Jewellery, Watches & Silver Sale - 18 May 2024

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JEWELLERY, WATCHES & SILVER

SATURDAY 18 MAY2024

ALSO SELLING TODAY:

COUNTRY HOUSE SALE

SATURDAY 18 MAY 9.30AM

YOUR SPECIALISTS

Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results.

Twenty-seven specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace.

Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major disciplines, making it one of the UK’s busiest salerooms.

Jeffrey Lassaline (Silver & Objects of Vertu) Jessica Fall BSc (Hons) FGA, DGA (Jewellery) Adam Wasdell Wostep, MBHI (Watches) Sarah Hardy, PJ Dip, FGA, DGA (Consultant, Jewellery)
COUNTRY HOUSE SALE SATURDAY 18 MAY 2024

JEWELLERY, WATCHES & SILVER SATURDAY 18 MAY2024 AT 9.30AM

AUCTION

The Auction Centre, Leyburn North Yorkshire DL8 5SG

VIEWING

Wednesday 15 March 10.00am to 4.00pm

Thursday 16 March 10.00am to 4.00pm

Friday 17 March 10.00am to 4.00pm

Morning of Sale from 8.00am

Live bidding is available on this sale by registering at www.tennants.co.uk

All lots illustrated online at www.tennants.co.uk

CONTACT

Telephone: 01969 623780

enquiry@tennants-ltd.co.uk www.tennants.co.uk

FRONT COVER Lot 2299 (part)

Georg Jensen: Beauty and Functionality

For many Georg Jensen is the firm which best represents the simplicity of Scandinavian design. Georg Jensen (1866-1935) trained in Copenhagen as a silversmith, goldsmith and sculptor, which included 2 years with the artist Ballin. Jensen was a late follower of a Danish style known as skønwirke (meaning aesthetic work), but probably the most famous artist of that movement. His distinctive style had some common ground with the Austrian secessionists and with an appreciation for the Art Nouveau style, he favoured organic forms, using stylistic representations of nature whilst paring back the designs so they were both simple and ornate, with functionality at the forefront.

Jensen opened his own shop in 1904, and the brand grew to achieve international acclaim. Later pieces were more abstract than his earlier work, although naturalistic influences were sometimes still evident. Jensen continued to design many pieces himself, whilst also employing talented artists to create designs stylistically in keeping with his. The firm acknowledged their input, quite a revolutionary concept. Over the years names such as Henning Koppel (1918-1981), Jørgen Ditzel (1921-1961), Nanna Ditzel (1923-2005) and Vivianna “Torun” Bülow-Hübe (1927-2004) joined or collaborated with the business, allowing new designs to continue following the death of Jensen. The Georg Jensen brand continues today.

2001

A Silver Pendant on Chain, designed by Henning Koppel for Georg Jensen modelled as a stylised openwork star form numbered 342, on a silver fancy link chain pendant measures 7.7cm by 4.7cm, chain length 72.8cm

2002

A ‘Peak’ Necklace, Bracelet and Earring Suite, by Georg Jensen formed of white plain polished triangular peak motifs, earrings with clip fittings

length 38.5cm, 17.5cm and 2.7cm respectively

2003

A Pendant on Chain, designed by Henning Koppel for Georg Jensen the white plain polished openwork abstract form suspended from a plain polished bale, on a trace link chain pendant measures 3.2cm by 3.6cm, chain length 46cm

2004

A ‘Continuity’ Ring, designed by Vivianna Torun Bülow-Hübe for Georg Jensen of white plain polished scroll form, numbered 443 finger size N

2005

A Silver Ring and A Pair of Earrings, by Georg Jensen the oval plain polished dome within an oval bead work border, to a forked shoulder plain polished shank, numbered 19; the earrings of round plain polished dome form, numbered 86D, with post fittings finger size L1/2, earrings measure 1.5cm diameter

2006

A Silver Brooch, designed by Nanna Ditzel for Georg Jensen of abstract circular form with two slits, numbered 337 measures 6.0cm diameter

2007

A Silver Brooch, designed by Henning Koppel for Georg Jensen of folded square form, numbered 368 measures 4.6cm by 4.6cm

2008

An ‘Alliance’ Bangle, by Georg Jensen formed of four white plain polished crossover bands measures 6.0cm by 4.5cm

2009

A Silver Brooch, designed by Nanna and Jorgen Ditzel for Georg Jensen modelled as a stylised oyster, numbered 328 measures 5.3cm by 4.1cm

2 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
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2010

A Pendant on Chain and Two Pairs of Earrings, by Georg Jensen the pendant formed of a rectangular plain polished plaque, numbered 173, on a black plaited necklace; a pair of ‘Lotus’ drop earrings, with post fittings; and a pair of moonstone earrings, with post fittings pendant length 3.0cm, necklace length 48cm, earring drop length 3.9cm, studs measure 0.9cm diameter

2011

A ‘Peak’ Necklace, by Georg Jensen formed of thirteen white plain polished triangular peak motifs length 38.5cm

2012

A ‘Forget-Me-Knot’ Brooch and Matching Earrings, designed by Vivianna Torun Bülow-Hübe for Georg Jensen formed of plain polished forget-me-knot motifs, the brooch numbered 384, the earrings with post fittings brooch measures 7.0cm by 1.8cm, earring drop length 6cm

2013

A ‘Lotus’ Necklace, Bracelet and Earring Suite, designed by Per Hertz for Georg Jensen formed of white plain polished stylised leaf motifs, earrings with clip fittings length 42cm, 18.5cm and 2.0cm respectively

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2014

A Diamond Cluster Pendant on Chain

the central princess cut diamond within a border of baguette cut diamonds, with eight-cut diamonds at each corner, to an outer border of eight-cut diamonds, in white claw settings, on an 18 carat gold curb link chain, total estimated diamond weight 0.95 carat approximately pendant measures 1.2cm diameter, chain length 44cm £300-500

2015

An 18 Carat White Gold Blue Topaz and Diamond Cluster Pendant on Chain

the fancy oval cut blue topaz within a border of round brilliant cut diamonds, in white claw settings, with a similarly set bale, on a 9 carat gold curb link chain, total estimated diamond weight 0.15 carat approximately pendant length 2.4cm, chain length 41cm £300-500

2016

A Pair of Art Deco Style Coral, Onyx and Diamond Drop Earrings

the disc set throughout with eight-cut diamonds and a single round cabochon onyx, intersected by an articulated bar of eight-cut diamonds, in white millegrain settings, suspending faceted onyx and coral drops, total estimated diamond weight 0.35 carat approximately, with post fittings

drop length 6.2cm £400-600

2017

An Emerald and Diamond Three Stone Ring

the emerald-cut emerald flanked by old cut diamonds, in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.55 carat approximately finger size O½

£400-600

2018

A Diamond Bar Brooch

the white knife edge bar overlaid with eleven graduated old cut diamonds, in millegrain settings, total estimated diamond weight 0.65 carat approximately length 6.0cm

£200-300

2019

A Synthetic Sapphire and Diamond Ring

the emerald-cut synthetic sapphire in a white four claw setting, to stepped eight-cut diamond set shoulders in millegrain settings, on a plain polished shank, total estimated diamond weight 0.20 carat approximately finger size M½

£300-500

2020

A Grey Cultured Pearl and Diamond Ring

the grey cultured pearl in a fluted shoulder mount, pavé set throughout with eight-cut diamonds, to a matte white shank, total estimated diamond weight 0.10 carat approximately finger size N

£300-500

2021

An 18 Carat Gold Diamond Three Stone Ring

the round brilliant cut diamonds in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.70 carat approximately finger size I

£200-300

2022

A Pair of Diamond Cluster Earrings

the clusters formed of round brilliant cut diamonds, in white claw settings, total estimated diamond weight 0.55 carat approximately, with post fittings measure 0.7cm diameter

£300-500

2023

A Pair of 18 Carat Gold Diamond Solitaire Earrings

the round brilliant cut diamonds in white claw settings, total estimated diamond weight 0.45 carat approximately, with post fittings £200-300

2024

A Platinum Diamond Three Stone Ring

the graduated round brilliant cut diamonds in white rubbed over settings, to a plain polished shank, total estimated diamond weight 0.50 carat approximately finger size K

The ring is accompanied by a Diamond Dossier from Gemological Institute of America, GIA, report number 6232300545, dated July 25, 2016 stating the central diamond as 0.34 carat, colour G, clarity VVS2 £400-600

2025

An 18 Carat White Gold Diamond Half Hoop Ring, by Iliana three rows of princess cut diamonds in a channel setting, to a plain polished shank, total estimated diamond weight 0.55 carat approximately finger size N1/2

£250-300

2026

An 18 Carat White Gold Diamond Solitaire Ring

the round brilliant cut diamond in a tension setting, to a plain polished shank, estimated diamond weight 0.20 carat approximately finger size N

£400-600

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2027

A Rock Crystal and Diamond Pendant and Earring Suite realistically modelled as flowers, the carved rock crystal petals in yellow caps, with round brilliant cut diamond pollinia in white claw settings, on a yellow fancy link chain, earrings with post fittings, total estimated diamond weight 0.10 carat approximately pendant measures 4.0cm by 5.0cm, chain length 46.8cm, earring length 3.2cm

£400-600

2028

A Multi-Gem Set Pendant on Chain, by Catherine Best the yellow spray form set throughout with an oval cut peridot, a pear cut garnet, a pear cut pink tourmaline and a round brilliant cut diamond, in rubbed over and claw settings, suspended from a plain polished bale, on a cable link chain pendant measures 4.6cm by 2.3cm, chain length 40.7cm

£600-800

2029

A Ruby, Sapphire, Diamond and Jade Pendant the circular jade frame with a yellow foliate scene centrally, decorated throughout with round cut rubies, sapphires and round brilliant cut diamonds, in claw settings, suspended from a plain polished bale measures 6.0cm by 4.8cm

£200-300

2030

A Pair of 18 Carat Gold Mabe Pearl Earrings

the mabe pearls in yellow swirl borders, with post and clip fittings measure 2.1cm diameter

£300-500

2031

A Synthetic Ruby Novelty Brooch realistically modelled as a yellow horse and carriage driven by two figures, with round cut synthetic ruby and cabochon synthetic ruby decoration measures 5.6cm by 3.5cm

£300-500

2032

An 18 Carat Gold Ring, by Gilbert Albert the yellow textured openwork shank accompanied by six interchangeable spheres of tiger’s-eye, nephrite, chalcedony, onyx, carnelian and hematite

finger size M

£400-600

2033

A Sapphire and Diamond Ring

the oval cut sapphire flanked by a square cut sapphire to either side, spaced by pairs of round brilliant cut diamonds, in yellow rubbed over settings, laid upon a matte shank, with beadwork decoration and borders, total estimated diamond weight 0.04 carat approximately finger size R½

£300-500

2034

A Multi-Gem Set Cross Pendant, by Catherine Best

the cross motif set throughout with baguette cut amethyst, peridot and citrine, with a central princess cut diamond, in yellow channel settings, estimated diamond weight 0.20 carat approximately measures 4.8cm by 2.5cm

£300-500

2035

An 18 Carat Gold Garnet Brooch modelled as a stylised flower, the centre formed of yellow textured beadwork, to a petal surround of oval cut garnets with pierced terminations, measures 3.8cm diameter

£350-450

2036

A Multi-Gem Set Bracelet, by H. Stern comprising of graduated oval cut citrine, amethyst, aquamarine, garnet, blue topaz, green and pink tourmaline, in yellow four claw settings length 18.3cm

£400-600

2037

A Diamond Hinged Bangle

the central round brilliant cut diamond cluster in white claw settings, to yellow textured shoulders with eight-cut diamond detailing, to a plain polished hinged back, total estimated diamond weight 0.50 carat approximately inner measurements 5.2cm by 4.4cm

£300-500

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2038

A Ruby and Diamond Pendant on Chain

the central round brilliant cut diamond cluster in white claw settings, within a border of round cut rubies in yellow claw settings, suspended from a plain polished bale, on an 18 carat gold snake link chain, total estimated diamond weight 0.05 carat approximately pendant length 2.0cm, chain length 40.5cm

2039

A Multi-Colour Sapphire and Diamond Pendant on Chain

the white textured square plaque with a yellow rope twist and plain polished border, decorated throughout with five vari-coloured sapphires and round brilliant cut diamonds, in yellow rubbed over settings, to a similarly formed diamond set bale, on a 9 carat gold belcher link chain, total estimated diamond weight 0.10 carat approximately pendant measures 3.4cm by 2.2cm, chain length 61.2cm

2040

A Pair of Ruby and Diamond Cuff Earrings

three rows of round cut rubies in yellow star settings, flanked by rows of round brilliant cut diamonds, total estimated diamond weight 0.60 carat approximately, with clip fittings length 1.6cm

2041

An 18 Carat White Gold Ruby and Diamond Cluster Ring

the oval cut ruby within a border of round brilliant cut diamonds, in claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.35 carat approximately finger size O½

£250-300

2042

A Ruby and Diamond Cluster Ring

a raised round brilliant cut diamond, to a geometric motif, formed of round brilliant cut diamonds and round cut rubies, in white claw settings, to a tapered shoulder triple row plain polished shank, total estimated diamond weight 1.25 carat approximately finger size J

2043

A Synthetic Ruby and Diamond Three Stone Ring

the oval cut synthetic ruby in a yellow elongated claw setting, flanked by round brilliant cut diamonds in claw settings, to a plain polished shank, total estimated diamond weight 0.25 carat approximately finger size P½

2044

A Black and Yellow Diamond Bead Necklace

four chain linked black faceted diamond beads alternate with a single yellow faceted diamond bead length 78cm (approximately)

2045

A Ruby, Sapphire and Diamond Novelty Brooch

realistically modelled as a tennis racket, the white strings within a frame of round cut rubies and a round cut sapphire ball, in claw settings, to a tapered shaft terminating to an eight-cut diamond set handle length 5.1cm

2046

A Green Tourmaline Brooch a yellow knife edge bar overlaid with a plaque depicting Australia, with five round cut tourmalines surrounding arranged as the Southern Cross, in claw settings measures 5.2cm by 3.3cm

2047

An 18 Carat Gold Ruby and Diamond Five Stone Ring the round cut ruby flanked by graduated old cut diamonds, in yellow claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.55 carat approximately finger size M £250-300

2048

A Pair of 18 Carat Gold Cultured Pearl Drop Earrings, by Tiffany & Co. the cultured pearls within yellow heart motif caps, with hook fittings drop length 2.3cm

2049

A Water Opal Brooch the pear cabochon water opal in a white claw setting, to a tapered bar length 4.4cm

2050

An 18 Carat White Gold Diamond Solitaire Ring the old cut diamond in a claw setting, to a tapered shoulder plain polished shank, estimated diamond weight 0.60 carat approximately finger size Q½ £400-600

10 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
£300-500 £400-600 £300-500 £400-600 £200-300 £300-500 £300-500 £200-300 £150-200 £200-300
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2051

An Early 20th Century Diamond Brooch of openwork scroll form, set throughout with old cut and rose cut diamonds, suspending a single old cut diamond, in white claw and millegrain settings, total estimated diamond weight 0.60 carat approximately measures 3.9cm by 4.3cm

2052

A Green Tourmaline and Diamond Pendant on Chain

the oval cut green tourmaline to an oval openwork frame with scroll seed pearl and rose cut diamond forms at four points, in white millegrain settings, suspended from an engine turned bale, on a trace link chain, total estimated diamond weight 0.10 carat approximately pendant measures 4.1cm by 2.3cm, chain length 41.3cm

2053

An Emerald and Diamond Pendant of openwork scroll form, set throughout with old cut diamonds, suspending a trefoil of old cut diamonds in white claw and millegrain settings, with a cabochon emerald centrally in a yellow claw setting, total estimated diamond weight 0.55 carat approximately measures 3.5cm by 3.3cm

2054

An 18 Carat Gold Diamond Five Stone Wishbone Ring

the round brilliant cut diamonds in white claw settings, to a yellow plain polished shank, total estimated diamond weight 0.75 carat approximately finger size O

2055

A Diamond Necklace of openwork scroll form, set throughout with old cut and rose cut diamonds, in white claw and millegrain settings, to a fancy link chain, total estimated diamond weight 0.95 carat approximately drop length 3.1cm, chain length 40.3cm

2056

An 18 Carat White Gold Diamond Solitaire Ring

the round brilliant cut diamond in a claw setting, to a tapered shoulder plain polished shank, estimated diamond weight 0.85 carat approximately finger size M½

2057

A Pair of Diamond Cluster Earrings

four round brilliant cut diamonds in white rubbed over settings, total estimated diamond weight 0.40 carat approximately, with post fittings measure 0.9cm by 0.7cm

2058

A Citrine and Diamond Brooch

the emerald-cut citrine within a geometric border of eight-cut diamonds, flanked by circular eight-cut and rose cut diamond links, in white claw and channel settings, total estimated diamond weight 1.00 carat approximately measures 7.3cm by 1.0cm £400-600

2059

A Pair of Diamond Cluster Earrings

four round brilliant cut diamonds in white claw settings, spaced by a plain polished x-motif, total estimated diamond weight 0.40 carat approximately, with post fittings measure 0.7cm by 0.7cm £200-300

2060

A Diamond Two Stone Ring

the round brilliant cut diamonds in white illusion claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 1.40 carat approximately finger size P½ £800-1,200

2061

An Edwardian Pearl and Diamond Brooch

the tapering bar set throughout with six graduated pearls and rose cut diamonds, in white millegrain settings, total estimated diamond weight 0.60 carat approximately length 8.3cm

NB: the pearls have not been laboratory tested £500-700

2062

A Diamond Half Hoop Ring

a row of tapered baguette cut diamonds within two rows of round brilliant cut diamonds, in white channel and claw settings, to a plain polished shank, total estimated diamond weight 0.90 carat approximately finger size M½ £250-300

2063

An Emerald and Diamond Brooch the sugarloaf cabochon emerald in a yellow rubbed over setting, to a white tapered bar decorated with rose cut diamonds length 6.3cm

Provenance: Dutton Manor, Lancashire £150-200

12 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
£300-500 £300-500 £400-600 £250-300 £400-600 £500-700 £150-200
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2064

An 18 Carat White Gold Diamond Half Hoop Ring

seven round brilliant cut diamonds in claw settings, to a plain polished shank, total estimated diamond weight 0.70 carat approximately finger size Q½

£250-300

2065

An 18 Carat Gold Diamond Pendant on Chain

the stylised ribbon motif set throughout with baguette cut and round brilliant cut diamonds, in white claw and channel settings, on a fancy link chain, total estimated diamond weight 1.25 carat approximately pendant measures 2.3cm by 1.9cm, chain length 44cm £500-700

2066

A 9 Carat Gold Cultured Pearl Necklace

the cultured pearls spaced by yellow plain polished beads and bead work decorated roundels length 44.5cm

£400-600

2067

An Art Deco Jade and Diamond Brooch

the oval pierced and carved jade plaque depicting birds amongst foliage, in a white claw setting, with eight-cut, round brilliant cut and baguette cut diamond detailing at four points, in rubbed over and millegrain settings, total estimated diamond weight 0.60 carat approximately measures 4.5cm by 2.5cm £400-600

2068

A Diamond Pendant

the central old cut diamond to a circular openwork frame set throughout with old cut diamonds, in white claw and crimped settings, suspended from a similarly set bale, total estimated diamond weight 0.30 carat approximately length 1.9cm £100-150

2069

A Synthetic Sapphire and Diamond Brooch

the central round brilliant cut diamond flanked by four square synthetic sapphires to either side, with scalloped round brilliant cut diamond decoration to the centre, in white millegrain and channel settings, total estimated diamond weight 0.45 carat approximately length 4.2cm £100-150

2070

A Platinum Diamond Solitaire Ring

the round brilliant cut diamond in a tension setting, to a plain polished shank, estimated diamond weight 0.28 carat approximately finger size L £400-600

2071

A Pair of 18 Carat White Gold Diamond Cuff Earrings

two rows of princess cut diamonds, in white channel settings, total estimated diamond weight 1.80 carat approximately, with post and clip fittings length 1.6cm £500-700

2072

An 18 Carat White Gold Diamond Crossover Ring

the round brilliant cut diamond in a white tension setting, to a crossover plain polished shank, estimated diamond weight 0.25 carat approximately finger size J £400-600

2073

An 18 Carat White Gold Diamond Floral Spray Brooch set throughout with round brilliant cut and eight-cut diamonds, in claw settings, total estimated diamond weight 0.50 carat approximately measures 5.2cm by 2.1cm £200-300

2074

A Pair of Victorian Moss Agate Drop Earrings

the vari-shaped moss agate plaques in yellow claw settings, with bead and rope work decoration throughout and terminating to a scroll motif, with screw fittings drop length 7.7cm £150-200

2075

A Sapphire and Diamond Brooch modelled as a ribbon motif, set throughout with vari-shaped sapphires and round brilliant cut and marquise cut diamonds, in white claw and rubbed over settings, total estimated diamond weight 1.50 carat approximately measures 4.5cm by 3.0cm

14 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
£400-600
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2076

A Jade and Onyx Tassel Necklace

an onyx bead suspends a rectangular carved and pierced jade plaque, with two similar smaller drops and a central black fabric tassel, to a corded necklace

drop length 17.5cm, necklace length 96cm (approximately)

Provenance: Dutton Manor, Lancashire £150-200

2077

A Late 19th Century Coral and Split Pearl Cameo Brooch

the coral carved to depict Bacchus, in a yellow claw setting, to a shell, rope twist and bead work border, with split pearls at four points measures 4.6cm by 4.3cm £200-300

2078

An Opal and Diamond Pendant on Chain

the irregular shaped opal plaque decorated with two round brilliant cut diamonds, in a yellow rubbed over setting, suspended from a plain polished bale, on a curb link chain, total estimated diamond weight 0.15 carat approximately pendant measures 3.5cm by 2.4m, chain length 58.5cm £300-500

