Autumn Fine Sale 11-12 November

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AUTUMN SALE FRIDAY 11 NOVEMBER & SATURDAY 12 NOVEMBER 2022

The Auction Centre, Leyburn North Yorkshire DL8 5SG 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk

AUTUMN SALE FRIDAY 11 NOVEMBER & SATURDAY 12 NOVEMBER 2022

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ALSO SELLING THIS WEEK:

2022 AUCTION DATES Friday 11 November The Designer Sale Friday 11 & Saturday 12 November Autumn Fine Sale Saturday 12 November British, European & Sporting Art Saturday 12 November Fine Jewellery, Silver & Watches

FINE JEWELLERY, WATCHES & SILVER

Friday 18 November Costume, Textiles & Accessories

SATURDAY 12 NOVEMBER 2022

Friday 18 November Antiques & Interiors

FINE JEWELLERY, WATCHES & SILVER SATURDAY 12 NOVEMBER 2022 AT 9.30AM (352 LOTS)

Wednesday 23 November Books, Maps & Manuscripts Wednesday 23 November Coins & Banknotes Wednesday 30 November Natural History & Taxidermy Friday 2 December Fine Wine & Whisky Saturday 3 December Antiques & Interiors, including Beswick & Border Fine Arts Wednesday 7 December Militaria & Ethnographica

BRITISH, EUROPEAN & SPORTING ART BRITISH, EUROPEAN & SPORTING ART SATURDAY 12 NOVEMBER 2022

SATURDAY 12 NOVEMBER 2022 AT 9.30AM (132 LOTS)

Friday 9 December Toys, Models & Sporting & Fishing Friday 16 December Antiques & Interiors

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AUTUMN SALE FRIDAY 11 NOVEMBER 2022 AT 9.30AM and SATURDAY 12 NOVEMBER 2022 AT 9.30AM AUCTION The Auction Centre, Leyburn North Yorkshire DL8 5SG VIEWING Sunday 6 November 11.00am to 4.00pm Monday 7 November 10.00am to 4.00pm Tuesday 8 November 10.00am to 4.00pm Wednesday 9 November 10.00am to 4.00pm Thursday 10 November 10.00am to 4.00pm Friday 11 November 10.00am to 4.00pm Morning of Sale from 8.00am Live bidding is available on this sale by registering at www.tennants.co.uk All lots illustrated online at www.tennants.co.uk CONTACT Telephone: 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk

FRONT COVER Lot 601 BACK COVER Lot 331

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ORDER OF SALE Friday 11 November Knavesmire Lodge, York

1-145

Saturday 12 November Glass British Ceramics European Ceramics Objects of Vertu Asian Ceramics & Works of Art Rugs & Carpets Clocks & Barometers Works of Art & Furniture

200-208 209-269 270-286 288-293 294-331 332-367 368-394 395-601

Andrew Parker Consultant (Glass, Ceramics, Asian & Works of Art)

Jody Beighton (Glass & Ceramics) (Auctioneer)

Andrew Middleton Consultant (Rugs, Carpets & Textiles)

Paul Hughes Consultant (Books, Maps & Manuscripts)

Charlotte Conboy (Head of Pictures)

Guy Cooper (Pictures)

Jane Tennant (Auctioneer)

William McNab (Auctioneer)

TO INCLUDE The Selected Contents of Knavesmire Lodge, York From The Estate of the Late Mr Darrell Buttery MBE Darrell Buttery (1941-2022) was an inspiring teacher, a writer, and a champion of the civic heritage of York.

This sale offers selected contents of his home, Knavesmire Lodge, a Georgian villa overlooking York Racecourse, and will include furniture, antiques, fine art, and books. l The Contents of Ballachrink, Isle of Man, from the Estate of the late Nancy Sutton

YOUR SPECIALISTS & AUCTIONEERS

Jeremy Pattison Auctions Director (Furniture, Auctioneer)

Adam Wasdell Wostep, MBHI (Clocks & Barometers)

Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results.

Twenty-seven specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace.

Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major disciplines, making it one of the UK’s busiest salerooms.

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Darrell Buttery (1941-2022) was an inspiring teacher, a writer, and a champion of the civic heritage of the city he made his home. Born in Guisborough, he first became enthralled with history and heritage at a young age, when visiting York and its churches when his father was the manager of a cinema in the city. After leaving Guisborough Grammar School, Buttery studied English at Durham University before taking up a career in education teaching English Literature. After his first post at Ashville College in Harrogate, he went on to become the Head of English at Wootton Bassett School before returning to Yorkshire to teach at Nunthorpe Grammar School, Queen Mary’s School near Thirsk, and Pocklington School.

Over the decades Buttery built up an extraordinary depth of knowledge of the history of his beloved York. His dedication to preserving the historic sites of the city led him to join and hold positions in numerous cultural organisations, including becoming Chairman and President of the York Civic Trust, Chairman of York Georgian Society, Governor of York’s Company of Merchant Adventurers, as well as becoming a Conservative member for Harrogate Borough Council. An engaging public speaker with a sharp wit, he fought vociferously numerous planning applications that would despoil York’s important historic sites.

As a collector, he filled his Georgian villa overlooking York Racecourse with art and antiques, seeking out pieces linked with York, and as an author published works including ‘The Vanished Buildings of York’ (1984), ‘Picture of York Minster from 17th Century to the Present’ (2007), and the co-authored ‘The Streets of York: Four Centuries of Change’ (2018).

Darrell Buttery was a deputy lieutenant of North Yorkshire, was appointed MBE in 2018 and is remembered by all who knew him as a deeply kind and courteous man with impeccable manners and a ready wit, who was unceasing in his fight to preserve the many wonders of York.

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DAY ONE FRIDAY 11 NOVEMBER 2022 AT 9.30AM THE KNAVESMIRE LODGE SALE

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1 Tom Dudley (1857-1935) “Shambles, York” Signed and dated 1879, inscribed to upper stretcher verso, oil on canvas, together with two further watercolours by the same hand “Morning - Durham” and “Sketch”, 39.5cm by 29.5cm, 38.5cm by 26cm and 24cm by 34cm respectively (3) £80-120

2 Thomas Dudley (1857-1935) “York from the Walls” Signed, inscribed and dated 1882, watercolour, together with a further dated example by the same artist “York”, 25.5cm by 38cm and 28.5cm by 44cm respectively (2) £100-150

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Allen (Thomas) A New and Complete History of the County of York, I.T. Hinton, 182931, three volumes, quarto in twos, three engraved titles and 142 engraved plates by Nathaniel Whittock as called for, printed on India paper and mounted, foxing, marbled edges, full calf gilt bindings. £150-250

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

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4 Manner of Titian (1490-1576) Italian Portrait of a lady, head and shoulders Oil on canvas, laid down, 25cm dia. (tondo) Contained in a carved wood and gesso frame with acanthus leaf design and a shell motif to the top £120-180

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5 A Regency Style Mahogany Brass Inlaid Striking Mantel Clock, early 20th century, octagonal shaped case surmounted with a gilt metal cast carrying handle, side ringed handles, case with scroll and floral inlay and inlaid to the base depicting a figure flying a flag with horses, brass ball feet, 4-inch silvered dial with Roman numerals, twin barrel movement with a platform lever escapement and striking on a gong 54cm high £200-300

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6 A Victorian Walnut-Framed Nursing Chair, circa 1880, covered in worn close-nailed red leather, the scrolled and fluted frame with a horsehair filled support and seat above a breakfront moulded seat rail, on turned and fluted legs with castors 60cm by 65cm by 93cm £100-150

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7 Ruth Cecil Latter (1869-1949) “Petite de Danseuse sur le fer” Signed and dated 1906, pastel, 36cm by 22cm Exhibited: “Latin – British Exhibition” 1912, Fine Art Section £180-250

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8 Original Artwork ‘101 Drawings by R.J.B.’, A superb collection of 79 watercolours, pen and ink, sepia and pencil sketches, many titled, dated (1833-35) and initialed (R.J.B.), on 73 sheets, bound in a folio album. Subjects include historical and religious scenes, classical figures, portraits and Yorkshire topographical views including Hardraw Force, Kilnsey, Aysgarth Force, Dent Dale, Ingleton, Muker, etc., sheet size 350mm x 240mm, all edges gilt, bound October 1835 in full morocco gilt, with gilt title to upper board, armorial bookplate of C. Robert Bignold.

Unfortunately the binding has been broken internally to extract the missing illustrations but the joints are intact.

[The artist has not been identified. The Bignold family founded the Norwich Union insurance company.] £300-500

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8 (part) All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

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9 A George I Walnut and Feather-Banded Straight Front Chest, the later oak top above three short and three oak-lined long drawers, on later bracket feet (formerly the upper section of a chest on chest) 101cm by 56cm by 104cm £250-350

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10 A Regency Mahogany and Boxwood-Strung Sofa Table, early 19th century, with two rounded drop leaves above four frieze drawers, on standard end supports with cabriole legs, brass hairy paw feet and castors 106cm by 81cm by 78cm £150-250

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11 A George IV Mahogany Bergere, 2nd quarter 19th century, the curved top rail above a single-cane back support with scrolled hand grips, a green striped velvet squab cushion above a later boarded seat, on turned forelegs with castors 58cm by 57cm by 93cm £200-300

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Noel Harry Leaver ARCA (1889-1950) Goodramgate Signed, watercolour heightened with white, 36cm by 25.5cm £150-250

Henry Barlow Carter (1804-1868) “Old Houses, York” Inscribed, together with a similar example by the same hand, watercolour, 15.5cm by 10.5cm (2) £80-120

14 A George II Oak Bureau, 2nd quarter 18th century, the fall front enclosing a fitted interior of drawers and pigeon holes all around a central cupboard door, two short over four long drawers below, on a plinth base, with an associated 18th century oak cabinet, the moulded cornice above fielded panel doors enclosing adjustable shelves 117cm by 54cm by 198cm £150-200

15 Scotland The Beauties of Scotland ..., Edinburgh: Thomson Bonar et al., five volumes, folding colour map, engraved plates throughout, half calf gilt [not collated] £100-200

16 Local History and Topography A collection of books, predominantly Yorkshire related, various leather bindings. (qty) £150-250

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All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

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17 Bindings A large quantity of leather-bound books, including literature and history, sets and individual books. (large quantity) £300-500

18 Thomas Dudley (1857-1935) “St.Ives Bay, Cornwall” Signed and inscribed, watercolour heightened with white, 29cm by 44.5cm £100-150

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19 Lewis (Samuel) A Topographical Dictionary of England ..... S. Lewis, 1838, quarto, six volumes including atlas volume with forty five maps (several folding, foxing) and ‘Representative History’ supplement, original cloth; with a quantity of others containing topographical plates and maps. (qty) £150-250

20 Noel Harry Leaver ARCA (1889-1950) A view of York Minster from Bootham Bar Signed, watercolour, 35cm by 50.5cm £180-250

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21 Common Prayer The Booke of Common Prayer and Administration of the Sacraments ..., Robert Barker, 1633/2, folio in sixes, pages ruled in red, title page dated 1633, colophon 1632, cropped title page inserted into new margins, only title page present before b2, repairs to b2 and b3, later cloth; Holy Bible, [Holy Bible], Christopher Barker, 1598, small quarto in eights, remnant title pages, OT dated 1597, worn with damage to some pages, worn early calf lacking clasps (not collated); with a York published Family Bible (1789) (3) £200-400

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22 Tom Dudley (1857-1935) “Cottage on the Moors, St Ives, Cornwall” “St Ives Bay, Cornwall” Each signed, inscribed and variously dated, watercolour, 23.5cm by 39cm (2) £120-180

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23 Bindings Stanhope (Philip Dormer, Earl of Chesterfield), Letters Written by .. To His Son, Philip Stanhope, J. Dodsley, 1774, four volumes, frontis, rebacked calf gilt; with a small quantity of historical and biographical sets, various leather bindings (qty) £150-250

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Paul Marny (1829-1914) “Shambles, York” Signed and inscribed, watercolour, 47cm by 32cm £50-80

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

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25 A Victorian Gilt and Gesso Tripod Table, circa 1870, with original floral needlework panel depicting a cornucopia vase and flowers, the egg and dart moulded frame above a creampainted baluster support decorated with flowerbells and foliage, with scrolled acanthus-decorated legs 55cm by 53cm by 86cm A Pair of Regency Style Gothic Revival Ebonised and Parcel Gilt Cane-Seated Chairs, 3rd quarter 19th century, with arcaded back supports above single-cane seats, on tuned forelegs 48cm by 42cm by 84cm (3) £100-150

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26 Manner of Charles Towne (1763-1840) Travellers on a bridge before a Continental lakeland landscape Oil on canvas, together with a further landscape oil, 19.5cm by 29cm and 17.5cm by 24.5cm respectively (2) £150-250

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27 A George III Giltwood and Gesso Wall Applique, late 18th century, in the form of a fluted quiver upright, the egg and dart border issuing a flambeau finial, the fluted tapering body supporting three reeded candle arms, the verso with adhesive label Fairfax House no.263 62cm by 40cm Ex York Georgian Society £200-300

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All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

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28 A George III Mahogany Tripod Table, late 18th century, the circular one-piece top above a turned vasiform support with three cabriole legs and flattened pad feet 78cm by 70cm A George III Ash and Elm Provincial Armchair, early 19th century, with pierced splat, outswept arms and boarded seat, the plain seat rail on square chamfered legs joined by an H stretcher 61cm by 46cm by 97cm (2) £150-200

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29 Tom Dudley (1857-1935) “York” Signed, inscribed and dated 1890, watercolour, together with a further 1907 watercolour “Petersgate, York” by W James Boddy, and “York and the Ouse” by E* Monro, 18cm by 29cm, 30.5cm by 23cm and 21.5cm by 35cm respectively (3) £80-120

30 A Victorian Rosewood-Framed Tub Armchair, mid 19th century, recovered in green velvet with C scroll and shell-carved frame above a moulded seat rail, on shell-carved cabriole forelegs with scrolled toes (repairs) 74cm by 60cm by 100cm £100-150

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31 A Regency Mahogany Hall Chair, early 19th century, the scrolled back support with architectural pediment decorated with anthemion above a painted roundel with a crest, the solid seat above a reeded and inverted breakfront seat rail, on splayed forelegs 42cm by 35cm by 90cm A Late George III Mahogany Hall Chair, early 19th century, the moulded oval back support decorated with a painted panel with a crest above solid seat, plain seat rail and square tapering legs 45cm by 40cm by 95cm Another George III Mahogany Shield-Back Hall Chair, with circular painted crest above a serpentine shaped solid seat and square tapering legs 46cm by 40cm by 92cm (3) £200-300 31

32 An Ebony Veneered Striking Table Clock, signed Thos Parr, London, 18th century, inverted bell top with carrying handle, later finials, fish scale side sound frets and side glass panels, 7-inch arch brass dial with a silvered chapter ring, dial centre signed on a plaque, date and mock pendulum apertures, arch with strike/silent selection, twin chain fusee movement now converted to an anchor escapement, pull quarter repeat with six hammers, (quarter repeat work with the nest of bells missing and is incomplete) 50cm high over handle £600-800

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33 York Minster Interest: A Victorian Carved Oak Octagonal Tripod Table, mid 19th century, the top inset with a brass plaque engraved Oak and bell metal of York Minster, burnt May 20th 1840, the leaf and acorn carved frieze on a spiral-turned support with carved socle, the base on carved claw feet 49.5cm by 49.5cm by 73cm

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Provenance: Purchased from Tennants, Aske Hall Sale, 1994 £200-300

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All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

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34 James Bourne (1773-1854) “Ouse Bridge, York” Pencil and watercolour, together with a further monochromatic pencil and ink sketch “At the Hotel Coach Office, York” monogrammed John Nixon (c.1750-1818), 28cm by 38cm and 10.5cm by 11.5cm respectively (2) £80-120

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35 A Victorian Carved Oak Part Section of a Pulpit, late 19th century, in four sections, with tracery carved panels, on a moulded plinth base 127cm by 61cm by 98cm £200-300

36 After Pugin: A Victorian Brass Gothic Style Paschal Candle Holder, late 19th century, possibly Hayes & Finch, Liverpool, with a lozenge decorated stem surmounted by a leaf decorated socle, the circular base with three claw feet and decorated with red glass cabochons, with drilled holes to receive fixing bolts 176cm high £300-500

36 www.tennants.co.uk

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37 York Civic Memories 1941-1942 (The Lord Mayor, Mrs E.A. Crichton; The Lady Mayoress, Mrs F. Harris; The Sheriff & his Lady, Mr & Mrs Charles Oliver), a collection of approximately 48 monochrome photographs mounted in large oblong folio album with illuminated title page, full leather binding with gilt arms to upper board, preserved in padded solander box (box worn, faded and foxed) with a small quantity of photographs and press cuttings loosely inserted. £80-120

38 A George II Style Walnut Open Armchair, of generous proportions, covered in floral gros point woolwork, with outswept arms above a drop-in seat and plain seat rail, on shell-carved cabriole legs with pad feet 83cm by 66cm by 92cm A Victorian Carved Mahogany Prie Dieu, circa 1870, the scrolled top rail with vacant cartouche above a later upholstered back support with spiral-turned uprights above an original floral-decorated needlework seat, on stout cabriole forelegs with castors 41cm by 51cm by 104cm (2) £200-300

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York Churches Browne (John), The History of The Metropolitan Church of St. Peter, York ... Longman, 1847, two large quarto volumes, 150 plates (monochrome and colour, foxing throughout, particularly to margins, plate 132 torn), all edges gilt, half morocco gilt; Wellbeloved (Rev. C.), Account of St. Mary’s Abbey, York ..., Soc. of Antiquaries, 1829, large folio, ten plates, quarter morocco with original wraps bound in: Poole (Geo. Aycliffe) & Hugall (J.W.), An Historical & Descriptive Guide to York Cathedral and Its Antiquities, York: R. Sunter, no date [1850], quarto, plates, all edges gilt, half morocco; Britton (John), The History and Antiquities of The Metropolitical Church of York ..., Longman, hurst .., 1819, large quarto, plates, later leather binding; Shaw (Rev. P.J.), An Old York Church, All Hallows in North Street, ..., York, 1908, folio, colour and monochrome plates, original cloth gilt; with five others (11) £200-300

Lefroy (W. Chambers) The Ruined Abbeys of Yorkshire, Seeley, Jackson and Halliday, 1883, folio, twelve etchings, marbled endpapers, all edges gilt, full green morocco gilt binding. £80-120

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All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

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41 York Torr (James), The Antiquities of York City .... York: printed by G. White for F. Hildyard, 1719, [8],148, [4] pages, some hand-coloured arms, re-backed contemporary calf with gilt armorial device; Another copy, uncoloured arms, later half morocco; York Elections 1818, The Spirit of the Times! or The Contested Election for the City of York, in the Year of 1818 ...., York: no date, 84 pages [bound with] The Real or Constitutional House that Jack Built, J. Asperne, 1819, [24] pages [bound with] The Political House that Jack Built, William Hone, 1819, [24] pages, contemporary annotation, [bound with] The Queen’s Budget Opened .., T. Dolby, 1820, 32 pages, recent sheep; with fifteen others including thirteen 19th century guide books for the City of York and its Cathedral (18) £200-300

42 Ephemera A collection of ephemera including an album of 19th century letter fronts addressed to Downing Street, some with wax seals and free franks, signed by various dignitaries including Lords Grey, Devon, John Russell, the Duke of Newcastle, etc., commonplace books, scrap albums and large scraps, a York Mansion House visitors book [late 19th cent.], photograph albums and a quantity of manuscript material including a 1940 diary with extensive York related entries and a 19th century girl’s arithmetic work book, etc. (qty) £200-300

43 A Late Regency Gilt and Gesso Mirror, early 19th century, the later rectangular bevelled glass mirror plate below a breakfront and ball surmounted cornice, between reeded pilasters 78cm by 48cm £100-150

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44 3 John Langton (b.1932) “York Minster from East” (2005) Oil on card, together with a further oil on card example by the same artist “Wold Quarry End” (2002), 23cm by 33.5cm and 16cm by 26cm respectively (2) £80-120

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45 A Louis XV Style Three-Seater Sofa, late 19th/early 20th century, painted en grisaille, covered in close-nailed green floral fabric, with a feather-filled squab cushion between moulded arm supports and serpentine shaped seat rail, on cabriole forelegs with scrolled toes 186cm by 61cm by 100cm £300-500

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46 A Mid 19th Century North European Work Table, of concave shaped form with quarter-veneered hinged lid enclosing a fitted interior of compartments and dividers, on a turned and acanthus-carved support with moulded socle and triform base with scrolled toes 48cm by 38cm by 72cm £150-250

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47 [Sterne (Laurence)] The Life and Opinions of Tristram Shandy, Gentleman, Volumes I - VI, R. and J. Dodsley, 1760-62, duodecimo in eights, six volumes (of 9), volume five signed by Sterne, volumes I and II are third editions, frontis to two volumes, marbled leaf, contemporary calf; Idem, The Life and Opinions of Tristram Shandy, Gentleman, In Three Volumes, T. Cadell, 1794, duodecimo, three volumes, contemporary calf gilt: Fielding (Henry), The History of Tom Jones, A Foundling, In Three Volumes, Edinburgh: J. Spottiswoode, 1789, duodecimo in sixes, three volumes, contemporary calf gilt. (12) £100-200

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All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

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48 A Carved Giltwood Marble-Top Console Table, early 19th century, with an original Brèche d’Alep marble top above a later C scroll frieze supported by a scrolled monopodia terminating in a lion claw foot 100cm by 50cm by 86cm £300-500

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49 [Atkinson (Frederick) & Wilson (Thomas)] The Tour to York. A Circumstantial Account of His Royal Highness the Prince of Wales’s Visit to that City ..., York: GGJ & J. Robinson et al., small quarto, 52 pages, 3 plates, marbled endpapers with the armorial bookplate of the dedicatee, contemporary calf gilt.

[ESTC T88648, Not in Boyne] £100-200

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50 Holy Bible The Bible Translated according to the Ebrew and Greeke and conferred with the best translations ..., Imprinted ... by Christopher Barker ...,1586, ‘quarto’ in eights, page dimensions 218mm x 160 mm, first page is the title (as called for in Herbert), Apocrypha ends on leaf 434, there are then four leaves including the New Testament title, followed by Matthew commencing at leaf 441, final page is J8 of Concordances (Second Table ending at Signes), lacking leaves 549 and 550 (3Z5-6), 2E1 torn with loss of text, several leaves torn, some with loss of margin and/or marginal notes, some holes, occasional light annotation, (see condition report) worn contemporary calf binding with brass clasps (upper board detached but present).

