l. 50cm
Human Seeds: Trigger kiln formed, sand cast, and hot formed glass w. 20cm, h. 15cm, l. 11cm
Tommy James Cudmore
Loveguins 40cm tall 22cm wingspan
64 glass
| tommycudmore@hotmail.com
Bloomguins 50cm tall 30cm wingspan
Carolyn Eves
| Irish_Jade@hotmail.com
Leaf Vase blown glass w. 10 cm, h. 30 cm
Metallic Shadows blown glass and steel wire w. 9cm, h. 23 cm
66 glass
Marble Vases blown glass h. 26 cm, w. 21 cm
Ainsley Francis
| info@ainsleyfrancis.com
Self-Portrait (details) kiln cast glass approx. w. 10cm, h. 5cm, l. 10cm
68 glass
Hearts and Minds kiln cast and drill engraved glass w. 15cm h. 20cm l. 8cm
Michael Gray
| mikegrayglass@gmail.com
Pizza Monster sculpted glass w. 45cm, l. 30cm
70 glass
Chicken Monster sculpted glass w. 25cm, h. 24cm
Rebecca Itzkow-Pollard
| ritzkowpollard@gmail.com
Egg Shells beer bottle pate de verre w. 3cm, h. 4cm
Wire Bowl kiln cast glass and copper wire w. 13cm, h. 6cm
Nesting Bowls beer bottle pate de verre w. 10cm, h. 4cm
72 glass
Toni Johnson
| toni.johnson@mail.com
Paradise sand casted/blown w. 20cm, h. 45cm
Discovered sand casted/blown w. 30cm, h. 50cm
Crystal Study IV sand casted w. 30cm, h. 15cm
74 glass
Jeff MacIntosh
| jmglass38@gmail.com
Dead Apparition glass and sand hot-sculpted assemblage w. 18cm, h. 26cm, d. 35cm
Cage Organ #2 flass and aluminum oxide grit blown and hot-sculpted assemblage with stone-wheel engraved components w. 123cm, h. 18cm, d. 28cm
76 glass
Sand Apparition glass and sand hot-sculpted, assemblage w. 36cm, h. 43cm, d. 27cm
Clear Apparition hot-sculpted glass, stone-wheel engraved, fire-polished and assembled hot w. 36cm, h. 31cm, d. 31cm
Robyn McKay
Form Variation 1 blown glass w. 6cm, h. 6cm
78 glass
| robynmckayglass@gmail.com
Form Variation 1 blown glass w. 6cm, h. 6cm
Form Variation 1 blown glass w. 6cm, h. 6cm
Abstract Form blown glass w. 8cm, h. 12cm
Amanda Parker
| arparker@gmail.com
Colony pate de verre various sizes
Collected Marks engraved crystal, wood box w. 10cm, h. 15cm, l. 31cm
80 glass
William Ruppel
| will.ruppel.glass@gmail.com
Family Crest glass w. 15cm, h. 15.5cm, l. 12cm
82 glass
Red Moon Vessel glass w. 14.5cm, h. 34cm
Christina Lee Tatarnic
| christina.tatarnic@gmail.com
Foblets blown glass, felted wool w. 10cm, h. 10.5cm, l. 5cm
Foblets (detail)
Winter Seeds hot sculpted and cold worked glass, crocheted and felted wool w. 48cm, h. 6.5cm, l. 14cm
84 glass
David Thompson
Forgotten (detail) coldworked and sandcast glass h. 17cm, w. 25cm
86 glass
| DMT_X@hotmail.com
Fossilized (detail) coldworked and sandcast glass h. 38cm, w. 33cm
A Tank Built With Love (detail)
A Tank Built With Love hot sculpted glass h. 22cm, w. 12cm, d. 16cm
Jessie Trott
| jessie.trott@hotmail.com
Stacks (detail) kiln cast glass w. 10cm, h. 14cm, l. 24cm
88 glass
Stacks with Wood kiln cast glass and found wood w. 11cm, h. 12 m, l. 31cm
Jen Van Herten
| Jen.vh@hotmail.com
Eating Home 2 p창te de verre glass w. 15cm, h. 22cm
90 glass
Eating Home p창te de verre glass w. 15cm, h. 22cm (each)
92
[Textiles]
Debbie Arruda
| debbiearruda@gmail.com
Purse (interior) machine and hand stitched
remember handmade, hand stitched, letterpress paper w. 22cm, h. 14cm
94 textiles
Purses hand beaded and embroidered cotton and bamboo
Anu Batra
| anu@anuraina.com
Chapter 2, Page 1 (An Autobiography) mylar, embroidery punch cards, foot prints, screen and block printing, hand embroidery w. 125cm, h. 150cm
96 textiles
Alex Bojanowski
| Alexandra.bojanowski@gmail.com
War Widow Series > News embroidery, cellulose fibers and natural dye w. 10cm, h. 10cm
Wer Bin Ich? Series > Hair Brooch human hair, embroidery, beading, silk w. 16cm, h. 21cm
