Modern & Contemporary Art, 25 June

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MODERN & CONTEMPORARY ART SATURDAY 25 JUNE 2022

The Auction Centre, Leyburn North Yorkshire DL8 5SG 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk

MODERN & CONTEMPORARY ART SATURDAY 25 JUNE 2022

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Lot 1058

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ALSO SELLING TODAY:

20TH CENTURY DESIGN 20TH CENTURY DESIGN SATURDAY 25 JUNE 2022

SATURDAY 25 JUNE 9.30AM (334 LOTS)

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MODERN & CONTEMPORARY ART SATURDAY 25 JUNE 2022 AT 9.30AM AUCTION The Auction Centre, Leyburn North Yorkshire DL8 5SG

VIEWING Thursday 23 June 10.00am to 4.00pm Friday 24 June 10.00am to 5.00pm Morning of Sale from 8.00am Live bidding is available on this sale by registering at www.tennants.co.uk All lots illustrated online at www.tennants.co.uk CONTACT Telephone: 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk

FRONT COVER Lot 1070 BACK COVER Lot 1132

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MODERN & CONTEMPORARY ART DEPARTMENT In line with rising interest with this area of visual culture, Tennants offer a wide range of examples by artists and movements from the 20th century through to the present day.

YORKSHIRE PICTURES AND NORTHERN ART Tennants is the leading auction house in the North of England representing and promoting high calibre and varied examples from this genre of artists. The importance of our local consigners and collectors, as well as those works sourced and sold from further afield, is testament to the notable reputation held by the Department.

The Picture Department is proud to have successfully represented many important living artists and artists’ estates from the North, including Norman Cornish, Peter Brook, John Ridgewell, Marie Walker Last, Karl Torok and Sally Arnup, to name but a few, and we continue to build new and lasting relationships with numerous living artists and estates.

YOUR SPECIALISTS

Francesca Young Modern & Contemporary Art Specialist

Charlotte Conboy Head of Pictures

Guy Cooper Picture Specialist

Lucy Campbell Picture Department Administrator

Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results.

Twenty-seven specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace.

Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major disciplines, making it one of the UK’s busiest salerooms.

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1000 3 After Laurence Stephen Lowry RBA, RA (1887-1976) “Landscape with Farm Buildings” Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, a colour reproduction, 43cm by 53cm £1,000-1,500

1001 3 After Laurence Stephen Lowry RBA, RA (1887-1976) “The Pond” Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 46.5cm by 58cm £2,500-4,000

1000

1001 www.tennants.co.uk

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1002

1002 3 After Laurence Stephen Lowry RBA, RA (1887-1976) “Britain at Play” Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 47cm by 60cm £2,500-4,000

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1003

1003 3 After Laurence Stephen Lowry RBA, RA (1887-1976) “Market Scene in a Northern Town” Signed, published in 1973 by Patrick Seale Prints Ltd, from an edition of 750, a colour reproduction, 60.5cm by 75cm £2,000-3,000

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1004 3 After Laurence Stephen Lowry RBA, RA (1887-1976) “Level Crossing, Burton-on-Trent” Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, published in 1973

by Henry Donn, a colour reproduction, 43.5cm by 58cm £400-600

1005 3 After Laurence Stephen Lowry RBA, RA (1887-1976) “Level Crossing, Burton-on-Trent” Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, published in 1973

by Henry Donn, a colour reproduction, 44cm by 59cm £2,000-3,000 1004

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1006

1006 3 After Laurence Stephen Lowry RBA, RA (1887-1976) “The Fever Van” Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 46cm by 53cm £2,500-4,000

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1007

1007 3 After Laurence Stephen Lowry RBA, RA (1887-1976) “Industrial Scene” Signed in pencil, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, published by Venture prints Ltd, a colour reproduction, 37.5cm by 26.5cm £1,200-1,800

1008 3 After Laurence Stephen Lowry RBA, RA (1887-1976) “Berwick-on-Tweed” Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 650, a colour reproduction, 55.4cm by 43.5cm £4,000-6,000

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1008

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1009 (part)

1009 3 After Laurence Stephen Lowry RBA, RA (1887-1976) “Self Portrait”, “The Artist’s Mother”, “The Artist’s Father” Each signed, a colour reproduction, together with the portfolio case and bronze medallion each numbered 175/300, 34cm by 25.5cm, and 13cm (dia) respectively (5) £700-1,000

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1010 3 After Laurence Stephen Lowry RBA, RA (1887-1976) “The Family” Signed in biro, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, a colour reproduction, 38cm by 30cm £1,000-1,500

1010

1011 3 After Laurence Stephen Lowry RBA, RA (1887-1976) “Three Men and a Cat” Signed in biro, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, 36.5cm by 26cm £1,000-1,500

1011 www.tennants.co.uk

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1012

1012 3 After Lawrence Stephen Lowry RBA, RA (1887-1976) “Group of Children” Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 20.5cm by 20cm £1,500-2,000

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1013

1013 3 After Laurence Stephen Lowry RBA, RA (1887-1976) ‘’His Family’’ Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 575, a colour reproduction, 55cm by 73cm £1,500-2,000

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1014 3 Anthony Gross CBE, RA (1905-1984) “Mercado St Anton Madrid - Paper Dolls” Signed, inscribed and dated 1925, etching from an edition of 60, 24cm by 34cm Provenance: The Stables Gallery, Lancashire A gift from the art collector Arthur Haigh Exhibited: Bradford Art Galleries and Museums Exhibition “Anthony Gross - A Tribute”, June 1986, no.2 £150-250

1015 3 Anthony Gross CBE, RA (1905-1984) “Shepherdess” Signed, inscribed proof, etching, 18cm by 12cm £70-100

1014

1016 (part)