[Geneva version - Herbert #190] £300-500

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51 Original Artwork An interesting collection of sketchbooks and albums with original artwork, comprising: York, thirty-five watercolour and pencil sketches of York and Yorkshire, [late 20th century], sheet size 175mm x 255mm, some very nice images in a distressed cloth album (lacking backstrip, some leaves and upper board detached); York, thirty-one pencil sketches of buildings and scenery in and around York, [19th century], two sketches on the reverse of others, sheet size 205mm x 270mm, worn half leather album; Yorkshire Buildings, an album of architectural watercolour sketches, plans and tables, [20th century], sheet size 227mm x 289mm, five watercolours of buildings loosely inserted, cloth-backed boards; Yorkshire Buildings, an album of architectural watercolour sketches 51 (part) and tables by C.M. Little, York, 1956, sheet size 177mm x 255mm, cloth-backed boards; Buildings, an album of architectural watercolour sketches, no date [20th century], sheet size 125mm x 180mm, boards (wear to head of spine); Continental Watercolours, a nineteenth century album containing manuscript entries and mounted artwork, the album was possibly acquired in the South Tyrol and the majority of the attractive watercolours are of continental scenes. At the beginning of the album is a two page manuscript entry, addressed to Pauline ?Creacher ‘La femme amiable’ in French, dated Paris 18 Juin **40 and signed Charles ?Mangerin, manuscript entries at the very front and the rear are in English, all edges gilt, original roan gilt binding with ‘Paolina’ to upper board, both boards and backstrip detached; Commonplace book, a small quarto album, the manuscript entries interleaved in places with pencil sketches, several on brown card, heightened with white, rear endpaper signed W. Jameson, half leather gilt binding. (7) £200-400

52 Theology Grove (Henry), Sermons and Tracts: Being the Posthumous Works of ..., John Wilson, 1740, four volumes, portrait frontis, contemporary half calf; with a quantity of others including sermons, bibles and commentaries. (qty) £150-250

53 A George III Giltwood Two-Branch Wall Applique, late 18th century, in Adam style, in the form of a tripod censor with rams’ head masks and anthemion supporting two candle arms flanked by husks, the supports as hoof feet, the platform top surmounted by a flambeau finial, the verso labelled York Georgian Society, no.265, Fairfax House 76cm by 32cm £300-500

53 www.tennants.co.uk

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54 An Imposing Victorian Mahogany Four-Door Library Breakfront Bookcase, mid 19th century, the architectural moulded pediment above astragal glazed doors enclosing adjustable shelves, the base with four cupboard doors, on a plinth base 356cm by 51cm by 299cm £1,000-1,500

55 An Early Victorian Rosewood Sewing Table, mid 19th century, the later floral and acanthus painted rectangular top above a moulded frieze drawer with velvet-lined divided interior, flanked by leafy scrolls, with green gathered fabric sliding workbox below, on column supports joined by a turned stretcher and sledge bases with carved socles and scrolled feet with castors 76cm by 46cm by 75cm £200-300

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56 Attributed to William Etty RA (1787-1849) Portrait of a gentleman, head and shoulders wearing a black suit and tie oil on canvas, 74cm by 61.5cm £400-600

57 Bindings A quantity of literary sets, including works of Jonathan Swift, Henry Fielding, Alexander Pope, Walter Scott, Tobias Smollett, etc. various eighteenth and nineteenth century leather bindings. (qty) £200-300

58 British School (19th/20th century) Portrait of a young cricketer, historically known as a member of the Pease family, seated before a tree trunk Monogrammed and indistinctly dated?, oil on canvas, 100cm by 59.5cm £250-400

59 Thomas Dudley (1857-1935) The Multangular Tower, York Fountains Abbey Each signed, watercolour, 51cm by 33.5cm (2) £100-150

58 www.tennants.co.uk

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60 Francis Nicholson OWS (1753-1844) “York” (1794) Signed and dated 1794 on the mount, signed, inscribed and dated to label fixed to reverse, mixed media, 29.5cm by 41.5cm Provenance: Lyon & Turnbull, The Classic Tradition, Lot 33 £200-300

61 Circle of George Richmond RA (18091896) Portrait of an elegant lady, three quarter length, seated on a red upholstered chaiselongue Indistinctly signed and dated, pencil and watercolour, 43cm dia. (oval) £60-90

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61

A 19th Century Italian Carved and Grey Veined Alabaster Vase, upon a columnar stand, the vase with an inverted bowl of swept leaves, the main bowl carved to the front with rose blossoms, the pedestal of fluted form with fruiting grapes and octagonal plinth (now adapted as a lamp) 178cm high A White Painted Cast Iron Campana Urn 33cm high (2) £200-300

63 William Garthwaite (18211899) “Scarborough” Inscribed verso, oil on canvas, together with a further oil on canvas depicting a young lady and boy in a landscape reminiscent of H P Parker, and a further oil on panel depicting vessels in a calm in the style of Clarkson Stanfield, 22cm by 32cm, 22cm dia. (tondo) and 18.5cm by 26.5cm respectively (3) £70-100 62 24

63 (part) All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

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64 Graves (Rev. John) The History of Cleveland ..., Carlisle: Printed by F. Jollie, 1808, quarto, folding map (linen backed), nine engraved plates as called for, folding pedigree, calf [Boyne p.189]; Charlton (Lionel), The History of Whitby and of Whitby Abbey ..., York: T. Cadell et al., quarto, folding plan and plates as called for (repaired tear to plan), half calf (front hinge split); Thoresby (Ralph), Ducatus Leodiensis: or the Topography of ... Leedes ..., Maurice Atkins, 1715, folio, 12 (of 13) maps and plates (coin plate not found, loss to some plates), overtaped half calf: with two others (5) £100-150

65 Local History and Topography A large collection of books on local history and topography, architecture, art, etc. with an emphasis on Yorkshire and York, various bindings. (21 boxes) £200-400 64

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66

A Chinese Armorial Porcelain Plate, circa 1755, of octagonal form, painted in famille rose emamels with the arms of Keppel, Earl of Albemarle within a chain-link border and shell-painted rim 21.5cm wide A Pair of Beaker Vases, painted in famille rose enamels with figures in landscape on an orange cell ground 14cm high Eight Various Blue and White Vases and Two Covers A Cracked Ice and Prunus Pattern Ginger Jar and Cover A Chinese Provincial Ginger Jar A Crested Coffee Can (qty) £200-300

67 A Chinese Porcelain Baluster Vase, Kangxi reign mark but not of the period, painted in underglaze blue with dragons chasing the flaming pearl within cloud scrolls, bears four-character reign mark in underglaze blue 32cm high £150-200 67 www.tennants.co.uk

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68 An Early 19th Century Staved Oak and Brass-Bound Rum Barrel, of oval tapering form, the hinged lid with solid brass hinges, clasp and with small loop handles to the sides, the body with four rivetted brass bands 43cm by 53cm by 69cm £700-1,000

68

69 An Early Victorian Rosewood Nursing Chair, mid 19th century, recovered in light pink floral damask, the acanthus carved frame above an overstuffed seat, on cabriole forelegs with scrolled toes and castors 50cm by 62cm by 93cm A William IV Rosewood-Framed Armchair, 2nd quarter 19th century, covered in pink and cream striped fabric, with scrolled hand grips above an overstuffed seat, on turned and lappetcarved forelegs with castors (repairs) 54cm by 57cm by 104cm (2) £100-150

69 (part)

70 Attributed to Ruth Cecil Latter (1869-1949) Portrait of an elegant lady wearing an evening gown, choker and yellow feather to her hair With old inscription to frame verso, oil on panel, 34cm by 25.5cm £60-90

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A George III Travelling Trunk, labelled William Judson, Trunk Maker, Ousebridge, York, early 19th century, covered in close-nailed worn black leather, the hinged lid enclosing a pine-lined interior, the paper lined lid with original label 52cm by 52cm by 43cm £100-150

A Sectional Linen Union Flag 220cm by 107cm A Similar Flag 270cm by 130cm A Printed Example A Printed Banner for Edward VII (4) £100-150

72 Patrick Hall (b.1935) “Ouse Bridge from Staithe Bridge, York” Signed and dated 1945, pencil and watercolour, together with five further companion works by the same hand of a similar subject matter, 26cm by 36cm and varying other sizes (6) £200-300

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74 Dutch School (17th century) Portrait of a gentleman, half-length, wearing a black satin doublet with an elaborate white ruff and lace cuff holding a tasselled sash and standing before stone pillars Oil on canvas, 64.5cm by 62cm £700-1,000

75 A George III Mahogany Pembroke Table, circa 1800, with two dropleaves to form an oval above an oak-lined drawer, on square tapering legs 91cm by 98cm extended by 71cm A Regency Mahogany Washstand, early 19th century, with three-quarter gallery and small shelf above a pine-lined frieze drawer, on turned and tapering legs 61cm by 45cm by 101cm (2) £100-150

76 A Pair of Carved Oak Figural Corbels, possibly 17th century and later, each carved as a caricature 23cm high An Oak Linen-Fold Panel 35cm by 26cm A Small Quantity of Carved and Pierced Oak Tracery and Other Carvings A Small Quantity of Carved and Gilt Gesso (qty) £200-300

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76 www.tennants.co.uk

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77 Cave (H.) Antiquities of York, Drawn and Etched by H. Cave. R. Ackermann, 1813, imperial quarto, additional mounted etched title (‘Picturesque Buildings in York ..’), 40 mounted ?proof plates (two detached but present), contemporary calf gilt (worn, joints cracked). [Boyne p.50]: with two others (3) £100-200

78 3 Fred Taylor (1875-1963) “Entrance to Shambles, York” Signed, mixed media, 20.5cm by 29cm Provenance: Royal Institute of Painters in Watercolours Exhibited: Views of York Exhibition, Fairfax House, York 1st April-31st August 2012 £50-80

79 A Brass Plaque Commemorating the Stables at Welbeck Abbey, dated 1752, of square form, cast in relief with a Latin inscription dated 1752 with references to IOANNE SMITHSON, JULIELMUS VICECOMES DE MANSFIELD POSTEA DUX NOVOCASTRENSIS, JULIELMUS IOANNES ARTURUS DUX DE PORTLAND and EDUARDI HARLEII within a border cast with arms and various animals amongst scrolling foliage 40cm by 42cm Provenance: Welbeck Abbey The Stables and Gatehouse at Welbeck Abbey, Nottinghamshire, were built by John Smithson in 1625 and demolished in 1742 £100-150

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80 Drake (Francis) Eboracum: or the History and Antiquities of the City of York ...., Printed by William Bowyer for the author, 1736, folio, engraved plates, full calf binding (worn). with two other copies, one with local Acts bound in at rear, [not collated]. £150-250

80

81 Follower of William Etty RA (1787-1859) Study of a female nude, seen from behind from arms aloft Oil on canvas, 53.5cm by 35cm (af) £200-300

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82 After Fra Angelico: Angels Playing Musical Instruments, oil, on a gold ground, in carved and gilt Neo-Gothic frames 70cm by 28cm £150-200

82 www.tennants.co.uk

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83 A George III Mahogany, Satinwood and Tulipwood-Banded Bowfront Washstand, early 19th century, with pivoting and hinged lid above dummy drawers and a central bowfront cupboard door with single drawer below, on splayed legs 70cm by 47cm by 134cm (open) £100-150

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84 A Victorian Oak-Framed Armchair, circa 1870, recovered in buttoned red velvet, with a moulded and scrolled frame, overstuffed arms and seat, on cabriole forelegs with scrolled toes and castors 70cm by 72cm by 106cm £100-150

85 W James Boddy (1832-1911) St. Mary’s Abbey by Moonlight Watercolour with scratching out, 19.5cm by 14cm Provenance: Presented to Mrs Willis, March 30th 1881 by the City of York; Gallery Six, Harrogate £70-100 85 32

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86 Adolphe de Bathe (active 1890-1941) Portrait of a huntsman, head and shoulders Signed, watercolour, 45cm dia. (oval) £100-150

87 British School (19th century) Family portrait of children standing on a beach Watercolour, 69cm dia. (demi-lune) £100-150

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87

88 A Late George III/Regency Mahogany Square Piano, by James Rigg, 5 Providence Row, Finsbury Square, London, early 19th century, with a satinwood interior, fret carved panels above an ivory and ebony keyboard with three mahogany-lined drawers below, on turned and reeded legs with brass-capped toes and castors 170cm by 63cm by 93cm With non-transferable standard ivory exemption declaration number LV48EN42 £300-500

88 www.tennants.co.uk

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English School (18th century): Miniature Bust Portraits of Colley Chibber and his wife, watercolour on card, oval 8.5cm by 6cm A Similar Grisaille Bust Portrait of a Gentleman, in profile, oil on board 11.5cm by 8cm A Silhouette of a Gentleman A Daguerreotype A Cabinet Photograph Case A Pair of Steel Sewing Scissors, as a stork A Staybrite Multitool Knife A Silver-Handled Button Hook A Bookmark (qty) £150-200

Pop-up Story Book Nister (Ernest), Peeps Into Fairyland, A Panorama Picture Book of Fairy Stories, Ernest Nister, no date, first edition, oblong folio, six pop-up chromolitho. illustrations, original cloth-backed boards. £80-120

90

92 A Regency Gilt and Gesso Pier Glass, early 19th century, the later rectangular mirror plate within moulded pilasters and scrolled capitals below a painted panel depicting a ship and ruin framed by an ebonised slip and scrolled brackets surmounted by a beaded and breakfront moulded cornice 89cm by 48cm £200-300

A Brass Four-Light Electrolier, in the manner of WA Benson, early 20th century, with leaf-scroll branches and column over urn pendant knop 68cm high A Pair of Brass and Copper Hinged Wall Gas Lamps 37cm high A Similar Wall Light, converted to electricity A Fire Mark A Black Forest Wall Applique, the form of an owl A Magic Lantern (qty) £150-200

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92 All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

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John Langton (b.1932) “Russell and Ryan Oliver” Signed, inscribed and dated 1994 verso, oil on canvas, 121.5cm by 76cm £250-400

Follower of Julius Caesar Ibbetson (1759-1817) Figures in conversation beside a cart with a view of a minster beyond Oil on canvas, together with a further provincial style oil on panel depicting figures before a ruined abbey, and another 19th-century oil on canvas depicting Ouse Bridge, 24cm by 33.5cm, 33cm by 38.5cm and 43.5cm by 56.5cm respectively (3) £100-200

95 A Regency Mahogany Dining Table, of rounded rectangular form, the pivoting top on a turned support with four reeded and scrolled sabre legs and brass paw feet and castors (formerly a section from a larger dining table) 135cm by 102cm by 73cm £100-150

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96 3 Sir Henry George “Harry” Rushbury KCVO, CBE, RA (1889-1968) “Scarborough” Signed and inscribed pencil and watercolour, 27cm by 52.5cm, together with a further signed and dated 1965, pencil and watercolour by the same hand “York”, 25cm by 31cm respectively (2) £400-600

96 (part)

97 A Harlequin Set of Six Sheraton-Style Carved Mahogany Dining Chairs, late 19th century, recovered in yellow floral silk damask, the flowerbell carved top rails above wheatsheaf and pierced splats above overstuffed seats, on square tapering forelegs with block feet four 50cm by 45cm by 87.25cm two 51cm by 45cm by 91cm £250-350

97 (part)

98 A George III Style Mahogany and Boxwood-Strung Serpentine Shape Sideboard, 19th century and later, with two bowfront drawers and a cupboard door in the form of two drawers, and a deep two-as-one cellaret drawer, on square tapering legs with spade feet (repairs) 183cm by 63cm by 94cm £100-150

99 A George II Carved Giltwood and Gesso Mirror, possibly Irish, circa 1755, the mercury mirror plate within a C scroll moulded frame surmounted by a pierced acanthus decorated plume (a/f) 113cm by 64cm Ex York Georgian Society, purchased at Philips £300-500 99 www.tennants.co.uk

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100 HMS Royal George: An Oak Box and Cover, of rectangular form with oak leaf and acorn crest within acanthus leaf borders, the base with a plaque inscribed Made from a portion of the wreck of HM Ship ROYAL GEORGE of 110 guns which on the 29 Aug 1782 and sunk at SPITHEAD…. and with a later plaque inscribed Given to the YORK GEORGIAN SOCIETY by Col WTC HUFFAM 42cm wide When launched on 18 February 1756 HMS Royal George was the largest warship in the world, on the 29 August 1782, she was intentionally rolled so maintenance could be performed on the hull, however the ship took on water and sank. More than 800 lives were lost, making it one of the most deadly maritime disasters in British territorial waters £100-150

100

101 A George III Mahogany Knife Box, of serpentine form with silver handle and escutcheon and with “barber’s pole” stringing, fitted interior, mounts with lion passant and maker’s mark I.S only 38cm high containing twenty various 19th century and later silver-handled forks and five silver plate forks £100-150

101

102 After Casper Netscher (1639-1684) Dutch Young boy blowing bubbles Initialled HL and dated 1824, oil on panel, 10cm by 7.5cm £100-150

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103 A Regency Mahogany Sewing Box, of rectangular form, the hinged cover opening to reveal an arrangement of compartments and a Tunbridgeware pin cushion over a frieze drawer, on bun feet 30cm wide A Mother-of-Pearl-Inlaid Rosewood Box, of rectangular form with foliate decoration 27.5cm wide (2) £100-150

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104 George Harrison (1882-1936) “York” Signed and inscribed, together with two further watercolours by the same hand including A figure loading a horse and cart and other figures at Mary Gate York, signed and dated 1921, and another depicting a market place with stalls, 27.5cm by 24.5cm, 53cm by 72cm and 49.5cm by 67cm respectively (3) £200-300

104 (part)

105 A Rosewood and Marquetry Musical Necessaire, late 19th century, of rectangular form with hinged cover with floral panel enclosing a mirror and lift-out tray with various white metal, steel, mother-of-pearl and other accoutrements, on gilt metal bun feet, the cylindrical movement playing on a comb 30cm wide £300-400

105 www.tennants.co.uk

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106 A George III and Edward VII Silver Table-Service, mostly by William Eley and William Fearn or Thomas Wilkes Barker, London, 1806, Old English pattern, the back of the handles engraved ‘Comm’rs Judges House, York, comprising: 12 table-spoons 11 table-forks 12 dessert-spoons 12 dessert-forks, by Francis Higgins, London, 1905 88oz 16dwt, 2,762gr From the Judge’s Lodgings, York. £1,200-1,800

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107 A Three-Piece Victorian Silver Travelling Communion-Set, by George Unite, Birmingham, 1872, each piece engraved with foliage and the IHS Christogram, in fitted black leather covered case, the case applied with a silver plaque with engraved inscription the case 12.5cm wide, weight of silver 5oz 4dwt, 161gr (3) The inscription reads ‘Rev Thomas Talbot from the Teachers of St Nicholas Sunday School.’ £150-250

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108 A George III Silver Sauceboat, by Andrew Fogelberg, London, 1773, oval and on three shell cast scroll feet, with gadrooned border and quilted handle, engraved with a coat-of-arms with another in pretence, below a viscount’s coronet, engraved underneath ‘Entailed’ 20.5cm wide, 15oz 13dwt, 487gr The arms are those of Conway quartering Seymour with those of Windsor in pretence almost certainly for Francis Ingram-Seymour-Conway (1743-1822) as Viscount Beauchamp, his courtesy title as son and heir of Francis Seymour-Conway, 1st Marquess of Hertford. £200-300

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109 A George III Silver Teapot, by Andrew Fogelberg and Stephen Gilbert, London, 1785, oval and with beaded borders, the hinged cover with part ebonised wood finial, with ebonised handle 27cm wide over handle, gross weight 15oz 10dwt, 752gr £300-500

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110 A George III Provincial Silver Two-Handled Cup, by John Langlands, Newcastle, 1773, inverted pear-shaped and on spreading foot, with two scroll handles, later chased overall with foliage scrolls and flowers on a matted ground, each side with a cartouche, one engraved ‘Haverah Park Jan’y 21st 1825’ above an engraved hare coursing scene, the other vacant 16cm high, 14oz 12dwt, 453gr £150-250

110 www.tennants.co.uk

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111 A George III Silver Caster, by Thomas and Jabez Daniell, London, 1772, pear-shaped and on spreading foot, chased with foliage, flowers and husks, with detachable pierced cover with spiral-fluted and foliage cast finial, engraved with a lozenge-of-arms, 19.5cm high, 9oz 16dwt, 305gr £120-180

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112 A Victorian Silver Teapot, by William Ker Reid, London, 1842, tapering and on four shell and foliage cast feet, the sides chased with foliage and rocaille, one side with a cartouche engraved with initials within a garter and below a crest with ivory insulated handle, the hinged cover similarly chased and with foliage finial 26.5cm wide, gross weight 24oz 8dwt, 759gr With non-transferable standard ivory exemption declaration number 6LPUA5X8 £300-500

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113 A Victorian Provincial Silver Cream-Jug, by John Walton, Newcastle, 1846, tapering and on four palmette stamped feet, with gadrooned border and reeded and foliage cast handle, engraved slightly later with an inscription 11.5cm high, 4oz 14dwt, 146gr The inscription reads ‘Presented to Mr Peter Temple as a Token of Esteem and Respect by a few of his Friends in the Neighbourhood of East Witton January 9th 1856.’ £70-100

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Buttery (Darrell) et al.