2079

A Coral and Seed Pearl Pendant and A Coral, Split Pearl and Enamel Ring

the cross pendant formed of oval and round cabochon coral terminating to seed pearls and plain polished beads, in yellow claw settings, suspended from a textured bale; the ring formed of a round cabochon coral within a border of split pearls in yellow claw settings, to a textured shoulder plain polished shank, the underside of the cluster of scalloped form and enamelled in black pendant measures 4.5cm by 2.3cm, finger size I £100-150

2080

A 9 Carat Gold Malachite Pendant on Chain

the oval cabochon malachite within a textured frame, suspended from a similarly textured bale, on a trace link chain pendant measures 5.1cm by 2.8cm, chain length 61.5cm £200-300

2081

An 18 Carat Gold Opal and Diamond Three Stone Ring

the oval cabochon opal in a yellow double claw setting, flanked by round brilliant cut diamonds in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.45 carat approximately finger size Q½ £400-600

2082

A Pair of Opal Earrings

the oval cabochon boulder opals in yellow claw settings, surmounted by a plain polished bead, with screw fittings drop length 2.1cm £100-150

2083

An Opal Ring

the yellow plain polished rectangular plaque overlaid with an oval opal plaque, in a rubbed over setting, to a plain polished shank finger size Q £250-300

2084

A Small Quantity of Coral Jewellery

comprising of a carved coral oval brooch, in a yellow frame; a pair of carved coral drop earrings, with hook fittings; and a carved coral charm/pendant brooch measures 3.6cm by 2.7cm, earring drop length 5.9cm, charm length 2.9cm £100-150

2085

A Malachite Bracelet

the eleven chain linked oval malachite plaques in yellow rubbed over settings length 18.0cm £200-300

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2086

An 18 Carat White Gold Diamond Pendant on Chain

the cross motif with a round brilliant cut diamond centrally to tapered baguette cut diamonds, in claw settings, suspended from a plain polished bale, on an 18 carat gold curb link chain, total estimated diamond weight 0.30 carat approximately pendant measures 2.9cm by 1.7cm, chain length 41.5cm

£300-500

2087

A 14 Carat Gold Emerald and Diamond Cluster Ring

the kite motif comprising of emerald-cut emeralds in yellow claw settings alternating with round brilliant cut diamonds in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.90 carat approximately finger size G½

£400-600

2088

A Diamond Bar Brooch

the bar set throughout with round brilliant cut diamonds, with a stepped cluster centrally, in white channel settings, total estimated diamond weight 0.75 carat approximately length 5.4cm

£300-500

2089

An Emerald and Diamond Ring

three oval cut emeralds spaced by pairs of round brilliant cut diamonds, in yellow claw settings, total estimated diamond weight 0.40 carat approximately finger size O½

£250-300

2090

A Diamond Eternity Ring

the nineteen round brilliant cut diamonds in white claw and channel settings, total estimated diamond weight 0.75 carat approximately finger size P

£300-500

2091

An 18 Carat Gold Emerald and Diamond Triple Cluster Ring

three graduated oval cut emeralds within a border of round brilliant cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.60 carat approximately finger size S (approximately, sizing band fitted)

£500-700

2092

An 18 Carat Gold Diamond Cluster Ring

the central raised round brilliant cut diamond within a border of round brilliant cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 1.10 carat approximately finger size N½ £300-500

2093

An Emerald and Diamond Cluster Ring

the emerald-cut emerald in a yellow claw setting, within a border of old cut diamonds in white claw settings, to a yellow plain polished shank, total estimated diamond weight 0.50 carat approximately finger size L½ £400-600

2094

A Triple Row Cultured Pearl Necklace, with A Diamond and Cultured Pearl Cluster Clasp

the 53:54:57 cultured pearls knotted to a 9 carat white gold cluster clasp comprising of cultured pearls and eight-cut diamonds, in claw settings, total estimated diamond weight 0.30 carat approximately length 36.5cm. £200-300

2095

An 18 Carat Gold Emerald and Diamond Five Stone Ring

three round cut emeralds alternate with two round brilliant cut diamonds in yellow rubbed over settings, to a plain polished shank, total estimated diamond weight 0.30 carat approximately finger size Q½ £250-300

2096

A Pair of Emerald and Diamond Drop Earrings

a cluster suspends two tassel drops, set throughout with round brilliant cut diamonds and round cut emeralds, in yellow claw settings, total estimated diamond weight 0.60 carat approximately, with post fittings drop length 3.1cm

£400-600

2097

An 18 Carat Gold Emerald and Diamond Three Stone Ring

the emerald-cut emerald in a yellow rubbed over setting flanked by round brilliant cut diamonds in white rubbed over settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.25 carat approximately finger size Q½ £200-300

2098

A Pair of 18 Carat Gold Emerald and Diamond Drop Earrings

the pear cut emerald within a border of round brilliant cut diamonds, surmounted by a plain polished bar to a single round brilliant cut diamond, in yellow claw settings, total estimated diamond weight 0.50 carat approximately, with post fittings drop length 2.1cm

£200-300

2099

An Edwardian Pearl and Diamond Bracelet three yellow openwork lozenge panels with a pearl centrally and flanked by pairs of rose cut diamond leaf motifs, in white millegrain settings, to a yellow expanding bracelet, total estimated diamond weight 0.10 carat approximately length 15.8cm

NB: the pearls have not been laboratory tested £100-150

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2100

An Early 20th Century Moonstone and Synthetic Ruby Necklace eleven round cabochon moonstones suspend round and oval cabochon moonstone drops, the central drop spaced by a round cut synthetic ruby, in yellow rubbed over settings, to a trace link chain drop length 3.6cm, necklace length 40cm

£200-300

2101

A Victorian Diamond Star Brooch/Pendant, circa 1880 an old cut diamond centres twelve radial arms, each set throughout with graduated old cut and rose cut diamonds, in white claw settings, total estimated diamond weight 1.05 carat approximately measures 3.2cm diameter

Provenance: Dutton Manor, Lancashire

£300-500

2102

A Diamond Cluster Ring

the central old cut diamond within a border of smaller old cut diamonds, in white millegrain settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.75 carat approximately finger size M

£250-300

2103

A Diamond and Pearl Arrow Brooch, circa 1900

the point and feathers set throughout with rose cut diamonds, with a pearl centrally, in white claw settings, total estimated diamond weight 0.40 carat approximately length 6.0cm

NB: the pearl has not been laboratory tested £200-300

2104

A Diamond Three Stone Ring

the oval cut diamond flanked by old cut diamonds, in white double claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.60 carat approximately finger size P £200-300

2105

A Two Row Cultured Pearl Necklace, with An Emerald, Ruby and Diamond Cluster Clasp

the 66:63 graduated cultured pearls knotted to an oval clasp composed of an oval cut emerald within a border of cushion cut rubies, to an outer border of old cut diamonds, in yellow claw settings, total estimated diamond weight 0.30 carat approximately length 41.3cm £150-200

2106

A Diamond Cluster Ring

the central raised old cut diamond within a border of smaller old cut diamonds, in yellow claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.80 carat approximately finger size N £300-500

2107

A Victorian Diamond Hare Brooch

the running hare set throughout with old cut and rose cut diamonds, and a round cabochon ruby eye, in white claw settings, total estimated diamond weight 1.00 carat approximately measures 3.9cm by 1.1cm £300-500

2108

A Diamond Cluster Ring

the navette form set throughout with old cut diamonds, in white claw settings, to a yellow plain polished shank, total estimated diamond weight 0.45 carat approximately finger size N £150-200

2109

A Late 19th Century Garnet Bracelet

six double chain linked round cabochon carbuncle garnets in yellow rubbed over settings length 18.5cm £200-300

2110

A Pair of Garnet Drop Earrings

a round cut garnet suspends a smaller round cut garnet and an oval garnet, in yellow collet settings, with hook fittings drop length 3.0cm £150-200

20 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
www.tennants.co.uk 21
2101 2100 2102 2103 2106 2107 2110 2109 2108 2105 2104

2111

An Early 20th Century Mother-of-Pearl, Diamond and Enamel Button and Cufflink Suite

comprising of four buttons and a pair of chain linked cufflinks, each circular mother-of-pearl plaque within a white enamel border, with a rose cut diamond cross motif centrally, total estimated diamond weight 0.20 carat approximately, in a fitted case

Provenance: Dutton Manor, Lancashire

£150-200

2112

A Diamond Bracelet

white tapered bars spaced by round brilliant cut diamonds in yellow claw settings, total estimated diamond weight 0.80 carat approximately length 19.4cm

£200-300

2113

A Lady’s Diamond and Ruby Set Wristwatch, signed Lackritz, circa 1960, manual wound lever movement signed Panto Watch Co, champagne coloured dial with baton markers, with a diamond and ruby buckle motif case front, to a yellow textured bracelet, case lower edge with pull out bar to release bracelet, bracelet set with a row of diamonds to one side and a row of rubies to the other, total estimated diamond weight 0.90 carat approximately 17mm wide

£500-700

2114

An 18 Carat Gold Diamond Half Hoop Ring

two rows of round brilliant cut diamonds in yellow tension settings, to a plain polished shank, total estimated diamond weight 1.50 carat approximately finger size L

2115

A Lady’s 14 Carat Gold Diamond Set Concealed Dial Wristwatch, 1960’s, manual wound lever movement signed Charmex Watch Co, silvered dial with Arabic and dot markers and indistinctly signed, case with a hinged concealed diamond set cover, to an integral bracelet, total estimated diamond weight 0.60 carat approximately 14mm x 34mm

£600-800

2116

A Diamond Three Stone Ring

the graduated old cut diamonds in white claw settings, overlaid upon a broad yellow textured shank, total estimated diamond weight 1.00 carat approximately finger size M

£500-700

2117

A Pair of Enamel Cufflinks

the yellow oval chain linked plaques enamelled in blue and white stripes, case labelled John Hall & Co, Diamond Merchants, 56. King Street, Manchester

Provenance: Dutton Manor, Lancashire £200-300

2118

A Pair of Ruby and Diamond Cufflinks, by Hamann & Koch the yellow oval plaques inset with two round cut rubies alternating with three old cut diamonds, chain linked to a torpedo shaped bar, total estimated diamond weight 0.25 carat approximately £200-300

2119

A Pair of Russian Sapphire and Enamel Cufflinks

the pink oval enamel plaque with a round cabochon sapphire centrally, to a yellow scroll frame, with swivel bars £200-300

2120

A Pair of Diamond Cufflinks

the yellow domed oval plaque inset with three old cut diamonds, chain linked to a torpedo shaped bar, total estimated diamond weight 0.40 carat approximately £200-300

2121

A Diamond Buckle Bracelet

two rows of yellow rope twist chain terminating to an eight-cut and baguette cut diamond buckle motif, in white pavé settings, total estimated diamond weight 0.45 carat approximately length 21.5cm £500-700

2122

A Diamond and Onyx Cufflink, Button and Dress Stud Suite comprising of four buttons, two studs and a pair of chain linked cufflinks, each circular onyx plaque decorated with a ring of rose cut diamonds in a white millegrain settings, total estimated diamond weight 0.25 carat approximately, in a fitted Van Cleef & Arpels, 22. Place Vendôme, Paris case £500-700

22 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
£400-600
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2111 2112 2113 2116 2115 2114 2117 2118 2119 2120 2121 2122

2123

A Multi-Gem Set Necklace

oval and cushion cut garnet, spinel and yellow stones, suspend a round cut topaz centrally, in yellow rubbed over settings, to a trace link chain drop length 4.0cm, necklace length 40cm

£200-300

2124

A French Art Nouveau Turquoise, Pearl and Diamond Necklace in the form of a yellow openwork stylised cross, with a trio of floral motifs comprised of marquise turquoise with rose cut diamond centres, and further oval turquoise decoration, suspending a pearl from the top and base, to a fancy link chain drop length 4.3cm, necklace length 42.5cm

£200-300

2125

An 18 Carat Gold Diamond Five Stone Ring

the graduated old cut diamonds inset into a tapered yellow plain polished band, total estimated diamond weight 0.55 carat approximately finger size K½

£200-300

2126

A Victorian Split Pearl and Diamond Brooch

the openwork heart set throughout with graduated split pearls, a ribbontied motif centrally suspending a pearl and a split pearl trefoil motif on either side with a rose cut diamond centrally measures 2.5cm by 2.4cm

£200-300

2127

An Opal and Diamond Cluster Ring

the oval opal within a border of old cut diamonds, in white millegrain settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.80 carat approximately finger size L £300-500

2128

A Pair of Garnet Drop Earrings

a round lasque cut garnet suspends a floral motif formed of round and oval lasque cut garnets, to a further round and pear cut lasque cut garnet drop, in yellow collet settings, with hook fittings drop length 4.3cm

£100-150

2129

A Two Row Cultured Pearl Necklace, with An Amethyst and Split Pearl Cluster Clasp

the 71:79 graduated cultured pearls knotted to an oval cut amethyst within a border of split pearls, in yellow claw settings length 42cm £150-200

2130

A Synthetic Ruby and Split Pearl Brooch

a round cut synthetic ruby bar terminating to seed pearls and overlaid with a horseshoe motif set throughout with split pearls, in yellow claw settings length 5.3cm

£150-200

2131

An Amethyst and Diamond Cluster Ring

the round cut amethyst within a border of round brilliant cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.20 carat approximately finger size N½

£200-300

2132

A Victorian Turquoise Brooch

the horseshoe motif set throughout with graduated round cabochon turquoise, in yellow claw settings measures 2.2cm by 1.9cm

£100-150

2133

A Cultured Pearl and Diamond Ring

the cultured pearl within a border of old cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.35 carat approximately finger size K

£200-300

2134

An Early 20th Century Peridot, Green Tourmaline and Seed Pearl Bracelet

three yellow trace link chains interspaced by scroll links and seed pearls, with a marquise cut green tourmaline centrally and a marquise cut peridot either side, in rubbed over settings, in a fitted case labelled James Aitchison, To The King & Queen, Court Jeweller, 80. Princes St

Edinburgh length 18.0cm

£300-500

2135

An Amethyst and Split Pearl Brooch

the oval cut amethyst within a border of split pearls, in yellow claw settings, to an outer surround of beadwork decoration measures 4.1cm by 3.4cm

£300-500

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2125 2124 2126 2130 2131 2132 2127 2123 2135 2134 2129 2133 2128

2136

A Victorian Enamel and Split Pearl Brooch and Matching Drop Earrings the central split pearl in a yellow star setting, within a blue enamel star border, to a further oval cream enamel surround, the outer frame with rope twist, scroll and beaded decoration, with locket compartment to the reverse, the earrings of similar design with an opening flower bud surmount, with hook fittings

brooch measures 4.5cm by 4.5cm, earrings drop length 5.3cm

2137

A Victorian Enamel and Split Pearl Pendant/Locket on Chain

the oval plaque with a rasied dome section with a split pearl centrally in a yellow star setting, to a blue enamel border, a single pearl to the bottom section within a circular recess, with rope twist and beadwork decoration throughout, and fringing suspended below, locket compartment to the reverse, on a snake link chain drop length 8.2cm, chain length 38cm

2138

A Pair of Victorian Drop Earrings

the round cut colourless stone within a yellow shell motif border, suspending a larger circular plaque overlaid with textured and beadwork decoration and an oval cut colourless stone, with festoon and tassel drops, with hook fittings drop length 5.9cm

£150-200

2139

A Sapphire and Diamond Cluster Ring

the oval cut sapphire within a border of old cut diamonds, in yellow claw settings, to diamond set forked shoulders, on a plain polished shank, total estimated diamond weight 0.70 carat approximately finger size N

2140

A Sapphire and Diamond Cluster Ring

the round cut sapphire within a border of old cut diamonds, in yellow claw settings, to a fancy shoulder plain polished shank, total estimated diamond weight 0.45 carat approximately finger size O½

2141

An Enamel and Diamond Cross Pendant

the old cut diamonds in yellow claw settings, within a border of blue enamel, suspended from a similarly formed bale, total estimated diamond weight 0.35 carat approximately measures 3.5cm by 1.7cm

2142

A Pair of Victorian Drop Earrings of pear shaped openwork form, with fringe and cannetille decoration, with hook fittings

drop length 4.9cm £200-300

2143

A Late 19th Century Diamond and Split Pearl Brooch/Pendant realistically modelled as an eight rayed star, with an old cut diamond centrally and set throughout with split pearls, estimated diamond weight 0.40 carat approximately measures 3.2cm diameter

Provenance: Dutton Manor, Lancashire £200-300

2144

A Sapphire and Diamond Hinged Bangle nine graduated oval cut sapphires spaced by pairs of old cut diamonds, in yellow claw settings, to a plain polished hinged back, total estimated diamond weight 0.15 carat approximately inner measurements 5.6cm by 4.7cm £300-500

2145

An 18 Carat Gold Enamel Mourning Ring the yellow broad band enamelled in black to read IN MEMORY OF, engraved to the inside Adam Dugdale died 8 april 1838 aged 67 finger size R½

Provenance: Dutton Manor, Lancashire £200-300

2146

A Victorian Sapphire, Diamond and Pearl Star and Crescent Brooch the crescent comprised of graduated cushion cut sapphires, split pearls and old cut and rose cut diamonds, with a star motif centrally composed of a cushion cut sapphire and old cut diamonds at five points, in yellow claw and collet settings, overlaid upon a plain polished bar terminating to old cut diamonds and pearls, total estimated diamond weight 0.30 carat approximately, case labelled Hunt & Roskell, Late Storr & Mortimer, London length 4.6cm

NB: the pearls have not been laboratory tested £250-300

26 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
£300-500 £400-600 £400-600 £250-300 £100-150
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2136 2137 2138 2139 2136 2140 2141 2142 2143
214421452146

2147

An Enamel and Split Pearl Pendant on Chain, circa 1815 the central locket compartment containing a miniature on ivory depicting putti, a border of blue enamel, overlaid with split pearl foliate decoration, and a similar outer border with a bow motif to the base, surmounted by a split pearl bale, with a hinged locket compartment to the reverse, on a trace link chain pendant measures 6.0cm by 3.4cm, chain length 43.7cm

With Non-Transferable Standard Ivory Exemption Declaration Number

QBFRGLH3 £200-300

2148

An Edwardian Paste Necklace

the scroll and garland motifs set throughout with round cut colourless paste, with round cut green and pink paste decoration, and pear cut green and pink paste drops, in white millegrain and collet settings, to a trace link chain drop length 4.5cm, necklace length 42cm

Provenance: Dutton Manor, Lancashire

2149

An Enamel Mourning Ring

the oval glazed compartment depicting the Tree of Life, to a shank enamelled in white to read John Wilson OB: 8 March 1764 AE: 29, Wilson Suffered At PAT: EI: Oct 6 1763 AET 35 finger size P½

2150

A Topaz and Diamond Ring and An Emerald and Split Pearl Brooch

the cushion cut topaz in a yellow rubbed over setting, to lasque cut diamond set shoulders, on a plain polished shank; the emerald-cut emerald in a white crimped setting, within a border of split pearls in yellow claw settings

finger size O, brooch measures 2.2cm by 2.0cm

2151

An 18 Carat Gold Amethyst Necklace the chain linked oval cut amethysts in yellow rubbed over settings length 45cm

2152

A Mid-Victorian Enamel, Split Pearl and Diamond Brooch/Pendant

the blue enamel lozenge shaped plaque with a split pearl centrally, within a border of round blue enamel plaques with old cut diamonds centrally in white collet settings, total estimated diamond weight 0.25 carat approximately measures 3.4cm by 2.8cm £150-200

2153

An 18 Carat Gold Enamel Mourning Ring and An Enamel Mourning Brooch

the outer shank enamelled in black to read IN MEMORY OF, spaced by panels depicting floral scenes, the inner shank engraved Adam Dugdale Ob April 8th 1838 at 67, the rectangular brooch with a locket compartment centrally, in a black enamel surround reading IN MEMORY OF, the reverse engraved Thos Sidebottom Obt 4th Jan’y 1827 aet 42 finger size I1/2, brooch measures 2.2cm by 1.6cm

Provenance: Dutton Manor, Lancashire

2154

A Pair of Early 20th Century Amethyst and Seed Pearl Drop Earrings

the round cut amethyst in a yellow millegrain setting within a border of six seed pearls, surmounted by a knife edge bar decorated with split pearls, with hook fittings drop length 3.7cm

2155

An 18 Carat Gold Chrysoberyl and Diamond Ring

three graduated cushion cut chrysoberyls in yellow claw settings, and textured borders, with rose cut diamond accents, on a plain polished shank, the inner shank engraved to read in memory of William Rowland died Sept 22nd 1868 aged ? finger size I½ £150-200

2156

A Late 19th Century Enamel and Diamond Brooch

the red enamel lozenge shaped plaque in a yellow rubbed over setting, within a border of rose cut diamonds, and overlaid centrally with two similarly set interlocking heart motifs, in white claw settings, total estimated diamond weight 0.30 carat approximately, engraved to the reverse 12th Feby 96 measures 4.4cm by 1.5cm

NB: three diamonds deficient

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£100-150 £100-150 £150-200 £300-500 £200-300 £80-120 £150-200
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2157

A Turquoise and Mother-of-Pearl Pendant on Chain

the openwork scroll and foliate motif frame decorated with oval motherof-pearl plaques and oval cabochon turquoise, in yellow rubbed over settings, on a fancy link chain pendant measures 4.5cm by 2.7cm, chain length 41cm

2158

An Early 20th Century Chalcedony Négligée Necklace and A Pair of Chalcedony Drop Earrings

the round cabochon chalcedony suspending two chain linked drops, in white rubbed over settings, to a trace link back chain, case labelled J. Macmichael, to the King and Queen, 48. South Audley St, London. W.; the earrings of similar design, with screw fittings necklace drop length 6.5cm, necklace length 45cm, earring drop length 2.7cm