1016 3 Charles Murray (1894-1954) Scottish “The Rat” Signed, etching and aquatint, together with Jean Macalpine (Contemporary) “Morning Chorus”, signed, inscribed and dated Feb 16, A/P, etching and aquatint, 9.5cm by 16cm and 38cm by 30.5cm respectively (2) Provenance: Ernest Musgrave Collection in 1964 A gift from the art collector Arthur Haigh Exhibited: “The Arthur Haigh Collection of Paintings and Etchings by Charles Murray 1894-1954”, The Goosewell Gallery, Menston, no.36 £100-150 16

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1017 3 Francis Butterfield (1905-1968) Self Portrait Signed and dated (19)36, numbered 25/1, woodblock print, together with a further abstract woodblock print by the artist, a photograph of the artist and a pencil landscape study attributed to the artist, 21cm by 13.5cm, 9cm by 8.5cm, 18.5cm by 23.5cm and 11.5cm by 16.5cm respectively (4) £100-150

1018 3 Attributed to Cecil Collins MBE (1908-1989) Portrait of two sisters Etching, 52cm by 42.5cm £200-300

1019 3 Robert Colquhoun (1914-1962) Scottish “Boy with Bird Cage” Signed, lithograph, 52.5cm by 33cm £400-600

1017

1018 www.tennants.co.uk

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1020 3 Keith Vaughan (1912-1977) “Thamar” Signed and dedicated “for V.M. Vassar, July 1936”, a portfolio of twelve silver gelatin prints from the ballet depicting Lubov Tchernicheva, eleven signed and dated 1936 below, 37.5cm by 31cm Vaughan’s first visit to the ballet was on Saturday, July 20, 1929; his mother took him to Covent Garden to see the Ballets Russes. He witnessed one of the last performances of Diaghilev’s original company, since the legendary impresario died one month later and the company folded. Having become obsessed with ballet, he attended performances at Covent Garden, Saddlers Wells, The Hippodrome and The Alhambra over the following decade. He wrote in his journal, Nothing can recreate the staggering wonder of that Saturday afternoon when I first saw Serge Lifar in 1929. And I can share it with no one.

Mother, of course, took me, but understood nothing.

The Ballets Russes was revived by Colonel Wassily de Basil and René Blum in 1932, under the name of the Ballets Russes de Monte Carlo. The new company visited Covent Garden from 1933 onwards and were a sensation.

For some time, ballet had been at the cutting edge of culture and very much an avant garde art form. The finest, most radical painters, designers, choreographers and composers worked in the world of ballet; anyone seriously concerned with the creative arts was interested in the art form and Vaughan was no exception. He attended and photographed performances night after night, occasionally from his seat or, more often, from a gangway adjacent to the stage using a tripod. His surviving photographs capture scenes from Beau Danube (Strauss), Soleil de Nuit (Rimsky-Korsakov), Les Présages (Tchaikovsky), La Boutique Fantasque (Rossini/Respighi), Beach (Françaix) and Debussy’s L’Après-midi d’un Faune. He even attended the world premiere of Choreartium (Brahms) at the Alhambra in 1933 and his existing photographs are probably a record of that very first performance.

The one act ballet Thamar was premiered at the Théâtre du Châtelet in Paris on May 20, 1912, the year Vaughan was born. It was a lavish display of Orientalism with music by Mily Balakirev, designs by Léon Bakst and choreography by Michel Fokine. The role of Thamar was created by Tamara Karsavina. Three weeks later it was performed at the Royal Opera House Covent Garden where it remained in the repertoire in the mid-1930s, when Vaughan attended several performances with Lubov Tchernicheva, who inherited the title role. Like everyone else he was taken by her extraordinary stage presence, which is made abundantly clear in his Thamar album. As the company’s star dancer, she was celebrated for her highly expressive performances, the effect of which was generated not only by her physical movement but her acute sense of theatrical gesture and varied use of facial expression. Vaughan’s album concentrates on these very qualities as Tchenicheva, in the role of the sadistic Queen of Georgia, seduces and murders her unfortunate suitor.

At the time he created the Thamar album, Vaughan was working as a designer and layout man for Lintas Advertising Agency. Several other photographic albums by him exist, most notably Highgate Ponds (1933) and Dick’s Book of Photographs (1940), both in the ‘Keith Vaughan Archive’ in the School of Art Collection at Aberystwyth University. The present work is a rare example of Vaughan’s early photography, an important visual account of a Ballets Russes production (which carried with it the nineteenth century Imperial Russian ballet tradition) and an important record which captures the compelling allure, during a live performance, of one of ballet’s great stars.

We are grateful to Gerard Hastings for this catalogue entry. £700-1,000

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1021

1022

1021 3 Tom McGuinness (1926-2006) “King Street Corner” Signed and dated (19)80, inscribed and numbered 18/70, etching with aquatint, 27.5cm by 21cm £150-250

1022 3 Celia Paul (b.1959) “My Four Sisters with my Mother” Signed, inscribed and numbered A/P I/V, dedicated “For Sheana and Steve”, etching, 33cm by 38cm £200-300

1023 3 Sidney Nolan (1917-1992) Australian/British “Carcasse” Signed, inscribed and numbered 34/60, with the blindstamp, etching 25cm by 29.5cm (unframed) £300-500

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1024

1025

1024 3 Sidney Nolan (1917-1992) Australian/British “Kelly” Signed, inscribed and numbered 38/60, with the blindstamp, etching, 25cm by 29.5cm (unframed) £300-500

1025 3 Sidney Nolan (1917-1992) Australian/British “Ned Kelly I” Signed and numbered 62/75, lithograph, 65cm by 53cm (unframed) £300-500

1026 3 After David Hockney OM, CH, RA (b.1937) “Dessins et Gravures” 15th avril-24 mai, Galerie Claude Bernard, Paris Signed and numbered 419/450, offset lithograph, 62cm by 42.5cm (mounted but unframed) £300-500

1027 3 After David Hockney OM, CH, RA (b.1937) “Prints” Wednesday 18th October-Friday 24th November 2006, University of Bradford Signed, offset lithograph, 29cm by 20cm £150-250