The Streets of York, Four Centuries of Change, [2018], the author’s own copy, in slipcase and publisher’s polythene seal [with] ‘Darrell’s Mastercopy’ of information and images, contained in lever arch file; A Scrap Book, relating to York, early 20th century, including Official Programme for the York 1902 Coronation Festivities, interesting items relating to the York Volunteers upon their return from South Africa including a folding broadside, press cuttings, dinner menus etc., quarter cloth binding; Photographs, a collection of photographs depicting ‘Old Buildings in York’; with two photograph albums (one of the Oxford Union Society, 1904) (6) £80-120

Stanyan (Temple) The Grecian History ..., J. and R. Tonson, 1751, two volumes, frontis to each, folding map, contemporary calf (wear to spine); with a quantity of others on classical history and literature, leather bound (qty) £200-300

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116 A Derby Porcelain Teacup, by George Robertson, circa 1790, painted with A Light Breeze within a brown cartouche and line rim, painted marks and titles in blue A Similar Chocolate Cup and Cover, with gilt and orange bands, painted mark in puce Three Various Derby Coffee Cans and Three Cups, with foliate and scroll decoration Two English Porcelain Coffee Cans, with gilt decoration (qty) £100-150

117 Follower of Angelica Kauffman RA (1741-1807) Venus and Cupid Oil on panel, 47cm dia. (oval) unframed With Christie’s stencil JF330 to reverse £200-300

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118 A Pair of Bloor Derby Porcelain Coffee Cans, Saucers and A Teacup, circa 1830, painted in green and gilt with latticework, printed marks in red Five Various Derby Coffee Cans and Saucers Four Teacups and Saucers, with foliate and scroll decoration Two English Porcelain Coffee Cans and Saucers (qty) £100-150

119 A Pair of Spode China Limited Edition York Minster Chalices and Covers, 1972, gilt with a view of the Minster, the reverse with crowned cross keys, limited editions 89/200 and 200/200 (200/200 with certificate) 32cm high A Pair of Stuart Crystal City of York Commemorative Goblets, decorated with a view of York, on air twist stem, limited edition 245/500 and 408/500, both with certificates, one boxed 18.5cm high A Spirit Decanter and Stopper, decorated with buildings and landscapes 29cm high (5) £100-150

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120 A Derby Porcelain Teapot, Cover and Stand and Sucrier and Cover, circa 1830, painted in gilt with classical scrolls on a salmon pink ground, painted marks in red teapot 37cm long A Similar Teapot, Cover and Stand and Slop Bowl, with blue and gilt leaf borders Two Derby Porcelain Teapots and Covers A Sucrier and Cover A Saucer, Two Plates and A LozengeShaped Dish A Matched Spode Coffee Service, with cream, green and gilt decoration (qty) £150-200

120 www.tennants.co.uk

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121 Circle of John Hoppner RA (1738-1810) Portrait of a child, head and shoulders with curly auburn hair Oil on canvas, 33.5cm dia. (tondo) £250-400

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122 A Composite Derby Porcelain Tea and Dinner Service, 1st half 19th century, painted in puce and gilt with bands of scrolling foliage, comprising: a teapot a teapot stand sucrier and cover milk jug 19 teacups 14 coffee cans 18 saucers 2 saucer dishes a sauce tureen, cover and stand 2 circular tureens 2 oval dishes 1 large oval dish 2 soup plates £200-300

123 A George III Satinwood, Marquetry and Rosewood-Crossbanded Box, of rectangular form, decorated with shell patera 31cm wide £100-150

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124 William James Boddy (1832-1911) York Minster Signed and dated 1909, watercolour, together with a further watercolour by Paul Marny depicting a street scene possibly York, an example by E Moore “Easby” (Abbey), two examples by Jessie Dudley and a half length portrait of a young boy leaning on a column, in the style of George Richmond 33.5cm by 24cm and various other sizes (6) £150-200

124 (part)

125 An English Porcelain Etruscan-Shape Crested Teacup and Saucer, circa 1820, painted with a griffin crest and motto GRIP FAST on a blue ground with foliate panels A Derby Crested Coffee Cup and Saucer, circa 1790, printed mark in puce A Similar Saucer, circa 1820, with Garter crest Two Derby Campana-Shape Pot Pourri Vases and Covers Two Floral Painted Plates A Rockingham Flower-Encrusted Bowl, painted with Ore Church, Sussex (qty) £150-200

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126 A Part Garniture of Two Derby Porcelain Cache Pots and Stands, circa 1820, painted by Moses Webster, of flared cylindrical form, painted with flowers on a duck egg blue ground within formal gilt borders, painted marks in red 16cm and 13.5cm high £150-200

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127 A Victorian Carved Oak Lazy Susan, mid 19th century, the circular top inset with eight dish reserves centred by an elephant and griffin crest carved in relief, the leaf-carved apron carved Newstead Abbey with various initials 61cm diameter £200-300

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128 A Derby Porcelain Coffee Can and Saucer, circa 1790, in Sèvres style, painted with flower swags reserved on a salmon pink ground with gilt flowerheads, painted mark in puce Three Various Derby Coffee Cans and Saucers Nine Teacups and Ten Saucers A Coffee Cup and Saucer Two English Coffee Cans and Saucers A Teacup and Saucer (qty) £120-180

129 Follower of George Morland (1763-1804) Rustic figures carrying sheaths of corn Oil on panel, together with a further oil on panel in the style of Zuccarelli and another depicting a romantic tryst between figures resting beside a coastal inlet, 15cm by 20cm, 13.5m by 17cm and 15cm by 17.5cm respectively (3) £70-100

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130 A Set of Four George III Mahogany Dining Chairs, late 18th century, with anthemion pierced splats above later green upholstered overstuffed seats, on square moulded forelegs joined by an H stretcher (repairs) 55cm by 42cm by 94cm A Pair of George III Chippendale-Style Dining Chairs, late 18th century, with later blue floral drop-in seats, the pierced splats and plain seat rail on chamfered forelegs joined by an H stretcher 53cm by 45cm by 95cm (6) £100-150

131 A George II Pier Glass, circa 1750, the later mirror plate within a moulded leaf border with scrolled plume and scrolled pediment surmounted by a shell (regilded and repainted) 104cm by 67cm £150-250

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A Copeland Parian Bust of Samuel Cooper, circa 1851, after the model by T Butler, on a book socle, impressed and incised marks, 26cm high A Wedgwood Blue Jasper Jug, 19th century, applied with classical figures, impressed marks 12cm high A Similar Campana Shaped Pot Pourri Vase and Pierced Cover, circa 1900, impressed marks 26cm high A Dutch Delft Octagonal Baluster Vase and Cover, painted in blue with a lady in landscape 39cm high A Staffordshire Porcelain Deskstand, circa 1840, of rococo scroll moulded form, painted with flowers on a claret ground, comprising two cornucopia vases and a tray 35cm wide A Pair of Staffordshire Porcelain Dessert Plates, painted with flowers within fruiting vine borders A Graingers Worcester Plate, painted with a view of York (8) £100-150

132 www.tennants.co.uk

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133 A Victorian Mahogany Inverted Breakfront Wardrobe, circa 1850, the wings with moulded cornice above arched cupboard doors enclosing a paper-lined interior with brass hanging space and hooks, the centre section of inverted breakfront form with two cupboard doors as two dummy drawers with four mahogany and paper-lined drawers below, on a plinth base 209cm by 67cm by 196.5cm £200-300

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134 An Italian Provincial Walnut and Marquetry-Inlaid Dressing Table, part 18th century, the hinged lid enclosing a later four-glass mirror flanked by hinged compartments above three dummy drawers, two small drawers below, on square tapering legs 86cm by 52cm by 77cm £100-150

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135

135 Follower of Daniel Mytens (c.1590-1647) Dutch Portrait of Gilbert, Earl of Shrewsbury, three-quarter length standing, wearing a ruff, the order of St George on a Blue Ribbon, a black cape and grey silk doublet and decorated attire inscribed with the sitter’s named D’y’d An 1616, oil on canvas 120.5cm by 99cm (unframed) Provenance: The Earl of Shrewsbury sale, Henry Spencer & Son, Retford £800-1,200

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136

136 Follower of Sir Godfrey Kneller (1646-1723) Portrait of a gentleman, possibly Charles Townshend, second Viscount Townshend, standing wearing an ermine-decorated fur cloak and resting his right hand on a crown Oil on canvas, 144cm by 113cm Indistinct Christie’s stencil to verso £800-1,200

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137 Francesco Pozzi (Italian 1779-1844): “Arpocrate”: A Carved White Marble Figure of a Young Boy, kneeling, his right fore-finger to his lips, on an oval base 72cm high Purchased at the Sale of Naburn Hall £400-600

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138

138 (part)

British School (18th century) Portrait of a Clergyman Oil on canvas, together with another small scale portrait depicting The Reverend Edward Stillingfleet of Kelfield Hall by William Staveley of York (according to a label to the reverse), 24.5cm by 20cm and 13cm dia. (oval) respectively (2) £150-250

139 English school (19th century) Portrait of a faggot gatherer in a snowbound landscape Pastel, together with a companion depicting a milkmaid in a landscape, 65.5cm by 50.5cm (2) £200-300

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140 Circle of Phillip Mercier (1689-1760) French Portrait of a young boy, halflength reputedly James Jessop (d.1736) standing with hand in jacket-pose wearing a teal coloured velvet jacket with buttons decorated with a spandrel design and a white cravat Oil on canvas, 74.5cm by 62cm According to the label on the reverse, the sitter succeeded to the title and adopted the name Lord D’arcy of Navan on the death of his maternal grandfather. The D’arcy family were prominent breeders of the early English thoroughbred and came from Sedbury near Richmond. £800-1,200

140

141 An Oak Misericord Corbel, possibly English, 16th century, carved in relief with stylised foliage flanked by scrolling branches with trefoil leaf terminals 54cm by 19.5cm £300-500

141 www.tennants.co.uk

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142

142 Attributed to Sir Peter Lely and Studio (1618-1680) Dutch Portrait of Lady Gertrude Pierpoint, seated three-quarter length before a fluted pillar wearing a cream satin and blue dress with strings of pearls to her neck Inscribed Lady Gertrude Pierpoint, second wife to George MARQS. of Halifax, oil on canvas, 122cm by 97.5cm Provenance: The Ledger Galleries £5,000-7,000 56

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143 A Carved Oak Bust of St James, possibly French, 17th century, the bearded figure wearing a cloak with applied scallop shell 65cm high £500-700

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144

144 A Louis XV Style Giltwood Two-Seater Sofa, late 19th century, covered in original floral needlework, the moulded and carved frame with padded back supports, arms and overstuffed seat, with acanthuscarved arm supports and fluted tapering legs 127cm by 60cm by 100cm A Similar Louis XV Style Fauteuil, upholstered in original needlework, the beaded and carved back support with curved arm supports and worn overstuffed seat, the fluted seat rail on stop-fluted tapering forelegs 72cm by 55cm by 100cm (2) £200-300 www.tennants.co.uk

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145

145 Circle of Charles Jervas (c.1675-1739) Irish Portrait of a gentleman, three-quarter length wearing a sumptuous red coat decorated with gold thread and holding a fur-trimmed hat, standing before a landscape Oil on canvas, 125.5cm by 101cm £2,000-3,000

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DAY TWO SATURDAY 12 NOVEMBER 2022 AT 9.30AM

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GLASS

200 A Baluster Goblet, circa 1710, the rounded funnel bowl on a drop knop with air tear and folded foot 15cm high £700-1,000

201 200

A Baluster Goblet, circa 1740, the conical bowl over an angular knop and a ball knop with air tear, the plain stem with basal knop on folded foot 24cm high £400-600

201

202 A Wine Glass of Jacobite Significance, mid 18th century, the conical bowl engraved with a rose and bud, the reverse later engraved with initials, on a basal annular knop and double knopped air twist stem 17cm high £500-800

203

202

A Jacobite Portrait Goblet, circa 1750, the rounded funnel bowl engraved with a portrait bust of Prince Charles Edward Stuart beneath the motto Audentior ibo flanked by a thistle and oak leaf and acorn, the reverse with a rose spray with two buds, on a knopped air twist stem with basal knop 20.5cm high £3,000-5,000

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204 A Beilby Enamelled Wine Glass, circa 1770, the rounded funnel bowl painted in white enamels with a bird perched amongst fruit on an opaque twist stem 14.5cm high For a similar example see Bickerton (LM) 18th Century English Drinking Glasses, pg.338 £2,500-3,500

204

205 A Glass Taperstick, circa 1780, on a faceted stem and foot 15cm high £200-300

205

206 A Glass Taperstick, circa 1780, on a faceted stem and foot 15.5cm high £200-300

206

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207 A Set of Three Amethyst Glass Mallet Decanters and Stoppers, early 19th century, with gilt labels inscribed Hollands, Rum and Brandy, in a gilt metal mounted papier mache stand with central loop handle 29cm high overall £400-600

207

208 A Set of Three Green Glass Mallet Decanters and Stoppers, early 19th century, with gilt labels inscribed BRANDY, SHRUB and RUM, in a gilt metal mounted papier mache and turned wood trefoil stand 26cm high £400-600

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BRITISH CERAMICS 209 A Worcester Porcelain High-Footed Sauceboat, circa 1755, painted in underglaze blue with the Triangle Platform pattern within scroll moulded borders, workman’s mark to base 19.5cm long A Similar Bowl, circa 1775, painted with the Cannon Ball pattern, crescent mark 15.5cm diameter (2) £150-200

209

210 A Worcester Porcelain High-Footed Sauceboat, circa 1755, painted in famille verte type enamels with a “Long Eliza” in a fence garden and with a chinoiserie figure on a bridge in moulded cartouche, the interior with foliage and Buddhistic emblems 23cm long Provenance: The Zorensky Collection of Worcester Porcelain, Part II, Bonhams, New Bond Street, 23 February 2005, lot 24 £300-400

210

211 A Worcester Porcelain Sauceboat, circa 1775, painted in underglaze blue with the Full Moon pattern 21.5cm long A Similar Derby Example 16.5cm long (2) £150-200 211

212 A Worcester Porcelain Twin-Handled Sauceboat, circa 1755, printed in black with Men o’War in moulded cartouche, the interior with birds swimming in a river 19cm long For a similar example see Spero (Simon) 18th Century English TransferPrinted Porcelain and Enamels, the Joseph M Handley Collection, pg.123 £150-200

212

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213 A Worcester Porcelain Tea Bowl and Saucer, circa 1765, printed in puce with the Old Dutch Inn pattern Provenance: The Langmead Collection with Albert Amor £200-300

213

214 A Worcester Porcelain Sauceboat, circa 1775, of fluted form, painted in underglaze blue with the Doughnut Tree pattern 18cm long £150-200

214

215 A Worcester Porcelain Tea Bowl and Saucer, circa 1765, painted with the Pu-Tai pattern within an arrowhead border £300-400

215

216 A Worcester Porcelain Teacup and Saucer, circa 1775, painted with exotic birds amongst foliage in panels on a blue scale ground, fret marks in underglaze blue £200-300

216

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217 A Worcester Porcelain Tea Canister and Cover, circa 1775, of ovoid form, painted with exotic birds amongst foliage in panels on a blue scale ground, fret mark in underglaze blue 12cm high £200-300

218 A Worcester Porcelain Butter Tub and Cover, circa 1775, of circular form, painted with flowers in panels on a blue scale ground, fret mark in underglaze blue 12cm diameter £200-300 217

218

219 A Worcester Porcelain Large Leaf-Moulded Mask Jug, circa 1775, painted with exotic birds amongst foliage in panels on a blue scale ground below a leaf border, fret mark in underglaze blue 29cm high together with a note detailing the ownership of the jug by various members of the Broadmead family of Enmore Castle, Somerset throughout the 19th century £1,500-2,000

220 A Set of Three Worcester Porcelain Plates, circa 1775, painted with flowers on a blue scale ground, fret mark in underglaze blue 20cm diameter £300-400 219

220 www.tennants.co.uk

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221

221 A Set of Four Worcester Porcelain Soup Plates, circa 1775, painted with flowers in panels on a blue scale ground, fret marks in underglaze blue 22cm diameter £400-600

222 A Worcester Porcelain Sauceboat, circa 1760, of strap-fluted oval form, painted with flowersprays within purple scroll cartouche below a similar border 15cm long Provenance: The Zorensky Collection of Worcester Porcelain, Part III, Bonhams, New Bond Street, 22 February 2006, lot 44 £200-300

222

223 A Worcester Porcelain Sauceboat, circa 1765, painted with sprays of flowers within purple and gilt moulded scroll borders on a basketweave ground 20cm long A Similar Tea Bowl and Saucer, circa 1770, painted with kakiemonstyle foliage in panels on a blue scale ground, crescent and seal marks in underglaze blue (3) Provenance: Sauceboat: The Zorensky Collection of Worcester Porcelain, Part III, Bonhams, New Bond Street, 22 February 2006, lot 116 £200-300

223

224 A Chaffers Liverpool Porcelain Coffee Cup, circa 1760, painted with the Stag Hunt pattern within gilt borders See Hillis (Maurice) Liverpool Porcelain 1756-1804, pg.159 for a discussion of the three versions of the Stag Hunt pattern used on Chaffers porcelain £150-200 224 66

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225 A Chaffers Liverpool Porcelain Coffee Cup, circa 1760, with scalloped rim, painted in colours with a Chinese mother and child beneath an umbrella in a fenced garden Provenance: The Billie Pain Collection of British Porcelain, Bonhams, New Bond Street, 26 November 2003, lot 270 £300-400

225

226 A Chaffers Liverpool Porcelain Coffee Cup, circa 1760, painted in colours with flowersprays and sprigs, the interior with chainlink border A Similar Coffee Cup, the interior with arrowhead border (2) Provenance: The Watney Collection of Fine Early English Porcelain, Part III, Phillips, New Bond Street, 1 November 2000, lot 1026

226

Both are illustrated in Watney (Bernard) Liverpool Porcelain, col.pl.11c and exhibited at the 1997 Liverpool Exhibition held at Phillips £150-200

227 A Philip Christian Liverpool Porcelain Tea Bowl and Saucer, circa 1770, painted in underglaze blue with the Bird on a Branch pattern A Similar Coffee Cup, painted with the Cannon Ball pattern Another, painted with the Long Bridge pattern (4) £150-200 227

228 A Philip Christian Liverpool Porcelain Sauceboat, circa 1770, painted in colours with peacocks amongst foliage and rockwork and with chinoiserie flowersprays on a foliage and scroll-moulded ground within an arrowhead border 20.5cm long For a similar example see Panes (Nicholas) British Porcelain Sauceboats of the 18th Century where it is discussed that the sauceboats may have been made at the James Pennington factory £200-300 228 www.tennants.co.uk

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229 A Philip Christian Liverpool Porcelain Coffee Cup and Saucer, circa 1770, painted with the Old Bill pattern with chinoiserie figures and furniture A Seth Pennington Liverpool Porcelain High Chelsea Ewer, circa 1785, painted in underglaze blue, iron red and gilt within chinoiserie landscape 9cm high (2) Provenance: Cup and Saucer: The Watney Collection of Fine Early English Porcelain, Part III, Phillips, New Bond Street, 1 November 2000, lot 1034 (part) and illustrated in Watney (Bernard) Liverpool Porcelain, fig.158 £200-300 229

230 A Philip Christian Liverpool Porcelain Sauceboat, circa 1770, painted in colours with chinoiserie foliage on a moulded strap-fluted ground 12.5cm long Provenance: Nicholas Panes’ Collection, illustrated in British Porcelain Sauceboats of the 18th Century, fig.320 £150-200

230

231 A Seth Pennington Liverpool Porcelain High Chelsea Ewer, circa 1785, painted with an exotic bird perched in a leafy branch over a leaf moulded border 9cm high A Similar Dolphin Ewer, painted with flowersprays and scattered sprigs 12cm long (2) The High Chelsea Ewer exhibited Northern Ceramics Society, Liverpool 1993, no.135 and illustrated in Watney (Bernard) Liverpool Porcelain of the 18th Century, fig.437

231

For a similar dolphin ewer see Hillis (Maurice) Liverpool Porcelain 17561804, pg.412 £200-300

232 A Lowestoft Porcelain Butter Boat, circa 1785, of leaf form, painted in underglaze blue with the Cannon Ball pattern 7cm long A Similar Fluted Tea Bowl and Saucer and Slop Bowl, painted in underglaze blue with a flower sprig within a cell border bowl 15cm diameter (4) £200-300 232 68

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233 A Champions Bristol Porcelain Sauceboat, circa 1775, painted with flower swags within moulded scroll borders, crossed swords mark in underglaze blue 14.5cm long Provenance: Ex Barbara Leake and Nicholas Panes’ Collections. See Panes (Nicholas) British Porcelain Sauceboats of the 18th Century, pg.242 £300-400

233

234 A Caughley Porcelain Low Chelsea Ewer, circa 1780, painted in underglaze blue with convolvulus and with a cell border, crescent mark in underglaze blue 11cm long A Similar Coalport Example, circa 1800, painted in famille rose enamels with flowersprays and with a floral meander border 11cm long (2) £200-300

234

235 A Pair of Derby Porcelain Figures of a Lady and Gallant, circa 1770, he standing holding a lamb and posy, a basket of flowers at his side, she with flowers in apron holding a basket of eggs, on scroll moulded bases 23cm and 21cm high £300-500

235

236 A Pair of Derby Porcelain Figures of New Dancers, circa 1765, each standing with arms raised, on mound bases 13cm high £300-500

236 www.tennants.co.uk

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237 A Derby Porcelain Figure of Britannia, circa 1770, the standing goddess with a shield at one side, a flag at the other, a lion and trophies at her feet, on a scroll moulded base 37cm high £200-300

238

237

A Pair of English Delft Plates, circa 1760, painted in blue with European figures within chinoiserie interiors 21.5cm diameter £400-600

238

239 A Graingers, Lee & Co Worcester Porcelain Miniature Jug, circa 1820, of ovoid form, painted with a view of Worcester on a gilt scroll ground, painted marks in red 5cm high An English Porcelain Miniature Jug, circa 1810, of ovoid form, painted with butterflies within gilt line borders 7cm high (2) £150-200

239

240 An English Porcelain Pot Pourri Vase and Cover, possibly Chamberlain’s Worcester, circa 1810, of cushioned circular form, painted with panels of pink roses within gilt borders supported by three dolphins, on a trefoil base 19cm high £300-400

240

241 l A Flight, Barr & Barr Worcester Porcelain Vase, by Thomas Baxter, circa 1815, of cylindrical form with everted rim and twin ring handles, painted with a youth playing a harp on a gilt scroll and green ground, painted marks and title in red 9cm high £400-600 241 70

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242

242 l A Chamberlains Worcester Porcelain Dessert Service, circa 1810, painted with flowersprays in panels on a gilt “brick” ground within blue borders with further panels of foliage and gilt leaf and scroll decoration, comprising: 2 sauce tureens, covers and stands 2 kidney shape dishes 2 square dishes 2 lobed oval dishes 1 lobed oval pedestal dish 12 plates With receipt from Thomas Goode & Co dated 1973, for the sum of £1,500 £2,000-3,000