98 textiles
War Widow Series > Brooch Badge embroidery in salvaged frame cellulose fibers and natural dye w. 16cm, h. 21cm
Alexandria Goldman
Alice Hat felt, dupioni silk, crinoline w. 15cm, h. 19cm, l. 21 cm
100 textiles
| alexandria.goldman@gmail.com
Alice Hat (detail)
Felt Collar (detail) hand felted merino, satin lining, machine embroidery
Felt Collar hand felted merino and silk blend, satin ribbon w. 12cm, l. 24cm
Rebecca Horwitz
| rebecca@horwitz.ca
Hourani Bracelets wool, raffia, cotton thread, glass beads
102 textiles
Anna Lehman
| lehmananna@hotmail.com
Refashioned Dress (detail) leather, zippers, beads
Refashioned Dress vintage materials, zippers, beads, photo transfers w. 42cm, h. 90cm
104 textiles
Meghan Macdonald
Seahorse crocheted cotton string h. 7cm, w. 2cm, l. 4.5cm
106 106 textiles
| www.meghan-macdonald.com
Brass Rings crocheted brass wire, stones, beads h. 3cm, w. 3cm, l. 3cm
Kitchen Chair free-motion embroidery on silkscreen mesh h. 6cm, w. 3cm, l. 3cm
Alana McLeod
| miss_alana_mcleod@hotmail.com
heritage flag leather, pine cone, driftwood, wool and stitch w. 22cm, h. 22cm
108 textiles
dress flag leather, wool, stitch and driftwood w. 6cm, h. 12cm
home flag wool, silk, denim, driftwood, stitch and leather w. 12cm, h. 24cm
Eliza Plumley
| elizaplumley@gmail.com
Pillow (detail) silkscreen print, hand-painted and machine stitched w. 17cm, h. 50 cm Inside-out Bag (detail) crocheted wire and fabric, woven various materials w. 60cm, h. 20 cm
110 textiles
Jamie Quinn
Crust (detail) beading, distressing
112 textiles
| jamie-quinn@hotmail.com
No. 2 embroidery, distressing w. 63cm, h. 75cm
Tattooed Lady embroidery, distressing, vintage buttons w. 72cm, h. 80cm
Simone Rauscher
| mona.mee@hotmail.com
“Mousemeat� unbleached cotton, poly thread, grease and pigment stains w. 46cm, h. 91.5cm
Teeth unbleached cotton, satin, poly thread w. 150cm, h. 300cm
114 textiles
Alison Syer
| whalesong17@gmail.com
Surface Design (detail) acrylic on paper w. 23cm, h. 30.5cm
116 textiles
Surface Design (detail) acrylic on paper w. 23cm, h. 30.5cm
Hand & Lock Embroidery (detail) wool felt, beading, hand embroidery w. 9cm, h. 14cm
Hand & Lock Embroidery (detail) wool felt, beading, hand embroidery w. 12.5cm, h. 16cm
Acknowledgements The graduating class of 2010 would like to thank several people for their assistance in making this exhibition and catalogue a reality: We are profoundly grateful to Isabel Stukator for all that she has done. Her guidance, hard work and patience can be found on every page of this catalogue; to Heidi Overhill for generously accepting the task of writing the foreword to the catalogue; to Arounna Khounnoraj for all of her help with the exhibition. To administrators Nancy Heath, Mary Cator, and Heather Whitton our associate dean; we thank you for all of your behind-the-scenes assistance and dedication. We thank Jennifer Deighton for her assistance with fundraising and sponsorships. Jamie Owen and Owen Colbourne; thank you not only for your expertise and assistance in the gallery and photo studio, but for being delightful and fascinating hallway conversationalists. To Mike Young; for working with Isabel on the design and layout of this catalogue. Also, we thank our peers and colleagues for all of their hard work on the various catalogue and exhibition committees. And lastly, we offer a special thanks to the 118 acknowledgements
support staff of the Crafts and Design program at Sheridan whose daily efforts help to make the school a pleasant and uplifting place to work and study.
