Stormbreak by Tapspace

Jim Casella

Stormbreak

for percussion octet (and optional wind ensemble)

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TSPCE-33

Notes Stormbreak was written to be a sort of sequel to Technology - another moderately simple percussion ensemble for eight players. When I first wrote Technology, I had no intentions of publishing it, nor did I expect it would eventually become as popular as it has. Stormbreak opens with a collection of natural effect sounds the ocean drum, swirling shakers, and rainstick. As these die out, the storm breaks and a rhythmic “tip of the hat,” to Technology kicks in on the rim of the snare drum. As rhythmic elements layer in, the motive of Stormbreak becomes clear and will continue to make itself known throughout the piece. Utilizing frequent repeats in most parts, it offers a great way for young, intermediate players to become more comfortable with the concept of “grooving” in their own part while placing that groove within the mix of their fellow groove-playing compadres. This is a more challenging skill for younger players to latch onto since they can often get wrapped up in reading the notes on the page, just trying to play parts correctly. My hope is that once players are comfortable with their own parts, they can “branch out” from the printed page a bit, and focus their attention more on hearing how their parts mingle with others. If all players can do this, the various syncopated elements of the piece will come together nicely to form a solid groove and, most likely, a catchy showpiece that audiences will love.

Stormbreak was written for the Lanier Middle School percussion ensemble and symphonic band under the direction of Hunter McRae. It premiered to a large audience at the University of Georgia Middle School Festival in 2007 where it received a roaring response. This piece can stand alone as a percussion octet, but it’s also written with the option of being played by a full wind ensemble. During wind ensemble concerts, the percussion section can sometimes be relegated to the back, not always participating as much as wind players. So this option acts as something of a percussion ensemble “feature”to be programmed into wind ensemble concerts. If chosing to perform this as a wind ensemble piece, there are a variety of effect elements that wind players are called upon to perform. For starters, the opening “storm” can be performed by as many players in the ensemble as you’d like by distributing ocean drums, egg shakers, and rainsticks throughout the ensemble. If you don’t have an abundance of ocean drums, you might consider fabricating some using two large drumheads with some buckshot inside, then sealing them together with some tape. Use as many rainsticks as you can get your hands on. Perhaps using some subtle wind chimes can help set the mood. These sounds can even begin long before the piece starts while the percussionists are finalizing their setup. At various points, wind players are asked to make “clicking” sounds by tapping on the keys of their instruments. At the start of the piece, these sounds should simulate the random pitter-patter of rain falling. The more random, the better. Since this is a subtle effect, experiment with instruments to find techniques that produce the most sound. Tapping valves and keys can create an interesting texture if done by several people. You may even try lightly tapping on the bells of the larger brass instruments with fingernails. Be creative! Later in the piece (rehearsal F), the tapping comes back, but this time it is to be performed rhythmically to accompany the percussion solos. This is followed by some call-and-response between hand claps and foot stomps. Again, strive to create the most sound possible for the greatest effect. This folio actually contains two scores. The first is the full score for winds and percussion. At the conclusion of that is a percussion score with wind staves omitted. The percussion parts are identical in both scores. Only the formatting is different. -Jim Casella

Instrument/Parts list Stormbreak can be performed as a percussion octet, or optionally as a percussion feature with wind ensemble. The percussion ensemble requires the following instruments. Player 1 - glockenspiel, bongos

Player 5 - snare drum, brake drum

Player 2 - xylophone, congas

Player 6 - 4 concert toms, hihat, ocean drum, cowbell

Player 3 - chimes, rainstick, vibra slap, suspended cymbal, mounted finger cymbal, woodblock

Player 7 - tambourine, triangle, shaker, splash cymbal, china cymbal

Player 4 - timpani (plus cymbal for opening effect)

Player 8 - bass drum (with towel attached for quick changes from muffled to unmuffled)