1026 www.tennants.co.uk

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1028

1030

1028 3 John Egerton Christmas Piper CH (1903-1992) “Chamecy, Burgundy” Signed and numbered 29/50, etching, 83cm by 66cm (unframed) £250-400

1029 3 Norman Ackroyd CBE, RA (b.1938) “Wet Evening” Signed and dated 1964, inscribed, A/P, etching, 57cm by 65cm £150-250

1030 3 Dame Elizabeth Violet Blackadder DBE, RA, RSA (1931-2021) Scottish “Black Cat and Lily” Signed and inscribed proof, etching and aquatint, 41.5cm by 33cm £200-300

1031 3 Michael Rothenstein (1908-1993) “Red Leaves” Signed and numbered 19/75, woodcut, together with two further signed woodcuts by the artist “The Garden” and “Three Birds”, 76cm by 69, 81cm by 72cm and 81cm by 69cm respectively (3) (unframed) £300-500 1031 (part) 22

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1032 3 Marc Chagall (1887-1985) French/Russian “La Baie” Numbered 23/175, lithograph, 37.5cm by 55.5cm Provenance: The Savage Gallery, London £300-500

1032

1033

1034 (part)

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1034 3

Henri Matisse (1869-1954) French “Teeny” Monogrammed and dated (19)38 in plate, linocut from “XXe Siècle” published by San Lazzaro, Paris, 1938, 32cm by 24.5cm (unframed) £250-400

Joan Miró (1893-1983) Spanish “Femme” Lithograph for “XXe Siècle” published by San Lazzaro, Paris, 1938, together with five further lithographs from the same publication by Jean Arp, Henri Laurens, Alberto Magnelli, Jean Héllion and Ossip Zadine, 32cm by 24.5cm (6) (unframed) £250-400

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1036

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Marcel Duchamp (1887-1968) French “Roulette de Monte Carlo” Offset lithograph for “XXe Siècle” published by San Lazzaro, Paris, 1938, with the text verso, 31.5cm by 23cm (unframed) £600-800

Pablo Picasso (1881-1973) Spanish “Posters of Picasso” Screen printed cotton for Bloomcraft 1950’s, 69cm by 54cm With selvedge to the reverse Exhibited: “Textiles Picasso to Warhol”, Fashion and Textile Museum, London, 2014 £150-250

1037 3 Pablo Picasso (1881-1973) Spanish ‘’Spring’’ (1955) Screen printed cotton for Fuller Fabrics, 26.5cm by 36cm £100-150

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1038 3 Fernand Léger (1881-1955) French “Parade Sauvage” (1955) Screen printed cotton, for Fuller Fabrics, USA, 44cm by 34cm Exhibited: “Fernand Léger: New Times, New Pleasures”, Tate Liverpool, 23 November 2018 – 17 March 2019 £200-300

1039 3 John Egerton Christmas Piper CH (1903-1992) Figures from Cretan Seal (1957) Screen printed cotton for David Whitehead and Sons, 28.5cm by 48cm Literature: “Artists’ Textiles in Britain 1945-1970”, The Antique Collectors’ Club in association with The Fine Art Society/Target Gallery, 2003, p.88, no.77 £120-180

1040 3 Althea McNish FSCD (1924-2020) “Painted Desert” Screen printed cotton, design for Hull Traders 1959, 55cm by 34.5cm This design was initially called “The Old Man”, the common name for Cephalocereus Senilis giant cacti depicted in the pattern £70-100

1038

1039 www.tennants.co.uk

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1041

1041 Frank Lloyd-Wright (1867-1959) American “Taliesin Line No.102” (1955) Screenprint on linen, for Schumacher & Co, USA, 29cm by 85cm This fabric is featured in the collection of the Metropolitan Museum of Art, New York £200-300

1042 3 Desmond Morris FLS (b.1928) “The Accused” Initialled and dated (20)01, signed and inscribed verso, mixed media, 27.5cm by 21cm (unframed) Sold together with a copy of “Desmond Morris Analytical Catalogue Raisonné”, by Silvano Levy, 1944-2000 published by Pandora, Antwerp, 2001 Provenance: The Mayor Gallery, London £250-400

1043 3 Pablo Picasso (1881-1973) Spanish “Picasso 347, Volumes I & II” Published by Random House/Maecenas Press, New York, presented in the original clam shell case £150-250

1042

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1044

1044 Peter Beard (1938-2020) American “Peter Beard 2006” Signed, number 1360/2500, New York: Taschen, hardcover book contained within a maroon cloth clamshell box £1,500-2,000

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1045

1046

1045 3 Jake Chapman (b.1966) “The Marriage of Reason and Squalor” Signed and numbered 113/250, etching, together with a copy of the artist’s book, encased in the original box, 21cm by 25cm £150-250

1046 Jean-Michel Basquiat (1960-1988) American Musée Maillol 27 juin - 23 octobre 2003, Fondation Dina Vierny, Paris Offset lithographic poster, 59cm by 39cm £100-150

1047 Eve Arnold (1913-2012) American “Marilyn Monroe” Gelatin silver print, printed 2005, signed and numbered 469/500 in pencil on accompanying Magnum Photos / Halcyon Fine Art certificate of authenticity, together with the accompanying book, encased in the original box, 44.5cm by 37cm (overall size) £300-500

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1048 3 Damien Hirst (b.1965) “For the Love of God” Signed and numbered 601/1000, screenprint with diamond dust, 32.5cm by 24cm £1,500-2,000

1048

1049 3 Grayson Perry CBE, RA (b.1960) “Kate Board” Signed, from an edition of 999, screenprint on 7 ply Grade A Canadian Maple Wood, skateboard, 80.5cm Published by Serpentine Galleries, London and produced by the Skateroom on the occasion of “The Most Popular Ever Art Exhibition” £300-500

1049 www.tennants.co.uk

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1050

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Yayoi Kusama (b.1929) Japanese “Pumpkins” (2013) Two painted cast resin multiples, both with printed signature, published

by Benesse Holdings, Inc., Naoshima, Japan, contained in the original paper covered boxes, each 10cm by 9cm (2) £500-700