Ceramics
Furniture
The Class of 2010 would like to extend a message of gratitude to all our mentors.
Looking back on the point of arrival three years ago, a diverse group of personalities has emerged. We have only now begun to understand our place and identities within craft. It is with great appreciation to those who have guided us towards a successful end, both in and outside of the studio, that we take these next steps out into the world. Thank you for all your moral support, advice and motivation along the way.
To Bruce Cochrane for his quietude in dealing with our frustrations in our formative years and his equally quiet excitement in our successes. Your understanding of how mud can become a beautiful thing will always be an inspiration. To Hugh Douglas-Murray, who with patience and patience and patience, put up with our messes and misunderstandings of how things actually work in a studio. You provided us with support that we did not even know we needed. To Winn Burke, Tony Clennell, Cathleen Nicholson, Dale Pereira, Gord Thompson and the many visiting artists, who found time to share their knowledge and their passion for clay and the ways in which it works (and doesn’t). There is no measurable extent to our gratitude. We have all been gifted with an artistic bent, but it could never have come this far, this fruitful or this fulfilling without your dedication to us – the Class of 2010.
We would like to personally thank the studio faculty: Rob Diemert, Peter Fleming, Connie Chisholm, Ian Stewart, Scott Eckert, and Kirsten White, as well as those who have supported and inspired us outside of the studio: Stephen Hugo-Seinader, Arounna Khounnoraj, Isabel Stukator, Claire Scott-Taggert and Kathy Kranias. Finally, we would also like extend a special thanks to our family and friends for their love and support during out time here at Sheridan.
Glass
Textiles
As the Glass department approaches graduation, we can not help but look back on the previous three years and smile. Who knew that seventeen of us would make this journey together, and explore the glass medium in every possible direction imagined, spending unbelievable amount of days and nights together, and grow into the artists we worked so hard to become.
The ladies of the 2010 graduating class of the Textiles studio would like to thank firstly and foremostly Rachel MacHenry for being not only a constant source of inspiration; but support, guidance, and love.
The Sheridan experience would not have been the same without our studio technician Jason Cornish. His advice, encouragements and sense humour are much appreciated. Our teachers, Koen Vanderstukken, Brad Sherwood, Blaise Campbell, Andy Kuntz, Maciej Dyskiewicz, Orion Arger, Lucy Roussel, and Sally McCubbin’s expertise, patience, and support helped us into our own. Teaching us to push the limits, ask questions, and to “just do it”. And lastly, a special thank you for an unforgettable first year with our teacher assistants Clayton Haigh and Rachael Shepherd; don’t stop believing! 120 acknowledgements
Thanks to all the textile teachers who have helped us on our way: Thea Haines, Isabel Stukator, Preethi Gopinath, Lissa Brunet, Janelle Guthrie, Dorie Millerson, Anna Zygowski and Arounna Khounnoraj. A special thank-you to those that have helped us from behind the scenes, like Jamie Owen, Heather Whitton, and Nancy Heath. This year has been full of amazing opportunities, and we would also like to mention G&S Dye, Rowenta Irons, Bernina, The Knit Café, Telio Cie and Vanja Vasic of Toronto Alternative Fashion Week for their support in our academic excellence.
Sponsors The students would also like to extend a special thank you to all of our sponsors who made this catalogue and the graduate exhibitions possible.
A & M Wood Specialty Robert and Ina Abra Elizabeth Barnes Anu Raina Designs Inc. Graham Muir Sales Playing With Fire Rick Reinhard Christopher Rowe Maxwell Thompson
Contact Sheridan Institute of Technology and Advanced Learning School of Animation, Arts and Design Crafts and Design Program 1430 Trafalgar Road Oakville, Ontario Canada L6H 2L1 www.sheridancraftsanddesign.com 905.845.9430
For more information on Crafts and Design and the other 25 full-time programs within the School of Animation, Arts and Design, visit our website at www.sheridaninstitute.ca.
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Sheridan Institute of Technology and Advanced Learning School of Animation, Arts and Design Crafts and Design Program Oakville, Ontario