If performing Stormbreak with a wind ensemble, the following parts are included. Please note, there is only one part per instrument, but some contain divisi parts which should be divided within sections accordingly. Also, if an ensemble doesnâ&#x20AC;&#x2122;t have certain instrumentation (such as the contrabass clarinet or basson), it wonâ&#x20AC;&#x2122;t harm the effect of the piece to leave them out. flute oboe clarinet (Bb) bass clarinet (Bb) contrabass clarinet (Eb) bassoon alto saxaphone tenor saxaphone baritone saxaphone trumpet (Bb) french horn (F) trombone baritone tuba

Stormbreak

Rainfall/clicking effects may begin prior to official "start time" of the piece, perhaps even while percussionists are finishing preparing setup.

Flute







  

Clarinet in Bb

random clicking sounds by tapping keys of instrument

   

Contrabass Clarinet in Eb



Bassoon



A (2)



(4)



(6)



(8)

(2)



(4)



(6)



(2)



(4)



(6)

(2)



(4)



(2)



(2)





Driving





(10)



(8)



(10)



(8)



(10)



(6)



(8)



(10)



(4)



(6)



(8)



(10)



(4)



(6)



(8)



(10)



(2)



(4)



(6)



(8)



(10)



(2)



(4)



(6)



(8)



(10)



(2)



(4)



(6)



(8)



(10)



(2)



(4)



(6)



(8)



(10)



(2)



(4)



(6)



(8)



(10)



swirling egg shakers

(2)



(4)



(6)



(8)



(10)



(2)



(4)



(6)



(8)



(10)



(2)



(4)



(6)



(8)



(10)





rainsticks

random clicking sounds by tapping keys of instrument

  ocean drum swirling 

Bass Clarinet in Bb

Jim Casella

Mysterious q = 120

 

Oboe

for percussion ensemble and winds

random clicking sounds by tapping keys of instrument

mp random clicking sounds by tapping keys of instrument

   tapping keys of instrument 









random clicking sounds by

Alto Saxophone

random clicking sounds by

  tapping keys of instrument 

Tenor Saxophone

Baritone Saxophone



  

random clicking sounds by tapping keys of instrument or fingernails agains bell

  tapping fingernails against bell Trumpet in Bb   random clicking sounds by

random clicking sounds by

 tapping keys of instrument  

Horn in F

Trombone





Baritone









Tuba





random clicking sounds by tapping fingernails against main tube



 Glockenspiel 





















Xylophone

Chimes

Timpani

Snare Drum

Hi Hat Concert Toms

Percussion

Bass Drum









 







Mysterious q = 120

 ocean drum



 



 





 

  fade out...

 



(2)



(4)



(6)







Driving



rainstick

upside down cymbal on timp head. Random glisses w/pedal.

   

med soft plastic mallets







LH cross stick

         

RH on rim



 

shaker



(2)



(4)



(2)

(8)



(10)



(2)



(4)



(2)

 



 



diamond noteheads = towel draped over batter head for short, muffled sound







w/staccato mallet



Stormbreak (winds and percussion) - Casella

 Fl 



 



Bas Cla

CB Cla

Bsn





 







 



 



 













 

Alt Sax

 

   

Cla

 



 



 p

 

Ten Sax

Bar Sax

Tpt





   







 p

Tbn





Bar









Tba

Chim



 

                                                        B

            



 







 

vibra slap

fade out...

Timp

HH. Toms





TSPCE-33





  

med. mallets



         

(4)



 





Perc







(4)

                     R.S.

(2)







(6)









            

upper notes = shoulder HH w/sticks lower notes = tip of stick









    



 









(8)

 







     

 

  mp





Stormbreak (winds and percussion) - Casella

 





 

Cla

Bas Cla

CB Cla

Ten Sax

Bar Sax

Tpt

 



(4)



(6)

(2)



(4)



(6)



 







(2)



(4)



(6)



  













         

















      



(2)





       

 

sus cym

   



      









                                         

 (4)





 

    



          







     

     





R.S.