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243 l A Flight, Barr & Barr Worcester Porcelain Vase, by Thomas Baxter, circa 1815, of urn shape with twin scroll handles, painted with “The Minstrel” on an apple-green ground, painted mark, title and inscription in red 17cm high £600-800

243

244 l A Chamberlains Worcester Soup Tureen and Cover, circa 1820, with lion finial and lion mask handles, painted with flowersprays on a blue ground with gilt scrolls 37cm wide A Pair of Sauce Tureens and Covers, matching 20cm wide A Rectangular Plate, en suite 38cm wide (7) £300-400

244

245 A Mintons Porcelain “Limoges Enamel” Plate, circa 1875, painted in the manner of Desire Leroy with wild flowers and grasses on a turquoise ground within a gilt line border, printed Mintons and Thomas Goode and impressed Minton and indistinctly impressed date code 24.25cm diameter £600-800

245

246 A Kerr & Binns Worcester Porcelain Plate, circa 1862, painted and gilt with a crowned VR monogram within a pink band gilt with paterae and with floral meandering border, printed and impressed marks 24cm diameter Possibly a sample plate for a service for Queen Victoria £200-300 246 72

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247 A Pair of Wedgwood Jasper Figural Candlesticks, circa 1810, modelled as Pomona and Ceres standing wearing flowing robes holding cornucopia, on waisted circular bases and square plinths, impressed marks 27.5cm high For a similar pair in Temple Newsam House, Leeds see Rilley (Robin) Wedgwood Jasper, pg.245 £500-700

247

248

248 A Pair of Creamware Stands, circa 1800, painted with botanical specimens within pierced borders 26cm diameter £300-400

249 A Minton Majolica Cat and Mouse Jug, circa 1875, naturalistically modelled and decorated, the tail forming the handle, the cat’s right paw on a recumbent mouse, on a mound base, impressed marks and moulded registration mark 25cm high £800-1,200

249

250 A Minton Majolica Game Pie Tureen, Cover and Liner, 1873, of basket-moulded oval form, the domed cover with recumbent hound on shooting accoutrements, the base with entwined handles and relief panels of game on a foliate ground and with scroll feet, impressed marks 32cm wide £400-600 250 www.tennants.co.uk

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251 A Pair of Majolica Seated Spaniels, circa 1870, naturalistically modelled sitting on an oval base picked out in coloured glazes 41cm high £400-600

251

252 A Queen Victoria Commemorative Silver-Gilt-Mounted Porcelain-Handled Rosewood Page Turner, maker’s mark for J Howell & Co Ltd, the handle painted with a bust portrait of the young Queen Victoria within a gilt crowned foliate scroll cartouche on blue ground, the reverse with VR monogram 32cm long £200-300

252

253 A Royal Crown Derby Porcelain Tea Plate, from the Judge Elbert Henry Gary service, circa 909, painted by Albert Gregory with panels of flowers framed within elaborately moulded gilt cartouches by George Darlington with further arabesques and incorporating a G monogram for Gary on gros bleu and turquoise grounds, signed by both artists, impressed Derby, printed mark in gilt, with Royal Warrant and Tiffany & Co retailer’s stamp 18.25cm diameter £1,000-1,500

253

254 A Royal Crown Derby Porcelain Dinner Plate, en suite to the previous 26cm diameter £1,500-2,000

254 74

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255 A Royal Crown Derby Porcelain Dessert Plate, en suite to the previous 21cm diameter £1,200-1,800

255

256 A Royal Crown Derby Porcelain Oval Serving Platter, en suite to the previous 44cm wide £600-800

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258

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258

A Royal Crown Derby Porcelain Twin-Handled Vase and Cover, by Cuthbert Gresley, 1904, of ovoid form, painted with sprays of flowers in gilt scroll cartouches on a blue ground with in gilt borders, signed, printed mark in red 31cm £1,200-1,800

A Royal Crown Derby Porcelain Twin-Handled Urn Shape Vase and Cover, by Desire Leroy, circa 1907, painted with a French horn and music amongst foliage in a gilt framed cartouche with jewelling on a green ground with jewelled gilt borders, signed, printed mark in puce 16cm high £1,500-2,000

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259 260

259

260

A Royal Crown Derby Porcelain Twin-Handled Campana Vase, by Desire Leroy, 1899, painted with trophies and flowers in panels on a turquoise, blue and gilt strapwork and scroll border, on a blue ground with gilded rims, signed, printed mark in red 12cm high £1,200-1,800

A Royal Worcester Porcelain Twin-Handled Pedestal Vase, by Frank Roberts, 1910, of baluster form, painted with a highland landscape within green and gilt moulded borders, signed, printed mark in puce 24cm high £800-1,200

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262

A Royal Worcester Porcelain Vase, by Harry Stinton, circa 1903, of baluster form, painted with sailing boats in a stormy sea within green and gilt moulded borders, signed, printed mark in puce 30cm high £800-1,200

A Hadley’s Worcester Porcelain Twin-Handled Pedestal Vase, by William Powell, circa 1900, of slender baluster form, painted with cranes in a river landscape, printed mark in green 25cm high £800-1,200

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264

263

264

A Royal Worcester Porcelain Vase, by Harry Davis, circa 1906, of baluster form, painted with two horses and a farmer on a cart track within green and gilt moulded borders, signed, printed marks in puce 30cm high £4,000-6,000

A Set of Six Royal Worcester Porcelain Coffee Cups and Saucers, by James Stinton, 1928 and 1926, painted with game birds in landscape within gilt borders, signed, printed marks in puce A Set of Six George V Silver Coffee Spoons, Sheffield 1916, all in a fitted leather case £1,000-1,500

265 A Pair of Silver-Mounted Royal Worcester Porcelain Dishes, by James Stinton, the silver Birmingham 1928, with central circular plaque painted with game birds, signed 10.5cm diameter £200-300

265

266 A Royal Worcester Porcelain Plate, by Frank Higgins, 2nd half 20th century, painted with a still life of fruit on a mossy bank within a gilt gadroon border, signed, printed mark in black 17cm diameter A Similar Coffee Cup, by John Freeman, signed, printed mark in black (2) £300-400

266 www.tennants.co.uk

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267 A Royal Worcester Porcelain Plate, by Edward Townsend, 2nd half 20th century, painted with a still life of fruit in an ivory panel on a blue ground gilt with scrolls and foliage, signed, printed mark in gilt 26.5cm diameter £150-200

267

268 A Royal Worcester Porcelain Plaque, by Harry Stinton, circa 1905, of circular form, painted with highland cattle in a misty landscape, signed, printed mark in puce 10.5cm diameter, framed and glazed £600-800

268

269 A Royal Worcester Porcelain Plaque, by Harry Davis, circa 1913, painted with sheep in a misty landscape, signed, printed mark in puce 10.5cm diameter, framed and glazed £600-800

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EUROPEAN CERAMICS 270 A Dutch Delft Model of a Recumbent Cow, possibly de Grieksche A Factory, circa 1760, painted with a profusion of flowers and swags, on a rectangular base painted with leaves and scrolls, painted A/I.H mark in iron red 22.5cm long £400-600 270

271 A Meissen Hausmaler Porcelain Soup Plate, circa 1750, painted in the manner of Ferdinand Mayer of Pressnitz with a lady and gentleman in parkland standing beside a column within a gilt line border and flower sprays to the rim, crossed swords mark in underglaze blue 22.5cm diameter A Similar Plate, painted with a lady and gentleman sitting before a cloth hanging from trees, buildings and ships beyond within a gilt line border and flower sprays to the rim, crossed swords mark in underglaze blue 22cm diameter (2) £1,000-1,500

271

272 A Meissen Porcelain Figure of a Dancer, circa 1750, modelled by J.J Kandler, holding her apron out, on a scroll moulded mound base, crossed swords mark in underglaze blue 18.5cm Provenance: With Klaber & Klaber £1,000-1,500

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273 www.tennants.co.uk

A Meissen Porcelain Twin-Handled Vegetable Tureen and Cover, circa 1750, of cushioned circular form with cauliflower knop and crabstock handles, painted with flowersprays within gilt line borders, crossed swords mark in underglaze blue 30cm wide £800-1,000

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274 A Hoechst Porcelain Soup Plate, circa 1780, painted with a flowerspray within a scroll and lattice moulded border painted with flower sprigs and brown line rim, wheel mark in red 27cm diameter £150-200

274

275 A Marcolini Meissen Porcelain Service, early 19th century, painted with Deutsche Blumen and with scattered sprigs within gilt borders, painted marks in underglaze blue, comprising: 14 dinner plates 6 dessert plates 2 soup plates 8 breakfast cups and saucers £400-600

275

276 A Meissen Porcelain Centrepiece, late 19th/early 20th century, the circular bowl painted with flowers within a foliate and strapwork pierced border, supported on a fluted column flanked by three classical maidens on a scroll moulded domed base, crossed swords mark in underglaze blue 31cm high £200-300

276

277 A Meissen Porcelain Tureen and Cover, late 19th century, of Swan Service type, of shell-moulded lobed oval form with dolphin finial and leaf handles, modelled and painted with swans and cranes amongst bulrushes, on scroll moulded feet, crossed swords mark in underglaze blue 33cm wide £700-1,000 80

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278 A Meissen Porcelain Figure of a Dandy, late 19th century, standing wearing 18th century dress holding a monocle and a cane handle on a circular base, crossed swords mark in underglaze blue struck out 25cm high £150-200

278 279

279 A Meissen Porcelain Miniature Teapot and Cover, circa 1870, of ovoid form with tau handle, encrusted and painted with flowers, crossed swords mark 9cm long A Similar Teapot and Cover, painted in underglaze blue and enamels with chinoiserie foliage, crossed swords mark 10cm long (2) £200-300

280 A KPM Berlin Porcelain Plaque, late 19th century, of oval form, painted with a bust portrait of a Neapolitan gypsy boy, impressed marks, oval 25cm by 21cm, in a walnut frame carved in relief with roses £1,000-1,500

280 www.tennants.co.uk

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281 A Pair of Austrian Terracotta Figures of Rustic Musicians, late 19th/early 20th century, as a boy and girl seated wearing traditional costume, he with a flute, she with a tambourine 79cm high £1,500-2,000

281

282 A KPM Berlin Porcelain Plaque, late 19th century, painted with a mother and child in an interior, kittens playing with a string ball at their feet, impressed marks 21cm by 15cm, framed and glazed The reverse with paper label with the Wakefield Scientific & Fine Art Exhibition, titled in pencil First Attempt £400-600

282

283 A Royal Copenhagen Porcelain Flora Danica Dish, 1948, painted with Aquilegia vulgaris L within a moulded and gilt pierced border, printed marks in green and titled in black 29.5cm diameter £300-400

283 82

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284 l A Pair of Paris Porcelain Cache Pots and Stands, circa 1830, of tapering cylindrical form with mask handles, painted with country houses in landscape panels on a dark blue ground gilt with fruiting vine and scrolls within reeded borders 19cm high £1,000-1,500

284

285 l A Pair of Samson of Paris Porcelain Vases and Covers, late 19th century, of hexagonal baluster form, painted in Worcester style with exotic birds and insects amongst foliage on a blue scale ground, bears fret mark in underglaze blue 28cm high £150-200

285

286 A Pair of Samson of Paris Porcelain Vases and Covers, late 19th century, of hexagonal baluster form, painted in Chinese Export style in famille rose enamels with flowersprays within shaped lattice and scroll borders 42cm high £150-200

287 No Lot 286 www.tennants.co.uk

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OBJECTS OF VERTU 288 Circle of George Engleheart: Miniature Bust Portrait of a Gentleman, wearing a blue jacket and white stock, oval, 6.2cm by 5.1cm, on ivory, in gilt metal frame with glazed panel containing a lock of hair within a blue enamel border A Similar Miniature Portrait of a Young Lady, wearing a lace-trimmed white dress, oval, 6.5cm by 5.2cm, on ivory, in a gilt metal case, the reverse with glazed panel enclosing plaited hair (2) With non-transferable standard ivory exemption declaration numbers ZM4XYSXC and NJVB76J9 £400-600

289

288

289

Lundberg: Miniature Bust Portrait of Hedvig Charlotta Nordenflycht, her hair tied with a blue ribbon, wearing a sea-green dress with rose, signed Lundberg, on ivory, 8cm by 6cm, in gilt metal frame Nordenflycht (1718-1863) was a Swedish poet considered to be the country’s first feminist and the present work is possibly based on an engraving by Johan Fredrik Martin With non-transferable standard ivory exemption declaration number ESD37F7M £200-300

290 British School (early 19th century): Miniature Bust Portraits of Sir Alexander Jardine, 6th Baronet of Applegirth and Lady Jane Jardine, on ivory, oval, 5.5cm by 4.5cm and 5cm by 4cm respectively, in gilt metal frames with plaited hair, contained in a leather case with hair arrangement behind glass With non-transferable ivory exemption declaration numbers GAKCTHTL and UZSPZ22P £500-800 84

290 All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

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291 A French Mahogany Musical Necessaire, circa 1880, of a piano, the hinged cover with ivory keys enclosing a fitted interior with mirror and gilt metal accoutrements, on turned baluster legs, the cylinder musical movement playing on a comb 29cm long With non-transferable standard ivory exemption declaration number F4BDN9K1 £500-700 291

292

292 John Haslem (1808-1884): Miniature Bust Portraits of Mr and Mrs William Horsley, signed, inscribed and dated 1855/6 to the reverse, enamel 10.5cm by 8.5cm, in gilt gesso frames and framed and glazed Having joined the Derby porcelain factory as an apprentice painter at the age of 14, Haslem practiced drawing in his spare time painting portraits from life as well as copying Old Masters. He moved to London in 1835 as a pupil of ET Parris and was later patronised by Queen Victoria, the Duchess of Gloucester, the Duke of Sussex and other members of the Royal Family. The subject, William Horsley, possibly depicts the English composer and organist William Horsley £1,500-2,500

293 A George III Gilt Metal Mounted Tortoiseshell Travelling Writing Necessaire, of oval form with shell-cast thumbpiece, containing three glass bottles with Staffordshire enamel mounted covers, a fob seal inscribed JANE, and a pencil/pen with separate nib 9cm wide £500-700

www.tennants.co.uk

293

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ASIAN CERAMICS & WORKS OF ART 294 A Chinese Porcelain Vase, in Kangxi style, painted in underglaze blue with figures in a mountainous river landscape 28cm high £300-500

294

295 A Chinese Porcelain Vase, in Transitional style, of ovoid form, painted in underglaze blue with leaf-shape panels of foliage and with scattered flower sprigs 23.5cm high A Similar Vase, painted with scattered flowers and rockwork 24.5cm high (2) £400-600

295

296 A Chinese Porcelain Miniature Chocolate Pot and Cover, Kangxi, of conical form, painted in underglaze blue with foliage 11.5cm high £200-300

296

297 A Chinese Porcelain Jar and Cover, Kangxi, of baluster form, painted in underglaze blue with bands of panels of foliage and landscape within a floral meander border 60cm high £3,000-5,000 297 86

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298 A White Metal Mounted Chinese Porcelain Tea Canister, the porcelain 18th century, the mounts later, of canted rectangular form, painted in underglaze blue with flowering branches 12cm high A Similar Chinese Imari Tea Canister 12.5cm high Another Chinese Imari Tea Canister 11.5cm high (3) £200-300

298

299 A Chinese Porcelain Bowl, Jiaqing reign mark, of circular form with everted rim, painted in underglaze blue with lion dogs and flowersprays, bears six-character reign mark in underglaze blue 16.5cm high £200-300

299

300 A Chinese Celadon Glazed Bowl, Yongzheng reign mark but not of the period, of circular form with everted rim, carved with scrolling foliage within formal lappet borders, bears six-character reign mark in underglaze blue 26cm diameter, with carved and pierced hongmu stand £600-800

300

301 A Chinese Porcelain “Bitter Melon” Bowl, Daoguang seal mark and of the period, painted in famille rose enamels with a butterfly and fruiting tendrils, six-character reign mark in underglaze blue 15cm diameter This dish-shaped fruit is most likely a bitter melon which is a symbol of fertility. For a similar bowl, Qianlong seal mark and period, see Krahl & Spee Chinese Ceramics from the Gulexuan Collection, no.117 £600-800 301

www.tennants.co.uk

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302 A Chinese Wucai Porcelain Vase, mid 17th century, of baluster form, painted with birds amongst peony and rockwork on an orange ground 17cm high £200-300

302

303 A Chinese Porcelain Robin’s Egg Glazed Vase, late Qing/Republic period, of ovoid form with trumpet neck, the shoulder applied with a sinuous dragon 14cm high £150-200 303

304 A Chinese Wucai Porcelain Jar, Kangxi, of ovoid form, painted with mothers and children amongst rockwork and foliage in a fenced garden 18cm high Provenance: With Bertrand de Lavergne £800-1,200

304

305 A Chinese Quan Type Crackle Glazed Vase, in Song style, of ovoid form with everted rim and brown rim 11cm high £200-300 305 88

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306 l A Chinese Imari Porcelain Basin, circa 1730, painted with pagodas and a bridge in a river landscape within a foliate and diaper panelled border 38cm diameter £200-300

306

307 A Pair of Chinese Porcelain Plates, Yongzheng/early Qianlong, painted in famille rose enamels with birds amongst foliage and rockwork 22.5cm diameter £300-400

307

308

308 A Chinese Yellow-Glazed Porcelain Figure of a Dog, Qing Dynasty, naturalistically modelled recumbent, on hardwood base 18cm long £300-500

309

309 www.tennants.co.uk

A Chinese Daocai Porcelain Censer, Qianlong reign mark, of ovoid form with scroll handles, painted with Buddhistic emblems amongst scrolling foliage within formal borders, on tripod legs, bears sixcharacter reign mark in underglaze blue 28.5cm high, with carved and pierced hardwood cover and stand £1,000-1,500 89

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310 A White Metal Mounted Chinese Porcelain Teapot and Cover, the porcelain Kangxi, the mounts later, of globular form, painted in famille verte enamels with birds perched in branches within foliate borders 18cm wide £200-300

310

311 A Chinese Armorial Porcelain Dish, painted in famille rose enamels with the arms of Lambert over a scroll with the motto SEGUITANDO.SI.GIUNGE within a floral diaper border and two threeplumed crests and two flowersprays within a foliate rim 42cm diameter For a discussion of the service see Sanctuary Howard (David) Chinese Armorial Porcelain, pg.206 where it is noted that Sir John Lambert, a wealthy London merchant and director of the South Sea Company, was created baronet in February 1711 and died in February 1723, to be succeeded by his son, Sir John, second baronet.

It has been the unvaried tradition that this service was made for the first baronet although armorially there is no reason why the service could not have been made for Sir John’s son. This service is therefore the earliest dateable example of the new famille rose enamels being used on Chinese porcelain influenced by European originals. The order for the service possibly having been despatched in 1720 or 1721 before the full effect of the bursting of the South Sea Bubble was felt. £400-600

311

312 A Pair of Chinese Porcelain Baluster Vases and Covers, Qianlong, of Dog of Fo finials, painted in famille rose enamels with figures in landscapes within underglaze blue foliate borders on a gilt and blue foliate ground 55cm high £1,500-2,000

313 A Chinese Porcelain Sauceboat, Qianlong, of silver shape, painted in famille rose enamels with flowers 23cm long £200-300

312

90

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314 l A Chinese Porcelain Brush Pot, Qianlong reign mark, of cylindrical form, painted in famille rose enamels with a dignitary and attendant in a garden, the reverse with maidens in a garden, on a puce lattice ground, bears six-character reign mark in red 12.5cm high £500-700

314

315

315 A Chinese Porcelain European Market Punch Bowl, circa 1800, painted in underglaze blue and gilt with shield and swag cartouches, initialled CH within lattice borders, the interior with a ribbon-tied Chinese lantern 40.5cm diameter £500-700

316 A Chinese Porcelain Vase, mid 19th century, of baluster form, the trumpet neck applied with mythical beasts, painted in famille verte enamels with exotic birds amongst foliage and rockwork within cell and panel borders 62cm high £400-600

316

317 A Chinese Porcelain Punch Bowl, Qianlong, painted in famille rose enamels with scholars in a fenced garden within cell borders 29cm diameter £300-500

317 www.tennants.co.uk

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318 A Pair of Dutch-Decorated Chinese Porcelain Dishes, circa 1720, painted in kakiemon style with birds amongst flowers issuing from banded hedges within a Three Friends border 36.5cm diameter For a similar example and a discussion of this pattern see Espir (Helen) European Decoration on Oriental Porcelain 1700-1830, pg.87 £400-600

318

319 A Chinese Porcelain Baluster Vase, Qianlong, painted in famille rose enamels with figures and furniture in scroll moulded panels on a relief moulded foliate ground gilt with scrolling foliage 29cm high £1,000-1,200

319

320 A Garniture of Three Chinese Porcelain Pot Pourri Vases, Covers and Inner Cover, Jiaqing reign marks, of baluster form with dragon handles, painted in famille rose enamels with mythical beasts amongst foliage on a gilt ground, bear six-character reign marks 40cm and 33cm high £500-700

320

321 A Chinese Bronze Censer, Xuande reign mark but not of the period, of cushion circular form with loop handles, six character reign mark 15cm wide £300-500 321 92

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322

322 A Chinese Cloisonne Vase (Hu), Ming Dynasty, probably early 17th century, with elephant’s mask and ring handles, worked in colours with bands of scrolling lotus with foliate borders 37.5cm high £7,000-10,000

www.tennants.co.uk

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323 A Chinese Carved Coral Figure of Shoulao, 19th century, standing wearing flowing robes holding a dragon-headed staff, on a wire-inlaid carved wood stand 14cm high A Similar Figure of Guanyin, on a hardwood stand 11cm high (2) £300-400

323

324 A Chinese Jade Bangle, of celadon, green and russet stone, carved with two monkeys and a peach 6.5cm wide £150-200

324

325 A Chinese Hardwood Bench or Window Seat, circa 1900, the boarded hinged seat between carved and scrolled arm supports above a foliate carved frieze, on cabriole legs with carved pad feet 115cm by 43cm by 70cm £250-350