Tom McGuinness (1926-2006) Portrait of Theresa Rooney aged 8 Signed and dated (19)70, charcoal, together with a companion, 55cm by 39cm and 50cm by 39cm respectively (2) £250-400

1051 3 Harold Riley DL, DLitt, FRCS, DFA, ATC (b.1934) Head and shoulders portrait of a young girl Signed and dated (19)70, pastel, 43cm by 37cm £200-300

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1053 3 Norman Stansfield Cornish MBE (1919-2014) Man at the bar Signed, flomaster pen, 28cm by 17cm £1,000-1,500

1053

1054 3 Norman Stansfield Cornish MBE (1919-2014) “Man Smoking” Signed, inscribed verso and dated 2005, flomaster pen, 19.5cm by 19cm £600-800

1054 www.tennants.co.uk

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1055

1055 3 Brian Shields ‘Braaq’ FBA (1951-1997) Figures outside a school Signed, inscribed “Ann”, mixed media, 19cm by 26.5cm £1,500-2,500

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1056 3 Frank Paul (b.1984) “The Wedding” Signed verso and dated September 18th 2010, pen and ink, 29cm by 20cm Sold together with the certificate of authenticity and a copy of “Art of England” magazine, September 2010, issue 73, where the work is illustrated on the front cover £200-300

1057 3 Frank Paul (b.1984) Surreal figures Signed verso and dated 18th September 2010, pen and ink, 29cm by 20cm £150-200

1056

1057

1058 3 Keith Vaughan (1912-1977) Two figures Initialled verso, pen and ink, 15.5cm by 18.5cm Provenance: Tremayne Fine Arts, St Ives, 2014 Sotheby’s London, anonymous sale £800-1,200

1058 www.tennants.co.uk

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1059

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Dame Laura Knight RA, RWS, RE, RWA, PSWA, DBE (1877-1970) From the wings at the Old Vic Signed, charcoal, 35.5cm by 25cm Provenance: Abbott and Holder, London £400-600

1060

Elisabeth Collins (1904-2000) ‘’A Dream’’ Signed, gouache, 50.5cm by 38.5cm Provenance: Albemarle Gallery, London Literature: “Elizabeth Collins Gouaches, Drawings and Sculpture”, 2 May - 2 June 1989, Albemarle Gallery, London, p.18, no.16, sold together with a copy of the exhibition catalogue £200-300

1061 3 Anne Yeats (1919-2001) Irish Girl resting Signed, mixed media, 55cm by 76cm £500-800

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1062

1062 3 Sidney Nolan (1917-1992) Australian/British “Greece” Signed, inscribed verso “3rd April 1956, Greece”, mixed media, 24.5cm by 29cm This work was painted when Sidney Nolan was staying on the island of Hydra with the Australian writer George Johnston and his wife Charmian Clift £1,000-2,000

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1063 (part)

1064

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Edith Lawrence (1890-1973) Swiss mountain scene Signed, watercolour, together with a further watercolour by the artist depicting a Swiss town, 34cm by 50cm (2) £200-300

Houghton Cranford Smith (1887-1983) American “Poplar Trees, New Mexico” Signed, oil on paper, 14cm by 16.5cm

Mackenzie Thorpe (b.1956) “I Love You and Miss You Always” Signed, inscribed verso and dated 1993, pastel, 45.5cm by 62cm £1,000-1,500

Provenance: Grace Borgenicht Gallery, New York £250-400

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1067

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1067

Maggi Hambling CBE (b.1945) “Study of Lucky, (Lux)” Signed and dated (20)06, watercolour en grisaille, 19cm by 15.5cm £1,000-1,500

Shoichi Hasegawa (b.1929) Japanese Abstract composition Signed, mixed media, 49cm by 56cm £200-300

1068

1068 David Ireland (1930-2009) American Triptych Each signed and dated (19)95 and (19)96, mixed media, 35cm by 34.5cm, 31cm by 20.5cm and 11cm by 6.5cm (3) £300-500

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1069

Sir Terry Frost RA (1915-2003) Untitled Signed and dated (19)68, mixed media, 28.5cm by 28cm Provenance: Wills Lane Gallery, St Ives, 1995 £1,500-2,500

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1070

1070 3 Sir Terry Frost RA (1915-2003) “Vertical Lines” Signed and dated 2002, acrylic collage, 30cm by 30cm Provenance: Belgrave Gallery, St Ives £1,500-2,500

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1072

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Nikolai Ivanovich Osenev (1909-1983) Russian “La Rochelle” Oil on board, 38cm by 48cm £200-300

James English RHA (b.1946) Irish coastal view Signed, oil on canvas, 42cm by 70cm £300-500

Maurice Canning Wilks (1911-1984) Irish “Sunlight and Shadow Connemara Co. Galway” Signed, oil on canvas, 34cm by 44cm £800-1,200

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1074 3 Nicholas Horsefield (1917-2005) “Kent Landscape” Signed and dated 1947, oil on canvas, 39.5cm by 29cm £500-700

1075 3 Colin Ruffell FRSA (b.1939) River landscape Signed, oil on canvas, 62cm by 92cm £250-400

1074

1075 www.tennants.co.uk

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1076

1078

1077

42

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Patrick Oliver (1909-1987) “The Sky Road, Connemara Moment” Signed and inscribed verso, oil on board, 57.5cm by 88.5cm £300-500

Patrick Oliver (1909-1987) “O’Connor Pass, Kerry” Signed and inscribed verso, oil on board, 60cm by 91.5cm £300-500

Patrick Oliver (1909-1987) “Malham Tops” Signed verso, inscribed and dated 1990 verso, oil on canvas, 120cm by 63cm £300-500

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1079

1079 Piers Browne (b.1949) “Sunset, Wensleydale: March 1st” Initialled, inscribed verso, oil on canvas, 78cm by 121cm £600-900

1080

1080 Brian Alderman (b.1954) “Above the Snowline, Wensleydale” Signed, inscribed verso, oil on board, 48cm by 58cm £300-500 www.tennants.co.uk

