G. Giménez y Bellido
La Boda de Luís Alónso Intermezzo
arranged for percussion ensemble by Bobby Lopez
La Boda de Luís Alónso by G. Giménez y Bellido, arr. Bobby Lopez © 2012 Tapspace Publications, LLC (ASCAP). Portland, OR. All rights reserved. International copyright secured. Printed in USA. www.tapspace.com Notice of Liability: Any duplication, adaptation, or arrangement of this composition requires the written consent of the copyright owner. No part of this composition may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law. TSPCE-68
Program Notes La Boda de Luís Alónso (The Wedding of Luís Alónso), also known as La Noche del Encierro (The Night of Confinement), is a well-known Spanish zarzuela by composer G. Giménez y Bellido (1854–1923). Giménez was a 1st violin player for the Teatro Principál in Spain by the age of twelve. By the age of seventeen, he was conducting operas and zarzuelas in Seville, Spain. He is best known for his work in the art form of the zarzuela, a Spanish court-based musical play with choruses and alternating spoken lines that evolved into comic opera. La Boda was one of Giménez’s most famous works and has been arranged for many different ensembles including the Mexican mariachi ensemble. This energetic work is full of sweeping melodic lines and light, fast-moving bass lines. The triplet figures are best interpreted in a more “rounded” feel like that of the Spanish-Andalusian style.
Performance Notes • • • •
The timpani part can be demanding as it contains many pitch changes and pedalings. If the player/director feels inclined, some of the moving lines may be omitted in the timpani part to make it easier for the player to execute fixed pitches on the drums. The moving lines are supported by the bass marimba. Marimba 1 and 3 (bass marimba) parts may be played on a shared instrument. Since the crash cymbal part in Percussion 2 requires fast playing, it is advised that the player use a lighter cymbal like a French-style pair of hand cymbals. (The author suggests a pair of 17” Sabian HH French-style cymbals for this part and a pair of 18” Sabian HH Viennese-style cymbals for the Percussion 1 part.) The castanet rolls in the Percussion 1 and 2 parts can be tricky to execute. If using castanets with a knob, the player should turn the castanet over with the knobs facing down, then with the finger held on top of the castanet, play a downstroke followed by a quick upstroke. This will produce a “double,” or two quick notes. Done rapidly with both hands, the player will produce a roll sound. Practice this—it takes a little time to develop!
Players and Instrumentation La Boda de Luís Alónso requires 10 players with the following instrumentation: 1 Xylophone 1 Bells 2 Vibraphones 2 Marimbas* • Shared 5-octave (low C) • 4.6-octave (low E) 5 Timpani Auxiliary Percussion (Concert snare drum, bass drum, 1 pair dark crash cymbals, 1 pair light crash cymbals, tambourine, castanets, triangle) *3 marimbas may also be used.
Suggested Setup
Level: Med-Advanced Approx. playing time: 4’00”
La Boda de Luís Alónso Intermezzo
G. Giménez y Bellido arr. Bobby Lopez
Animato q = 220 (In 1)
Xylophone/ Bells
mallets ° # ™3 Hard xylophone ffff f ffff f ffff f ffff ffff f ffff f ffff f ffff f f ™ & 4f #f #f f f f f f f f f f f f f f f
ff
mf cresc.
# 3 ffff f ffff f ffff f fff ffff f ffff f ffff f fff f #f f #f f f f f f f f f f f f f f f f f & ™™4 f
Vibraphone 1
ff
Vibraphone 2
mf cresc.
# ™3 ¢& ™4 FF ™™ ff
Marimba 1
FF ™™
FF ™™
FF ™™
FF ™™
FF ™™
FF ™™
FF ™™
FF ™™
mf cresc.
° # ™3 ffff f ffff f ffff f ffff ffff f ffff f ffff f ffff f f & ™4 f #f #f f f f f f f f f f f f f f f ff
mf cresc.
f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f ? # ™™3 #f ff f ff f ff #f ff f ff f ff f f f f f f f f f f f f #f ff f ff f ff #f ff f ff f ff f f f f f f f f f f f f #f ff f ff f ff #f ff f ff f ff f f f f f f 4 f f f f f f f f f f f f f f f
Marimba 2
ff
Marimba 3
¢
mf cresc.
? # ™™3 f 4 #f f
f
ff
(Crash Cyms, Tambourine, Castanets, Triangle)
Percussion 2 (Castanets, SD, Triangle, Crash Cyms)
Percussion 3 (Bass Drum)
°
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sfz
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sfz
> f Œ Œ
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f f f
f f
sfz
Large, med-hard mallets
Timpani
nf
> ™™43 Œ Y
Crash cyms
Percussion 1
FF ™™
FF ™™
ff
f
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sfz
> f Œ Œ
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sfz
nf
f
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f
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f f f
f f
sfz
mf cresc.
f Œ Œ
mf cresc.
nf
f
#f f
mf cresc.