325

326 l A 19th Century Chinese Huang-Hauli Low Table, the moulded and panelled top above plain rails, on square form legs with horseshoe feet joined by stretchers 43cm by 43cm by 48cm Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 7 October 1994 £200-300

94

326

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327 A Chinese Soapstone Paperweight, carved as a scholar, recumbent, his head resting on a vase beside an inscription, the underside with further inscriptions and seal marks 18.5cm long £100-200

327

328 Chinese School (early 20th century): A Silkwork Panel, worked in coloured threads with an owl perched on a leafy branch, a bird flying above 99cm by 51cm £300-400

329 Chinese School (early 20th century) Pheasant amongst peony and rockwork Watercolour, 87cm by 43cm £200-300 328

330 329

A Chinese Painted Wood Panel, Qing Dynasty, painted with a lion dog flanked by two figures in a wooden landscape 78cm by 53cm, framed £100-200

331

331 www.tennants.co.uk

A Pair of Japanese Bronze Crane Groups, Meiji period, each naturalistically cast as an adult and young crane on a table base with scrolls and lattice, on cabriole legs 40cm high £300-500

330 95

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RUGS & CARPETS

332 Pair of West Persian Bag Faces, early 20th century Each with stylised flowerheads and curled leaves enclosed by running dog borders each approximately 36cm by 101cm £150-250

332

333

333 Tibetan Throne Cover, late 19th/early 20th century The salmon pink field with central roundel framed by spandrels and borders of religious motifs 60cm by 60cm A Tibetan Saddle Cover 122cm by 84cm (2) £200-300

334 Ushak Carpet of unusual size Central West/West Anatolia, circa 1920 The tomato red field with three columns of medallions enclosed by narrow indigo borders of flower heads and flanked by guard stripes 221cm by 213cm £250-350 334 96

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335 Mahal Carpet West Iran, circa 1940 The plain blood red field centred by a floral medallion framed by spandrels and enclosed by indigo borders of meandering vines, flanked by carnation guard stripes 420cm by 338cm £250-350

335

336 Unusual Kashan Carpet Central Iran, circa 1970 The ivory lattice field with a column of medallions enclosed by similar borders 213cm by 137cm £300-500

336

337 Hamadan Rug West Iran, circa 1940 The rose pink field with trees of life enclosed by indigo borders 198cm by 140cm £300-500

337 www.tennants.co.uk

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338 Kirman Carpet South East Iran, circa 1940 The ivory field with columns of medallions and vines enclosed by indigo floral borders and double guard stripes 360cm by 252cm £300-500

338

339 Shirvan Khelleh South East Caucasus, circa 1900 The deep indigo field with a column of hooked güls flanked by tribal and zoomorphic devices enclosed by ivory borders of serrated leaves and calyx flanked by arrowhead guard stripes 332cm by 149cm £300-500 339

340 Kashan Runner Central Iran, circa 1970 The ivory field of scrolling vines around four medallions enclosed by vine and palmette borders 390cm by 127cm £300-500 340

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341 Haji Jalili Rug North West Iran, circa 1880 The plain light terracotta field with central medallion framed by spandrels enclosed by triple narrow floral bine borders flanked by “Greek Key” guard stripes 178cm by 123cm £320-380

341

342 Afshar Rug South-East Iran, circa 1920, The midnight blue field of two ivory medallions flanked at either end by urns and stylised flowers, chevrons and zoomorphic figures enclosed by brick red borders 189cm by 132cm £350-550

342

343 Derbend Rug East Caucuses, circa 1910 The plain abrashed brick red field around three medallions framed by stepped spandrels and angular vine borders flanked by guard stripes 213cm by 119cm £350-550

343 www.tennants.co.uk

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344 Amritsar Carpet Punjab, India, circa 1900 The olive green field with central geometric design panel enclosed by borders of Kufic script and guard stripes 367cm by 270cm £350-550

344

345 Sarouk Rug West Iran, circa 1950 The indigo field of scrolling vines centred by a flowerhead medallion framed by spandrels and enclosed by blood red borders with urns issuing flower 233cm by 142cm £350-450

346 Kayseri Silk Prayer Rug Central Anatolia, 2nd half 20th century The sky blue “Garden of Eden” field beneath the Mihrab enclosed by orange sunset borders of wild beasts flanked by flower head guard stripes 153cm by 103cm £400-600

346

347 Tabriz Carpet North West Iran, 2nd half 20th century The raspberry Herati field enclosed by narrow indigo borders of samovar motifs and vines 348cm by 257cm £400-600

347 100

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348

348

Malayir Runner West Iran, 20th century The madder field of stepped diamond medallions enclosed by borders of polychrome rosettes flanked by guard stripes 325cm by 110cm £400-600

349

349 Feraghan Horse Cover West Iran, circa 1900 The indigo field of “gol henna” design enclosed by narrow borders 169cm by 122cm £400-600

www.tennants.co.uk

350 Good Ghom Rug Central Iran, circa 1950 The ivory field of animals and birds surrounding floral vines framed by blood red borders of meandering vines flanked by floral guard stripes 205cm by 134cm £400-600 101

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351 Bidjar Carpet Iranian Kurdistan, 2nd quarter 20th century The indigo field with columns of angular vines and flowerheads enclosed by salmon pink borders of meandering vines flanked by guard stripes, signed 350cm by 260cm £450-650

351

352 Bakhtiari Khelleh West Iran, 2nd quarter 20th century The polychrome field of honeycomb lattice design of stylised plants enclosed by ivory angular vine borders and saw tooth guard stripes 374cm by 204cm £450-650

353 Mazlaghan Rug Persian Kurdistan, circa 1930, The ivory field with typical “lightning” indigo medallion enclosed by spandrels and pale lemon borders of polychrome flowerheads flanked by multiple guard stripes 213cm by 130cm £450-650 352

354 Kurdish North-West Persian Runner, circa 1920, The polychrome diamond lattice field of hooked devices enclosed by triple narrow borders flanked by barber pole guard stripes 475cm by 119cm £500-800

355 Semnam Carpet East Iran, circa 1970 The ivory field of scrolling vines centred by a medallion enclosed by indigo borders of leafy vines and palmettes 407cm by 307cm £500-800

355 102

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356 Ushak Carpet Central/West Anatolia, circa 1900 The olive field with stylised plants and geometric motifs enclosed by blood red borders of angular vines flanked by guard stripes 285cm by 193cm Provenance: By repute from Alnwick Castle £500-800

356

357 Chinoiserie Carpet from the Estate of the Late Sir Arthur Lasenby Liberty, circa 1900 The lemon field centred by a floral roundel framed by spandrels and plain cream borders flanked on two sides by indigo outer borders with auspicious cloud design, hand-knotted on a machine foundation 403cm by 352cm *Sir Arthur Lasenby Liberty (1843-1917) founded the eponymous store on Regent Street in 1875, Liberty’s quickly became synonymous with the trade of fine European and Oriental carpets, in addition to other textiles and decorative arts By descent from the present owner’s great-great-uncle Sir Arthur Lasenby Liberty £500-800 357

358 Mahal Carpet West Iran, circa 1940 The raspberry field of large flower heads and plants centred by a roundel medallion framed by borders of flowering plants and similar guard stripes 367cm by 298cm £600-900

358 www.tennants.co.uk

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359 Chinese Carpet, circa 1920 The plain ivory field centred by a skeletal rounded framed by spandrels and sky blue borders of meandering vines and reciprocal guard stripes 360cm by 277cm £600-900

359

360 Indian Carpet of Ushak Design, circa 1910 The pale cream field with an allover design of angular vines and medallions enclosed by candy-pink borders of flowerheads and angular vines flanked by guard stripes 510cm by 394cm £600-900

360

361 Ushak Carpet West Central Anatolia, circa 1900 The tomato red field with columns of steel blue medallions enclosed by borders of angular vines and flowerheads flanked by multiple guard stripes 602cm by 374cm £700-1,000

361 104

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362 Kashan Carpet Central Iran, circa 1970 The Ivory field with an all over design of vines and fragments enclosed by similar dove grey borders 389cm by 275cm £700-1,000

362

363 Kashan Carpet Central Iran, circa 1960 The ivory field with vines around a central medallion framed by spandrels and meandering vine borders flanked by guard stripes 405cm by 292cm £700-1,000

363

364 Tashkent Suzani, late 19th/early 20th century Woven on a cotton/linen ground in four sections, the diamond lattice field with stylised plants enclosed by similar borders 247cm by 178cm £800-1,200

364 www.tennants.co.uk

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365 Indian Carpet, 20th century The jade field with an allover design of scrolling floral vines enclosed by deep claret borders of meandering vines and turtle motifs flanked by guard stripes 290cm by 241cm £800-1,200

365

366 Kashan Carpet Central Iran, circa 1960 The ivory field with an allover design of palmettes and vines enclosed by dove grey meandering vine borders and triple guard stripes 593cm by 303cm £900-1,200

366

367 Fine Turkish Silk Prayer Rug, 20th century The wheat field with hanging lantern beneath the Mihrab framed by upper spandrels of calligraphic text, the ivory borders similarly flanked by guard stripes 200cm by 131cm £1,500-2,000

367 106

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CLOCKS & BAROMETERS 368 l A Gilt Metal Porcelain Mounted Striking Mantel Clock, circa 1890, case surmounted with an urn finial, blue porcelain front panel with figures in costume, flanked by porcelain columns and swag mounts, enamel dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell 38cm high £150-250

368

369 A Small Brass Porcelain Mounted Carriage Timepiece, retailed by Boxell, Brighton, circa 1890, case with carrying handle, side porcelain panels depicting ladies in robes amongst a floral garden landscape, porcelain dial with a Roman numeral chapter ring and signed, single barrel movement with a platform cylinder escapement and signed Boxell Brighton and numbered 1114 9.5cm high £300-400

369

370 A Small Brass Minute Repeating Carriage Timepiece, circa 1920, carrying handle and repeat button, enamel dial with luminous Arabic numerals, single barrel movement with a platform lever escapement 10cm high over handle £300-500

370

371 l A Brass Atmos Clock, signed Jaeger LeCoultre, No.551213, 20th century, case with five glass panels, stop/start lever above the large balance wheel, spirit level in the base, 4-1/2inch faux blue lapis chapter ring with Arabic and dagger markers, movement signed and numbered 551213 22cm high £300-500

371 www.tennants.co.uk

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372 A Mahogany Striking Gothic Revival Table Clock, signed Bailey & Co, Salford, circa 1880, case with a carved floral front base, side door, Arts & Crafts 14-inch painted dial with Roman numerals and signed, twin chain fusee movement with an anchor escapement and striking on a gong 56cm high £300-500

372

373 A Mahogany 12-inch Dial Wall Timepiece, signed John Moore & Sons, Clerkenwell, London, No.12872, circa 1870, case with side and bottom doors, 12-inch painted dial with Roman numerals, single chain fusee movement with an anchor escapement 37cm high £300-500

373

374 A Mahogany 14-inch Dial RAF Air Ministry Wall Timepiece, circa 1940, case with side and bottom doors, 14-inch painted dial with Roman numerals and RAF logo, single chain fusee movement with an anchor escapement, movement backplate stamped SM&Co, 1940 AM and numbered 13498 46cm high By repute this timepiece was based at Cardington Camp, Bedfordshire. £300-500

374

375 A Victorian Mahogany Bracket Timepiece, signed Webster & Hunter, Cornhill, London, circa 1840 arched pediment, case front with carved floral and scroll decoration, carved feet, 7-1/2-inch painted dial with Roman numerals, single fusee movement with shaped plates, anchor escapement, movement secured in by brackets, 47cm high, with a later mahogany wall bracket, 25cm high £400-600 375 108

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376 A Lantern Form Hook and Spike Hooded Wall Timepiece, signed Thos Sadler, Norwich, late 18th century, four posted lantern form movement with a verge escapement, pierced side frets, alarm striking on a top mounted bell, hoop and spikes, bob pendulum, 5-inch arch brass dial with a silvered Roman numeral chapter ring, single hand, central alarm disc, dial arch with a signed silvered plaque, later made mahogany hooded case 50cm high £400-600

377 l A Rosewood Stick Barometer, signed T.Blunt, 22 Cornhill, London, circa 1800, swan neck pediment, concealed mercury tube with a single vernier silvered dial signed, hygrometer and thermometer dials, ebonised urn shaped cistern cover 97cm high £400-600 376

378 A Brass Atmos Clock, signed Jaeger LeCoultre, No.487781, 20th century, case with five glass panels, stop/start lever in the base, spirit level in the base, 5-inch white chapter ring with Arabic and dagger markers and signed, movement signed and numbered 487781, with Jaeger LeCoultre outer cardboard box and booklets 23.5cm high £500-700

378

377

379 A French Bronze Ormolu Striking Mantel Clock, signed Estienne LeNoir A Paris, 18th century, the elaborate case with floral and scroll decoration, 4-1/2-inch enamel dial signed, twin spring barrel movement with outside countwheel striking on a bell, movement backplate signed, silk suspension 34cm high £500-700 379

www.tennants.co.uk

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380 A Brass Passing Strike Skeleton Mantel Clock, circa 1870, single chain fusee movement with an anchor escapement and passing hour strike on a top mounted bell, six spoke wheels, 4-1/4-inch silvered chapter ring with Roman numerals, heart shaped hands, marble base and beneath a glass dome 37.5cm high £700-900

381 380

An Ebonised Chiming Table Clock, circa 1890, arched pediment, Corinthian capped columns, pierced side sound frets and carrying handles, bracket feet, 8-inch arch brass dial with a silvered chapter ring, dial arch with chime/silent and Oxford chimes/chime on eight bells selections, triple chain fusee movement with an anchor escapement, quarter chiming on a nest of nine bells and striking a gong for the hours, movement backplate with floral engraving 47cm high £700-900

382

381

A Brass Grande Sonnerie Alarm Carriage Clock, signed Fernando Gantez, Madrid, circa 1890, case with carrying handle and repeat button, underside of the base with selection lever for grande sonnerie/silent/petite sonnerie, enamel dial with Roman and Arabic numerals and signed, alarm dial, twin barrel movement with a platform lever escapement, grande sonnerie striking on two blued steel gongs, alarm striking on a bell, movement backplate numbered 1903 19.5cm high over handle £800-1,200

383 A Mahogany Eight Day Domestic Longcase Regulator, circa 1810, arched pediment, side sound frets, nicely figured arched trunk door flanked by fluted pilasters, bracket feet, 13-inch circular painted dial with Roman numerals, two dials for seconds and date, four pillar movement with a deadbeat escapement and rack striking on a bell 216cm high £800-1,200

382 110

383 All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

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384 A Viennese Enamel Timepiece, circa 1820, case elaborately decorated with enamel painted scenes of figures in costume, cherubs and with landscape and buildings, masked central standing enamel figure, masked scroll feet, oval shaped multi coloured enamel dial with Roman numerals, pocket watch single chain fusee movement with a verge escapement, pierced balance bridge 19cm high £800-1,200

385 A Brass Striking and Half Hour Passing Strike Skeleton Mantel Clock, attributed to Evans of Handsworth, circa 1870, twin chain fusee movement with an anchor escapement, hour striking on a gong and half hour passing strike on a top mounted bell, six spoke wheels, 9-1/2-inch pierced chapter ring with Roman numerals, marble base, (glass dome missing) 54cm high £800-1,200

384

385

386 A Mahogany Striking Table Clock, signed Josph Catherwood, London, circa 1790, inverted bell top case with carrying handle, pierced side sound frets, bracket feet, 8inch arch silvered dial signed, date aperture, strike/silent in the dial arch, twin chain fusee movement with a verge escapement and striking on a bell, movement backplate with floral engraved decoration, bob pendulum, movement secured in the case with brackets 54cm high over handle £1,000-1,500 386

387

387 www.tennants.co.uk

A Brass Grande Sonnerie Alarm Carriage Clock, signed Soldano, circa 1890, case with carrying handle and repeat button, Corinthian capped columns, underside of the base with selection lever for grande sonnerie/silent/petite sonnerie, alarm dial, dial surrounding mask with floral and scroll engraving, twin barrel movement with a silvered platform lever escapement, sonnerie and alarm striking on two blued steel gongs, movement backplate stamped Soldano and numbered 8778 20.5cm high over handle £1,500-1,800 111

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388 A French Empire Urn Shaped Ormolu Striking Mantel Clock, early 19th century, urn shaped case surmounted by winged cherubs and a central musical lyre instrument, oval shaped base with applied mounts, 4-inch enamel dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, silk suspension 41cm high £1,500-1,800

389

388

A Good Victorian Walnut Quarter Chiming Bracket Clock, signed George Hammond, Manchester, circa 1850, Gothic Revival case with arched pediment, carved finials. pierced side sound frets, carved Corinthian capped columns, 8inch silvered dial with Roman numerals and signed, finely engraved floral and scroll decorated corners, dial arch with two subsidiary dials for slow/fast and strike/silent, triple chain fusee movement with an anchor escapement, quarter chiming with eight hammers striking on a nest of eight bells and striking a further bell for the hours, movement backplate signed Geo Hammond, Manchester, movement secured in by brackets, 75cm high, with original walnut wall bracket, 24cm high £1,500-2,000

389

390 A Good Victorian Walnut Carved Quarter Chiming Bracket Clock, signed George Hammond, Manchester, circa 1850, arched pediment with front crest finely carved with vines of fruit, side pull repeat cord, base with a front swag carved mount, 8-inch silvered dial with Roman numerals and signed, finely engraved floral and scroll decorated corners, dial arch with strike/silent selection, triple chain fusee movement with an anchor escapement, quarter chiming with eight hammers striking a nest of eight bells and striking on a gong for the hours, movement secured in by two brackets, 62cm high, with a later wall bracket, 42cm high £1,500-2,000

390

391 An Ebony Veneered Quarter Chiming Table Clock, signed John Archambo, London, circa 1750, inverted bell top with brass ball finials, side carrying handles and pierced frets, bracket feet, 8-inch arch brass dial with a silvered Roman and Arabic chapter ring, matted dial centre with mock pendulum and date apertures and signed on a silvered plaque, dial arch with strike/silent selection, triple fusee movement with a verge escapement, quarter chiming with six hammers striking a nest of six bells and striking a further bell for the hours, movement backplate elaborately engraved with floral and scroll decoration, movement secured in by two engraved brackets, together with a later oak travelling case with side carrying handles 63cm high over finial £2,000-3,000 112

391 (detail)

391

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392 l A George III Carved Giltwood Cartel Wall Timepiece, signed Henry Sanderson, London, circa 1770, giltwood scroll and floral carved case, 10-inch circular silvered dial with Roman and Arabic numerals and signed, A-frame single fusee five pillar movement now converted to an anchor escapement, movement secured in by a steel bracket 92cm high £2,500-3,000

392

393 A Good Mahogany Centre Seconds Regulator Wall Timepiece, signed J.Ridley, Kirkby Stephen, 19th century, nicely figured case with carved scroll mounts to the hood, glazed trunk door with canted corners, 13-inch painted dial with Roman and Arabic numerals and signed, four pillar movement with a deadbeat escapement, maintaining power 160cm high £3,000-4,000

393

394 An Ebony Veneered Quarter Chiming Table Clock, signed William Webster, Exchange Alley, London, circa 1730, inverted bell top with carrying handle, glass side panels, 7-inch arch brass dial with a silvered Roman and Arabic chapter ring, matted dial centre with mock pendulum and date apertures, dial arch with two dials for rise/fall and strike/silent selections and signed above on a silvered plaque, triple chain fusee movement now converted to an anchor escapement, quarter chiming with six hammers on a nest of six bells and striking a further bell for the hours, movement backplate elaborately engraved with floral and scroll decoration, backplate signed in a central cartouche, movement secured in by engraved brackets, sold with recent service paperwork 51cm high £4,000-5,000

www.tennants.co.uk

394 (detail)

394 113

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WORKS OF ART & FURNITURE

395 A Ship Diorama, late 19th century, as a threemasted clipper at sea against a painted background, within a mahogany frame 57cm by 94cm overall £150-200

395

396 A George III Mahogany Tea Caddy, of oval form, the hinged cover with shell patera, enclosing a single compartment, the base with ribbon-tied flowerspray and ivory escutcheon 15cm wide With non-transferable standard ivory exemption declaration number JJEPXUS7 £200-300

396

397 A George III Mahogany, Marquetry and Crossbanded Tea Caddy, of rectangular form, the hinged over with ivory knop over an ivory escutcheon and inlaid oval patera 12cm wide A Similar Satinwood Example 12cm wide (2)

397

114

With non-transferable standard ivory exemption declaration numbers D9KWL57V and MSMP5PSB £200-300

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398 After the Antique: A White Painted Plaster Library Bust of Caesar Augustus, on a circular socle 69cm high £200-300

398

399

399 French School (19th century): A Bronze Figure of a Boy, leaning against a tree on a mound base 38cm high £200-300

400

400

A Limewood Carving, in the manner of Thomas Wilkinson Wallis, 19th century, as a Golden Plover and with ivy, in a glazed case 63cm high overall £300-400

401

401 www.tennants.co.uk

Brose: A Bronze Figure of a Skier, holding is skis and a pole, signed 38cm high £300-400 115

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402 After the Antique: A Bronze Figure of the Borghese Gladiator, on a marble plinth 28cm high £300-500

402

403 A Pair of Italian Mirror-Mounted Giltwood and Gesso Altar Candlesticks, 18th century, with urn shaped sconce over scroll and shell moulded columns and base set with various shaped mirrors 83cm high £300-500

403

404 Max Kruse (1854-1942): “NENIKHKAMEN”, A Bronze Figure of Pheidippides, on a base as three steps, on a rouge marble plinth, titled, signed 36cm high Nenikhkamen is ancient Greek for We Have Won and, according to legend, was the last word of the messenger Pheidippides on his arrival at Athens, having run from Marathon £400-600

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405 Queen Elizabeth II Coronation-Related Items: Juliet Pannett (1911-2005) A photograph of the artist painting a portrait of Queen Elizabeth II, the silver frame Sheffield 1989, 22cm by 18cm overall A bust length portrait of Squadron Leader B.D. Lee (who served on active duty as a Doctor during the Second World War), wearing uniform, signed and dated 1956, oil on canvas, 90cm by 50cm A scrap book relating to the role of Squadron Leader B.D. Lee during the Coronation and other ephemera A Queen Elizabeth II Coronation Gold Staff, 405 53cm long A Queen Elizabeth II Coronation Stool, 46cm wide A Coronation medal and ribbon (boxed) A bust length portrait of the husband of B.D. Lee, signed and dated 1971, oil on canvas, 90cm by 50cm A further bust portrait of Squadron Leader B.D. Lee, indistinctly signed and dated 1956, pastel, 49cm by 40cm Juliet Kathleen Pannett MBE FRSA (née Somers, 15 July 1911-22 August 2005) was an English portrait painter and was awarded an M.B.E in 1993 £500-700