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1081 3 Ian Norris MAFA (Contemporary) “Cove Near Whistling Sands, Llyn Peninsular” Signed, inscribed verso and dated 2013, oil on board, 69cm by 69cm £200-300

1081

1082 3 Ian Norris MAFA (Contemporary) “South Transept York Minster” Signed, inscribed verso, oil on board, 60cm by 59cm £200-300

1082

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1083 3 David Barnes (1942-2021) “Mountain Stream” Initialled, oil on board, 48cm by 38cm £300-500

1084 3 Janet Ledger (b.1931) “Towards the River” Signed, oil on board, 74.5cm by 120cm Provenance: The Linda Blackstone Gallery, London £300-500

1083

1084 www.tennants.co.uk

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1085 3 Brian Shields ‘Braaq’ FBA (1951-1997) “It’s Bloody Freezing” Signed, inscribed “Ann”, oil on canvas, 44cm by 59cm Provenance: Clark Art Ltd., Cheshire £10,000-15,000

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1085

www.tennants.co.uk

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1087

1086

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Stuart Walton (b.1933) “Great Northern Street, Morley” Signed and dated (19)73, oil on board, 59.5cm by 40cm

Stuart Walton (b.1933) “Street in Leeds” Signed and dated (19)78, oil on board, 74cm by 51.5cm £800-1,200

Bears label verso for The Yorkshire Television Fine Art Fellowship 1972/3, no. 11. £800-1,200

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1088

1088 3 Peter Brook RBA (1927-2009) “Working Dog Resting” Signed and inscribed, oil on board, 18.5cm by 20cm Provenance: A gift from the artist £1,200-1,800

www.tennants.co.uk

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1089 3 Steven Scholes (b.1952) Scarborough Harbour Signed, oil on canvas, 39.5cm by 49.4cm £300-500

1089

1090 Steven Scholes (b.1952) “Leeds and Liverpool Canal, Blackburn, 1962” Signed, oil on canvas, 38.5cm by 49cm £300-500

1090

1091 Steven Scholes (b.1952) “Albert Street from Mount Street, Manchester 1958” Signed, inscribed verso, oil on canvas, 39.5cm by 49.5cm £300-500

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1092 3 William Ralph Turner FRSA (1920-2013) “Stockport Wakes” Signed, inscribed verso, oil on board, 19cm by 24cm £400-600

1092

1093 3 William Ralph Turner FRSA (1920-2013) “Salford Boiler Makers” Signed and dated 1956, inscribed verso, oil on board, 19cm by 24.5cm £400-600

1093

1094 3 William Ralph Turner FRSA (1920-2013) “The Cat and Fiddle” Inscribed verso, oil on board, 39cm by 49cm £300-500

1094 www.tennants.co.uk

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1096

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Don McKinlay (1929-2017) “Pies and Peas, Rothenstall Market” Initialled, inscribed verso and dated 1999, oil on board, 41cm by 28.5cm (a pair) £200-300

Sue Atkinson (1949-2021) “A Favourite Shop” Signed, inscribed verso, oil on board, 34cm by 28.5cm £200-300

1097

1098

1097 3

1098 3

Joe Scarborough (b.1938) Working Men’s Club Oil on board, 12cm by 17cm

Joe Scarborough (b.1938) “Waiting for Paytime” Signed and dated (19)82, oil on board, 12.5cm by 17.5cm

Provenance: Rona Gallery, London, 1988 £300-500

Provenance: Rona Gallery, London, 1988 £300-500

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1099

1099 3 Joe Scarborough (b.1938) “Whitby Regatta” Signed and dated (19)89, oil on canvas, 71cm by 91cm Provenance: Rona Gallery, London, 1989 £2,000-3,000

1100 3 Ian McWhinnie (b.1952) Scottish “Beach at Bretignolles” Signed, inscribed verso, oil on board, 33cm by 35.5cm £250-400

1100 www.tennants.co.uk

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1101

1101 3 Geoffrey Key (b.1941) “Bar Interior” Signed and dated (19)99, inscribed verso, oil on canvas, 50cm by 60cm £3,000-5,000

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1102 3 Gill Watkiss (b.1938) “Treveglos, St. Austell” Signed and dated 2018, inscribed to artist’s label verso, oil on canvas, 49cm by 49cm £1,200-1,800

1102

1103 3 Gill Watkiss (b.1938) “The Farriers Field” Signed and dated (20)20, inscribed to artist’s label verso, oil on canvas, 39cm by 39cm £600-800

1103 www.tennants.co.uk

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1104

1104

1105

Jonathan Armigel Wade (b.1960) “The Young Visitor” Signed, inscribed verso and numbered 2101 with the artist’s numbering system, oil on board, 20cm by 28.5cm £500-800

Jonathan Armigel Wade (b.1960) “Time of Lambs” Signed, inscribed verso and numbered 2215 with the artist’s numbering system, oil on board, 20cm by 28.5cm £500-800

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1106 3 Patrick Leonard (1918-2005) Irish “Ladies Day” Signed, inscribed verso, oil on board, 28.5cm by 39cm £400-600

1106

1107

1108

1107 3

1108 3

Sherree Valentine Daines (b.1959) “Summer Stories” Signed, oil on board, 22.5cm by 20cm £800-1,200

Sherree Valentine Daines (b.1956) “Digging for Treasure” Signed, oil on board, 29cm by 16cm

www.tennants.co.uk

Provenance: DeMontfort Fine Art, Lichfield £1,500-2,500

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1109 3 Ken Howard OBE, RA, RBA, NEAC (b.1932) Figures on a beach Signed, oil on board, 20cm by 25cm £500-800

1109

1110

1111

1110

1111

Darren Yeadon (b.1970) Ammonite Signed, Portoro marble, 15cm high £250-400

Darren Yeadon (b.1970) Fish Signed, Carrara marble, 30cm high £500-700

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1112 3 Simeon Stafford (b.1956) “By the Mount” Signed, inscribed verso and dated 10.2.09, oil on board, 28.5cm by 39cm Provenance: Market House Gallery, Cornwall £400-600