                                                                         









Perc











HH. Toms

















Bar







 















  



Timp





Chim

















  







Tbn

Tba

 





 

(2)



 

Alt Sax



  



Bsn



(6)



















TSPCE-33

Stormbreak (winds and percussion) - Casella

4 C

  27

               



 

Cla

          

 

                   

              f                        f                    f                 

Bas Cla

CB Cla

Bsn

Alt Sax

                  f

Ten Sax

        Bar        Sax       Tpt      f



 

Tbn



                f         

Bar



Tba





  

  

              



Chim

Timp



 

            chokes



 

  

 

  

 

 

  

 

  

                                         

      

 

          

                     



              



               



    

 

  



    

 

  



    

    

 

 

  



  



                      

 



  



                                         

    

 

    

 



        

 

 



     ff 

  

  

 

l.v.

                      f fp                     

 



 

    

 

  

              ff        ff

 

         

mute

     

 ff   

 



                



                   f

    

   

 



     

         

  

    

        

                   



     ff

ff             

             

                                 ff                  ff                         ff

              



  

              



              



 

        

           

 

 





      



                  



dim.

                                                                     

4 toms w/sticks

HH. Toms

Perc

  

TSPCE-33

      



splash cym



unmuffled

  f

   

china cym      

    

 

 



        ff

  

       

 



       

tambourine w/fingers (position on knee for short sound)

   



  



Stormbreak (winds and percussion) - Casella

 Fl 





Cla

Bas Cla

CB Cla

Bsn

Alt Sax

Ten Sax

Bar Sax

Tpt



 



 



 







 



 







   



Tbn





Bar









 



Tba



 f

Chim

Timp

HH. Toms













 

          

             



             









    



   

chimes





            l.v.        mp

Perc



       





  

Hihat gradually open

         

 

(muffled)

    







 

                

                               



  

 



    

(2)



(4)



(6)



(2)



(4)



(6)

(2)



(4)



(6)







 

TSPCE-33

Stormbreak (winds and percussion) - Casella

 Fl  40



       

      



       

    



       

      



mp Ob

Cla



 



 

Bas Cla

CB Cla

Bsn

Alt Sax

Ten Sax

Bar Sax





 







 



 









 

    

  





  

     

    

     



















    



 mp

  Tpt  Hn

    



Tbn





Bar









Tba



 

                   

 





Chim

Timp







                     mf

                                            

     

 

  



          f









R.S.           sim. as before                       

          HH                   

Perc

  

TSPCE-33





  



  (2)







    





(4)



                 

triangle

 



          

                            

4 toms w/sticks

HH. Toms

 

        

 

    

(2)



(4)

(2)



(4)



     mp



Stormbreak (winds and percussion) - Casella

 

   

        

Cla

     

Bas Cla

 

CB Cla





Tbn

Bar



Tba





  



Chim

Timp

HH. Toms





 

 

  



 









     

  





         

    

     

 

  

   

        



          

 

  

   

     



    mp

          

  

               

     mp

      

         

 

           



   

                 

  

                      

         

          

   

          

       

  

               

    

 

      

 

           





                                   

                                     



    



    



(6)









 

Perc





(6)





(6)

 

 

                 f

          f        

   

       

        



        



       



 

 

                f

       



                  f         

  



                            





fff





 f

 

(2)



(2)



 



 

 

        fff              fff



 

                 fff

       

fff

 

 



                                     

           

 



       



      

 



        f





               









            

 

          

    





                    

   

Ten Sax



  

   



  

Alt Sax

Tpt



   



Bsn

Bar Sax

   



   

                 

 



(2)



          fff

 TSPCE-33

Stormbreak (winds and percussion) - Casella

 Fl 

 



 

Cla



  

CB Cla



Bsn

 

Alt Sax

 

Ten Sax







(4)





rainsticks

(2)

 



G (Toms Solo)

(Snare Solo)

(2)



