J.S. Bach
Jesu, Joy of Man’s Desiring arranged for mallet sextet by Brian Slawson
Jesu, Joy of Man’s Desiring arranged by Brian Slawson © 2010 Tapspace Publications, LLC (ASCAP). Portland, OR. All rights reserved. International copyright secured. Printed in USA. www.tapspace.com
Notice of Liability: Any duplication, adaptation, or arrangement of any text or composition contained herein requires the written consent of the copyright owner. No part of any composition contained herein may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law.
TSPCE-49
Notes Jesu, Joy of Man’s Desiring (Herz und Mund und Tat und Leben, BWV 147), taken from one of the many stunning cantatas of Johann Sebastian Bach, is a chorale work and should be treated accordingly. Special care should be taken to perform the piece in a lyrical, sustained vocal style, particularly in the context of percussion instruments. I’ve included some bookend dynamics in order to provide phrasing suggestions for the lead marimba player. These guides may help to shape the melodic lines in order to avoid a potentially plodding performance, always a possibility when playing redundant rhythms at slower tempos. When sculpting the chorale sections (such as at rehearsal letter A), it’s imperative that all players agree upon the “arrival” points from phrase to phrase, thereby exploiting the same “breathing” techniques so inherent in vocal music. Try to smoothly connect from note to note and chord to chord, varying the speed of your rolls as an additional vehicle for expression. Marimba 2 must be aware that he or she is finishing the “vocal” phrase abandoned by Marimba 1 in bar 12, bar 17, etc., in order that the moving eighth-note pattern is resumed. Also, both players are free to “roll” (quickly “arpeggiate” from low note to high) their triple and quadruple stops, making sure that the final note of the chord lands on a strong beat. Mallet choices should favor the soft side of the spectrum, and loose hands should prevail. The chime part also requires soft hammers, and the instrument should reside a safe distance from the rest of the ensemble, creating a distant church bell effect (as illustrated by so few dynamic markings in the part). This is one of the most revered pieces in the history of music. If all players in the ensemble are committed to creating a unified effect, the performance is sure to be memorable.
- Brian Slawson
Instrument/Parts list Jesu, Joy of Man’s Desiring is arranged to be performed by six mallet players using the following instrumentation. • • • • • •
Glockenspiel Chimes Vibraphone Marimba 1 (4-octave) Marimba 2 (4- octave) Bass Marimba (5-octave)
Suggested Setup
About Brian Slawson Since his scholarship studies at The Juilliard School, Brian Slawson has continued to pioneer innovative paths in percussion. Grammy-nominated as ‘Best New Classical Artist,’ Brian has appeared on NBC’s Tonight Show, Entertainment Tonight, The CBS Morning News, and NPR’s “All Things Considered.” Mr. Slawson has an extensive discography, including solo releases on the Sony/CBS and Belltone labels. His smash debut, Bach On Wood, hit Billboard’s Top 10 and remains one of the world’s premier vehicles for exposing new audiences to classical music. Brian has shared the stage with classical luminaries Leonard Bernstein and Aaron Copland, recorded with pop icons from Stevie Ray Vaughan to Marie Osmond, and punctuated jokes for comedians Bill Maher, Eddie Murphy, and Jerry Seinfeld. He is the voice of “Gusto the Bulldog” in Warner Bros. Music Expressions and a featured artist in McGraw-Hill’s Spotlight on Music. In addition to serving as Principal Timpanist of the Brevard Symphony Orchestra, Brian’s multimedia company, Slawsongs, has created award-winning custom music for feature films, television, and radio. Mr. Slawson proudly endorses Ludwig-Musser, Zildjian, Vic Firth, Remo, Grover Pro Percussion, Rhythm Tech, Alternate Mode, and Sibelius. His teachers have included Saul Goodman, Buster Bailey, Alexander Lepak, David Smith, and Drew Grouse. Legendary vibraphonist Lionel Hampton described Brian Slawson as “one of the finest percussionists to come along in many years.” Modern Drummer magazine calls Brian “a visionary, be it performer, producer, or composer.”
Level: Medium Approximate playing time: 3’20”
Jesu, Joy of Man’s Desiring
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J.S. Bach arr. by Brian Slawson
for mallet sextet
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© 2011 Tapspace Publications, LLC (ASCAP). Portland, OR. International copyright secured. All rights reserved.
Jesu, Joy of Man’s Desiring - arr. Slawson
2
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Jesu, Joy of Man’s Desiring - arr. Slawson
4
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Jesu, Joy of Man’s Desiring - arr. Slawson
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Jesu, Joy of Man’s Desiring - arr. Slawson
6
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TSPCE-49
www.tapspace.com