Provenance: Dutton Manor, Lancashire

2159

A 9 Carat Gold Diamond Solitaire Pendant on Chain

the round brilliant cut diamond in a yellow claw setting, suspended by a plain polished bale, on a trace link chain, estimated diamond weight 0.25 carat approximately pendant length 0.9cm, chain length 46cm

£100-150

2160

A Pair of Cultured Pearl and Diamond Cluster Earrings

the cultured pearls within borders of eight-cut diamonds in white claw settings, total estimated diamond weight 0.50 carat approximately, with post fittings, in a fitted case labelled Martin & Co, Goldsmiths, Silversmiths and Diamond Merchants, Promenade, Cheltenham measure 1.1cm diameter

£300-500

2161

A Synthetic Sapphire and Diamond Cluster Ring

the central raised round brilliant cut diamond within a double border of round brilliant cut diamonds, spaced by tapered baguette cut synthetic sapphires, in white claw and millegrain settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.65 carat approximately finger size M

£200-300

2162

An 18 Carat White Gold Diamond Solitaire Ring

the round brilliant cut diamond in a claw setting, to a tapered shoulder plain polished shank, estimated diamond weight 0.60 carat approximately finger size P

£300-500

2163

An 18 Carat Gold Sapphire and Diamond Cluster Ring

the central raised round brilliant cut diamond within a border of oval cut sapphires spaced by round brilliant cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.25 carat approximately finger size O½

£200-300

2164

An 18 Carat Gold Diamond Cluster Ring

the central raised round brilliant cut diamond within a double stepped border of eight-cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.40 carat approximately finger size N £200-300

2165

A Pair of 18 Carat White Gold Sapphire and Diamond Cluster Earrings

the round cut sapphires within borders of round brilliant cut diamonds, in claw settings, total estimated diamond weight 0.80 carat approximately, with post fittings measure 1.0cm diameter

£400-600

2166

An 18 Carat White Gold Sapphire and Diamond Three Stone Ring

the oval cut sapphire flanked by round brilliant cut diamonds, in claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.55 carat approximately finger size J½ £300-500

2167

A Diamond Three Stone Ring

the graduated round brilliant cut diamonds in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.70 carat approximately finger size L½ £250-300

2168

An 18 Carat Gold Sapphire and Diamond Five Stone Ring

the central baguette cut sapphire flanked by pairs of baguette cut diamonds in yellow rubbed over settings, to a plain polished shank, total estimated diamond weight 0.55 carat approximately finger size L½ £300-500

2169

A Sapphire and Diamond Bracelet

three graduated oval cut sapphires alternate with two old cut diamonds, in yellow claw settings, within openwork frames, to a curb link chain, total estimated diamond weight 0.65 carat approximately length 19.2cm

£500-700

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£120-180 £100-150
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2157 2163 2159 2161 2162 2160 2168 2164 2165 2167 2166 2169 2158

2170

A George II Silver Caster, by Thomas Bamford, London, 1734 baluster and on spreading foot, the pull-off cover pierced with foliage scrolls and with baluster finial, later engraved with a crest, further engraved underneath with initials ‘K*P’ 17cm high, 7oz, 1dwt, 219gr

2171

A George I Silver Caster, by Thomas Bamford, London, 1725 octagonal and on conforming foot, the pull-off cover pierced and with baluster finial, engraved with a coat-of-arms 13.5cm high, 4oz 5dwt, 132gr

2172

A George I Silver Caster, by Richard Bayley, London, 1723, Britannia Standard octagonal and on conforming foot, the pull-off cover pierced and engraved with foliage scrolls and with baluster finial, engraved with a crest 19cm high, 9oz 5dwt, 289gr

2173

A George I Silver Kitchen-Pepperette, by William Fleming, London, 1720, Britannia Standard baluster and on spreading foot, with a central reeded band and a detachable domed cover with pierced and engraved foliage, engraved underneath with initials ‘W’ over ‘R*E’ 11cm high, 3oz 9dwt, 108gr

2174

A Queen Anne Silver Hot-Water Jug, by James Rood, London, 1712 baluster and on spreading foot, the hinged cover with baluster finial, with later ebonised wood handle 16.5cm high, gross weight 10oz 1dwt, 313gr

£300-500 £200-300 £500-800 £150-250
34 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
£400-600 2170 2172 2171 2173 2174

2175

A Pair of Queen Anne Silver Candlesticks, by Simon Pantin, London, 1710

each on octagonal base, the conforming baluster octagonal stems terminate in conforming spool-shaped socket, the bases engraved with a coat-of-arms within foliage cartouche 19cm high, 28oz 13dwt, 891gr (2)

The arms are most likely those of Geare impaling Twigge.

Pantin was born in London into a family of French silversmiths who originally hailed from Rouen. Pantin gained his freedom from Pierre Harache in 1701 and variously worked in Peacock Street, St Martin’s Lane and then, from 1709-1711, when the present candlesticks were hallmarked, at St Martin-in-the-Fields; the peacock, a reference to his workshop on Peacock Street, is a feature of all of his recorded marks.

£1,500-2,500

2176

£700-1,000 2175

A Queen Anne Silver Teapot, by William Gamble, London, 1712 pear-shaped and on collet foot, the hinged domed cover with baluster finial, engraved with a coat-of-arms within foliage cartouche, with later wood handle 15cm high, gross weight 15oz 2dwt, 469gr

William Gamble was the son of Thomas Gamble, a carpenter. He apprenticed to John Sutton in June of 1680 and was to gain his freedom in March 1688, though his first recorded mark doesn’t appear until 1697 when he is recorded as working on Foster Lane. He worked his way up in the Worshipful Company of Goldsmiths’, joining the Livery in 1705, the court in 1724 and finally becoming Warden in 1730. He would seem to have had a successful career giving the surviving body of work that exists, including a broad range of domestic wears of which the present teapot is a good example.

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2176

2177

A George I Silver Salver, by Edward Vincent, London, 1726, Britannia Standard hexafoil and on three openwork tapering panel feet, engraved with a coat-of-arms within foliage cartouche 31cm diameter, 28oz 13dwt, 891gr

These arms are those of Ranson, Hinson or Waltham, with a crescent for difference, impaling another.

As recorded by Arthur Grimwade the early ledgers which are preserved at Goldsmiths’ Hall in London have no page for the letter V in largeworkers register, it believed to have fallen out, so it is not entirely clear who Edward Vincent was apprenticed to (A. Grimwade, London Goldsmiths 1697-1837, Their Marks and Lives, London, 1990, pp. 689-690). His first recorded mark is 1739 and shows him to be the son of William Vincent, a yeoman from Hendon in the county of Middlesex. This entry suggests that he was apprenticed to Robert Cooper in 1699 and free by July 1712. It is generally accepted that the EV mark that appears on the present hexafoil salver was the second mark he registered, in around 1720, when the sterling standard was re-introduced.

His existing body of work suggests that he was a prolific maker of a wide range of plate through the 1720s and 1730s. Among the existing plate with his mark is a seal salver of 1728 which is engraved by Charles Gardner for Sir Robert Eyre with the seal of the Lord Chief Justice of the Common Pleas. The salver is accompanied by a matching example of 1735 by John Liger (Sotheby’s, London, 5 July 2017, lot 23). His other works include a wide range of silver such as a wall-light of circa 1720 (Sotheby’s, New York, 28 October 2004, lot 458); a kettle, stand and lamp of 1734, engraved with the coat-of-arms of Richard Turbutt of Doncaster (Christie’s, New York, 19 October 2004, lot 1061) and a beer-jug, engraved with the arms of Sir Robuck Lynch, 4th Bt. (Christie’s London, 29 November 2007, lot 570).

Of Edward Vincent’s work Grimwade notes ‘The author was in no doubt, however, about the silversmith’s surviving work, writing that he must have been ‘...of considerable rank producing high-quality hollow-ware, coffee-pots, cups and salvers. His masterpiece is with little doubt the superb oblong salver of 1729 of the Middle Temple of which Lamerie would not have been ashamed.’ (op. cit., p. 690). With that said his career was not without some problems as he would seem to have been declared bancrupt on two occasions, first in 1722 and again in 1743, though like his early career there remains some question if these references refer to him or another silversmith. He is variously recorded as working in Dean Street, Fetter Lane and later in the Strand, before ending up back in Dean Street. £1,000-1,500

a36 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20% 2177

2178

A William III Silver Punch-Bowl, by Benjamin Pyne, London, 1697 tapering cylindrical and on spreading spiral-fluted foot, the body overall fluted and chased with foliage at the border, with reeded rim, later engraved inside with a coat-of-arms below a baron’s coronet and outside with a crest 28.5cm diameter, 15cm high, 40oz 14dwt, 1,265gr

The engraved crest is that of Dundas and the engraved coat-of-arms are those of Dundas impaling FitzWilliam below a baron’s coronet, for Sir Thomas Dundas, 2nd Baronet and later 1st Baron Dundas (1741-1820) and his wife Lady Charlotte FitzWilliam, (d.1833), daughter of William FitzWilliam, 3rd Earl FitzWilliam (d.1756).

Sir Thomas was the son of Sir Lawrence Dundas, 1st Baronet and his wife Margaret Bruce. He was a man of great means as well as a politician and, from 1794 when he was created Baron Dundas, a peer of the realm. His father had been a great collector of art and his son was to follow in his footsteps, for example commissioning Pompeo Batoni to paint his full-length portrait while on a grand tour. The portrait remains at Aske Hall, near Richmond, which he inherited from his father and which remains in the family of his descendants to this day. His son Lawrence was created 1st Earl of Zetland in 1838, at the time of the coronation of Queen Victorian in honour of the financial assistance he has given to the Duke and Duchess of Kent, Victoria’s parents. The first earl’s grandson, also Lawrence, was to be created 1st Marquess of Zetland in 1892.

£3,000-5,000

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2178

A George III Provincial Silver Two-Handled Cup, by John Langlands, Newcastle, 1771

inverted bell-shaped and on spreading reeded foot, with central reeded band and two scroll handles, one handle engraved with initials ‘O’ over ‘TA’

18.4cm high, 18oz 13dwt, 580gr

2180

A George II Silver Two-Handled Cup, by William Williams, London, Circa 1740

inverted bell-shaped and on spreading foot, with two scroll handles, later engraved underneath ‘Easter 1902’ 12cm high, 9oz 18dwt, 308gr

A George III Provincial Silver Two-Handled Cup, by John Langlands and John Robertson, Newcastle, 1783

inverted bell-shaped and on spreading reeded foot, with central reeded band and two scroll handles, one handle engraved with initials ‘H’ over ‘H*E’

14cm high, 11oz 3dwt, 347gr

2179
£300-500 £200-300
2179 2181
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2181
£200-300
2180

2182

A Pair of George II Silver Tea-Caddies, by John Swift, London, 1746 each oblong and with slightly stepped hinged cover, the front engraved with a coat-of-arms within foliage cartouche, the cover engraved with a crest 91mm by 85mm, 25oz 18dwt, 806gr (2)

The arms are those of Martin impaling another. £1,200-1,800

2183

A George II Silver Kettle, Stand and Lamp, by Matthew Cooper, London, 1726 compressed globular and with part-turned wood overhead-swing handle, engraved with a coat-of-arms with another in pretence, the shoulder engraved with foliage and latticework, the conforming stand with three scroll legs and central lamp 37cm high, gross weight 75oz 19dwt, 2,362gr

The arms are those of Bourchier with Wilson in pretence. £1,500-2,500

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2183
2182

2185

A George III Silver Salver, Probably by Thomas Hannam and Richard Mills, London, 1763

shaped circular and on three leaf-capped scroll feet, with shell-heightened gadrooned rim, engraved with a coat-ofarms, further engraved underneath with presentation initials ‘E*U to I*U’ 31.5cm diameter, 27oz 16dwt, 864gr £500-800

2184

A Pair of George III Silver Candlesticks, Probably by John Carter, London, 1768

each shaped circular base chased with foliage and beaded rocaille, the baluster stems and spool-shaped sockets similarly decorated, with detachable shaped circular nozzles 27cm high, 45oz 1dwt, 1,401gr (2) £1,200-1,800

2186

Two George III Silver Candlesticks, by Robert Jones and John Scofield, London, 1776

each on steped hexafoil base with shell corners, one base with gadrooned central border and the other with reeded central border, the baluster stems each terminating in spool-shaped socket with detachable hexafoil nozzle, one marked for Dublin, circa 1780, the bases engraved with a crest above a duke’s coronet 22.5cm high, 36oz 8dwt, 1,133gr (2)

The crest is that of Campbell, probably for the Dukes of Argyll. £1,000-1,500

40 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20% 2184 2185 2186

2187

Two George III Silver Two-Light Candelabra, One Base by Ebenezer Coker, London, 1760, The Other Base by Louis Black, London, 1761, The Branches With Indistinct Marks, Circa 1760 each on triangular base, each foot stamped with scrolls and with quilting above, further decorated with beading and shells and with similarly decorated stem, terminating in spiral-fluted socket, with detachable candle-arms, each scrolling foliage-cast branch terminating in spiral-fluted socket and with leaf-cast wax-pan, with central openwork finial, the bases later engraved with a coat-of-arms, one base filled 40cm high, weighable silver 75oz 7dwt, 2,344gr (2) £1,200-1,800

2188

A George III Silver Chamber-Candlestick, by William Cafe, London, 1764 shaped circular and on three tapering pad feet, with gadrooned border and scrolling handle, the central socket with opening for snuffers and spool-shaped socket, the detachable nozzle with gadrooned border, the socket further supports a tapering extinguisher, the base, nozzle and extinguisher each engraved with the crest of English 19.5cm wide over handle, 14oz 10dwt, 451gr £400-600

www.tennants.co.uk 41
2187 2188

2189

A Pair of George III Silver Sauce-Tureens and Covers, by Robert Hennell, London, 1782 each oval and on conforming spreading foot, the foot and rim each with beaded border, with reeded scroll handles, the bodies engraved with a coat-of-arms within foliage and beaded cartouche, the detachable covers with vase-shaped finial and engraved with a crest; Together With two George IV silver sauce-ladles, London, one 1823 and one 1824, Fiddle pattern, engraved with a crest the sauceboats 23.cm wide over handles, total weight 35oz 16dwt, 1,114gr (4)

Provenance:

The sauceboats: Chiswick Auctions, 31 March 2021, lot 383. £600-800

2190

A George III Silver Sauce-Tureen and Cover, Probably by Robert Hennell, London, 1778

tapering oval and on spreading foot, with beaded borders and reeded scroll handles, the detachable cover with beaded loop finial and engraved with initials 25cm wide over handles, 22oz 13dwt, 705gr £250-350

42 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
2190
2189

2191

A George III Silver Coffee-Pot, by Thomas Whipham and Charles Wright, London, 1765

pear-shaped and on spreading gadrooned foot, the hinged cover with gadrooned border and fluted baluster finial, hinge-pin lacking, with wood handle, engraved with a crest within ribbon-tied husk cartouche 27cm high, gross weight 27oz 4dwt, 846gr

£500-700

2193

A George III Silver Coffee-Pot, by John Scofield, London, 1776 pear-shaped and on spreading foot, later chased with foliage scrolls and flowers on a matted ground, each side centring a cartouche, one engraved with a crest, the hinged cover with later dolphin-cast finial, with later leaf-capped and ivory-insulated scroll handle 25.5cm high, gross weight 26oz 9dwt, 823gr

With non-transferable standard ivory exemption declaration number YQREKEJV.

£300-500

2192

A George III Scottish Silver Teapot, Maker’s Mark Lacking, Edinburgh, 1790

shaped oval and with foliage engraved borders, each side engraved with a ribbon-tied shield, one engraved with initials and one vacant, the domed cover with carved pineapple finial, with later carved wood handle

29.5cm wide over handle, gross weight 16oz 9dwt, 512gr

£300-500

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2193
2191 2192

2195

A George III Silver Sugar-Basket, by Solomon Hougham, London, 1794 oval and on spreading foot, with reeded rim and overhead swing handle 16.5cm wide, 7oz 4dwt, 223gr

2194

A George III Silver Goblet, by Rebecca Emes and Edward Barnard, London, 1811

the body cylindrical and on spreading foot, with lobed lower body, engraved on one side with a coat-of-arms and on the other with an inscription, each below a band of chased foliage scrolls on a matted ground, the foot engraved with a further inscription, the interior gilt 15cm high, 11oz 14dwt, 364gr

The inscription on the body reads ‘MDCCCXIII Joan Sudbury nuper Dec Dun: David Cockerton A. B. Coll. Emman’ and the inscription on the foot reads ‘Aien Apicteyein’

2196

A George III Silver Goblet, by Robert Hennell and Samuel Hennell, London, 1809

the circular rim above a facetted tapering body and on spreading pedestal foot, the rim engraved with foliage and scrolls, the foot reeded 20.2cm high, 14oz 15dwt, 459gr

£250-350 £150-250
44 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
2195 2196
£300-500
2194

2197

A George III Silver Christening-Mug, by Charles Fox, London, 1819 baluster and on spreading foot, the lower body lobed, with a band of oak leaves and acorns on a textured ground, with a double snake-cast handle and flower and foliage-stamped border 90mm high, 5oz 11dwt, 173gr

2198

A George IV Silver Cream-Jug, by William Burwash, London, 1821 compressed globular and on spreading foot, with gadrooned border and double snake-cast handle, the interior gilt 14.5cm wide over handle, 8oz 19dwt, 278gr

2199

A George IV Silver Christening-Mug, by Edward, Edward, John and William Barnard, London, 1831 tapering and on spreading foot, the lower body chased with foliage and flowers on a matted ground and below a band of applied oak leaves and acorns, with leaf-capped scroll handle, the front engraved with initials, the interior gilt 10cm high, 6oz 2dwt, 189gr

2200

A Victorian Silver Christening-Mug, by Henry Wilkinson and Co., Sheffield, 1853 tapering and on spreading foot, the sides stamped with foliage scrolls centring a vacant cartouche on each side, with leaf-capped scroll handle

10.5cm high, 4oz 6dwt, 133gr

www.tennants.co.uk 45
£120-180 £120-180 £150-250 2197 £120-180 2198 2199 2200

2201

A Cased Pair of George V Silver Seal-Top Spoons, by E. J. Haseler and C.Bill, Chester, 1922 each in the 17th century style, the oval bowl with slightly tapering stem which terminates in baluster seal terminal, in fitted gilt-tooled black leather covered case the case 20cm wide, the spoons 16.6cm long, 3oz 7dwt, 105gr (2)

2202

A William III Silver Trefid-Spoon, by Lawrence Coles, London, 1701 the bowl oval and with ribbed rat-tail, the terminal engraved, probably later, with initials ‘W+B’ over ‘T+O’ and dated 1699 18.9cm long, 1oz 2dwt, 34gr

2203

A Charles I Silver Seal-Top Spoon, Maker’s Mark F in Shield, London, 1636

the oval bowl with tapering facetted stem which terminates in a gilt baluster stem, the top of the seal prick-engraved with initials ‘AW’ 17.5cm long, 1oz 14dwt, 53gr

2204

A Charles II Silver Trefid-Spoon, Probably by Edward Hulse, London, 1684

the oval bowl later gilded inside and with ribbed rat-tail, the back of the terminal engraved with initials ‘D’ over ‘EM’, the front of the terminal later engraved with an initials ‘H’ 19.7cm long, 1oz 15dwt, 54gr

2205

A Queen Anne Silver Dog-Nose Spoon, Maker’s Mark ?a, London, Circa 1705

the oval bowl with rat-tail, the terminal engraved with initials ‘S’ over ‘WI’ 20cm long, 1oz 15dwt, 54gr

2206

A William and Mary Silver Trefid-Spoon, Probably by Thomas Allen, London, Circa 1690

the bowl oval and with ribbed rat-tail, the terminal engraved with initials ‘I*S’

19.6cm long, 1oz 13dwt, 52gr

£100-150 £100-150 £400-600 £120-180 £100-150
46 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20% 2201
£200-300
www.tennants.co.uk 47
2202 2204
22052206
2203

2207

A Cased Set of Six George V Silver Individual Asparagus-Tongs, by James Dixon and Sons, Sheffield, 1925, Retailed by H. Lamb, West Hartlepool

each with plain handle, in fitted green leather covered case the case 20.5cm, weight of silver 6oz 17dwt, 213gr (6) £150-250

2208

A Cased Set of Six Victorian Parcel-Gilt Silver Berry-Spoons and a Sifting Spoon, by Henry John Lias and James Wakely, London, 1880, Retailed by Jays, 142-144 Oxford Street, London

Bacchanalian pattern, the bowls of the berry-spoons gilt and engraved with fruiting vines, the bowl of the ladle pierced and shell-shaped, in fitted gilt-tooled leather-covered case the case 35cm wide, weight of silver 20oz 18dwt, 651gr (7) £300-500

2209

A Danish Silver Basting-Spoon, Maker’s Mark MK, Possibly for Fredrik Moritz Klose, Copenhagen, 1824, Assay Master Christian Næboe with a pointed terminal, engraved with foliage centring initials, with pointed oval bowl 36.6cm long, 4oz 13dwt, 145gr

Provenance: Tennants, 23 April 2022, lot 2031. £70-100

2210

A Set of Seven Victorian Silver Table-Forks and Six Victorian Silver Teaspoons, by William Eaton, London, 1865 King’s pattern, engraved with the crest of English; Together With a pair of Queen’s pattern sugar-tongs, by Joseph and Albert Savory, London, 1865 and six pairs of Old English Thread and Shell pattern fruit-eaters, some by William Chawner, London, 1833 and some by William Eaton, London, 1865, each engraved with a matching crest weighable silver 32oz 5dwt, 1,003gr (26) £500-800

2211

An Edward VII Silver Basting-Spoon, by John Round and Son Ltd., Sheffield, 1908

Old English pattern with a zig-zag border, engraved with an initial 34cm long, 6oz 16dwt, 211gr