© 2012 Tapspace Publications, LLC, Portland, OR. (ASCAP) International copyright secured. All rights reserved.
f
2
La Boda de Luís Alónso – arr. Lopez
A
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12 (28)
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V1
V2
M1
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P1
P2
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sub. mf
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sub. mf
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Castanets "UU Œ Œ Œ Œ æ‹ ‹ Œ ‹ ‹ Œ æ‹ æ æ
‹ Œ ‹ ‹ Œ ‹ ææ
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BD
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M2
M3
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sub. mf
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∑
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F™ TSPCE-68
3
La Boda de Luís Alónso – arr. Lopez 41
° X & & Œ
V1
V2
M1
P1
∑
3
f
f ? #fff ‰ Œ Œ J ? f‰ Œ Œ J
°
/
BD
T
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∑
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f
∑
Bells hard plastic mallets
F™
F™
F™
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F™
#F ™
F™
F™
(4)
‘
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3
F™ F™
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3
p cresc.
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∑
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p cresc.
∑
3
∑
3
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3
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3
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3
∑
f f #ff
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F™
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fff f #f #ff #F ™
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p cresc.
f Tambourine (thumb roll)
Œ æf æ
f Œ
very dry
f Œ f f Œ f ææ
∑ Œ
f
f
ff f f #fff
ff fff f f
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ff ## ff f Π#f
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f
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3
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p
Œ Œ
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TSPCE-68
∑
3
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mf
P2
∑
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∑
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fj ‰ Œ Œ & ¢ f
M2
M3
∑
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p cresc.
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‘
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(4)
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f
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(4)
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(8)
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‘
(4)
‘
‘
‘
∑
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‘
F™
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F™
#F ™
‘
F™
4
La Boda de Luís Alónso – arr. Lopez
#### F ™
F™
3
nF ™ & ¢ nF ™
F™ F™
° &
Y™ ææ
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nn ff ? nf nf
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M2
f f f f fff 3
f
3
M1
Œ
# ## & f f fbfnf f f fbfnf # f Œ Œ
V1
V2
Xylo w/ hard rubber mallets
B
° nF ™ B & 54
Œ
f f f f fnf#f 3
Œ
f f f f f f f fnf#f f f f f f f f f f f f f f f f f f f f Π3
3
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f
ff f ## Π##
ff ff
ff ff Œ
ff ff
3
ff ff Œ ffff ffff Œ ffff ffff Œ
ff ff
3
ff ff Œ
ff ff
ff ff Πffff
3
ffff Πffff ffff
ff ff Πff ff
ff ff ff ff ff ff Πff ff Πff ff Πff ff
f f f
f f f F™
f
M3
P1
P2
BD
T
¢