Rhythmic clicking sounds by tapping keys of instrument

 

Bas Cla

Bar Sax

Rhythmic clicking sounds by tapping keys of instrument

 

(4)





random ocean drum swirls

(6)



 (6)

 

 





Rhythmic clicking sounds by tapping keys of instrument

(2)



(4)



(6)



Rhythmic clicking sounds by tapping keys of instrument

(2)



(4)



(6)



Rhythmic clicking sounds by tapping keys of instrument

(2)



(4)



(6)



Rhythmic clicking sounds by tapping keys of instrument

(2)



(4)



(6)



(2)



(4)



(6)



(2)



(4)



(6)



Rhythmic clicking sounds by tapping keys of instrument

(2)



(4)



(6)





              

(2)



(4)



(2)



(4)



(6)



(2)



(4)



(6)



(2)



(4)



(6)



(2)



(4)



(6)



(2)



(4)



(4)



(6)



   Rhythmic clicking sounds by tapping keys of instrument or fingernails agains bell



fingernails against bell   tapping  Tpt  Rhythmic clicking sounds by







Tbn



 Rhythmic clicking sounds by tapping fingernails against main tube

Bar



Tba







 

Rhythmic clicking sounds by tapping fingernails against main tube

F bongos w/rattan shaft





egg shakers



G (Toms Solo)

(Snare Solo)

             f

congas w/rattan shaft



             f



Chim

Timp





 

sus cym (crash)





 

(2)







       

on bowl w/back of mallet



mounted finger cym w/triangle beater



         



 



3 3 6                                    







(2)        

4 toms w/sticks





(4)



(2)

tambourine (as before)

Perc

 





TSPCE-33



                    

f HH. Toms

 

  

  









(6)



(4)



Stormbreak (winds and percussion) - Casella

 Fl 

H (Timpani Solo)

(2)



 

Cla

(2)



  

Bas Cla

 

(4)

 











 



(2)









    





(4)



(2)



    





(2)



(4)



(2)



    

(2)



(4)



(2)



    

(2)



(4)



(2)



    

(2)



(4)



(2)



    

(2)



(4)



(2)



    

(2)



(4)



(2)



    

(2)



(4)



(2)



    

(2)



(4)



(2)



  

(2)



(4)



(2)



    

(2)



(4)



(2)



    



(2)



(4)



(2)



  



(2)



(4)



(2)



  



(2)



(4)



(2)

Chim.





(2)



CB Cla



Bsn

 

Alt Sax

 

Ten Sax

Bar Sax

Tpt



   

Tbn



Bar



Tba

Timp















H (Timpani Solo)













                                          pedal E to F and back









brake drum (dry, w/stick)



  

  3 3 3 6                         

rims

HH. Toms

 

(2)

Perc





(2)





































(4)



(2)



    

(4)



(2)



        



TSPCE-33

Stormbreak (winds and percussion) - Casella

 Fl 



handclaps



handclaps

     

  

Cla

handclaps

CB Cla



Bsn

handclaps

  

Alt Sax

handclaps

Ten Sax





   



   



   



   



   



   



   



   



  

handclaps



               



               



               



               



               



               



               



               



               



  Tpt  Hn

handclaps

  





  

  



  

  

   



handclaps





  

  



  

  

Bas Cla

Bar Sax

  









  





   





footstomps

  





   



footstomps







footstomps

Tbn

  





   









footstomps

Bar

  





   









footstomps

Tba

  





   



      

(2)



(4)

(2)



(4)

(2)



(4)





 



         



         



         

           



woodblock w/cord



Chim.