Provenance:

Tennants, 23 April 2022, lot 2035. £70-100

2212

A Continental Silver-Gilt Spoon, Marked With Dresden Style Pseudomarks and a Further Mark, 19th Century the oval bowl engraved with George slaying the dragon and with egg and dart border, the stem formed of three tapering fluted tubular columns and with a finial cast as three putto 29cm long, 7oz 10dwt, 234gr £150-250

2213

An Elizabeth II Silver Sauce-Ladle, by Gerald Benney, London, 1966 the angular handle with an overall textured finish, with oval bowl 17.5cm long, 3oz 9dwt, 107gr

48 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
£100-150
2207
www.tennants.co.uk 49
2208
2209 2210 (part) 2213
2212 2211

2214 (part)

2215 (part)

2214

An Elizabeth II Silver Table-Service, by C. J. Vander Ltd., London, Mostly 1958

King’s pattern, comprising

3 table-spoons

8 table-forks, four 1955

8 soup-spoons

8 dessert-spoons

8 dessert-forks

weight of silver 87oz 12dwt, 2,724gr

Together With the following silver plate King’s pattern flatware

2 table-spoons

6 table-forks

4 dessert-forks

8 table-knives, with stainless steel blades

8 cheese-knives, with stainless steel blades (63)

£1,200-1,800

2215

A George V Silver Table-Service, Maker’s Mark G&S, Sheffield, 1930

Hanoverian pattern, comprising

6 table-forks

6 soup-spoon

6 dessert-spoons

6 dessert-forks in fitted oak canteen

the canteen 42.5cm wide, weight of silver 48oz 18dwt, 1,521gr (24)

£700-1,000

50 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

2216

A Hungarian Silver Table-Service, Maker’s Mark Mostly WB, Second Quarter 20th Century

each piece with plain tapering handle, comprising

6 table-spoons

8 table-forks

8 fish-forks

8 fish-knives

8 round-bowl dessert-spoons, maker’s mark KM

8 dessert-forks

12 teaspoons and the following with filled handles and stainless steel blades

7 table-knives, maker’s mark KA

7 cheese-knives, two maker’s mark KA, five Austro-Hungarian with indistinct maker’s mark

weighable silver 108oz 19dwt, 3,389gr (72)

£1,500-2,500

2217

An Elizabeth II Silver Table-Service, by Frank Cobb and Co. Ltd., Sheffield, Mostly 1977 and 1979

each piece with a gadrooned border, comprising

4 table-spoons

8 table-forks

8 soup-spoons

8 dessert-spoons

8 dessert-forks

8 teaspoons

and the following with filled handles

8 table-knives, with stainless steel blades

8 cheese-knives, with stainless steel blades

8 fish-forks, with silver tines

8 fish-knives, with silver blades

weighable silver 78oz 16dwt, 2,451gr (76)

£1,200-1,800

2216 (part)

2217 (part)

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2218

An Austrian Silver Bowl, Indistinct Maker’s Mark, Vienna, Post 1922 shaped oval and on spreading foot, the sides pierced with foliage scrolls and with an egg and dart border

33.5cm wide, 15oz 19dwt, 497gr £200-300

2219

An Austrian Silver Five-Light Candleabra, Indistinct Maker’s Mark, Vienna, Post 1922

on shaped domed base, stamped with foliage and flowers on a matted ground, the baluster stem fluted and terminating in four scrolling branches, each with part-fluted socket and plain wax-pan, with a further central socket

31cm high, 47oz 14dwt, 1,483gr £600-800

2220

A Continental Silver Bowl, The Border Stamped ‘900’, 20th Century shaped circular and on three rocaille-cast feet, with pierced lattice border and fruiting grapevine sides below a cast fruiting grapevine border, engraved under the border

‘Lemberg 1902’ 33.5cm, 24oz 9dwt, 761gr £300-500

52 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
2218 2220 2219

2221

A Pair of Austrian Silver Four-Light Candelabra, Possibly by Franz Zeitler, Vienna, 1856

each on shaped domed base chased with foliage and flowers, the baluster stem terminating in a fluted socket, engraved with initials below a coronet and supporting the detachable three branch candle-arms, each arm foliage-stamped, with a further central branch, the bases filled 46cm high, the branches 26oz 17dwt, 835gr (2)

2222

A German Silver Vase, Maker’s Mark Apparently a Winged Horse, Perhaps for Badische Silberwaarenfarbik Baer and Deibele, Pforzheim, Circa 1900

in the Art Nouveau style, tapering cylindrical and on spreading plain foot, the sides applied with foliage and flowers in high relief 36cm high, 32oz 8dwt, 1,008gr

2223

A Pair of Israeli Silver Sabbath Candlesticks, by Hazorfim, Second Half 20th Century

each on domed base and with scroll feet, stamped with foliage and rocaille at the corners, the baluster stems similarly decorated and terminating in a tapering socket 43.5cm high, 49oz 14dwt, 1,546gr (2)

www.tennants.co.uk 53
£500-800 £500-800
2223
£600-800
2221
2222

2225

A Maltese Silver Soup-Ladle and Basting-Spoon, The Soup-Ladle by Paolo Pace, Circa 1860, The Basting-Spoon Maker’s Mark Lacking, Circa 1810

each Fiddle pattern, the basting-spoon engraved with initials 35cm long and slightly smaller, 12oz 11dwt, 392gr (2)

2224

A Maltese Silver Sugar-Bowl and Cover, by Francesco Arnaud, Rohan Period, Circa 1780

tapering fluted cylindrical and on three hoof feet, the detachable cover with wrythen finial, with an overall hammered finish 12cm high, 5oz 17dwt, 182gr

2226

A Maltese Silver Sugar-Bowl and Cover, Maker’s Mark Indistinct, 20th Century

in the late 18th century style, tapering fluted cylindrical and on three hoof feet, the detachable cover with foliage finial 13.5cm high, 8oz 3dwt, 254gr

54 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
£700-1,000 £150-250
2226
£100-150 2224 2225

2227

A German Silver Model of a Goat and Putto, by Neresheimer, Hanau, With English Import Marks for Berthold Muller, Chester, 1903 the goat depicting pulling a shell-shaped carriage with the putto resting on the front edge, the carriage chased with foliage scrolls and with openwork border, on two openwork wheels 26cm wide, 16oz 14dwt, 522gr £250-350

2228

A Portuguese Silver Jug and Cover, Indistinct Maker’s Mark, Porto, Possibly Late 19th Century oblong and on four paw-cast and leaf-capped feet, the lower body fluted below bands of foliage and flowers, the hinged cover with baluster finial, with leaf-capped scroll handle 15cm high, 14oz 5dwt, 444gr £200-300

2229

A Pair of German Silver and Ivory Figures, Attributed to Neresheimer, Hanau, With English Import Marks for Berthold Muller, London, 1921 each modelled as a medieval knight, on square base with canted corners and openwork foliage sides, the knights each shown in armour and holding an heraldic shield in one hand and a sword in the other, each with carved ivory face 22.5cm high and slightly smaller, total gross weight 27oz 7dwt, 952gr (2)

With non-transferable standard ivory exemption declaration number DXJ72WS2.

2230

A German Silver Model of a Dog, Attributed to Neresheimer, Hanau, With English Import Marks for Berthold Muller, London, 1899 modelled as a setter, with detachable head 22cm long, 8oz 19dwt, 278gr £150-250 2229 2230

www.tennants.co.uk 55
£700-1,000 2227 2228

2231

A Pair of Portuguese Silver Five-Light Candelabra, by Topázio, Second Quarter 20th Century in the rococo style, the base cast and chased in high relief with foliage scrolls and shells on a textured ground, the baluster stems similarly decorated, the branches with four arms and a central branch, each terminating in a foliage-cast socket with wax-pan 37cm high, 69oz 10dwt, 2,162gr (2) £1,000-1,500

2232

A Collection of Ten Italian Silver and Enamel Clown Figures, Eight by Sorini and Two Attributed to Sorini, Arezzo, Some with English Import Marks for Casa Julia International or Other Sponsors, 1998-2002 humouristically modelled in various pursuits ranging from 13.5cm high to 6cm high (10) £800-1,200

56 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
2231 2232

2233

A Four-Piece Canadian Silver Tea and Coffee-Service With a Tray En Suite, by Henry Birks and Sons, Montreal, With English Import Marks for Sheffield, 1975

each piece with fluted lower body, comprising a teapot; a coffee-pot, each with ebonised handle and finial; a cream-jug and a sugar-bowl, the tray oval and engraved with foliage scrolls, with two shell and foliage-cast handles

the tray 63.5cm wide over handles, the coffee-pot 22.5cm high, total gross weight 140oz 16dwt, 4,379gr (5) £2,000-3,000 2234

An American Silver-Gilt Mounted Green Overlay Glass Decanter, The Silver-Gilt Mounts by Gorham, Providence, Rhode Island, First Quarter 20th Century

the tapering clear glass body with green glass overlay and clear glass loop handle, the silver-gilt mounted rim with scroll border, with conforming glass stopper 20.5cm high

www.tennants.co.uk 57
£150-250
2234
2233

2235

A French Silver Oil and Vinegar-Cruet, by Marc-Augustin Lebrun, Paris, 1809-1819

the base oblong and with canted corners and on cast paw feet, with foliage border, with supports for the two associated glass bottles, each support cast with vases of flowers and floral swags below butterflies, the handle tapering and with loop ring with ram’s mask terminals 22cm wide, 31.5cm high, weight of silver 27oz 8dwt, 852gr £400-600

2236

A French Silver Second-Course Dish, Maker’s Mark GLJ, Early 20th Century shaped circular and with reeded rim 30cm diameter, 20oz 11dwt, 639gr £300-500

58 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
2235 2236

2237

A Continental Silver Watch-Case, Apparently Unmarked, Perhaps Augsburg, Germany, Circa 1650 in the form of a human skull, with suspension loop, the forehead engraved with memento mori symbols of an hourglass and a scythe, further engraved with the memento mori exhortations ‘Vita Fugit Ut Hora’ (life flies, like an hour) on the forehead; ‘Æterna Respice Caduca Despice’ (keep eternal matters in mind, shun ephemera) on the top; ‘Dum Viuis Viue ut Viuas’ (while you live, live to live) between and ‘Incerta Mortis Hora’ (the hour of death is uncertain) on the back of the skull, hinged at the jaw 44mm wide, 1oz 2dwt, 34.2gr

Provenance:

by tradition from a Northumberland country house, Alnwick Auctions, 13 December 2020.

This fascinating watch case is one of a known series produced in the 17th century and variously attributed to different countries of Europe. Like other memento mori works of art, such as paintings, watch-cases such as this were produced as a reminder of the inevitability of death and became particularly popular in the 17th century.

A very similar example, perhaps by the same hand, is in the collection of the Ashmolean museum (WA1947.191.58), bequeathed by J.Francis Mallet in 1947. It is engraved with identical memento mori exhortations as on the present example as well as the symbols of an hourglass and a scythe, though these symbols are depicted one above the other on the Ashmolean example and side by side on the present example. The Ashmolean example is later fitted with a verge watch of circa 1830 by the Norwich watchmaker Benjamin Russell. The case is described as possibly French though the present example tests at approximately 89% silver suggesting it to be more likely German as that would be below both the French and English standard of the time.

Another example of a case realistically formed as a human skull, with a movement by the Swiss watchmaker Jean Rousseau (16061684) was sold by Sotheby’s 16 April 2019, lot 28. Rousseau was the great-grandfather of the philosopher Jean-Jacques Rousseau and was a well regarded watchmaker and a Master of the Clockmaker’s Company of Geneva. The case on this example, dated to circa 1650, is realistically formed but lacking the memento mori symbols and exhortations which appear on both the present example and that in the Ashmolean.

Another example, which can perhaps better help us identify the origin of this example, is one in the collection of the British Museum (1874,0718.41) which was previously in the collection of Sir Charles Fellows and was presented by his wife Lady Harriet Fellows in 1874. This example is engraved with exhortations ‘Vita Fugitur’ (life is fleeting); ‘Caduca Despice’ (look down upon a fallen thing); ‘Æsterna Respice’ (look upon eternity) and ‘Incerta Hora’ (the hour is uncertain) with an hourglass between. Helpful in determining its origin, has a movement by Joseph Conrad Vuolf of Donauwörth, Germany. David Thompson talks further about the British Museum example in his book Watches (London, 2008, pp. 46-47) and cites another example with a German movement, by Johann Georg Engelschalk and suggests that the cases were made in Augsburg which seems to also be likely for the present example.

£3,000-5,000

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2237 (enlarged)

2238

A Montblanc John F. Kennedy Rollerball-Pen, The Clip Numbered MBFF618Q5 the black resin body with white metal mounts, the clip with initials ‘JFK’, the fitted case with the same initials, with information booklet the case 20cm square £250-350

2239

A Russian Silver Napkin-Ring, by Fabergé, With Imperial Warrant, Moscow, 1896, With Scratched Inventory Number 1525 of typical form, chased with foliage scrolls and flowers and centring a cartouche with engraved initials 48mm high, 53mm diameter, 1oz 15dwt, 55gr

2240

An Estonian Silver, Gold and ‘Gem’-Set Cigarette-Case, by Johannes Messner, Tallinn, First Half 20th Century oblong, the hinged cover with gold thumbpiece set with a blue cabochon thumbpiece, with rayed lines, the interior gilt 10cm wide, gross weight 5oz 1dwt, 157gr £100-150

2241

A Danish Silver, Gold and ‘Gem’-Set CigaretteCase, Maker’s Mark Lacking, Assay Master Johannes Siggaard, 1945 oblong, the hinged cover with gold thumbpiece set with a blue cabochon thumbpiece, with rayed lines, the interior gilt 12cm wide, gross weight 8oz 3dwt, 253gr £150-250

2242

A Russian Silver and Niello Cheroot-Case, by Alexander Yegarov, Moscow, 1865 oblong, the hinged cover nielloed with a Russian street scene, the base nielloed with scrolls on an engine-turned ground, the interior gilded and with hinged silver support 11cm wide, gross weight 4oz 10dwt, 140gr £100-150

2243

A Victorian Silver Vinaigrette, by Nathaniel Mills, Birmingham, 1845 oblong, the hinged cover engraved with foliage scrolls and with foliage and flower border, the base engraved with wrigglework, opens to reveal a gilt interior, the hinged grille engraved with foliage and flowers 39mm wide, 12dwt, 18gr

£120-180

2244

A Pair of George IV Silver-Mounted BottleStoppers, The Silver Mounts by John Reily, London, 1823 each with reeded border and cast shell, one engraved ‘Sherry’ on each side and the other engraved ‘Port’ on each side 10.5cm high (2)

Provenance:

Woolley and Wallis, 29 January 2003, lot 454.

£300-500

2245

A George III Silver-Gilt Vinaigrette, by John Bettridge, Birmingham, 1818 oblong, the hinged cover stamped with fruiting foliage in high relief and on a textured and foliage engraved ground, with flower border, the base similarly engraved, the hinged cover opens to reveal a foliage and flower pierced and engraved hinged grille 36mm wide, 11dwt, 17.4gr

£100-150

2246

A Victorian Silver Card-Case, by Frederick Marson, Birmingham, 1895 oblong, engraved overall with foliage scrolls, the front further engraved with initials, in associated gilt-tooled black leather covered case 10cm high, 1oz 15dwt, 55gr

£100-150

60 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
£200-300
2239 2238
www.tennants.co.uk 61
2240 2241 2242 2244 2246 2243 2245

2247

A Continental Silver and Enamel Bonbonnière, With Unidentified Maker’s Mark, Perhaps Austro-Hungarian, First Quarter 20th Century circular and with pull-off cover, the cover enamelled with a cockerel and hen within foliage and on a white guilloche enamel ground, the sides similarly decorated 65mm diameter

£250-350

2248

An Austro-Hungarian Silver and Enamel Bonbonnière, Maker’s Mark a Hook, Vienna, 1872-1922

oval, the sides engine-turned, the pull-off cover set with an enamel plaque painted with an elegant lady wearing a pale blue dress with a white ruffled collar and a yellow ribbon, within husk border, the interior gilt

72mm wide, gross weight 4oz 13dwt, 145gr £200-300

2249

A George V Gold and Enamel Badge, by H. T. Lamb and Co., London, 1935, 9ct. oval, enamelled with the coat-of-arms of the Incorporated Society of Auctioneers & Landed Property Agents, with blue silk ribbon, the back engraved with an inscription and later with another inscription, in fitted black leather covered case, gross weight approximately 18dwt, 28gr; Together With two similar badges for the Junior Members Organisation, each apparently unmarked, engraved with the same coat-of-arms, the back of one engraved with a name, with blue silk ribbon (3)

The inscriptions on the gold and enamel badge read ‘Arthur G. Minter (London) President 1935’ and ‘Howard Minter President 1955-57’ £400-600

2250

A George IV Gold Vinaigrette, Apparently Unmarked, Circa 1830 circular and with engine-turning within foliage borders, the hinged cover opens to reveal the pierced and engraved foliage and flower grille, with suspension loop 40mm high including suspension loop, 7dwt, 10gr

£400-600

2251

A Victorian Gold Small Vesta-Case, Apparently Unmarked, 19th Century oval and engraved with foliage scrolls, one side applied with a striking surface, with suspension loop, engraved with initials 38mm long including suspension loop, 4dwt, 6gr

£250-350

2252

A George V Gold and Enamel Badge, by Vine and Thompson, Birmingham, 1931, 9ct. circular and with fleur-de-lys border, enamelled for the ‘Incorp’td Society of Auctioneers & Landed Property Agents’ and with three coats-of-arms, with blue ribbon, approximate gross weight 9dwt, 15g; Together With a similar Elizabeth II silver-gilt and enamel badge, by Toye and Co., London, 1952 (2)

£250-350

2253

A Continental Gold Cigarette-Case, With English Import Marks for London Chain Bag Co. Ltd., London, 1926, 9ct shaped oblong and with hardstone thumbpiece and overall engine-turned finish 83mm wide, gross weight 1oz 7dwt, 41.8gr

£1,000-1,500

2254

A Continental Gold Cigarette-Case, With English Import Marks for London Chain Bag Co. Ltd., London, 1921, 9ct oblong and with an overall engine-turned finish, the hinged cover engraved with an initial ‘R’ 80mm long, 2oz 9dwt, 77gr

£2,000-3,000

62 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
2248
2247
www.tennants.co.uk 63
2249 2252 2250 2251 2253 2254

22552257

2255

A Pair of American Silver Plate Five-Light Candelabra, by Van Bergh Silver Plate Co., Rochester, New York, 20th Century each on shaped circular base with foliage-cast border, the stem tapering and terminating in four foliage-cast branches, each with fluted socket and with detachable wax-pan, with further central light

62cm high (2)

£400-600

2257

A Victorian Silver Plate Four-Light Candelabrum, Apparently Unmarked, Second Half 19th Century

the base square and four paw feet, connected with cast foliage, the tapering stem fluted and terminating in four cast-elephant masks, with four branches and a further central light, each socket cast with foliage and flowers and suspending chains

2256

59cm high £100-150

22562258

A George IV Old Sheffield Plate Entrée-Dish, Cover and Stand, Probably by J. and N. Nowill, Sheffield, Circa 1825 shaped oval and with shell and foliage border, the domed cover with fruiting grapevine and branch form handle, engraved with the coat-ofarms of English with another in pretence, the conforming stand with two reeded loop handles the stand 37cm wide over handles £150-250

2258

An Edward VII Silver Plate Novelty Inkwell, Apparently Unmarked, Dated 1903

the base shaped oblong, supporting a cast figure of a gentleman golfer, the inkwell formed as a stump, the hinged cover opens to reveal a glass bottle and an engraved inscription 20.5cm wide

The inscription reads ‘L.K. from Gipsy Jack Co 14-3-1903’ £200-300

64 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

2259

A German Silver Plate Wine-Cooler, Liner and Stand, by Arthur Krupp, Berndorf, 20th Century

the cooler cylindrical and with four applied masks at the rim, the lower body stamped with foliage and flowers, the stand on four ram’s maskcapped tapering legs and with openwork circular base 71cm high

£300-500 2259

2260

A Pair of George III Old Sheffield Plate Wine-Coolers, Collars and Liners, Apparently Unmarked, First Quarter 19th Century campana-shaped and on spreading foot, with reeded and leaf decorated handles with foliage terminals, with gadrooned rim and engraved with a crest, with plain collar and liner

26.5cm high (2)

£800-1,200 2260

www.tennants.co.uk 65

2261

A William IV Silver Teapot, by Jonathan Hayne, London, 1833

tapering and chased with alternating panels of flowers and foliage, one side engraved with a crest, with ivory-insulated leaf-capped handle, the hinged cover with flower and foliage finial; Together With a similar cream-jug and sugar-bowl, the cream-jug by Edward, Edward, John and William Barnard, London, 1834, the sugar-bowl by Joseph and John Angell, London, 1836 the teapot 30cm wide over handle, total gross weight 54oz 6dwt, 1,689gr (3)

With non-transferable standard ivory exemption declaration number T1JS6K7M.

£800-1,200

2262

A George IV Silver Coffee-Pot, by William Burwash, London, 1821 pear-shaped and on spreading foot, robustly chased with foliage scrolls and rocaille, one side further chased with a vacant cartouche, the hinged cover similarly decorated, with leaf-capped ivory-insulated scroll handle

24.5cm high, gross weight 41oz 13dwt, 1,294gr

With non-transferable standard ivory exemption declaration number P9ZFFYDC.

£600-800

2263

A Three-Piece George IV Silver Tea-Service, by Joseph Angell, London, 1821 each piece compressed cylindrical and on spreading foot, the lower bodies part-fluted, with gadrooned borders, comprising a teapot, with slightly later ivoryinsulated handle; a cream-jug and a sugar-bowl the teapot 28cm wide over handles, total gross weight 36oz 5dwt, 1,127gr (3)

With non-transferable standard ivory exemption declaration number 76R4CFZH.