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°
/ /
Œ ¢/ f ? nF ™
#### F ™
F™ æ ‘ ∑
‘
∑
∑
Snare Drum
∑
Œ f f f Œ Œ
f
F™
F™
F™
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F™
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f
mf
Œ
F™
F™
#### F ™ f
F™
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‘
‘
(4)
‘
‘
‘
‘
(8)
‘
‘
‘
‘
(12)
‘
‘
(4)
‘
‘
‘
(8)
‘
‘
‘
(12)
F™
‘
F™
F™
F™
F™
‘
F™
F™
F™
F™
‘ ‘
F™ TSPCE-68
5
La Boda de Luís Alónso – arr. Lopez
C 68 f f f f f fnf#f f f f f f fnf f f f f#f nnnn f f f f f f f f f f f f f f f f f f ° #### f f fnf#f f f f f f#f f f f f f f#f f Œ X & fff f f f f f f f f f 3 3 3 3
## &##
∑
#### & ¢
∑
V1
V2
∑
∑
∑
∑
∑
∑
∑
∑
nnnn nnnn
ff ff ff ff ff ff ff ff ff ff
ff Œ Œ
∑
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Œ Œ
∑
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∑
∑
ff sub. p
ff
ff ff ff ff ff ff ff ff ff ff
ff
f f f f f fnf#f f f f f f fnf f f f f#f nnnn f f f f f f f f f f ° #### f f fnf#f Œ fff f f f f f f & 3
f ? #### Πfff
M2
3
ff ff Œ
ff ff
ff ff Πffff
3
ffff Πffff ffff
ff ff
ff sub. p
Œ Œ
P1
P2
BD
T
¢
? #### F ™
F™
F™
p
nnnn F ™ F™
F™
F™
/
∑
/
‘
‘
‘
(16)
‘
‘
¢/
‘
‘
‘
(16)
‘
°
? #### F ™
TSPCE-68
∑
∑
∑
∑
fff f
fff f
fff f
fff f
f f f f f f f f f f f f
ff
p
F™
F™
F™
F™
f f f f ffff f f f f f#f f f f f f f#f f f f f 3 3
fff ΠΠΠfff f f
fff Πfff fff Πfff f f f f
ff
F™ F™
F™
F™
F™
ff
f Œ Œ Œ f ææ ff
f fff f f f f f f
f Œ Œ
ff sub. p
ff
f Πf f f f f f f
f Œ Œ
ff
ff
nnnn F ™ ff
p
f f f f f f
f Œ Œ F™
p
ff
3
fff Πfff fff Πff ff f f f
f Œ f f Œ f ææ
fff f
F™
F™
(thumb roll)
f fff f f f f f f ff sub. p
‘
ff
ff
nnnn fff ΠΠfff fff f f f ff
M3
3
ff
ff sub. p
M1
3
ff sub. p
f Œ f f Œ f ææ
f
∑
∑
∑
∑
∑
‘
‘
(4)
‘
‘
F™
‘
F™
F™
F™
6
La Boda de Luís Alónso – arr. Lopez
>f f f f ffff ° ffffff fffff f f f f f#f f æ f f X & f 82
3
3
D
U f U æ U Œ Œ
∑
∑
∑
∑
∑
∑
∑
niente 3 UU jU Œ f ¿ f f f f#f f Œ f f f f f f f Œ f f f f f#f f Œ f f ™ F 'x' = mallet dampening
&
∑
¢&
∑
V1
V2
M1
∑
∑
∑
∑
∑
∑
∑
∑
P1
P2
∑
>f f f f ffff ° ffffff fffff f f f f f#f f ææ f f & f ? Œ
M2
¢
?
°
3
f
3
M3
∑
fff fff f f
f f f
F™
/ Œ
Œ
f f
Œ
∑
/
fff fff f f
f f
Πffff ffff Πffff
fff Πfff fff fff f f f >f
f f f F™
∑
fff >f f
UUU Œ Œ Œ
∑
∑
∑
∑
∑
∑
∑
U f U ææ U Œ Œ
∑
∑
∑
∑
∑
∑
∑
niente
U U #f fff U f f ΠΠΠff
ffff Œ#ffff ffff Œ ffff
ff Πff ff ff
∑
T
¢/ ?
(8)
‘
F™
‘
F™
‘
F™
‘
F™
‘
UUU f Œ Œ f Œ
Œ f Œ Œ
f Œ
Œ
> Œ æf æ
U f UU ææ Œ Œ niente
∑
U U U gracefully Œ Œ Œ Œ æf f Œ f f Œ æf æ æ
F™
f
Œ
∑
> UUU f ΠΠΠf Πmf
F
f >
ff Πff ff ff
ff #ff f ff f ff f ff f f f ff
∑
Œ
‘
U U U med. mallet w/ larger head F™ f Œ Œ F™ mf
f
∑
mf
BD
ff Πff ff ff
mf
f
f Œ f f f ∑
Œ
F
F™
Œ f f Œ æf æ
∑
3
ff
3
f
Œ
Œ
∑
(4)
‘
F™
#f
∑
f Œ f f Œ f ææ
‘
F™
Œ Œ
f
Œ
Œ
ff
∑
∑
f Πf f >f f f f f f f
‘
F™
Œ Œ
‘ #F ™
F™ f
F™ ff
TSPCE-68
7
La Boda de Luís Alónso – arr. Lopez hard mallets > ° >f f f f f f f >f f f f f f f j f nf f#f f f f Fææ X & > > 3 3 3 ff 3 96
#F ™ & #F ™
F™ F™
F™ F™
F™ F™
¢& #F ™ #F ™
F™ F™
F™ F™
F™
V1
V2
ff
M1
> ° >f f f f f f f >f f f f f f f f nfj f#f f f f Fææ & > > 3 3 3 ff 3
M2
M3
¢
> > >f f f f f f f > f f f f f f f f nfj f#f f f f Œ f Œ f f f f f Œ f Œ f f f f f Œ Œ > 3 3 3 3 #F ™ #F ™
F™ F™
F™ F™
F™ F™
Πf f f f f Πf Πf f f f f f f f f bf
#F ™ #F ™
F™ F™
F™ F™
F™
Œ
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> Πf
∑
f
>¿. >¿. Œ
∑
#f Œ
Œ
f Œ
Œ
f
Œ
Œ
f
Œ Œ
#f Œ
Œ
f Œ
Œ
f
Œ
Œ
/
∑
∑
∑
∑
∑
∑
∑
/
‘
‘
(4)
‘
‘
‘
‘
(8)
P2
¢/
‘
‘
(4)
‘
‘
‘
(8)
BD
P1
T
f f bf f bf f Πf Πf f f fff fff
? #ff ff ff ff ff ff ff f ff f ff f ff f ff f ff f #ff ff ff ff ff ff #ff ff ff ff ff ff ff f ff f ff f ff f ff f ff f #ffff Πffff f f f f f f f f f f f f ?