1112

1113 3 Simeon Stafford (b.1956) “The Stubborn Donkey” Signed, inscribed verso, oil on board, 80cm by 80cm £400-600

1113

1114 3 Simeon Stafford (b.1956) “Penzeath, Long Rock” Signed and dated 05.6.11, oil on board, 41cm by 50.5cm Provenance: Market House Gallery, Cornwall £400-600

1114 www.tennants.co.uk

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1115

1115 3 Sam Toft (b.1964) “A Lovely View” Signed, mixed media on board, 29.5cm by 39.5cm Provenance: Gallerina, Darlington £1,000-1,500

1116 3 Sam Toft (b.1964) “Waiting for an Answer” Signed, mixed media on board, 21.5cm by 15.5cm Provenance: Gallerina, Darlington £700-1,000

1116

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1117

1117 Sunita Kumar (b.1942) Indian “Mother Teresa in Prayer” Signed, oil on canvas, 46cm by 45.5cm Provenance: Directly from the artist £2,000-3,000

www.tennants.co.uk

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1118 3 Bernard Dunstan RA, PPRWA (1920-2017) Nude at her toilette Initialled, oil on board, 22.5cm by 29.5cm £800-1,200

1118

1119

1120

1119 3

1120 3

Rose Hilton (1931-2019) “Seated Girl” Signed, inscribed verso, oil on board, 23.5cm by 19cm

Rose Hilton (1931-2019) “Standing Man” Signed, inscribed verso, oil on canvas, 22.5cm by 18cm

Provenance: Westcott’s Gallery, St Ives £300-500

Provenance: Rainy Day Gallery, Penzance Rose Hilton noted in a letter to the vendor that “the model was an attractive thirty year old called Paul. He had auburn hair and a good stature...” £300-500

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1121 3 Alexandra (Sandie) Gardner (1945) Scottish “Mirror Mirror” Signed, inscribed verso and dated 2000, oil on canvas, 52cm by 44cm Provenance: The Portland Gallery, London £400-600

1121

1122 3 Michael Haswell (1935-2013) “Reclining Nude” Initialled, oil on board, 38cm by 51cm £200-300

1122

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1124

1123

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Arthur Dooley (1929-1994) “Head of Christ” Bronze on a wooden plaque, 12cm by 9.5cm (overall size) £200-300

Tom Wood (b.1955) “Dancer in the Wings” (2015) Inscribed verso, oil on card, 68.5cm by 74cm Exhibited: “Tom Wood: New Work”, 19 February 2016- 19 June 2016, Mercer Gallery, Harrogate The painting was inspired by Tobias Batley, Principal Dancer at the Northern Ballet. £600-800

1125 3 Tom Wood (b.1955) “Head I (Warrior)” Signed verso, dated 2015 verso, oil on canvas, 50cm by 60cm Provenance: Purchased from the artist £500-700

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1126

1126 3 Tom Wood (b.1955) “Young Saint” Signed verso, inscribed verso and dated 2017, mixed media on board, 69cm by 74cm Provenance: Purchased from the artist £600-800 www.tennants.co.uk

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1127 3 Gary Bunt (b.1957) “The Ark” Signed, dated 2013 and extensively inscribed verso with title and “Do animals believe in Jesus. Do animals say their prayers. Are raindrops really angels’ tears? Are there Christian Teddy Bears?”, oil on canvas, 101cm by 120cm Exhibited: Portland Gallery, London, May 2015, catalogue no.9 Literature: Gary Bunt, “By the Grace of God, Paintings and Poems by Gary Bunt”, Portland Gallery, London, p.29 £12,000-18,000

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1127 www.tennants.co.uk

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1128 3 Trevor Stubley RP, RBA, RSW, RWS (1932-2010) “Picking Limpets” Signed, acrylic on board, 69cm by 75cm Provenance: Purchased from the artist £500-700

1128

1129 3

1129

Daisy Boman (Contemporary) Belgian “Passing Time” Each signed, resin, 30cm high (4) £150-250 68

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1130 3 Michael Duhan (b.1956) Irish Three acrobats Signed, bronze, 51.5cm high £2,000-3,000 www.tennants.co.uk

1130

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1131

Michael Duhan (b.1956) Irish Tower of acrobats Signed, bronze, 58cm high £2,000-3,000 70

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1132 3 Philip Jackson MA, FRBS, FRSA (b.1944) “Palestrina’s Pavan” Signed and numbered 2/8, bronze, 58cm high

1132

Provenance: Parkview Paintings & Sculpture, Monmouthshire, Wales £5,000-7,000 www.tennants.co.uk

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1133 3 Jean-Louis Toutain (1948-2008) French Horse and Rider Signed and numbered E/A II, bronze, 20cm high Provenance: Galerie Méditerranée, Bonifacio, Corsica, France £800-1,200

1133

1134

1134 3 Chris Gollon (b.1953) “Love II” Signed, acrylic on canvas, 60cm by 45cm Sold together with a signed copy of “Chris Gollon, Humanity in Art” by Tamsin Pickeral, Hyde and Hughes Publishing, 2010 £300-500

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1135 1135 3 Chris Gollon (b.1953) “Unconditional Love II” Signed, oil on canvas, 41cm by 56cm Sold together with a signed copy of “Chris Gollon, Humanity in Art” by Tamsin Pickeral, Hyde and Hughes Publishing, 2010 £300-500

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1136 3 Francis Marshall (b.1946) French “For the First Time I painted for you the Rising Sun” (2003) Signed verso, inscribed, acrylic on wood, 42cm by 60cm Provenance: The Mayor Gallery, London £300-500

1136

1137 3 Marie Therese Keown (b.1974) Northern Irish “Trial by Fire and Water” Signed verso, inscribed verso and dated 21.09.2002, 1pm, acrylic on canvas, 75cm by 130cm £700-1,000