£600-800

66 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
2263
2261 2262

A Victorian Silver Teapot, by Edward, Edward, John and William Barnard, London, 1841 compressed globular and on spreading foot, engraved with foliage scrolls, the hinged cover with melon and foliage-cast finial, with ivoryinsulated handle 26cm wide, gross weight 21oz, 653gr

With non-transferable standard ivory exemption declaration number

DC69HBQU.

£300-500 2266

A Victorian Silver Claret-Jug, by Frederick Elkington, Birmingham, 1875

tapering and on spreading foot, engraved with palmettes and trailing foliage, with hinged cover and scroll handle 31cm high, 16oz 7dwt, 508gr

A Victorian Silver Teapot, by Edward, Edward, John and William Barnard, London, 1844 tapering melon-fluted and on four palmette and scroll feet, the hinged cover with melon and foliage-cast finial, with ivory-insulated scroll handle, engraved with initials 29.5cm wide over handle, gross weight 24oz 19dwt, 776gr

With non-transferable standard ivory exemption declaration number

JQJ43CSG.

£300-500 2267

A Victorian Silver-Mounted Engraved-Glass Claret-Jug, The Silver Mounts by William and George Sissons, Sheffield, 1862 the glass body with cylindrical neck and globular body, engraved overall with stars, the silver mounts stamped with flowers and foliage and centring a vacant cartouche on each side, the hinged cover similarly stamped and with openwork thumbpiece, with scroll handle

25cm high

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2264
£500-800 2264 2265
£400-600 2266 2265 2267

An Edward VII Silver Salver, by Elkington and Co., Birmingham, 1902 shaped circular and with foliage and scroll border, on three tapering leaf and scroll-cast feet

26cm diameter, 19oz 6dwt, 601gr £300-500 2271

A Victorian Silver Salver, by Jenkins and Timm, Sheffield, 1900 shaped circular and on three ball and claw feet, with foliage and flowercast border, later engraved with an inscription 27.5cm diameter, 18oz 5dwt, 568gr

The inscription reads ‘Presented to Dr Edgar English by Patients at Haxley & Wroot 1924’ £250-350 2269 22702271 2270

A Victorian Silver Salver, by Henry Harrison, Sheffield, 1866 shaped circular and on three cast ball and claw feet, with beaded rim above pierced border, engraved overall with foliage scrolls 30.5cm diameter, 28oz 11dwt, 887gr £400-600

An Edward VII Silver Salver, by Atkin Brothers, Sheffield, 1901 shaped circular and with foliage, shell and scroll-cast border, on three tapering foliage-cast feet, engraved with a cypher 44.5cm diameter, 59oz 14dwt, 1,856gr

68 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
2268
£1,000-1,500
2268 2269

2272

A Four-Piece Victorian Silver Tea and CoffeeService With Two Salvers En Suite, The Tea and Coffee-Service by Daniel and Charles Houle, London, 1864, The Salvers by George John Richards and Edward Charles Brown, London, 1864 and 1865

each piece of the tea and coffee-service pearshaped and on four foliage-capped scroll feet, engraved with foliage and vacant cartouches, comprising a teapot; a coffee-pot, each with ivoryinsulated handle; a cream-jug and a sugar-bowl, the salvers each circular and on three tapering beaded panel feet, with beaded border and engraved with foliage, the larger salver engraved with an inscription, in fitted oak box with metal handles and vacant brass shield the coffee-pot 27cm high, the largest salver 30.5cm diameter, total gross weight 119oz 6dwt, 3,711gr (6)

The inscription on the salver reads ‘This Salver and Tea Service are Presented to Stephen Jackson Esq’re by Mess’rs John Brogden & Sons, in Token of Their High Respect and Their Appreciation of His Services’

With non-transferable standard ivory exemption declaration number ELMSN5F4. £2,000-3,000

2273

A Four-Piece Victorian Silver Tea and CoffeeService, by Charles Reily and George Storer, London, The Coffee-Pot 1846, The Other Pieces 1847

each piece tapering hexagonal and on collet foot, engraved with foliage scrolls centring a vacant cartouche on each side, comprising a teapot; a coffee-pot, each with ivory-insulated handle, the hinged covers with baluster finial; a cream-jug and a sugar-bowl the coffee-pot 30cm high, total gross weight 79oz 16dwt, 2,483gr (4)

With non-transferable standard ivory exemption declaration number DJSY3MF6. £1,200-1,800 2272

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2273

A Pair of Victorian Silver Three-Light Candelabra, Maker’s Mark CF, Perhaps for Charles Favell, Sheffield, 1883 each on square base with beaded borders, the stems tapering and with spool-shaped socket, with detachable three-light candle-arms, each socket with detachable beaded nozzle, the bases engraved with a crest, the bases filled 34cm high, the branches 21oz 12dwt, 672gr (2) £400-600

A George IV Silver Chamber-Candlestick, by S. C. Younge and Co., Sheffield, 1826 the shaped circular base with foliage and flower-stamped border, the scroll handle with similar thumbpiece and supporting the tapering extinguisher, the spool-shaped socket with detachable nozzle, the base and extinguisher each later engraved with an initial ‘H’ 17.5cm wide over handle, 11oz 9dwt, 356gr £200-300

2276

An Edward VII Silver-Mounted Cut-Glass Claret-Jug, The Silver Mounts by Atkin Brothers, Sheffield, 1901 the cut-glass body with a central cylindrical section above a compressed globular base, cut with diamonds, squares and stars, with large lozenge motifs to the neck, the silver mounts decorated with flowers and foliage on a matted ground, the hinged cover similarly decorated and with baluster finial, with leaf-capped scroll handle, the spout cast as a grotesque mask 28cm high

Provenance:

Tennants, 17 July 2009, lot 436. £300-500

70 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
2274
2276
2275
2275 2274

2277

An Edward VII Novelty Silver Jewellery-Box, by William Comyns, London, 1902 in the form of a table with leaf-capped scrolling cabriole legs, the skirt stamped with foliage scrolls, opens to reveal a velvet-lined interior 19cm wide, 10cm high £150-250

2279

A George V Silver and Enamel-Cased Timepiece, The Case by Wright and Davies, London, 1919, The Timepiece Stamped ‘Made in France’ oblong and on four bun feet, the sides and front each with pale blue enamel on an engine-turned ground and with white enamel borders, the dial with Roman numerals, the back later engraved with a presentation inscription

high

The inscription reads ‘Carrie with Love Fabian 7-2-76’

A Victorian Silver-Mounted Glass Inkwell, The Silver Mounts by John Thomas Heath and John Hartshorne Middleton, Birmingham, 1893 the glass body ribbed globular, the plain silver mounts with hinged, slightly domed cover with ball finial, opens to reveal an internal glass liner 90mm diameter

2280

A Victorian Silver Novelty Playing-Card Box, by Samuel Jacob, London, 1900 in the form of a sedan-chair, the sides stamped with foliage scrolls and latticework, with two scroll handles, the hinged cover opens to reveal two compartments for playing-cards, cards lacking 95mm high, 4oz 18dwt, 152gr

www.tennants.co.uk 71
80mm £250-350 £100-150
2278 2278
£100-150 2277 2280 2279

2281

A Pair of George V Silver Waiters, by Atkin Brothers, Sheffield, 1930, Retailed by Penlington & Batty, Liverpool each circular and on three scroll-cast tapering feet, with egg and dart borders, each engraved with an inscription 20.5cm diameter, 18oz 9dwt, 573gr (2)

The inscription reads ‘The West Lancashire Golf Club Dr. Peter Stuart Memorial 1931’ one further engraved ‘Won by E. M. Marsh’ and the other further engraved ‘Won by N. A. McNeill’

2282

An Edward VII Silver Salver, by George Howson, London, 1904 shaped circular and on three tapering foliage and shell-cast feet, with shell and foliage-heightened gadrooned border 32cm diameter, 31oz 14dwt, 987gr

2283

A Set of Three George VI Silver Plates, by Davies and Powers, Birmingham, 1948 each circular and with engine-turned border

20cm diameter, 30oz 5dwt, 941gr (3)

72 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
£250-350 £400-600 2283 £500-800 2281 2282

2284

A Victorian Silver Christening-Mug, by Goldsmiths Alliance Ltd., London, 1876 cylindrical and engraved with foliage scrolls and on each side with a circular shield, two vacant, one engraved with flowers and foliage and one engraved with initials, with leaf-capped scroll handle, the interior gilt

90mm high, 6oz 1dwt, 188gr £120-180 2286

A Victorian Silver Bowl, by Charles Stuart Harris, London, 1885 oval, the sides chased with flowers, foliage and quilting, with two grotesque mask-capped scroll handles 25.5cm wide, 14oz 5dwt, 444gr £150-250 22852287 22842286 2285

A Victorian Silver Mug, by Hilliard and Thomason, Birmigham, 1888 tapering and engraved with foliage scrolls within roundels, with similarly engraved handle, engraved on the front with initials and behind the handle with an inscription 90mm high, 5oz 17dwt, 182gr

The inscription reads ‘In Memoriam M.A.B. Obit Ap’r 29 1889’ £120-180 2287

An Edward VII Silver Basket, by Asprey and Co. Ltd., London, 1924 in the George III style, shaped circular and with shell and foliageheightened gadrooned border, on domed foot with gadrooned border, with wirework sides, the domed centre engraved with a badge and the rim engraved with an inscription 28.5cm diameter, 10cm high, 25oz 2dwt, 780gr

The inscription at the rim reads ‘J. E. Rawson from Two Steeples Limited after 50 years of service 1949’. £300-500

www.tennants.co.uk 73

A Four-Piece Edward VII Silver Tea-Service, by Richard Martin and Ebenezer Hall, Sheffield, 1903 each piece oval and with fluted lower body, engraved with initials, comprising a teapot, with ebonised handle and finial; a hot-water jug, with ebonised handle and silver wrythen finial; a cream-jug and a sugar-bowl, in fitted oak case the hot-water jug 28.5cm, the case 52cm wide, total gross weight 5oz 19dwt, 1,740gr (4)

A George V Silver-Mounted Cut-Glass Claret-Jug, The Silver Mounts by Joseph Rodgers and Sons, Sheffield, 1914 the tapering glass body cut with ribbon-tied drapery swags, with plain silver mounts, the spout applied with ribbon-tied drapery swags, the hinged cover with openwork foliage finial and with leaf-capped scroll handle

28.5cm high

£800-1,200 2290

A Five-Piece Victorian Silver Tea and CoffeeService, by William Gibson and John Lawrence Langman, London, 1891, Retailed by Goldsmiths and Silversmiths Co. Ltd., London each piece tapering and on ball feet, the shoulder with a reeded band with foliage corners, engraved with a crest, comprising a teapot; a smaller teapot; a coffee-pot, each with wood handle and finial; a cream-jug and a sugar-bowl the coffee-pot 23cm high, total gross weight 64oz 11dwt, 2,009gr (5)

£800-1,200

74 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
2288
2290 2289
£200-300 2289 2288

2291

2291

A Set of Six Victorian Silver-Gilt Dressing-Table Bottles or Jars, by Samuel Summers Drew and Ernest Drew, London, 1893 each chased with foliage, flowers and rocaille, comprising a glass-lined scent-bottle, engraved with initials; two oval section jars with bayonetmounted hinged covers and three differing cylindrical jars, two with pull-off covers and one with threaded cover; Together With a similar clothes-brush, by William Comyns, London, 1892 weighable silver 15oz 1dwt, 468gr (7)

2293

2293

A George V Silver Inkstand, by Mappin and Webb Ltd., London, 1921 oblong and on four scroll-cast feet, the sides and back with pierced gallery and with an overall gadrooned border, later engraved with an inscription, with two silver-mounted cut-glass ink-bottles; Together With an associated silver-mounted fountain-pen 27.5cm wide, weighable silver 27oz 8dwt, 853gr (2)

The inscription reads ‘To A. Norman Dugdale From His Fellow Directors of The Manganese Bronze & Brass Co. Ltd. May 1909-June 1943’

2292

22922294

A Pair of George V Silver Sauceboats, by Stokes and Ireland Ltd., Chester, 1928 in the George III style, each oval and on three scroll feet, with gadrooned border and leaf-capped scroll handle 20cm long, 22oz 4dwt, 690gr (2)

Provenance: with Boustead Bland Antiques, Chester, November 2001. £200-300

2294

A Cased Set of Four George V Silver Place-Card Holders, by Goldsmiths and Silversmiths Co. Ltd., London, 1929 each formed of two circular discs and on a circular base, in fitted gilttooled blue leather covered case, applied inside with a plaque engraved with an inscription the case 19cm wide, the holders each 32mm diameter, total weight 3oz 9dwt, 108gr (4)

The inscription reads ‘Mummy and Daddy 1905 8th Feb 1930 From The Kids’

www.tennants.co.uk 75
£250-350 £400-600 £150-250

An Elizabeth II Silver Tray, by David Shaw Silverware Ltd., London, 1978 shaped oval and with two scroll handles 60cm wide over handles, 70oz 14dwt, 2,199gr

£1,000-1,500

A Cased Pair of Elizabeth II Silver ChampagneFlutes, by Carrs of Sheffield Ltd., Sheffield, 2000, Britannia Standard each tapering and on spreading base, in fitted mahogany finish case, the case applied with silver plaque engraved with maker’s name and ‘Millennium’, with signed and numbered certificate the goblets 30.5cm high, the case 37cm wide, weighable silver 16oz 11dwt, 515gr (2)

£250-350

2297

A Pair of Elizabeth II Silver Two-Light Candelabra, by Bryan Savage, London, 1974 in the George I style, each on octagonal base and with conforming stem, the octagonal socket supports the removable branches, each branch terminates in an octagonal socket, with a further central socket, one with a detachable finial 20cm high, 48oz 3dwt, 1,497gr (2)

£800-1,200

76 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
2295
2297 2296
2295 2296

The Property of the Hull Musical Festival, Sold by Order of the Council

2298

The Arthur Burrell Trophy

A George VI Silver Sculpture of William Shakespeare, by Sir John Cass Institute, London, 1948, Designed and Modelled by Edward Bainbridge Copnall realistically modelled, on turned ebonised base with applied silver plaque engraved with an inscription and further metal shields engraved with recipient’s names and dates of presentation

56.5cm high including plinth, the figure 47cm high, 185oz 12dwt, 5,772gr

Literature:

‘To Hull Actor’ and ‘Shakespeare’, The Hull Daily Mail, 27 August 1947, p. 3.

The Arthur Burrell Trophy was made to commemorate Flight Colonel Arthur C. Burrell who had volunteered for the RAF in 1939 and was killed in action over Sicily in 1943. He was described as ‘... a sincere artist and an actor of great promise who will be remembered for his performances in Hull with the Playgoers’ Society in “The Yellow Jacket”; in “Will Shakespeare” with the Sharrah Drama Club and “Fantastic Flight” for the Drama League”.’ (‘To Hull Actor’, The Hull Daily Mail, 27 August 1947, p. 3.). The article goes on to note that ‘His friends and admirers are commemorating his work by the provision of this trophy to be competed for annually by teams in the Hull area. It is a figure of Shakespeare designed and modelled by Bainbridge Copnall and will be finished in silver. The statuette will cost 150 guineas.’ (‘Shakespeare’, The Hull Daily Mail, 27 August 1947, p. 3.)

The ‘Bainbridge Copnall’ noted in the article refers to Edward Bainbridge Copnall, M.B.E. (1903-1973), the noted British sculptor and painter. Copnall was born in Cape Town but moved to West Sussex as a child after the death of his mother. Both his father and an uncle were artists so it was perhaps inevitable that Edward would also pursue an artistic career, studying at both Goldsmiths Art School and the Royal Academy. While his initial interest was in painting he turned to sculpture in 1929 and was to receive an early commission, still among his celebrated works, to design the external sculptural scheme for the Royal Institute of British Architects headquarters in Portland place. At the time he designed the present work he was head of the Sir John Cass School of Art, a post he held from 1945 to 1953.

Andrew Penny M.B.E., the President of the Festival said “Whilst it may appear we are literally selling off the family silver, it makes much more sense to realise this statue as an asset than to present an extremely weighty trophy to a young person who might worry about the security implications of holding it for a year at home. We can do a great deal with the funds raised to achieve the great aims of the founders of the Festival Movement; “to pace each other on the road to excellence.”

The Hull Musical Festival was founded in 1906 to provide competitive classes in sections for Instrumental Music, Singing, Dance, Speech and Drama. It became a registered charity in 1978 (charity no. 507766) with the aims of ‘the advancement of the education of the public in the arts of music, dancing, literature and acting in all their branches’. The Arthur Burrell Memorial Trophy was presented to the Festival in 1948, to be awarded annually as a prize in the Speech and Drama section. The Festival continues to provide a well-supported music festival and a highly over-subscribed dance festival in Hull each year, but sadly, the Speech and Drama section fell out of fashion and has not been held for some years. The Festival awards a mixture of certificates, medals, trophies, cash prizes and bursaries to performers in music and dance, in addition to providing valuable feedback from professional adjudicators. In the coming months, the trustees will be carefully considering how to use the funds realised by the sale of the Arthur Burrell Trophy to further the aims of the charity and to best support the education and development of young performers from the local area.

Tennants are grateful to Deborah Roberts from the Goldsmiths’ Company library for her assistance in identifying the maker’s mark.

£4,000-6,000

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2298

2299

A George V Silver Caster, by Henry George Murphy, London, 1933, With Falcon Studios Mark in the Art Deco style, tapering cylindrical and on spreading foot, overall engraved with angular ornament, the bayonetmounted cover with baluster finial; Together With a similar salt-cellar, maker’s mark H&Sn, overstriking another, London, 1933 the caster 12.5cm high, the salt-cellar 72mm diameter, total weight 7oz 19dwt, 248gr (2)

Paul Atterbury and John Benjamin describe the years after 1932 as ‘a highly productive period [for Murphy]’ and ‘... [a] period defined by a significant change in style, particularly in the field of silversmithing, with a new emphasis on line engraving and the modernist and geometric forms of Art Deco...’ (P. Atterbury and J. Benjamin, Arts and Crafts to Art Deco The Jewellery and Silver of H. G. Murphy, Woodbridge, 2005, p. 30), which is certainly an apt description of the present caster. It has seemingly not been determined who was responsible for the engraving on these type of objects but George Taylor Friend, an accomplished engraver, was certainly known to not only be a friend of Murphy but also to have undertaken engraving work for him. It is interesting to see a very similar example in a photograph of a display of Murphy’s silver taken in the 1930s at the Red Rose Guild, Manchester (op. cit, p. 32). A nearly identical, though slightly later, example of the same model was sold at Woolley and Wallis, 30 April 2008, lot 800.

£500-800

2300

A Three-Piece George V Silver and Niello Dressing-Table Service, by Henry George Murphy, London, 1931, With Falcon Studios Mark in the Art Deco style, each piece with niello flowers and foliage, with niello initials ‘RA McQ’, comprising a hand-mirror; a hair-brush, each with carved ivory finial and a comb-back, teeth lacking the hand-mirror 25.5cm long (3)

Niello is a traditional technique which Murphy himself describes as ‘... dating back to the 1st century A.D.’ (P. Atterbury and J. Benjamin, Arts and Crafts to Art Deco The Jewellery and Silver of H. G. Murphy, Woodbridge, 2005, p. 168), in the working notes for a lecture he presented at Goldsmiths’ Hall in 1935. He describes the process in some detail and his receipe in particular as using ‘3 parts silver, 2 parts copper and 1 part lead. The copper and silver and melted together in a crucible and when properly mixed the lead is added’. Other examples of dressing-table services by Murphy which are decorated with niello are known, for example a sixpiece service with very similarly carved ivory finials (op. cit., p. 116).

With non-transferable standard ivory exemption declaration number 4L7PDRYK.