°
?
TSPCE-68
#F ™
F™
‘
F™
F™
∑
#F ™
F™
‘ ‘
F™
>f
Crash cyms (lighter)
∑
#fff Πfff f f
∑
#fff ΠΠf
Πf
∑
f f bf f bf f
>¿. >¿. Œ
∑
>¿ Œ Œ
f. Œ f. Œ f f f f f. Œ f. Œ f f f f >F ™ ææ
∑
∑
F™ ææ
> > f Πf
∑
f Πf
∑
f Œ Œ
>f >f Œ
∑
f Πf
∑
f f bf f bf f
∑
8
La Boda de Luís Alónso – arr. Lopez 109
∑
° X &
∑
∑
∑
f bf f f bf f bf Œ Œ & F™
V1
p
f
V2 & f bf f bf f f bf Œ Œ ¢
E Lighter
∑
∑
∑
∑
∑
f f f f f f f f f f f f f f fnfj f f f fj f #f F
∑
Solo
3
∑
3
3
∑
∑
∑
∑
∑
∑
f F
∑
∑
∑
∑
∑
∑
∑
j f
3
∑
∑
∑
∑
Solo
f ffffff f ffffff
p
M1
∑
° &
∑
∑
∑
∑
∑
∑
∑
∑
j f
f Fæ
3
3
3
M2
∑
∑
∑
∑
f Πfff
ff ff
Πffff
ff ff
Πffff ffff
Πffff ffff
Πffff ffff
P1
¢
?
f bf f bf f f f
Œ Œ
∑
p
°
/
∑
∑
mf
F™
F™
F™
F™
∑
mf
Œ æ‹ æ
‹
Castanets
‘
(4)
‘
‘
‘
‘
3
f
BD
T
/ æF ™ æ ¢/
f Œ Œ
F™ ææ ∑
∑
ff ff
3
‹ Œ
3
Œ
∑
ff ff
mf
f
∑
F™
mf
Œ æ‹ æ
‹
mf
∑
Πffff
3
f
P2
3
∑
f ffffff fff f f f f F™
F™
f
∑
3
3
F™
3
f
3 3 Πffff ffff f f f f f f f f f f f f f f Πffff
mf
M3
3
∑
3
f ffffff fff f f f f
mf
?
3
f
∑
∑
∑
∑
∑
∑
‘
‘
(4)
‘
‘
∑
Œ æ‹ æ
∑
‹ ∑
p
∑
∑
∑
f Œ
Œ
f Œ
Œ
f
? f bf f bf f f f ΠΠp
∑
F™ f
F™
F™
F™
‘
F™
F™
f‰ Œ J
f Œ
Œ
‘
mf
Œ
∑
F™ mf
F™ TSPCE-68
9
La Boda de Luís Alónso – arr. Lopez
F
123
° X &
∑
&
∑
V1
V2
M1
∑
∑
∑
darker-sounding, teflon-type mallets
f
∑
∑
f f f f f f f f f f f f ### f Œ Œ
∑
‘
(4)
∑
∑
‘
ffff ff mp
∑
‘
‘
(4)
‘
‘
‘
∑
∑
∑
∑
>f >f >f > >f > > f ff 3
f
∑
j f fj f nf F ¢& f f#f f
∑
° &
∑
f f f f f f f f f f f f ### f Œ Œ
∑
∑
∑
Πffff ffff
∑
∑
∑
∑
∑
j f
f Fæ
3
f f f f f f f f f f f f ### f Œ Œ
∑
∑
∑
Πffff ffff Π#ffff ffff
Π#ffff ffff
æ fæ™
j ff
3
>f >f >f >f >f >f > f
f
f
? Πfff fff f f
M2
∑
### f f f f f f ‘
3
æ æ f f f fæ™ fj f f f f fæ™ fj f
∑
Πffff ffff
‘
f
### Πfff fff f f
‘
‘
(4)
‘
‘
‘
(8)
‘
‘
f
M3
P1
P2
BD
T
¢
?
F™
F™
f f #f
F™
F™
### F ™
F™
F™
F™
F™
F™
F™
F™
F™
F™
f
°
/ Œ æ‹ æ
‹ ∑
¢/
‘
TSPCE-68
Œ ‹j‹ ‹j‹ Œ ‹j‹ ‹j‹
Œ ‹j‹ ‹j‹
Œ ‹j ‹ ‹j ‹ mf
/
?