406

406 l French School (late 19th century): A Bronze Figure of a Thoroughbred, standing four-square wearing a saddle 30cm long, on a stepped pink marble plinth As featured in page 298 of Les Animaliers by Jane Horswell - £1,200 £500-700

407 A George II Provincial Oak and Parquetry-Decorated Bureau Bookcase, circa 1730, the upper section with moulded cupboard doors enclosing a good fitted interior of pigeon holes, dividers and three small drawers with pull-out candle slides below, a fall front below enclosing a fitted interior with sliding well, all above two short and two long oak-lined drawers, on bracket feet 92cm by 57cm by 206cm £700-1,000

www.tennants.co.uk

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408 A Late 17th Century Oak Geometric Moulded Chest, the moulded top above a deep oak-lined drawer with two narrow drawers below, all between applied mounts, on later bun feet 91cm by 54cm by 85cm £350-450

408

409 A Queen Anne Oak Straight Front Chest on Stand, circa 1700, the moulded top above a pulvinated drawer and two short over three long drawers with brass pear shape handles, on a moulded stand with a single drawer, the S shaped scroll supports joined by a flattened stretcher 105cm by 62cm by 137cm £400-600 410 A Late 17th Century Joined Oak Hall Cupboard, the moulded top above a lunette carved frieze above inverted turned finials, the two moulded cupboard doors below enclosing a boarded interior and flanked by fielded panels with a conforming carved frieze below, the moulded cupboard door enclosing a shelf, on stile feet 140cm by 50cm by 152cm £400-600

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411

411 A George III Oak and Mahogany-Crossbanded Lancashire Mule Chest, late 18th century, the crossbanded hinged lid with two dummy drawers, with five oak-lined drawers below, all between quarter-cut column supports, on bracket feet 156cm by 54cm by 89cm £350-550

412 No Lot

413 An Oak Jacobean Straight Front Chest of Drawers, late 17th century, the moulded top above four geometric two-as-one moulded drawers with burr oak panels between bobbin applied mounts, on stile feet 100cm by 58cm by 95cm £500-700

414 No Lot

413 www.tennants.co.uk

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415 An Oak Dresser, mid 18th century, the rack with iron cup hooks and three fixed shelves above a boarded top with wavy shaped apron, on square chamfered legs joined by a slatted potboard 138cm by 44cm by 193cm £600-800

416 A George II Oak Enclosed Dresser Base, circa 1750, the moulded top above three pine-lined drawers with a fielded panel below flanked by two cupboard doors with H brass hinges, on a plinth base with wavy shaped apron 172cm by 49cm by 88cm £700-1,000

415

416 120

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417 A Mid 18th Century Oak Enclosed Dresser and Rack, the upper section with a wavy shaped apron above three fixed shelves and fluted supports, the base with three oak-lined drawers flanked by fielded cupboard doors enclosing a shelf, all between fluted stiles, on bracket feet 189cm by 59cm by 215cm £1,000-1,500

417

418 A 20th Century Carved Giltwood Overmantel Mirror, the framed carved as flowerheads, the bottom half as a rectangular mercury mirror plate with a painted oil on canvas above depicting a still life of flowers with a parrot, surmounted by an acanthus and scrolled pediment 163cm by 73cm £300-500

418

419 A Mid 19th Century Carved Oak Savonarola Style Armchair, the back support carved as the coat of arms for the Archbishop of York, with gadrooned turned hand grips and moulded frame on splayed legs with moulded stretchers, on brass-capped feet and castors 74cm by 58cm by 133cm By repute made from the timbers of York Minster after it caught fire on 20 May 1840. For a similar style chair see Martin & Poole, 25th April 2018, Lot 69 and Bonhams, 12th June 2002 £300-500

www.tennants.co.uk

419

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420

420 A Set of Four Queen Anne Walnut and Marquetry-Inlaid Dining Chairs, circa 1710, with solid splats and later green foliate overstuffed seats, the plain seat rails on cabriole forelegs with pad feet, joined by a turned H stretcher 57cm by 50cm by 102cm £600-800

421 No Lot

422 l A George III Mahogany Bowfront Dressing Chest, circa 1800, the moulded top above a pull-out brushing slide and three oak-lined drawers with original oval brass backplate handles, the shaped apron on splayed bracket feet 93cm by 59cm by 84cm £200-300

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423 A George III-Style Chippendale-Style Mahogany Breakfast Table, the rectangular top with drop leaves above an oak-lined frieze drawer, on square chamfered legs joined by a shelf and brass wirework panels, 18th century and later 65cm by 62.5cm by 70cm £300-400

423

424 A George III Mahogany Flip-Top Tripod Table, the associated pie-crust top above a spindle turned birdcage platform, on a fluted and part-wrythen turned support with acanthus carved cabriole legs and carved toes 72cm by 74cm £250-350

424

425 A George IV Mahogany Satinwood-Banded and Boxwood-Strung Bureau Bookcase, 2nd quarter 19th century, the swan neck pediment above a plain frieze and astragal glazed doors enclosing adjustable shelves, the base with a deep secretaire drawer enclosing a green leather writing surface, nine small drawers with turned ivory handles and pigeon holes, the base with moulded cupboard doors with oval panels enclosing an adjustable shelf, on square tapering legs 113cm by 51cm by 227cm With non-transferable standard ivory exemption declaration number 8KEJ6A1F £500-700

425

www.tennants.co.uk

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426 A George III Style Mahogany Serpentine Shaped Chest, late 19th/early 20th century, the moulded top above a pull-out brushing slide with four graduated oak-lined long drawers, all between blind fret carved stiles, on bracket feet 84cm by 53cm by 83cm £250-350

426

427 A Carved Mahogany Chippendale Style Dressing Stool, late 19th/early 20th century, with yellow and blue floral decorated overstuffed drop-in seat, on acanthus carved cabriole legs with scrolled toes 61cm by 48cm by 49cm £150-250

428 l

427

An Oak, Mahogany and Maple Parquetry Decorated Coffee Table, the rectangular crossbanded panel mounted in a brass frame with tubular legs, the panel mid 19th century, the frame later 110cm by 50cm by 49cm Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 3 October 1986 £200-300

428

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429 l A George III Mahogany Two-Tier Bookstand or Bedside Table, late 18th century, the three-quarter fret-carved gallery with chamfered moulding above a single shelf, on square chamfered legs 47cm by 39cm by 77cm £250-350 429

430 l A George III Mahogany Free-Standing Corner Cabinet, 3rd quarter 18th century, the moulded and Greek Key dentil cornice above astragal glazed doors enclosing a later green painted interior above an oak-lined drawer, moulded cupboard doors below enclosing shelves, all between canted fluted stiles, on bracket feet 103cm by 55cm by 204cm Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 27 November 1971 £250-350

431 No Lot

430

www.tennants.co.uk

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432 A George III Mahogany, Crossbanded and Oak-Lined Straight Front Chest of Drawers, circa 1800, the moulded top above a pull-out brushing slide and four graduated drawers, on moulded bracket feet 79cm by 47cm by 80cm £300-500

432

433 l A George III Sheraton Period Mahogany Rectangular Occasional Table, late 18th century, the three-quarter gallery above a single mahogany-lined drawer, the sides with ebony stringing, on standard end supports with reeded legs, brass-capped toes and castors joined by a turned stretcher 53cm by 37cm by 74cm Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 24 March 1973 £300-500

433

434

434 A Late 19th Century Satinwood, Ebony Strung and Marquetry Decorated Bijouterie Table, the glazed hinged lid with a trailing border of flowers and leaves enclosing a red velvet lined interior, on square tapering legs decorated with flowerbells 62cm by 47cm by 71cm £300-400

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435 A George III Mahogany Kneehole Dressing Table, late 18th century, the moulded top above a single oak-lined frieze drawer flanked by six small drawers and a shaped kneehole drawer above a central cupboard door, original brass cast handles, on bracket feet 93.5cm by 52cm by 78.5cm £300-500

435

436 A William & Mary Style Wall Mirror, early 20th century, the plain rectangular mirror plate within a silver-painted and gesso frame with acanthus scrolls and punch ground decoration flanked by needlework, the plume decorated with an urn issuing flowers flanked by acanthus scrolls 86cm by 50cm The verso with paper label Reeves Depositories, December 1947 £250-350

436

437 l A Victorian Rosewood and Tubular Brass Whatnot, 2nd half 19th century, of three-tier square form with moulded finials, on castors 39cm by 39cm by 70cm £300-500 437

www.tennants.co.uk

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438 A Victorian Rosewood and Ivory-Inlaid Writing Desk, late 19th century, of unusual form, the hinged lid and brass balustrade gallery enclosing a fitted interior for correspondance above a hinged green leather ratchet writing surface flanked by rounded dropleaves and single frieze drawer, on square tapering legs with brass-capped feet and castors 60cm by 51cm by 86cm With non-transferable standard ivory exemption declaration number KWZTXFYQ £300-500

438

439

439 A Victorian Satinwood, Rosewood Crossbanded and Polychrome Painted Octagonal Occasional Table, 3rd quarter 19th century, the top richly painted with trailing flowers and musical trophies, the frieze drawer decorated with ribbons, on square tapering legs decorated with flowerbells and joined by a small shelf and stretcher, on brass-capped feet and castors 53cm by 41cm by 68cm £300-500

440 A Victorian Mahogany and Marquetry-Inlaid Bureau Bookcase, late 19th century, of attractive proportions, the fret carved swan neck pediment above a marquetry-inlaid frieze, leaves and C scrolls above an astragal glazed door enclosing a watered silk interior, the inlaid fall front enclosing a good fitted interior of small drawers, pigeon holes and secret compartments all around a central cupboard door, above two short and three long pine-lined drawers, on bracket feet 81cm by 46cm by 204cm £400-600

440 128

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441 A Victorian Rosewood, Ebony and Marquetry Decorated Specimen Tripod Table, late 19th century, the octagonal shaped top inlaid of mother-of-pearl above a triangular support inlaid with scrolls and foliage, with an acanthus carved base above a concave shaped platform base with flattened bun feet 40.5cm by 40.5cm by 71cm £250-350

442 l Holland & Sons: A Victorian Satinwood and Tulipwood-Banded Three-Tier Whatnot, mid 19th century, of moulded rectangular form, the fluted tapering supports with gilt metal mounts, the base with a single mahogany-lined drawer, on turned legs with brass-capped toes and castors 60.5cm by 37cm by 91cm Provenance: With original purchase receipt from Charles Lumb & Sons Ltd, Harrogate, 18 March 1980 £400-600

441

443

443

A Victorian Figured Walnut Folio Stand, 3rd quarter 19th century, with pivoting leaves, scrolled brackets and two rectangular graduated tiers, on standard end supports with conforming scrolled brackets flanked by a flattened stretcher, compressed bun feet and recessed castors 96cm by 39cm by 109cm £400-600 www.tennants.co.uk

444

442

444

A Victorian Rosewood Secretaire Wellington Chest, mid 19th century, the moulded top with plain frieze above a mahogany-lined drawer, with a two-as-one fall front dummy drawer below enclosing a writing surface, pigeon holes and small drawers, four long drawers below between plain stiles with acanthus-carved and scrolled trusses, on a platform base 49.5cm by 43cm by 121.5cm £400-600 129

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445

445 An Imposing Victorian Carved Mahogany and Pine Serving Table, 2nd half 19th century, the rectangular top above a stiff leaf carved border, on substantial leaf and fish-scale carved square tapering legs with block feet 208cm by 86cm by 96cm £1,000-1,500

446 A Victorian Mahogany Hallstand, 2nd half 19th century, of substantial proportions, with demi-lune shaped pediment and scrolled plume above two horizontal chamfered rails supporting nine turned coat hooks, the bottom rail supporting a curved tubular brass rail, metal-lined oval drip tray below, on plinth base 154cm by 44cm by 219cm £500-700

447 A Victorian Carved Walnut, Parcel Gilt and Marble Specimen Table, circa 1870, the octagonal shaped top inset with various segments of marble within a black and yellow Siena marble border, on a turned and fluted support with gadrooned and ballsurmounted socle, four claw feet and original castors 69cm by 69cm by 71cm £2,000-3,000

446

447 130

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448 l A Victorian Mahogany, Tulipwood-Banded and Boxwood-Strung Straight-Front Wellington Chest, late 19th century, the top inlaid with oval patera above seven graduated drawers between lockable stiles, on a moulded platform base 55.5cm by 38cm by 105cm Provenance: With original purchase receipt from Sue Killinger Antiques, 2007 £500-700

448

449

449 A Victorian Mahogany, Tulipwood-Banded and Ebony-Strung Cylinder-Top Desk, 3rd quarter 19th century, the moulded pediment above a pull-out leather-covered writing surface, with an arrangement of pigeon holes flanked by six small drawers with turned handles, on pedestal bases with three graduated drawers with Hobbs & Co locks 123cm by 77cm by 124cm £600-800

450

www.tennants.co.uk

450 A Late Victorian Satinwood, RosewoodCrossbanded and Floral-Decorated Writing Desk, late 19th century, with green and gilt leather writing surface above eight graduated mahogany and pine-lined drawers around a central frieze drawer, on splayed bracket feet with canted stiles 122cm by 55cm by 77cm £1,000-1,500

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451

451 A Victorian Ash and Marquetry-Inlaid Seven Piece Bedroom Suite, possibly Gillow & Co, late 19th century, comprising a double door wardrobe with moulded cornice above a central bevelled glass door enclosing a mahogany-lined interior of hanging space and four drawers, flanked by cupboard doors with moulded panels inlaid with Neo-Classical urns and flower garlands, 183cm by 55cm by 207cm, a matching dressing table with nine drawers above an arched apron, 120cm by 53cm by 160cm, a bedside cupboard with small upstand above a moulded cupboard door enclosing one shelf, 40cm by 38cm by 77cm, and a pair of panelled 3’ bedends £1,000-1,500

452 A Victorian Carved Walnut Dressing Stool, by Richardson & Son, 2nd half 19th century, covered in close-nailed buttoned floral silk with overstuffed seat, the C scroll seat rail on cabriole legs with scrolled toes and castors 95cm by 45cm by 37cm £300-500 452

453 A Victorian Mahogany Breakfront Triple-Door Library Bookcase, circa 1870, the moulded cornice above astragal glazed doors enclosing leather-trimmed adjustable shelves, the base with six moulded cupboard doors, on a shallow plinth base 258cm by 61cm by 288cm £1,200-1,800

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454

454 An Imposing Victorian Mahogany Partners’ Desk, circa 1870, the moulded top above an arrangement of eleven drawers, the ends fitted with a pair of moulded cupboard doors, one side with four small drawers with recessed brass handles, the other with four long drawers 242cm by 122cm by 82cm £600-800

455

455 A Regency Rosewood and Parquetry Tea Caddy, early 19th century, of sarcophagus form, inlaid with bands of Greek Key, enclosing three satinwood canisters, the hinged covers inlaid with clubs and spades and with ribbons, the base with ivory escutcheons, on compressed bun feet 30cm wide With non-transferable standard ivory exemption declaration number KF9ZKPQC £150-200

456 A Regency Bronze and Siena Marble Campana Urn, early 19th century of circular form cast with a band of classical ornament within gadrooned borders, on a leaf-sheathed domed foot, square column and leaf-cast plinth 38cm high £300-500 456 www.tennants.co.uk

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457 l A Regency Mahogany Four-Division Canterbury, early 19th century, with concave shaped dividers above a single oak-lined drawer, on turned legs with brass-capped toes and castors 45cm by 34cm by 48cm Provenance: With original purchase receipt from Randolph Antiques, Hadleigh, Suffolk £200-300

457

458 l A Regency Mahogany Four-Tier Whatnot, circa 1820, the top tier with adjustable ratchet support above turned spindle supports and a single drawer with turned knob handles, on brass-capped feet and castors 47cm by 38.5cm by 112cm Provenance: With original invoice from Fosse Way Antiques, Ross House, Gloucestershire, 13 June 2000 £250-350

458

459

459 l A Late Regency Mahogany Foldover Tea Table, early 19th century, of D shape form with reeded edge above a plain frieze flanked by rectangular moulded tablets, on turned tapering legs 91cm by 45cm by 72cm £300-400

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460 l A Regency Rosewood and Boxwood-Strung Glazed Side Cabinet, early 19th century, the top inlaid with scrolls and fleur de lys motifs above glazed doors enclosing two adjustable shelves, all between inlaid stiles 107.5cm by 34cm by 96cm Provenance: With original purchase receipt from Charles Lumb & Sons Ltd, Harrogate, 16 February 1998 £300-500

460

461 A Regency Carved Rosewood Chiffonier, early 19th century, with pierced brass balustrade above a plain rectangular mirror plate with acanthus carved column supports, the moulded top above a plain frieze with gadrooned border, on acanthus-carved tapering supports with a platform base, the mirrored back support between moulded pilasters 102cm by 34cm by 124cm £300-500

461

462 A Regency Rosewood Dwarf Bookcase, early 19th century, with three-quarter gilt metal gallery above a plain frieze and two adjustable shelves, all between column supports, above an inverted breakfront base with gadrooned feet 107cm by 28cm by 90cm £400-500

462

www.tennants.co.uk

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463 A Regency Mahogany, Ebony and Brass-Strung Side Cabinet, in the manner of George Bullock, early 19th century, with a later black and white marble top above glazed doors enclosing a shelf, flanked by scrolled stiles, on a breakfront base with ebonised feet 104cm by 38cm by 91cm £400-600

463

464 A Regency Rosewood Pier Glass and Cabinet, early 19th century, the plain rectangular mirror plate within a moulded frame, the base with a bevelled glass mirror door enclosing a shelf, all between column supports with gilt metal capitals, on compressed feet 55cm by 42cm by 197cm £400-600

464

465 A Regency Rosewood Folio Stand, in the manner of Gillows, early 19th century, with pivoting latticework leaves with turned spindle supports, on standard end supports with sledge bases raised on gadrooned and compressed feet with recessed castors 76cm by 70cm by 103cm (max height) £400-600 465 136

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466 l A Regency Rosewood and Gilt Metal Mounted Chiffonier, early 19th century, the pierced three-quarter gallery above a narrow shelf with plain glass plate below, with brass turned column supports above brass grille doors with gathered silk enclosing two shelves, on a platform base 93cm by 31.5cm by 112cm Provenance: With original invoice from H W Keil Ltd, Tudor House, Worcestershire, 30 June 2000 £400-600

466

467

467 l A Quartetto Nest of Regency Satinwood, Ebony and TulipwoodCrossbanded Tables, early 19th century, of rectangular moulded form, on turned cylindrical supports strung by curved stretchers and on splayed feet the largest 49.5cm by 33cm by 72cm £400-600

468 Two Regency Style Rosewood Bookcases, 19th century and adapted from a larger bookcase, the architectural pediments above glazed doors enclosing two adjustable shelves, all between foliate brass stiles, the base with brass grille doors with column supports with gilt metal capitals, on a breakfront platform base 94cm by 40cm by 204cm and 89cm by 40cm by 204cm £600-800 468 (part)

www.tennants.co.uk

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469 A Regency Mahogany Secretaire Bookcase, early 19th century, of attractive proportions, the top section of reeded breakfront form above a brass lion mask mount flanked by satinwood and boxwood stringing, with glazed doors below enclosing two adjustable shelves, the base with a deep secretaire drawer enclosing an arrangement of nine drawers with turned ivory handles, moulded cupboard doors below, on turned legs 92cm by 51cm by 159.5cm] With non-transferable standard ivory exemption declaration number 9Y9FQDFQ £400-600

469

470 l

470

A Regency Rosewood and Brass-Strung Writing Table, early 19th century, of rectangular form with three frieze drawers, on scrolled end supports joined by turned and block stretchers, with brass-capped feet and castors 121cm by 63cm by 71cm Provenance: With original invoice from Trevor, 24-25 Mount Street, London, 27 March 1979 £700-1,000

471 l A Regency Rosewood and Coromandel-Crossbanded Writing Table, early 19th century, with inlaid patera and fleur-de-lys motifs above two mahogany-lined frieze drawers and opposing sham drawers, on standard ends supports joined by a turned stretcher with splayed legs, brass paw feet and castors 120cm by 58cm by 72cm Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 12 September 1974, noted as exhibited at the 24th Northern Antique Dealers’ Fair, Harrogate, September 1974 £700-1,000

138

471

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472 A Regency Rosewood, Gilt MetalMounted and Marble-Top Breakfront Bookcase Cabinet, early 19th century, with a grey and white marble top above lyre and anthemion decorated metalmounts and acanthus leaf scrolled brackets, the gathered silk doors enclosing two adjustable shelves flanked by open niches with four adjustable shelves 176cm by 36cm by 92cm £800-1,200

472

473 l A Small Regency Rosewood Pedestal Drum Table, early 19th century, with green leather surface above three sham and three real drawers, on a turned vasiform support with three cabriole legs, brass-capped feet and castors 64cm by 71cm Provenance: With original invoice from Guy Dennler, 57 Egerton Gardens, London, 26 September 1989 £1,000-1,500

473

474 A Regency Gilt and Gesso Convex Mirror, early 19th century, the mercury plate within an ebonised slip with moulded frame and acanthus decorated apron, with a similar plume surmounted by an eagle supporting chains 125cm by 58cm £500-700

474 www.tennants.co.uk

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475 l A Regency Amboyna and Parcel Gilt Breakfront Chiffonier, early 19th century, with pierced three-quarter gallery above a narrow shelf with leaf-carved wood supports and rectangular mirror plate, the faux marble top above four mirrored cupboard doors enclosing shelves, on an inverted platform base with egg and dart moulding 163cm by 34cm by 129cm Provenance: With original purchase receipt from Trevor, Mount Street, London, 2 April 1979 £1,000-1,500