£250-350

78 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
2300 2299

2301

A George V Silver and ‘Gem’-Set Cigarette-Box, by Henry George Murphy, London, 1929, With Falcon Studios Mark in the Art Deco style, plain cylindrical, the base and cover each with twisted wire border, the pull-off cover set with a central cabochon malachite and five coral beads 85mm high, 6oz, 186gr

This form of cigarette-box or canister was popular with H. G. Murphy in the very late 1920s and into the 1930s. Each of the known examples is cylindrical and with a tight-fitting cover, as with the present example. It was a form which acted as something of a canvas to which Murphy applied ornament or decoration using the various techniques that formed such an important part of his oeuvre. Examples are known with applied geometric ornament and carved ivory or ‘gem’-set with Paul Atterbury and John Benjamin illustrating no fewer than six exampes (P. Atterbury and J. Benjamin, Arts and Crafts to Art Deco The Jewellery and Silver of H. G. Murphy, Woodbridge, 2005, pp. 92-93). Another example of 1929, decorated with niello is also known (Sworders, Stanstead Mounfitchet, 25 June 2013, lot 111). £1,000-1,500

2302

A Set of Six George V Silver Coffee-Spoons, by Omar Ramsden, London, 1926 each with part-twisted tapering square section handle, with hammered finish, in associated gilt-tooled red leather covered Harrods case the case 15cm wide, the spoons 98mm long, 2oz 14dwt, 86gr (6)

£200-300

www.tennants.co.uk 79
2301
2302

2303

A Danish Silver-Mounted Wood Punch-Ladle, Designed by Johan Rohde, by Georg Jensen, Copenhagen, 1919-1925, With English Import Marks for George Stockwell, London, 1923 the oval bowl with flaring rim and single lip, the ebonised wood handle with Acanthus finial

37cm long

£250-350

2304

Seven Danish Silver-Gilt and Enamel Spoons, Designed by Rigmor Andersen and Annelise Bjørner, by Georg Jensen, Copenhagen, 1973-1979, With English Import Marks for London the terminal of each enamelled with a differing flower 15cm long, gross weight 10oz 6dwt, 320gr (7)

£150-250

2305

£120-180 2303

A Pair of Danish Silver Sugar-Nips and a Cased Set of Six Danish Silver and Enamel Coffee-Spoons, The Sugar-Nips by Georg Jensen, Copenhagen, With English Import Marks for London, 1977, The Spoons by Michelsen, With English Import Marks for London, 1971 the sugar-nips with openwork blossom terminal and fluted claws, the spoons with blue enamel flowers on a white enamel ground, in fitted wood box the case 16.5cm wide (7)

80 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
2304 2305

2306

A Pair of Danish Silver Beakers, Designed by Georg Jensen, by Georg Jensen Copenhagen, 1925-1932, With English Import Marks for George Stockwell, London, 1928, Model 296 each with tapering bowl and on spreading stepped base, the stem cast with fruiting grapevines, with an overall hammered finish 98mm high, 13oz, 404gr (2)

Provenance:

Tennants, 8 April 2016, lot 557. £700-1,000

2307

A Danish Silver Vase, Designed by Harald Nielsen, by Georg Jensen, Copenhagen, Post 1977, Model 500 tapering and on spreading base, the stem chased with stylised foliage, with a hammered finish, 14cm high; Together With a Danish silver bowl, designed by Harald Nielsen, by Georg Jensen, Copenhagen, post 1977, with English import marks for 1980, model 575C, tapering and on spreading foot, with hammered finish, 12.7cm diameter total weight 8oz 1dwt, 250gr (2) £250-350

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2306
2307

2308

An Elizabeth II Silver Horse and Jockey Model, by Camelot Silverware, Sheffield, 1994, Modelled by David Geenty realistically modelled as a racehorse with jockey up, on oval base modelled as turf, filled 32cm maximum width, 26.5cm high

£300-500

2309

2310

An Elizabeth II Silver Horse and Jockey Model, by Camelot Silverware, Sheffield, 2009, Modelled by David Geenty, Retailed by J. B. Silverware

realistically modelled as a racehorse with jockey up, the oval base modelled as turf, filled, on conforming mahogany finish plinth with applied silver plate plaque engraved with an inscription 30cm maximum width, 26cm high including plinth

The inscription reads ‘Totescoop6 Handicap Stakes Newcastle 27th June 2009’

£250-350

A Cased Pair of Elizabeth II Silver Goblets, by Historical Heirlooms Ltd., Sheffield, 1971, Numbers 548 and 549 From a Limited Edition of 1,000

commemorating the investiture of H.R.H. The Prince of Wales, each in the Charles II style, the bowl tapering and with slightly flaring rim, on baluster stem and with spreading base, the bowl engraved with the Prince of Wales’ feathers and an inscription, in fitted gilt-tooled case and with outer cardboard box, with numbered certificate the goblets 15cm high, 20oz 14dwt, 644gr (2)

2311

A Set of Six Elizabeth II Silver Dishes, by Silverware Manufacturers Ltd., London, 1972 and 1973, Number 537 From a Limited Edition of 1,500

each in the form of an Armada dish, the centre set with a medallion, respectively depicting Richard III; Henry VIII; Elizabeth I; Charles I; Victoria and Elizabeth II, each in fitted red covered and gilt-tooled case, each with information booklet

the cases 24.5cm wide, the dishes 13cm diameter, 24oz 17dwt, 772gr (6)

82 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%
£300-500 2308
£250-350 2310 23092311

2312

An Elizabeth II Parcel-Gilt Silver Cup and Cover, by Asprey and Co. Ltd., London, 1965, Designed by James Porteous Wood, Craftsmen Keith Tasker

tapering triangular and on openwork base, engraved on two sides with inscriptions, the detachable cover openwork and with a gilt triform leafform finial, on conforming triangular rosewood base 34cm high including base, weight of silver 34oz 12dwt, 1,076gr

The inscriptions read ‘The Carreras Piccadilly Northern Cup Ripon August 1965 Won by Major L. B. Holliday’s “Finish Fast” (Fidalgo Javotte) 21-8-65’ and ‘Bilsdale Hunt Perpetual Challenge Cup’

James Porteous Wood was born in Edinburgh and went to the George Heriot School, though he left when he was only 14 as his interest lay in studying art, which he subsequently did at the Edinburgh College of Art. His early artistic expression was through watercolour painting, which he did around Ripon while based there as a non-commissioned office during the war. His talents were recognised in 1945 when he was elected to the Royal Scottish Watercolour Society. It was perhaps as the Director of Art and Design for Asprey that he was to make his greatest impact with commissions such as an 18ct gold bowl which was presented to President Eisenhower and a model of the Dome of the Rock which was commissioned by King Hassan of Morocco. With a diameter of some 175cm the creation has been described as the most important piece of silver ever exported from the UK.

His works rarely appear on the market but what does appear shows a similar flare for design and the use of luxury materials. Two items by him, both marked for Asprey, were included in the exhibition Embellish: The Art of Hand Engraving, held at Tennants in the summer of 2023. They were both kindly loaned from the Pearson Silver Collection and included an 18ct white gold and quartz-set box made to commemorate the Chester Assay Office and a salver engraved as the Totalisator Spring Handicap trophy. Interestingly on each of those examples credit is given to those involved in the creation of the item, the salver for example also being made by craftsman Keith Tasker and the box engraved by Theodore C. F. Wise, a nod perhaps to his interest in encouraging young talent, which he also did by sponsoring an annual art prize at Mallaig High School.

With non-transferable CITES A10 licence no. 24GBA105BNYPB. £600-800

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2312 2312 (reverse)

2313

Gout: A Silver and Tortoiseshell Quadruple Cased Pocket Watch Made for the Turkish Market, signed Ralph Gout, London, 1857, single chain fusee verge movement signed in Arabic and numbered 36465, enamel dial with Turkish hour markers and signed, beetle and poker hands, first two cases with matching silver London hallmarks for 1857 and maker’s mark JG, third outer tortoiseshell case with pique pins to the outer borders, fourth gilt metal case with scroll and floral decorated panels

70mm wide

£400-600

2314

Le Roy: A French Open Faced Pocket Watch, signed Le Roy, Hger Du Roi Palais Royal 114, circa 1820, lever movement, compensation curb, later enamel dial with Roman numerals, seconds dial, case back with engine turning and a vacant cartouche, cuvette cover signed and numbered 7171, inside cuvette stamped with a French bull gold mark and numbered 27661 46mm wide

£300-500

2315

Dwerrihouse: A Silver Pair Cased Verge Pocket Watch, signed Dwerrihouse, Berkeley Square, 1815, single chain fusee verge movement signed and numbered 1123, diamond endstone, turned pillars, enamel dial with Roman numerals, both cases with matching maker’s mark ML and a London silver hallmark for 1815 51mm wide

£100-150

2316

Omega: A Lady’s 18 Carat Gold Wristwatch, signed Omega, ref: 1375, circa 1980, (calibre ETA 976.001) quartz battery movement, yellow and white striped dial, oval shaped case with a snap-on back numbered 1375 and convention gold mark 750, inside back cover stamped Omega Watch Co and 18k750, Omega 18 carat three colour gold bracelet with clasp stamped 791.916, with Omega box 18mm x 21mm

£600-800

84 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

2317

Bennett: An 18 Carat Gold Half Hunter Lever Pocket Watch, signed Bennett, 65 & 64 Cheapside, London, Maker to the Royal Observatory, 1868, lever movement signed and numbered 17558, enamel dial with Roman numerals and signed, seconds dial, case front cover with enamel Roman numerals, back cover engraved with a family crest, inside back cover with maker’s mark JM and numbered 17558, London gold hallmark for 1868 45mm wide

£800-1,200

2318

Omega: A Gold Plated Automatic Calendar Centre Seconds Wristwatch, signed Omega, Chronometer Officially Certified, model: Constellation, ref: 168.005, 1966, (calibre 561) lever movement signed and numbered 24498882, adjusted to five positions and temperature, silvered dial with baton markers, date aperture, gold plated case with a stainless steel screw back with a Constellation logo, inside back cover stamped Omega Watch Co and numbered 168005, case maker CB for (le Centrale Boites), Omega plated bracelet with a deployant clasp 34mm wide

2319

Omega: A Steel and Gold Electronic Mega Quartz Day/Date Centre

Seconds Wristwatch, signed Omega, Mega Quartz 32 KHz, model: Constellation, ref: 196.0019, 1972, (calibre 1310) quartz battery driven movement signed and numbered 35861203, silvered dial with baton markers, day/date apertures (in French), tonneau shaped case with a gold bezel, adjustment pushers in the band, back cover with a Constellation logo and secured by four screws, inside back cover stamped with maker’s mark Omega Watch Co and numbered 396.0810, Omega steel and gold bracelet with a deployant clasp numbered 1211/202 36mm wide £500-700

2320

An Interesting Silver First World War Period Wristwatch inscribed “Empire Day 1917 Dominica B.W.I,” 1916, lever movement, enamel dial with luminous Arabic numerals, subsidiary seconds, screw back with an engraved inscription, Birmingham hallmark, maker’s mark ALD and numbered 302646, curb link bracelet with clasp stamped army and numbered Rd657662 35mm wide

BWI stands for British West Indies, referring to the former British colonies. This watch was possibly owned by a member of the British West Indies Regiment in World War I. £100-150

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£250-350

2322

Penlington: An 18 Carat Gold Half Hunter Lever Pocket Watch, signed Josh Penlington, Liverpool, 1876, lever movement signed and numbered 14784, enamel dial with Roman numerals and signed, case front with enamel Roman numerals, back cover with an engraved monogram, case maker’s mark HW and numbered 14784 40mm wide

Provenance: Dutton Manor, Lancashire

£400-600

2321

Elgin: A Lady’s 10 Carat Gold Fob Watch, signed Elgin, 1901, movement signed and numbered 9456915, enamel dial with Arabic numerals, seconds dial, case stamped Regal solid 10k gold and numbered 18416, cuvette cover with engraved initials 34mm wide

£120-180

2323

Tudor: A 9 Carat Gold Centre Seconds Wristwatch, signed Tudor, Royal, Shock-Resisting, 1960, manual wound lever movement signed, silvered dial with Arabic numerals, case stamped inside Rolex RWC and numbered 17293, Edinburgh gold hallmark for 1960, later 9 carat gold bracelet

35mm wide

£300-400

2324

Omega: A Lady’s 9 Carat White Gold Wristwatch, signed Omega, ref: 8438, 1979, (calibre 625) manual wound lever movement signed and numbered 42015009, silvered textured dial with baton markers, oval shaped case with a snap-on back stamped inside Omega Watch Co and numbered 711 5547 8438 277, convention gold mark 9k375, Omega 9 carat white gold integral bracelet with clasp numbered 711.5547 and 375 23mm wide

£300-400

86 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

2325

Rhodes & Sons: An 18 Carat Gold Open Faced Pocket Watch, retailed by M.Rhodes & Sons, Bradford & Leeds, 1883, lever movement signed and numbered 45879, enamel dial with Roman numerals, case back with an engraved monogram, case maker’s mark HD and a London gold hallmark for 1883, with M.Rhodes & Son fitted box 43mm wide

£500-700

2326

Omega: A Stainless Steel Automatic Day/Date Centre Seconds Wristwatch, signed Omega, model: Seamaster, 1979, (calibre 1020) lever movement signed and numbered 42859927, silvered dial with baton markers, day/date apertures, outer fifth of seconds track, tonneau shaped case, later back cover with a Seamaster logo, inside case back stamped Omega Watch Co and numbered 1660211 and plaque or G20 microns

35mm wide

£200-300

2327

Rolex: An Early Silver Enamel Dial Wristwatch, signed Rolex, 1915, manual wound lever movement signed, enamel dial with Roman numerals, seconds dial, case with wire lugs, hinged back stamped inside Rolex W&D and numbered 6733374, London silver import mark for 1915 30mm wide

£100-150

2328

An Art Deco 9ct Gold Wristwatch, retailed by Bravingtons, 1939, lever movement, engine turned dial with Arabic numerals, subsidiary seconds, hinged back with maker’s mark Bs, with retailer’s box and receipts 25mm x 38mm

£150-200

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2329

Rolex: A Stainless Steel Automatic Centre Seconds Wristwatch, signed Rolex, Superlative Chronometer Officially Certified, model: Oyster Perpetual, ref: 1002/1003, 1965, (calibre 1520) lever movement signed and numbered D010576, adjusted to five positions, silvered dial with baton markers, case with a screw down crown, machine finished bezel, screw back stamped inside Montres Rolex S.A Geneva Switzerland and numbered 1002, dated III.65, case serial number 1276744, Rolex stainless steel oyster bracelet with a deployant clasp stamped Rolex USA and dated 1-73 34mm wide

£600-800

2330

Jaeger leCoultre: A 9 Carat Gold Rectangular Wristwatch, signed Jaeger LeCoultre, 1932, manual wound lever movement signed LeCoultre Co and numbered 18415, adjusted to two positions, silvered dial with Arabic numerals and signed, rectangular seconds dial, rectangular case with snap-on back numbered 45154, inside back cover stamped LeCoultre Swiss, London gold import mark for 1932 and 9k, later 9 carat gold bracelet with clasp stamped 9ct 22mm x 32mm

£350-450

2331

Rolex: A Lady’s 9 Carat Gold Centre Seconds Wristwatch, signed Rolex, 1919, manual wound lever movement signed, enamel dial with Roman numerals, case with hinged back stamped inside Rolex W&D and numbered 1087371, London import mark for 1919 27mm wide

£100-150

2332

Gruen: A 10 Carat Gold Filled Curved Wristwatch, signed Gruen, Curvex, Precision, circa 1945, curved manual wound lever movement signed and numbered C331910, silvered dial with Arabic and dot markers, seconds dial, curved case with a snap-on back signed Gruen 10k gold filled and numbered K68948, faceted glass 23mm x 28mm

£100-150

88 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

2333

Christopher War: An Automatic Calendar Centre Seconds

Wristwatch, signed Christopher Ward, model: Trident Pro 600 Bronze, circa 2010, lever movement, textured finished dial with baton markers, date aperture, bronzed case with a screw down crown, rotating bezel, stainless steel screw back with Trident logo and numbered AAP-361, Christopher Ward fabric strap and bronzed buckle

41mm wide

£250-300

2334

Breitling: A Lady’s Bi-Metal Calendar Centre Seconds

Wristwatch, signed Breitling, 200 Meters/660 Feet model: Lady J, ref: D52065, circa 1995, quartz battery movement, white dial with baton markers, date aperture, case with screw down crown, rotating turquoise coloured bezel, screw back numbered D52065 37713 31mm wide

£300-500

2335

Rolex: A Stainless Steel Automatic Centre Seconds Wristwatch, signed Rolex, Superlative Chronometer Officially Certified, model: Oyster Perpetual, ref: 1002/1003, 1972, (calibre 1570) lever movement signed and numbered 235803, adjusted to five positions and temperature, silvered dial with baton markers, case with screw down crown, machine finished bezel, screw back stamped inside Montres

Rolex S.A Geneva Switzerland and numbered 1002, dated I.72, case serial number 3011370 34mm wide

£400-600

2336

Movado: A Stainless Steel Automatic Wristwatch, signed Movado, model: Museum Classic, ref: 84 F4 1890, circa 2005, (calibre ETA 2892A2) lever movement signed, black dial with baton markers, case with a glazed snap-on back numbered 6186594, Movado strap and steel buckle, with Movado boxes, warranty card and instruction booklet 38mm wide

£150-200

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2337

Moncas: An 18 Carat Gold Full Hunter Pocket Watch, signed John Moncas, Liverpool, 1823, single fusee movement signed and numbered 2987, movement inscribed Patent, dust cover, diamond endstone, enamel dial with Roman numerals, seconds dial, case with engine turned decorated covers, case sides with floral engraved decoration, case maker’s mark WM and numbered 2987, London gold hallmark for 1823 55mm wide

£1,000-1,500

2338

Earnshaw: An 18 Carat Gold Open Faced Pocket Watch, signed T Earnshaw, 119 High Holborn, London, 1832, single chain fusee lever movement signed and numbered 4706, diamond endstone, gold coloured dial with Roman numerals, engine turned case back with engraved initials, case maker’s mark SC and a London gold hallmark for 1832 44mm wide

£400-500

2339

Omega: A Steel and Gold Capped Automatic Calendar Centre Seconds Wristwatch, signed Omega, Chronometer Officially Certified, model: Constellation, ref: 168.005, 1966, (calibre 561) lever movement signed and numbered 24441053, adjusted to five positions and temperature, silvered dial with baton markers, date aperture, stainless steel screw back with Constellation logo, inside back cover stamped Omega Watch Co and numbered 168005 34mm wide

£200-300

2340

Pierce: A Chrome Plated Triple Calendar Moonphase Wristwatch, signed Pierce, circa 1955, manual wound lever movement signed, silvered dial with Arabic and dot markers, day/month and moonphase apertures, outer date ring with red crescent moon date hand, luminous hands, red centre seconds hand, case sides with calendar adjustment pushers, steel snap-on back 32mm wide

£200-300

90 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

2341

Litherland Davis & Co: An 18 Carat Gold Open Faced Pocket Watch, signed Litherland Davis & Co, Liverpool, 1828, single chain fusee lever movement signed and numbered 12979, movement inscribed Patent, dust cover, diamond endstone, gold coloured engine turned dial with Roman numerals, dial with eccentric winding hole, case with engine turned back cover, inside back cover with maker’s mark TEHF and numbered 12979, Chester gold hallmark for 1828 44mm wide

£400-600

2342

Raymond Weil: A Stainless Steel Automatic Calendar Chronograph Wristwatch, signed Raymond Weil, Geneve, model: Parsifal, ref: 7792/1, circa 1995, (calibre ETA 7750) lever movement signed, cream coloured dial with Roman numerals, date aperture, three dark blue dials for seconds, 30-minute and 12-hour registers, tachymeter scale bezel, buttons in the band to operate chronograph, glazed back cover numbered A459618 and secured by four screws 39mm wide

£200-300

2343

Hayes: An 18 Carat Gold Open Faced Pocket Watch, signed J.H.Hayes, Oldham, 1857, single chain fusee lever movement signed and numbered 26457, gold coloured dial with Roman numerals, case maker’s mark TR and numbered 26457, Chester gold hallmark for 1857 43mm wide

£250-350

2344

Baume & Mercier: A Lady’s 18 Carat Gold Hexagonal Shaped Wristwatch, signed Baume & Mercier, Geneve, circa 1990, manual wound lever movement, white dial with Roman numerals, case with a snap-on back numbered 946947 38335 and a convention gold mark 750, Baume & Mercier gilt metal buckle

25mm wide

£200-300

2345

An 18 Carat Gold Open Faced Pocket Watch, 1872, single chain fusee lever movement, gold coloured dial with Roman numerals, seconds dial, case maker’s mark MK and London gold hallmark for 1872, cuvette cover with an engraved inscription 45mm wide

£300-500

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2346

Christopher Ward: A Stainless Steel Automatic Centre Seconds

Wristwatch, signed Christopher Ward, Chronometer, model: Cranwell Royal Air Force 6B/346, circa 2015, lever movement, black dial with Arabic numerals and outer luminous hour markers, case with screw down crown, screw back with Royal Air Force logo and numbered ABM-319, Christopher Ward stainless steel bracelet with a concealed deployant clasp

41mm wide

£200-300

2347

Henderyckx Lier: A Stainless Steel Chronograph Wristwatch, retailed by Henderyckx Lier, ref: 73653, circa 1975, (calibre Valjoux 7736) manual wound lever movement, blue coloured dial with baton markers, three silvered dials for seconds, 30-minute and 12-hour registers, outer tachymeter scale, tonneau shaped case, screw back, inside screw back signed (Heuer Leonidas and crossed out), case serial number 155659, later stainless steel bracelet 38mm wide

£600-800

2348

Christopher Ward: A Bronzed Automatic Calendar Centre Seconds

Wristwatch, signed Christopher Ward, 600m/2000ft, model: C60 Bronze Trident Pro 600, circa 2015, lever movement, dark blue coloured dial with baton markers, date aperture, case with a screw down crown, rotating 60 minute scale bezel, steel screw back numbered C6043AB-1030, Christopher Ward strap and bronze buckle

43mm wide

£250-300

2349

Christopher Ward: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Christopher Ward, model: C63 Sealander GMT, circa 2015, (calibre SW330-2) lever movement signed, textured dark green coloured dial with baton hour markers, date aperture at 6, orange 24 hour GMT hand, case with screw down crown, 24 hour fixed bezel, glazed screw back numbered ABR-573, Christopher Ward strap and steel buckle

39mm wide

£250-300

92 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

2350

Roskell: An 18 Carat Gold Rack Lever Full Hunter Pocket Watch, signed Rt Roskell, Liverpool, circa 1820, single chain fusee rack lever movement signed and numbered 2447, balance cock foot inscribed patent P.L, diamond endstone, dust cover, enamel dial with Arabic numerals, eccentric winding hole, case front cover with a central engraved stag family crest, case maker’s mark TH and Chester gold hallmark (date letter rubbed) 56mm wide

£700-900

2353

French: An 18 Carat Gold Duplex Full Hunter Pocket Watch, signed French, Royal Exchange, London, 1855, single chain fusee duplex movement signed and numbered 10494, split bimetallic balance, diamond endstone, enamel dial with Roman numerals, seconds dial, case covers with engine turning, cuvette cover finely engraved with a family crest, case maker’s mark ?PM and a London gold hallmark for 1855 47mm wide

£600-800

2351

Longines: A 14 Carat Gold Automatic Wristwatch, signed Longines, ref: 2229-P, circa 1956, (calibre 19A) lever movement signed and numbered 10041374, silvered dial with Arabic and baton markers, seconds dial, snap-on back stamped 14 karat gold, stamped inside back cover Longines-Wittnauer Watch Co and numbered 2887132 32mm wide £400-600