Œ ‹j ‹ ‹j ‹ ∑
∑
∑
∑
F™
(4)
F™
f
f f f
f f f
F™ f
F™
F™
F™
‘
### F™ f
(4)
‘
‘
‘
(8)
‘
‘
‘
‹
Y ææ fz
Triangle
!™ mf
‘
‘ ‘
‘
(4)
‘
‘
‘
‘
(8)
‘
‘
∑
‘
‘
(4)
‘
‘
‘
(8)
‘
‘
F™
F™
‘
F™
F™
F™
F™
‘
F™
F™
F™
10
La Boda de Luís Alónso – arr. Lopez
° ### X &
‘
(8)
‘
‘
‘
‘
## &#
∑
∑
∑
∑
∑
### & ¢
∑
138
V1
V2
M1
P1
∑
∑
∑
‘
‘
‘
‘
(16)
‘
‘
‘
‘
(20)
‘
‘
‘
>f >f >f > >f > f ff > 3 3
∑
∑
∑
∑
∑
>f >f >f > >f > > f ff
∑
∑
∑
∑
>f >f >f > >f > f ff > 3 3
∑
∑
∑
∑
∑
° ### ææ j f f f f fæ™ fj f f f f fææ™ fj & f f™ f ? ###
M2
M3
∑
(12)
¢
? ### ™ F
°
/
(4)
‘
‘
‘
F™
Œ ‹j ‹ ‹j ‹ mf
F™
F™
‘
‘
f f Πfff fff
‘
‘
∑
∑
∑
3
>f >f >f >f >f >f > f 3
æ æ ææ j f f f f fæ™ fj f f f f fæ™ fj f f™ f
∑
Πffff ffff
‘
(4)
‘
‘
F™
F™ ‹ Œ ‹j ‹ ‹j ‹
Y ææ
∑
3
‘
F™
F™
(4)
‘
∑
3
‘
F™
F™
‘
‘
(4)
‘
F™
F™
‘
‘
mf
fz
æ ææ j f f f f fæ™ fj f f f f f f™ (4)
‘
‘
F™
F™ ‹ Œ ‹j ‹ ‹j ‹
Y ææ fz
‘
‘
F™
F™
‘
‘
(4)
‘
mf
P2
/
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
¢/
‘
(12)
‘
‘
‘
(16)
‘
‘
‘
(20)
‘
‘
‘
(24)
BD
‘
‘
T
? ### F ™
‘
F™
F™
F™
F™
‘
F™
F™
F™
F™
‘
F™
F™
F™
F™
‘
F™
F™
F™ TSPCE-68
11
La Boda de Luís Alónso – arr. Lopez
° ### X &
‘
## &#
∑
### & ¢
∑
154
V1
V2
M1
(24)
‘
p
>f >f >f > >f > f ff > 3 3
∑
>f >f >f > >f > f ff > 3 3
∑
° ### æ & fæ™ fj f
∑
ff ff
‘
‘
(4)
∑
∑
f f f f ° f f f f °
∑
‘
‘
‘
f f
∑
∑
∑
ff ff ff
ff ff ff
ff ff ff
6 fj ‰ ‰ Œ ™ 8f
f f
∑
ff ff ff
ff ff ff
ff ff ff
6 j ‰ ‰ Œ™ 8f f
‘
∑
f #f G f 6 J ‰ ‰ Œ™ 8
f#f f fnf f f f f#f f f fn f f #f
∑
ff
∑
ff
ff
f f #f f 3 3 fffffff æ j f#f f fnf f f#f f f#f f f fn f 6JŒ ‰ j æ™ f nf nf f f #f f f f f 8 f nf nf f f #f f f f f f ff 3 3
æ fæ™
p
? ### Πfff fff Πf f
M2
ffff ff
ff Πbbfff ff f
fff f
ff
sub. p
f
Œbbffff ffff Œ ffff ffff Œ ffff ffff Œbbffff ffff Œbbffff ffff Œ ffff ffff Œ ffff ffff
Œ
fff fff f f
Œ
fff fff f f
6 8
p
M3
P1
¢
? ###
bF ™
p
°
/
‘
‹ Œ ‹j ‹
Y ææ fz
/
∑
∑
¢/
‘
(28)
BD
? ###
TSPCE-68
F™
‘
F™
‹
j ‹
nF ™
Œ ‹j ‹ ‹j ‹ Œ ‹j ‹
‹ Y ææ
F™ p
p
bF ™
bF ™
‹ Œ ‹j ‹
j ‹
fz
∑
bF ™
bF ™
F™
p
P2
T
ff
bF ™
F™
F™
ffj ‰ ‰ Œ ™ ff
nF ™
F™
‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ 68 ‹™
‹ Œ ‹j ‹ ‹j ‹ Œ ‹j ‹
j ‹
j ‹
sub. p
∑
∑
∑
∑
‘
‘
(4)
‘
‘
‘
‘
bF ™
Ϊ
ff
∑
F™
6 f ‰ ‰ Œ™ 8J
F™
ff
∑
nF ™
F™
bF ™
nF ™
∑
F™
∑
F™
∑
f f f
6 8
∑
> 6 .j ‰ ‰ Œ ™ 8f ff
f f f
f f f
f f f
6 f ‰ Œ™ 8 ff
12
La Boda de Luís Alónso – arr. Lopez
° ### X &
∑
j f> >f >f >f ‰ ‰
∑
>f >f >f >f J‰‰
∑
## &#
∑
j ff ff ff ff ‰ ‰ >>>>
∑
j ff ff ff ff ‰ ‰ >>>>
∑
### & ¢
∑
167
V1
V2
M1
P1
P2
BD
T
∑
j ffff‰‰ >f >f >f >f