Timp





HH. Toms



             



             



snare drum 3

         







            



           



              



3         









 

 



(2)

          3



            

      



cowbell







                                                            brake drum 3







TSPCE-33



Perc

         





         

         



snare drum

              

  



splash





Stormbreak (winds and percussion) - Casella

 Fl 

                                 





Cla



                                    

CB Cla





Bsn



Bar Sax





Tbn













     

















     

















     

















     

















     











(stomps align w/hihat)



Timp

 

(6)



(6)





(4)



         



 



(8)

HH. Toms

  

 

(2)



 

 

china cym

Perc



(8)



(8)



(6)

  





 



 







            

    brake drum snare drum          

  

    

  



    

  



 

 



tom   

 



               ff



 





       HH

fff

                f





chimes

      mf



(4)







(2)

                 

triangle

                        fff

    

                   

(2)



(2)



           

        

            

fff

 f

fff

  

           fff

      



 

xylo



          

fff









rim shots



glock

(6)



Chim.

    



     

Tba









mf (stomps align w/hihat)

Bar





    

                                    

  

   Tpt 

    

                                   

Ten Sax

       

Alt Sax

 mp

                                     

Bas Cla

       



 

(2)



(2)



TSPCE-33

Stormbreak (winds and percussion) - Casella

 Fl 

      

        



Cla

         

Bas Cla

CB Cla

Bar Sax



     

   Tpt    

Tbn



Bar

Tba





         



  

    

  

Ten Sax

 

  

         

  

Alt Sax

    

  

          

Bsn

   



 





 



   

          

 







  



 



 



  





  

 





  





  





   

 

  



  

 

  



  

  



 

point bell to side, then make sweeping motion over two bars to give 'doppler effect."





point bell to side, then make sweeping motion over two bars to give 'doppler effect."





                             







    

       

           

bell                  

sus cym w/sticks

                  (6)





     



sim.



Perc

  

TSPCE-33



(4)



(4)



(4)

  

(6)



      



   

sim.



 



sim.



 

 

          

 



       

       (4)





                 mp      (2)       



(solo)       



HH                                                           f

    



       



         

china cym

(6)



   

 

sim.

(2)



sim.

toms

HH. Toms

  



point bell at floor, then make arc motion over two bars to give 'doppler effect."



 

point bell at floor, then make arc motion over two bars to give 'doppler effect."





  

point bell at floor, then make arc motion over two bars to give 'doppler effect."









 







Chim.



     



                                 





(4)













Timp

  











 

 















  





 











      

   



  

 

 







   









  90



 

Cla

 

Bas Cla



Bsn



  



  



   









   

Alt Sax







  sim.   



 sim.



   







   







   





   





     



   





  



   











      

  

Ten Sax

Tpt



  

CB Cla

Bar Sax



Stormbreak (winds and percussion) - Casella L





   





  

 

   







  



   







   

 

sim.

 

   





   







      

sim.







 

 

   

sim.

Tbn

 

   





Bar







  



   





Tba





  



   







 

sim.



 

    

       f



Chim.

Timp

HH. Toms

Perc



     



 

             f



    

 

    

     



(2)



(4)



               ff                        



chimes



 

         



               









        



(2)







       

     

           ff



toms

(2)



         





               ff



            (2)

   



 R.S.                   

sim.

(4)





(2)





         

sim.

6                           6                    



splash

     

 

 TSPCE-33

Stormbreak (winds and percussion) - Casella

 Fl  96

Cla

Bas Cla

Alt Sax

Ten Sax

Bar Sax

Tpt





 



 

 



    

 f







 



 







    mp

   





 

Bar





Tba



Chim.

Timp

HH. Toms

Perc





 

 

     

   

   

 







  

TSPCE-33

 

  

 

 

  

     

    

     

  

 

  

  

 

 

      

   

   

         

 

      

  

   mp  

        

   

   

      



     

         

   

   

 

  

   

 

        

      

        

   

    

     

  

       



  

 





  

 



 







 

 



Tbn





 





  



Bsn

 

 

CB Cla



   

       

 



  



  



 



 





   

         

   



 



 

6                   

 

  

 

  

 

  

 

  

            6                        

      

  6                        

                     



splash

 

 

          





 

china

 



 

 









 

  

 

china w/stick (muffle on staccato)

 



  



 

 



 



  



   

  

 

  

 



 

Cla

   

  

    

   



Bsn



 

  ff

Bar



Tba





  

Chim.