475

476 l A Good Regency Rosewood and Gilt Metal-Mounted Sideboard, early 19th century, the superstructure with pierced brass gallery and narrow shelf with turned spindle supports, the top of breakfront form decorated with scrolled anthemion mounts above moulded cupboard doors enclosing later adjustable shelves, flanked by bowfront cupboards, all between moulded, fluted tapering supports, on moulded block feet with egg and dart mouldings 228cm by 60cm by 121cm £2,000-3,000

476

477 A Regency Rosewood Canterbury, early 19th century, of concave shape form with five slatted dividers and moulded carrying handle, with turned spindle supports above a single drawer, on turned legs with brass-capped feet and castors 52cm by 41cm by 56cm £200-300 477

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478 l A Set of Eight (6+2) Regency Mahogany and Brass-Inlaid Dining Chairs, early 19th century, recovered in cream and floral striped fabric with drop-in seats, the curved top rails with brass stringing, the plain seat rail on sabre forelegs singles 48cm by 44cm by 86cm carvers 53cm by 48cm by 86cm Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 1 August 1978 £400-600

478

479 A Regency Rosewood and Crossbanded Circular Dining Table, early 19th century, the pivoting top on a carved column support with scrolled leaf-form socle and quadripartite base, scrolled sabre legs and brass claw feet and castors 120cm by 80cm £800-1,200 479

480 A Regency Gilt, Gesso and Ebonised Overmantel Mirror, early 19th century and later, the ballsurmounted cornice above a relief decorated frieze depicting Roman figures, chariots and lions, three bevelled glass mirror plates below with ebonised slips, all between reeded pilasters and scrolled and acanthus capitals 142cm by 91cm £450-550

480 www.tennants.co.uk

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481 A Regency Style Giltwood and Gesso Overmantel Mirror, 2nd half 19th century, the original mercury mirror plate with a beaded and anthemion decorated border within a gadrooned frame surmounted by a twin-handled urn issuing a flame, flowerbells and flanked by griffins 231cm by 124cm £1,200-1,800

481

482

482 A George III Mahogany, Boxwood-Strung and Tulipwood-Banded Kettle Stand, early 19th century, the wavy shaped gallery above a pull-out candle slide and strung frieze, on square tapering legs with brass-capped toes and castors 34cm by 34cm by 62cm £300-500

483 l A George III Mahogany Bureau Bookcase, 3rd quarter 18th century, the moulded cornice above oval astragal glazed doors enclosing three adjustable shelves, the fall front enclosing pigeon holes and small drawers, above two short and three long oak-lined graduated drawers, on bracket feet 114cm by 56cm by 226cm With original insurance document from Charles Lumb & Sons Ltd, Harrogate, 14 November 1983 £300-500 483 142

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484

485

484 A Late 19th Century Mahogany and Pine-Lined Campaign Chest, in two halves, with two short over three long drawers with recessed brass handles, on turned feet 97cm by 51cm by 107cm £400-600

485 l A George III Chippendale Style Carved Mahogany Foldover Card Table, circa 1800, the hinged leaf enclosing a green baize-lined interior above a blind fret carved frieze and carved and chamfered legs with pierced brackets and moulded block feet 92cm by 46cm by 74cm £300-400

486 A George I Walnut and Feather-Banded Bureau Cabinet, early 18th century, the cavetto cornice above walnut and crossbanded doors enclosing a fitted interior of small drawers, pigeon holes and dividers, above a fall front enclosing a green velvet writing surface and an arrangement of small drawers and pigeon holes, the base with four oaklined graduated drawers 95cm by 61cm by 205cm £1,500-2,000

486 www.tennants.co.uk

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487 l A George III Mahogany Kettle Stand, late 18th century, the moulded top above a shaped apron and chamfered tapering legs joined by turned spindle supports 30cm by 30cm by 65.5cm £300-400

488 A George III Mahogany, RosewoodCrossbanded Bowfront Chest, late 18th century, with a pull-out brushing slide above three oak-lined drawers, on splayed bracket feet 94cm by 55cm by 84cm £350-450 487

488

489

489 A George III Mahogany Straight Front Chest, late 18th century, the moulded top above a pull-out brushing slide and three oak-lined long drawers, all between quarter-cut column stiles, on moulded bracket feet 95cm by 58cm by 94cm £400-600

490 A George III Mahogany Bureau Bookcase, late 18th century, the upper section with architectural pediment and dentil moulding above moulded cupboard doors enclosing four adjustable shelves, above a fall front enclosing a fitted interior of pigeon holes and eight small oak-lined drawers all around a central cupboard door, with four long graduated drawers below, on bracket feet 103cm by 60cm by 214cm £400-600 144

490 All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

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491 A William IV Carved Mahogany Centre Table, 2nd quarter 19th century, of rounded rectangular form, with later inset marble top above a plain frieze, on scrolled and carved end supports joined by a turned stretcher, on claw feet 104cm by 60cm by 74cm £400-600 491

492 A George III Mahogany and Satinwood-Banded Straight Front Chest, late 18th century, the moulded top above a pull-out brushing slide with four oak-lined graduated drawers below, on moulded bracket feet 94cm by 51cm by 84cm £450-550

492

493 A Late George III Mahogany Linen Press, early 19th century, the cavetto cornice above a plain frieze and moulded cupboard doors enclosing four pine-lined sliding trays, with two short over two long oak and pine-lined drawers below, on bracket feet 128cm by 65cm by 195cm £500-700

493 www.tennants.co.uk

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494 A George III Mahogany and Parquetry-Banded Writing or Side Table, late 18th century, of inverted breakfront form with a mahogany and pine-lined single frieze drawer, on satinwoodbanded square tapering legs 111cm by 61cm by 77cm £300-500

494

495 A George III Mahogany Bureau Bookcase, late 18th century, the moulded cornice above a moulded frieze inlaid with oval panels and flowers, above two cupboard doors richly inlaid with parquetry bandings, ovals and shell patera, enclosing a fitted interior with adjustable shelves, the base with fall front enclosing an attractive interior with green leather writing surface, satinwood-veneered small drawers, pigeon holes and secret drawers in the form of fluted pilasters, all around a central cupboard door, the base of two short over three long graduated drawers 122cm by 63cm by 109cm £800-1,200

495

496 A George III Mahogany Bureau Bookcase, circa 1770, the moulded, dentil and blind fret-carved frieze above moulded cupboard doors enclosing adjustable shelves, the crossbanded fall enclosing a good quality fitted interior of pigeon holes and small drawers all around a central cupboard door, the base with two short over three long oak-lined drawers, on moulded bracket feet 113cm by 59cm by 202cm £500-800

496 146

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497 A George III Mahogany Serpentine Shaped Commode, circa 1800, with a pull-out brushing slide above three mahogany-lined drawers, on splayed bracket feet 111cm by 59.5cm by 94cm £500-700

497

498 A George III Mahogany Brass-Bound Oval Cellaret, early 19th century, the hinged lid enclosing a fitted interior to receive bottles, with brass loop carrying handles to the sides, on turned and reeded legs with brass-capped feet and castors 70cm by 55cm by 70cm £600-800 498

499 A George III Mahogany Straight Front Bachelor’s Chest, circa 1800, the moulded top above four long graduated drawers, the top drawer with sliding green leather writing surface and enclosing a divided interior, with brass carrying handles to the sides, on moulded bracket feet 86cm by 55cm by 81cm £600-800 499

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500 A George III Mahogany Chest on Chest, late 18th century, the dentil cornice above a blind fret-carved frieze and two short over three long graduated drawers, all between canted fluted stiles, the base with a pull-out brushing slide above three deep drawers, on later bracket feet 106cm by 55cm by 189.5cm £600-800

500

501 A George III Mahogany, Satinwood and Marquetry Decorated Bookcase, late 18th century, the dentil and arcaded cornice above a frieze decorated with husks above twin Gothic tracery astragal-glazed doors enclosing pine adjustable shelves, the base with two moulded cupboard doors, on a plinth base 256cm by 45cm by 262cm £600-800 501

502 502

148

A Mid 19th Century Mahogany Serving Table, stamped Gillows, Lancaster, with a moulded upstand above two mahogany-lined frieze drawers centred by a rectangular moulded tablet, on turned tapering legs 198cm by 70cm by 109cm £600-800

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

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503 A George III Mahogany Chest on Chest, late 18th century, the dentil cornice above a plain frieze and two short over three long oak-lined drawers, all between canted fluted stiles, the base with a pull-out brushing slide above three further deep drawers, on bracket feet 121cm by 59cm by 198cm £700-1,000

503

504

504 l A George III Mahogany Dressing Chest, late 18th century, the moulded top above a drawer fitted with green baize-lined sliding surface above a fitted interior of lidded compartments, three drawers and pullout lopers below, on bracket feet 91cm by 55.5cm by 80cm £800-1,200

505 l A Hepplewhite Period Mahogany Secretaire Bookcase, circa 1770, the swan neck pediment inlaid with marquetry roundels and acanthus leaves above a strung frieze and astragal glazed doors enclosing three adjustable shelves, the base with a deep two-as-one fall front drawer enclosing a baize-lined writing surface, pigeon holes and drawers around a central cupboard door, three long drawers below, on splayed bracket feet 111cm by 54cm by 245cm £800-1,200 505

www.tennants.co.uk

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506 l A George III Mahogany Circular Manx-Style Tripod Table, 3rd quarter 18th century, the circular one-piece flip-top on a gun barrel support with three supports realistically modelled as legs with buckled shoes and original brass castors 80.5cm by 74cm £800-1,200

506

507 A Late George III Mahogany and Oak-Lined Partners’ Desk, early 19th century, with brown and gilt leather inset writing surface above six long drawers, on pedestals with three small drawers, the opposing side with moulded cupboard doors, on plinth bases 148cm by 89cm by 75cm £800-1,200

507

508 A George III Mahogany and Boxwood-Strung Straight Front Bachelor’s Chest, late 18th century, the moulded top above a pull-out brushing slide and four oak-lined graduated drawers, on bracket feet 86cm by 46cm by 79cm £500-700

508 150

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509 A George III Style Carved Giltwood Mirror, 20th Century, the mercury plate within a C scroll frame decorated with acanthus leaves and surmounted by a decorative plume 120cm by 72cm £300-500

509

510 A George II Walnut and Crossbanded Straight Front Chest on Stand, 2nd quarter 18th century, the cavetto cornice above a plain frieze and two short over three long pine-lined drawers, on a stand with three drawers above a wavy shaped apron, on cabriole legs 108cm by 60cm by 171cm £800-1,000

510

511 l A George III Mahogany Armchair, late 18th century, recovered in close-nailed brown leather, with moulded back support and pierced splat above outswept arms, the overstuffed seat on fluted forelegs joined by an H stretcher 66cm by 60cm by 94cm £200-300

511

www.tennants.co.uk

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512 A William & Mary Walnut and Olivewood Oyster-Veneered Straight Front Chest of Drawers, late 17th century, the quarter veneered top with tracery stringing, the sides with lozenge shaped panels, with two short over three long drawers with later split-pin brass handles, on compressed turnip feet (restorations) 83cm by 51cm by 77cm £1,000-1,500

512

513 A George III Chippendale Style Mahogany Bachelor’s Chest, circa 1780, the moulded top above a pull-out brushing slide and four oaklined graduated drawers, on moulded bracket feet with scrolled and pierced brackets 84cm by 52cm by 84cm £1,000-1,500

513

514 An Walnut and Feather-Banded Bureau, in George I style, of attractive proportions, the fall-front enclosing nine oak-lined drawers, two short over three long drawers below, 18th century and later veneered 67cm by 51cm by 94cm £1,000-1,500

514

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515

515 A George III Irish Carved Mahogany Silver Table, late 18th century, the moulded rectangular top above a moulded and carved frieze, on acanthus carved cabriole legs with carved trefid feet 83cm by 55cm by 69cm £1,000-1,500

516 l A George III Sheraton Period Mahogany, Satinwood-Crossbanded and Ebony-Strung Cabinet, circa 1780, the three-quarter gallery above an open shelf flanked by grille door cupboards, the base with an oak-lined frieze drawer with original brass handles above grille doors, on square tapering supports with brass-capped feet and castors 100cm by 54cm by 124cm Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 12 May 1977 £1,000-1,500

516

517 l A George III Mahogany Manx-Style Tripod Table, 3rd quarter 18th century, the moulded rectangular tilt-top above a birdcage platform, on a fluted and carved support with three legs carved in the form of knee breeches and pointed shoe feet 53cm by 43cm by 65cm

517 www.tennants.co.uk

Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 21 September 2002 £1,000-1,500 153

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518 l A Good Pair of George III Mahogany and Tulipwood-Banded Serpentine Shape Knife Boxes, circa 1780, the hinged lids inlaid with oval shell patera enclosing fitted interiors, with small oval silver-plated ring handles and shield shape escutcheons 22.5cm by 27cm by 36cm Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 17 June 1986 £1,500-2,000

518

519

519 l A George III Adam-Style Serving Table, late 18th century, the plain moulded top above a fluted frieze flanked by oval carved patera and centred by a tablet with carved ram’s head motif, swags and ribbons, on square tapering legs with spade feet 183cm by 65cm by 88cm Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 30 June 1973 £1,000-1,500

520 l A George III Hepplewhite Period Mahogany Serpentine Shape Commode, in the manner of Henry Hill of Marlborough, circa 1780, the three mahogany and pine-lined graduated long drawers with original brass drop handles above a shaped apron, on splayed forelegs 115cm by 61cm by 83cm Bearing paper label verso B.A.D.A. Art Treasures Exhibition at Christie’s 1932 Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 23 May 1975 £1,500-2,500 520

154

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521 l A George III Mahogany Straight-Front Chest on Chest, 3rd quarter 18th century, the moulded cornice above a plain frieze and two short and three long oak-lined graduated drawers, all between fluted quarter column supports, three deep drawers below, with original swan-neck brass handles, on original ogee bracket feet 123cm by 59cm by 173cm Provenance: With original purchase receipt from Charles Lumb & Sons Ltd, Harrogate, 16 August 1986 £1,200-1,800

521

522

522 A William IV Mahogany Writing Table, 2nd quarter 19th century, with green and gilt leather writing surface above three mahogany-lined frieze drawers, on turned and reeded tapering legs with brass-capped toes and castors 110cm by 61cm by 73cm £600-800

www.tennants.co.uk

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523

523 l

524

A George III Mahogany Serpentine Shape Commode, 3rd quarter 18th century, the moulded top above a fitted drawer with divided interior and lidded compartments, three oak-lined drawers below and pull-out lopers flanked by eight smaller drawers, with original swan neck brass handles, all between canted fluted stiles, on later shallow bracket feet 173cm by 60cm by 82cm

A George III Style Carved Mahogany and Japanned Writing Desk, late 19th/early 20th century, the pierced and scrolled three-quarter gallery (a/f) above a black and gilt japanned writing surface decorated with a landscape and trailing border of leaves and flowers, with a stiff leaf carved border above eight graduated short drawers and one drawer, on carved bracket feet 160cm by 79cm by 75cm £1,000-1,500

Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 27 September 1976 £3,000-5,000

524

156

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525 l A George III Mulberry-wood Cockpen Armchair, circa 1770, covered in striped cream fabric, the square back support with lattice chinoiserie railings, outswept arms and dished seat, on simulated bamboo baluster forelegs joined by an H stretcher 58cm by 58cm by 86cm A Smaller George III Mahogany Example, upholstered to match 58cm by 55cm by 84cm (2) Provenance: With original invoices from Charles Lumb & Sons Ltd, Harrogate, 1 June 1973 and 15 July 1982 £1,500-2,000

525

526 l A George III Sheraton Period Mahogany Drum Table, circa 1780, of attractive proportions, with brown and gilt leather surface above four sham and four real oaklined drawers with original brass drop handles, on a gun barrel turned support with reeded legs, block and brass-capped feet and castors 91cm by 76cm Provenance: With copy invoice from Charles Lumb & Sons Ltd, Harrogate, 1 March 1973 £1,500-2,000

526

527 An Early 19th Century Teak Campaign Chest, in two sections, with two short over three long teak-lined drawers with turned knob handles and recessed escutcheons, on turned feet with later castors, four iron drop handles fitted to the sides 103cm by 45cm by 104cm £2,000-3,000

527 www.tennants.co.uk

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528 l A George III Mahogany Dining Table, early 19th century, the D end sections and two additional leaves with reeded edge, on gunbarrel supports with reeded legs, brass-capped toes and castors 313cm (extended) by 155cm by 74cm Provenance: With original invoice from Trevor, London, 21 November 1977 £700-1,000

528

529 l A George II Mahogany Dropleaf Dining Table, circa 1750, with rectangular drop leaves and six rounded legs with pad feet and gatelegs 145cm extended by 123cm by 74cm Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate £250-350 529

530 A George III Mahogany TriplePillar Dining Table, early 19th century and adapted, with two original large leaves and four later small leaves, on turned pillar supports with four reeded splayed legs with hairy paw feet and castors 363cm extended by 122cm by 73.5cm £400-600 530 158

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531 An Imposing Victorian Mahogany Extending Dining Table, circa 1880, with five original additional leaves and storage cabinet, with moulded edge and frieze, on turned and fluted tapering legs with castors 467cm extended by 152cm by 75cm £1,000-1,500

531 (part)

532 A Set of Fourteen Victorian Mahogany Balloon Back Dining Chairs, circa 1870, covered in worn green velvet, the moulded and husk-carved back supports above overstuffed seats with serpentine shape seat rails, on cabriole forelegs, the seat frames with paper labels for Urquhart & Adamson Upholsterers, Chairs, Gilders and Looking Glass Manufacturers, 13 & 15 Bold Street, Liverpool 50cm by 50cm by 89cm £800-1,200

532

533 A George III Style Mahogany Triple Pillar Dining Table, in three sections with two additional leaves, on gun barrel turned supports and moulded splayed legs with brass-capped feet and castors 358cm extended by 116cm by 73cm £1,200-1,500 533

www.tennants.co.uk

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534 l A Set of Six (5+1) George III Hepplewhite Period Mahogany Dining Chairs, late 18th century, the moulded frames above criss-cross shaped pierced splats, with later recovered green and gold cut velvet drop-in seats, the plain seat rails on square chamfered forelegs joined by an H stretcher singles 51cm by 39cm by 91cm carver 56cm by 41cm by 89cm Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 12 November 1983 £300-500

535 An Imposing Victorian Twenty-Seater Oak Extending Dining Table, 3rd quarter 19th century, with six additional leaves, on five turned and reeded legs with original brass castors 478cm extended by 165cm by 77cm £2,000-3,000 534 (part)

535

160

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536 A Set of Twelve (10+2) George III Style Carved Mahogany Dining Chairs, late 19th century, covered in close-nailed grey leather, the flower-carved frames with C scroll and anthemion carved splats above overstuffed seats, on fluted forelegs joined by an H stretcher single 58cm by 51cm by 95cm carvers 63cm by 56cm by 95cm £800-1,200

536

537 l A Set of Six George III Hepplewhite Period Carved Mahogany Single Dining Chairs, late 18th century, recovered with purple overstuffed seats, the moulded square back supports with a tapering splat issuing Prince of Wales’ feathers, on square reeded forelegs with spade feet 54cm by 42cm by 89cm Provenance: with original invoice from Charles Lumb & Sons Ltd, Harrogate, 23 May 1975 £400-600

537

538 A Set of Eight (6+2) Late George III Mahogany Dining Chairs, early 19th century, recovered in dark cream velvet fabric, the reeded frames with pierced horizontal splats above overstuffed seats, on square tapering forelegs with spade feet singles 51cm by 44cm by 83cm carvers 52cm by 45cm by 85cm £400-600 538 (part) www.tennants.co.uk

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539 539

A Late 19th Century Giltwood Dressing Stool, recovered in closenailed geometric fabric, the serpentine seat rail on cabriole legs decorated with flowerheads 60cm by 56cm by 44cm £200-300

540

540 l A Pair of Early 20th Century Beech-Framed Dressing Stools, recovered in blue velvet with overstuffed seats with reeded flower-carved seat rails, on X form curved supports joined by a turned stretcher 54cm by 37cm by 47cm £250-350

541 A Carved Giltwood Mirror, late 18th/early 19th century, of cartoucheshaped form, the C scroll frame with a scrolled pediment centred by a religious figure and five angels 55cm by 42cm A Late Pine and Parcel Gilt Serpentine-Shaped Wall Bracket, with C scroll supports and pierced shell apron 46cm wide (2) £250-350

541 162

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542 A George III Upholstered Armchair, late 18th century, recovered in red silk, with flared sides and rounded arms above an overstuffed seat, on square chamfered forelegs with castors joined by an H stretcher 87cm by 75cm by 113cm £700-1,000

542

543 A 17th Century Style Wing-Back Chair, late 19th/early 20th century, recovered in green and pink needlework, with flared sides, overstuffed arms and a featherfilled cushion, the plain seat rail on a scrolled and pierced apron with cup-and-cover turned forelegs with block feet 89cm by 76cm by 134cm £400-600

543

544 A George II Walnut and Parcel Gilt Wall Mirror, circa 1740, the original tarnished mirror plate within a carved border with scrolled frame and pediment centred by a leaf-carved aperture 117cm by 60cm £250-350

544 www.tennants.co.uk

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545 l A George III Mahogany Show-Frame Tub Shape Armchair, early 19th century, recovered in orange cut moquette, the moulded and reeded frame above an overstuffed seat, on square moulded legs with brasscapped feet and castors 66cm by 51cm by 78.5cm Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 18 March 1980 £300-400

545

546

546 A Pair of 20th Century Giltwood Mirrors, in the manner of William Kent, labelled James Bourlet & Sons Ltd, London, with oval bevelled glass plates, the frames decorated with vines, leaves and scrolls surmounted by a shell 102cm by 80cm £300-500

547 A George II Carved Giltwood Mirror, 2nd quarter 18th century, with original mercury mirror plate within a moulded border surmounted by a C scroll and shell-decorated plume 112cm by 52cm £400-600 547 164

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548 An Upholstered Armchair, by Cornelius V Smith, late 19th century, recovered in light grey fabric, with rounded arms and an overstuffed seat, on turned forelegs with castors, the rear leg stamped CVS 65cm by 74cm by 85cm £600-800

548

549 A Victorian Gilt and Gesso Ebonised Overmantel Mirror, circa 1870, the plain mirror plate within an egg and dart border with scroll and leaf decorated apron and arched pediment decorated with a vacant cartouche, shell, ribbons and flowerbells 166cm by 104cm £400-600