∑
f ™™ >f
Ϊ Ϊ
f™ ™ >f f ™™ >f
Ϊ Ϊ
™ f™ Œ >f ™ f fff f fffff fffff f ° ### f f f fffff & fff f ffffff f f f f fff f
M2
M3
j ffff‰‰ >f >f >f >f
f™ ™ >f
¢
f™ >f ™
Ϊ
f™ ™ >f f ™™ >f
Ϊ Ϊ
™ f™ Œ >f ™ f ffff f
Ϊ
∑
∑
∑
Ϊ
∑
∑
∑
™ f™ Œ >f ™ f fff
∑
∑
∑
f™ ™ >f f ™™ >f
? ###
∑
>>>> ffffffffffffffff ‰ ‰ J
∑
>>>> ffffffffffffffff ‰ ‰ J
∑
> ffff ™™™™
Ϊ
? ###
∑
>f >f >f >f J‰‰
∑
>f >f >f >f J‰‰
∑
>f ™
Ϊ
>f ™
Ϊ
>f ™
Ϊ
>f ™
/
∑
>‹ >‹ >‹ >‹ ™
∑
>‹ >‹ >‹ >‹ ™
∑
>‹ ™
Ϊ
>‹ ™
Ϊ
>‹ ™
Ϊ
>‹ ™
>¿ >¿ >¿ >¿ J‰‰
∑
>¿ >¿ >¿ >¿ J‰‰
∑
>¿. ™ J‰‰Œ
>¿. ™ J‰‰Œ
°
Crash Cyms
ff ffffff ffff f f ffff ff ∑
∑
∑
Ϊ
∑
∑
∑
Ϊ
∑
∑
∑
>¿. ™ J‰‰Œ
>¿. ™ J‰‰Œ
∑
∑
∑
‘
(4)
‘
‘
/
∑
¢/
∑
> > > >.j ffff‰‰
∑
> > > >.j ffff‰‰
∑
>. j f ‰ ‰ Œ™
>. j f ‰ ‰ Œ™
>. j f ‰ ‰ Œ™
>. j f ‰ ‰ Œ™
∑
∑
∑
∑
>f >f >f >f J‰‰
∑
>f >f >f >f J‰‰
∑
>f ™
>f ™
>f ™
>f ™
∑
∑
∑
? ###
ff
Ϊ
Ϊ
Ϊ
Ϊ
TSPCE-68
13
La Boda de Luís Alónso – arr. Lopez
° ### ™ >f ™ ™ Œfj X & f> ™ Œ f
~~~~~
179
## &#
V1
∑
∑
∑
∑
∑
∑
∑
∑
∑
j ff ff ff ff ‰ ‰
∑
∑
∑
∑
∑
∑
∑
Ϊ
‰
H
∑
f ff fff
∑
∑
f f f ff f ‰
ff
V2
### & ¢
j ff ff ff ff ‰ ‰
∑
∑
∑
ffff ffffff ffffff ffffff ffffff ffffff ffffff ffffff ffff J ‰‰ Œ J
∑
∑
∑
∑
∑
ff ™™
f
M1
° ### & f™
f™
ff ™™
ff ™™
ff ™™
ff ™™
ff ™™
ff ™™
ff ™™
ff ™™
ff ™™
ff ™™
ff ™™
ff ™™
ff ™™
> ffff ™™™™ Œ ™
ff ™™ fff ™™ ff ™™ f ™™
ff ™™ fff ™™ ff ™™ f ™™
ff ™™ fff ™™ ff ™™ f ™™
ff ™™ fff ™™ ff ™™ f ™™
ff ™™ fff ™™ ff ™™ f ™™
ff ™™ fff ™™ ff ™™ f ™™
ff ™™ fff ™™ ff ™™ f ™™
f
M3
P1
P2
BD
T
¢
? ### Œ ™ f ™ ™ f™ Œ
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
ff ff ff ff ‰ ‰ ff ff ff ff J
∑
j ffff ‰‰
∑
/
∑
/
> Œ™ ¿™
¢/
∑
? ###
TSPCE-68
>f f f >f f f f fff ff f fff ff f >f f f >f f
f
f™
f™
f™
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Ϊ
Triangle
‘
1™ mp
∑
¿™
¿™
‘
‘
(4)
‘
‘
‘
‘
>¿ >¿ >¿ >¿ J ‰‰
∑
> ™ f™ Œ
f™
‘
‘
‘
‘
∑
f
‘
> > > >j ffff ‰‰
sfz
‘
(4)
f™
‘
‘
(4)
‘
‘
‘
j ffff ‰‰
f
∑
f ™ Œ™ f
f™
f
f
°
ff
f
? ### Œ ™ f>fff ™™™ ™
M2
f ff f ff
f™
f™
‘
∑
f™
∑
‘
f™
mf
∑
f™ f
f™
f™
f™
14
La Boda de Luís Alónso – arr. Lopez
° ### X & 192
# # f™ &#
V1
V2
∑
### & ¢
∑
∑
∑
∑
fff ffff f f fff f ‰ f f f f f f f f F™ ∑
∑
∑
∑
Ϊ
‰
∑
∑
∑
∑
∑
∑
∑
b
∑
∑
∑
∑
∑
∑
∑
b
ff ff ff
f f fff f ‰
ff
M1
° ### & ? ###
M2
M3
¢
∑
∑
∑
∑
∑
∑
ff ff ff
∑
f f f™
∑
fff fffff
∑
f fff f ‰ f f f f f f f f b
∑
∑
∑
>ff ff > ff >ff ff > ff >ff ff > ff >ff ff > ff >f f f >f f f >f f f >f f f >ff ff > ff >ff ff > ff >ff ff > ff >ff ff > ff ff ff ff ff ff ff ff ff ff ff ff ff f ff f ff f ff f ff f ff f ff f ff f ff f ff f ff f ff f ff ff ff ff ff ff ff ff ff ff ff ff ff b > > > >