1137

1138 3 Frank Thatcher (20th/21st century) Surreal still life Signed and dated (19)48, gouache on board, 25.5cm by 36.5cm £150-200

1138 www.tennants.co.uk

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1139 3 Victoria Crowe OBE, DHC, FRSE, RSA, RSW (b.1945) Scottish “Image Toys” Signed and dated (19)72, gouache on board, 16cm by 17.5cm Provenance: Hawksworth Gallery, Ilkley Derek Hyatt Gifted to Arthur Haigh A gift from Arthur Haigh to the present vendor in 1985 £600-800

1139

1140 3 Tom Wood (b.1955) “Paper Bag” Signed verso, inscribed and dated 2003 verso, oil and wax on board, 46cm by 40cm Provenance: A gift from the artist £300-500

1140

1141 3 Terry Whybrow (b.1932) “Painting 101” Signed verso, inscribed verso and dated (19)98, oil on board, 23cm by 25cm £200-300

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1142 3 Ken Howard OBE, RA, RBA, NEAC (b.1932) “Daffodils at St Clements Studio” Signed, oil on canvas, 25cm by 19.5cm Provenance: Richard Green Fine Art, London £700-1,000

1142

1143

1144

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Peter Kotka (b.1951) “Silver Coffee Pot, Lemons and Glass” Signed and inscribed verso, oil on board, 38cm by 48cm £700-1,000

Robbie Wraith RP (b.1952) Still life of red roses in a glass vase Signed, oil on board, 30cm by 37cm £400-600

www.tennants.co.uk

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1145

1145 3 Geoffrey Key (b.1941) “Venetian Mask” Signed and dated (20)12, inscribed verso, oil on canvas, 40cm by 50cm £2,000-3,000

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BRITISH, EUROPEAN & SPORTING ART SATURDAY 16 JULY 2022

For further information please contact: Charlotte Conboy 01969 623780 charlotte.conboy@tennants-ltd.co.uk www.tennants.co.uk Guy Cooper 01969 623780 guy.cooper@tennants-ltd.co.uk www.tennants.co.uk

William Kay Blacklock (1872-1922) “Bathers, Walberswick” Signed, indistinctly dated?, signed and inscribed verso, oil on canvas board, 24cm by 34cm Sold for £15,000

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ENTRIES INVITED FOR MODERN & CONTEMPORARY ART SATURDAY 15 OCTOBER 2022

For further information please contact: Francesca Young 01969 623780 francesca.young@tennants-ltd.co.uk www.tennants.co.uk

Henry Moore OM, CH, FBA (1898-1986) "Maquette for Warrior with Shield" (1952-53) (cast 1953) From an edition of 11+1, patinated bronze on a marble base, 21cm high (including base) £35,000-45,000

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ABOUT TENNANTS

UNIQUE FACILITIES Tennants is the only auctioneers in the UK with the capability to exhibit single items and collections to the public months head of sale.

Museum-quality display galleries were built in 2014 to provide ever-changing displays of highlights from the saleroom.

The Company has a long history of handling outstanding private collections and estate sales of all sizes.

Notable private collection sales have included: An American Collector – from Virginia The P Lamaison Van Heenvliet Collection of Arms and Armour - from Holland Modern Life in Print - from the estate of Edith Laurence The El-Shamy Wine Collection An Attic Sale: The Final Instalment of the Collections of the late Stanley J Seeger The Historical Collection of Natural History and Taxidermy from Hodnet Hall

www.tennants.co.uk

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NON-SELLING EXHIBITIONS AND EVENTS Tennants hosts a busy and varied programme of exhibitions and events, which not only support and enhance the auction programme but provide a diverse cultural experience for visitors and the local community.

Frequently working in association with museums, private collectors and educational establishments, highlights of the non-selling exhibition programme include curated displays of treasure from the Bowes Museum and fine art exhibitions including 350 Years of British Art and Light & Shadow, showcasing major loaned works from over twenty museums and numerous private collections. Northern Art is championed too, with frequent selling exhibitions. Recent highlights have included Norman Cornish: Bishop’s Close Street and Sally Arnup: Life in Bronze, both of which were staged in conjunction with the artists’ estates.

CONTACT US To discuss your requirements please contact us on 01969 623780 enquiry@tennants-ltd.co.uk

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BUYERS’ INFORMATION Buyer’s Premium

Absentee Bidding

A Buyer’s Premium of 22% of the Hammer Price, plus VAT, is payable on each lot.

Whilst reasonable endeavours will be made to execute absentee bidding up to the Day of Sale, Tennants will not be liable for any default or neglect in connection with this service. All such arrangements therefore are made entirely at the Prospective Buyer’s risk.

Condition Reports We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. We accept no liability for the opinions expressed in any Condition Report.

Caveat Emptor The principle of caveat emptor applies to the sale of all goods sold at auction by us. Furthermore, we have no control over the condition of any item offered for sale.

VAT Value added tax or any equivalent tax chargeable in the UK or elsewhere.

AML Due Diligence We conduct appropriate Due Diligence checks to comply with current Anti Money Laundering regulations for any buyer exceeding the threshold of £8,000. We reserve the right to withhold the purchased lots until such checks have been completed.

Agency

Additional Images Requests for additional images of items in the sale can made up to 48 hours before the Day of Sale.

Online Bidding We offer an online bidding service via our own platform - Tennants Live Bidding at www.tennants.co.uk. Items purchased via this platform will be subject to an additional 1.5% commission charge plus VAT at the prevailing rate. We also offer online bidding via www.the-saleroom.com for prospective buyers who cannot attend the sale. Items bought via this platform will be subject to an additional 4.95% commission charge plus VAT. By completing registration on www.the-saleroom.com and providing your credit/bank card details and unless alternative arrangements are agreed with us, you; (a) authorise Tennants, if they so wish, to charge the credit/bank card given in part of full payment, including all fees, for items successfully purchased in the auction via www.the-saleroom.com; and (b) confirm that you are authorised to provide these credit/bank details to Tennants through www.the-saleroom.com and agree that Tennants are entitled to permit the shipping of the goods to the card holder and card holder address provided in fulfilment of the sale.