Timp

HH. Toms

Perc





 



  

  

 

 

  

 

     

 

 

   

   





   

    







  

 









 

   

  

  



  



   

     

       

   ff        ff   





   

     



fff

  6  fp



chimes

                          fff

                                 

 





 

 

     

 

 

 

        

ff             6                                    ff

    

fff

 

    

      



   

xylo

 

                     

     

fff







        ff                  





congas (w/wylo mallets)

  

 

      ff       

  

          

 

glock

bongos (w/bell mallets) 6

                   

 

     



vibra slap

 

 

        

      

         



   

                 ff           

 













   

                              Hn  



                 ff        

Tpt

Tbn



   

Ten Sax





   

Alt Sax

Bar Sax

 

Stormbreak (winds and percussion) - Casella

    



  

 

CB Cla





  

Bas Cla



   

   

 





 

gliss.

  100

 

   

 



   

splash (short)



 

fff



china (short)



 l.v. 

   

   

  

 

   

 TSPCE-33

On the next page, the score is repeated for percussion octet only without the optional wind parts to reduce the number of page turns.

Level: Med-Easy Approximate playing time: 3’30”

Stormbreak

  

Glockenspiel



Chimes

 



  



 



 

ocean drum

 

Percussion



Chim

Timp



 

Bass Drum



 



   Driving

med soft plastic mallets



 





 

  fade out...



(2)



(4)



(6)







rainstick

upside down cymbal on timp head. Random glisses w/pedal.



LH cross stick

         

RH on rim



  

shaker



(2)



(4)



(8)



(10)



(2)



(4)



 



 

diamond noteheads = towel draped over batter head for short, muffled sound







w/staccato mallet

12                                                          







(4)

        

(2)



R.S.         



 

fade out...

   



(2)











(2)

Perc







HH. Toms



Hi Hat Concert Toms



 

Snare Drum



Xylophone

Timpani

Jim Casella

for percussion octet

Mysterious q = 120

 



 









  

HH w/sticks







(4)





    

(6)

 

 









 

 

(8)



    



19          

Stormbreak (percussion only) - Casella

                                         

      



  



vibra slap

Chim

Timp





  

med. mallets





                      lower notes = tip of stick                            upper notes = shoulder



Perc

   







    







 (4)

 

     





(2)



  





HH. Toms



 R.S.

 

     









(6)











 25                           







                    fp

  

chokes            

 

Timp



 

   

mute

sus cym





Chim

     





l.v. 

                     f

              









                     ff               ff





 

           

 

           

                                                                                       4 toms w/sticks

HH. Toms

Perc

 

TSPCE-33















      

splash cym



      

unmuffled

     

china cym

    

 

 





             ff

Stormbreak (percussion only) - Casella

                          31



 

 

Timp





    



   



   

  









   

chimes





 

 l.v.      

Hihat gradually open



  



 

(2)







(2)

(muffled)

  





                                       

Timp



     









    



(4)



 

       

                                                          

 

 

Chim



(2)

              

           





             

 





tambourine w/fingers (position on knee for short sound)



    

    



       



                                     





Perc



               

HH. Toms





      

dim.

Chim

 f

                  

   







     (6)





 



        



          f

                      f

                           4 toms w/sticks

HH. Toms









(4)



(6)

Perc





(4)



(6)



 





 

  

 

     TSPCE-33

Stormbreak (percussion only) - Casella

                42

             

             

               



 

Chim

Timp





    

           



    

(2)





       



       







    

     

(4)





(6)



                              

 

HH. Toms



 

R.S.

sim. as before

             

              





triangle

Perc

(2)



(4)



(6)

(2)



(4)



(6)



     





48                   

HH. Toms

Perc





    

 



 



       





(2)





            

 

(2)



 

sus cym (crash)





fff

 





(2)

 

(2)

 

 



on bowl w/back of mallet



(2)







               



fff





       

 

TSPCE-33



  

 

congas w/rattan shaft





 f

fff

              



                            



 

Chim

F bongos w/rattan shaft

fff

           

Timp

                                            



(2)



      

tambourine (as before)

          fff





(2)

 

Stormbreak (percussion only) - Casella







(4)



(6)







(4)



(6)



(2)



(4)



(4)



(6)



mounted finger cym w/triangle beater

        

Chim.