? ### ™ f
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
/
‘
(4)
‘
‘
‘
‘
(8)
‘
‘
‘
‘
(12)
‘
‘
‘
P2
/
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
¢/
‘
(4)
‘
‘
‘
‘
(8)
‘
‘
‘
‘
(12)
BD
‘
‘
‘
‘
‘
(4)
‘
‘
(4)
‘
‘
(4)
P1
T
°
b
? ### f ™
f™
‘
f™
f™
‘
f™
f™
‘
b
b TSPCE-68
15
La Boda de Luís Alónso – arr. Lopez
I
° F™ X &b F ™
Bells
F™ F™
F™ F™
F™ F™
∑
∑
∑
∑
∑
∑
∑
∑
F™ F™
F™ F™
F™ F™
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
mf
V1
F™ &b F ™ mf
V2
b ¢& f ™
Ϊ
M1
° Œ™ &b
f ‰ ff ffff
M2
M3
∑
∑
f fff f
∑
f ‰ ff ffff
f f™
‰
f f f f f f f f fff f f f f f f ‰ ff
f f™
ff ‰ ff fff
f fff f
f ‰ ff ffff
ff
“” “” > > > > ? b ff ff ff ff ff ff ff ff ff ff ff ff ff ff ff >ff ff ff ff ff ff >ff ff ff ff ff ff >ff ff ff ff ff ff >ff ff ff ff ff ff ff ff ff ff ff ff ff ff ff > ff >ff ff > ff >ff ff > ff >ff ff > ff >ff ff > ff >ff ff > ff >ff ff > ff >ff ff > ff >ff ff ? f™ ¢ b
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f™
f
/
‘
‘
‘
(4)
‘
‘
‘
‘
(8)
‘
‘
‘
‘
(12)
P2
/
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
¢/
‘
‘
‘
(4)
‘
‘
‘
(8)
‘
‘
‘
(12)
BD
‘
‘
(4)
‘
‘
(4)
‘
‘
(4)
P1
T
f
°
?b
TSPCE-68
f™
f
f™
‘
‘
f™
f™
‘
‘
f™
f™
‘
‘
‘
16
La Boda de Luís Alónso – arr. Lopez
° B &b
∑
∑
∑
∑
∑
∑
∑
###
V1
&b
∑
∑
∑
∑
∑
∑
∑
V2
b ¢&
∑
∑
∑
∑
∑
∑
∑
M1
° f™ &b
216
>f ™ f f f f f f f f f f f f#f f f f f f f f >f ™ ‰
>f ™
>f ™
J
∑
∑
∑
∑
∑
###
∑
∑
∑
∑
∑
###
∑
∑
∑
∑
∑
>f ™ ### #f f f f™ ‰ fffff f ff‰ ff fffff #f f
‰ ff ffffff
mf
M2
> > > > > ? b ff ff ff ff ff ff ff f ff f ff f ff ff ff ff ff ff ffnff ff ff ff ff #nff ™™ ffff ™™™™ #fnfff ™™™™ ffff ™™™™ #fnfff ‰ Œ ™ f f f
###
∑
>f f f >f f f >f f > f >f f > f f f f f f f f f f f f f f ff f ff f ff f ff f ff f ff f >f f f >f f
mf
M3
? f™ ¢ b
f™
f™
f™
f™
f™
1> ™ 1> ™
1> ™
Ϊ
∑
>¿ ™ >¿ ™
>¿ ™ >¿ ™
>¿ ™
Ϊ
∑
> > f™ f™
> > f™ f™
> f ™ Œ™
∑
f™
>f ™ >f ™
>f ™ >f ™
>f ™ ™ Œ
∑
f™
P2
/
∑
∑
∑
∑
¢/
‘
‘
‘
(16)
BD
f™
f™
f™
f™
f™
f™
∑
1> ™ 1> ™
‘
?b
###
1™
‘
T
Ϊ
1™
‘
°
>f ™
f™
/
P1
>f ™
nf ™
‘
nf ™
f™
™ >f
™ >f
™ >f
f™
f™
f™
f™
f™
f™
f™
f™
mf
###
Ϊ
1™
∑
mf
f™
f™
f™
‘
‘
(4)
∑
∑
∑
‘
‘
(4)
f™
f™
f™
‘
‘
‘ TSPCE-68
17
La Boda de Luís Alónso – arr. Lopez
K
° ### B &
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
## &#
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
228
V1
∑
f ™™ f ™ f f™
f ™™ f
ff ™™
ff ™™ ff ™™
ff ™™
ff ™™
mp
V2