We do not accept any liability for any losses, however arising, as a result of a prospective buyer’s use of www.the-saleroom.com. Use of www.the-saleroom.com is subject to separate terms and conditions which do not form part of these conditions.

Telephone Bidding Requests for telephone bidding must be registered at least one hour prior to the close of the View Day. We will not accept requests on the Day of Sale.

Telephone Lines are booked on a first-come, first-served basis and are subject to a minimum lot value of £500 for Fine Art Sales and £200 for all other sales.

www.tennants.co.uk

We act as agents for the Seller, whose details remain confidential. If you buy at auction your contract is with the Seller, not us.

Picture Descriptions The forename(s) (or asterisks where not known) and surname of the artist indicates, in our opinion, a work by the artist named.

The initials of the forename(s) and the surname of the artist indicates in our opinion a work of the period of the artist which may be wholly or in part his work.

The following terms apply in our determination of a picture description: (a) “Attributed to” - is in our opinion probably a work by the artist. (b) “Studio of” - is in our opinion a work from the studio of the artist which may or may not have been executed under his direction. (c) “Circle of” - is in our opinion a work of the period of the artist executed under his immediate influence. (d) “Follower of” - is in our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (e) “Manner of” - is in our opinion a work in a style related to that of the artist, but of a later date. (f) “School accompanied by the name of a place or country and a date” means that in our opinion the picture was executed at that time and in that location; e.g. Flemish School, 17th century. (g) “After” - an artist is in our opinion a copy of any date after a work by that artist. (h) “Signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription” - are from the hand of the artist. (i) “Bears signature and/or dated and or inscription means that in our opinion the artist’s name and/or date and/or inscription” - have been added by another hand. (j) All references to signature, inscriptions and dates refer to the present state of the work. (k) Dimensions are given height before width and do not include the frame (l) Pictures are framed unless otherwise stated.

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Droit de Suite/ Artists’ Resale Rights All items in this catalogue that are marked with “✔” are potentially qualifying items, and the royalty charge (set out below) will apply if the Hammer Price is more than the UK sterling equivalent of €1,000. The royalty charge will be added to purchase invoices, and must be paid before items can be cleared. All royalty charges are paid to either the Design and Artists Copyright Society (“DACS”) or the Artists’ Collecting Society (“ACS”) by the auctioneers, and no handling costs or additional fees with respect to these changes will be retained by the auctioneer.

From 14 February 2006 United Kingdom art market professionals (which includes auctioneers) are required to collect a royalty payment for all works of art that have been produced by living artists, and those who have died within the last 70 years. This payment is calculated on qualifying works of art which are sold for a Hammer Price more that the UK sterling equivalent of €1,000 (the UK sterling equivalent will fluctuate in line with prevailing exchange rates). It is the responsibility of the Buyer to acquaint themselves with the actual Euro to UK sterling exchange rate on the Day of Sale. The actual qualifying threshold will be calculated by the “Artist’s Resale Right Service Hub” based on the “European Central Bank” reference rate published at 2.15pm on the Day of Sale and can be found on www.dacs.org.uk The royalty charge for qualifying items which achieve a Hammer Price of more than the UK sterling equivalent of €1,000 is as follows: Up to €50,000 – 4% €50,000.01 to €200,000 – 3% €200,000.01 to €350,000 – 1% €350,000.01 to €500,000 – 0.5% Exceeding €500,000 – 0.25% For further information please visit www.dacs.org.uk or www.artistscollectingsociety.org. There is no VAT payable on this royalty charge.

Method of Payment Payment is accepted online via our website.

Card payments where the card holder is not present will only be accepted for transactions up to £500.

Payment can be made and purchases collected during the auction.

All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale.

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Collection All purchases much be collected from our Leyburn offices, unless stated otherwise, within seven days of the Sale (Monday to Friday 8.30am to 5.00pm).

Despatch/Delivery Buyers may appoint their own shippers or use one of our preferred suppliers for all UK deliveries and international shipping. Their contact details are as follows: Bradleys Antique Packing Services Ltd 01325 281332 info@antiquepacking.co.uk Carrs Carriers Ltd 01423 297088 01913 077024 07958 023028 carrscarriersltd@gmail.com

Mailboxes Etc 0113 242 8715 info@mbeleedscity.co.uk

In-House Shipping For certain lots, we offer a packing and shipping service up to a total value of £5,000 (inclusive of buyer’s premium, VAT and any other associated charges). Prices start from £20 depending on the size and destination. Please note, we are unable to post items of a fragile nature.

Items are fully insured and can be tracked from dispatch to delivery.

To obtain a quote for packing and shipping, please email shipping@tennants-ltd.co.uk or call 01969 623780. You will need to have paid your invoice in full, including delivery, before items are dispatched.

For full Terms of Business please refer to www.tennants.co.uk

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2022 AUCTION DATES Saturday 11 June Antiques & Interiors Wednesday 15 June Militaria & Ethnographica Friday 24 June Antiques & Interiors Saturday 25 June 20th Century Design Saturday 25 June Modern & Contemporary Art Wednesday 6 July Stamps, Postcards & Postal History Friday 8 July Antiques & Interiors Sunday 3 July – Sunday 17 July Timed Auction Designer Fashion Saturday 16 July Summer Fine Art Saturday 16 July British, European & Sporting Art Saturday 16 July Jewellery, Watches & Silver Friday 22 July Antiques & Interiors Wednesday 27 July Toys, Models, Sporting & Fishing

www.tennants.co.uk

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Lot 1058

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Lot 1058

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MODERN & CONTEMPORARY ART SATURDAY 25 JUNE 2022

The Auction Centre, Leyburn North Yorkshire DL8 5SG 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk

MODERN & CONTEMPORARY ART SATURDAY 25 JUNE 2022