2352

Omega: An 18 Carat Gold Centre

Seconds Wristwatch, signed Omega, 1960, (calibre 520) manual wound lever movement signed and numbered 17466515, silvered dial with dagger and baton markers, case with a snap-on back and stamped inside OWC and numbered 887, London gold hallmark for 1960, Omega 9 carat gold buckle with Birmingham hallmark for 1961 34mm wide

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£300-400

2354

Litherland Davis & Co: An 18 Carat Gold Open Faced Pocket Watch, signed Litherland Davis & Co, Liverpool, 1845, single chain fusee lever movement signed and numbered 19975, enamel dial with Roman numerals and signed, seconds dial, case stamped LD&Co and numbered 19975, Chester gold hallmark for 1845 45mm wide

£400-600

2355

Patron: A Swiss Consular Cased Painted Dial Verge Pocket Watch, signed Jaqs Patron, A Geneve, circa 1800, single chain fusee verge movement signed, pierced balance bridge, enamel dial with Arabic chapter ring and painted to the outer borders with figures in a landscape and signed, dial with eccentric winding hole, plain polished case with no marks 46mm wide

£200-300

2356

Forrest: An 18 Carat Gold Open Faced Pocket Watch, signed John Forrest, London, Chronometer Maker to the Admiralty, 1864, single chain fusee lever movement signed and numbered 16496, dust cover signed and numbered, enamel dial with Roman numerals, seconds dial, case with a London gold hallmark for 1864 and numbered 16496

49mm wide

£500-700

2357

Omega: A 9 Carat Gold Hobnail Finished Black Dial Wristwatch, signed Omega, 1954, (calibre 266) manual wound lever movement signed and numbered 13702838, black hobnail finished dial, seconds dial, case with a snap-on back, back cover stamped inside Omega Watch Co and numbered 605198, Dennison 13322, Birmingham gold hallmark for 1954 33mm wide

£200-300

94 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

2358

Ebel: A Stainless Steel Calendar Centre Seconds Wristwatch, signed Ebel, model: Classic Wave, ref: E9187F41, circa 2002, quartz battery movement, white dial with Roman numerals, date aperture, case back numbered 58502888, Ebel stainless steel bracelet with a concealed double deployant clasp, with Ebel boxes, warranty card, booklets and swing tag

39mm wide

£100-200

2359

Longines:A Stainless Steel Automatic Day/Date Centre Seconds Wristwatch, signed Longines, model: Admiral Five Star, ref: 636-7404, circa 1990, (calibre L636.5) lever movement signed, white dial with Arabic and baton markers, day of the week in (French/English) and date apertures, case with a screw down crown, rotating bezel, screw back numbered 26132288, Longines stainless steel bracelet with a concealed deployant clasp, with Longines boxes 39mm wide

£200-300

2360

Benson: A Lady’s 14 Carat White Gold Diamond Set Wristwatch, retailed by J.W.Benson, 1973, manual wound lever movement, faux lapis lazuli dial, oval shaped case with a diamond set bezel, snap-on back stamped inside VTC and a London gold import mark for 1973, 14 carat white gold integral bracelet with clasp stamped 0.585 23mm wide

£500-700

2361

Omega: A Stainless Steel Automatic Centre Seconds Wristwatch, signed Omega, Chronometer Officially Certified, model: Constellation, ref: 167.005, 1966, (calibre 551) lever movement signed and numbered 24415057, adjusted to five positions and temperature, silvered dial with baton markers, case with a screw back and Constellation logo, inside back cover stamped Omega Watch Co and numbered 167.005

34mm wide

£200-300

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2362

Ashworth: An 18 Carat Gold Open Faced Chronograph Pocket Watch, signed J.Ashworth & Co, Manchester, 1888, manual wound lever movement signed and numbered 74744, enamel dial with Roman numerals, outer fifth of seconds track, case with slide in the band to operate chronograph, case with Chester gold hallmark for 1888 and numbered 74744 54mm wide £700-900

2363

Omega: A 9 Carat Gold Enamel Dial Wristwatch, signed Omega, 1940, manual wound lever movement signed and numbered 9101796, enamel dial with luminous Arabic numerals, seconds dial, case with a snap-on back, inside back cover stamped Dennison ALD and numbered 12322 57624, Birmingham gold hallmark for 1940 30mm wide £200-300

2364

A Rare and Early Silver Integrated “Telephone” Shrapnel Guard Wristwatch, 1915, manual wound lever movement, enamel dial with Arabic numerals, seconds dial, case with “telephone” front cover, wire lugs, screw back stamped inside with maker’s mark GS and numbered 296008, London silver import mark for 1915 and 925 33mm wide

£600-800

2365

Vipont: A Silver Pair Cased Verge Pocket Watch, signed Vipont, Blackburn, 1763, single chain fusee movement signed, square baluster pillars, enamel dial with Roman and Arabic numerals and signed, beetle and poker hands, both cases with matching maker’s marks SP and London silver hallmarks for 1763 50mm wide

£200-300

96All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

2366

Record: A World War II Military Wristwatch, signed Record, know by collectors as one of “The Dirty Dozen”, circa 1944, (calibre 022K) lever movement signed, black dial signed and with a military broad arrow, luminous Arabic and outer baton and dot markers, seconds dial, base metal case, stainless steel screw back engraved W.W.W. broad arrow and numbered L34329 552176, inside back cover stamped W.W.W broad arrow and numbered 552176, fixed bars between the lugs 36mm wide

£500-700

2367

Omega: A World War II Military Wristwatch, signed Omega, Known by Collectors as one of “The Dirty Dozen”, (calibre 30T2) manual wound lever movement signed and numbered 10263212, split bimetallic balance with a blued overcoil hairspring, black dial with luminous Arabic numerals, signed and with a military broad arrow, seconds dial, stainless steel case with a screw back engraved with a broad arrow WWW Y22500 10686699, fixed bars between the lugs, inside back cover numbered 10686699, broad arrow and maker’s mark Omega Watch Co 35mm wide

‘The Dirty Dozen’ is the name given to a group of 12 watches commissioned by the Ministry of Defence for use by soldiers during WWII. The MoD ordered custom-built wristwatches from 12 Swiss watchmakers: Buren, Cyma, Eterna, Grana, Jaeger-LeCoultre, Lemania, Longines, IWC, Omega, Record, Timor and Vertex. Each company was given the specific brief of providing watches that were accurate, reliable and durable, with a black dial, Arabic numerals, luminous markers, a railroad minute track, shatterproof glass and a stainless-steel case. No matter the maker, these watches can be identified by the engraved ‘W.W.W.’ on the reverse, as well as the broad arrowhead mark on the dial, inner case, and reverse, and both military and civil serial numbers on the reverse.

£1,200-1,500

2368

Cyma: A World War II Military Wristwatch, signed Cyma, known by collectors as one of “The Dirty Dozen”, circa 1944, (calibre 234) manual wound lever movement signed and numbered 392900, dust cover, black dial with luminous Arabic numerals, signed and with a military broad arrow, seconds dial, luminous hands, stainless steel case, screw back engraved with a broad arrow WWW P 24994 29994, inside back cover with repeated numbers, fixed bars between the lugs 38mm wide

£800-1,200

2369

Vertex: A World War II Military Wristwatch, signed Vertex, Known by Collectors as One of “The Dirty Dozen”, circa 1944, (calibre 59) lever movement signed, black dial with luminous Arabic numerals and signed, military broad arrow, seconds dial, luminous hands, nickel plated case with a stainless steel screw back engraved with a broad arrow WWW A 1349 3514265, fixed bars between the lugs, inside back cover numbered WWW broad arrow 3514265 36mm wide

£500-700

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2370

Ward: A Consular Cased Verge Pocket Watch, signed John Ward, Fore Street, London, circa 1800, single chain fusee verge movement signed and numbered 2690, balance bridge, enamel dial with Arabic numerals and signed, white metal case numbered inside the back cover 4678

67mm wide

£100-200

2371

Lepine: A French Gilt Metal Consular Cased Verge Pocket Watch, signed Lepine, A Paris, circa 1800, single chain fusee verge movement signed, enamel dial with Roman and Arabic numerals, pierced hands, eccentric winding hole, engine turned decorated case 42mm wide

£150-250

2372

Omega: A Lady’s Steel and Gold Wristwatch, signed Omega, model: Constellation, ref: 795.1203, 1999, (calibre 1456) quartz battery movement signed, silvered textured dial with baton markers, case with a gold Roman numeral bezel, snap-on back with Constellation logo and numbered 58665261, Omega steel and gold bracelet with a concealed deployant clasp numbered 6553/865

23mm wide

£300-500

2373

Bueche Girod: A Lady’s 9 Carat Gold Diamond Set Wristwatch, signed Bueche Girod, 1966, manual wound lever movement, silvered dial with baton markers, case with a diamond set bezel, snap-on back stamped inside RCK and a London gold hallmark for 1966, 9 carat gold bark finish integral bracelet 15mm wide

£300-400

98 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

2374

Prevost: A Continental Quarter Repeating Pocket Watch, signed Prevost, circa 1820, cylinder movement, repeating on a outer gong, later enamel dial with Roman numerals, yellow metal case with a pendant plunge repeat, ribbed sides and a engine turned back cover with vacant cartouche, inside back cover stamped BG and numbered 436, gilt metal cuvette is signed 54mm wide

£500-700

2375

Barwise: A Silver Lever Pocket Watch, signed Barwise, London, 1818, single chain fusee lever movement signed and numbered 7360, diamond endstone, dust cover signed and numbered, enamel dial with Roman numerals signed and numbered, seconds dial, case numbered 7360 and a London silver hallmark for 1818 52mm wide £200-300

2376

Bautte & Moynier: A Swiss Enamel Digital Hour Display Pocket Watch, signed Bautte & Moynier, A Geneve, circa 1820, cylinder movement, engiune turned silvered dial, digital hour display aperture at 12, minute chapter ring with minute hand, seconds dial, case elaborately decorated with black enamel and scroll work, inside back cover with a French owl later import gold mark and numbered 40461, cuvette is signed and numbered 43mm wide

£300-500

2377

A Continental Striking and Repeating Pocket Watch, circa 1820, unsigned, verge movement, pierced balance bridge, half hour and hour striking on a outer gong, hour repeat button in the pendant, enamel dial with Arabic numerals, white metal case stamped inside the back cover FRT and numbered 3941, case with a stop/start slide in the band 56mm wide

£300-500

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2378

Hill: A Rare Silver Eight Day Duration Verge Pocket Watch with Calendar Display, signed Jno Hill, London, 1808, single chain fusee eight day verge movement signed, finely pierced balance bridge, diamond endstone, enamel dial with Roman numerals and an outer date ring with a corresponding central date hand, case sides and bow/pendant with ribbed decoration, London silver hallmark for 1808 and maker’s mark GC possibly by (George Clerke)

52mm wide

£300-400

2379

McCabe: A Silver Open Faced Verge Pocket Watch, signed Jas McCabe, Royal Exchange, London, 1829, single chain fusee verge movement signed and numbered 13430, diamond endstone, enamel dial with Roman numerals and numbered 13430, seconds dial, case front cover with engraved initials, case maker’s mark JD and numbered 13430, London silver hallmark for 1829

52mm wide

£100-200

2380

Delander: A Silver Pair Cased Verge Pocket Watch, signed Delander, London, 1739, single chain fusee movement signed and numbered 978, square baluster pillars, diamond endstone, enamel dial with Roman and Arabic numerals, both cases with matching maker’s marks HH possibly for (Henry Hurst), both cases with a London silver hallmark for 1739

48mm wide

£200-300

2381

Movado: An 18 Carat Gold Triple Calendar Wristwatch, signed Movado, circa 1950, (calibre 470) manual wound lever movement signed, two tone silvered dial with Arabic and dot markers, outer date ring, two apertures for day of the week and month, seconds dial, case sides with calendar adjustment pushers, snapon back stamped inside with Movado maker’s mark, 18k0.750 and numbered B473921 4776, later 9 carat gold bracelet with a deployant clasp with a Birmingham gold hallmark for 1960

32mm wide

£700-900

100 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

2382

Robinson: A Silver Eight Day Power Reserve Open Faced Lever Pocket Watch, signed John Robinson, 15 Penny Street, Blackburn, 1884, single chain fusee lever movement signed and numbered 1019, dust cover, enamel dial with Roman numerals and signed “8 day watch patented by John Robinson Blackburn”, two dials for 120 seconds indication and up/down 8 day power reserve indication, case maker’s mark HG and a Chester silver hallmark for 1884 58mm wide

£200-300

2383

Perigal: An 18 Carat Gold Consular Cased Cylinder Pocket Watch, signed Fras Perigal, Watchmaker to his Majesty, London, circa 1800, single chain fusee cylinder movement signed and numbered 1228, later dial with Roman numerals, consular case with London hallmark and maker’s mark (rubbed), (outer case missing), 48mm wide

£400-600

2384

Manning: An 18 Carat Gold Open Faced Lever Pocket Watch, signed Wm Manning, Worcester, 1823, single chain fusee lever movement signed and numbered 775, diamond endstone, dust cover, gold coloured dial with Roman numerals, outer dial border with scroll work and turquoise set hour markers, engine turned case back with a central engraved cartouche, case stamped inside WR and a London gold hallmark for 1823, together with a Yellow Metal Watch Chain with attached Yellow Metal Watch Winding Key, (2) 47mm wide

£700-900

2385

Percival: A Large Silver Consular Cased Lever Pocket Watch, signed Jno Percival, Woolwich, circa 1810, single chain fusee lever movement signed and numbered 1060, large three armed steel balance, diamond endstone, balance cock engraved with three cannons, dust cover signed and numbered, enamel dial with Roman numerals, seconds dial, plain consular case with maker’s mark and hallmark (both rubbed) 65mm wide

£200-300

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2386

Oris: A Stainless Steel Calendar Centre Seconds Wristwatch, signed Oris, model: Big Crown Pointer Date, ref: 7543, circa 2000, (calibre Sellita SW200) lever movement signed, silvered dial with Arabic and dagger markers, outer date ring, case with a glazed screw back numbered 26-24791, big crown, Oris stainless steel bracelet with a deployant clasp

39mm wide

£250-350

2387

Breitling: A Stainless Steel Chronograph Wristwatch, signed Breitling, Geneve, model: Navitimer, ref: 806, 1968, (calibre venus 178) lever movement signed, black dial with Arabic and baton markers, dial with the double plane Breitling logo, three silvered dials for seconds, 30 minute and 12 hour registers, bi-directional bezel with an inner silvered slide rule, outer scales, buttons in the band to operate chronograph, snap-on back signed and numbered 806, back cover stamped inside Breitling Watch Ltd Swiss, case serial number 1223654

42mm wide

£1,800-2,200

2388

Omega: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Omega, Geneve, model: Dynamic, circa 1970, lever movement, dark blue sunburst dial with baton markers, date aperture, light blue centre seconds hand, oval shaped case, Omega stainless steel bracelet with a deployant clasp numbered 1153/138 41mm wide

£300-400

2389

Rolex: A Stainless Steel Automatic Centre Seconds Wristwatch, signed Rolex, Officially Certified Chronometer, model: Oyster Perpetual, ref: 6332, 1954, lever movement signed and numbered 70166, silvered dial with Arabic and dagger markers, outer raised minute track, blued centre seconds hand, case with a screw down crown, screw back stamped inside Montres Geneva Swiss Rolex S.A and numbered 6332, dated II.54, case serial number 979762 34mm wide

£600-800

102 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

2390

Angelus: A Plated Triple Calendar Chronograph Wristwatch, signed Angelus, model: Chronodato, circa 1955, manual wound lever movement signed, column wheel chronograph movement, silvered dial with Arabic and dagger markers, two sub dials for seconds and 45 minute register, two apertures for the day and month, outer date ring with corresponding central date hand, “jumbo” size case with buttons in the band to operate the chronograph and calendar adjustment pushers, steel snap-on back numbered 402140

38mm wide

£700-900

2391

Omega: A 14 Carat Gold Wristwatch, signed Omega, model: De Ville, ref: 6672, 1972, (calibre 625) manual wound lever movement signed and numbered 35201236, silvered dial with baton markers, case with snap-on back and with an engraved presentation inscription, back cover stamped 14k gold, inside back cover stamped Omega Watch Co and numbered D6672 598649, Omega plated buckle

33mm wide

£200-300

2392

Oris: A Plated Automatic Calendar Centre Seconds Wristwatch, signed Oris, model: Big Crown Pointer Date, ref: 7543, circa 2000, (calibre ETA 2824) lever movement signed, white dial with Arabic and dagger markers, outer date ring with a corresponding central date hand, case with a glazed steel screw back numbered 26-58574

39mm wide

£200-300

2393

Twycross & Farley: An 18 Carat Gold Verge Open Faced Pocket Watch, signed Twycross & Farley, Dublin, 1810, single chain fusee verge movement signed and numbered 4259, diamond endstone, gold coloured dial with Roman numerals, case back with scroll work outer borders and central engine turning decoration, case with maker’s mark AC and a London gold hallmark for 1810, gilt metal cuvette cover with an engraved horse next to the winding hole

44mm wide

£600-800

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2394

Porter: A Silver Pair Cased Verge Pocket Watch with an Enamel Dial Painted Hunting Scene, signed Wm Porter, Burton, 1777, single chain fusee verge movement signed and numbered 2170, square baluster pillars, enamel painted hunting scene dial with Roman numerals, beetle and poker hands, plain outer case with no marks, inner silver with maker’s mark RR and a London silver hallmark for 1777, inside outer case with an embroidered pocket watch paper, 50mm wide, together with a 19th Century Pocket Watch Stand Beneath Glass Dome

£350-450

2395

Omega: A 9 Carat Gold Centre Seconds Wristwatch, signed Omega, 1961, (calibre 285) manual wound lever movement signed and numbered 18408103, silvered dial with Arabic numerals, case with a snap-on back stamped inside Omega Watch Co and ALD, case numbered 928 168067, Birmingham gold hallmark for 1961, 9 carat gold spring loaded bracelet wityh a deployant clasp stamped ClewCo and a Birmingham gold hallmark for 1950 33mm wide

£600-800

2396

McCabe: A Gilt Metal and Tortoiseshell Pair Cased Verge Pocket Watch, signed Willm McCabe, Bow Middx, circa 1810, single chain fusee verge movement signed and numbered 734, diamond endstone, turned pillars, dust cover, enamel dial with Arabic numerals, both cases stamped with maker’s mark JR, outer tortoiseshell case with pique pins to the outer borders, together with a 19th century bloodstone set pocket watch winding key 57mm wide

£200-300

2397

A Mahogany Collector’s Cabinet Wellington Chest, late 19th Century, containing eight drawers with turned wooden handles 52cm high

This belonged to a clock and watch collector to hold all his personal pocket watch collection.

£100-150

104 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

IWC:A Rare Stainless Steel Military Issue Wristwatch, signed IWC, model: Mark X, so called by collectors as “one of the Dirty Dozen” circa 1944, (calibre 83) manual wound lever movement numbered 1076555, black dial with Arabic numerals and luminous dot outer markers, broad arrow, subsidiary seconds, luminous hands, fixed bars between the lugs, snap-on back inscribed with broad arrow WWW M13691 and repeated inside the back cover and numbered 1132671, maker’s mark IWC 34mm wide

‘The Dirty Dozen’ is the name given to a group of 12 watches commissioned by the Ministry of Defence for use by soldiers during WWII. The MoD ordered custom-built wristwatches from 12 Swiss watchmakers: Buren, Cyma, Eterna, Grana, Jaeger-LeCoultre, Lemania, Longines, IWC, Omega, Record, Timor and Vertex. Each company was given the specific brief of providing watches that were accurate, reliable and durable, with a black dial, Arabic numerals, luminous markers, a railroad minute track, shatterproof glass and a stainless-steel case. No matter the maker, these watches can be identified by the engraved ‘W.W.W.’ on the reverse, as well as the broad arrowhead mark on the dial, inner case, and reverse, and both military and civil serial numbers on the reverse.