### & ¢
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
mp
M1
° ### & fff f ‰ f f f f f f f
f f™
‰
ff ff fff
f fff f ‰
ff ff fff
f f™
‰ f f f f f f f f fff f ‰ f f f f f ff
f f
ffff ffffff J
sub. mp
> > > > ? ### >ff ff ff >ff ff ff >ff ff ff >ff ff ff ff f ff f ff f ff f ff f ff f ff f ff f ff f ff f ff f ff f >ff ff ff >ff ff ff >ff ff ff >ff ff ff >ff ff ff >ff ff ff >ff ff ff >ff ff ff fff ™™™ ffff ™™™ f™ ™ f >f f f >f f f >f f f >f f
M2
∑
ff ™™ fff ™™ ff ™™ f ™™
sub. mp
M3
P1
P2
¢
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f™
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f™
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sub. mp
°
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(8)
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(12)
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∑
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1™ 1™ sub. mp
Ϊ
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mp
BD
T
¢/ ? ###
TSPCE-68
‘
‘
‘
(4)
‘
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f™
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f™ f™ sub. mp
f™
f™
sub. mp
f™
f™
18
La Boda de Luís Alónso – arr. Lopez
L
° ### B & 240
∑
∑
∑
∑
∑
∑
>f >f >f f f ff ffff f ffffff ffffff fffff f f f f >ff f Xylo
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V1
ff ™™
f ™™ f
ff ™™
f ™™ f
ff ™™
f ™™ f
ff ™™
f ™™ f
ff ™™
f ™™ f
ff ™™
∑
f f f f ™™ >f >f >f >f
f
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### & ff ™™ ¢
ff ™™
ff ™™
ff ™™
ff ™™
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ff ™™
ff ™™
ff ™™
ff ™™
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∑
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f
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ff ™™ fff ™™ ff ™™ f ™™
ff ™™ fff ™™ ff ™™ f ™™
ff ™™ fff ™™ ff ™™ f ™™
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∑ TSPCE-68
19
La Boda de Luís Alónso – arr. Lopez Driving
252 ° ### f f f f f f f f f f f f f f f f f f X &
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f
V1
## & # f f f f™ ™ >f >f >f >f
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TSPCE-68
>f >f >f >f ™
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20
La Boda de Luís Alónso – arr. Lopez
M > accel. > ° ### 4 f f >f >f X & 4 ff
V1
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Presto h = 100
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TSPCE-68
www.tapspace.com