549

550 An Open Armchair, late 19th century, the castors stamped Howard & Sons, recovered in light grey fabric, with padded armrests and turned supports above an overstuffed seat, on ring-turned forelegs, the rear left leg bearing numbers 72cm by 70cm by 87cm £800-1,200

550 www.tennants.co.uk

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551 A Victorian Reclining Easy Chair, 3rd quarter 19th century, covered in worn green leather, the adjustable metal reclining back support with pivoting arms, sliding ratchet foot rest, on turned legs with block feet and castors 60cm by 98cm by 109cm £700-1,000

551

552 An Early 20th Century Carved Mahogany Double-Caned Three Piece Bergere Suite, covered in blue plush velvet, comprising a three-seater sofa with acanthus carved and scrolled back support above six squab cushions, with blind fret carved seat rail on carved cabriole forelegs with ball and claw feet, 183cm by 78cm by 80cm, and a pair of armchairs, 77cm by 78cm by 80cm £700-1,000

552

553 A Walnut and Marquetry-Inlaid Mirror, circa 1690, the rectangular mercury plate within a moulded border, the frame richly inlaid with acanthus scrolls, flowers and birds 88cm by 75cm £700-1,000

553 166

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554 A Victorian Walnut-Framed Four-Seater Conversation Sofa, circa 1870, recovered in buttoned green velvet with overstuffed back support and seat and four scrolled arms, the moulded base with fluted stiles, moulded feet and on castors 140cm diameter, seat depth 50cm, seat height 38cm £800-1,200

554

555 An Early 20th Century Armchair, the castors stamped Howard & Sons, covered in Howard ticking, with a feather-filled squab cushion above a plain seat rail, on square tapering forelegs with castors 70cm by 76cm by 82cm £1,000-1,500

555

556 A George III Gilt and Gesso Convex Mirror, circa 1810, the ball surmounted frame with C scroll and acanthus decorated apron surmounted by an ebonised eagle flanked by cornucopias 100cm by 69cm For similar mirrors see Child (Graham) World Mirrors, 1650-1900, pg.152, pl.260 £800-1,200

556 www.tennants.co.uk

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557

557 A George III Style Adam Period Three-Seater Sofa, late 19th century, recovered in duck egg blue floral silk damask, the gadrooned frame with rounded arms, four feather-filled squab cushions, the serpentine shaped seat rail on carved and scrolled forelegs 204cm by 78cm by 92cm £1,000-1,500

558 Howard & Sons: An Early 20th Century Upholstered Armchair, stamped Howard & Sons Ltd, Berners Street, and numbered 4642284, recovered in light grey buttoned fabric, with an overstuffed seat and sprung base, on square tapering forelegs with castors 74cm by 64cm by 82cm £1,000-1,500

558

559 A Pair of William IV Upholstered Library Chairs, 2nd quarter 19th century, one chair stamped Morrison & Co, Edinburgh and numbered 3201, recovered in grey buttoned fabric, with padded armrests and an overstuffed seat, on turned and carved forelegs with later castors 74cm by 74cm by 104cm £1,000-1,500

559 168

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560 A Victorian Gilt and Gesso Overmantel Mirror, circa 1870, the original mercury plate within a moulded and spiral-turned border, the turned and acanthus decorated supports below an egg and dart moulded pediment surmounted by a scrolled and pierced plume 175cm by 165cm £1,000-1,500

560

561

561 l A George II Walnut Wing-Back Armchair, 2nd quarter 18th century, recovered in floral fabric, with rounded arms, feather-filled squab cushion and plain seat rail, on cabriole legs with pad feet 85cm by 73cm by 106cm Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 27 November 1984 £1,200-1,800

562 l A George I Wing-Back Armchair, early 18th century, covered in geometric cream fabric, with outswept arms and feather-filled squab cushion, the plain seat rail on acanthus carved walnut forelegs with ball and claw feet 86cm by 75cm by 114cm Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 17 May 1980 £1,500-2,500

www.tennants.co.uk

562

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563 l A French Musical Travelling Liquor Set, 19th century, the case as four leather-bound books, variously titled in gilt Ouvres de Bourdaloue, En Grizot, Memoires, Ouvres de Massillon and another, containing a pair of gilt decanters and stoppers and five tot glasses, paper label to interior 22cm wide £150-200

563

564

564 A French Louis XVI/Transitional Style Mahogany and Gilt Metal-Mounted Bureau Plat, late 19th/early 20th century, the green and gilt leather writing surface above four frieze drawers and fluted stiles, on turned and tapering legs 132cm by 63cm by 75cm £350-550

565 A Late 19th Century French Mahogany, Kingwood and Gilt Metal-Mounted Table en Chiffonnière, the quarter-veneered top above a single frieze drawer and pull-out slide, on slender cabriole legs joined by a shelf with gilt mounts and sabots 46cm by 36cm by 77cm £250-350

565 170

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566 A Late 19th Century Louis XV Style Giltwood Two-Seater Sofa, later recovered in yellow and floral fabric, the moulded frame surmounted by musical trophies, with padded back support, armrests and overstuffed seat, on turned and tapering forelegs 160cm by 56cm by 98cm £350-450

566

567 An 18th Century North-European Walnut and Burr Walnut Serpentine Shaped Commode, the two deep drawers with original brasses above a moulded base with scrolled and pierced apron, on cabriole forelegs 105cm by 66cm by 80cm £300-500

567

568 An Italian Figured Walnut, Crossbanded and Feather-Banded Writing Table, 2nd half 19th century, the quarter-veneered top above a long oak-lined frieze drawer, on scrolled and acanthus-carved supports with carved feet and joined by a flattened and wavy shaped stretcher surmounted by an urn 120cm by 73.5cm by 82cm £1,000-1,500

568

www.tennants.co.uk

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569

570

569

570

A Dutch Mahogany and Marquetry-Inlaid Lady’s Writing Desk, late 19th century, richly inlaid with a parquetry border, urns, flowers and foliage, the serpentine shaped top above two small mahogany and pine-lined drawers above a fall front enclosing a leather writing surface and fitted interior for correspondence, on C scroll supports joined by a wavy shaped stretcher, on splayed feet 70cm by 45cm by 119cm £350-450

A Louis XV/Transitional Style Mahogany Crossbanded and Gilt MetalMounted Table Ambulant, early 20th century, with a three-quarter gallery and quarter-veneered top above a gilt border of swags, above a single frieze drawer with a stiff leaf border, raised on square tapering legs with brass-capped feet 75cm by 47cm by 79cm £400-600

571 A Mid 19th Century Dutch Walnut and Marquetry Inlaid Bombé Shaped Bureau, richly inlaid with musical trophies, cornucopia and flowers, the fall front enclosing a good fitted interior of small drawers, pigeon holes and a sliding well, the base with three long graduated drawers above a wavy shaped apron, on carved ball and claw feet 140cm by 66cm by 112cm £2,000-3,000

571 172

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572 A Mid 19th Century Dutch Mahogany and Marquetry-Inlaid Foldover Corner Table, the top richly inlaid with trailing flowers and scrolls, the hinged leaf enclosing a circular marquetry panel and four playing cards, with pivoting gatelegs, on fluted tapering supports with block feet 101cm by 51cm (closed) by 75cm £300-500

572

573

574

573

574

A Carved Wood Figure of a Bishop, probably Low Countries, 18th century, standing a mitre and flowing robes on an oval base 94cm high £500-800

A Late 19th Century French Carved Walnut Window Seat, recovered in close-nailed and buttoned pink fabric, with a serpentine seat rail decorated with acanthus scrolls and shells, on six cabriole legs with scrolled toes 127cm by 48cm by 45cm £350-550

575 A Louis XV Style Kingwood, Tulipwood and Gilt Metal Mounted Jardinière, late 19th century, with a pierced brass gallery above floral porcelain oval plaques, raised on a serpentine shaped base with compressed feet 42cm by 30cm by 19cm A Louis XV Style Kingwood and Gilt Metal Mounted Planter, late 19th century, with rococo style handles and a blue Sèvres style porcelain plaque above a plinth base 44cm by 32cm by 21cm (2) £500-700

576

575

No Lot www.tennants.co.uk

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577 A Louis XVI Style Ebonised, Red Tortoiseshell and Brass-Inlaid Credenza, circa 1860, the central cupboard door with oval panel and flanked by a stiff leaf border with caryatid mounts, the glazed doors enclosing a velvet-lined interior, all between inlaid stiles, on a platform breakfront base 188.5cm by 41cm by 112cm £800-1,200

577

578 A 19th Century Dutch Mahogany and Marquetry-Inlaid Bureau, richly inlaid with trailing flowers, ribbons, swags and cornucopia, the fall front enclosing a fitted interior of drawers, central cupboard door and sliding well, with three oak-lined drawers below, on claw and ball feet 117cm by 60cm by 111cm £1,000-1,500

578

579 A 19th Century Italian Giltwood and Gesso Mirror, the plain mirror plate within a moulded frame decorated with acanthus leaves and surmounted by a C scroll plume 120cm by 66cm £300-500

579 174

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580 An 18th Century Dutch Mahogany Press Cupboard, the upper section with moulded cornice centred by a C scroll pediment above moulded cupboard doors, the base of bombé shaped form with two short and two long oak-lined drawers, on substantial ball and claw feet 186cm by 64cm by 242cm £1,000-1,500

580

581 A Louis XV Vernis Martin Style Kingwood and Gilt Metal Mounted Bombé Shaped Vitrine, late 19th century, the glazed door enclosing a velvet lined interior, the base with five painted panels depicting classical figures above a shaped apron with foliate mounts and sabots 115cm by 50cm by 192cm £1,000-1,500

581

582 A French Louis XV Kingwood, Tulipwood, Marquetry and Parquetry Decorated Cabinet on Stand, late 19th century, with an original Brèche d’Alep marble top above inlaid panelled doors decorated with foliage enclosing a mahogany-lined interior and two small drawers, the base with two smaller drawers around an arched apron, on cabriole legs with foliate mounts and sabots 74cm by 35cm by 132cm £700-1,000

582 www.tennants.co.uk

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583

583 l A Good Quality Mahogany, Boxwood-Strung and Gilt Metal-Mounted Foldover Card Table, mid 20th century, of D shape form, the moulded hinged lid enclosing a green leather interior above a quarter-veneered and parquetry decorated frieze, the rear leg extending below an oaklined small drawer 90cm by 44cm by 75cm £250-350

584 An Edwardian Rosewood and Marquetry-Inlaid Display Cabinet, stamped Edwards & Roberts, early 20th century, the swan neck pediment above an inlaid frieze of an urn and scrolling foliage, a glazed door below enclosing two shelves, all between inlaid stiles with flowerbells, a single frieze drawer below and further glazed door, all between inlaid stiles, on square tapering legs 62cm by 38cm by 188cm £400-600

584

585 A French Gilt Metal Casket, mid 19th century, of shaped rectangular form, the hinged cover set with a later porcelain plaque depicting a lady and gentleman in 18th century costume, the base with six ivory miniatures painted with famous buildings of Paris flanked by architectural mouldings, on scroll base 14cm wide Provenance: Newby Hall, Yorkshire With non-transferable standard ivory exemption declaration number C7GE1SAQ £400-600 585 176

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586 An Edwardian Satinwood, Mahogany-Crossbanded and Marquetry-Inlaid Lady’s Writing Desk, early 20th century, the superstructure centred by an oval bevelled glass mirror flanked by cupboard doors with turned bone handles, a hinged leaf below enclosing a black leather writing surface with four small drawers below around an arched apron drawer, all inlaid with scrolling leaves and foliage, on square tapering legs with brass-capped feet and castors 99cm by 44cm by 110cm £500-700

586

587 A Pair of Gilt Metal Mounted Marble Table Lamps, in Neo-Classical style, of baluster form with twin angular handles and applied vacant cartouche, on circular socles and plinths with peg feet 36cm high, fitted for electricity £200-300

587

588 An Early 20th Century Satinwood, Polychrome-Painted and Tulipwood-Banded Bowfront Side Cabinet, in Neo-Classical style, the top decorated with an urn, trailing leaves and a crossbanded and trailing border of foliage above two cupboard doors enclosing a shelf with oval panels, ribbons and flower garlands raised on splayed bracket feet 107cm by 55cm by 90cm £700-1,000

588

www.tennants.co.uk

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589 A Good Satinwood and Polychrome-Painted Display Cabinet, early 20th century, in Neo-Classical style, richly decorated with flowers, ribbons and swags, the glazed upper section with moulded cornice and oval flower-carved medallions, the astragal-glazed doors enclosing a green watered silk interior, all between moulded and green-painted stiles with carved trusses, the base of serpentine shaped form and frieze drawer with bone-tuned handles, on splayed legs 63cm by 41cm by 166cm £1,000-1,500

589

590

590 English School (19th century): A White Marble Bust of C F Blackett, wearing a neck tie, jacket and fur-lined cloak, on a titled rectangular base 74cm high £500-700

591 A Pair of Gilt Metal Mounted Blue John, Onyx and Black Slate Urns, 19th century, of ovoid form with domed covers, on square column and base with bun feet 22.5cm high £600-800 591 178

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592 A Pair of Gilt Metal Mounted, Painted and Carved Wood Blackamoor Candelabra, in Venetian Baroque style, naturalistically modelled holding foliate branches and sconces, standing the prow of gondolas holding an oar, on circular plinths and separate carved wood bases 98cm high overall £600-800

592

594

593

593

594

A White Marble Bust of a Young Girl, late 19th century, with a rose in her hair, on a circular socle 55cm high £1,500-2,000

A Stained Wood Artist’s Lay Figure, 19th century, with naturalistically carved face and articulated limbs 68cm high £3,000-4,000

www.tennants.co.uk

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595 An Italian Gilt Metal and Micro-Mosaic Table Casket, Rome, circa 1860, of rounded rectangular form, set with Pliny’s Doves and with exotic birds in panels within malachite border within ropetwist bead and acanthus leaf borders, over a foliate apron on foliate scroll feet, the mount stamped Guttin 20cm wide For a related example, see Christie’s, New York, 10 April 2018, lot 291 £5,000-7,000 595

596 A Pair of Victorian Painted Pine Waterfall Open Bookcases, 2nd half 19th century, of graduated scrolled form on moulded sledge bases 154cm by 104cm £700-1,000

596

597 A White-Painted and Composition Garden Seat in the form of a Shell, late 20th century, with legs in the form of scrolled clam shells 103cm by 73cm by 95cm For an almost identical pair see Christies Interiors, auction no.16024, 13 September 2018, lot 140 £2,500-3,500

597

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598 A Bechstein Mahogany-Cased 7ft Grand Piano, model no 6618., circa 1903, on turned and fluted simulated rosewood legs with brass castors With non-transferable standard ivory exemption declaration number PNWEM9VB £1,500-2,000

599

598

A Victorian Mahogany and Satin Birch Adjustable Music Stand, mid 19th century, with adjustable brass support and lyre shaped music rest on a chamfered and turned support, on a tripod base with scrolled feet 99cm high minimum £250-350

599

600 Collard & Collard: An Early Victorian Rosewood Cased 6’8” Concert Grand Piano, circa 1870, with an ivory and ebony keyboard, on turned tapering legs with brass-capped toes and castors (restored) A Late Victorian Walnut Revolving Piano Stool, circa 1870, the overstuffed seat recovered in close-nailed geometric fabric, on a ringturned gadrooned support with three cabriole legs 38cm by 51cm (minimum) (2)

600 (part)

www.tennants.co.uk

With non-transferable standard ivory exemption declaration number WW98SAQB £1,500-2,500 181

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601

601 l A Pair of George III Chippendale-Style Carved Giltwood Two-Branch Girandoles, circa 1770, the mercury mirror plates within Chinese-style scrolled frames decorated with flowers, acanthus and foliage, the moulded column supports on rockwork base issuing candle arms with gilt metal leafy candle holders 80cm by 42cm Provenance: With original invoice from Charles Lumb & Sons Ltd, Harrogate, 1 August 1978 £4,000-6,000

END OF SALE 182

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BUYERS’ INFORMATION Buyer’s Premium

Export/ CITES Regulations

A Buyer’s Premium of 22% on the first £999,999 of the Hammer Price and 20% on the amount thereafter, plus VAT, is payable on each lot.

CITES-restricted items and Ivory Exempt items will be accompanied by a current CITES Article 10 licence/Ivory Exemption Declaration where applicable and the licence/exemption declaration number will be displayed within the original catalogue description (required by UK law). Both CITES Article 10 licences and Ivory Exemption Declarations are non-transferable and buyers must apply for a new Article 10 licence/Ivory Exemption Declaration in their name if they wish to sell to a third party.

Condition Reports We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. We accept no liability for the opinions expressed in any Condition Report.

Caveat Emptor The principle of caveat emptor applies to the sale of all goods sold at auction by us. Furthermore, we have no control over the condition of any item offered for sale.

Additional Images Requests for additional images of items in the sale can be made up to 48 hours before the Day of Sale.

Online Bidding We offer an online bidding service via our own platform - Tennants Live Bidding at www.tennants.co.uk. Items purchased via this platform will be subject to an additional 1.5% commission charge plus VAT at the prevailing rate. We also offer online bidding via www.the-saleroom.com for prospective buyers who cannot attend the sale. Items bought via this platform will be subject to an additional 4.95% commission charge plus VAT. By completing registration on www.the-saleroom.com and providing your credit/bank card details and unless alternative arrangements are agreed with us, you; (a)

authorise Tennants, if they so wish, to charge the credit/bank card given in part of full payment, including all fees, for items successfully purchased in the auction via www.thesaleroom.com; and

(b)

confirm that you are authorised to provide these credit/bank details to Tennants through www.the-saleroom.com and agree that Tennants are entitled to permit the shipping of the goods to the card holder and card holder address provided in fulfilment of the sale.We do not accept any liability for any losses, however arising, as a result of a prospective buyer’s use of www.thesaleroom.com. Use of www.the-saleroom.com is subject to separate terms and conditions which do not form part of these conditions.

We do not accept any liability for any losses, however arising, as a result of a prospective buyer’s use of www.the-saleroom.com. Use of www.the-saleroom.com is subject to separate terms and conditions which do not form part of these conditions.

Telephone Bidding Requests for telephone bidding must be registered at least one hour prior to the close of the View Day. We will not accept requests on the Day of Sale. Telephone Lines are booked on a first-come, first-served basis and are subject to a minimum lot value of £500 for Fine Art Sales and £200 for all other sales.

Absentee Bidding Whilst reasonable endeavours will be made to execute absentee bidding up to the Day of Sale, Tennants will not be liable for any default or neglect in connection with this service. All such arrangements therefore are made entirely at the Prospective Buyer’s risk.

VAT Value added tax or any equivalent tax chargeable in the UK or elsewhere.

AML Due Diligence We conduct appropriate Due Diligence checks to comply with current Anti Money Laundering regulations for any buyer exceeding the threshold of £8,000. We reserve the right to withhold the purchased lots until such checks have been completed.

Agency We act as agents for the Seller, whose details remain confidential. If you buy at auction your contract is with the Seller, not us. www.tennants.co.uk

It is the sole responsibility of the buyer and/or contracted shipping agent to have in place the correct CITES re-export and import licences into the buyer’s chosen country before shipping can be undertaken.

CITES regulations are given on www.ukcites.gov.uk or may be obtained from: The Animal and Plant Health Agency Centre for International Trade Horizon House Deanery Road Bristol BL1 5AH wildlife.licensing@apha.gsi.gov.uk 0117 372 3700 Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

Method of Payment Payment is accepted online via our website.

Card payments where the card holder is not present will only be accepted for transactions up to £500.

Payment can be made and purchases collected during the auction.

All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale.

Collection All purchases must be collected from our Leyburn offices, unless stated otherwise, within seven days of the Sale (Monday to Friday 8.30am to 5.00pm).

Despatch/Delivery Buyers may appoint their own shippers or use one of our preferred suppliers for all UK deliveries and international shipping. Their contact details are as follows: Bradleys Antique Packing Services Ltd 01325 281332 info@antiquepacking.co.uk Carrs Carriers Ltd 01423 297088 01913 077024 07958 023028 carrscarriersltd@gmail.com Mailboxes Etc 0113 242 8715 info@mbeleedscity.co.uk In-House Shipping For certain lots, we offer a packing and shipping service up to a total value of £5,000 (inclusive of buyer’s premium, VAT and any other associated charges). Prices start from £20 depending on the size and destination. Please note, we are unable to post items of a fragile nature. Items are fully insured and can be tracked from dispatch to delivery.

To obtain a quote for packing and shipping, please email shipping@tennants-ltd.co.uk or call 01969 623780. You will need to have paid your invoice in full, including delivery, before items are dispatched.

For full Terms of Business please refer to www.tennants.co.uk 183

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ALSO SELLING THIS WEEK:

2022 AUCTION DATES Friday 11 November The Designer Sale Friday 11 & Saturday 12 November Autumn Fine Sale Saturday 12 November British, European & Sporting Art Saturday 12 November Fine Jewellery, Silver & Watches

FINE JEWELLERY, WATCHES & SILVER

Friday 18 November Costume, Textiles & Accessories

SATURDAY 12 NOVEMBER 2022

Friday 18 November Antiques & Interiors

FINE JEWELLERY, WATCHES & SILVER SATURDAY 12 NOVEMBER 2022 AT 9.30AM (352 LOTS)

Wednesday 23 November Books, Maps & Manuscripts Wednesday 23 November Coins & Banknotes Wednesday 30 November Natural History & Taxidermy Friday 2 December Fine Wine & Whisky Saturday 3 December Antiques & Interiors, including Beswick & Border Fine Arts Wednesday 7 December Militaria & Ethnographica

BRITISH, EUROPEAN & SPORTING ART BRITISH, EUROPEAN & SPORTING ART SATURDAY 12 NOVEMBER 2022

SATURDAY 12 NOVEMBER 2022 AT 9.30AM (132 LOTS)

Friday 9 December Toys, Models & Sporting & Fishing Friday 16 December Antiques & Interiors

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AUTUMN SALE FRIDAY 11 NOVEMBER & SATURDAY 12 NOVEMBER 2022

The Auction Centre, Leyburn North Yorkshire DL8 5SG 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk

AUTUMN SALE FRIDAY 11 NOVEMBER & SATURDAY 12 NOVEMBER 2022