£2,500-3,000

2399

Record: A Chrome Plated Wristwatch, signed Record Watch Co, Geneve, circa 1935, (calibre 22) manual wound lever movement signed, silvered dial with Arabic numerals, seconds dial, chrome plated case with fixed bars between the lugs, snap-on back engraved inside with a presentation inscription for 1938, stamped Record Watch Co Geneve and numbered 260291 37mm wide

£100-200

2400

Omega: A Second World War Period Military Style Centre Seconds Wristwatch, signed Omega, ref: 9263-7, circa 1943, (calibre 30T2) manual wound lever movement signed and numbered 9540477, silvered dial with Arabic numerals, Duralumin case finish, fixed bars between the lugs, blank stainless steel snap-on back, back cover stamped inside Omega Watch Co and numbered 9263-7 32mm wide

£400-600

2401

Omega: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Omega, model: Seamaster 120, ref: 166.027, 1968, (calibre 565) lever movement signed and numbered 28714617, black dial with baton markers, date aperture, tonneau shaped case, (bezel missing), screw back with a Sea Horse Seamaster monogram, inside back cover stamped Omega Watch Co and numbered 166.027, Omega stainless steel bracelet with clasp numbered 1173 4-83 36mm wide

£300-500

2398
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2402

Christopher Ward: A Stainless Steel Automatic Centre Seconds Wristwatch, signed Christopher Ward, model: C65 Super Compressor Black Sand, ref: S65-41ASC1-S0WK0, circa 2021, (calibre SW200-1) lever movement signed, black/sandy coloured dial with baton markers, case with screw down crown, top crown to rotate inner 60 minute calibrated disc, glazed screw back numbered AAR-993, Christopher Ward stainless steel bracelet with a deployant clasp, with Christopher Ward boxes, guarantee card, booklets and two spare bracelet links

40mm wide

£300-500

2403

Christopher Ward: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Christopher Ward, model: C60 Trident Pro 600, ref: C60-40ADA3-S0KK0, circa 2019, lever movement, black dial with baton markers, date aperture, case with screw down crown, rotating bezel, screw back numbered AAC-260, Christopher Ward stainless steel bracelet with a deployant clasp, with Christopher Ward boxes, guarantee card, booklets and two spare bracelet links

40mm wide

£200-300

2404

Christopher Ward: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Christopher Ward, model: C65 Trident Vintage MKII, ref: S65-38ADA2-S00K0, circa 2021, lever movement, black dial with luminous baton markers, date aperture, case with screw back and numbered AAR-619, Christopher Ward stainless steel bracelet with a deployant clasp, with Christopher Ward boxes, guarantee card, booklet and two spare bracelet links

38mm wide

£200-300

2405

Christopher Ward: A Stainless Steel Wristwatch, signed Christopher Ward, model: C5 Malvern 595, ref: 0539H3H3, circa 2018, (calibre ETA 7001) manual wound lever movement, dark grey coloured dial with baton markers, glazed case back numbered 0037, with Christopher Ward boxes

39mm wide

£150-250

106 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

2406

Omega X Swatch: A Bioceramic Chronograph

Wristwatch, signed Omega X Swatch, model: Speedmaster MoonSwatch Mission To The Sun Collection, ref: SO33J100, circa 2022, quartz battery movement, yellow coloured dial with baton markers, outer fifth of seconds track, three dials for seconds and chronograph registers, case with buttons in the band to operate the chronograph, tachymeter scale bezel, Omega X Swatch white velcro strap, with Omega X Swatch box, booklet and guarantee paper

40mm wide

£150-200

2407

Omega X Swatch: A Bioceramic Chronograph Wristwatch, signed Omega X Swatch, model: Speedmaster MoonSwatch Mission To Mars Collection, ref: SO33R100, circa 2022, quartz battery movement, white coloured dial with baton markers, outer fifth of seconds track, three dials for seconds and chronograph registers, red coloured case with buttons in the band to operate the chronograph, tachymeter scale bezel, Omega X Swatch white velcro strap, with Omega X Swatch box, booklet and guarantee paper 40mm wide

£150-200

2408

Omega X Swatch: A Bioceramic Chronograph

Wristwatch, signed Omega X Swatch, model: Speedmaster MoonSwatch Mission To Jupiter Collection, ref: SO33C100, circa 2022, quartz battery movement, beige coloured dial with baton markers, outer fifth of seconds track, three dials for seconds and chronograph registers, case with buttons in the band to operate the chronograph, tachymeter scale bezel, Omega X Swatch black velcro strap, with Omega X Swatch box, booklet and purchase/guarantee paper 40mm wide

£150-200

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2409

Hamilton: A Stainless Steel Automatic Day/Date Centre Seconds Wristwatch, signed Hamilton, model: Pan-Europ, ref: H354050, circa 2016, lever movement signed, dark blue sunburst dial with baton markers, day/date apertures, red centre seconds hand, glazed case back secured by four screws and numbered H354050, Hamilton strap and stainless steel deployant clasp, with Hamilton boxes, International warranty card, instruction booklet and spare Hamilton fabric strap 42mm wide

£200-300

2410

Raymond Weil: A Titanium and Stainless Steel Automatic Calendar Chronograph Wristwatch, signed Raymond Weil, model: Nabucco, ref: 7850, circa 2016, (calibre RW5010) lever movement signed, black dial with Arabic and baton markers, eccentric date aperture, three dials for seconds, 30 minute and 12 hour registers, outer fifth of seconds track, case with protected screw down crown, buttons in the band to operate chronograph, calendar adjustment button at 10, glazed screw back numbered V397419, Raymond Weil steel and titanium bracelet with a concealed double deployant clasp, with Raymond Weil boxes, guarantee card, booklets, swing tag and three spare bracelet links

46mm wide

£300-500

2411

Rado: A Ceramic and Stainless Steel Calendar Chronograph Wristwatch, signed Rado, model: Centrix Chronograph, ref: 01.312.0130.3.015, circa 2016, quartz battery movement, black dial with baton markers, eccentric date aperture, three dials for seconds, and chronograph register dials, case with buttons in the band to operate the chronograph, snap-on back numbered 13993987, Rado ceramic stainless steel bracelet with a concealed double deployant titanium clasp, with Rado boxes, guarantee card and instruction booklet 40mm wide

£200-300

2412

Rado: A Ceramic and Stainless Steel Automatic Calendar Chronograph Wristwatch, signed Rado, model: Hyperchrome, ref: 01.650.0275.3.015, circa 2017, (calibre ETA 2894-2) lever movement signed, black dial with baton markers, outer fifth of seconds track, three large sub dials for seconds, 30 minute and 12 hour registers, eccentric date aperture, case with buttons in the band to operate chronograph, glazed back cover secured by four screws and numbered 14142904, Rado ceramic and stainless steel bracelet with a concealed double deployant titanium clasp, with Rado boxes, guarantee card, instruction booklet and two spare bracelet links 45mm wide

£400-600

108 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

2413

Oris: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Oris, model: Big Crown Pointer Date, ref: 7543, circa 2005, (calibre 754) lever movement signed, black dial with Arabic numerals, outer date ring with a corresponding central red crescent date hand, luminous hands, case with a ribbed finish bezel, big crown, glazed screw back numbered 26-01971, Oris stainless steel bracelet with a deployant clasp, Oris boxes and booklets

39mm wide

£300-500

2414

Tag Heuer: A Stainless Steel Calendar Chronograph Wristwatch, signed Tag Heuer, model: Formula 1 Chronograph, ref: CA1215, circa 1995, quartz battery movement, red dial with three sub dials for seconds and chronograph registers, eccentric date aperture, case with screw down crown, buttons in the band to operate the chronograph, rubbed rotating bezel, screw back numbered BE0495, Tag Heuer bracelet with a deployant clasp, with Tag heuer service box, one spare bracelet link and Tag Heuer service guarantee card dated 10.10.2011 37mm wide

£400-500

2415

Cartier: An Enamel and Stainless Steel Alarm Desk Timepiece, signed Cartier, ref: 2746, circa 2005, quartz battery movement, silvered dial with Roman numerals and signed, secret Cartier signature at 7, case with guilloche light pink enamel front, case back signed and numbered 123804GD 2746, case back with alarm and hand setting crowns 68mm x 80mm

£300-500

2416

Omega: A Stainless Steel Calendar Centre Seconds Wristwatch with the Red Khanjar National Symbol of Oman Dial, signed Omega, model: Seamaster Brest, ref: 1960251/3960956, circa 1985, (calibre 1430) quartz battery movement signed, silvered dial with baton markers and a red khanjar National Symbol of Oman, date aperture, case back with Sea Horse Seamaster logo, back cover stamped inside Omega Watch Co and numbered 1960251 3960956, Omega stainless steel bracelet with a deployant clasp, numbered 1412, with original Omega box and box lid stamped with the National Symbol of Oman 33mm wide

These watches with the ‘’Khanjar’’ symbols were ordered and presented by the Sultan of Oman (Qaboos Bin Said al Said) as a token of appreciation and gratitude for recognition of services rendered.

£300-500

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2417

IWC: A Stainless Steel Automatic Day/Date Chronograph Wristwatch, signed International Watch Company, Fliegeruhr Pilots Chronograph, ref: IW377701, circa 2013, lever movement, black dial with Arabic, baton and triangle hour markers, day/date apertures, three dials for seconds, 30 minute and 12 hour registers, case with chronograph buttons in the band and a screw down crown, screw back numbered 5121232, IWC strap and steel buckle, with IWC box, guarantee card, booklets and spare IWC used strap

43mm wide

£2,500-3,000

2418

Schofield: A Limited Edition Titanium Automatic Centre Seconds Wristwatch, signed Schofield, model: Strange Lights, ref: SWC SL-1, circa 2020, (calibre ETA 2824-2) lever movement, red coloured dial with red Arabic and dagger markers, case side numbered SWC SL-1, back cover engraved with a lighthouse and signed SWC limited edition, SWC strap and a red ceramic coated steel buckle 44mm wide

The Strange Lights is a limited edition titanium wristwatch with only 29 made with a green dial and 29 made with a red dial.

£800-1,200

2419

Tag Heuer: A Stainless Steel Automatic Calendar Chronograph Wristwatch, signed Tag Heuer, 200 meters, ref:CN2110, circa 2005, lever movement, silvered dial with baton markers, three dials for seconds, 30 minute and 12 hour chronograph registers, date aperture, outer tachymeter scale, case with screw down crown, buttons in the band to operate the chronograph, rotating bezel, screw back numbered TT4667, Tag Heuer stainless steel bracelet with a deployant clasp 40mm wide

£300-500

110 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

2420

Omega: A Lady’s Steel and Gold Wristwatch, signed Omega, model: De Ville, ref: 43701200, circa 2011, quartz battery movement, champagne coloured dial with Roman numerals, case with gold bezel, snap-on back numbered 90645386, later 9 carat gold bracelet, with Omega boxes, International warranty/Pictograms cards, instruction booklet, card holder, spare Omega strap with attached Omega 18 carat gold buckle stamped 750 and two spare bracelet links 22mm wide

£300-500

2421

Christopher Ward: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Christopher Ward, 300m/1000ft, model: C60 Trident Pro, circa 2014, (calibre ETA 2824-2) lever movement, wavy black dial with luminous dot and baton markers, eccentric date aperture, outer fifth of seconds track, case with crown down crown, rotating bezel, screw back numbered 5431, Christopher Ward stainless steel bracelet with a deployant clasp, with Christopher Ward boxes, booklet and one spare bracelet link

43mm wide

£250-350

2422

Ebel: A Lady’s Stainless Steel Diamond Set Wristwatch, signed Ebel, model: Beluga, ref: E9157428-20, circa 2005, quartz battery movement, mother of pearl dial with Roman and diamond set hour markers, tonneau shaped case with diamond set bezel, back cover secured by four screws and numbered 42573175, Ebel stainless steel bracelet with a concealed deployant clasp, with Ebel boxes, warranty and precious stones certificate cards, booklets and two spare bracelet links 27mm wide

£400-600

2423

Longines: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Longines, model: Master Collection, ref: L2.628.4, circa 2016, (calibre L619.2) lever movement signed, silvered dial with Arabic numerals, date aperture at 6, glazed case back numbered 41404583, Longines strap with a steel double deployant clasp, with Longines boxes, guarantee card and booklets 38mm wide

£400-600

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2424

Hermes: A Lady’s 18 Carat Gold Wristwatch, signed Hermes, Paris, model: Cape Cod, ref: CC1.185, circa 2006, quartz battery movement, white dial with Arabic numerals, case back with Hermes logo and numbered 1453522, back cover secured by four screws, Hermes strap with 18 carat gold buckle, with Hermes boxes, guarantee and instruction booklets

20mm wide

£400-500

2425

Omega: A Steel and Gold Calendar Centre Seconds Wristwatch, signed Omega, Chronometer, model: Constellation, ref: 1980140/3980866, 1984, (calibre 1431) quartz battery movement signed and numbered 46582903, champagne coloured sunburst dial with Roman numerals, date aperture, snap-on case back with Constellation logo and numbered 1431, inside back cover stamped Omega Watch Co, Omega steel and gold bracelet with a concealed deployant clasp numbered 1392/012, with Omega box

34mm wide £200-300

2426

Buren: An Interesting 9 Carat Gold Presentation Wristwatch Together with an Appreciation Autograph Book from the Employees at Hepworths Ltd in 1939, signed Buren, retailed by Murdocks, Cape Town, circa 1939, manual wound lever movement signed Buren Grand Prix, silvered dial with Arabic numerals and signed, seconds dial, back cover with an engraved presentation inscription “Presented to G.A.Talent by his fellow employees in Hepworths Ltd 1900-1939”, inside back cover stamped 9c0.375 and numbered 822655

29mm wide £200-300

2427

Marloe: A Stainless Steel Automatic Centre Seconds Wristwatch, signed Marloe Watch Company, model: 10/Solent Cardinal, circa 2020, (calibre MIYOTA 9039) lever movement, black dial with dagger hour markers, yellow centre seconds hand, steel matte blasted case, glazed back cover numbered 0030, Marloe black rubber strap with a stainless steel buckle, with Marloe box and booklets 42mm wide £100-200

112 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

2428

Heuer: Two Heuer Wrist Stopwatches,the first: signed Heuer, model:Game Master “Military”, ref: 503.051, 1960’s, (calibre 7710) movement signed Heuer, white dial with 60 minute Arabic numerals, outer fifth of seconds track, central minute register orange hand, chrome plated case, screw down crown to hold sliding 60 minute calibrated bezel, single push button at 8 to operate the stopwatch, stainless steel case back with an engraved inscription, inside back cover stamped Heuer Leonidas SA Swiss and numbered 461834, Heuer strap and Heuer steel buckle, with Heuer box, inner plastic cover, blank guarantee booklet and instruction paperwork

54mm wide

the second: signed Heuer, model: “Military”, ref: 202.508, 1980’s, mechanical wound movement, white and grey coloured dial with 60 minute Arabic numerals, outer fifth of seconds track, central red minute register hand, black plastic case, two top buttons to operate stopwatch, sliding 60 minute calibrated bezel, black rubber strap numbered 52077, with Heuer box and blank guarantee booklet

46mm wide

£300-400

2429

Longines: A Stainless Steel Automatic Centre Seconds Wristwatch, signed Longines, model: Hour Angle, ref: 989.5215, circa 1990, (calibre L989.2) lever movement signed and numbered 57693092, white dial with Roman numerals and an inner blue 180 degrees scale, inner silvered rotating disc calibrated for 60 minutes and 15 degrees, pusher in the band to open case back, rotating 15 degree bezel, inside hinged back inscribed designed by Col Charles A Lindbergh and numbered 989.5215 22212099, with Longines box and original instruction booklet 37mm wide

In 1927 Charles Lindbergh made the first non-stop crossing of the North Atlantic, from New York to Paris. The original ‘Hour Angle watch’ was designed by him as a navigational aid for pilots. The calibrations on the dial are designed to tell the time in minutes and seconds, and the ‘hour angle’ or longitude via the central rotating disc.

£500-700

2430

Rolex: An Early Silver Enamel Dial Wristwatch, signed Rolex, 1917, manual wound lever movement signed, enamel dial with luminous Arabic numerals and signed, cushion shaped case with wire lugs, snap-on back stamped inside Rolex W&D and numbered 803988, London silver import mark for 1917 and 925 32mm wide

£200-400

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2431

Christopher Ward: An Automatic Calendar Centre Seconds Wristwatch, signed Christopher Ward, model: C60 Trident Bronze, ref: S6038ADA2-B00B0, circa 2020, lever movement, dark blue coloured dial with luminous baton markers, date aperture, bronzed case with screw down crown, rotating bezel, stainless steel screw back numbered C6038AB 0705, Christopher Ward dark blue rubber strap with a bronzed buckle, with Christopher Ward boxes, guarantee card and booklets

38mm wide

£200-300

2432

Tag Heuer: A Lady’s Stainless Steel Calendar Centre

Seconds Wristwatch, signed Tag Heuer, 300 meters, model: Aquaracer, ref: WAF1312, circa 2005, quartz battery movement, mother of pearl dial with diamond set hour markers, date aperture, case with a screw down crown, rotating bezel, screw back numbered EWQ2488, Tag Heuer stainless steel bracelet with a deployant clasp, with Tag Heuer boxes, blank guarantee card and instruction booklet 34mm wide £400-500

2433

Christopher Ward: A Stainless Steel Automatic Calendar Centre

Seconds Wristwatch, signed Christopher Ward, model: C60 Trident GMT 600, ref: C60-42AGM3-S0BB0, circa 2019, lever movement, dark blue coloured dial with baton markers, date aperture, orange 24 hour hand, case with screw down crown, blue rotating bezel, screw back numbered AAB-195, Christopher Ward stainless steel bracelet with a deployant clasp, with Christopher Ward boxes, guarantee card, booklets, two spare bracelet links and a Christopher Ward orange/blue rubber strap 42mm wide

£200-300

114 All lots subject to a buyer’s premium of 28.8% inclusive of VAT @ 20%

Auction Notes

www.tennants.co.uk 115

Valuations for Insurance, Probate and Family Division

BUYERS’ INFORMATION

Buyer’s Premium

A Buyer’s Premium of 24% on the first £999,999 of the Hammer Price and 20% on the amount thereafter, plus VAT, is payable on each lot.

Condition Reports

We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. We accept no liability for the opinions expressed in any Condition Report.

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The principle of caveat emptor applies to the sale of all goods sold at auction by us. Furthermore, we have no control over the condition of any item offered for sale.

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Requests for additional images of items in the sale can made up to 48 hours before the Day of Sale.

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We conduct appropriate Due Diligence checks to comply with current Anti Money Laundering regulations for any buyer exceeding the threshold of £8,000. We reserve the right to withhold the purchased lots until such checks have been completed.

Agency

We act as agents for the Seller, whose details remain confidential. If you buy at auction your contract is with the Seller, not us.

Jewellery

Coloured Stones. It should be noted that gemstones are often treated to improve their appearance. Heating, for instance, can intensify the colour or transparency of sapphires and rubies, whilst oiling can improve the clarity of emeralds. The international jewellery trade generally accepts these methods. Once heated, the colour enhancement is permanent, though there may be some effect on the durability of the gemstone in question. Once a gemstone has been oiled, the process may need to be repeated in the future to maintain the clarity. Certificates. Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gemstones included in that particular piece. These certificates may have been obtained by Tennants or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Tennants and we cannot be held responsible for any disagreement over the content of certificates after the sale or for a retrospective change in opinion by the providers of any of the certificates.

Watches

All Lots are sold as seen, and the absence of any reference to the condition of a watch does not imply the lot is in good condition and without defects, repairs or restorations. Most watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. We do not undertake any inspection of any watches prior to any Sale. We make no representation or warranty that any watch is in working order. As watches often contain fine and complex mechanisms, Prospective Buyers should be aware that a general service, change of battery or further repair work, for which they are solely responsible, may be necessary.

CITES Regulations/Ivory Act 2018

CITES-restricted items and Ivory Exempt items will be accompanied by a current CITES Article 10 licence/Ivory Exemption Declaration where applicable and the licence/exemption declaration number will be displayed within the original catalogue description (required by UK law). Both CITES Article 10 licences and Ivory Exemption Declarations are non-transferable and buyers must apply for a new Article 10 licence/Ivory Exemption Declaration in their name if they wish to sell to a third party.

It is the sole responsibility of the buyer and/or contracted shipping agent to have in place the correct CITES re-export and import licences into the buyer’s chosen country before shipping can be undertaken.

CITES regulations are given on www.ukcites.gov.uk or may be obtained from:

The Animal and Plant Health Agency

Centre for International Trade Horizon House Deanery Road

Bristol BL1 5AH wildlife.licensing@apha.gsi.gov.uk 0117 372 3700

Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

Method of Payment

Payment is accepted online via our website.

Card payments where the card holder is not present will only be accepted for transactions up to £500.

Payment can be made and purchases collected during the auction.

All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale.

Collection

All purchases must be collected from our Leyburn offices, unless stated otherwise, within seven days of the Sale (Monday to Friday 8.30am to 5.00pm).

Despatch/Delivery

Buyers may appoint their own shippers or use one of our preferred suppliers for all UK deliveries and international shipping. Their contact details are as follows:

Bradleys Antique Packing Services Ltd 01325 281332 info@antiquepacking.co.uk

Carrs Carriers Ltd 01423 297088 01913 077024 07958 023028 carrscarriersltd@gmail.com

Mailboxes Etc 0113 242 8715 info@mbeleedscity.co.uk

In-House Shipping

For certain lots, we offer a packing and shipping service up to a total value of £5,000 (inclusive of buyer’s premium, VAT and any other associated charges). Prices start from £25 depending on the size and destination. Please note, we are unable to post items of a fragile nature. Items are fully insured and can be tracked from dispatch to delivery.

To obtain a quote for packing and shipping, please email shipping@tennants-ltd.co.uk or call 01969 623780. You will need to have paid your invoice in full, including delivery, before items are dispatched.

For full Terms of Business please refer to www.tennants.co.uk

www.tennants.co.uk 119

FORTHCOMING VALUATION EVENTS

Friday 10 May

Tennants in Harrogate

34 Montpellier Parade, Harrogate HG1 2TG

Jewellery

Monday 13 May

Tennants in Harrogate

34

Montpellier Parade, Harrogate HG1 2TG

Clocks & Watches

Tuesday 21 May

St Mary's Church, Beverley HU17 8DL

Jewellery

Monday 3 June

Tennants in Harrogate

34

Montpellier Parade, Harrogate HG1 2TG

Jewellery

Friday 7 June

Tennants in Harrogate

34

Montpellier Parade, Harrogate HG1 2TG

Clocks & Watches

Tuesday 20 June

Lytham Hall, Ballam Road, Lytham FY8 4JX

Jewellery

Thursday 18 July

Leighton Hall, Carnforth LA5 9ST

Jewellery

Clocks & Watches

NEXT FINE JEWELLERY, WATCHES & SILVER SALE

SATURDAY 14 SEPTEMER 2024

2024 AUCTION DATES

Friday 3 May

Antiques & Interiors

Wednesday 8 May

Coins & Banknotes

Wednesday 15 May

Scientific & Musical Instruments, Cameras & Tools

Saturday 18 May

Country House

Jewellery, Watches & Silver

Friday 24 May

Antiques & Interiors

Costume, Accessories & Textiles

Wednesday 5 June

Stamps & Postal History

Friday 7 June

Antiques & Interiors

Saturday 15 June

20th Century Design

Modern & Contemporary Art

Friday 21 June

Antiques & Interiors including Beswick & Border Fine Art

Wednesday 26 June

Militaria & Ethnographica

The Auction Centre, Leyburn North Yorkshire DL8 5SG 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk

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