Timp







      

G (Toms Solo)

(Snare Solo)

 



   3 3 6                                          

 



                    

4 toms w/sticks

HH. Toms

Perc









 

  





 





(4)



(6)



(2)



(4)



 

H (Timpani Solo)



(2)





Chim.



Timp







(4)



(2)



(2)



(4)



(2)



(2)



(4)



(2)



(2)







                               pedal E to F and back









brake drum (dry, w/stick)



  

    3 3 3 6                               rims

HH. Toms





























(2)



(4)



(2)

Perc





(2)



(4)



(2)





TSPCE-33

Stormbreak (percussion only) - Casella



                         



                         



         



         

           



Timp

 







         

woodblock w/cord





 

Perc

(2)

             

          3

         



      

snare drum



         

            



              



cowbell

     



         



           



3          







(2)

3 3        snare  drum                                                 





             





HH. Toms





brake drum

(2)

      

         

Chim.



         

 



(4)



(6)





(8)



  









(4)





(4)



            





(6)



(6)

(2)



         



(8)



(8)

(4)



(6)







 

Chim.

Timp





(2)





   







  



TSPCE-33

(2)









ff BD



    brake drum        







  

 

  











   

 

china cym



 



 



  

snare drum

tom   

splash

Perc



HH. Toms





rim shots

  

 







               ff

(2)



(4)







 

             79

Stormbreak (percussion only) - Casella

glock

            fff

Timp







(6)

                   

(2)



(4)



(6)

(2)



(4)



(2)



(4)



                  mp

  

     

   

 

    

     

   

  

    

  

 

  

    

  



(2)

    mp

             



      (6)



 

    

         

             





    



 



   



(2)







R.S.                           



toms  HH                                                                                                china cym

(2)

(solo)

(2)





         

Perc





     

(4)



HH. Toms



    

bell       







    86



triangle





    



fff



       

(4)



Timp

sus cym w/sticks





                 

Chim.

    







    



(2)

     



      

          







        

               

fff





chimes

 

     

Perc

             

              

          

fff

HH. Toms

                f





Chim.

           

fff

xylo

           



   



         

  





     f





(2)



(2)



    

(2)





 TSPCE-33

Stormbreak (percussion only) - Casella

     92

Chim.

Timp



     



(4)





(4)



   





         

          



 

          





chimes





                  ff



           



 



    

   

         



                      







6                            





               



     





        



6                         



Perc



       

           ff



           

        



   



 



 

toms

HH. Toms



     



splash



china

 





     



   

   97



 mp

Chim.

Timp

HH. Toms

Perc









 

   

   

         

                      

   

   



 

      

 

6                      



 

        6                    



                    

        6                   

 

                                           





splash

  

TSPCE-33









 

  

  



 

  

 

 

china w/stick (muffle on staccato)



 

  

 



 

 

  

 

  



  



   

  

 

  

 



 

Stormbreak (percussion only) - Casella 100

   

6          

bongos (w/bell mallets)



Timp



Perc

 

  



 

  

         



         



fff

chimes

                       



                                 



fff

  6  fp

                 



fff

                      

       

 

    

     



xylo

 

HH. Toms



vibra slap

   

           fff

congas (w/wylo mallets)

Chim.



           



gliss.

         

glock



           6                                 fff

    









    

  

splash (short)



   

 



   

china (short)



 l.v. 

           



TSPCE-33